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Yitzhak Rabin was killed 30 years ago this week. Has the Jewish world forgotten?
You had to have been born in the 1980s or earlier to have a firsthand memory of the night Yitzhak Rabin was shot 30 years ago this week. For most young adults, Rabin’s assassination is something they learned about in history class, at a day school assembly or from their parents.
That gap — between an event as personal experience and an event as historical memory — is particularly pronounced this year. With the peace process that Rabin championed seemingly more remote than ever and with a ceasefire in Gaza barely holding, parents, teachers, artists and activists may be struggling to explain why the death of an Israeli prime minister in the Clinton years even matters.
“This is an event that cannot be something that only a generation remembers, but it has to be an event that is cemented not only Israeli history but in Jewish history,” said Barak Sella, 40, who served as spokesperson for the National Memorial Rally for Rabin in Israel and is a founder of the Stand for Democracy coalition, which promotes Rabin’s legacy in the United States.
Sella is also the editor of a newly translated collection of Hebrew poetry, “Class of 95,” that wrestles with the trauma of the assassination and its relevance to the moment. It and a new musical play being staged in Washington, D.C., “November 4,” use different media to convey a similar, pressing idea: Remembering Rabin and what he stood for in life and death is essential for closing festering wounds and imagining a way forward for Israel and its supporters.
“The Rabin assassination symbolizes a failing point of our democracy, and something that we need to turn into a symbol if we want to be able to have the ability to be a Jewish sovereign nation,” said Sella. “Jews have an ability to have very strong memories of events that happened very far in our past, even traumatic memories, and turn them into symbols of growth.”
Barak Sella is the editor of “Class of 95.” an anthology of Israeli poetry about the assassination of Yitzhak Rabin. (Courtesy)
For the creators of the anthology and the play, Rabin’s killing at the hands of a Jewish extremist represents not only a mortal blow to peace between Israelis and Palestinians, but a shocking example of internal Jewish strife. And while these mostly left-leaning artists acknowledge the profound disagreements over Oslo, they say he represented the kind of inspired thinking Israel can use in the wake of Oct. 7.
“Rabin had vision and moral imagination — things in short supply today,” said Danny Paller, who wrote the music and lyrics for “November 4.” “That’s what makes this story relevant now. We need to ask: where do we get hope from? How can we build a future?”
Paller, who has lived in Jerusalem since 1986, recalls being at his office the night Rabin was killed — just five days after his first daughter was born. “It was this rush of joy, despair, anger, disbelief,” he said. “Our family changed that week. Our country changed that week.”
“November 4” premiered in 2022 in Israel in a stripped-down cabaret version translated from English to Hebrew. Four women played every role, occasionally stepping out of character to share their own memories of the assassination. “It was profoundly Israeli,” says Paller. “They felt they had just experienced something deeply personal — but in a very different artistic language.”
The new U.S. production, presented by Voices Festival Productions and running Nov. 1-Dec. 7 at Universalist National Memorial Church in Washington, includes characters playing Rabin, his wife Leah, and his assassin, Yigal Amir. Rabin, a hero of Israel’s war of independence who once threatened to “break the bones” of Palestinian rioters, shook hands with the Palestinian leader Yasser Arafat on Sept. 13, 1993. The prospect of territorial compromise with the Palestinians after decades of bloody conflict enraged the Israeli right. Amir, a devout religious Zionist and ultranationalist, sings in the play, “We have a mission/To save our nation/That is the highest height.”
“I don’t have empathy for [Amir],” said Myra Noveck, the Jerusalem-based reporter and researcher for the New York Times who wrote the book for the musical. “But you have to understand the other side — even when they are wrong — without dismissing them as crazy or incompetent.”
By focusing on Israel’s bitter debate about the Oslo Accords and even on Rabin’s flaws as a politician who often dismissed the concerns and fears of his opponents, she said she wanted to retrieve the late prime minister from a “death cult” that treats him as a martyr while ignoring what he stood for.
“We have to preserve ideas, not just mourn people,” she said, lamenting a right-wing government that includes far-right figures like Itamar Ben-Gvir, a leader of the protests that some say inspired Rabin’s killer. “Rabin foresaw that holding onto the territories would infect the rest of Israel — that you can’t deny rights to others and still maintain a democracy. That’s what we’re seeing now.”
“We realized there was a straight line from Rabin’s moment to the crisis we are witnessing now,” said Paller, referring to the Oct. 7 attacks, the war that followed and the bloodshed Rabin was trying to avert. “The play reminds us that hope and moral courage are never irrelevant. They are urgently needed.”
The 40 poems in “Class of 95” offer an even wider lens on the assassination and the overheated political climate then and now. Ronny Someck’s “Kings of Israel Square, The Day After” was written on Nov. 6, 1995, and remembers the makeshift memorials put up by mourners at the site of the shooting. Yudit Shahat’s poem, “God’s Terrible Garden,” is dedicated to a Canadian-Palestinian physician whose daughters were killed in the Gaza War of January 2009. And in “Proper Rest,” Shoshana Karbasi imagines Rabin’s funeral as an occasion for national healing — “because there is one pain shared by all.”
Myra Noveck, far left, and Danny Paller are the co-creators of “November 4,” directed by Alexandra Aron. (Peggy Ryan)
When asked what he thinks may be lost in translation between Hebrew and English — and what Diaspora Jews may not understand about Israelis — Sella replied that in Israel the assassination remains an “open wound.”
“The trauma has not been processed,” said Sella. “Rabin’s assassination affected people’s self-confidence in our democracy and the ability to strive for peace. We don’t talk enough about the fact that Rabin was killed by an Israeli citizen, and that brings up the question of what we actually want as a people.”
Sella and the creators of “November 4” also insist on the power of art to open up conversations in a way that journalists and historians can’t.
“People don’t read op-eds if they don’t already agree with them,” said Noveck. “Theater talks to the gut. It lets you peel back the layers — the walls people build around themselves — and get to the onion.”
Yehuda Kurtzer, president of the Shalom Hartman Institute, makes a similar point in a foreword to the poetry collection, writing that trauma “needs poetry.” Kurtzer will be one of the speakers at a Rabin memorial event and book launch of “Class of 95” at Temple Emanu-El in New York on Tuesday.
The Emanu-El event is one of a number of programs marking the anniversary on Tuesday. UCLA’s Y&S Nazarian Center for Israel Studies is holding a webinar with Itamar Rabinovich, one of Rabin’s biographers. New Jewish Narrative will mark the anniversary with a webinar about how Rabin’s murder reshaped American Jewish politics, identity and engagement with Israel.
Like Sella, Kurtzer also warns that memories of Rabin and the hope he embodied are fading. He cites a poem in the collection by Daniel Baumgarten, which asks, “Dear students / please raise your hands / what does it feel like to have peace / within reach?” The answer is the poem’s title: “Silence.”
“I worry for American Jews that in forgetting him, all we see are the inevitabilities of what has gone wrong in Israel over the past several decades, and not the availabilities of alternative endings to this story that once presented themselves and could, with the benefit of our imagination, inspire us again,” Kurtzer writes.
Sella, who splits his time between Tel Aviv and Boston where he is a research fellow at Harvard’s Kennedy School, was just 10 years old when Rabin was killed. Born in the United States and newly arrived in Israel, he experienced the assassination as a formative event. “In many ways, my parents came to Israel because Rabin came into power,” he recalled. “It seemed like a moment of hope. The assassination was a shock, but also an early lesson in what it meant to be part of Israeli society and to engage with its democracy.”
But he notes a worrying gap: The generation that did not live through the assassination lacks the tools and context to understand its meaning. “We’re at a moment where this is no longer personal memory but historical memory,” he said. “If we don’t create spaces for the next generation to engage with this event, they won’t have the language to talk about it, to understand its significance, or to see it as a lesson for the future.”
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PEN America president, defending Israel’s critics, resigns after report warns of threats to Jewish authors
(JTA) — The president of PEN America resigned over the weekend in protest of a report on boycotts targeting Jewish and Israeli authors, part of yet another round of internal division over Israel at the literary free-speech institution.
Dinaw Mengestu, an Ethiopian-American novelist and Bard College professor, told The Atlantic he was stepping down because he believed the PEN report, “A Silent Moratorium,” failed to defend the free-speech rights of participants in the movement to boycott Israel.
“It’s the First Amendment that allows all of us to engage in boycotts, not PEN America,” Mengestu told the publication. “PEN America as a free expression organization is supposed to defend that right.”
The author did not respond to multiple Jewish Telegraphic Agency requests for comment, but in an Instagram post Monday alluded to an interest in creating a new organization to rival the prominent nonprofit, which defends the free expression rights other writers.
In response to an interview request, PEN sent a statement to JTA saying it was “grateful” for Mengestu’s leadership and would “respect” his decision. The statement also alluded to PEN’s own past turmoil: “We tell hard stories, in politically challenging moments, about writers from a range of perspectives, even when it’s uncomfortable for us given our own recent history.”
In its report, published on its blog, PEN described “Jewish and Israeli writers who feel that the mainstream literary world is increasingly shutting them out because of their identity, nationality, or views.” Interview subjects include several Israel critics, as well as literary agents who assert that they face more difficulties signing Jewish authors after the Oct. 7, 2023, Hamas attack on Israel and amid the subsequent war in Gaza. The report also repeatedly cited a JTA report about a 2024 viral list of “Zionist” authors to boycott.
Among other details, PEN’s report revealed that Israeli novelist Etgar Keret and public radio host Ira Glass had cancelled a planned live event in Australia over fears of threats and protest.
“This silencing and exclusion of writers is a threat to what PEN America is fundamentally committed to defending: a culture of free expression for all,” according to the report.
In addition to the report, PEN also altered its institutional policy toward cultural boycotts, which the organization has long opposed. Although its report on Jewish authors asserted that boycotts “threaten the free expression rights” of their targets, the revised guidelines say that the group will also defend the right of writers to participate in boycotts.
Mengestu’s resignation comes at a perilous moment for Jews facing cultural boycotts, both within the standard-bearers of PEN and elsewhere. PEN’s Jewish former longtime CEO stepped down in 2024 following months of blowback from rank-and-file authors who felt the organization was insufficiently critical of Israel and caused PEN to cancel a festival for global authors.
Since the leadership change, PEN leadership has published and retracted a condemnation of a boycott effort trained at an Israeli comedian and also published a report cataloguing Israel’s “cultural destruction in Gaza.”
Mengestu had assumed the role of board president in 2025. But PEN’s report about Jewish and Israeli writers on Thursday, he wrote, “makes clear that [change] will not happen.”
The Anti-Defamation League said it was “deeply troubled” by Mengestu’s resignation Monday. “Freedom of expression means opposing efforts to boycott, silence, or exclude writers because of their identity or nationality,” the organization tweeted, saying that the author’s decision to leave PEN over his objections to the report on Jewish authors “sends a chilling message.” Jewish authors also objected.
“Imagine running a free expression org and resigning because it refuses to blacklist authors based on their nationality,” the author David Zweig wrote on X, musing whether Mengestu would object to boycotting authors from his birth country: “Ethiopia doesn’t exactly have a good human rights record.”
In response to The Atlantic’s story that quoted sources from inside PEN who were critical of his resignation, Mengestu wrote a lengthy Instagram post Monday in which he stated, “This piece is about trying to suppress constitutionally protected speech,” criticized past PEN reports critical of the BDS movement, and added, “What PEN America fails to understand is that boycott is a form of dialogue.”
He announced his intention to “help make something better,” receiving affirmative comments from notable authors including Viet Thanh Nguyen, Angela Flournoy, Jewish pro-Palestinian novelist Jess Row and Pulitzer Prize-winner Benjamin Moser, author of a forthcoming history of Jewish anti-Zionism.
Other Jewish authors on the left were among those defending Mengestu’s decision to step down.
“Dinaw is one hundred percent correct that this kind of fake victim propaganda can be used to support anti-Boycott legislation which violates the First Amendment and is everywhere as popular support for Palestinians grows,” author Sarah Schulman wrote on Facebook. Calling PEN’s blog about Jews “one of those fake anti-semitism pieces,” Schulman added, “If PEN wants to survive, they have to get out of the Israel/Zionism business.”
The post PEN America president, defending Israel’s critics, resigns after report warns of threats to Jewish authors appeared first on The Forward.
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Church of England backs study of Palestinian Christian document accusing Israel of genocide
(JTA) — The Church of England’s legislative body voted Monday to encourage churches across England to engage with a document produced by Palestinian Christians that accuses Israel of genocide despite requests from Jewish organizations and Britain’s chief rabbi to reject it.
The document is titled “Moment of Truth: Faith in a Time of Genocide” and is also known as Kairos II, after the Palestinian Christian movement Kairos Palestine that produced it. It describes Israel’s military campaign in Gaza as a genocide, states that Israel is a “colonial enterprise built on racism,” and says decades of “occupation,” “apartheid” and “settler colonialism” are at the heart of the Israeli-Palestinian conflict.
The vote on Monday does not adopt the accusations as church doctrine but says the church should hear the documents as “heartfelt expressions of the lived experience of Palestinian Christians,” and to engage with them in order to better understand the conflict.
Ahead of the debate in York, several Jewish organizations expressed concerns, and Chief Rabbi Sir Ephraim Mirvis asked Synod members to reject the amendment. Mirvis called Kairos II “deeply concerning” and that it “risks undermining decades of careful relationship-building” between Christians and Jews.
“It is truly shocking that a document which purports to speak in the name of truth contains so much falsehood,” he said.
Afterwards, the president of the Board of Deputies of British Jews, Phil Rosenberg, issued a statement calling the passage of the motion “highly problematic.”
“Kairos Palestine may come from a place of genuine pain, but the falsehoods and distortions of Kairos II, including its erasure of Jewish identity and experience, is a prescription for more division and not the answer to conflict in the Middle East,” he said.
“This document reflects the pain and trauma of the Palestinian people. As a pastor, I hear the cry of our Palestinian Christian sisters and brothers — a cry that rises from the ruins of Gaza, and from the violence and oppression of the West Bank,” she said.
She added, ”I also hear the concerns of the chief rabbi, the co-leads of the Movement for Progressive Judaism, and the Board of Deputies, and I thank them for their honesty.” She said the church remained opposed to antisemitism and committed to safety for Israelis as well as Palestinians.
The Synod debate followed Mullally’s visit to the West Bank in June, where she met Palestinian Christian communities in Birzeit. During the visit she said, “I will use my role as Archbishop to seek the peace you desire and the freedom you deserve.”
The debate marks the ascendance of Israel-related issues in another major church, after the Catholic Church’s Pope Leo XIV angered Jewish groups soon after being elected last year by endorsing an investigation into whether Israel committed genocide in Gaza.
The post Church of England backs study of Palestinian Christian document accusing Israel of genocide appeared first on The Forward.
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Mike Pence denounces alleged arson of Israeli flag in his Indiana hometown
(JTA) — Former Vice President Mike Pence has weighed in against antisemitism after officials in his Indiana town say a costly fire may have been caused by arson to an Israeli flag displayed on a local barn.
The alleged arson broke out early Friday morning, damaging a historic home in Zionsville, Indiana, where Pence lives, and causing an estimated $150,000 in damages, according to the Zionsville Police Department.
Zionsville Mayor John Stehr said during a press conference on Friday that officials believed the fire began when an individual set fire to an Israeli flag that had been displayed outside the building alongside an American flag. The town later announced that the FBI had joined the investigation and that officials were examining whether the arson “may have been motivated by bias” but said no determination had been made.
“Absolutely despicable,” Pence tweeted on Sunday. “There can be no tolerance in America for Antisemitism or political acts of violence, and it is heartbreaking to see in our adopted hometown of Zionsville, Indiana. We thank God no one was hurt and urge anyone with information to contact law enforcement.”
Pence has long cast himself as a staunch supporter of Israel, including after the Oct. 7, 2023, Hamas attacks on Israel, and has also repeatedly spoken out against antisemitism in the conservative movement and beyond.
Republican Indiana Sen. Jim Banks also condemned the alleged arson in a post on X Saturday. “Antisemitism will not be tolerated. Not in Zionsville. Not in Indiana. Not anywhere,” Banks wrote. “Thank you to the federal, state, and local officials working to bring the perpetrators of this despicable arson attack to justice.”
On Sunday, the Jewish community in central Indiana hosted a rally condemning the alleged arson attack, chanting, “We will stand up,” according to local outlet Fox 59. While Zionsville does not have a large Jewish community of its own, other suburbs of Indianapolis have significant Jewish populations, and Zionsville is also the longtime home of a Reform movement summer camp, the Goldman Union Camp Institute, which is in session now.
“The founding fathers founded a country where we have the ability to resolve differences among each other; we don’t do it by firebombing homes,” rally organizer David Schiller told Fox 59. “It’s inexcusable and unacceptable.”
The Zionsville Police Department did not respond to an inquiry from the Jewish Telegraphic Agency about the status of the investigation on Monday.
The post Mike Pence denounces alleged arson of Israeli flag in his Indiana hometown appeared first on The Forward.
