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Montreal nightlife fixtures explain how anti-Israel sentiment has impacted their passions
The burlesque performer
Yael Perez, a.k.a. Miss Meow, is no wallflower. Shaking her feathers, her curvy silhouette strutting deftly across a stage under the gaze and leers of 100 adoring sets of eyes, she smiles, almost sneering-like, into the dark space filled with tables of hollering fans, before offering a coquettish spin, shedding her gloves to a rhythmic drumbeat.
With her curvy silhouette, black hair, and fiery red lipstick, she once captivated audiences as a popular burlesque performer in Montreal.
But after Oct. 7, 2023, her career, like parts of her elaborate costumes, fell south.
Perez started modelling a decade ago and later embraced burlesque. It was a hit—she performed every weekend, with a steady social media following. Her late parents supported her career, but it was the burlesque community that turned its back on her.
An office manager for a property management firm, she had been up late when news of the attacks broke. “I freaked out,” she recalls, and while her family in Israel was safe, she quickly realized that many of her friends were unaware of the scale of the attack. As media coverage was slow to pick up, Perez began sharing screenshots from sources she trusted.
At first the reaction was of sincere interest, “but I noticed all these people looking at my posts and not a single one messaged me to ask if I’m OK, or about my family.”
Perez isn’t alone. Jewish and Israeli artists have watched as the progressive arts community turned their back and lost the support of their friends in the industry and seen projects and bookings be cancelled.
Even Montrealers whose art might not be their day jobs, but rather side hustles and occasional gigs have seen opportunities dry up.
Social media has been a powerful force since the attacks, starting with the live-streamed atrocities and continuing efforts to spread propaganda, solidarity, or division. Perez, who uses social media “authentically” in both her personal and professional life, says, “I’ve always been clear—I’m not just a ‘pretty person’ online. I’m a whole person, and I was open about being terrified and traumatized.”
What people didn’t realize was that this wasn’t just ‘news’ to her—she was worried for her family staying in bomb shelters. The lack of support from friends and colleagues in the progressive burlesque community felt dehumanizing. “No one checked in, and I noticed something else,” she recalls, her voice betraying a surge in emotion. “Some people began sharing antisemitic content right away. On Oct. 7, they were posting about ‘liberation.’ The same goddamned day.”
Performers she’d worked with for years, with whom she’d never discussed the Middle East, began retweeting pro-Palestinian accounts that were clearly part of a coordinated narrative. “They were celebrating, saying ‘Amazing job.’ I couldn’t believe they were justifying the attacks.” She tried explaining the impact on her family, but people doubled down, saying it didn’t matter.
Colleagues, including one scheduled to perform in her show, posted increasingly extreme comments. Perez called them out gently, only to hear, “I’ve watched documentaries, I have a nuanced view. Palestinian resistance is justified.” Perez could accept opposing views, but “you’re saying what happened to my people was deserved?” She felt horrified and unsafe, questioning if she could continue working with such people.
The concert reviewer
Amir Amozig also felt a shift after Oct. 7, though more subtly. While he didn’t face direct hostility or “Free Palestine” shrieks, he noticed a change in the atmosphere while continuing his decade-long gig reviewing local bands in Montreal’s west end.
By day, the 51-year-old works in accounts receivable for a telecommunications company, but at night, he and his pen and notepad are a staple at local bars, reviewing bands with his encyclopedic knowledge of rock, blues, and pop. “I was extremely traumatized by Oct. 7,” he said. “There was a deafening silence around me.”
Some musicians did make public statements minimizing the atrocities, which outraged him, and overall, he felt isolated in an industry that leans far left, even though he considers himself liberal. His mistrust led him to consider leaving, but Israeli family and musician friends reminded him of his passion for music. “If you let life’s challenges rob you of your passions, you’re giving in to what terrorists intended from the start,” they said.
Mindful of cancel culture, Amozig navigated it with care. He was shocked to see anti-Israel propaganda in some venues, including one that seemed a “pro-Hamas shrine” post-Oct. 7. “I never set foot there again.”
Though he felt isolated, he stayed in the music scene, feeling distanced from the Jewish activist community as it shifted right, but remained committed to traditional liberal values.
#WATCH: “We have a responsibility to be a voice for all the hostage families,” says Amir Amozig, as Montrealers gathered on Sunday to honour those who were killed in Israel during the Oct. 7 Hamas attack. @swiddarassy reports.#Montreal #Quebechttps://t.co/9hiRkZ6iTI
— CityNews Montreal (@CityNewsMTL) October 6, 2024
Long before Oct. 7, he says, the arts community was strongly left-wing on issues like workers’ rights, racism, First Nations, women’s rights, the environment, and LGBTQ concerns. “The prevailing view framed the Middle East as an oppressor versus underdog conflict. While I disagree with some of their views on world events, I know many have a good heart, rooted in altruism, anti-militarism, and anti-nationalism,” which are core leftist values.
He severed ties however, with anyone justifying the events of Oct. 7, particularly those framing it in terms of oppressor and oppressed. “Some responses were reprehensible, while others came from a genuine concern for humanity.”
The flamenco dancer
Laurence Elmoznino, a 55-year-old public school teacher, was infuriated by the lack of knowledge and empathy she encountered after Oct. 7. “It was sheer stupidity,” she says, recalling the derision towards Israelis and the indifference to Jewish suffering that overshadowed one of her greatest passions.
A lifelong dancer, Elmoznino spent over a decade in ballet and has practiced flamenco for more than 20 years. Her first visit to Granada, Spain, felt like coming home, with flamenco’s connection to Jewish traditions through the shared history of persecuted Jews and Roma. “There was something very Jewish about it.”
Flamenco, with its intense footwork and lyrical expression, conveys raw emotions, from sexuality to passion, “but it’s not about being sexy,” she said. She loved the intensity and solidarity among the women she danced with.
“Flamenco here has a tight-knit community. We see the same faces everywhere—dancers from Spain for stages and shows. It’s intense with classes, practices, and performances.”
Fifteen months ago, she was performing with her group, loving every grueling moment. Then came Oct. 7. She watched the news, and “I thought my knees were going to buckle. In an instant, everything changed.”
As days passed, Elmoznino grew despondent, overwhelmed by pain for her community. “I couldn’t do anything. I didn’t want to dance. Many were still dancing, but I was in mourning.” Supported by a close-knit group of dancers and friends, she returned after weeks, receiving concern for her and her family. “But outside that small group, I’m still angry.”
After the Hamas attacks, she posted on social media about the slaughter, supporting Israel and sharing a photo from a volunteering mission. A dancer told her they could no longer be friends, saying she couldn’t support someone who “justifies terrorism.” Elmoznino was stunned. “Terrorism? Genocide? I had no idea she thought like this. I danced with her, she taught me, I saw her shows.” She responded firmly, calling her out: “How dare you? My family was in Gaza. You don’t get to lecture me about my people.”
This was coming from people she had known for 20 years, who knew her as a dedicated supporter and fundraiser for causes like helping fellow Montrealer Steve Maman working to free Yazidi women from ISIS captivity and supporting a Syrian refugee family. “I did the work—what have you done?”
She was furious and avoided classes. “I just couldn’t. It wasn’t just one teacher, but others voicing pride in seeing Tunisians shouting for resistance in Arabic or calling Gaza an open-air prison. It was too much.” This limited her dance opportunities and combined with knee injuries and the painful loss of a close friend, her flamenco career began to unravel. “I missed dancing, but my connection to Israel is deeper than anything, even flamenco. Every hostage, soldier, and family felt personal.”
It reaffirmed her deepest self-identity, with family roots in Spain as deep as her attachment to her Jewishness. In Granada, she met the late flamenco legend Mario Maya, who tapped her with his cane, asking, “Where are you from?” “Canada,” she replied. “No,” he laughed. “Where are you from?”
“When I shared my origins were in Córdoba, he said I resembled the local women, strengthening my sense of connection to the culture.” It reminded her that she was “La Sefardita.”
Yael Perez was proud of her achievements in burlesque, curating successful shows at Montreal venues like the Wiggle Room and Café Cleopatra, often selling out spaces for 100-120 people. But everything unraveled after Oct. 7.
“Burlesque isn’t a community, I always insisted. It’s a business,” she said, feeling vindicated “in a sick, painful way.”
Post-Oct. 7, many of her peers across Canada posted antisemitic content. “The worst was, ‘You deserve it.’” The idea that Israelis deserved to be pulled from their beds and slaughtered was mind-boggling. Perez had always supported causes like Black Lives Matter and Stop Asian Hate, even paying festival fees for performers of colour. “I knew some people face barriers I didn’t. I felt a responsibility to help.” Yet, among the hundreds she supported, no one publicly voiced support for her. “A few privately reached out, but within weeks, they were sharing pro-Palestinian posts and calling me a genocide supporter who should be shunned.
“I was the only Israeli. There were a few Jewish performers, but in a progressive, woke space, a couple who shared my views stayed silent to avoid what I was dealing with.”
It started with artists bailing on shows, rumours spreading that she supported genocide. Even an Arab-Jewish performer she had supported told her, “I can’t be associated with you. I have to quit all your bookings. No hard feelings.”
The final blow came that December, when dancers at Café Cleo told her that nearly all of them had been harassed for working with her. “This was after about 20 people had already quit,” almost half the talent pool.
“I shed so many tears,” she recalls. “I found out nearly every artist who worked with me was harassed. I had a breakdown backstage and cried myself to sleep. That show made me realize I couldn’t stay in this industry anymore. I couldn’t keep giving to an industry that doesn’t appreciate me.”
She began receiving harassing messages, with her social media stories prompting waves of Palestinian flags and responses of “Fuck Israel! Fuck you!” and threats to protest her shows. Anti-Israel posters were plastered backstage, and she knew people brought Palestinian flags to disrupt other events in the city. She worried about how to keep the audience safe when people were using such aggressive, threatening language.
Her last pre-booked show was in May, but her final performance came in February 2024, at Café Cleo. There, a stack of postcards urging Trudeau to stop the genocide and support Gaza sat by the bar.
It was all devastating for Perez. “It turned my life upside down. Being a performer, producer, and model was central to my identity—now it’s all gone. I lost almost all my friends—people I’d planned futures with, thrown birthday parties for. Losing my career was huge, but losing friends was worse. It felt overwhelming, but I realized I need new, more meaningful connections—especially more Jewish friends.”
Did she err by quitting? “No. It’s unfortunate and sad, and I’m still grieving that loss, but it was the right thing because nobody deserves to be treated that way, to be bullied by peers, and harassed. I had the ability to remove myself. They’re going to be assholes forever. I don’t have to be there for it.”
Pivoting their perspectives
Music reviewer Amir Amozig found his voice for advocacy attending rallies after Oct. 7. His tight-knit circle remains strong, and now when covering a band with a Jewish performer, he feels a deeper connection. “If I know a musician is Jewish or Israeli, and shares my trauma, the bond is stronger.” He mentions a recent show by Israeli saxophonist Tevet Sela in Montreal. “There’s a bond you don’t have with others, and it makes you feel safe.”
Though quieter on advocacy than some, Amozig says no musician is unaware of his stance in Israel’s war. “They know where I stand, and so far, no major backlash. But I’m always aware of stories of cancellations, that chill in the air.”
For flamenco enthusiast Laurence Elmoznino, seeing fellow dancers celebrate murder and “Free Palestine” posters appearing around a studio dulled the shine on the art form she saw as her heritage. “I can’t get away from it anywhere, not even in my feel-good place. There’s even still a lot of antisemitism in Spain, where I got comments from indoctrinated types. I had a landlord who refused to believe I was Jewish, and a Spanish teacher asked me if a Palestinian child was standing in front of me, ‘would you shoot him’?”
Back in Montreal, she’s eyeing the calendar of flamenco events. “This stage I want to take, I know some of these women will be there. So fuck them, I’m going. I’m wearing my Magen David and standing right in front of your face.” Looking at it through a rear-view mirror, she says, “Their lack of intelligence repulsed me. I couldn’t get them to donate or support anything, and now they’re out picketing and protesting, denying rapes. They’re too far gone.”
These classes and events may be “much more their space than mine, but it is still my space because of my ancestry. This very much belongs to me.”
The post Montreal nightlife fixtures explain how anti-Israel sentiment has impacted their passions appeared first on The Canadian Jewish News.
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US House Members Ask Marco Rubio to Bar Turkey From Rejoining F-35 Program
US Secretary of State Marco Rubio attends a cabinet meeting at the White House in Washington, DC, US, April 10, 2025. Photo: REUTERS/Nathan Howard
A bipartisan coalition of more than 40 US lawmakers is pressing Secretary of State Marco Rubio to prevent Turkey from rejoining the F-35 Joint Strike Fighter program, citing ongoing national security concerns and violations of US law.
Members of Congress on Thursday warned that lifting existing sanctions or readmitting Turkey to the US F-35 fifth-generation fighter program would “jeopardize the integrity of F-35 systems” and risk exposing sensitive US military technology to Russia. The letter pointed to Ankara’s 2017 purchase of the Russian S-400 surface-to-air missile system, despite repeated US warnings, as the central reason Turkey was expelled from the multibillion-dollar fighter jet program in 2019.
“The S-400 poses a direct threat to US aircraft, including the F-16 and F-35,” the lawmakers wrote. “If operated alongside these platforms, it risks exposing sensitive military technology to Russian intelligence.”
The group of signatories, spanning both parties, stressed that Turkey still possesses the Russian weapons systems and has shown “no willingness to comply with US law.” They urged Rubio and the Trump administration to uphold the Countering American Adversaries Through Sanctions Act (CAATSA) and maintain Ankara’s exclusion from the F-35 program until the S-400s are fully removed.
The letter comes after Turkish President Recep Tayyip Erdogan claimed during a NATO summit in June that Ankara and Washington have begun discussing Turkey’s readmission into the program.
Lawmakers argued that reversing course now would undermine both US credibility and allied confidence in American defense commitments. They also warned it could disrupt development of the next-generation fighter jet announced by the administration earlier this year.
“This is not a partisan issue,” the letter emphasized. “We must continue to hold allies and adversaries alike accountable when their actions threaten US interests.”
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US Lawmakers Urge Treasury to Investigate Whether Irish Bill Targeting Israel Violates Anti-Boycott Law
A pro-Hamas demonstration in Ireland led by nationalist party Sinn Fein. Photo: Reuters/Clodagh Kilcoyne
A group of US lawmakers is calling on the Treasury Department to investigate and potentially penalize Ireland over proposed legislation targeting Israeli goods, warning that the move could trigger sanctions under longstanding US anti-boycott laws.
In a letter sent on Thursday to US Treasury Secretary Scott Bessent, 16 Republican members of Congress expressed “serious concerns” about Ireland’s recent legislative push to ban trade with territories under Israeli administration, including the West Bank, Gaza, East Jerusalem, and the Golan Heights.
The letter, spearheaded by Rep. Claudia Tenney (R-NY), called for the US to “send a clear signal” that any attempts to economically isolate Israel will “carry consequences.”
The Irish measure, introduced by Foreign Affairs and Trade Minister Simon Harris, seeks to prohibit the import of goods and services originating from what the legislation refers to as “occupied Palestinian territories,” including Israeli communities in the West Bank and East Jerusalem. Supporters say the bill aligns with international law and human rights principles, while opponents, including the signatories of the letter, characterize it as a direct extension of the boycott, divestment, and sanctions (BDS) movement, which seeks to isolate Israel as a step toward the destruction of the world’s lone Jewish state.
Some US lawmakers have also described the Irish bill as an example of “antisemitic hate” that could risk hurting relations between Dublin and Washington.
“Such policies not only promote economic discrimination but also create legal uncertainty for US companies operating in Ireland,” the lawmakers wrote in this week’s letter, urging Bessent to determine whether Ireland’s actions qualify as participation in an “unsanctioned international boycott” under Section 999 of the Internal Revenue Code, also known as the Ribicoff Amendment.
Under that statute, the Treasury Department is required to maintain a list of countries that pressure companies to comply with international boycotts not sanctioned by the US. Inclusion on the list carries tax-reporting burdens and possible penalties for American firms and individuals doing business in those nations.
“If the criteria are met, Ireland should be added to the boycott list,” the letter said, arguing that such a step would help protect US companies from legal exposure and reaffirm American opposition to economic efforts aimed at isolating Israel.
Legal experts have argued that if the Irish bill becomes law, it could chase American capital out of the country while also hurting companies that do business with Ireland. Under US law, it is illegal for American companies to participate in boycotts of Israel backed by foreign governments. Several US states have also gone beyond federal restrictions to pass separate measures that bar companies from receiving state contracts if they boycott Israel.
Ireland has been one of the fiercest critics of Israel on the international stage since the Palestinian terrorist group Hamas’s Oct. 7, 2023, massacre across southern Israel, amid the ensuing war in Gaza, leading the Jewish state to shutter its embassy in Dublin.
Last year, Ireland officially recognized a Palestinian state, a decision that Israel described as a “reward for terrorism.”
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US Families File Lawsuit Accusing UNRWA of Supporting Hamas, Hezbollah
A truck, marked with United Nations Relief and Works Agency (UNRWA) logo, crosses into Egypt from Gaza, at the Rafah border crossing between Egypt and the Gaza Strip, during a temporary truce between Hamas and Israel, in Rafah, Egypt, Nov. 27, 2023. Photo: REUTERS/Amr Abdallah Dalsh
American families of victims of Hamas and Hezbollah attacks have filed a lawsuit against the UN agency for Palestinian refugees, accusing the organization of violating US antiterrorism laws by providing material support to the Islamist terror groups behind the deadly assaults.
Last week, more than 200 families filed a lawsuit in a Washington, DC district court accusing the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) of violating US antiterrorism laws by providing funding and support to Hamas and Hezbollah, both designated as foreign terrorist organizations.
The lawsuit alleges that UNRWA employs staff with direct ties to the Iran-backed terror group, including individuals allegedly involved in carrying out attacks against the Jewish state.
However, UNRWA has firmly denied the allegations, labeling them as “baseless” and condemning the lawsuit as “meritless, absurd, dangerous, and morally reprehensible.”
According to the organization, the lawsuit is part of a wider campaign of “misinformation and lawfare” targeting its work in the Gaza Strip, where it says Palestinians are enduring “mass, deliberate and forced starvation.”
The UN agency reports that more than 150,000 donors across the United States have supported its programs providing food, medical aid, education, and trauma assistance in the war-torn enclave amid the ongoing conflict.
In a press release, UNRWA USA affirmed that it will continue its humanitarian efforts despite facing legal challenges aimed at undermining its work.
“Starvation does not pause for politics. Neither will we,” the statement read.
Last year, Israeli security documents revealed that of UNRWA’s 13,000 employees in Gaza, 440 were actively involved in Hamas’s military operations, with 2,000 registered as Hamas operatives.
According to these documents, at least nine UNRWA employees took part directly in the terror group’s Oct. 7, 2023, invasion of and massacre across southern Israel.
Israeli officials also uncovered a large Hamas data center beneath UNRWA headquarters, with cables running through the facility above, and found that Hamas also stored weapons in other UNRWA sites.
The UN agency has also aligned with Hamas in efforts against the Gaza Humanitarian Foundation (GHF), an Israeli and US-backed program that delivers aid directly to Palestinians, blocking Hamas from diverting supplies for terror activities and selling them at inflated prices.
These Israeli intelligence documents also revealed that a senior Hamas leader, killed in an Israeli strike in September 2024, had served as the head of the UNRWA teachers’ union in Lebanon, where Lebanon is based,
UNRWA’s education programs have been found by IMPACT-se, an international organization that monitors global education, to contribute to the radicalization of younger generations of Palestinians.