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Winnipeg’s own Jonas Chernick discusses how he made his latest movie, “JAMES VS. HIS FUTURE SELF”

Jonas Chernick

By BERNIE BELLAN
Elsewhere on this website we have an article about a new movie, titled “JAMES VS. HIS FUTURE SELF”, which was slated to receive its Winnipeg premiere April 3.
As events have overtaken the original plan, filmmaker Jonas Chernick, who wrote, produced, and starred in the movie explained that the Canadian distributors of the film have changed how the movie will now roll out.
Instead of being shown in theatres, the movie will now go straight to video on April 3, including digital release on iTunes and Video on Demand through such providers as Shaw, Bell MTS, and Rogers.

We had a chance to talk with Chernick while he was cooped up in his Toronto home – along with his wife, two kids, a dog and a cat.
For those of our readers who are not already familiar with Chernick’s background, here’s a brief summary: He’s a graduate of Grant Park High School and the University of Manitoba. He is also an alumnus of Camp Massad, where he was both a camper and a counselor. He served on the staff of the Rady Jewish Community Centre and has appeared in four different productions of the Winnipeg Jewish Theatre over the years.
“JAMES VS. HIS FUTURE SELF” marks the third film that Chernick has written and produced and in which he has starred. The previous two were “My Awkward Sexual Adventure” (released in 2012) and “Borealis” (released in 2016).
As someone who has always maintained a strong connection to the Winnipeg Jewish community, we have been chronicling Chernick’s career in these pages for years. Making films is not an easy route to follow, but Chernick has shown that it is possible to forge a successful career path despite the many challenges that await any aspiring filmmaker.
But now, with the latest hurdle to overcome in the form of a pandemic virus that has thrown all the previous plans for unveiling the film across Canada out the window, Chernick is still looking forward to seeing the film find success in a different way than he might have otherwise anticipated – by going straight to video, something that usually doesn’t occur until at least six months after a movie has been shown in theatres.

We began our interview by asking about how the COVID-19 pandemic has altered plans for not just “JAMES VS. HIS FUTURE SELF”, but so many other movies that were slated to be released soon?
Chernick said: “They actually have announced that several major releases are going to come straight to our living rooms. ‘Trolls’ – which was expected to be a huge blockbuster, is going to be released straight to digital.”
I wondered whether Chernick himself was going to take a financial hit over the change in plans for how the movie is going to be released.
Chernick explained that “the way it works with my film and the way I think most films – certainly Canadian films, is we’ve already sold the Canadian rights to the movie to a Canadian distribution company; in our case, they’re called Northern Banner Releasing. I’ve done a number of films with them; they’re wonderful partners – and they’ve had the Canadian rights to this movie for years.
“The way it works is they help us make the film by prebuying the Canadian rights, so the revenue from Canada goes through them and, if the movie does very well – sure, we’ll get something called ‘overages’, which means some of the profits will flow through to the producers, including me. But, that’s not really a concern for my team. We just want the movie to be seen by as many people as we can. Nobody gets into the independent film business to make millions of dollars.
“Luckily for me, as an actor, writer, producer, story editor, consultant – I do fine with multiple projects, but nobody is in this to become a millionaire. We’re artists, we made a movie – and we’re very proud of it. We made one that we think people will really like – it’s an audience friendly movie.”
I said to Chernick that I always enjoy helping to promote one of his new movies, saying to him “It’s like having a baby again: You go through the same steps. This time around though, the baby’s in the hospital and you’re not sure when it’s going to come out.”

It had been four years since I last spoke with Chernick – just after “Borealis” was released, and I noted that he had mentioned that back in 2016, while he ”had several irons in the fire”, there was one movie in particular that he thought had the best chance of being made.
Chernick agreed, saying: “This was the one that people were most excited about when I pitched it, so I felt like we had a good chance at getting this one made.”
I noted that this was now the third film that Chernick had written and produced, and in which he had starred – and about which I had now written, so some day I will be able to write about “the pantheon of Jonas Chernick movies” because I’ve never used the word “pantheon” in a sentence before.
It was following release of “My Awkward Sexual Adventure” in 2012 that Chernick met the guy who eventually became the director of “JAMES VS. HIS FUTURE SELF”, Jeremy LaLonde. They were both at a California film festival and someone introduced them to each other as the two Canadians who had just made “sex comedies”. In time, Chernick would end up starring in a LaLonde film called “How to Plan an Orgy in a Small Town” (which can be purchased on iTunes, Chernick said).
As people who are involved in the film industry are prone to do, Chernick and LaLonde traded ideas – and scripts, back and forth, bouncing ideas off one another, until the idea for “JAMES VS. HIS FUTURE SELF” began to take hold – in 2016.
According to Chernick though, before they began to focus on “JAMES VS. HIS FUTURE SELF”, LaLonde had asked him whether Chernick had “any ideas in the science fiction world” and Chernick said “I have one idea that’s not much of an idea and I kind of pitched it to him in probably two sentences – and he loved it and said ‘let’s develop that, let’s flesh that out’, and very quickly we turned that into what became “JAMES VS. HIS FUTURE SELF”.
We discussed how the drastic change in how the movie is going to be released might affect the kind of “buzz” that a movie needs to develop in order to be successful.
Chernick explained: “Normally a movie that gets released on digital or VOD (Video on Demand) doesn’t receive a lot of media attention because there are so many titles, but in this case we already have a lot of attention. We’ve won a bunch of awards and we’ve played at a bunch of prestigious festivals, and the media in Canada have been very supportive – so, thanks to people like you and other outlets, it’s going to make a splash and people are going to know about it.
“Everybody’s at home! What else are they going to do? You can have a laugh, feel charmed – and enjoy yourself for an hour and a half.”

I said to Chernick that I was amazed how many reviews of “JAMES VS. HIS FUTURE SELF” I had actually been able to find online. “It’s amazing,’ I said. “Your film has only been on the festival circuit, yet it already has so many reviews.”
“You’re right,” Chernick answered. “It’s only been on the festival circuit, but I will say that I am a tireless soldier when it comes to promoting my movies.”
“And almost all the reviews are favourable,” I noted – except for one, “from a guy who complained that the movie was a ‘rom com’ – early 2000s vintage. “
“But, when I read that,” I said to Chernick , “I thought to myself: ‘I love rom coms. I wish they would make more of them.”
“Absolutely,” Chernick said. “All of my movies are romantic comedies. I think most comedies are rom coms. We call this a ‘sci fi rom com’, but it’s less sci fi than it is rom com. It’s truly a romantic comedy hiding inside a time travel movie – with very little time travel…just enough to satisfy the science fiction geeks, as we learned when we were programmed by one of the top science fiction film festivals in the world – the Toronto After Dark Festival.
“We were worried that the audience was going to turn on us at that festival, but we ended up winning four awards at that festival.”
I noted that I wasn’t familiar with that particular festival. I said that I assumed it “was a festival for people who didn’t like to go out in the day time” (which got a laugh from Chernick).
Chernick went on to say that “the real surprise for us was getting nominated for Canadian Screen Awards because this is not the kind of film that typically gets acknowledged by the Academy (of Canadian Cinema and Television). This is a fun comedy with some raunchy humour.”

Daniel Stern in a scene from the movie

At that point in the interview I said to Chernick that I wanted to switch gears and, rather than talk more about how the film was made and how it’s going to be distributed, I wanted to talk about Daniel Stern, who really steals the movie when he appears in it.
I said that I purposely hadn’t read much about the movie before I watched it, but when I saw Daniel Stern appear for the first time, I said to myself: “I know that guy. He was in ‘Home Alone’. “ (Later, Chernick pointed out that Stern was also made famous for having been in the “City Slicker” movies.)
(Note: Stern plays an older version of Chernick, who comes back in time to try and persuade the character played by Chernick to abandon his dreams of time travel.)
“Where has Daniel Stern been all these years?” I asked Chernick.
“He kind of stepped away from the limelight after the ‘Home Alone’ and ‘City Slicker’ movies were such blockbuster,” Chernick explained. ”He wrote and directed some films and some TV and then, because he didn’t have to work, he kind of walked away a little bit and he became a reclusive artist.
“He lives on a property in California – away from all the action, and he makes gigantic bronze sculptures in his art studio – and sells them all over the world. He’s an amazing artist, but he hasn’t really done a lot of movies in the last several years because he doesn’t really like leaving home.
“But we went after him pretty aggressively because we just felt that he was the perfect guy for this part. We had a really short list that he was at the top of – for a bunch of reasons, but mostly because we have this nostalgic relationship with Daniel Stern based on his movies from the 80s and 90s – and our movie is about nostalgia; it’s about looking back.
“Also, he’s similar enough to me in his personality and his persona – his lovable loser, Jewish, nebbishy vibe – from his earlier years, but he’s become something else at the same time. He’s now a big guy (physically – as viewers might be surprised to see. Man, has Stern ever put on a lot of weight!) and somewhat intimidating, so we really liked the idea that he was once like me but that he’s evolved into something other than that – and we found that really interesting for his part.”

“And you provide a credible explanation as to why there’s no real physical similarity – except for one part of your anatomy (cue the penis jokes),” I suggested. “Now, that’s one that I found a bit of a stretch – no pun intended.”

Frances Conroy

I also asked Chernick about another actor who appears in the movie who, I admit, I had never heard of – until Chernick filled me in as to who she is and where I might have seen her. The character, Dr. Crowley, is head of a world class lab in which Chernick’s character is also a scientific researcher.
“Her name is Frances Conroy,” Chernick said. “She’s in many ways an acting icon. She was the matriarch on one of the most ground-breaking shows of all time: HBO’s ‘Six Feet Under’.”
“Oh,” I said, “but you know I never watched that.” (which shouldn’t excuse my ignorance because I usually am quite au courant with useless trivia).
“That show was nominated for five or six Emmys every year,” Chernick added. “She’s also a Broadway star. She’s also been one of the leads on a very popular show called “American Horror Story” (which I always assumed was a story about my own family) and most recently she played the mother of the Joker in the “Joker” movie.”
“Oh, that’s her,” I exclaimed, showing once again my ignorance of an all-important fact.
“Her character has this turn of phrase,” I noted, “when she reacts to someone swearing. What does she call it?” I asked.
“Swear scream…. She says it as if it’s a common phrase,” Chernick explained – as in, “If you’re going to ‘swear scream’ someone’s name, at least have something compelling to say when you finally have their attention.’ “
I said that she’s so ‘self contained’ when she appears in the movie – constantly showing incredible restraint when she’s subjected to a barrage of profanity from one or another of the characters in the movie, especially the character played by Daniel Stern. Also, I wondered, considering how she’s so terrific in her relatively small part, couldn’t Chernick have written a larger role for her?
“I think one of the appealing things for her,” Chernick explained, “is that this was an extended cameo for her. This is something that she would be able to come in and do relatively quickly. Now, it should be noted that, being the pro she is, she didn’t treat it that way at all. She had read so many books on particle physics (Conroy plays the part of a particle physicist, as does Chernick), she was so prepared – she was over prepared – she blew our minds how great she was.”

I said to Chernick that he must be so disappointed he won’t be able to premiere his movie in person in front of a Winnipeg audience.
“I was really excited to be there in front of my home town audience,” Chernick admitted, “with friends and family, but we’re going to try to do some sort of question and answer session online via Reddit or one of these online chat systems.”
I asked whether there’s anything else Chernick might like to add.
He said that “people are running out of things to watch right now. Why not watch a funny, entertaining movie by a Winnipeg Jew?”
Then, I thought to add the most important question that I had forgotten to ask:
“When is the movie going to open in Lithuania?” (in reference to the fact that the Lithuanian remake of “My Awkward Sexual Adventure”, titled “Nepatyres” (or “Unexperienced” in English) had the third best box office opening for any movie ever shown in that country).
Chernick laughed and said, “it’s opening (or slated to open) in the United States on May 1st and in the U.K. on April 27th, but I’m not sure about Lithuania.”
“The Baltic states will be key to your success,” I suggested.

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Features

How DIY Auto Repairs Can Help You Cut Costs—Safely

Image from Pexels.com

Regular maintenance and minor repairs are the greatest approach for many car drivers to save money without sacrificing dependability. DIY repairs can save you a lot of money over the life of your car since most of the expense is in the labour. DIY helps you learn how things work and notice tiny issues before they become costly ones. Every work requires planning, patience, and safety. 

Test Your Talents with Safe Limits 

DIY solutions succeed when one is honest about their talents. Wiper blades, air filters, and occupant filters are beginner-friendly. With the correct equipment, intermediate owners can replace brake pads, spark plugs, coolant, and brake fluid. Pressurized fuel, high-voltage hybrids, airbags, and timing components are risky. Only professionals should manage them. Limitations protect you and your car. Drivers trust sources like Parts Avenue to find, install, and schedule manufacturer-approved work.

Set Up a Reliable Workspace and Tools 

Good tools pay for themselves quickly. Ratchets, torque wrenches, combination wrenches, heavy jack stands, and wheel chocks are essential. It is advisable to engage specialists for specific tasks. A clean, flat, well-lit, and open space is essential. Please take your time. While working, keep a charged phone nearby to read repair instructions or write torque patterns. 

Find the Problem before Replacing the Parts

It may cost more to replace something without diagnosing it. Instead of ideas, start with symptoms. OBD-II readers detect leaks, sounds, and DTCs. Simple tests like voltage, smoke indicating vacuum leaks, pad thickness, and rotor runout might reveal failure. A good analysis saves components, protects surrounding parts, and fosters future trust. 

Maintenance That Pays off is Most Crucial 

Jobs compensate for time and tools differently. Prioritize returns and maintenance. Change the oil and filter, rotate the tires, evaluate the air pressure, replace low brake fluid, clean the coolant with the right chemicals, and replace belts and filters before they fail. These items extend automotive life, stabilize fuel efficiency, and reduce roadside towing issues that can take months to resolve.

Do as Instructed, Utilize Quality Parts, and Follow Torque Requirements 

Understand the service. Set the jacking points, tighten the screws in the appropriate order, and use threadlocker or anti-seize as suggested by the maker. Rotor wear can cause leaks, distortions, or broken threads. Choose components that meet or exceed OEM requirements and fit your car’s VIN, engine code, and manufacturing date. Cheap parts that break easily cost extra. 

Test, Record, and Discard Carefully 

Safely test the system before patching. Check under the car for drops, bleed the brakes again, and check fluid levels after a short drive. Note torques, parts, miles, and repair date. Photo and document storage for car sales. Properly dispose of oil, filters, coolant, and brake fluid. Controlling hazards protects your community and workplace.

Know When to Seek Professional Help 

Self-employed individuals recognize their constraints. If a task is challenging, requires special instruments, or involves safety, consult an expert. Collaboration makes cars safer, cheaper, and more efficient. Selecting, planning, and implementing processes properly improves performance, lowers costs, and ensures safety.

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Features

What It Means for Ontario to Be the Most Open iGaming Market in Canada

Ontario is the most open commercial iGaming market in Canada, having been the first province to open up to commercial actors in the online casino and betting space since 2022.

Since gambling laws in Canada are managed on a provincial level, each province has its own legislation. 

Before April 4th, 2022, Ontario was similar to any other Canadian province in the iGaming space. The only gaming site regulated in the province was run by government-owned Ontario Lottery and Gaming Corporation, also known as OLG. However, when the market opened up, numerous high-quality gambling companies established themselves in the province, quickly generating substantial revenue. As the largest online gambling market in Canada, it’s now, three years later, also one of the biggest in North America.

The fully regulated commercial market is run under iGaming Ontario and the Alcohol and Gaming Commission of Ontario. These licensed casinos and online sportsbooks are thus fully legal and safe for players to play at, while at the same time, the open market allows companies to compete and offer different products and platforms as long as they all fit within the requirements set up by the state of Ontario.

This means that Ontarians have a wide choice of licensed sites, whether they’re interested in sports betting, live dealer games, or slots – all with strict consumer-protection rules that keep them safe while exploring the many options. (Source: https://esportsinsider.com/ca/gambling/online-casinos-canada)

There are many benefits to online gaming, especially in a country that’s as sparsely populated as Canada, leaving physical venues often few and far between for those living outside the biggest cities.

Even before Ontario launched its own gambling sites, online gambling had been common among Ontarians. Regulating the market and offering alternatives regulated by the province has often added safer and more controlled options.

Since 85% of Ontarians now play at regulated sites, the initiative of opening up the market seems a clear win in more than one way.

Despite the huge success of the Ontario market, most provinces in Canada haven’t changed much in the iGaming sector in the past few years. Some provinces keep Crown-run monopolies, while others limit activity to a single government-run platform. This often leads Canadians to seek offshore alternatives instead, since the options are so few in their own province.

But 2025 marks an important change. The provinces seem to have noticed that Ontario picked a winning strategy, and Alberta has clearly been taking notes. 

While the province of Alberta has previously opted for controlled gambling through one government website, the province is now opening up the commercial online gambling market. The Alberta iGaming Corporation will be in charge of licensing and inspecting actors that operate in the province. This will mean many more options for players, coupled with consumer protection and a high level of safety.

Meanwhile, the Ontario iGaming market continues to prosper, grow, and develop. Now that a second province is following in its footsteps, it seems more likely that other provinces will also start following the trend.

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Features

I know exactly why leftists aren’t celebrating this ceasefire

Palestinians walk among the rubble of destroyed buildings in Khan Yunis, in the southern Gaza Strip, on Oct. 10.

Relief that the fighting may be at an end is one thing. Joy — after all this suffering — is another

This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.

“We can’t hear you, Zohran,” read one New York Post headline this week: “Pro-Hamas crowd goes quiet on Trump’s Gaza peace deal.”

“It seems awfully curious that the people who have made Gazans a central political cause do not seem at all relieved that there’s at least a temporary cessation of violence … Why aren’t there widespread celebrations across Western cities and college campuses today?” the article asked.

The Post wasn’t alone in voicing that question. A spokesperson for the Republican Jewish Coalition posted on X that “The silence from the ‘ceasefire now’ crowd is shameful and deafening.” Others went so far as to imply that the protesters had been lying and never actually wanted a ceasefire — because what they really wanted wasn’t freedom and security for Palestinians, but the ability to blame Israel. If pro-Palestinian voices had really wanted a ceasefire, the thinking went, they would be celebrating.

I read these various posts and articles and thought of Rania Abu Anza.

I have thought of her every day since I first read her story in early March 2024. Anza spent a decade trying to have a child through in vitro fertilization. When her twins, a boy and a girl, were five months old, an Israeli strike killed them. It also killed her husband and 11 other members of her family.

A year and a half later, a ceasefire cannot bring her children, her husband, or her 11 family members back. They were killed. They will stay dead. What is there to celebrate?

This does not mean that the ceasefire is not welcome, or that it is not a relief. On the contrary: It is both. Of course it’s a relief that the families of hostages don’t need to live one more day in torment and anguish. Of course it’s a relief that more bombs will not fall on Gaza.

But celebration implies, to me anyway, that this is a positive without caveats. And in this situation, there are so many caveats.

The families of the surviving hostages will still have spent years apart from their loved ones, in no small part because their own government did not treat the hostages’ return as the single highest priority. The families of those hostages who were killed in the war will never again sit down to dinner with their loved ones, who could have been saved. And it is difficult to fathom what’s been taken from the hostages themselves: time spent out exploring the world, or with family and friends, or at home doing nothing much at all but sitting safely in quiet contemplation.

And a ceasefire alone will not heal Israeli society, or return trust to the people in their government. It will not fix some of the deep societal problems this war uncovered. A Chatham House report this August found that: “Israeli television ignores the suffering of Palestinians in Gaza, while the rhetoric is often aggressive. Critical voices, from inside Israel or abroad, are attacked or silenced.” If the country is ever going to find its way back from Oct. 7 and this war, a ceasefire is a necessary precondition, but not a route in and of itself.

In Gaza, Palestinian health authorities have said that about 67,000 people — not distinguishing between combatants and civilians — have been killed by Israel’s campaign in response to Oct. 7. A full third of those killed were under the age of 18. The ceasefire cannot bring those children back to life.

It cannot turn back time and make it such that Israel admitted more than minimal aid to the embattled strip. It will not undo the damage that has been done to the people of Gaza who were denied enough to eat and drink and proper medical care. It will not give children back their parents, or parents back their children. It will not heal the disabled, or make it so that they were never wounded.

It will not change that all of this happened with the backing of the United States government. (This is to say nothing of the West Bank, which has seen a dramatic expansion of Israeli settlements and escalation of settler violence over the course of the war). And as American Jewish groups put out statements cheering the ceasefire, we should also remember that it does not reverse the reality that too many American Jews were cheerleaders for all this death.

Protesters calling for a ceasefire have regularly been denounced as hateful toward Jews or callous toward the plight of Israelis; American Jews who called for one were called somehow un-Jewish. (Yes, some pro-Palestinian protesters also shared hate toward Jews; the much greater majority did not.) The charge of antisemitism — toward those calling for a ceasefire, those calling for a free Palestine, and those who called attention to Israel’s abuses during this war — was used to silence criticism of Israel and of U.S. foreign policy. Some American Jews went so far as to call for the deportation of students protesting the war.

A ceasefire doesn’t change any of that. It can’t.

I have hopes for this ceasefire. At best, it will allow people — Israelis and Palestinians and, yes, diaspora Jews — to chart a new, better course going forward. But it almost certainly will not do that if we delude ourselves into thinking of this as a victory or a kind of tabula rasa, as though the lives lost and hate spewed are all behind us, forgotten, atoned for. The last two years will never not have happened. What happens next depends on all of us fully appreciating that.

This story was originally published on the Forward.

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