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Every Friday for 26 years, this rabbi has circled Manhattan to inspect the eruv — even missing the birth of his 13th child. Now, he’s getting help
(New York Jewish Week) — Around 6:15 a.m. on a recent Thursday, Rabbi Moshe Tauber parked his van in the merge lane of the Henry Hudson Parkway at 72nd Street. He turned on his hazard lights and ran out of the vehicle with a flashlight. His wife, Chaya, sitting in the passenger seat, watched anxiously.
Tauber, 51, turned his head upward, shined his flashlight on the nylon fishing wire strung up 30 feet from the ground between two poles, and ran back to the car. All clear — the boundary was unbroken.
For the past 25 years, this process has been the rabbi’s routine on both Thursday and Friday mornings: leaving his home in Monsey, an Orthodox enclave in Rockland County, hours before sunrise in order to circumnavigate the entire island of Manhattan. His mission: to check every part of the borough’s eruv — the symbolic boundary, marked by strings and other man-made and natural elements, inside of which observant Jews may carry objects like food, keys and even babies on Shabbat and certain holidays.
Maintaining the eruv, which must be unbroken to be considered kosher, has been Tauber’s job since 1999. Tauber says it doesn’t make sense for someone else to sub in for him, simply because he knows the eruv so well and can do it so efficiently, after having inspected it for so many years. With Chaya’s approval, he even missed the early-morning birth of his 13th and youngest child, now 7, to check the eruv on a Friday morning. He immediately went to the hospital to visit mother and baby after his inspection was done.
“I don’t know if I can explain what I like in this job,” Tauber said. “I like it.”
Now, for the first time, the eruv inspector is getting some high-tech assistance.
Installed in August, a new sensor system created by technology entrepreneur Jerry Kestenbaum — also the creator of the residential building software company BuildingLink — magnetically snaps onto multiple locations of the eruv. The 142 sensors detect changes in the angle of the wire and send a signal to a receiver held by Spectrum on Broadway, the lighting and electrical company responsible for maintaining the line per Tauber’s instructions. The sensors themselves are battery-operated and meant to last for six to 10 years, sealed in a waterproof case.
“It gives me more comfortability,” Tauber said. But he’s not planning on ceding oversight entirely to the machines, saying, “I know I need to check because the sensors are not 100%.”
The sensors mark the first major innovation to Manhattan’s biggest eruv, installed in 1999 after Adam Mintz, then the rabbi of Lincoln Square Synagogue, requested its installation to surround his Upper West Side neighborhood. (Prior to the borough-wide eruv, different parts of the city each had their own, but travel between them while carrying anything was prohibited on Shabbat.)
According to Jewish law related to Shabbat, no items can be carried outside the home on what is supposed to be a day of rest and prayer. Recognizing this as a potential burden, rabbis in the Talmudic era devised a workaround: The boundary defined by the eruv would extend the “private” zone where carrying is permitted. Despite some community objections — sometimes from Jews and non-Jews who worry that the eruv will change the “character” of their neighborhoods, or civil libertarians who worry about the blurring of church and state — nearly every observant community, from big cities to small towns, is surrounded by an eruv.
The Lincoln Square eruv has expanded multiple times since 1999, now encompassing most of Manhattan, from 145th Street between Riverside Drive and Malcolm X Boulevard at its northernmost point, roughly down FDR Drive all the way to the bottom of Manhattan at the South Street Ferry, and back up the Henry Hudson Parkway.
In the years since he became its inspector, Tauber’s dedication to the eruv has been unflagging. He made sure it was unbroken after 9/11 (it didn’t extend all the way downtown at the time), after the 2003 citywide blackout, after Hurricane Sandy in 2012 and throughout the COVID-19 pandemic. In Tauber’s 25 years of inspections, the eruv has only been down once over a Shabbat, during a snowstorm in 2010.
In addition to checking the eruv twice a week, Tauber helps his wife run a daycare, and he teaches boys at a yeshiva. He hasn’t taken a vacation longer than a few days for a quarter century.
Chaya Tauber said she has a theory about why he likes the eruv job so much. “[It’s] many hours of a busy week — he has more jobs, it’s not the only job — that he can be by himself,” she said.” Quiet time. I think he likes the traveling, also.”
Just two weeks ago, he helped establish an eruv around Columbia University Medical Center in Washington Heights and the surrounding apartments. Eventually, the plan is to connect it to the main Manhattan eruv — and potentially to other smaller eruvs in Upper Manhattan. There, smaller eruvs serve portions of Washington Heights with many observant Jews, including one that is home to the Orthodox flagship Yeshiva University.
Kestenbaum, whose new business, Aware Buildings, provides sensors for home security, said the idea for the electronic eruv technology came about during a conversation with Mintz, now the rabbinic leader of Kehilat Rayim Ahuvim (The Shtiebel) on the Upper West Side at the Marlene Meyerson JCC.
“I was saying to him that the sensors can be applied to many, many things that we’re used to doing manually,” said Kestenbaum, whose wife converted to Judaism under Mintz’s supervision.
“It’s a complicated eruv where the deployed environment changes,” Kestenbaum explained. “It’s not [like] in the suburbs, where the outline of the eruvs remains constant. Things go wrong. You’ve got scaffolding that gets put up. You’ve got other things that happen. The weekly eruv job is not just fixing, sometimes it’s rerouting.”
The complications are what gets Tauber out the door around 3:30 a.m. on inspection days. Not only does he beat rush hour, but once the sun begins to come up, it’s far more difficult to see the wire.
Now, the sensors can help him locate the wires more easily — and safely. “I used to walk [out of the car] because I couldn’t see it without the sensors,” Tauber said, pointing to a section near the Manhattan Bridge. “See the sensors? You don’t have to see the actual line.”
Tauber has been surprised by the willingness of various city agencies and construction crews to accommodate him in his unusual line of work.
“Even though we are Jewish, and we know we are not the most liked people here, but I never, ever had a problem with any organization or department officials, or even a construction company — they always come across,” he said. “They always look like they admire something which is religious.”
For Chaya Tauber, the early mornings and constrained vacations are worth it because of the way her husband’s work allows Manhattan Jews to observe one major law of Shabbat with ease.
“There is so much less desecration of Shabbos,” Chaya Tauber said, adding that when the eruv is up, “at least they’re not transgressing on this particular halacha. That makes this job such a responsibility.”
The post Every Friday for 26 years, this rabbi has circled Manhattan to inspect the eruv — even missing the birth of his 13th child. Now, he’s getting help appeared first on The Forward.
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Saul Rubinek’s new one-man show asks, Is there ever a right time to play Shylock?
When Saul Rubinek walks on stage in “Playing Shylock,” he’s not only playing Shakespeare’s infamous Jew — he’s playing himself. Or rather, a version of himself: a Jewish actor furious that his production of “The Merchant of Venice” has just been canceled for being too controversial.
That conceit — a play about a play that’s been shut down, starring an actor playing a version of himself — is the brainchild of Canadian playwright Mark Leiren-Young, who wrote an earlier one-man show called “Shylock” three decades ago. During the pandemic, in collaboration with Rubinek, Leiren-Young reimagined the play, which opens Thursday at Brooklyn’s Polonsky Shakespeare Center after a critically acclaimed Toronto run.
“My character was ready to come on stage for three minutes,” Rubinek said in a joint interview with the playwright. “Saul Rubinek — the character — just wants to tell the audience that ‘Merchant’ has been canceled and they’ll get a refund. But he can’t leave the stage. He keeps talking. It’s all supposed to feel improvised — but 99.9 % is scripted.”
Over the next 100 minutes, Rubinek, a longtime character actor perhaps best known as Daphne’s mensch-y boyfriend Donny on the 1990s sitcom “Frazier,” delivers a primer on the history of Shakespeare’s most controversial play, a polemic against cancel culture and a meditation on Jewish identity and artistic heresy in the charged years after Oct. 7.
As Shylock — the Jewish moneylender who is scorned and humiliated by the Christian merchant to whom he lends 3,000 ducats under extraordinary terms — Rubinek, 77, wears the velvet kippah, tzitzit and long black coat of a modern-day haredi Jew. He recites some of Shylock’s best-known soliloquies — including “Hath not a Jew eyes,” an appeal to his tormentors’, and the audience’s, conscience — in an Eastern European accent.
Rubinek said he was imagining how his own father, a Holocaust survivor and one-time Yiddish actor who once dreamed of performing “Merchant,” might have played Shylock.
“That gave me the key to Shylock,” said Rubinek, who was born in a displaced persons camp in Germany after World War II, before his family immigrated to Canada. “I’m not really playing Shakespeare’s Jew. I’m playing how I imagine my father would have played him.”
That patrimony only fuels the outrage of the Rubinek character (henceforth called “Saul”) now that an unspecified social media campaign has intimidated the producers into shutting down the production.
The fictional cancellation echoes real-world controversies: In 2014, the Metropolitan Opera cancelled the international simulcast (although not the live performances) of John Adams’s “The Death of Klinghoffer,” about the 1985 hijacking of the passenger liner Achille Lauro by the Palestinian Liberation Front 2014. The producers’ cited concerns that the production could be used to fuel antisemitism.
Just last year, a Canadian theater cancelled a showing of “The Runner,” a play about an Orthodox man who piously collects body parts after terrorist attacks. The theater explained: “Given the current conflict in the Middle East, this is not the time for a play which may further tensions among our community.”
Jewish activists and the family of Klinghoffer, who was killed in the hijacking, put pressure on the Met; it’s not clear which members of the “community” sought to cancel “The Runner.” Similarly, “Playing Shylock” leaves vague who exactly objected to a new “Merchant,” although there’s a strong suggestion it was over-sensitive Jewish interests. Saul describes a grilling he got at “the Jewish community center,” where a Jewish moderator suggests that a play that centers an antisemitic archetype may be too “toxic” to perform.
Saul reacts with fury. “This? This play? With what’s happening? Right here? In this city?” he thunders. “Where you can’t go into a synagogue without passing armed guards — the real danger to ‘well-being’ is ‘Merchant’?”
Responding to a comically diplomatic press release from the theater saying it would be inappropriate to stage “Merchant” at “this time of rising antisemitism,” Saul scoffs.
“Has there ever been a time when antisemitism was not rising?” he says. “When, when was this magical time? Before or after Moses parted the Red Sea?”
Rubinek insists that “Playing Shylock” isn’t just another shot at woke culture, or a version of the dubious complaint by comedians that they can’t joke freely onstage without risking cancellation, or a dig at right-wing politicians and pundits who police what can and can’t be said about the assassination of Charlie Kirk.
“The show isn’t about the left or the right,” Rubinek said. “It’s not Fox News or woke protesters. ‘Merchant’ could have been canceled in 1936, in 1947, in 2016 — it’s always been a lightning rod. The question is, why do we keep trying to silence the art instead of confronting what makes us uncomfortable?”
When the show isn’t defending artistic freedom, it is probing Jewish identity. Saul complains about the number of gentile actors who have played Shylock, from Laurence Oliver to Al Pacino to Patrick Stewart, suggesting that Jewish actors have been overlooked in a misguided effort to downplay the character’s Jewishness. (Although, to be fair, the Jewish actor Henry Goodman was lauded for his turn as Shylock in a 1999 National Theatre production of “Merchant” that came to Broadway, and the Jewish actress Tracy-Ann Oberman starred as Shylock on London’s West End in 2022. Dustin Hoffman played the role in a 1989 London production that transferred to Broadway the following year.)
“In the play, I say I’m committing a kind of heresy,” Rubinek said. “By making Shylock visibly Jewish at a time of rising antisemitism, I’m accused of inciting hatred. But I think it’s the opposite — it’s reclaiming a Jewish story that’s been distorted for centuries.”
“You want to know why actors still do this play?” asked Saul Rubinek, shown on stage at at Brooklyn’s Polonsky Shakespeare Center. “Because Shylock is the first three-dimensional Jewish character in all of literature.” (Dahlia Katz)
For Leiren-Young, the collaboration offered a way to explore a lifelong fascination with censorship and identity. “It’s not just about who’s allowed to stage what,” he said. “It’s about who gets to tell their own story — and whether we still believe in the artist’s right to risk being misunderstood.”
Since the Oct. 7 attacks and the ensuing war in Gaza, Rubinek admits, staging a play about Jewish representation feels fraught. Yet the production, he said, seeks to hold both left- and right-wing audiences “in the same room, breathing together.”
“I’ve had people who see things completely differently — politically, emotionally — come up after and say they felt seen,” he said. “Because the play doesn’t lecture. It includes you in the fiction. You become part of the story.”
Ultimately, the play is a rousing defense of “Merchant,” allowing Rubinek to show off his acting chops — both in Shakespeare’s original language and in Yiddish. Rubinek has little patience for those — a roll call that includes the Jewish critic Harold Bloom and the British actress Judy Dench — who call “The Merchant of Venice” irredeemably antisemitic. Instead, he said, the play demands that audiences see a stereotype as a human being.
“You want to know why actors still do this play?” he asked. “Because Shylock is the first three-dimensional Jewish character in all of literature. Five scenes, and he’s haunted actors for 400 years. Why? Because he’s real.”
“Playing Shylock,” now in previews, opens Oct. 23 and runs through Dec. 7 at Polonsky Shakespeare Center, home of Theatre for a New Audience (262 Ashland Place, Brooklyn).
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Trump nominee who said he had a ‘Nazi streak’ forced out before Senate confirmation hearing
Paul Ingrassia has pulled out of contention for a top legal role in the Trump administration after losing key Republican support over revelations of private texts in which he declared, “I have a Nazi streak.”
Ingrassia had faced criticism over his links to the avowed white supremacist Nick Fuentes and the antisemitic influencer Andrew Tate since his nomination in May. But the January 2024 texts, first reported by Politico this week, showed that he personally had used a slur against Black people, called for the abolition of the Martin Luther King Jr. federal holiday and expressed an affinity for Nazism.
Late Tuesday, Ingrassia announced that he would not appear in the Senate as planned on Thursday — though he indicated that he would keep his current lower-level role.
“I will be withdrawing myself from Thursday’s HSGAC hearing to lead the Office of Special Counsel because unfortunately I do not have enough Republican votes at this time,” Ingrassia tweeted. “I appreciate the overwhelming support that I have received throughout this process and will continue to serve President Trump and this administration to Make America Great Again!”
Four Republican senators, including Senate Majority Leader John Thune, publicly expressed opposition to Ingrassia’s nomination after the revelation of the private texts this week, which included both racist and antisemitic content.
“I’m not supporting him,” Florida Sen. Rick Scott told reporters on Monday. “I can’t imagine how anybody can be antisemitic in this country. It’s wrong.”
An attorney for Ingrassia did not confirm the texts’ authenticity to Politico but said they appeared to be jokes. A participant on the chain said they were not treated as jokes at the time and the Nazi comment in particular — “I do have a Nazi streak in me from time to time, I will admit it” — had drawn pushback from others on the chat.
The texts’ revelation comes just after Politico exposed private chats among state-level leaders of the Young Republicans in which multiple members expressed racist and antisemitic views, including the sentiment, “I love Hitler.” Several participants in that chat have lost their jobs, and Republican leaders in two states have dissolved their state youth organizations as a result. Vice President J.D. Vance said the texts represented youthful mistakes and that he was not worried about pro-Hitler views among young Republicans.
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Prominent Jewish figures call for sanctions on Israel: ‘The ceasefire must be the beginning, not the end.’
(JTA) — As the ceasefire between Israel and Hamas enters its second week, prominent Jews from around the world who have criticized Israel throughout the war have now signed onto a letter urging global leaders to ensure that the deal results in a “new era of peace and justice for all.”
The letter, which was addressed to António Guterres, the secretary-general of the United Nations, and world leaders, also demands that Israel be held to account for “grievous violations of international law.”
“It was international pressure that helped to secure this ceasefire, and it must be sustained to guarantee that it endures. The ceasefire must be the beginning, not the end,” the letter says. “The risk of reverting to a political reality of indifference to occupation and permanent conflict is too great. This same pressure must be continued to deliver a new era of peace and justice for all—Palestinians and Israelis alike.”
The letter, titled “Jews Demand Action,” was released Wednesday as Vice President J.D. Vance visits Israel, amid signs casting doubt on the durability of the ceasefire deal.
It was signed by a host of prominent Jewish celebrities and public figures, many of whom have been outspoken in their criticism of Israel since the beginning of its two-year war in Gaza.
They include Israeli conductor Ilan Volkov, Emmy Award-winning actors Ilana Glazer and Hannah Einbinder, Canadian trauma guru Gabor Maté, and Oscar winners Jonathan Glazer and Yuval Avraham, who co-directed the documentary “No Other Land.”
The initiating signatories included American author and editor-at-large of Jewish Currents Peter Beinart; former Knesset speaker Avraham Burg; former Israeli negotiator Daniel Levy; Libby Lenkinski, the vice president for public engagement of the New Israel Fund; British activist Em Hilton, and former Belgian member of parliament Simone Susskind.
“We launched this initiative because the deeds of Israel’s government in Gaza have been an affront to collective Jewish consciousness worldwide,” Burg said in a statement. “Pressure from people mobilizing across the world, which led to leaders taking a stand, helped produce a ceasefire. Now international pressure must be sustained to end this cycle of violence and oppression once and for all.”
The letter also urges “businesses, labor unions, civil society” and the United Nations’ member states to take four steps: comply with decisions of the International Court of Justice and International Criminal Court (which issued an arrest warrant for Israeli Prime Minister Benjamin Netanyahu last year), impose sanctions and arms embargoes on Israel, ensure humanitarian aid reaches Gaza and “refute false accusations of antisemitism.”
“We shall not rest until this ceasefire carries forward into an end of occupation and apartheid,” the letter continued. “We write in the hope that this initiative further emboldens a moment of renewed Jewish commitment to act with conscience and compassion. We vow to work urgently to achieve equality, justice, and freedom for Palestinians and Israelis.”
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