Local News
Michael Paterson and Gail Asper talk about their lives and why they’ve given their support to this year’s JNF Negev Gala
By BERNIE BELLAN On June 2 the Jewish National Fund will be honouring Gail Asper and Dr. Michael Paterson, a couple that has long been associated with many aspects of the Jewish community, whether it’s been Gail’s storied philanthropic endeavours or Michael’s years of service on the board of Jewish Child & Family Service.
Recently I had the opportunity to interview Michael and Gail via Zoom. Gail was a little bit late joining in, so I thought I’d take the opportunity to ask Michael to give me an update as to what his sons, Stephen and Jonathan, are doing these days, and to ask Michael about his own activities in the scientific realm, which has been his lifelong passion.
“Jonathan is now a lawyer,” (with Duboff Edwards Schachter) “and Stephen is pursuing his PhD at St. Mary’s University in Halifax,” Michael said.
“He’s studying invasive species,” Michael added. “He’s studying earthworms.”
Now, while I would hardly have thought earthworms would be considered an “invasive species” per se, Michael explained that “they all come from Europe.”
“Really?” I asked. (You never know what you’re going to learn when you set about to interview someone without any pre-conceived questions.)
“Yah, pretty much,” Michael added. “There are a few native earthworms that are primarily in the Yukon, which is where he’s heading this summer.”
Later in the interview, I had the chance to ask Gail about her own attitude to Stephen’s area of study. I don’t think it would surprise you to learn that she’s not a real earthworm aficionado.
“I hate earthworms!” she offered by way of answering how she feels about Stephen’s chosen area of study.
“We have this Covid dog,” she continued. “And every night we take him out for a walk and I’m seeing foxes and coyotes, deer and raccoons – and huge owls. Lately the sidewalk has been littered with disgusting, fat earthworms. It’s so disgusting.”
But, I added, “I didn’t know they immigrated here from Europe. That’s so interesting” – to which Gail added this rejoinder: “And no good can come of it! They should go back where they came from!”
As for Michael’s own particular area of interest, I asked him whether he’s still involved in the study of freshwater lakes. He said he is, with the “experimental lakes area” in “Northwestern Ontario, where we basically study the effect of human activities on water quality.”
The experimental lakes area encompasses 58 different lakes in a part of Ontario which has remained largely untouched by human habitation and which offers an excellent area in which scientists can study the effects that introducing various elements have on otherwise pristine bodies of water.
The experimental lakes project, however, was in danger of being shut down completely as recently as 2012, Michael explained.
At that point Gail joined in the discussion and noted that Michael played a pivotal role in keeping the project alive. It is now under the auspices of the International Institute for Sustainable Development, which is a private institute (that receives funding from the federal government as well as a number of private sector sources). The experimental lakes project also receives funding from the provinces of Ontario and Manitoba.
The fact that Michael Paterson is a scientist who is deeply concerned with the effects that humans have on freshwater lakes is significant in understanding the particular project that he and Gail have now involved themselves with through the JNF. (More about that later.)
I said to Gail that there was an interesting synchronicity in my talking to her prior to our next issue’s being published, as I told her I was also going to be doing a story about Aharon Harlap, the famous music composer, who just happens to be a cousin of Gail’s (once removed; he was actually a first cousin to her father).
Turning to the upcoming gala, which will be viewed virtually once again (as was last year’s gala, in which Ted and Harriet Lyons were honoured), I told Gail and Michael that I already had a heads up about what will be featured in the gala. (Keith Levit had spilled the beans to me.)
I said that I was told that this gala was a major production that will include some fabulous musical numbers.
“Yup, that’s all we know,” Gail noted. “We don’t know what they’re doing.”
“You don’t?” I asked in astonishment.
“No,” she said. “Big surprise.”
“Because I do,” I said. “But I’m not going to tell you.”
“Don’t tell us anything,” Gail insisted. “We heard a snippet when we were there for our taping, but we closed the door because we didn’t want to hear anything. So we’re going to be sitting on June 2nd with our little box of hummus and cookies or whatever they (the JNF) give you, and it’ll all be new for us.”
With that as preamble to the edgy interview that I had really wanted to conduct, I launched into what I thought would be a really tough question: “You must be a really hard ‘get’,” I suggested. “How many times have you been asked to be the honourees for the JNF Gala in the past?”
“We actually have not been asked,” Gail answered. “I mean our family was honoured a few years ago. The Asper Foundation and my family were honoured, so we were up on stage a few years ago. So, this was the first official ask for us. I didn’t think we needed to be asked because the Foundation has been recognized – and we’re part of that. But, it was with a lot of trepidation (that we accepted) because along with the honour comes a lot of responsibility.
“I happen to be very fond of the work the Jewish National Fund does,” Gail continued, “and the project this year – the Climate Solutions Prize, is also meaningful, so we felt it was appropriate to accept this wonderful honour.”
I turned to Michael to ask him about his own involvement in fund raising for the Jewish community. I noted that I had received a phone call from him back in the fall when he was phone soliciting for the Jewish Child & Family Service. I wondered whether that was something he’s been doing on a regular basis, i.e., phone soliciting for different organizations?
“Oh yah,” he answered. “Frankly, I don’t know why I’m being honoured. I am involved with a bunch of organizations. I sat on the board of Jewish Child & Family Service, on and off, for over 20 years, and I was the chair of the board many years ago,” to which Gail added, “and he was the first non-Jewish chair of the board, for which he received a Shem Tov Award.”
Of course, Gail being Gail, she had to add: “He received the Shem Tov Award for being the only chair who started and ended the meetings on time. He was so beloved!”
Michael also observed that, in addition to being on the JCFS board for many years, “I was also on the (Jewish) Federation board. I’ve been on the Federation Allocations Committee in the past, I’ve been on the (Jewish) Foundation’s Allocations Committee.” In addition to those Jewish organizations, Michael noted that “another organization I’ve been very involved with has been the Nature Conservancy of Canada. I’ve been on the regional board and the national board, on and off, since 2000. I’m currently the regional co-chair and I have been the chair in the past.”
He added that he’s also been involved with the Public Interest Legal Centre “on their board.”
I said that I wanted to take a step back and ask how Gail and Michael had met? (I had remembered reading that they had met at university, but I had the wrong university in mind when I asked whether they met in Halifax?)
“We met at the Elizabeth Dafoe Library,” Gail corrected me. “We both worked part time there. It was 1979. I was in Arts and Mike was in Science.”
I asked whether they met in the stacks?
“That would be a good story,” Gail retorted: “Love among the stacks. No, I was actually in ‘circulation’,” (to which I had to comment: “What a great double entendre”), “but every time Mike from ‘reserve’ would walk by, all my friends would look at cute ‘Mike from reserve’ as he bounded by to his little reserve area, and Thursday nights, for 20 minutes, we had our break together in the cafeteria. I got to know him, he got to know me, I would give him rides home; I really liked him so I asked him out on a date in March of the following year (1980). I asked him out to a Jets game in March – and it was a very wonderful night, but like, nothing happened, so I thought, ‘Okay, I guess we’re just going to be friends’ and I was going off to Europe with Jonathan Kroft – my dear friend – just a platonic friend, and I went to the Trevi Fountain in Rome, and there’s a song: ‘Three Coins in the Fountain’ so I stood on the edge of the Trevi Fountain, and I sang that song, and I wished for true love with Michael James Paterson – threw my coin in the fountain, and the next day I went to American Express to pick up my mail, and there was a letter responding to a letter I had written to Mike where I expressed my affection for him and wondered what was wrong with him to not feel the same way about me – and he wrote back, saying ‘I thought anyone traveling in Europe with a guy is otherwise engaged – and, if you’re not, let’s get together’,” and so, when Gail did get back they did get together and, as she noted: “We’ve been together ever since.”
“We got married in June of ’84,” Gail noted. “I was going to law school here.”
Mike explained that he had been “doing a Masters in Indiana” prior to their getting married, “and then we went to Halifax where I started on my PhD at Dalhousie.”
It was in Halifax also that Gail articled as a lawyer. “So it was in Halifax that we started our married life together,” she said. “We had no family, we didn’t know anyone. It wasn’t a bad way to start out,” she observed.
The discussion turned to politics and how both Michael and Gail have been able to navigate the sometimes choppy waters of dealing with politicians of different stripes (and bureaucrats) at various times in their lives – Michael in his efforts to kept the experimental lakes area alive, and Gail, most notably in her efforts to get the Human Rights Museum built.
Michael described his experiences to me, but in the end he put it succinctly: “It’s not that I don’t have political opinions, but I like to think that I’m reasonably respectful of different points of view.”
Although ordinarily one might have expected that, this having been an interview that would be published just prior to the JNF Gala, I would have led off my questions by asking about the particular project for which Michael and Gail agreed to lend their support by becoming this year’s Winnipeg honourees for the Gala. Instead, in a short piece following this article, you can read about the Climate Solutions Prize, which is that project.
For Gail, the notion of contributing to further scientific study in an area as important as the climate crisis is an extension of what the Asper Foundation has been doing for years with various Israeli institutions of higher learning, she observed.
“I’m involved with Hebrew U, we’ve supported Tel Aviv University, Ben Gurion (University), lots of other places. It’s strengthening Israel – and that’s aligned with our values; it’s helping the world, and that’s aligned with our values. I like to think that Israel can come up with something that will help the world – and that’s good for Israeli ‘hasbara’.”
As well, Gail noted that she “likes the idea of the JNF getting back to its ‘roots’ (“no pun intended,” she added), “and doing something more environmentally focused.”
For his own part, Michael noted that some years back he was invited to attend a water quality conference in Israel sponsored by the JNF. “I had the opportunity to meet some of the researchers on water quality in Israel and they were really an amazing, inspiring group. It was a reminder of all the research power in Israel.
“Of course, I’m deeply concerned about the environment and one of the biggest threats to the environment is climate change. It’s stating the obvious, but any threat to the environment is a threat to all of us if we care about the future – of our economy, our health, our way of life, our well being in general. I’ve given my professional career to protecting the environment, so the idea of bringing together Israeli innovation and research power and the environment is very attractive, so when the JNF brought this project to us for us to lend our support – of course, it made a lot of sense.”
In addition, some of the proceeds from the Gala will be going to JCFS, along with the World’s Jewish Museum in Tel Aviv (which is also a project in which Gail is deeply involved).
Local News
Hundreds rally against opening of Nakba exhibit at Human Rights Museum
By NOAH STRAUSS Around 300 people gathered outside the Canadian Museum for Human Rights on Friday during the grand opening of the museum’s newest exhibit, “Palestine Uprooted: Nakba Past and Present.” (Ed. note: The CBC report on the protest said there were “100” people at the rally. I know there were more than 100, but I’m not sure there were 300 either.) The exhibit, which had a limited number of tickets available for opening night, sold out. The Canadian Palestinian Association of Manitoba had originally planned a rally in support of the exhibit’s opening, but it was cancelled just days before the event.
The Nakba, which means “catastrophe” in Arabic, refers to the displacement of an estimated 750,000 Palestinians during the 1947–1949 war surrounding the establishment of the State of Israel. The exhibit has drawn criticism from members of Winnipeg’s Jewish community and others who argue that it does not acknowledge the displacement and persecution of Jewish communities in many Arab and Muslim-majority countries following Israel’s independence and the 1948 Arab-Israeli War. Historians estimate that between 850,000 and 950,000 Jews left or were expelled from Arab and Muslim-majority countries during the decades surrounding Israel’s establishment. In countries including Iraq, Egypt, and Yemen, many had their property confiscated, while others left because of persecution or increasing hostility.
Supporters of the Jewish community came from all faiths and backgrounds. The Jewish Post spoke with Lisa Lewis, a longtime supporter of the Jewish community.
“I think there is a crisis of antisemitism happening right now,” Lewis said.
She was one of many non-Jewish community members who attended the rally. Lewis said she has been an active ally since the 2000s, helping Argentine immigrants come to Canada. Following the October 7 attacks on Israel, she said she has become a more vocal supporter of the Jewish community. During the rally, she wore a Magen David necklace.
Lewis also criticized the museum’s approach to the exhibit.
“The Jewish community organizations that represent the majority of the Jewish community weren’t consulted on something like this,” she said.
Cindy Clubb, another ally of the Jewish community who attended the rally, also voiced her concerns.
“I grew up with prominent businesspeople and members of the academic and medical communities. I don’t know what we would do without our Jewish cooperation. So I’m up here to support them, and I think all of Winnipeg should be out here,” Clubb said.
One protester, who identified herself as Michelle, said, “We are against the Nakba exhibit. It’s all lies.”
Gustavo Zentner, Vice President of CIJA Manitoba and Saskatchewan, said, “We are calling on Minister Miller to hold the museum leadership accountable. The Minister of Canadian Heritage needs to ensure that national institutions are not weaponized against Canadians to serve a one-sided political agenda. These concerns were expressed not only by the Jewish community, but by many concerned Canadians. At its core, this is a Canadian issue.”
Zentner did not participate in the community rally. He went on to say, “We are proud of the many community members, allies, and organizers who gathered at the museum before Shabbat began to demonstrate their concerns.”
The museum defended its decision to present the exhibit. CEO Isha Khan said that “human rights matter precisely when they are inconvenient.” She added that the museum “belongs in the collective memory of Canadians.”
The exhibit is scheduled to remain on display until November 2028.
Local News
Interviews with the curator of the Nakba exhibit and the CEO of the Human Rights Museum
By BERNIE BELLAN On June 26, I was invited to attend the Canadian Museum for Human Right to see the Nakba exhibit prior to its being opened to the public. While I was there I was given the opportunity to interview the curator for the exhibit, Isabelle Masson, along with CMHR CEO Isha Khan. What follows are the transcripts of those interviews (edited only to remove pause words like “uh” and phrases the were repeated). The first interview was with Isabelle Masson:
Jewish Post: Several representatives of Winnipeg Jewish community organization say that they weren’t fairly consulted on this exhibit. How do you respond to that?
Masson: We came to this project with an awareness that Palestinian voices are often marginalized, even silenced, and an awareness that Islamophobia and anti-Palestinian racism have an impact on whose voice is heard and whose suffering is recognized. And so we intentionally chose to centre Palestinian voices with this exhibition.
JP: But to the point that many Jewish representatives of organizations and people within the community at large feel that the Jewish community should have been consulted on an issue that had such a direct impact on the Jewish community – did you not feel an obligation to consult with the Jewish community?
Masson: I think the best person to talk further about this issue is our CEO, Isha.
JP: In terms of the exhibit itself, I must say it really stresses the suffering that Palestinians have endured. But, in looking at other refugee situations around the world, the Palestinian situation seems to me to be unique in that there has never been an effort to resettle Palestinians within the countries to which they were forced to flee.
Do you not think that separates their situation (from other refugee situations) and, in some ways, it has made their situation worse than it could have been?
Masson: Well, the exhibit not only centres that experience of forced displacement and disposition as a longstanding experience across five generation that you know is tied to human rights violations that are ongoing today, but it also I want to point out, you know, foregrounds beauty, foregrounds resilience, foregrounds the maintenance of identity and belonging across time and across that experience. So there’s also these elements about this exhibition because it was also about humanizing Palestinians – about people with families with stories, with creativity – and coming back to some of the videos what interviewees say, right, we hope that Palestinians can be seen as fully human and hope that they can see Palestinians as having human rights and this this story today in this gallery is is a story about human rights.
JP: If I can focus on one particular aspect of the exhibit that I read this morning when I was sent the preview, it referred to what happened between the years 2000 and 2005 as a Palestinian uprising. But the Israeli term would be the Intifada which for them meant large-scale attacks – terrorist bombings by some Palestinians. Did you not think it necessary to include that in a larger context?
Masson: Well, we use uprising because it’s the most more accessible term in the exhibition and we, you know, we’re focusing really here on an artwork by artists – Palestinian American artist Reggie Cook and with an artwork that was trying to translate the experience of of occupation into what is created. So that’s the context in which we talk about that.
JP: But to ignore what happened during the uprising seems to me to leave out a major part of the context.
Masson: I don’t think that we are ignoring that. This exhibit is not about the full story of what has happened in Palestine, in Israel. It’s not, you know, the scope of this small exhibition. This small exhibition has a scope and the scope was really to create an opportunity and a place for Canadians to be able to encounter Palestinian Canadians and hear their voices.
JP: Given the current mood in the Middle East and the ongoing tensions between Israel and various other actors, the concern among many in the Jewish community that this is going to lead to a heightening of antisemitism and an exhibit like this seems that it it’s not going to do much to improve relations between Jews and Palestinians when it focuses on only one side of the story. How do you respond to that?
Masson: Well, this is only one exhibit of of many, of many stories that we have.
Following is my interview with Isha Khan. Khan began by explaining that she is “the CEO at the Canadian Museum for Human Rights and I’ve been here as CEO of the museum since August of 2020. So almost six years.”
JP: So let’s get right down to discussing (the exhibit). I spoke to the curator. I asked a lot of questions about the exhibit itself. I’m more interested in asking (you) about the general context and the atmosphere in the community. The accusation has been made repeatedly by various leaders of Jewish organizations that you have not been willing to consult on this exhibit. How do you respond to that?
Khan: I think the word consult can mean many things. We have a community engagement practice. So for us that means that depending on the scope of the exhibit and this exhibit is about Palestinian Canadians and their experiences, the impacts of the human rights impacts, of forced displacement, which means we engage with that community as we share their stories. Many folks in the Jewish community will say we haven’t consulted with them and yet we have met with leaders of Jewish organizations from across Canada, main uh, major federations, foundations, local Jewish organization representatives many times to talk about this exhibit, to explain what its scope is, what it’s about, what it’s intended to do, and most importantly, what it isn’t. And unfortunately there continues to be misconceptions about what it is. So we hope people will come and see it.
JP: I think the fear in the community – and I think it’s well founded is that this will foment an increase in antisemitism. Can you understand that concern?
Khan: Absolutely. I personally and any member of our team who’s talked to folks about this has said that we unequivocally share the concern about antisemitism in Canada today. That is part of our mandate. And we will continue to do that work and we can also share these stories of Palestinian Canadians – you know, telling the story of one community’s human rights violation in no way should negate or minimize the experience of another community. That’s what this museum was designed to do….designed to build understanding of shared humanity and that’s what we believe we’re doing responsibly.
JP: Just before I began this interview, I was taken (down to the fourth floor; the Nakba exhibit is on the fifth floor) to see the gallery of other human rights violations. I’m not sure what it’s called. (It’s where there is a ) recitation of various human rights violations, including what happened in 1947 and 1948 (in Palestine). They offer passing reference to the displacement of both Jewish and Palestinian refugees. Would you consider ever having an exhibit about the displacement of Jewish refugees from Arab lands in 1948 and subsequent years?
Khan: We would absolutely consider it and in fact have shared with leaders of the Jewish organizations months ago that yes, these are important stories that need to be told (and) invited them to work constructively with us on developing that content. Unfortunately we didn’t really receive much response.
JP: How long is this exhibit supposed to be on for?
Khan: So this exhibit right now we’re saying is a minimum of two years. That’s because it is an exhibit in a standing gallery and so it also depends on our updating of our other galleries and, you know, exhibits take a bit of time. This one is four years in the making and so we’ve just committed that it’ll be a minimum of two years and we’ll see where things go.
JP: There are a lot of other refugee situations in the world – (for instance) South Sudan, and just this morning I was saying to Isabelle that I received an email about the situation for people from Burundi in the Democratic Republic of the Congo.
I didn’t realize that was a problem. I know that the Congo has had ongoing problems with displacement of populations. It it seems to me it’s not an unlimited number of stories like this you could tell, but there are a lot of others. How do you decide which ones take priority?
Khan: We’re often asked the question of how we decide, and it comes back to how this museum is designed. Each gallery is intended to tell a different story. It has an objective. So this exhibit, Palestine Uprooted, is in our Rights Today gallery. It’s to talk about global human rights issues. And we know that people want to better understand human rights of Palestinians. There’s no question. It’s being talked about, debated, discussed all over the world. And so we’re being responsive there to that need. And we know that Palestinian experiences were under represented in our galleries and have heard that for years. To your point though that there are other stories – the design of this museum is that you ought to be able to feel something, understand something about the forced displacement of one community and apply it to another. So now this story stands along the forced displacement of the Rwanda people, indigenous peoples, Ukrainian people, the Igbo people. You’ve named a number of others that we do need to develop content on over time, but it’s done depending on what gallery it is, what we are trying to invoke…because we’ll never be the encyclopedia of all human rights atrocities in the world. That’s actually why we’re called the Canadian Museum for Human Rights rather than the Canadian Museum of Human Rights.
We’re here to to develop an understanding through the stories that will impact people.
JP: Okay. I want to ask a politically loaded question.
Khan: Okay.
JP: The Jewish population of Canada is at best 450,000. In that range, Jews don’t have the political impact that they used to. At most, there are 12 to 16 ridings where the Jewish vote can make a difference. The Muslim population has grown substantially. It has a much larger political impact. Did that factor in to this exhibit being mounted in any way?
Khan: Absolutely not.
JP: So, I’ll ask the question that I asked the curator of the exhibit. Where did the impetus for this come from? Did it come from Palestinian Canadians?
Khan: The this exhibit came from a recognition, our decision. I hold responsibility ultimately for the decisions made by my team. It was made based on the recognition that Palestinian experiences were under represented in this museum. We absolutely heard from the Palestinian community organizations in Canada and had heard for many years that their stories were underrepresented. Ultimately, the decision was ours. And as we look at this gallery and updating our content, this is ‘rights today’ – global human rights. We know that the world is talking about Palestinian human rights and the stories of Palestinian Canadians naturally belong in our collective memory alongside many other stories that are told here.
JP: There was one particular aspect on one of the panels when I was sent a preview this morning and it referred to the Palestinian uprising from 2000 to 2005 which led to a lot of Israeli deaths that we generally refer to as the Intifada. There’s no mention of Israeli deaths on that panel. Would you agree that might have been an oversight?
Khan: I mean I know that there the factual point is absolutely accurate. The decisions on the curation of the exhibit are not ones that I make, but certainly if that is a concern that we will look at.
Local News
Nakba exhbit at CMHR now open – here’s what it looks like
By BERNIE BELLAN (Posted June 26)The following press release was sent to me early Friday morning June 26 (Photos supplied by Annie Kierans, CMHR) Nothing that follows has been edited. I leave it to you to form your own opinion:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
