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Daniel Raiskin, music director of the Winnipeg Symphony Orchestra, discusses his life – from his boyhood in Soviet Russia to his coming to Winnipeg and his admiration for the Jewish community here

Daniel Raiskin

By BERNIE BELLAN Daniel Raiskin has been the music director of the Winnipeg Symphony Orchestra since 2018. This paper has been remiss not to have interviewed Raiskin until now, although to be fair to ourselves, he is an extremely busy fellow,

 so finding a time when he could sit down and talk about his career, what life was like growing up in a Jewish family in Soviet Russia, and how he feels about spending a good part of his time in Winnipeg, was not easily arranged.

But then Covid-19 suddenly took over everyone’s lives – no matter who they are or where they live and, without much planning required, we were able to arrange to speak with Raiskin from his Amsterdam home.
At the outset of our conversation, which was conducted via WhatsAapp on Friday, April 3, Raiskin explained he’s “lived in Amsterdam for 30 years.” While he travels the world serving as guest conductor for many different orchestras, he “shares his time between Winnipeg and Amsterdam. My home is both in Amsterdam and Winnipeg,” he said.
I asked him, since he’s lived in The Netherlands for so many years whether he holds Dutch citizenship? Raiskin answered that he’s been a Dutch citizen for 26 years, although he still “has a Russian passport, too.”

At the present time Raiskin is also resigned, like the rest of us, to remaining in his Amsterdam home with his wife and two children (a son, 21, and a daughter, 16) for the foreseeable future..
“I was actually caught here between two projects – both of which were in Winnipeg,” Raiskin explained. “I was supposed to return to Winnipeg to spend 10 days there, but then things began to get really cloudy and we decided it doesn’t make any sense for me to fly into Winnipeg and get stuck there without my family, so I decided to stay here.”
We discussed how The Netherlands had taken a relatively hands-off approach to the Coronavirus to begin with, but as the danger has become more apparent, the liberal attitudes that most Dutch have in being uncomfortable with seeing their liberties restricted have begun to dissipate.
“People here are used to going to parks and to the seaside, but I’m afraid that on Monday (April 6) the lockdown is going to be announced,” Raiskin observed (on April 3).

Before we began to talk about Raiskin’s musical career, I said to him that I wanted “to take him back to his childhood in St. Petersburg.” I remarked to him that when I was a student in Israel (a very long time ago – 1974-75 to be exact). I became friends with a girl from St. Petersburg, who bragged to me that people from St. Petersburg were so much more sophisticated than Israelis, also that St. Petersburg had “the best ice cream in the world.”
I asked Raiskin whether the part about the ice cream was true.
“Yes, that ‘s very true,” he responded – “at least judging from my kids’ reaction any time we go to St. Petersburg, they say ‘this is really the best tasting ice cream.’ “

I wondered whether Raiskin was a musical prodigy as a child.
“I was not a prodigy at all,” he said. “I took up the violin when I was six – and I didn’t ‘take it up’. I was given it. It’s an old joke that with the wave of Russian Jewish immigration to Israel every second Russian landing in Israel at Ben Gurion Airport had a violin in his or her hands. Those that did not were piano players.”

“I was born into a Jewish family where music played a very important role,” Raiskin explained.
“My father is one of the foremost Russian musicologists (who is also a now retired physicist, Raiskin noted). One of the first sounds I heard when I was born was my brother (who tragically died at a the age of 34) practising his cello. By the time I was six – I like to joke my mother was so tired of carrying my brother’s cello around, she opted for something smaller for me: a violin.”
By the way, both Rasikin’s parents are alive and still living in St. Petersburg, he told me. His father’s first love was always music, Raiskin noted, but as part of the generation that grew up in the Soviet Union following World War II, it was unrealistic for anyone to make a career of music, he explained.
“He was teaching physics at a university in St. Petersburg when he was 35, but he graduated from a music conservatory when he was 40. That goes to show how important music was to him,” Raiskin observed.
“My mother stopped working a year ago (when she was 82),” Raiskin said. “She was a mathematician and a software programmer.”

I asked Raiskin whether his “parents ever endured any discrimination because they were Jewish that you can speak of? ” I added that “I didn’t want to seem naive by asking the question (since anyone who was following the fight of “refuseniks” in Russia attempting to leave Russia at the time that Raiskin was growing up would have known that anti-Semitism was rampant in that country.
” We lived in a country with a great rate of anti-Semitism,’ Raiskin answered. “My parents and my brother and me and friends all around us were all subject to state-sponsored anti-Semitism. At some point my family had also made the decision to leave (Russia), but it was too late. The Afghanistan war had broken out and everything was hermetically sealed. We got stuck.”

At that point I said to Raiskin that I wanted to talk about what it was like growing up as a young Jewish boy in Russia at that time – and how much love of music was inculcated into his and his peers’ lives.
“It was like – any given picture of Chagall has a violin in it,” Raiskin observed. “It’s part of the Jewish heritage and DNA; this whole ‘3,000 years of endurance’. Music was one of the things that kept us from getting alienated.”
At the same time though, Raiskin said that “music was not something that I particularly wanted to do. I wanted to play football and ice hockey with my mates outside. As a kid you don’t want to spend hours practising and doing scales for hours, looking out the window of your seventh-floor apartment while other kids are playing outside. I wanted to be more like them.”
“It’s very often a mistake to think that it’s the child who makes the decision at age six or seven to become a musician. Some kids are so incredibly gifted they show a unique talent at such a young age, there’s nothing else they want to do. I definitely don’t want to give the impression that I was one of those kids. I was pretty much normal and not very well behaved; I was pretty naughty.
“It was only later that I developed a real taste for music – and worked hard to become something.”

To that point we hadn’t discussed Raiskin’s particular musical interests. I noted that I had read in various articles and interviews that his favourite composer was Gustav Mahler (who was also Jewish, by the way). I wondered when Raiskin first became interested in Mahler’s music?
“You know, in fact, Mahler was not a composer whose music was very often played in my years in the Soviet Union,” Raiskin explained. “The performances of Mahler were always a great event,” but it was only one or two of his symphonies that were ever played, he noted.
“It was only with the collapse of the Soviet Union and the first Western orchestras that started to come on European tours that we really started to hear Mahler played. I’ll never forget the first time I heard Mahler’s Seventh Symphony played by the Pittsburgh Symphony…I think this was when it really hit me hard. This is the moment that I said to myself: ‘I’m going to conduct this once’…and I did, on many occasions…I try to conduct his music as often as I can.”

We skipped ahead to Raiskin’s first time coming to Winnipeg which, he said, was in 2015, as guest conductor of the Winnipeg Symphony Orchestra. There were two more appearances as guest conductor of the WSO in 2017 before Raiskin was appointed as music director in 2018.
“It was a lengthy process,” he said, “but I am, in fact, already looking back on five years of being associated with Winnipeg. It’s not like it started in 2018.”
Raiskin also observed that “no matter how successful a relationship a music director has with an orchestra – it’s never a relationship for life. It’s just the nature of the profession. It’s a marriage for a time…It’s not the conductors who play the music; it’s the orchestras. It’s about 67 musicians who play. It’s very important – the mandate we get from the musicians …and at a certain point it’s time for the conductor to go.”
However, Raiskin wanted to make clear that this is not something he is thinking about now. With his second season cut short due to the COVID-19 pandemic, he said that, |“more than ever our relationship and interdependency is being tested and I am confident we’ll get out if the crisis, whenever this might be, stronger than ever.“

 

Raiskin explained that, while he is contractually obligated to conduct the WSO for 12 weeks during the year, it is hugely important for any conductor to get out on the road as much as possible. He used the following analogy to illustrate his point: “A hockey player cannot perform at the highest level of his ability if he just plays home games. It’s also important how you perform outside.”

I noted at the outset of this article that, although Daniel Raiskin has been music director of the WSO for two years now, we still hadn’t interviewed him which, given that we’re a Jewish newspaper and he’s Jewish, is something that we should have done much earlier. But, since he’s now had time to get to know Winnipeg – and its Jewish community, much better, I asked him what his impression of our community was?
“I’m sure you’ve met Gail Asper,” I said (tongue in cheek; how could the music director of the WSO not have met one of the foremost supporters of the WSO – and arts in general in this city?)
“Yes, of course,” came Raiskin’s reply, “and many other people, like Laurel Malkin, and Michel Kay and Glenna Kay. You know, Winnipeg became a place where being Jewish for me suddenly started to matter in a very personal and positive way. Growing up in the Soviet Union was definitely not. I was once expelled from a music conservatory for visiting a synagogue – for the first time, just out of curiosity.
“And when you’re in a very cosmopolitan city like Amsterdam, with a very tragic history of Dutch Jews – one needs to acknowledge that there were 150,000 Dutch Jews before the Second World War, and only 15,000 survived – so, for me, connecting to the Jewish community here…like the first Rosh Hashanah dinner I ever attended was…in Winnipeg! Because some friends just took me and my wife and said: ‘Come’. I really feel that it matters in a very positive way that I’m Jewish and I can connect to many people in Winnipeg and many in our audiences are Jewish.”
“I feel more Jewish than ever since coming to Winnipeg,” Raiskin suggested. “Jewish music is so important to me. One of the first things I recorded as a musician – as an instrumentalist, was a complete edition of music for viola and piano by Ernst Bloch, the foremost Jewish composer.”

At the end of our interview we discussed the devastating effect that the current crisis is having on people’s lives – in so many ways. Raiskin said that he was still fully involved in planning for the coming season of the WSO – and for the season after that as well.
In terms of assessing people’s hunger for music, he had this to say: “I think there will be a sense of growing hunger…our souls and our spirits are being so hollowed, there will be a growing need to fill in this gap – and this is where we can step in.”
Raiskin closed our interview with this observation: “I feel: today, more than ever, people feel how important arts and culture are to them. We suddenly realize that we use art to communicate with each other!“

 

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What I miss

"I have a unique fondness for the clematis, since I bought it and planted it myself many years ago. "

By DAVID TOPPER When my late wife, Sylvia, and I moved into the house I’m still in, we brought with us not only our furniture and other things from inside the old house, but some outdoor plants and flowers – even a shrub. The shrub, of course, was small: a young mock orange. Sylvia had a thing about mock oranges, so we dug it up and took it with us to the new house. Then there were irises that we inherited from the previous owners of our first house. I can still recall Sylvia doting over those irises when we moved there in 1971. They were very different varieties from those she was familiar with. I liked them, too. I also remember a rose bush. Well, everyone likes roses. Appropriately, it was red. So, the irises, along with the mock orange and the rose bush were transplanted to the new yard. That was in the summer of 1976.

For reasons that I cannot explain, when it came to plants and such, there was a sort of division-of-plant-labor between us. I took care of all the indoor plants and Sylvia did the outdoor ones. This meant that she only worked during the relatively short span from late spring to early fall, since we live in Winnipeg, Canada. Whereas, I looked over the house plants all year long.

Actually, I can explain something. You may have noticed that when speaking of digging up things I use the plural. This was because Sylvia enjoyed physically working in the yard. This digging urge she acquired in the year after High School that she spent working on a Kibbutz in Israel. It was daily hard physical labor in the field: digging, planting, pruning, picking and so forth. Yet she always talked about it lovingly. That was 1960-61 and I saw the blissful look on her face when working in our yard, from 1971 onward.

In time we had a diverse array of plants and flowers. In no particular order, we had lilacs, peonies, hostas, lilies, day-lilies, irises, roses, tulips, lungwort, elephant ears, clematis, rhubarb and the mock orange (which – along with the irises and roses – had grown quite nicely, since the summer of 1976).

All this lasted until the foremost transition in our lives. Early in 2014 Sylvia was diagnosed as being in an early stage of dementia. Over the next six years, as she drifted deeper into her black hole, I gladly obliged taking over the household chores, some of which I had begun already – such as doing most of the cooking. As for the outdoor tasks from spring through summer, that deeply implanted love of gardening was one of the last things to go from her immediate world. Even when she was not too sure who I was, she was glad to work with me in the yard with a shovel in her hands – and a smile on her face.

Sylvia died in the winter of 2020. Come spring, it was just me and the yard.

I don’t remember if it was that first spring or one later, but one day I noticed that the mock orange looked less robust – so I pruned it. That seemed to work for the summer, but the following spring it lost its vigor. More pruning didn’t help. Thus, slowly, over time, it died off and I dug up what was left.

Around the time I was still fiddling with the mock orange, I noticed the rose bush that Sylvia gave lots of love and care was not looking its usual hearty self. I got the fertilizer that she used to try to revive it, and that seemed to work. But the following year, the bush lost its vitality – and nothing I did (extra watering; keeping it dry) worked to impede the track it was on. In time, the rose bush died, too.

“What’s next,” I shouted to our yard.

The following spring the tulips came up as usual, but didn’t look as healthy as they should. These had a special meaning, since we bought the bulbs on a trip to Holland and planted them ourselves. Obviously, I tried everything I could to bring them back – reading all that the Internet had to say about tulips. Needless to say, that was the last summer for the tulips.

“Oh no,” I cried the following spring, when I first saw the irises. They were up, but not looking very well. This was probably the most difficult loss. I don’t know why, but those irises were part of an exceptional bond between us. Sylvia and I and the irises: their singularity symbolized the uniqueness of our relationship.

The irises were the last to go.

As I write this, the rhubarb still comes up, but it’s not as hearty as it used to be. The rest of the plants are doing fine: lilacs, peonies, hostas, lilies, day-lilies, lungwort, elephant ears and clematis. Incidentally, I also have a unique fondness for the clematis, since I bought it and planted it myself many years ago.

I wish to make clear that I’m not putting forth any causal or symbolic or spiritual or mystical meaning to all this, in relation to Sylvia’s demise. Rather, I’m just telling the story of my personal experience with the plants and flowers in our yard. You may read into it whatever you wish.

Now when I walk about my yard, enjoying the remaining plants and flowers amidst the bushes and trees, I not only see and derive pleasure from all that I still have – but I also “see” what is missing: that mock orange, the rose bush, those tulips and the irises.

It also reminds me what I intimately and ultimately miss.

Tags: bonding |caring |coping |loss |sharing |symbolism

david r. topper

David R. Topper writes in Winnipeg, Canada. His work has appeared in Mono, Poetic Sun, Discretionary Love, Poetry Pacific,Academy of theHeart & Mind, Altered Reality Mag. and elsewhere.

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A “Tour” of Antisemitism in Eastern Europe

Fascist march in Polandd

By HENRY SREBRNIK As we enter the fourth year of the “October 7” wars, things in Eastern Europe remain dire. There have been dozens of attacks on Jewish institutions across the region. 

True, there are a few bright spots. Albania’s prime minister is a surprising ally of Israel in a mostly Muslim country. Edi Rama openly defends Israel’s right to protect itself, and condemns Hamas in extremely harsh terms, calling them the “Nazis of the 21st century.” He notes that waves of Jewish refugees were welcomed over the centuries. 

“On the eve of World War II, only about 200 Jews lived in Albania,” he told the Jewish magazine Mishpacha. “After the Holocaust, there were more Jews here than before — about 3,000. We didn’t hand over a single Jew to the Nazis. Seventy-five Albanians are officially recognized as Righteous Among the Nations, but in truth, the entire population mobilized.”

There is also better news from Croatia. Rabbi Pini and Raizy Zaklas moved to the country in 2004 to establish the first Chabad centre on “the land of a thousand islands.” Coming from their native Israel, it took time for them to come to terms with the fears of the Jewish community.

“We spent the first decade just earning their trust,” Raizy explained. “We had to put our grand ambitions aside and choose an individualized approach, fostering relationships through one-on-one meetings at coffee shops. Sometimes we felt disheartened at the slow pace of growth here, and worried we weren’t making progress. But I see in retrospect that we were putting down roots.”

In 2016, the Zaklas purchased a five-story building in the centre of Zagreb. Since then, it has become the spiritual center of Jewish life in the country. It’s a place where hundreds of weddings, bar and bat mitzvahs, and holiday programs take place annually. It’s a place where more than 3,000 Croatian Jewish men, women, and children find connection with their heritage. And it’s a place where thousands of tourists visit each year. 

Less positive is the position of the Czech Jewish community. The Federation of Jewish Communities in the Czech Republic registered a total of 4,694 antisemitic incidents in 2024, compared with 2023, when 4,328 cases were reported. The severity of antisemitic incidents dramatically increased following the events of October 7. 2023. Anti-Jewish hatred, particularly in the form of demonization and delegitimization of Israel, became socially accepted and, according to the Federation, dominated public opinion.

In Greece, a spate of incidents in 2025 included a pro-Palestinian protest that blocked Israelis attempting to disembark from a ship in Syros, an alleged attack against Israeli teens in Rhodes, and an attack on King David Burger, a kosher eatery in Athens. Greek Jewish groups condemned an “anti-Zionist patrol” which took place on the streets of Thessaloniki, 95 years after assault squads targeted Jews in the same city. The left-wing anarchist Rouvikonas group organized the “anti-Zionist patrol” heading toward Mavili Square, which they said “Israeli capital has parasitically infiltrated.” They were joined by members of the groups Permanent Struggle for Class Liberation and the Libertarian Initiative of Thessaloniki.

However, in recent years there has been great improvement in formal Greek-Israeli relations, particularly following the disintegration of Israeli relations with Turkey. In August, Israel and Greece finalized a $3.5 billion deal, called the “Achilles Shield,” providing the Hellenic Republic with a multilayered antimissile system designed to protect the European Union country against aerial attacks from nations such as Iran and Turkey. It is one of the largest defence export deals in the history of the Jewish state.

The two countries “share common strategic interests and face shared regional challenges,” Israeli Defence Minister Israel Katz indicated. “At a time when actors with hegemonic ambitions are seeking to expand their influence and undermine stability in the region, Israel and Greece will continue to deepen their defence and strategic cooperation.” 

Hungary too is a bright spot. It has stood virtually alone in defending Israel in the European Union. Budapest has consistently blocked one-sided, anti-Israel statements and stood firm on Israel’s right to defend itself. At the United Nations, where Israel is routinely demonized, Hungary has refused to go along with the mob. And not just on the international stage. At home, Hungary walks the walk.

Hungary is home to the largest Jewish community in Central Europe, with estimates ranging from 80,000 to 100,000 Jews, most of them living in Budapest. The city is one of the only capitals in Europe where Jews can freely wear a yarmulke without being harassed, attend synagogue without metal detectors and celebrate Jewish holidays without police guarding the doors of synagogues. The government has invested millions into preserving Jewish heritage sites, restoring synagogues and funding Holocaust education not just as a formality, but as a national priority.

Poland had the highest Jewish population in Europe prior to the Holocaust and was also the site of the Nazi death camps where most European Jews were murdered. It has therefore always been careful to curb expressions of antisemitism since it became a democratic state in 1989.

But the proportion of Polish citizens who dislike Jews has risen to 40 per cent, according to Poland’s Centre for Public Opinion Research’s 2026 findings. Conducted annually since 1993, the survey asks Poles whether they like or dislike various national and ethnic groups (21 in total). It found that the proportion of people saying they dislike Jews rose eight percentage points, more than for any other group. 

Still, thousands of people converge on the historic Jewish quarter of Krakow every summer to attend the annual Krakow Jewish Festival. The festival was initially launched three-and-a-half decades ago for a non-Jewish audience as a new generation of young Poles has discovered a shared past in their mixed history.

“We seek to reintroduce the Jewish contribution to Polish culture to mainstream Polish society after many decades under Communism, where Jewish issues were banned in the country, and people didn’t know that Jewish contributed so much to our heritage,” Krakow Jewish Festival director Robert Gadek explained. “Here you have a Jewish festival that is being held in the open air, and everyone feels safe.”

The war in Gaza sparked a wave of antisemitism in Romania, which has a poor track record of protecting its Jews. Antisemitism in Romania today is visible in far-right demonstrations, extremist political movements, and hostile rhetoric in parts of the media. “It’s getting worse,” according to Alexandru Muraru, a member of Romania’s parliament and vice-president of its National Liberal Party, who is not Jewish. “In Western Europe, they have big Muslim communities, which generates antisemitism. In Romania, there are only one or two mosques, but our antisemitism has historical roots.” Indeed, it does. In the 1930s, Greater Romania was home to some 800,000 Jews, giving it the world’s fourth-largest Jewish population after the United States, Poland and the Soviet Union.

“Back then, Jews made up an important proportion of Romanian society,” indicated Gilbert Șaim, who is the gabbai, or custodian, of Bucharest’s famous Choral Temple. “Despite widespread discrimination, there were villages, towns, and cities with large Jewish majorities — even villages established by ethnic Jews centuries ago, like Podu Iloaiei.”

Only 20 per cent of Romanians know about the Holocaust or its wartime role under pro-Nazi puppet Ion Antonescu. Most are unaware of their country’s role in the mass murder and deportation of hundreds of thousands of Jews during World War II. Antisemitism is expanding on social media, Facebook, TikTok and Telegram, though less visible in traditional mass media. The COVID pandemic amplified conspiracy dating back to the late 19th century.  Despite a ban on glorification of Nazi heroes, at the end of November 2024, there was a public ceremony to commemorate a fascist leader. 

This past April, the European Parliament lifted the immunity of one of its 33 Romanian members, Diana Sosoaca, the controversial leader of the ultra-nationalist and antisemitic SOS Romania party. Sosoaca, a lawyer, received the honorary Order of the State of for her support of the Palestinian cause. 

Although antisemitic incidents are not too common, Serbia, like most other countries in Eastern Europe, also contends with a strong nationalist streak. Around 1,500 Serbs belong to extremist groups, of which perhaps 120 are active. Serbian Action, a small group of neo-Nazis, occasionally holds rallies and spray-paints antisemitic, anti-immigrant and anti-gay graffiti on public buildings.

Israeli and Serbian officials denounced antisemitic comments made by demonstrators during a clash between Serbian students and police at a protest last April. “Death to Vucic and all the Jews around him,” one protester said in a televised interview, referring to Serbian President Aleksandar Vucic. “Long live Serbia.”

Nemanja Starovic, the Serbian minister of European integration and the chair of Serbia’s delegation to the International Holocaust Remembrance Alliance, called on the protest leaders to “unambiguously condemn these antisemitic incidents and to immediately remove all antisemitic messages and slogans from university premises.”

A cause of uncertainty among Jews in Slovakia is the continuing defence by some traditionalist Slovak Catholic clerics and others of the reputation of Father Jozef Tiso, Slovakia’s most senior perpetrator during the Second World War. Tiso was responsible for extreme anti-Jewish laws and widespread Jewish impoverishment followed by expulsion of most of the country’s Jews to Nazi death camps. Yet there has emerged a whole literature of excuses for him.

As Slovenia takes a hard line against Israel, its tiny Jewish community feels increasingly isolated. Slovenia’s Jews have experienced a pattern of hostility for decades. In June 2024, Slovenia’s parliament voted to recognize a Palestinian state, only one week after Spain, Ireland, and Norway had taken that dramatic step. Half a year later, Slovenian public broadcaster RTV, became the first in Europe to demand Israel’s exclusion from the 2025 Eurovision Song Contest. RTV warned it might boycott future editions of Eurovision if Israel isn’t expelled.

Slovenia banned imports from Jewish settlements in the West Bank, only a week after prohibiting all weapons trade with Israel, the first EU member to do so. It also became the first European Union country to impose a travel ban on Israeli Prime Minister Benjamin Netanyahu.

Henry Srebrnik is a professor emeritus of political science at the University of Prince Edward Island.

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The Red Inheritance – a short story

Winnipeg's old North End circa 1930

By H.C. Piloski
PART I — ROOTS
Foreword
The Red Inheritance is a work of fiction built on real histories. The political movements, neighbourhoods, and events depicted here — from Winnipeg’s North End to the Holodomor, the gulag system, and the ideological battles of the twentieth century — are drawn from documented fact. The characters themselves are invented. Their names, relationships, and private lives have been changed.
This story engages with difficult truths: the idealism that drove many to fight fascism, the blindness that led some to excuse Stalinist terror, and the intertwined traumas carried by Jewish and Ukrainian families who fled Europe’s catastrophes. It also reflects the historical record of the Soviet security organs and the diverse individuals who served within them. These realities are presented not to assign collective blame, but to illuminate the moral complexity of an era when ideology often overshadowed humanity.
What follows is fiction. But the shadows it walks through are real.
This story is one thread in a larger tapestry of inherited memory and consequence.


I. The Tape (1934 → 2026)
Rachel Levinson found the box on a humid August afternoon in 2026, tucked behind dusty binders in the archives room of the Jewish Heritage Centre. It was unlabelled except for two faint words:
CP — Private.
Inside lay brittle pamphlets, yellowing papers, and a cassette tape with a fading label:
Labour Temple. 1934.
Her grandfather, David Levinson, born in 1915 to Polish immigrants Sarah and Moshe, had been the youngest of four children — a fact that shaped both his stubbornness and his need to prove himself in the crowded Levinson household. He had been a young Jewish organizer in Winnipeg’s North End, swept up in the Jewish Youth AntiFascist League. He had told her stories of the confrontation at Old Market Square, when Jewish and Ukrainian youth chased the brown shirts out of the square in 1934.
But he had never mentioned a tape.
She slid it into the old player.
A click. A whirr. Then his voice — younger, sharper, filled with conviction.
A faded photograph showed him as he once was: lean, brighteyed, a mediumsized North End boy toughened by winter streets and by the old prewar YMHA — the building Jewish youth used before the Hargrave and Qu’Appelle “Y” existed. That building was long gone now, replaced decades later by the Asper JCC in the south end — another reminder that the world her grandfather moved through had vanished, leaving only photographs and memory.
Her grandfather spoke of fascism rising in Europe, of solidarity, of the Soviet Union as “the only nation standing unflinchingly against tyranny.”
Then another voice mentioned a poet. A furnace. Books burned.
The tape clicked off.
Rachel sat frozen, the silence louder than the recording.


II. The North End (1930s → 1990s)
She drove to the North End the next day, needing to remember before she judged.
Her grandparents’ house on Matheson Avenue still stood — modest, sturdy, with a vegetable garden in the back. She remembered Shabbat dinners: the smell of chicken soup, her Baba Rivka’s laughter, her grandfather’s gentle voice blessing the candles.
The North End had always been a world unto itself:
Ukrainian churches with onion domes catching the prairie sun
Jewish bakeries on Selkirk Avenue selling poppyseed rolls and rye bread
Old synagogues tucked between corner stores
Brick houses, stucco cottages, and woodframe homes built by immigrants who arrived with nothing but hope
It was a neighbourhood shaped by trauma and by the stubborn hope that refuses to die:
Jews fleeing pogroms
Ukrainians fleeing famine
Poles fleeing war
Indigenous families surviving despite everything
Her grandfather’s politics had grown out of this soil — out of fear, out of solidarity, out of the belief that collective action could save people from the horrors they had escaped.
But the tape suggested a darker truth.


III. Her Grandfather’s War (1939–1945)
Rachel dug through old family papers until she found his service records.
David Levinson Royal Winnipeg Rifles Enlisted: 1942 Served in England, Normandy, and the Netherlands Demobilized: February 1946
He had fought fascism directly, not just in rallies but on the battlefield. He returned home a decorated veteran, married Rivka in 1947, and began work as a skilled employee at CP Rail.
He had been everything a family man should be.
And yet he had remained a Communist — not the romantic kind who drifted away after 1956, but the loyal kind, the dogmatic kind, the kind who refused to believe that Khrushchev’s revelations at the 20th Party Congress were anything more than Western propaganda.
A Stalinist.


IV. The Letters Home (1942–1945)

Among the papers Rachel found were copies of letters David had sent home during the war — to his parents, his siblings, and to Rivka, his wifetobe.
They were eloquent, heartfelt, and full of longing.
To Rivka:
“The nights here are long, and the cold seems to seep into the bones. But when I think of you lighting the candles on Friday night, I feel warm again. I carry that light with me.”
To his parents before Normandy:
“I don’t know what tomorrow brings. But I know why I’m here. If we don’t stop them, they will burn the world. I want to come home to Matheson Avenue. I want to sit at your table again.”
To his younger brother:
“Study hard. Live well. Don’t let the world make you bitter.”
Rachel felt her throat tighten. These were not the words of a zealot. They were the words of a young man trying to hold onto hope in a world on fire.


V. Her Father’s Story (1950s → 1978)
Her father, Michael, listened quietly as she explained what she had found.
“I knew he was involved,” he said. “More than involved. Dedicated.”
He admitted he had briefly joined the Young Communist League in the 1970s, swept up in youthful idealism. He had even attended the World Youth Festival in Havana in 1978, a gathering steeped in revolutionary rhetoric.
“But I drifted away,” he said. “Your grandfather never did.”
“He wasn’t perfect,” Michael said, “but he was steady. He worked hard, showed up for people, and carried more than he ever complained about. Whatever his politics were, he was a good father.”
“And he had a quiet sense of humour,” Michael added. “He could make you laugh when you least expected it.”
Then he told her something else — something his father had shared only once.
“During the war,” Michael said, “the men in his unit used to say, ‘Thank God the Red Army is fighting on the Eastern Front, so we don’t have to die.’ He never forgot that.”
It wasn’t ideology. It was survival. The Eastern Front had been a furnace, and the Red Army had walked into it first. For David, that memory fused with politics, becoming part of the reason he believed the Soviet Union had carried the heaviest burden in defeating fascism.
She asked whether he thought David had known about the poet.
Michael hesitated.
“He wasn’t a cruel man. But he believed in the cause. Maybe too much.”


VI. Her Mother’s Silence (1970s → 2026)
Her mother, Elaine, folded laundry as Rachel asked what she knew.
“I wasn’t political,” Elaine said. “Your grandfather knew that. He never pushed it on me.”
She explained that she had gone along with his beliefs because they were simply part of the household — relics of his past, not demands for her future.
“He was stubborn,” she said. “But he wasn’t a bully.”
Rachel believed her. But the poet’s books had burned. And someone had stood nearby.


VII. The Professor (2026)

She met Dr. Samuel Rosenfeld, a historian of Winnipeg’s Jewish left, in his cluttered office at the University of Manitoba. Books were stacked in uneven towers, papers spilled across his desk, and a halffinished cup of coffee sat precariously close to a pile of archival photographs.
He recognized her grandfather’s name immediately.
“A committed man,” he said. “Fiercely loyal. Sometimes too loyal.”
He handed her a folder about a Ukrainian poet who had immigrated to Canada, published a slim volume of verse, and then — in a burst of misguided hope — returned to the Soviet Union in 1932.
He disappeared into the gulag.
His books were burned in the Labour Temple furnace by local Stalinists.
Mykhailo Horodetskyi (1905–1933?)
Dr. Rosenfeld recommended books: Let History Judge by Roy Medvedev; The Strangest Dream by Merrily Weisbord; The Harvest of Sorrow by Robert Conquest; Red Famine by Anne Applebaum; The Forsaken by Tim Tzouliadis; How People Live in Soviet Russia (1932 in Yiddish, English translation 2020) by Mendel Osherowich.
“That last one,” he said, “was written by a Jewish journalist from New York who visited Ukraine during the famine. It was ignored for decades. Your grandfather probably never read it.”
Rachel felt a quiet ache. Her grandfather had lived in a world where certain truths were simply not allowed to enter.


VIII. The Prague Spring (1968)
As Rachel continued reading, she found references to another moment her grandfather had never spoken about: the Prague Spring of 1968.
Czechoslovakia had tried to build “socialism with a human face,” loosening censorship, expanding freedoms, allowing people to breathe again. And the Soviet Union crushed it under tank treads.
Her grandfather had been in his mid50s — old enough to understand, young enough to choose.
Had he defended the invasion? Had he doubted for the first time? Had he stayed silent?
The Prague Spring was a fracture point for many Western Communists.
But not for him.
His loyalty endured.


IX. Her Friend from Ukraine (2026)
Her friend Oksana Melnyk, a refugee who had fled Russia’s genocidal war against Ukraine, listened carefully as Rachel told her everything.
“My grandparents fled Ukraine during the Holodomor,” Oksana said. “My grandfather saw the Bolsheviks murder his parents in their village.”
Rachel felt her breath catch.
“They walked for days,” Oksana continued. “They buried their dead in frozen ground. They survived because they refused to die.”
She told Rachel about the missile strikes, the mass graves, the deported children — the new war of erasure.
“Russia is trying again,” she said.
Rachel realized her investigation was no longer just about her grandfather. It was about two histories colliding — but not equivalent histories.
David had fought fascists abroad, returned home, married, worked, raised children, tended a garden, blessed candles, and lived a long life in a free and democratic country.
Oksana’s grandfather had survived a stateengineered famine and witnessed murder.
The moral terrain was uneven, and she needed to tread carefully.


X. The Poet’s Poem (1932 → 2026)
Oksana translated one of Mykhailo Horodetskyi’s surviving poems — smuggled out of Ukraine before he disappeared.
“Harvest Without End” Translated by Oksana Melnyk
We cut the grain with blistered hands, but the fields do not forgive. Each stalk remembers those who fell, each seed refuses to live.
The earth is full of quiet bones, the sky of unsaid names. We gather what the land still gives, and carry sorrow like a flame.
Yet even in the darkest dust, we plant because we must. For harvest comes to those who wait, and hope grows from the rust.
Rachel imagined the book burning in the furnace, the pages curling, the words disappearing into smoke.
She imagined her grandfather standing nearby.


XI. Two Funerals (1998 & 2011)

She remembered her grandfather’s funeral in 2000 — the cold wind, the Hebrew prayers, the earth falling onto the coffin.
She remembered her Baba Rivka’s funeral in 2011 — the thawing spring air, the gentle mourning.
Two graves. Two lives. Two histories.
And now a third history — Oksana’s — had entered her own.


XII. The Decision (2026)
Rachel sat at her desk, opened her laptop, and began to write.
Not to condemn. Not to absolve. But to understand.
Her grandfather had fought fascists. Oksana’s grandparents had fled Communists. Both had suffered. Both had survived. Both had believed they were fighting for a future.
She would tell all of it.
The heroism. The blindness. The love. The silence. The contradictions. The pain carried across continents and generations.
She owed that to her grandfather. She owed that to Oksana. She owed that to the truth.


PART II — THE SHADOWS
XIII. The Embassy Rug (Late 1950s → Early 1960s)
There was another story — whispered, half forgotten — that Rachel could not ignore.
In the late 1950s or early 1960s, senior leaders of the Communist Party of Canada were invited to the Soviet Embassy in Ottawa. They were presented with a customwoven rug, a gesture of fraternal solidarity.
Pinned inside the rug, hidden beneath the fabric, were several thousand dollars in mixed denominations.
No receipts. No explanations. Just quiet loyalty.
It wasn’t a purge. It wasn’t a gulag. But it was a reminder: ideology had its networks, its incentives, its subtle pressures.
Her grandfather had lived in that world. He had trusted it. He had defended it.
And yet he had also blessed Shabbat candles, tended a garden, and carried her on his shoulders when she was small.
Contradictions. Everywhere.


XIV. The MP Who Spied (1940s → 1950s)
Rachel found another thread woven through her grandfather’s world: Fred Rose, Canada’s only Communist Member of Parliament.
Rose had been elected in 1943 on a wave of wartime goodwill — a Jewish labour activist who spoke passionately about workers’ rights and antifascism. But after the war, the truth emerged: Rose had been an agent of Soviet intelligence, passing information to the NKVD.
He was arrested in 1946, convicted, and eventually deported.
Her grandfather had never mentioned him.
Rachel realized that the Party David belonged to was not just a political movement. It was part of a global network — one that demanded loyalty, silence, and sometimes complicity.
The rug in Ottawa had not been an anomaly. It had been a symbol.


XV. The Jewish People’s Cultural League (1930s → 2026)
A week later, Rachel visited a modest community centre in the North End — home to the Jewish People’s Cultural League, a secular leftwing Jewish organization that had once been a hub of Yiddish culture, labour activism, and socialist politics.
The room smelled of old books and percolated coffee. Posters of Yiddish poets lined the walls. A faded banner read:
JUSTICE • PEACE • CULTURE
An elderly volunteer explained that the League had run choirs, libraries, lectures, and children’s programs. They had fought fascism. They had defended civil rights. They had also — sometimes reluctantly, sometimes fervently — defended the Soviet Union long after its crimes were known.
Rachel listened, thinking of the poet’s burned book.
The volunteer showed her a photograph from the 1940s: a crowd gathered for a League event, her grandfather somewhere among them, young and earnest.
“These were good people,” the volunteer said softly. “But they were caught in something bigger than themselves.”
Rachel felt the truth of it. Ideology had shaped communities as much as individuals. And her grandfather had lived at the centre of that world.


XVI. The Councillor’s Shadow (1940s → 1986)

Later that night, Rachel reread the article about Joe Zuken. She realized he was the perfect embodiment of the contradiction she was trying to understand.
A Communist and lawyer by training, he had fought for the poor first as a member of the Winnipeg School Board, and later as a longtime City Councillor. He even ran for mayor one year — a campaign that drew support from a wide range of leftists and other progressives, generating headlines across Canada and even in The New York Times.
He was an impassioned orator — sharp, articulate, and unafraid to confront injustice headon. A Marxist who defended civil liberties. A man who believed in the Soviet project but also challenged inequity at home.
Her grandfather had admired him. She found a note in one of David’s old journals:
“Zuken speaks truth even when it costs him.”
Rachel wondered whether her grandfather had seen in Zuken the version of Communism — really democratic socialism, much like that practiced by the governing New Democratic Party — that he wished were real: humane, principled, uncorrupted.
But history had not been kind to such hopes.


XVII. Sontag’s Reckoning (1982 → 2026)

Rachel reread Susan Sontag’s famous 1982 speech at Town Hall in Manhattan — the night she stunned a room full of American leftists by declaring:
“Communism is fascism with a human face.”
The audience had gasped. Some walked out. Others shouted. But Sontag didn’t retreat. She insisted that moral clarity required naming the crimes of Stalinism without euphemism, without nostalgia, without excuses.
Rachel wondered how her grandfather had reacted when he heard about it. Had he dismissed Sontag as a traitor to the cause? Had he ignored it? Had he felt a flicker of doubt?
She would never know.
But she understood something now: the moral rupture Sontag described was not abstract. It lived inside families like hers — in the gap between David’s idealism and the realities he refused to see.


XVIII. The Conversation (2026)
She met Oksana at a café on Corydon Avenue. They sat by the window, watching people pass by.
Rachel told her everything — the tape, the poet, the furnace, the rug, the League, Zuken, and Sontag’s Manhattan reckoning.
Oksana listened quietly.
“My grandfather saw the Bolsheviks murder his parents,” she said. “He never forgave. He never forgot.”
Rachel nodded.
“My grandfather fought fascists. He believed he was saving the world.”
They sat in silence, two women carrying two histories — different in scale, different in suffering, but both shaped by the same century’s storms.
Finally, Oksana said:
“Maybe your grandfather wasn’t wrong about the fight. Maybe he was wrong about the system.”
Rachel felt tears rise.
“Maybe,” she whispered.
They sat for a long moment, the café noise fading into a soft blur around them. Outside, a couple walked a dog. A bus hissed at the curb. Life went on — ordinary, unthreatened, free.
Rachel thought of her grandfather’s life: the house on Matheson Avenue, the garden he tended, the letters he wrote home from Europe, the steady job at CP Rail, the Shabbat candles he blessed with a gentle hand. He had lived in a country where he could argue, vote, complain, hope. His convictions had shaped him, but they had not destroyed him.
Oksana’s grandfather had lived in a world where hope itself was dangerous.
Rachel finally said, “He lived a good life, Oksana. A safe life. He came home from the war, married my grandmother, raised children, worked hard, grew tomatoes, read the Free Press, and believed he was part of something noble. He didn’t suffer the way your grandfather did. Not even close.”
Oksana nodded, her eyes softening. “I know. And that’s why this matters. Your grandfather had the luxury of believing. Mine had the burden of surviving.”
Rachel exhaled, feeling something settle inside her — not peace, but clarity.
“I’m not writing this to judge him,” she said. “I’m writing it because I finally understand the scale of the world he lived in… and the world your grandfather survived.”
Oksana reached across the table and squeezed her hand.
“That’s all any of us can do,” she said. “Tell the truth. Even when it’s complicated.”
Rachel looked out the window again. The lateafternoon light had shifted, turning the street a muted gold. Two histories — one sheltered, one scarred — had met in that small café on Corydon Avenue.
And for the first time, she felt she could carry both.

H.C. Piloski is a Winnipeg writer who works quietly at the edges of memory and history. His fiction often begins in archives and ends in the private places families rarely speak about.

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