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Saul Rubinek’s new one-man show asks, Is there ever a right time to play Shylock? 

When Saul Rubinek walks on stage in “Playing Shylock,” he’s not only playing Shakespeare’s infamous Jew — he’s playing himself. Or rather, a version of himself: a Jewish actor furious that his production of “The Merchant of Venice” has just been canceled for being too controversial.

That conceit — a play about a play that’s been shut down, starring an actor playing a version of himself — is the brainchild of Canadian playwright Mark Leiren-Young, who wrote an earlier one-man show called “Shylock” three decades ago. During the pandemic, in collaboration with Rubinek, Leiren-Young reimagined the play, which opens Thursday at Brooklyn’s Polonsky Shakespeare Center after a critically acclaimed Toronto run.

“My character was ready to come on stage for three minutes,” Rubinek said in a joint interview with the playwright. “Saul Rubinek — the character — just wants to tell the audience that ‘Merchant’ has been canceled and they’ll get a refund. But he can’t leave the stage. He keeps talking. It’s all supposed to feel improvised — but 99.9 % is scripted.”

Over the next 100 minutes, Rubinek, a longtime character actor perhaps best known as Daphne’s mensch-y boyfriend Donny on the 1990s sitcom “Frazier,” delivers a primer on the history of Shakespeare’s most controversial play, a polemic against cancel culture and a meditation on Jewish identity and artistic heresy in the charged years after Oct. 7.

As Shylock — the Jewish moneylender who is scorned and humiliated by the Christian merchant to whom he lends 3,000 ducats under extraordinary terms — Rubinek, 77, wears the velvet kippah, tzitzit and long black coat of a modern-day haredi Jew. He recites some of Shylock’s best-known soliloquies — including “Hath not a Jew eyes,” an appeal to his tormentors’, and the audience’s, conscience — in an Eastern European accent. 

Rubinek said he was imagining how his own father, a Holocaust survivor and one-time Yiddish actor who once dreamed of performing “Merchant,” might have played Shylock. 

“That gave me the key to Shylock,” said Rubinek, who was born in a displaced persons camp in Germany after World War II, before his family immigrated to Canada. “I’m not really playing Shakespeare’s Jew. I’m playing how I imagine my father would have played him.”

That patrimony only fuels the outrage of the Rubinek character (henceforth called “Saul”) now that an unspecified social media campaign has intimidated the producers into shutting down the production. 

The fictional cancellation echoes real-world controversies: In 2014, the Metropolitan Opera cancelled the international simulcast (although not the live performances) of John Adams’s “The Death of Klinghoffer,” about the 1985 hijacking of the passenger liner Achille Lauro by the Palestinian Liberation Front 2014. The producers’ cited concerns that the production could be used to fuel antisemitism. 

Just last year, a Canadian theater cancelled a showing of “The Runner,” a play about an Orthodox man who piously collects body parts after terrorist attacks. The theater explained: “Given the current conflict in the Middle East, this is not the time for a play which may further tensions among our community.”

Jewish activists and the family of Klinghoffer, who was killed in the hijacking, put pressure on the Met; it’s not clear which members of the “community” sought to cancel “The Runner.” Similarly, “Playing Shylock” leaves vague who exactly objected to a new “Merchant,” although there’s a strong suggestion it was over-sensitive Jewish interests. Saul describes a grilling he got at “the Jewish community center,” where a Jewish moderator suggests that a play that centers an antisemitic archetype may be too “toxic” to perform. 

Saul reacts with fury. “This? This play? With what’s happening? Right here? In this city?” he thunders. “Where you can’t go into a synagogue without passing armed guards — the real danger to ‘well-being’ is ‘Merchant’?” 

Responding to a comically diplomatic press release from the theater saying it would be inappropriate to stage “Merchant” at “this time of rising antisemitism,” Saul scoffs. 

“Has there ever been a time when antisemitism was not rising?” he says. “When, when was this magical time? Before or after Moses parted the Red Sea?”

Rubinek insists that “Playing Shylock” isn’t just another shot at woke culture, or a version of the dubious complaint by comedians that they can’t joke freely onstage without risking cancellation, or a dig at right-wing politicians and pundits who police what can and can’t be said about the assassination of Charlie Kirk

“The show isn’t about the left or the right,” Rubinek said. “It’s not Fox News or woke protesters. ‘Merchant’ could have been canceled in 1936, in 1947, in 2016 — it’s always been a lightning rod. The question is, why do we keep trying to silence the art instead of confronting what makes us uncomfortable?”

When the show isn’t defending artistic freedom, it is probing Jewish identity. Saul complains about the number of gentile actors who have played Shylock, from Laurence Oliver to Al Pacino to Patrick Stewart, suggesting that Jewish actors have been overlooked in a misguided effort to downplay the character’s Jewishness. (Although, to be fair, the Jewish actor Henry Goodman was lauded for his turn as Shylock in a 1999 National Theatre production of “Merchant” that came to Broadway, and the Jewish actress Tracy-Ann Oberman starred as Shylock on London’s West End in 2022. Dustin Hoffman played the role in a 1989 London production that transferred to Broadway the following year.) 

“In the play, I say I’m committing a kind of heresy,” Rubinek said. “By making Shylock visibly Jewish at a time of rising antisemitism, I’m accused of inciting hatred. But I think it’s the opposite — it’s reclaiming a Jewish story that’s been distorted for centuries.”

An actor onstage dressed as Shylock.

“You want to know why actors still do this play?” asked Saul Rubinek, shown on stage at at Brooklyn’s Polonsky Shakespeare Center. “Because Shylock is the first three-dimensional Jewish character in all of literature.” (Dahlia Katz)

For Leiren-Young, the collaboration offered a way to explore a lifelong fascination with censorship and identity. “It’s not just about who’s allowed to stage what,” he said. “It’s about who gets to tell their own story — and whether we still believe in the artist’s right to risk being misunderstood.”

Since the Oct. 7 attacks and the ensuing war in Gaza, Rubinek admits, staging a play about Jewish representation feels fraught. Yet the production, he said, seeks to hold both left- and right-wing audiences “in the same room, breathing together.”

“I’ve had people who see things completely differently — politically, emotionally — come up after and say they felt seen,” he said. “Because the play doesn’t lecture. It includes you in the fiction. You become part of the story.”

Ultimately, the play is a rousing defense of “Merchant,” allowing Rubinek to show off his acting chops — both in Shakespeare’s original language and in Yiddish. Rubinek has little patience for those — a roll call that includes the Jewish critic Harold Bloom and the British actress Judy Dench — who call “The Merchant of Venice” irredeemably antisemitic. Instead, he said, the play demands that audiences see a stereotype as a human being. 

“You want to know why actors still do this play?” he asked. “Because Shylock is the first three-dimensional Jewish character in all of literature. Five scenes, and he’s haunted actors for 400 years. Why? Because he’s real.”

“Playing Shylock,” now in previews, opens Oct. 23 and runs through Dec. 7  at Polonsky Shakespeare Center, home of Theatre for a New Audience (262 Ashland Place, Brooklyn). 


The post Saul Rubinek’s new one-man show asks, Is there ever a right time to play Shylock?  appeared first on Jewish Telegraphic Agency.

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Sister of pro-Israel stalwart Lindsey Graham secures GOP Senate nomination 

(JTA) — South Carolina Sen. Darline Graham defeated U.S. House Rep. Ralph Norman in a special primary runoff on Tuesday, putting her in a dominant position to win the Senate seat left vacant with the death in July of her older brother, the pro-Israel stalwart Lindsey Graham.

The Associated Press called the race two hours after polls closed at 9:01pm. By the time 99% of votes were tallied, Darline Graham had secured 52.3% of the votes to Norman’s 47.7%.

“Tonight is a great victory, but it’s not the finish line,” Graham told her supporters on Tuesday night. “In fact, it is the starting line for an even bigger fight, which lies ahead.”

If Darline Graham goes on to win November’s general election against Democrat Annie Andrews, she will have big shoes to fill. Her brother served 23 years in the Senate and eight in the U.S. House. He traveled to Israel about a dozen times between Hamas’s Oct. 7, 2023 attack on the Jewish state and his death at age 71.

Heading into the primaries, analysts expressed no doubt that Darline Graham would be pro-Israel. But matching Lindsey Graham’s level of foreign policy activity, they warned, would be a formidable task. Meanwhile, her campaign to date has largely avoided discussion of international affairs. Instead, she has focused on domestic concerns like reducing spending, securing borders and promoting Trump-backed policies.

During a debate aired on C-SPAN last week, Graham struggled to respond to a foreign policy question about Taiwan and the South China Sea, ultimately admitting that she’s “not that informed on national security.”

“I’m not a polished politician up here,” she said. “National security is not my thing, not my area of expertise.”

Later addressing issues of affordability, Graham linked the domestic economic situation to the war in Iran and said she trusts President Donald Trump “to get the Strait of Hormuz open.” She also voiced her preference for financial sanctions over putting troops on the ground.

Asked about the country’s relationship with Israel, Graham described the Jewish state as “one of our strongest allies.” Recognizing her brother’s close relationship with Prime Minister Benjamin Netanyahu, she added that during a recent meeting with the Israeli premier, she vowed to “continue supporting Israel in any way” she can.

“We have to stand with Israel,” Graham said.

At their previous face-off, Graham had secured 33% of the vote, while Norman came in second place, at 25%, against eight fellow Republicans. But South Carolina requires primary winners to earn a majority of votes in order to avoid a two-candidate runoff. In the November general election, Graham will contend with Democrat Annie Andrews, a pediatrician who is unlikely to prevail in the solidly Republican state.

Tuesday’s runoff marked the third time in two months that South Carolina Republicans came to the polls to select a Senate candidate. Lindsey Graham, won the first primary in June but died suddenly the next month from an aortic dissection.

A few days later, South Carolina Gov. Henry McMaster, a Republican, appointed Darline Graham to finish her brother’s term. Though she only had minimal policy experience, including a leadership role at the South Carolina Commission for the Blind, she earned President Donald Trump’s endorsement and declared her candidacy in the full race.

Trump celebrated Graham’s nomination in a Tuesday night Truth Social post, writing that “Darline Graham rides Trump endorsement to win GOP nomination for brother’s South Carolina seat.”

Graham thanked Trump profusely during her Tuesday night acceptance speech, recognizing the president as one of her brother’s “closest friends” and crediting him for helping her secure a victory.

Norman, meanwhile, thanked his supporters on Tuesday night for their “prayer crusade of a campaign,” stressing that he “did not prepare a concession speech.” He accused “outside PACs” of spending $8 million opposing him and blamed the Democrats for this situation, adding that “they got what they wanted.”

He recognized Trump’s role in the race as a supporter of Graham, noting that he “never understood why he got involved” but that it is the president’s prerogative to do so. Nonetheless, Norman pledged that there “won’t be any tears” and that he planned to back Graham.

“I’m not supporting a Democrat, so I will support her, Darline, as best I can,” he added. “We’ll live to fight another day.”

This article originally appeared on JTA.org.

The post Sister of pro-Israel stalwart Lindsey Graham secures GOP Senate nomination  appeared first on The Forward.

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Progressive politics notches another deep-red win in Oklahoma race, bolstered by anti-AIPAC messaging

(JTA) — Oklahoma nurse and activist N’kiyla Jasmine Thomas, who ran a campaign with anti-AIPAC messaging, defeated centrist Jim Priest in a Democratic Senate primary runoff on Tuesday that marked the latest victory for a progressive politician in a solidly conservative state.

The Associated Press called Tuesday’s race, a sequel to the state’s June primary, less than an hour after polls closed. By the time 80% of votes were tallied, Thomas had accrued 59.9% of the votes to Priest’s 40.1%.

Like many progressives in the current election cycle, she repeatedly vowed during her campaign to reject funds from the American Israel Public Affairs Committee, the influential pro-Israel lobby.

Although AIPAC has not participated in this race, Thomas posted a social media reel in November that showed her pulling a giant red trash bin, labeled “AIPAC Funds” and “Corporate PAC Funds.” Adjacent to the reel is a caption that reads, “Just taking out the trash.”

“I am a sole grassroots candidate,” she said in the reel. “And we are not accepting AIPAC or corporate PAC funds. It’s garbage.”

Asked about her rhetoric on AIPAC, Thomas told the Jewish Telegraphic Agency in a written statement that her “concerns [with AIPAC] have NEVER been about Jewish people, Judaism, or Israel’s existence,” adding that she instead prioritizes human rights, civilian lives and the accountability of all governments.

“When I discuss political influence or organizations, my focus is on the broader role of money, lobbying, and special interests in our political system, not on any one religion or community,” she added.

In their previous matchup, a five-candidate race, neither candidate had earned the majority required to secure a win. Thomas earned 45% of votes in June, while Priest, a lawyer and ordained minister, accrued 24%.

Heading into Tuesday’s runoff, it was already clear that both Thomas and Priest would be longshots  this November in a state that hasn’t sent a Democrat to the Senate in more than three decades. The Republican opponent, Rep. Kevin Hern, swept his primary and has the endorsement of President Donald Trump.

But Thomas’s win served as yet another litmus test on the potency of progressivism in a deep-red state, just a week after democratic socialist Angie Nixon knocked trounced a moderate candidate in Florida’s Democratic Senate primary.

Thomas, unlike Nixon, is not a member of Democratic Socialists of America, but she has openly identified with socialist policies. The 31-year-old is a citizen of the Chickasaw Nation who says she represents “the next generation of leaders.” Among her priorities are women’s health and safety, civil rights and LGBTQIA+ protections.

During a debate this past Saturday, both Thomas and Priest described a “genocide” in Gaza. Priest linked the word to Israel, while Thomas connected it to the actions of Prime Minister Benjamin Netanyahu.

She emphasized that “we can be for our Jewish brothers and sisters, and we can be against Netanyahu and what he is doing.”

“He is committing genocide. He is absolutely murdering children,” Thomas said at the debate. “We have to stop providing funding for these wars.”

In her statement to JTA, Thomas expressed her commitment to a two-state solution, adding that “both Israelis and Palestinians deserve the opportunity to live in peace, security and self-determination.”

This article originally appeared on JTA.org.

The post Progressive politics notches another deep-red win in Oklahoma race, bolstered by anti-AIPAC messaging appeared first on The Forward.

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Montreal passes Palestinian solidarity motion after removing text on cutting ties with Israel

(JTA) — Montreal has passed a motion of solidarity with Palestinians after stripping a clause that called for severing institutional and diplomatic ties with Israel.

Montreal’s city council late Monday adopted the measure, which also removed earlier references to Israeli “apartheid” and “genocide,” after a contentious debate about the role of local government in denouncing conflicts abroad. The amended motion passed with 54 councillors voting in favor and six against.

The motion was introduced by Projet Montréal, a progressive, environmentalist municipal party that forms the opposition in the city council. An original version demanded the city “immediately suspend its institutional ties with the current government of Israel, its institutions, and its municipalities.” Major Canadian Jewish organizations pushed to discard that clause.

Montreal Mayor Soraya Martinez Ferrada clashed with progressive councillors during Monday’s debate. She argued that it was not the role of a city government to make determinations about international crises, saying that “recognizing the limits of our institution is not turning a blind eye to Gaza.” Changes to the final motion from Martinez Ferrada’s administration focused on diversity and inclusion in Montreal.

According to the original proposal by Projet Montréal, Israeli government representatives would no longer have been invited to Montreal City Hall until Israel “returns to its internationally recognized borders, ceases its violations of the rights of the Palestinian people and ends its violations of international law.”

The initial motion also stipulated that Montreal “recognizes and denounces the apartheid regime imposed in Palestine and the genocide perpetrated there,” citing definitions of “apartheid” and “genocide” that international human rights groups and scholars have used to describe Israel. Another clause condemned rising antisemitism and said “the Jewish communities of Montreal and elsewhere, as well as people of Israeli origin, cannot be held responsible for the actions of the State of Israel.”

The measure’s dilution comes after national Jewish organizations raised strong opposition to the initial language. B’nai Brith Canada said in an open letter to the city council earlier this month that it would be “inappropriate and exacerbate tensions between communities” if Montreal weighed in on the Middle East.

“It is deceitful and inflammatory to conflate Israel with Apartheid South Africa, and Canada has rejected the view that Israel’s actions constitute apartheid,” the group said. “No court of competent jurisdiction has found that a genocide has occurred.” B’nai Brith also linked the proposed policy with antisemitism, saying it would “further normalize the targeting of our Jewish community.”

After Monday’s vote, B’nai Brith Canada celebrated the motion’s transformation.

“We are pleased that the city council did not adopt the deceitful and distorted language contained in the original motion,” Paola Samuel, the regional director for Quebec and Atlantic Canada, said in a statement.

Rabbi Yehoshua Ellis, a member of the clergy at the Montreal-area synagogue Shaar Hashomayim, told the Jewish Telegraphic Agency that the final motion resulted from Jews “mobilizing” in support of Israel.

Projet Montréal called the solidarity motion a “historic breakthrough,” but lamented the changes that “significantly weakened the scope of the original motion.”

“Palestine deserves the same solidarity as Montréal has expressed towards so many other peoples,” the party said in a social media statement. “Thousands of Montréalers have loved ones directly affected and we have the responsibility to stand by their side.”

This article originally appeared on JTA.org.

The post Montreal passes Palestinian solidarity motion after removing text on cutting ties with Israel appeared first on The Forward.

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