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The Day After: ‘Every Day Is Oct. 8’
The Tomb of Esther and Mordechai, in Hamadan, Iran. Photo: Philippe Chavin via Wikimedia Commons.
JNS.org – Every ending is a new beginning.
When we conclude each of the five books of the Torah (as we did last week) the reader leads the congregation in the refrain “chazak chazak v’nitchazek,” meaning “be strong, be strong, and let us be strengthened.”
This custom began in the 1100s, and is one of a group of customs related to finishing a Torah reading. According to Sephardic custom, after one receives an aliyah, congregants greet them with “chazak u’baruch,” “may you be strong and blessed”; Ashkenazi Jews say instead, “yiyasher kochacha,” “may your strength be renewed.” After finishing an entire book of the Talmud, we read the siyum declaration which begins with the words “Hadran Alach,” “I will return to you,” expressing a commitment to return to that just studied. These customs declare that one can never retire from responsibility, even after extraordinary success. Endings are never the end.
For the same reason, on Simchat Torah, when we read the final Torah reading of the year, we go a step further and actually start reading the Torah again from the beginning. We want to make it clear we are not going to abandon the Torah, once completed. (Rabbi Joseph Ber Soloveitchik suggests that this may be why we say “Adon Olam” at the end of the Musaf prayer on Shabbat morning; even after lengthy service, we go right back to the very first prayer, indicating we are ready to start all over again!)
Every victory brings with it the possibility of defeat. Overconfidence can turn strong armies into weak ones. It is precisely after achieving success, after concluding the task, that we have to remember to “be strong, be strong, and be strengthened.”
One of the major British victories in World War II was the second Battle of El-Alamein, which ended on Nov. 11, 1942. That day, Winston Churchill spoke to Parliament to report on the victory. Then he added the following:
“We are entitled to rejoice only upon the condition that we do not relax. I always liked those lines by the American poet, Walt Whitman. I have several times repeated them. They apply to-day most aptly. He said: ‘Now understand me well—it is provided in the essence of things that from any fruition of success, no matter what, shall come forth something to make a greater struggle necessary.’ The problems of victory are more agreeable than those of defeat, but they are no less difficult. … We shall need to use the stimulus of victory to increase our exertions, to perfect our systems, and to refine our processes.”
This is an eloquent restatement of “chazak chazak v’nitchazek.” Unlike the tagline of the beer ads, once a job is done, it is not “Miller Time.” Victory brings with it a multitude of problems, and the greatest of them all is being spoiled by success.
Every new chapter requires an even greater struggle.
The catastrophe of Oct. 7 occurred due to the sin of overconfidence. Multiple warnings were ignored, while the political and military leadership clung to the assumption that the enemy simply would not attack despite clear evidence to the contrary. No one remembered the lesson of “chazak chazak v’nitchazek.”
In retrospect, this war will probably be seen as a defeat and victory mashed up together, much like the Yom Kippur War 50 years ago. What happens the “day after” has been discussed almost from the very beginning. Pundits, politicians and polemicists all offer their visions. They are planning for a very different political and social landscape.
While a new blueprint is probably necessary, even more important than that is a new mindset.
History is considered by Judaism to be a form of revelation. In a recent seminar, I made mention of Emil Fackenheim’s “614th commandment.” Fackenheim was a prolific writer on the theology of the Holocaust, and believed that history is a form of revelation. The Holocaust, he argued, despite its horrors, carries the commanding voice of history. To Fackenheim, this voice declared: “Thou shalt not hand Hitler posthumous victories.” That is a new commandment, the 614th commandment. One of his students paraphrased Fackenhiem’s four-fold view of this commandment as meaning: “Jews must remain Jews, they must remember the Shoah victims, they must not despair of man, and they must not despair of God.”
History as revelation is the very lesson of Purim. The Book of Esther meticulously excludes mention of God’s name. Instead, it urges us to hear God through the commanding voice of history. Much like Fackenheim’s understanding, the practical commandments in the Book of Esther offer a series of lessons as well, which I would summarize this way: Evil exists. Celebrate salvation, and celebrate with friends. Care for the vulnerable. Connect to your community. Read aloud these lessons every year so you don’t forget them.
Actually, the lessons of history cannot offer a simple blueprint for the future; circumstances change all the time. Instead, they are meant to transform our perspective.
After Oct. 7, a commanding voice calls out to us again, asking us to see the world differently. Bret Stephens, in a brilliant column, writes:
“There used to be a sign somewhere in the C.I.A.’s headquarters that read, ‘Every day is Sept. 12.’ It was placed there to remind the agency’s staffers that what they felt right after the attacks of Sept. 11, 2001—the sense of outrage and purpose, of favoring initiative over caution, of taking nothing for granted—had to be the mind-set with which they arrived to work every day.
“There ought to be a similar sign in every Jewish organization, synagogue and day school, and on the desks of anyone—Jewish or not—for whom the security and well-being of the Jews is a sacred calling: ‘Every day is Oct. 8.’”
This is a powerful point. Jews must nevermore be naive. Our destiny can no longer depend on here today, gone tomorrow “allies,” and our security must depend on something more than a high-tech fence.
But the voice of history has much more to say about Oct. 7. One day a “Book of Oct. 7” will be composed, with all the stories of unity, heroism and optimism. And through these stories, we will hear God’s commanding voice, and learn lessons about the mindset we need in order to move forward into the future.
Allow me to share one such story. This past week I met a young woman from Kfar Aza, Or Tzuk, who spoke at an AIPAC conference.
On Oct. 7, Hamas terrorists murdered her parents. Her 25-year-old brother was able to survive by hiding under a bed; he stayed there for seven hours just inches from his mother’s body, soaked in her blood. (Or and her husband had gone away on vacation.)
Or told us how she promised her brother that whatever happens in the future, she will always care for him; he can come any day and move right into her house. And she told everyone that she was three months pregnant and had thrown up just before she got on stage.
When I spoke to her afterward, I asked Or why she decided to get pregnant just two months after her parents were brutally murdered. Her response was simple: Jews know they must choose life. Jews must always be optimistic, even in the worst of times.
Or said she drew inspiration from the Jewish holidays. Unlike many other cultures and religions, Jewish holidays are not unvarnished stories of joy; rather, they tell stories about how resilient heroes like Esther, Moses and the Maccabees overcame extreme challenges.
When speaking to Or, I realized that I was talking to a modern-day Esther. She has heard a voice calling out, telling her to choose life, to choose family, to choose community.
And that voice speaks to us too. This is the only way forward for the day after.
Originally published by The Jewish Journal.
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Syria to Give UN Watchdog Inspectors Access to Suspected Former Nuclear Sites as New Regime Seeks Sanctions Relief
International Atomic Energy Agency (IAEA) Director General Rafael Grossi speaks to the media, in Tehran, Iran, April 17, 2025. Photo: Iranian Atomic Organization/WANA (West Asia News Agency)/Handout via REUTERS
Syria’s new government has agreed to provide the International Atomic Energy Agency (IAEA) — the United Nations’ nuclear watchdog — with immediate access to former nuclear sites, signaling a move to restore international trust as it hopes to have international sanctions lifted.
On Wednesday, IAEA Director-General Rafael Grossi told the Associated Press that Syrian President Ahmad al-Sharaa has shown a “very positive disposition to talk to us and allow us to carry out the activities we need to.”
After meeting with Sharaa in Damascus, he expressed hope that the inspection process would be completed within the coming months.
The IAEA’s goal is “to bring total clarity over certain activities that took place in the past that were, in the judgment of the agency, probably related to nuclear weapons,” Grossi said.
He also noted that Syria’s new leadership is “committed to opening up to the world, to international cooperation.”
Last year, the IAEA conducted inspections at several sites of interest in Damascus while former President Bashar al-Assad was still in power.
Under Assad’s rule, the country was believed to have operated a secret nuclear program, which included an undeclared nuclear reactor built by North Korea in Deir el-Zour province, in eastern Syria — a fact that was revealed after Israel destroyed the facility in a 2007 airstrike.
Since the collapse of Assad’s regime in December, the IAEA has been looking to regain access to sites associated with the country’s nuclear program.
In addition to conducting inspections, Grossi said the agency is prepared to provide Syria’s new government with equipment for nuclear medicine and to help rebuild the country’s radiotherapy and oncology infrastructure.
“And the president has expressed to me that he’s interested in exploring, in the future, nuclear energy as well,” Grossi said.
Last month, US President Donald Trump announced the lifting of sanctions on Syria — a major policy shift that aligns with the European Union’s efforts to support the country’s recovery and political transition.
As Sharaa focuses on rebuilding Syria after years of conflict, the lifting of Western sanctions that isolated the country from the global financial system is expected to boost its weakened economy by paving the way for greater humanitarian aid, foreign investment, and international trade.
Earlier this year, Sharaa became Syria’s transitional president after leading the rebel campaign that ousted Assad, whose Iran-backed rule had strained ties with the Arab world during the nearly 14-year Syrian war.
The offensive that led to the fall of the Assad regime was spearheaded by Sharaa’s Islamist Hayat Tahrir al-Sham (HTS) group, a former al-Qaeda affiliate.
Since then, Sharaa has repeatedly pledged to unify Syria’s armed forces and restore stability after years of civil war. However, the new government continues to face major hurdles in convincing the international community of its commitment to peace.
Incidents of sectarian violence — including the mass killing of pro-Assad Alawites in March — have deepened fears among minority groups about the rise of Islamist factions and drawn condemnation from global powers currently engaged in discussions on sanctions relief and humanitarian aid.
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Barcelona’s Primavera Sound Music Festival Showcases Tunnel Installation That Simulates Gaza Bombings
An outside view of the “Unsilence Gaza” installation at the 2025 Primavera Sound music festival. Photo: Screenshot
A reproduction of a tunnel that simulates the sound of bombings in the Gaza Strip is being showcased this year at Barcelona’s annual Primavera Sound music festival, which opened on Wednesday.
The unique installation, titled “Unsilence Gaza,” allows visitors to walk through a dark tunnel-like path where they hear noises of explosions as well as dramatic, ominous music. At the end of the tunnel, there is a wall with a message that says in English, Spanish, and Catalan: “Silence isn’t the opposite of the sound of bombs, it allows them to happen.” The outside of the installation features the message: “When everything blows up, don’t hide in the silence.”
The installation makes no mention of the Gaza-based Hamas terrorist organization that started the ongoing war with Israel after it orchestrated the deadly, mass terror attack across southern Israel on Oct. 7, 2023.
UNSILENCE GAZA #PrimaveraSound2025 Instalación de 15 metros de túnel que simula el ruido de un bombardeo a Gaza en el festival de #primaverasound de #barcelona pic.twitter.com/L7XnpF06u1
— Barcelona.lives (@BarcelonaLives) June 4, 2025
The installation was designed by Palestinian sound engineer Oussama Rima and is located by the main entrance of the annual music festival, held at the Parc del Fòrum. T-shirts and sweatshirts with the words “Unsilence Gaza” are also being sold at the festival and proceeds from the sales will be donated to the Palestinian Medical Relief Society to support emergency medical aid.
The Primavera Sound Foundation said on its website that the installation aims to remind people about the power of sound and how, especially in Gaza, it is associated with pain, fear, “torture and trauma.”
“We have normalized seeing war, but not listening to it,” the foundation said. “We live in a world saturated with violent images. Hypervisibility has anaesthetised us: we see, but we do not react. Sound, on the other hand, can still move us. At Primavera Sound, sound is emotion, connection, pleasure. But sound can also be the opposite: it can become a weapon. With this installation, we want to remind you that in Gaza and other parts of the world, sound is pain. It is fear. It is torture and trauma.”
In its statement, the foundation made no mention of Hamas or Israel. Instead, it talked about “genocide,” increased military spending, “warmongering rhetoric and attempts to criminalize and silence voices that defend peace.” The installation was conceptualized by the non-profit organizations Casa Nostra, Casa Vostra and the International Institute for Nonviolent Action (NOVACT), with support from the Primavera Sound Foundation.
More than 150 artists will perform at the Primavera Sound music festival this year including Sabrina Carpenter, Charli XCX, Troye Sivan, Chappell Roan, FKA Twigs, HAIM, Fontaines D.C., IDLES and Magdalena Bay.
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Sephardic Jewish Film Festival in NYC to Feature Array of Movies Celebrating Culture, Tradition, History
A promotional image for the film “Giado: Holocaust in the Desert” being screened at the 2025 New York Sephardic Jewish Film Festival. Photo: Provided
The New York Sephardic Jewish Film Festival (NYSJFF), also known as the Sephardic Film Festival, returns to New York on Sunday for a week-long celebration of films that spotlight the traditions, cultures, and histories of Sephardic Jews.
This year’s festival will features documentaries, feature films, and shorts that highlight stories set in Israel, Morocco, France, Turkey, and more. It kicks off on Sunday night with a Pomegranate Awards ceremony, whose honorees will include French-born Israeli singer Yael Naim, Iranian-American writer Roya Hakakian, and French-Tunisian actor and screenwriter Michel Boujenah. Acclaimed Brazilian Jewish singer-songwriter Fortuna will receive the ASF Pomegranate Lifetime Achievement Award for Preservation of Sephardic Culture. Fortuna will also perform at the opening night ceremony with Trio Mediterraneo and special guest Frank London, a Grammy-winning trumpeter and co-founder of The Klezmatics.
NYSJFF is organized by the American Sephardic Federation.
A documentary about Naim will make its world premiere at the film festival on Monday and the screening will be followed by a Q&A with Naim and the film’s director, Jill Coulon. Also screening on Monday is the 1985 French comedy “Three Men and a Cradle” starring Boujenah, who will participate in a Q&A after the screening. Boujenah won the coveted César Award for best supporting actor for his role in the film, which is about three adult friends who are enjoying their single life until they get stuck taking care of a baby.
The Sephardic Film Festival will additionally feature the North American premiere of the films “The Last Righteous Man (Baba Sali)” and “Jinxed.” The latter is a Hebrew-language comedy, directed by Hanan Savyon and Guy Amir, about two repairmen who go to fix a television and instead find a dead body in a client’s apartment. They are then mistaken for murder suspects and get mixed up with the mafia and police investigations, as bad luck follows them around.
The Sephardic Film Festival will also host the New York premieres of “Matchmaking 2,” “Neuilly-Poissy” and “The 90s – The Revelry — Hillula,” which was a box office hit in Israel.
The film festival line-up includes “Over My Dead Body,” which explores Persian-American Jewish traditions; a documentary short about efforts to preserve the Ladino language spoken by Sephardic Jews; and a film that highlights the first-hand testimony of Yosef Dadosh who, at the age of 20, was one of 3,000 Libyan Jews deported by the Italians to the Giado concentration camp during the Holocaust.
This year, the Sephardic Film Festival is part of a new, larger cultural festival called Festival Sefarad, which will be a citywide celebration of Sephardic and Mizrahi Jewish communities. Festival Sefarad will include film screening, musical performances, workshops, book talks, and Shabbat dinners throughout the month of June. The festival is organized by the American Sephardic Federation with support from the UJA-Federation of New York.
“Our inspiration to expand the 27th NY Sephardic Jewish Film Festival into the first-ever Festival Sefarad is the acute need, in the face of so much adversity and antisemitism, to create communal, intellectual, and cultural events that bring all Jews together,” Jason Guberman, executive director of the American Sephardi Federation, said in a statement. “With the support of the UJA-Federation of NY and 50 organizations throughout Brooklyn, Manhattan, Long Island, and Queens, the ASF is hosting over 40 events that showcase the dynamism, resilience, and joy of the Greater Sephardic world for Jews of all backgrounds and friends.”
The 27th New York Sephardic Jewish Film festival runs from June 8-June 15. The festival concludes with a live concert by legendary artist Enrico Macias. Tickets for the film festival are available online. The annual festival, which started in 1990, has previously screened films from Morocco, India, Yemen, Kurdistan, and more.
The post Sephardic Jewish Film Festival in NYC to Feature Array of Movies Celebrating Culture, Tradition, History first appeared on Algemeiner.com.
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