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‘Our Class,’ a timely play asking big questions about antisemitism, makes its New York premiere

(New York Jewish Week) —“But what could I do?” 

Variations of this question are asked again and again throughout Polish playwright Tadeusz Słobodzianek’s “Our Class.” The play is inspired by the real-life 1941 pogrom in the small Polish village of Jedwabne, in which local residents murdered hundreds of their Jewish neighbors.  

And now, at a time of increasing antisemitism stemming from Israel’s war with Hamas, “Our Class” makes its New York premiere at Brooklyn Academy of Music’s Fisher Fishman Space. 

“Our Class,” first produced in 2009, tracks 10 Jedwabne residents — half of them Jewish and half Catholic, with the majority of the characters based on real people — from 1925 through the pogrom and beyond. The characters begin as young classmates, children of 5 and 6 playing and learning together and dreaming of their futures. In this context, “But what could I do?” refers to harmless events, such as one student silently standing by while another is teased for his unrequited crush. As they reach young adulthood, the classmates are haplessly thrust into the roles of victim and perpetrator, and “But what could I do?” takes on a terrifying gravity. 

That the murderers in “Our Class” were conducted by Jews’ neighbors, rather than occupying German Nazis, is what made director Igor Golyak so eager to tackle Słobodzianek’s text. 

“It was just regular people, just like you and I, that could reach these heights of hate and find a reason to burn their neighbors,” Golyak, a Ukrainian Jew who immigrated to the United States at the age of 11, told the New York Jewish Week. 

Based in the Boston area, Golyak is the founder and artistic director of Arlekin Players Theater, a company made up of Jewish immigrants and refugees from Eastern Europe dedicated to presenting Russian theater. He’s gained acclaim in recent years for his virtual theater work, including “State vs. Natasha Banina,” which was a New York Times Critics Pick, and “chekhovOS/an experimental game/,” starring Mikhail Baryshnikov and Jessica Hecht. 

When Golyak and his creative team first read “Our Class” together in May 2023, they drew comparisons to the ongoing war in Ukraine. What they couldn’t have expected was how Hamas’ Oct. 7 terrorist attack on Israel, and its aftermath that has included both a war in Gaza and global displays of antisemitism, have recast Słobodzianek’s play in a new light. 

“It feels very urgent, like it’s another recognition of the importance of not forgetting the antisemitism and hate that unfortunately exists in the world,” Golyak said. “We think this lies asleep in the world culture. But it is a very light sleeper.”  

The Jedwabne pogrom was thrust into the spotlight in 2001 with the publication of Jan T. Gross’ book “Neighbors.” Gross, a professor of history at Princeton University, discovered that despite public perception — and even a memorial in Jedwabne — the massacre of the village’s 1,600 Jews did not happen by the hands of the Nazis. Rather, it was the local Catholic Polish population who took the initiative in torturing, murdering and burning alive their neighbors. Gross’ revelation led Poland’s president, Aleksander Kwasniewski to apologize to the international Jewish community in 2001, though some Poles remained in denial. A decade later, on the 70th anniversary of the massacre, Polish President Bronislaw Komorowski asked for forgiveness again.

More recently, however, the Polish government has adopted an official stance of denial, vigorously rejecting any claims of local complicity in the Nazi campaign against the Jews, which left 90% of Polish Jews dead.

Alexandra Silber, a Jewish actress with a ream of Broadway and West End credits who’s playing the part of Jewish classmate Rachelka, has also felt the tenor of the play shift since the events of Oct 7. “It’s made it horrifying and relevant in a new way,” she said. “I felt really called upon by Rachelka to serve her. I have a lot to say on her behalf.” 

Rachelka is one of a handful of Jewish characters in “Our Class” who aren’t killed in the pogrom. One of her Polish classmates hides her away and eventually marries her. She converts to Catholicism and changes her name. Like with each of the 10 classmates, Rachelka’s journey raises its own questions. 

“Is it better to survive?” reflects Silber. “Rachelka’s Jewishness, her Jewish name, her Jewish soul departs, and she has to live as a new person. Every single thing about her survivor’s life does not resemble who she began as, and is that better?” 

Alongside Silber, the cast is made up of actors hailing from New York, Los Angeles, Ukraine and Russia, and includes both Jewish artists and some with Polish roots. “We’ve really created an unbelievable diversity of humanity in our group of 10,” Silber said. 

Golyak adds that after the Oct. 7 attack, the cast came together in a series of discussions. “We have cast members and team members, designers, that were personally affected by Oct. 7 because of relatives and friends that have actually been murdered,” he said. “So it’s been a very, very personal journey.”

While “Our Class” dives deeply into its challenging subject matter, it is not without its moments of levity. 

“I’m trying to find a lot of humor in this play because people are funny, and that’s what makes them humans and humane,” Golyak said. “We can relate to people that make mistakes and are sometimes funny and sometimes awkward, and these people are just like us.”

New York audiences will have the chance to see themselves most clearly in the character of Abram, the only one of the 10 classmates who left for the United States before the 1941 pogrom. Throughout the play, Abram (played by “Indecent” star Richard Topol) communicates with his old friends through letters, trying to piece together the conflicting information he receives from the safety of his home in New York. 

Abram serves as a foil, a reminder of the fallibility and subjectivity of memory. “We need to understand this as people living in America, separated by the ocean from evil,” Golyak said. “The more relatable Abram is, the more we understand that this evil is actually closer than we think.”

Technology has become a hallmark of Golyak’s work, and this production uses devices such as a fake documentary movie set — complete with an onstage camera person — along with chalk drawings and projections, to expose elements of the characters’ journeys. He’s joined by a creative team including scenic designer Jan Pappelbaum, music director Lisa Gutkin, choreographer Or Schraiber, and many more.

“Our Class” raises a lot of questions, but neither Słobodzianek nor Golyak are interested in offering simple answers. But for the director, that’s precisely the point. 

“It’s very difficult to overcome these big events in one’s life, and I’m definitely not here to judge who did the right thing or the wrong thing, because I don’t know how I would act in these situations,” Golyak said. “But the beauty of this play is that it asks these questions.”

“Our Class” will be performed through Feb. 4 at BAM’s Fisher Fishman space (321 Ashland Pl., Brooklyn). Tickets start at $59.


The post ‘Our Class,’ a timely play asking big questions about antisemitism, makes its New York premiere appeared first on Jewish Telegraphic Agency.

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Journalist at US-Based Nonprofit Promoted Stabbing Israelis, Depicted Rescued Hostage as Pig Drinking Blood: Report

Palestinian terrorists ride an Israeli military vehicle that was seized by gunmen who infiltrated areas of southern Israel, in the northern Gaza Strip, Oct. 7, 2023. Photo: REUTERS/Ahmed Zakot

A journalist at a US-based nonprofit posted tutorials on how to commit stabbing attacks and depicted a rescued Israeli hostage as a pig drinking blood, according to newly surfaced social media posts.

Eitan Fischberger, a communications analyst and former Israel Defense Forces (IDF) staff sergeant who first broke the story on X/Twitter, alleged that Mahmoud Ajjour, a correspondent for The Palestine Chronicle, posted disturbing images and videos to his Instagram page. 

Fischberger posted screenshots and screen recordings of the posts.

According to The Chronicles website, Ajjour is a photojournalist and correspondent for the outlet, which is a US-based 501c3, or nonprofit organization.

One of the posted images depicted Noa Argamani — an Israeli who was kidnapped from the Nova music festival during Hamas’ Oct. 7 terrorist attacks in southern Israel, and then rescued in an IDF special operation last month — as a pig drinking blood from a Coca-Cola bottle.

Here, for example, Ajjour posted a picture of Israeli hostage Noa Argamani, portrayed as a pig drinking the blood of Palestinians.

Noa, as you recall, was freed by Israeli forces in the same rescue operation in which Ajjour’s terrorist colleague was killed pic.twitter.com/oiLCqekxbl

— Eitan Fischberger (@EFischberger) June 30, 2024

In Oct. 2015, Ajjour posted a picture of a masked Palestinian holding up a knife, with the caption, “I declare it a revolution.”

That time — from approximately Sept. 2015 to June 2016 — was referred to as the “knife intifada,” as there was an uptick in Palestinian terrorist attacks, particularly using knives, against Israelis in Jerusalem, along with other parts of Israel and the West Bank.

Ajjour also seems mighty fine endorsing stabbing attacks pic.twitter.com/xi2MnZVddl

— Eitan Fischberger (@EFischberger) June 30, 2024

During that same month, Ajjour also reportedly posted a two-part tutorial on how to carry out stabbings with the caption, “May Allah protect them,” likely referring to those who were engaging in such attacks.

So much, in fact, that he uploaded a two-part instruction video showing off some best practices for stabbing Israelis pic.twitter.com/Z12rVo4Enx

— Eitan Fischberger (@EFischberger) June 30, 2024

Then, in 2023, after the son of a Hamas preacher was killed when a device he was trying to launch at Israel exploded, Ajjour mourned his death on Instagram. “Your father’s legacy is proud of you,” he wrote alongside a picture that included what appeared to be a Hamas flag.

And here, Ajjour mourns the death of Bara’a al-Zard, son of Hamas preacher Wael al-Zard.

Silly Bara’a died in an explosion caused by a device he was trying to launch at Israeli forces near the Gaza security fencehttps://t.co/vZR6IW0shF pic.twitter.com/ipQw55BYd7

— Eitan Fischberger (@EFischberger) June 30, 2024

This is not the first time a journalist from The Palestine Chronicle was alleged to have either supported or partaken in terrorism.

Abdallah Aljamal, who was a correspondent for The Chronicle, allegedly held three Israeli hostages in his home, according to the Israeli government. He was killed during a raid that rescued four hostages, including Argamani. After the allegations came to light, The Chronicle changed Aljamal’s status on its website from a correspondent to a contributor.

The Palestine Chronicle did not respond to a request for comment for this story.

Fichberger wrote that he wants the US House Ways and Means Committee to investigate The Chronicle for what seems to have become a pattern.

“If The Chronicle is let off the hook for employing an actual terrorist hostage-taker, it would prove that the American counter-terror legal apparatus really is irreparably broken,” he wrote.

The post Journalist at US-Based Nonprofit Promoted Stabbing Israelis, Depicted Rescued Hostage as Pig Drinking Blood: Report first appeared on Algemeiner.com.

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Weak National Canadian Identity Is Leading to Democratic Values Backsliding

Hundreds of anti-Israel protesters, primarily university students, rally at Toronto’s Nathan Phillips Square on Oct. 28, 2023. Photo by Sayed Najafizada/NurPhoto

As I sat in an anthropology lecture at the University of British Columbia, we debated the question: What is a unifying national identity for Canadians? In response, I said, “Our national identity is that we aren’t Americans; our identity is contrasted against American identities, for good or for bad.”

Some students laughed, and my professor nodded approvingly. How I wish we could laugh about our lack of Canadian identity today, as we watch university student encampments support the repressive tyrannical terrorist regime Hamas, the antithesis of democracy.

I am not Jewish, but I have watched in awe as the Israel Defense Forces fights to defend the Jewish nation from Hamas, and free the remaining hostages. The parliamentary democracy that governs Israel acts as a beacon of light in the Middle East. The strong national identity that interlocks the state and the people propels the continued hostage rescue operations.

It is my greatest hope that Canada, my country, would feel as strongly in their national responsibility to rescue me, my family, or fellow Canadians if we were ever taken hostage, or if Canada was invaded by a terrorist group. However, I fear that the national Canadian identity would not be strong enough to withstand the international pressure that Israel has withstood to continue the hostage rescue missions.

Across Canada, university students are assuming pro-Hamas identities — many after reading ill-informed or false Instagram posts. In the name of social justice, they are aligning with a cause that approves the intentional targeting of Jewish civilians, calls for the eradication of the world’s only Jewish state, and ignores the fact that Israel is waging one of the lowest civilian-to-combatant casualty wars in the history of armed conflict.

Here in Canada we, as the Gen Z’ers, don’t have a strong national identity. We haven’t grown up with a strong appreciation for our democracy, military, or a high respect for our veterans. Many of us under the age of 30 do not know the words to “O’Canada.” We have taken for granted the freedom that is our democratic right in Canada. I hypothesize that so many of our younger generations have fallen for terrorist propaganda because we lack rootedness in a national backbone.

There is nothing wrong with advocating for civilians in war zones. It’s exactly because of our democratic freedoms that we can have differing dialogues around war. But what is taking place on campuses is not pro-peace, pro-innocent civilians, pro-hostage release, or pro-democratic values.

These university encampments are anti-peace and they promote hate, propaganda, and terrorism. Before our eyes, since the Oct. 7th massacre carried out by Hamas, many university students have sided with the terrorist organization.

I am nearly infuriated to the point of tears most days, in what feels like a never-ending battle of terrorist propaganda being shared by my leftist friends. I have always been a politically center-left person, but as the left moves further to the extremist side, I feel the need to call this extremism out.

As a non-Jewish Canadian university student, I have had enough of this childish behavior. If we want to be treated like adults, we need to act like them. As silly as that sounds, my peers are using their democratic rights to advocate for a terrorist group. A terrorist group who would kill us if given the chance.

Without a strong national backbone, we have lost ourselves to incompetent “social justice” causes that cease to make rational or logical sense. Canadian democratic values are about peace, respect, and diversity. Hamas is a radical Islamist military movement that does not believe in equal rights for men and women, let alone LGBTQ+ individuals. It does not make democratic sense to advocate for a terrorist group who are fanatical Islamic extremists.

Intense false realities have been created by the extreme left that fantasize and romanticize terrorists as resistance fighters — a desperate attempt to create a false narrative that implicates Israel as the terrorist organization. Instead of calling for accountability and disbandment of Hamas, the blame has been unfairly placed on Israel. These dangerous terrorist-sympathizing ideologies need to be met with harsh repercussions, as the democratic values of future adult Canadians rest in the balance.

Many of us on the left have lived in fear of falling victim to cancel culture, and have instead allowed the extremism on the left to grow. The hypocrisy and privilege of these protestors have stripped them of their credibility for a social justice movement.

Putting up signs stating “F*** KKKANANDA” at the University of British Columbia, painting “F*** Quebec” in Montreal on the face of a new Holocaust museum poster, and chanting “Death to America” on campuses, is life or death for Western democratic values.

The (false) colonial narrative about Israel has become dizzyingly amplified on campuses, commonly stating that Israel is a colonizer of the land and the Palestinians are the oppressed. Instead, the ancestral and Indigenous right of Jewish return is the ultimate act of decolonization.

The intense leftist approach to teaching makes race the center of every issue, causing students to view indigeneity and colonization in simplified forms without historical context. I am an Arts student who has always been politically and socially left, and an active feminist.

However, I have been inundated with intense frameworks of colonialism, racism, and intersectionality since beginning my undergraduate studies — and these claims are not always based in historical reality.

I never thought I would write these words, but I am dismayed by how my leftist peers are acting, and it is becoming more extreme every day. They are acting like puppets for terrorism, amplifying propaganda and disinformation about what occurred on Oct 7th.

I do not want to live in a society that denies rape, denies accountability, and denies basic human rights to Israelis and Jewish people. I love that my friends in the LGBTQIA2S+ community get to live freely here in Canada and that my friends who choose to receive an abortion for personal or life-saving reasons, can do so. Also, as a woman, I can live equally in a society that promotes my human rights. None of these rights are awarded by Hamas in the society they govern. With the privileged position of having access to basic human rights, I am thankful to call myself a Canadian citizen.

If we don’t fight for our Canadian democratic values, we will be flattened by external forces. It is time to build and cultivate a strong national backbone that holds us accountable for upholding our country. Maybe we will one day be able to look back with humor on this dark period in academic spaces that have allowed this ideology to foster. Until then, we must fight for our country to remain the “True North, strong and free.” If we stand for nothing, we will fall for everything.

As a Gen-Z Canadian, I refuse to allow my peers to degrade our freedoms by romanticizing terrorism.

Zara Nybo is a student at the University of British Columbia, and a Campus Media Fellow with HonestReporting Canada and Allied Voices for Israel.

The post Weak National Canadian Identity Is Leading to Democratic Values Backsliding first appeared on Algemeiner.com.

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University of Pennsylvania Suspends Pro-Hamas Rioters for Full Semester, Activist Group Says

Pro-Hamas encampment at University of Pennsylvania on May 5, 2024. Photo: Robyn Stevens Brody via Reuters Connect

The University of Pennsylvania has suspended four pro-Hamas protesters who participated in illegally occupying the campus, according to an activist group that helped organize the demonstration.

“The [university’s] administration has continued to endorse Zionist ideology and bent to the will of their donors in order to prioritize their profit and image. In their most recent attempt to stifle pro-Palestinian speech, they have suspended four of their own students,” a Students for Justice in Palestine (SJP) splinter group — Freedom School for Palestine — wrote on Instagram.

“It is clear that Penn is not an institution of education but a corporate power which serves to oil the gears of the global war machine (and then beat, jail, and suspend those who protest this) [sic],” the post continued, adding that the students were “placed on semester-long or year-long suspensions.”

Freedom School for Palestine — which helped organize a “Gaza Solidarity Encampment” in which pro-Hamas students lived for weeks and refused to leave unless administrators agreed to boycott and divest from Israel — also implored the public to flood the administration’s office with messages demanding revocations of the suspensions, claiming that the students have been “robbed of their income, health insurance, and access to education.”

The University of Pennsylvania (Penn) commented on the report on Wednesday.

“Penn continues to review student conduct cases in connection with campus demonstrations this spring,” it said in a statement shared with The Algemeiner. “The university affords due process to all students in accordance with our policies and recommends sanctions as appropriate on a case-by-case basis.”

Penn’s handing down disciplinary sanctions came nearly two months after it finally cleared protesters from school property with the help of the Philadelphia Police Department. The university had attempted to negotiate with the protesters, but its patience wore thin amid their escalating conduct. After hours of discussions failed to yield a settlement acceptable to both sides, interim president Larry Jameson publicly called the protesters a safety hazard while noting that they had committed acts of vandalism, including defacing a statute of Benjamin Franklin, one of the United States’ Founding Fathers, and “The Button,” a sculpture built in the early 1980s.

In addition to divestment from Israel, the demonstration’s leaders demanded that the university vacate a suspension of Penn Students Against the Occupation of Palestine, which the school shut down after multiple rules violations. Frustrated with the university’s refusing to grant them any concessions, masses of new people joined the encampment, expanding it over a larger area of school property and forcing the university to request additional security on campus.

“The protesters refused repeatedly to disband the encampment, to produce identification, to stop threatening, loud, and discriminatory speech and behavior, and to comply with instructions from Penn administrators and Public Safety,” Jameson said after the tents were dismantled. “Instead, they called for others to join them in escalating their disruptions and expanding their encampment, necessitating that we take action to protect the safety and rights of everyone in our community.”

Antisemitism fueled by anti-Zionism exploded at the university long before the “encampment” was set up, an action which was precipitated by Israel’s military response to Hamas’ massacre across southern Israel on Oct. 7. In September, it hosted “The Palestine Writes Literature Festival,” which included speakers such as Palestinian researcher Salman Abu Sitta, who once promoted antisemitic tropes, saying in an interview, “Jews were hated in Europe because they played a role in the destruction of the economy in some of the countries, so they would hate them.” Another controversial figure invited to the event was former Pink Floyd vocalist Roger Waters, whose long record of anti-Jewish snipes was the subject of a documentary released last year.

One day before the event took place, an unidentified male walked into the university’s Hillel building behind a staffer and shouted “F—k the Jews” and “Jesus Christ is king!” before overturning tables, podium stands, and chairs, according to students and school officials who spoke with The Algemeiner. Days earlier, just before the Jewish New Year of Rosh Hashanah, a swastika was graffitied in the basement of the university’s Stuart Weitzman School of Design.

Former Penn president Elizabeth Magill, who refused to stop the university from hosting the festival, resigned from her post in December, ending a 17-month tenure marked by controversy over what critics described as an insufficient response to surging antisemitism on campus.

The University of Pennsylvania will continue to deal with the events of this academic year for some time. Last month, a federal judge dismissed a lawsuit challenging a US congressional investigation of antisemitism there, which the House Committee on Education and the Workforce launched after Magill failed to provide acceptable answers about her handling of the problem during a hearing in December. The ruling cleared the way for Congress to continue an inquiry that could complicate Penn’s attempts to repair a perception that it coddled antisemites because they claimed to be partisans of the progressive left.

As part of its inquiry, the committee, led by US Rep. Virginia Foxx (R-NC), subpoenaed the university for a trove of documents, including reports and correspondence, which would provide a window into how administrators discussed antisemitism on campus.

Such documents have already proved injurious to Columbia University, which according to reports by The Washington Free Beacon, derided Jewish students’ concerns about rising antisemitism, calling them “privileged” and “wealthy.”

Follow Dion J. Pierre @DionJPierre.

The post University of Pennsylvania Suspends Pro-Hamas Rioters for Full Semester, Activist Group Says first appeared on Algemeiner.com.

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