Connect with us

RSS

Montreal nightlife fixtures explain how anti-Israel sentiment has impacted their passions

The burlesque performer

Yael Perez, a.k.a. Miss Meow, is no wallflower. Shaking her feathers, her curvy silhouette strutting deftly across a stage under the gaze and leers of 100 adoring sets of eyes, she smiles, almost sneering-like, into the dark space filled with tables of hollering fans, before offering a coquettish spin, shedding her gloves to a rhythmic drumbeat.

With her curvy silhouette, black hair, and fiery red lipstick, she once captivated audiences as a popular burlesque performer in Montreal.

But after Oct. 7, 2023, her career, like parts of her elaborate costumes, fell south.

Perez started modelling a decade ago and later embraced burlesque. It was a hit—she performed every weekend, with a steady social media following. Her late parents supported her career, but it was the burlesque community that turned its back on her.

An office manager for a property management firm, she had been up late when news of the attacks broke. “I freaked out,” she recalls, and while her family in Israel was safe, she quickly realized that many of her friends were unaware of the scale of the attack. As media coverage was slow to pick up, Perez began sharing screenshots from sources she trusted.

At first the reaction was of sincere interest, “but I noticed all these people looking at my posts and not a single one messaged me to ask if I’m OK, or about my family.”

Perez isn’t alone. Jewish and Israeli artists have watched as the progressive arts community turned their back and lost the support of their friends in the industry and seen projects and bookings be cancelled.

Even Montrealers whose art might not be their day jobs, but rather side hustles and occasional gigs have seen opportunities dry up.

Social media has been a powerful force since the attacks, starting with the live-streamed atrocities and continuing efforts to spread propaganda, solidarity, or division. Perez, who uses social media “authentically” in both her personal and professional life, says, “I’ve always been clear—I’m not just a ‘pretty person’ online. I’m a whole person, and I was open about being terrified and traumatized.”

What people didn’t realize was that this wasn’t just ‘news’ to her—she was worried for her family staying in bomb shelters. The lack of support from friends and colleagues in the progressive burlesque community felt dehumanizing. “No one checked in, and I noticed something else,” she recalls, her voice betraying a surge in emotion. “Some people began sharing antisemitic content right away. On Oct. 7, they were posting about ‘liberation.’ The same goddamned day.”

Performers she’d worked with for years, with whom she’d never discussed the Middle East, began retweeting pro-Palestinian accounts that were clearly part of a coordinated narrative. “They were celebrating, saying ‘Amazing job.’ I couldn’t believe they were justifying the attacks.” She tried explaining the impact on her family, but people doubled down, saying it didn’t matter.

Colleagues, including one scheduled to perform in her show, posted increasingly extreme comments. Perez called them out gently, only to hear, “I’ve watched documentaries, I have a nuanced view. Palestinian resistance is justified.” Perez could accept opposing views, but “you’re saying what happened to my people was deserved?” She felt horrified and unsafe, questioning if she could continue working with such people.

The concert reviewer

Amir Amozig also felt a shift after Oct. 7, though more subtly. While he didn’t face direct hostility or “Free Palestine” shrieks, he noticed a change in the atmosphere while continuing his decade-long gig reviewing local bands in Montreal’s west end.

By day, the 51-year-old works in accounts receivable for a telecommunications company, but at night, he and his pen and notepad are a staple at local bars, reviewing bands with his encyclopedic knowledge of rock, blues, and pop. “I was extremely traumatized by Oct. 7,” he said. “There was a deafening silence around me.”

Some musicians did make public statements minimizing the atrocities, which outraged him, and overall, he felt isolated in an industry that leans far left, even though he considers himself liberal. His mistrust led him to consider leaving, but Israeli family and musician friends reminded him of his passion for music. “If you let life’s challenges rob you of your passions, you’re giving in to what terrorists intended from the start,” they said.

Mindful of cancel culture, Amozig navigated it with care. He was shocked to see anti-Israel propaganda in some venues, including one that seemed a “pro-Hamas shrine” post-Oct. 7. “I never set foot there again.”

Though he felt isolated, he stayed in the music scene, feeling distanced from the Jewish activist community as it shifted right, but remained committed to traditional liberal values.

Long before Oct. 7, he says, the arts community was strongly left-wing on issues like workers’ rights, racism, First Nations, women’s rights, the environment, and LGBTQ concerns. “The prevailing view framed the Middle East as an oppressor versus underdog conflict. While I disagree with some of their views on world events, I know many have a good heart, rooted in altruism, anti-militarism, and anti-nationalism,” which are core leftist values.

He severed ties however, with anyone justifying the events of Oct. 7, particularly those framing it in terms of oppressor and oppressed. “Some responses were reprehensible, while others came from a genuine concern for humanity.”

The flamenco dancer

Laurence Elmoznino, a 55-year-old public school teacher, was infuriated by the lack of knowledge and empathy she encountered after Oct. 7. “It was sheer stupidity,” she says, recalling the derision towards Israelis and the indifference to Jewish suffering that overshadowed one of her greatest passions.

A lifelong dancer, Elmoznino spent over a decade in ballet and has practiced flamenco for more than 20 years. Her first visit to Granada, Spain, felt like coming home, with flamenco’s connection to Jewish traditions through the shared history of persecuted Jews and Roma. “There was something very Jewish about it.”

Flamenco, with its intense footwork and lyrical expression, conveys raw emotions, from sexuality to passion, “but it’s not about being sexy,” she said.  She loved the intensity and solidarity among the women she danced with.

“Flamenco here has a tight-knit community. We see the same faces everywhere—dancers from Spain for stages and shows. It’s intense with classes, practices, and performances.”

Fifteen months ago, she was performing with her group, loving every grueling moment. Then came Oct. 7. She watched the news, and “I thought my knees were going to buckle. In an instant, everything changed.”

As days passed, Elmoznino grew despondent, overwhelmed by pain for her community. “I couldn’t do anything. I didn’t want to dance. Many were still dancing, but I was in mourning.” Supported by a close-knit group of dancers and friends, she returned after weeks, receiving concern for her and her family. “But outside that small group, I’m still angry.”

After the Hamas attacks, she posted on social media about the slaughter, supporting Israel and sharing a photo from a volunteering mission. A dancer told her they could no longer be friends, saying she couldn’t support someone who “justifies terrorism.” Elmoznino was stunned. “Terrorism? Genocide? I had no idea she thought like this. I danced with her, she taught me, I saw her shows.” She responded firmly, calling her out: “How dare you? My family was in Gaza. You don’t get to lecture me about my people.”

This was coming from people she had known for 20 years, who knew her as a dedicated supporter and fundraiser for causes like helping fellow Montrealer Steve Maman working to free Yazidi women from ISIS captivity and supporting a Syrian refugee family. “I did the work—what have you done?”

She was furious and avoided classes. “I just couldn’t. It wasn’t just one teacher, but others voicing pride in seeing Tunisians shouting for resistance in Arabic or calling Gaza an open-air prison. It was too much.” This limited her dance opportunities and combined with knee injuries and the painful loss of a close friend, her flamenco career began to unravel. “I missed dancing, but my connection to Israel is deeper than anything, even flamenco. Every hostage, soldier, and family felt personal.”

It reaffirmed her deepest self-identity, with family roots in Spain as deep as her attachment to her Jewishness. In Granada, she met the late flamenco legend Mario Maya, who tapped her with his cane, asking, “Where are you from?” “Canada,” she replied. “No,” he laughed. “Where are you from?”

“When I shared my origins were in Córdoba, he said I resembled the local women, strengthening my sense of connection to the culture.” It reminded her that she was “La Sefardita.”

Yael Perez was proud of her achievements in burlesque, curating successful shows at Montreal venues like the Wiggle Room and Café Cleopatra, often selling out spaces for 100-120 people. But everything unraveled after Oct. 7.

“Burlesque isn’t a community, I always insisted. It’s a business,” she said, feeling vindicated “in a sick, painful way.”

Post-Oct. 7, many of her peers across Canada posted antisemitic content. “The worst was, ‘You deserve it.’” The idea that Israelis deserved to be pulled from their beds and slaughtered was mind-boggling. Perez had always supported causes like Black Lives Matter and Stop Asian Hate, even paying festival fees for performers of colour. “I knew some people face barriers I didn’t. I felt a responsibility to help.” Yet, among the hundreds she supported, no one publicly voiced support for her. “A few privately reached out, but within weeks, they were sharing pro-Palestinian posts and calling me a genocide supporter who should be shunned.

“I was the only Israeli. There were a few Jewish performers, but in a progressive, woke space, a couple who shared my views stayed silent to avoid what I was dealing with.”

 It started with artists bailing on shows, rumours spreading that she supported genocide. Even an Arab-Jewish performer she had supported told her, “I can’t be associated with you. I have to quit all your bookings. No hard feelings.”

The final blow came that December, when dancers at Café Cleo told her that nearly all of them had been harassed for working with her. “This was after about 20 people had already quit,” almost half the talent pool.

“I shed so many tears,” she recalls. “I found out nearly every artist who worked with me was harassed. I had a breakdown backstage and cried myself to sleep. That show made me realize I couldn’t stay in this industry anymore. I couldn’t keep giving to an industry that doesn’t appreciate me.”

She began receiving harassing messages, with her social media stories prompting waves of Palestinian flags and responses of “Fuck Israel! Fuck you!” and threats to protest her shows. Anti-Israel posters were plastered backstage, and she knew people brought Palestinian flags to disrupt other events in the city. She worried about how to keep the audience safe when people were using such aggressive, threatening language.

Her last pre-booked show was in May, but her final performance came in February 2024, at Café Cleo. There, a stack of postcards urging Trudeau to stop the genocide and support Gaza sat by the bar.

It was all devastating for Perez. “It turned my life upside down. Being a performer, producer, and model was central to my identity—now it’s all gone. I lost almost all my friends—people I’d planned futures with, thrown birthday parties for. Losing my career was huge, but losing friends was worse. It felt overwhelming, but I realized I need new, more meaningful connections—especially more Jewish friends.”

Did she err by quitting? “No. It’s unfortunate and sad, and I’m still grieving that loss, but it was the right thing because nobody deserves to be treated that way, to be bullied by peers, and harassed. I had the ability to remove myself. They’re going to be assholes forever. I don’t have to be there for it.”

Pivoting their perspectives

Music reviewer Amir Amozig found his voice for advocacy attending rallies after Oct. 7. His tight-knit circle remains strong, and now when covering a band with a Jewish performer, he feels a deeper connection. “If I know a musician is Jewish or Israeli, and shares my trauma, the bond is stronger.” He mentions a recent show by Israeli saxophonist Tevet Sela in Montreal. “There’s a bond you don’t have with others, and it makes you feel safe.”

Though quieter on advocacy than some, Amozig says no musician is unaware of his stance in Israel’s war. “They know where I stand, and so far, no major backlash. But I’m always aware of stories of cancellations, that chill in the air.”

For flamenco enthusiast Laurence Elmoznino, seeing fellow dancers celebrate murder and “Free Palestine” posters appearing around a studio dulled the shine on the art form she saw as her heritage. “I can’t get away from it anywhere, not even in my feel-good place. There’s even still a lot of antisemitism in Spain, where I got comments from indoctrinated types. I had a landlord who refused to believe I was Jewish, and a Spanish teacher asked me if a Palestinian child was standing in front of me, ‘would you shoot him’?”

Back in Montreal, she’s eyeing the calendar of flamenco events. “This stage I want to take, I know some of these women will be there. So fuck them, I’m going. I’m wearing my Magen David and standing right in front of your face.” Looking at it through a rear-view mirror, she says, “Their lack of intelligence repulsed me. I couldn’t get them to donate or support anything, and now they’re out picketing and protesting, denying rapes. They’re too far gone.”

These classes and events may be “much more their space than mine, but it is still my space because of my ancestry. This very much belongs to me.”

The post Montreal nightlife fixtures explain how anti-Israel sentiment has impacted their passions appeared first on The Canadian Jewish News.

Continue Reading

RSS

Global Antisemitic Incidents Decreased in 2024 From Post-Oct. 7 Surge but Remain Alarmingly High, New Study Finds

A pro-Hamas march in London, United Kingdom, Feb. 17, 2024. Photo: Chrissa Giannakoudi via Reuters Connect

Antisemitic incidents worldwide decreased in 2024 following the record surge that followed the Hamas-led massacre across southern Israel on Oct. 7, 2023, but they remain significantly higher than levels recorded prior to the attack, according to a new report published on Wednesday.

Just hours before the start of Israel’s Holocaust Remembrance Day on Wednesday night, Tel Aviv University’s Center for the Study of Contemporary European Jewry, in collaboration with the Irwin Cotler Institute for Democracy, Human Rights, and Justice, released its Annual Antisemitism Worldwide Report, which focuses on anti-Jewish hate crimes in 2024.

“Antisemitism is not just a problem of the past or a fringe issue,” said Professor Uriya Shavit, the report’s editor. “It is a mirror to our societies. And in 2024, that reflection is still deeply troubling.”

The 160-page study revealed that anti-Jewish hatred, which spiked in the wake of the Hamas onslaught, continues to persist across continents a year and a half into the ongoing Gaza conflict.

“Contrary to popular belief, the report’s findings indicate that the wave of antisemitism did not steadily intensify due to the war in Gaza and the humanitarian disaster there,” Shavit said. “The peak was in October-December 2023, and a year later, a sharp decline in the number of incidents was noted almost everywhere.”

“The sad truth is that antisemitism reared its head at the moment when the Jewish state appeared weaker than ever and under existential threat,” he continued.

Australia saw the most significant rise in anti-Jewish incidents, with 1,713 recorded in 2024, compared to 1,200 in 2023 and 490 in 2022.

Despite the sharp surge in anti-Jewish hate following the Oct. 7 attacks, Australia recorded 478 incidents between October and December 2024, a notable drop from the 827 incidents reported during the same period in 2023.

A rise in antisemitism compared to pre-war norms continued into this year. In February, for example, Australia experienced a scandal in which two nurses were caught on video vowing to kill Israeli patients, prompting outrage from authorities. After the video went viral, both nurses were suspended and permanently barred from employment within the New South Wales state health system. They were later charged with crimes.

The United States also saw notable increases in anti-Jewish incidents, especially in cities like Chicago, Denver, and Austin. The Anti-Defamation League released its own report on Tuesday showing that antisemitism in the US surged to break “all previous annual records” in 2024, with the civil rights group recording 9,354 antisemitic incidents last year.

In New York, the city with the world’s largest Jewish population outside of Israel, police recorded 344 antisemitic hate crimes in 2024, up from 325 in 2023 and 264 in 2022. Last month, Jews were the targets of more hate crimes than any other group, according to police data.

However, between October and December 2024, New York saw 68 antisemitic incidents, a sharp decline from the 159 incidents recorded in the same months of 2023.

Canada recorded a record-breaking 6,219 anti-Jewish incidents in 2024, up from 5,791 the previous year. Although members of the Jewish community make up less than 1 percent of the country’s population, they were targeted in one-fifth of all hate crimes.

“Around the world, levels of antisemitism remain significantly higher compared to the period before Oct. 7,” Shavit said in a statement.

In Europe, Italy experienced a sharp rise in anti-Jewish hate, with 877 incidents reported in 2024 — nearly double the 454 recorded in 2023.

Switzerland and Spain both saw a rise in antisemitic activity in 2024. For example, nearly 2,000 antisemitic incidents were reported in French-speaking Switzerland last year — an increase of 90 percent from 2023. The German-, Italian-, and Romansh-speaking regions recorded a 43 percent rise compared to 2023 and a staggering 287 percent increase compared to 2022.

One of the most notorious recent cases was the Zurich attempted murder, in which an Orthodox Jewish man was stabbed and left with life-threatening injuries by a Swiss teenager, an Islamic State supporter of Tunisian origin.

On the other hand, France reported an overall decline in antisemitic incidents in 2024, but there was a concerning rise in physical assaults. The total number of antisemitic outrages last year was a slight dip from 2023’s record total of 1,676, but it marked a striking increase from the 436 antisemitic acts recorded in 2022.

Last week, a Jewish man wearing a Star of David pendant was brutally attacked and called a “dirty Jew” in Villeurbanne, a city in eastern France that is home to the country’s second-largest Jewish community. In another egregious attack that garnered international headlines, a 12-year-old Jewish girl was raped by three Muslim boys in a Paris suburb last year. The child told investigators that the assailants called her a “dirty Jew” and hurled other antisemitic comments at her during the attack.

In the United Kingdom, 3,528 antisemitic incidents were recorded in 2024, down from 4,103 in 2023 and 1,662 in 2022. The country also saw a sharp decline in October, with 310 incidents reported in 2024, compared to 1,389 in the same month of 2023.

Despite recording an 18 percent drop in anti-Jewish hate crimes from the previous year’s all-time high, the UK still experienced its second worst year for antisemitism in 2024.

In Germany, 5,177 antisemitic incidents were recorded in 2024, down from 5,671 in 2023 and 2,811 in 2022. During the October-December period, 671 incidents were reported in 2024, a significant decrease from 3,163 in the same period of 2023.

In South America, both Argentina and Brazil experienced increased antisemitic activity in 2024. For example, Argentina saw a 44 percent rise in reported anti-Jewish hate crimes compared to the previous year.

The post Global Antisemitic Incidents Decreased in 2024 From Post-Oct. 7 Surge but Remain Alarmingly High, New Study Finds first appeared on Algemeiner.com.

Continue Reading

RSS

Celebrities Help ‘Spotlight’ Holocaust Survivors, Their Testimonies in New NYC Portrait Exhibit

Some of the portraits included in “Borrowed Spotlight” that feature Jennifer Garner, Nicola Peltz Beckham, and David Schwimmer with Holocaust survivors. Photo: Shiryn Ghermezian/The Algemeiner

A new portrait series and exhibition that opened in New York City on Tuesday showcases Holocaust survivors paired up with some of the most notable figures in media, fashion, and entertainment, in an effort to preserve survivor testimonies and amplify their stories, as well as to help combat antisemitism.

The portraits in “Borrowed Spotlight,” which is on display at the Detour Gallery, were captured by South African-born, renowned fashion photographer Bryce Thompson. They debuted ahead of Israel’s Holocaust Remembrance Day (Yom HaShoah), which begins on Wednesday night and marks 80 years since the end of World War II. The photographs feature portraits of survivors alongside prominent Jewish and non-Jewish figures such as Cindy Crawford, Jennifer Garner, Billy Porter, Wolf Blitzer, Chelsea Handler, Jenna Dewan, Barbara Corcoran, Nicola Peltz Beckham, Scooter Braun, David Schwimmer, Martha Grant, Ashley Benson, Josh Peck, George Stephanopoulos, Sheryl Sandberg, and Julius Erving.

The recognizable names heard testimonies from the Holocaust survivor they were paired with and then posed for photographs together with the survivor. A total of 18 celebrity and Holocaust survivor-paired portraits are in the series, and they were all taken by Thompson in 2023 and 2024. The exhibit features these large-scale portraits but also additional behind-the-scenes photos and other elements that aim to educate and inspire the public.

One section showcases notes written by some of the Holocaust survivors about life, hope, and reflection. In one such note that was on display, Holocaust survivor Risa Igelfeld, who is 107 years old, wrote: “I am writing this to urge the world to bring only positive thoughts to one another and let love flow.”

“Holocaust survivors are few and far between. Special people with special stories, and I really felt like they need to be told. [And] firsthand was really important to me,” Thompson, who is not Jewish, told the large crowd that attended the exhibit’s opening on Tuesday night. “Hearing a story from someone who has told a story is not the same as sitting in a room with someone who lived through something.”

Thompson told The Algemeiner he was originally hoping to only include non-Jewish celebrities in the portraits because “I wanted non-Jewish people standing up for Jewish people.” But once the project started, Jewish celebrities reached out to him and said they wanted to participate in the portrait series. He also admitted that he had a hard time getting some celebrities on board for the project.

“It wasn’t as easy as I had hoped, but the ones who did say ‘yes’ said [it] willingly and happily, and we were lucky to have them,” he said.

The Holocaust survivors in the series include natives of Poland, Czechoslovakia, Hungary, Belgium, Romania, and one man who was born in a Budapest ghetto basement during a bombing raid in 1944. The photographs feature survivors of the Warsaw Ghetto, Auschwitz and Bergen-Belsen concentration camps, and one person who survived 12 concentration camps. After surviving the genocide of World War II, some of these Holocaust survivors went on to have large families, become graduates of MIT, rocket designers, entertainment lawyers, writers, acclaimed sculptors, tailors, members of the Israeli Air Force, doctors of clinical psychology, and Holocaust educators. The photo series also highlights a survivor of the Farhud pogrom that targeted Jews in Baghdad, Iraq.

The goal of the portrait series and exhibit is to take the spotlight off the featured celebrities and instead use it shed some light on the Holocaust survivors, to help magnify their testimonies and help them reach a larger audience, especially the next generation. “In these pairings, recognition is redirected, and the attention so often given to fame is instead used to illuminate history,” read a description of the exhibit that was on display at its entrance. “The result is a series of intimate portraits and conversations where past and present collide, where silence is broken, and where remembrance becomes an act of defiance against forgetting.”

Photo: Sabrina Steck

Brazilian model Daniela Braga is featured in the portrait series alongside Czech Holocaust survivor Gabriella Karin, who survived the war as a teenager by hiding in the one-bedroom apartment of a non-Jewish young lawyer who was located directly across the street from the Nazi-Slovak Gestapo. Born and raised Catholic, Braga converted to Judaism and her husband is Jewish. She told The Algemeiner that hearing about Karin’s experience during the Holocaust made her “very emotional because growing up in Brazil, we learned just a little bit about the Holocaust and World War II. But to have the experience to actually talk to someone who lived through it, it’s something so mind-blowing to me.”

“I could hear the pain in her voice,” Braga added. “It made me happy in the end that she’s alive and is able to tell her story to all of us, to share with other people. When we say, ‘Never Again,’ it really has to be never again.”

Braga also told The Algemeiner she met a Jewish people for the first time ever when she moved to New York 15 years ago.

“I’ve been immersed in this [Jewish] culture for 15 years. The Jewish culture is something very close to my heart. Anything that I can do to help the Jewish community, I will do it,” she said while explaining why she wanted to participate in Thompson’s portrait series.

Jewish actress Kat Graham is photographed in the portrait series with Holocaust survivor Yetta Kana. Graham spoke at the exhibit opening and said Thompson’s portraits capture “truth, resilience, and humanity.” The “Vampire Diaries” actress – whose maternal grandmother fled Europe during the Holocaust – additionally said the photographs “build a bridge between generations; a conversation between memory and legacy.”

“This project is about remembrance but it’s also about responsibility,” she told the crowd. “We are the torchbearers now. It is up to us to keep these stories alive and to ensure that history is never forgotten. That the voices of survivors, like Yetta, are not only heard, but felt. I invite you to see, to feel, and to carry these faces with you, long after you leave … Let’s never forget.”

The opening of “Borrowed Spotlight” on Tuesday night was attended by other well-known figures including Gregg Sulkin, Remi Bader, Moti Ankari, and “Real Housewives of New Jersey” stars Margaret Josephs, Melissa Gorga, and Lexi Barbuto. Sulkin, who is Jewish, told The Algemeiner he wanted to be in the portrait series but ultimately was unable to participate in Thompson’s project because of scheduling conflicts.

The photographs in the exhibit, as well as additional ones not on display, were compiled into a coffee table book available for purchase that features a foreword by Crawford. Proceeds from the book sales will support efforts to educate younger generations about the Holocaust. Proceeds from a private auction on Monday night of select prints in the series will benefit Selfhelp, which provides services and assistance to living Holocaust survivors in New York, and the United States Holocaust Memorial Museum.

There are more than 200,000 Holocaust survivors worldwide. Nearly 50 percent of all Holocaust survivors will die within the next six years, while 70 percent will no longer be alive within 10 years, according to a new report released this week by the Conference on Jewish Material Claims Against Germany (Claims Conference). There are estimated to be more than 1,400 alive today around the world who are over 100 years old.

“Borrowed Spotlight” will be open at the Detour Gallery through Sunday.

The post Celebrities Help ‘Spotlight’ Holocaust Survivors, Their Testimonies in New NYC Portrait Exhibit first appeared on Algemeiner.com.

Continue Reading

RSS

Iran Fortifying Buried Nuclear Sites as Talks With US Continue, Report Says

Military personnel stand guard at a nuclear facility in the Zardanjan area of Isfahan, Iran, April 19, 2024, in this screengrab taken from video. Photo: WANA (West Asia News Agency) via REUTERS

Iran is ringing two deeply buried tunnel complexes with a massive security perimeter linked to its main nuclear complex, a report said Wednesday, amid US and Israeli threats of attack.

The Institute for Science and International Security released its report based on recent satellite imagery as the US and Iran prepare to hold a third round of talks this weekend on a possible deal to reimpose restraints on Tehran’s uranium enrichment program.

US President Donald Trump, who pulled the US out of a 2015 pact designed to prevent Tehran from developing nuclear weapons, has threatened to bomb Iran unless a deal is quickly reached that would ensure that same goal.

Trump’s withdrawal prompted Iran to breach many of the pact’s restraints. Western powers suspect it is pursuing the capability to assemble a nuclear weapon through enrichment of uranium to high fissile purity, which Tehran denies.

David Albright, the institute president, said the new perimeter suggested that the tunnel complexes, under construction beneath Mount Kolang Gaz La for several years, could become operational relatively soon.

Tehran has barred access to the tunnels to inspectors of the UN International Atomic Energy Agency (IAEA) who are monitoring its nuclear program.

This has raised concerns that they could be used to store Iran‘s stockpile of highly enriched uranium or undeclared nuclear materials, and advanced centrifuges that could quickly purify enough uranium for a bomb, Albright said.

IAEA Director General Raphael Grossi, on a visit to Washington, told reporters on Wednesday that those possible uses by Iran of the tunnel complexes “cannot be excluded” and the agency has repeatedly raised the issue with Tehran.

Iran, however, rejects an IAEA legal obligation requiring a member state to inform the agency of any intention to set up a nuclear facility even if radioactive materials have not been introduced, he said. “They are telling us, ‘It is none of your business.’”

“It is obvious that this is a place with numerous and important activities” related to Iran‘s nuclear program, Grossi added. “It’s a bit of a ping pong, but the digging continues, the building continues.”

Iranian Foreign Minister Abbas Araqchi, the chief negotiator with the US, said in a post on X in apparent response to the new report that Israel and unnamed “Special Interest groups” were looking to “derail diplomacy.”

Iran has said that advanced centrifuges would be assembled in one complex in place of a facility at the nearby Natanz plant, the centerpiece of its nuclear program, destroyed by sabotage in 2020.

The complexes, Albright said, are being built at depths much greater than Iran‘s deeply buried uranium enrichment facility at Fordow, near the holy city of Qom.

Commercial satellite images taken on March 29 showed hardened entrances to the complexes, high wall panels erected along the verges of a graded road encircling the mountain peak, and excavations for the installation of more panels, the report said.

The north side of the perimeter joins the Natanz plant security ring, it said.

The ongoing construction at the complexes appears to underscore Tehran’s rejection of demands that any talks with the US lead to the total dismantlement of its nuclear program, saying it has the right to peaceful nuclear technology.

Israel has not ruled out a strike on Tehran’s nuclear facilities in coming months, while Israeli Prime Minister Benjamin Netanyahu insists that any talks must lead to the complete scrapping of Iran‘s program.

Iran‘s nuclear energy chief Mohammad Eslami, referring to concerns about the vulnerability of its nuclear program, on Tuesday appeared to refer to projects such as the construction of the new security perimeter around the tunnel complexes.

“Efforts are ongoing [to] expand protective measures” at nuclear facilities, Eslami was quoted by Iranian state media as saying at an event marking the anniversary of the establishment of Iran‘s Islamic Revolutionary Guard Corps (IRGC).

The post Iran Fortifying Buried Nuclear Sites as Talks With US Continue, Report Says first appeared on Algemeiner.com.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News