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On Paramount+, Apple TV, HBO and more, Oct. 7 emerges as a cinematic subgenre

(JTA) — Two years after the Hamas attacks on Israel, the tragedy of Oct. 7 has become its own cinematic sub-genre. Filmmakers have rushed to bear witness, survivors have taken up cameras, and streaming platforms are now filled with documentaries and dramatizations that revisit, reimagine, and attempt to process the day’s horrors.

From raw documentaries of the Nova music festival to scripted miniseries debuting this month, these works show how Israelis, and Jews around the world, are still grappling with a single day that reshaped their lives.

The desert rave that became the site of mass murder has inspired a cluster of films, each offering a different register of witness.

“We Will Dance Again” is a documentary that offers a chronological, minute-by-minute account of the Oct. 7, 2023, Hamas attack on the Supernova Music Festival in Israel. The film is constructed primarily through the first-hand testimonies of over a dozen survivors, interweaving their accounts with footage they recorded on their cell phones and video recovered from the cameras of the attackers. The documentary is available to stream Paramount+.

“#Nova,” now on Prime Video, adds new layers of forensic detail by synchronizing video captured by the victims on their personal cell phones with footage recovered from Hamas body-worn cameras. “Supernova: The Music Festival Massacre,” on Apple TV and YouTube, stitches together real-time footage and interviews to convey the disorienting chaos of the first hours.

A more intimate companion piece, “Tattooed for Life,” which played across many film festivals but is not currently streaming, follows tattoo artist and survivor Liraz Uliel as she memorializes fellow festival-goers through a shared fractal tattoo design, an act of mourning turned into community ritual.

Other filmmakers have turned their attention to what happened in the homes, fields and kibbutzim of southern Israel.

The PBS documentary “After October 7: A Personal Journey to Kfar Aza” offers a close look at one of the hardest-hit communities, combining news footage with deeply personal reflections on grief, displacement and rebuilding. 

Currently in theaters, “The Road Between Us: The Ultimate Rescue” chronicles retired general Noam Tibon’s desperate drive south to save his son, journalist Amir Tibon, and his family. Blending firsthand testimony with security footage of real-time chaos, the film recounts the former general’s 10-hour, high-stakes mission across a country under siege to rescue his loved ones from their home in Kibbutz Nahal Oz. The film won the People’s Choice Award when it premiered at the Toronto International Film Festival after some turmoil.

Two scripted productions expand these same themes. “Red Alert” (known in Hebrew as “First Light”) is a four-part miniseries that dramatizes five intertwined true stories of civilians, police, and first responders, and is executive-produced by Lawrence Bender, of “Pulp Fiction” fame. The series weaves these chaotic narratives together in a race-against-time format and premieres on Paramount+ on Oct. 7, making it one of two major scripted series to debut on the second anniversary of the attack. 

The second series, “One Day in October,” an anthology series based on seven distinct personal stories, will debut on HBO Max on Oct. 7, with all seven episodes available for the U.S. audience.

Many documentaries are meant as a bulwark against denial.

“Bearing Witness to the October 7th Massacre,” a 47-minute film, compiled by the Israeli military, compiles raw footage from multiple sources, including Hamas body-cam recordings, dash cams, CCTV, and victims’ phone videos, to create a chronological record of the atrocities. Due to its graphic nature, the film has not been released to the general public and is only shown in private, invitation-only screenings for policymakers, journalists, diplomats, and community leaders around the world.

A documentary created by Sheryl Sandberg, “Screams before Silence,” address the sexual violence and gender-based atrocities perpetrated by Hamas during the attacks. It is intended to break what critics have described as a moral silence on these war crimes and is streaming on YouTube

“The Killing Roads” does narrow its focus to the attacks on Route 232 and Highway 34, which were the main arteries where Hamas gunmen ambushed and killed approximately 250 people fleeing the Nova festival and surrounding communities. The film has been released for free viewing on platforms like YouTube and a dedicated website to combat denial of the massacre.

The PBS documentary “October 7th: Through Their Eyes” is focused on a network of Israeli volunteer archivists who immediately set out to preserve the large volume of digital evidence, including social media posts, videos, and messages, from survivors and victims before the content could be deleted or lost. The goal of their project, October7.org, is to create a widely accessible, permanent database of first-hand testimonies. 

Several recent works focus on the ordeal of captivity and survival.

“The Children of October 7,” streaming on Paramount+ and hosted by activist Montana Tucker, profiles eight young survivors (ages 11-17) who share harrowing, unscripted testimonies of narrowly escaping death, witnessing the murder of family members, or enduring captivity, and highlights their resilience in the face of unspeakable loss. 

Meanwhile, the short documentary “A Letter to David” sees the filmmaker revisit his onetime actor and friend, David Cunio, who remains held in Gaza along with his brother, Ariel Cunio, after being kidnapped from Kibbutz Nir Oz. The film is a collage of family footage and archival material that functions as a cinematic plea for his return.

As the shockwaves of Oct. 7 spread around the world, another crop of films has examined how the attacks reverberated across the Jewish Diaspora and within movements for and against Israel’s war.

The documentary “October 8” (previously titled “October H8te”) captures the anti-Israel protests that erupted across U.S. cities and college campuses in the days and weeks following the attack. It is streaming on Apple TV and Amazon. “The New Jew: Days of War” follows Israeli comedian Guri Alfi as he travels across North America to explore Jewish identity and division in the aftermath. 

“Torn: The Israel-Palestine Poster War on NYC Streets” documents the dueling “Kidnapped” and “Free Gaza” posters that turned city lampposts into symbolic battlefields. And “There Is Another Way” portrays the Israeli–Palestinian group Combatants for Peace, whose members struggle to uphold their belief in nonviolence even as both societies harden in grief.

The post On Paramount+, Apple TV, HBO and more, Oct. 7 emerges as a cinematic subgenre appeared first on The Forward.

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Anyone saying Jews face a simple choice in the NYC mayoral election is not paying attention

As a New York City voter, I’m preparing to cast my ballot in the upcoming mayoral election. But as a congregational rabbi and now the head of the largest Jewish movement in North America, I’ve never told congregants for whom they should vote.

I won’t start now, despite the Trump administration’s misguided efforts to weaken the Johnson Amendment, the longstanding rule that bars congregations and their leaders from endorsing or opposing candidates from the pulpit. Keeping partisan politics out of our politically diverse congregations feels more essential than ever in today’s polarized climate.

I respect rabbinic colleagues who have added their names to the letter “A Rabbinic Call to Action: Defending the Jewish Future” — as more than 1,100 from across the country have now done. Similarly, I respect colleagues who have principled reasons for not signing on. The fact is that there is more than one way for rabbis to express moral clarity and to speak about urgent issues facing our community.

Addressing moral issues has always been part of the art of preaching sermons.  And as always, clergy can do this during campaign season without crossing the line into electioneering.

As a rabbi, I am deeply committed to living Jewish values and looking at contemporary issues through the prism of Jewish tradition and values. Matters of Jewish safety and security are of paramount importance to me, especially now with rising incidents of antisemitism. Following the Anti-Defamation League’s report of a record-breaking 976 antisemitic incidents in New York City in 2024, the highest count in any U.S. city last year, this year has also seen an alarming increase in antisemitism including harassment, vandalism and physical violence.

Given these increasing threats to our community, we need a mayor who will work tirelessly to protect us.  This includes making sure that the NYPD continues to provide extra protection for our community on Jewish holidays and at other moments of Jewish gathering.

I can attest that Zohran Mamdani is not lacking in empathy for the Jewish community’s anxiety over regular threats to our safety. In public interviews and in a personal meeting, I’ve heard him pledge to protect the Jewish community. But his many comments about the intersection of antisemitism and anti-Zionism — issues that are not synonymous but do overlap — have been problematic.

Expressing criticism of the Israeli government’s policies is not foreign to me or to many other ardent Zionists. However, denying Israel’s right to exist as both a Jewish and democratic state crosses the line from criticism of Israeli policy to a rejection of Israel and the 3,000-year-old identification of Judaism with Israel as the Jewish people’s homeland. And in an atmosphere where Israel is regularly and harshly demonized, Jewish safety is threatened.

Mamdani has been consistent in saying that he believes Israel has a right to exist as a state of all its citizens, but not as a Jewish state. This argument might sound tidy in a seminar; in the real world it is cause for grave concern. Given centuries of global antisemitism — from age-old accusations of deicide to the Inquisition to the Holocaust to Oct. 7 — as well as the many wars and terrorist attacks emanating from Israel’s neighbors over the last seven decades, the “one-state” solution Mamdani espouses would put the lives of the 7 million Israeli Jews at great risk and end Israel’s identity as the Jewish people’s homeland.

While this is a moment when our vulnerable Jewish community is rightfully lifting up the needs and dangers before us, our tradition forbids us from ignoring the many other compelling areas of vital concern for the Jewish community. Primary among them is addressing the many threats to the core pillars of our democracy that have given Jews the rights and freedoms that have allowed us to flourish in America and in New York City. These are the very pillars that promise hope for groups facing discrimination, barriers, and threats to their safety and well-being. Those priorities also include the moral responsibility to reverse the ever-widening gap between rich and poor New Yorkers.

Judaism has never been about caring only for our own community or just personal piety but rather, as the prophet Isaiah reminds us, a societal commitment to:

To let the oppressed go free;
To break off every yoke.
It is to share your bread with the hungry,
And to take the wretched poor into your home;
When you see the naked, to clothe him,
And not to ignore your own kin.”
— Isaiah 58:6-7

And when we are considering whom to elect as leaders, a candidate who has been morally compromised should not easily collect our votes.  As I have questioned what Mamdani might do based on his statements, so too I question what Andrew Cuomo might do in light of past findings of his pattern of harassment, as documented in the New York Attorney General’s 2021 report. According to Psalm 15, a person of moral character is someone:

whose tongue is not given to evil;
who has never done harm to his fellow,
or borne reproach for [his acts toward] his neighbor;
who has never lent money at interest,
or accepted a bribe against the innocent. (Psalm 15:3, 5)

If you think the choice for mayor is simple, I respectfully suggest that you are not paying attention.  I implore our Jewish community and all New Yorkers to carefully consider the many urgent issues our city faces before casting your vote. The stakes couldn’t be higher.


The post Anyone saying Jews face a simple choice in the NYC mayoral election is not paying attention appeared first on Jewish Telegraphic Agency.

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In ‘Coexistence, My Ass!’ the anxiety of an Israeli influencer

There are plenty of funny lines in Coexistence, My Ass! but make no mistake, this is not a comedy. As director Amber Fares follows Israeli comedian and peace activist Noam Shuster Eliassi from her excited 2019 arrival at Harvard on a stand-up and peace-building fellowship (who knew such a thing existed?!) through escalating political and pandemic problems to her anguish at the war in Gaza, the documentary is nothing less than a tragedy.

Shuster Eliassi leapt to fame in early 2019 with “Dubai Dubai,”a song of “peace and love” in the wake of the Abraham Accords which celebrated Arabs (“especially when they are 4000 miles away”). It was satire, in Arabic, on Israeli television (Shuster Eliassi also speaks Farsi). She was poking fun at Israel’s peace with UAE’s millionaires while both sides ignored “those who suffered the Nakba.” She properly went viral across the region, though, when she jokingly proposed marriage to Saudi Crown Prince Mohammed bin Salman on an Arabic-language program of the Israeli news channel i24. Arabic news outlets and social media were not sure what to make of it but Israeli and western news outlets knew that the furor and fluster were newsworthy.

Shuster Eliassi notes in Coexistence that her movement to comedy vindicated her decision to move away from more serious peace-building. ”20 years of peace activism, I influence 20 people. One joke about dictators, 20 million people saw it!” If she wanted to achieve her dream of peace in the Middle East, maybe she was right to use the power of social media to amplify her gift of making people laugh.

Filmed over five of the bleakest years for believers in democracy and equality in Israel, Coexistence also follows Shuster Eliassi from hope to despair. After COVID, Fares made a short documentary about Shuster Eliassi for the New Yorker – “How One Woman Is Using Comedy To Speak Up About Palestinian Rights.” From that moment of hope though, Benjamin Netanyahu’s anti-democratic push, Oct. 7, and the Israel Gaza War render the 2021 film obsolete.

The title Coexistence, My Ass! changes its significance through the movie. Initially, Shuster Eliassi scoffs at “coexistence” as a risible minimum aim, one so boring it puts her to sleep. By the end of the movie in 2024, when extremists on both sides have succeeded in destroying trust in humanity and any hope for peace, even that low bar seems unattainable. The phrase – also the name of Shuster Eliassi’s standup show — is Coexistence, My Ass! because “coexistence” no longer even seems possible.

As a child of Romanian and Iranian parents in Neve Shalom/Wahat as-Salam (Oasis of Peace), Shuster Eliassi grew up in a particular limelight. Set up as a cooperative village where Israeli Jews, Muslims and Christians could live together, the small settlement of about 60 families was a regular stop for American peacebuilding luminaries. The documentary features archival footage of Jane Fonda speaking there in 2002 as well as a young Shuster Eliassi handing flowers to Hillary Clinton in 1998.

Before her current film, director Amber Fares was best known for the documentary ‘Speed Sisters.’ Courtesy of Amber Fares

When the first IDF soldier from Neve Shalom gets killed, news crews come to the village and end up interviewing Shuster Eliassi, then a grade school student who had known him and looked up to him. Even as a young woman, Shuster Eliassi is able to voice her pain without becoming embroiled in the conflict. Indeed, one of the film’s most compelling arguments for something more than coexistence is her best friend from home Ranin, an Arab. When Shuster Eliassi breaks her leg in an accident, Ranin pushes her wheelchair up a hill. They joke about Arabs and Jews (“How is it that the Arabs always end up serving the Jews?” Ranin asks.) They speak in Hebrew and Arabic, and argue about which language should come first in the name of their home, Wahat al-Salam/Neve Shalom. They are a visible embodiment of how easy it is to have an Arab-Jewish family, of how coexistence could be the least possible problem.

We see Shuster Eliassi perform in 2018 at East Jerusalem’s 1001 Laughs Palestine Comedy Festival. There she assures the uncertain audience that her set is short, with a joke about the Occupation: “I’m only staying for 7 minutes, not 70 years.” She adds that she stole the joke from the Palestinian-American emcee Amer Zahr.  “But it’s mine now, God promised it to me!” she says. The crowd seems to love it.

Five years later, though, the atmosphere is much more tense. While the troubles had been escalating throughout 2023, Oct. 7 was a rupture, and Shuster Eliassi finds herself stuck between her communities. We see her called to condemn the people who committed the atrocities on Oct. 7 and also to condemn the government that is about to retaliate. She is aghast that there seems to be no time for her to mourn the human lives that were lost.

Fares, best known for Speed Sisters, her documentary about the first all-female car-racing team of Palestinian drivers in the West Bank, captures the ratcheted-up post-COVID tempo. When Arabs and Jews are stuck, COVID-infected, in “Corona Hotel,” they live happily together, it’s only with the chance of an Arab-Israeli peace that excludes the (Iranians and) Palestinians that Hamas starts serious sabotage. Its rocket attacks, intercepted by the Iron Dome, change the feeling in Israel.

Instead of a country moving slowly towards coexistence and peace, Israeli news shows “Arabs being attacked live on TV.” An aggressive, shirtless, tattooed young Jewish skinhead is shown saying, “We came out to fight the Arabs. To show them they can’t just shoot rockets at us… If need be, we’ll kill them. If need be, we’ll murder them.” The sequence cuts to Jewish Israelis lynching an Arab.

Furthermore, as pro-Democracy, anti-Netanyahu protests continue, the Occupation remains off the agenda. An older man, maybe from her parents’ generation, labels Shuster Eliassi an “enemy” of Israel for calling to end the occupation at a protest against the Israeli government.

Vivian Silver, one of the people killed in the Gaza envelope on Oct. 7, was a lifetime peace activist. She was a friend of my friends and a friend of Shuster Eliassi. At her funeral we see her son talking to Shuster Eliassi. “She didn’t work for peace so that when they come, they’ll spare her,” he says of his mother “She worked so there’d be no reason for them to come.” It’s a position that is no longer tenable.

Ultimately, Coexistence, My Ass! isn’t about solutions, because it’s not naïve enough to pretend that there are any. It isn’t about both sides, although heaven knows there is plenty of blame to go around. It’s about staring with Shuster Eliassi down the line of peace and seeing massive objects fall across it. It’s not cathartic. It’s honest. And sometimes, honesty is the most radical thing a film can offer.

The post In ‘Coexistence, My Ass!’ the anxiety of an Israeli influencer appeared first on The Forward.

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She survived the Tree of Life massacre seven years ago today — and still shows up to pray

Audrey Glickman showed up for morning minyan today — as she has nearly every morning since Oct. 27, 2018, when she survived the deadliest antisemitic attack in U.S. history.

Glickman, now 68, was leading services that fateful Shabbat morning in a small chapel inside Pittsburgh’s Tree of Life when she heard the unmistakable sound of gunfire. She grabbed congregant Joe Charny, then 90, and raced up the stairs and into a small room. Together, huddled and scared, they hid under their prayer shawls.

Seven years later, she still prays in Squirrel Hill. But what she thought would be a wake-up call ended up being a warning: She’s watching the rise of antisemitism, the political rhetoric that helped fuel the shooting, and the divisions that persist. “The hatred is increasing,” she told me Sunday by phone. “And it’s taking different shapes.”

Below is our conversation, edited for length and clarity ahead of tonight’s memorial gathering at the Jewish Community Center in Pittsburgh.

Does this anniversary feel different to you?

Everything feels different this year. There’s more talk about how the shooter was influenced — the idea that Jews were “bringing in immigrants.” It’s a reminder that words matter. Hatred starts small and travels fast.

The shooter is now on death row. Does that bring you a sense of closure?

Death isn’t a penalty. It ends punishment. Being on death row — cut off from society — that’s the punishment. And that’s fine with me.

What do you most want people to remember seven years later?

That the victims weren’t just those in the building. The whole city was wounded. The first responders who were working that day felt it. We have to give people space to understand their own grief — to inhabit their victimhood and come to terms with it.

Iris Schaen and Jenny Schaen hug as they join with others for a solidarity vigil at the Holocaust Memorial Miami Beach to remember the victims of the mass shooting at the Tree of Life synagogue in Pittsburgh.
Iris Schaen and Jenny Schaen hug as they join with others for a solidarity vigil at the Holocaust Memorial Miami Beach to remember the victims of the mass shooting at the Tree of Life synagogue in Pittsburgh. Photo by Getty Images

Antisemitism has increased since the 2018 attack, especially after Oct. 7 2023.

Antisemitism from the right is a physical threat. Antisemitism from the left is an existential threat. They’re different. We can sometimes work with the left — at least talk — but it’s hard to work with the right when they’re against us.

What worries you most about antisemitism right now?

The hatred is increasing, and it’s taking new shapes. And we’re not battling it efficiently. People are discontented, and they need someone to blame — and leaders exploit that. They push people toward hate because it keeps them divided.

What do you want people to know about Jews?

Jewish people are just people. We don’t spend our whole lives “being Jews” and doing mysterious things that make people want to hate us.  We serve in the army, we run libraries, we teach children. My father cleaned rugs. We’re ordinary people who want to live and work alongside everyone else. And as long as we can all work together for a better world, we’re going to be a lot better off.

The post She survived the Tree of Life massacre seven years ago today — and still shows up to pray appeared first on The Forward.

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