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10 treasures from the New York Public Library’s 125-year-old Jewish collection

(New York Jewish Week) – In the heart of Manhattan, you can page through the Passover story in an Italian haggadah from half a century ago, check out the posters for the most popular Yiddish plays of the 1920s and examine dried flower arrangements from the Holy Land made at the end of the 19th century.

Opened just two years after the New York Public Library itself, the Dorot Jewish Division of the New York Public Library is celebrating its 125th anniversary this year.

Today the collection, housed in the library’s main building on Fifth Ave., boasts over 250,000 materials from all over the world, with the earliest ones dating back to the 13th century.

“People don’t realize the amount of depth we have in this collection chronologically and geographically and it is still growing,” said Lyudmila Sholokhova, the curator of the collection. “I think we have been too modest about what we have here — this library is for everybody and the community needs to know that.”

To celebrate its 125th birthday and spread the word, the Dorot Jewish Division is putting some of its favorite materials on display for an event with librarians, scholars and writers from around the country to discuss the history of Dorot, and its future, on Wednesday, Dec. 14. The event is in person and online.

That history dates to November 1897, when banker and philanthropist Jacob Schiff donated $10,000 to the New York Public Library for the purchase of “Semitic literature” and the hiring of a curator of a Jewish division in the library. Schiff ended up donating $115,000 (nearly $4 million today) over the course of his lifetime.

The head librarian position went to bibliographer and historian Abraham Solomon Freidus, who immigrated to New York from Latvia in 1889. Under his watch, the newly established Jewish Division became a prominent research and reference center for Jewish scholars all over the world. A reading room dedicated to the Jewish Division, where scholars have researched everything from a study of Jews and chocolate to a history of Jewish women in theater, has remained in active use at the library since 1911.

Sholokhova came to the NYPL in 2020 after nearly 20 years working as a librarian at the YIVO Institute for Jewish Research. Part of her mission is to showcase the collection to the public and help bring awareness to the library’s extensive resources.

Through most of its history, the Dorot Jewish Division was used as a reference site while scholars worked on encyclopedias and research. Today, the reading room is still open to the public — and there’s alos an extensive digital catalog available on the library’s website. All New Yorkers need to do is request the items they want to see a few days in advance.

Though the division inherited a few small collections and private libraries, many of its items have been purchased or donated over time.

The New York Jewish Week recently stopped by to see what would be on view during the anniversary celebrations. Here are 10 highlights:

1. Historic haggadahs from Venice and Amsterdam

Traditional illustrated haggadahs from Venice (left) and Amsterdam (right). Printed in the 17th century. (Julia Gergely, design by Grace Yagel)

The Dorot Jewish Division boasts an impressive collection of haggadahs, the guides used at Passover seders. The collection includes the Venice Haggadah with Judeo-Italian translation, printed in 1609, and the Amsterdam Haggadah printed in 1695. Both of these volumes are first editions of what became a standard structure for a haggadah — the Venice Haggadah influenced Mediterranean tradition and the Amsterdam Haggadah influenced Central European tradition.

2. The very first Sunday edition of the Forverts

Vol. 1, No. 1. Sunday edition of the Forverts from May 2, 1897. (Julia Gergely, design by Grace Yagel)

Forverts (or “Forward” in English), the Yiddish daily that circulated in New York throughout the 20th century, is not just one of the most significant publications in American Jewish history — at its height it was the highest-circulation daily in New York. The paper began publishing in April 1897 and paper copies from its first few months in circulation are incredibly scarce. Sholokhova believes Dorot’s original copy of its first Sunday Supplement, published May 2, 1897, may be the earliest known copy of the Forverts in existence.

3. The earliest image of the North American continent in a Hebrew book

An image of the globe in Ma’aseh Toviyah, an encyclopedia of science and medicine. (Julia Gergely)

Published in Venice in 1707, “Ma’aseh Toviyah” (Work of Tobias) is an encyclopedia of science and medicine written in Hebrew, with sections on theology, astronomy, medicine and geography. Written by Toviyah Katz (also known as Tobias Cohn), the book contains the earliest known image of the American continent in a Hebrew book.

4. First Hebrew alphabet printed in the United States

The first Hebrew grammar book, printed for a Hebrew course at Harvard College. (Julia Gergely)

Printed around 1735, “A Grammar of the Hebrew Tongue” or “Dikduk leshon l’ivrit” is the first known book in the American colonies to contain the entire Hebrew alphabet and a lesson on Hebrew grammar. Compiled by Judah Monis, a Hebrew teacher at Harvard College, the book was intended for Harvard students who desired to study the Old Testament in its original language. Monis was born Jewish but converted to Christianity.

5. A palmistry guide according to Kabbalah

A kabbalah palmistry book, dated around 1800. (Julia Gergely)

This book details the art of palmistry, or hand-reading, according to the Jewish mystical tradition of kabbalah. “Sefer Hochmat HaYad,” or “Book of the Wisdom of the Hand,” was compiled by Eliyahu Mosheh Galino, who lived in Constantinople (present-day Istanbul) in the early 16th century. The library dates the printing of this copy, notable for illustrations that feature white lines etched into black hands, to sometime around 1800.

6. Farewell banquet invitation for Eliezer Ben-Yehudah, lexicographer of the first Hebrew dictionary

Invitation for a farewell banquet for Eliezer Ben-Yehuda, who compiled the first Hebrew dictionary at the New York Public Library. (Julia Gergely, design by Grace Yagel)

One of the Dorot Jewish Division’s most famous researchers, Eliezer Ben-Yehudah, was an early Zionist who became known as the father of Modern Hebrew. During World War I, Ben-Yehudah came to the New York York Public Library to work on the first modern Hebrew dictionary, which he eventually brought back to Palestine. The archive has kept an invitation for Ben-Yehudah’s farewell dinner on Feb. 26, 1919, which includes all the names of the members of the dinner committee as well as the menu in Hebrew and English.

7. A community ledger from Mariupol, Ukraine

The title page ledger with minutes from a mishnah study class in Mariupol, Ukraine. (Julia Gergely)

A pinkas is a census-like ledger kept by Jewish communities in Eastern Europe, recording births, deaths, financial transactions, events and even criminal cases. This illustrated pinkas comes from a mid-19th century Hasidic community in what is now Mariupol, Ukraine, and details the minutes of a Mishnah study class held over the course of a decade. The first entry is dated 1837 and the last is 1848. The pinkas is dedicated to the Trisk Rabbi, Avrohom ben Mordechai Twersky.

8. An 18th-century Megillat Esther

An illuminated manuscript of Megillat Esther, read on Purim. The illustrations, in folk style, were drawn in the late 18th century. (Julia Gergely)

An illustrated scroll of Megillat Esther, the scroll read on Purim, is believed to be from Eastern Europe from the late 18th century. The scroll is significant because it is an illuminated manuscript, with hand-drawn images from scenes in the Book of Esther surrounding the text.

9. Pressed flowers and photographs from 1890s Palestine

Left: An 1899 photo of Jerusalem by Bruno Kentschel. Right: Flowers from Israel, dried and pressed in the 1890s. (Julia Gergely, design by Grace Yagel)

In the 1890s, as the political Zionist movement was beginning to take shape, small books of pressed flowers that were gathered in the Holy Land appeared in the United States. Dorot’s holding features native flowers pressed into the shape of Jewish symbols, and will be shown next to photographs of the landscape of Jerusalem from the same period, taken by Bruno Kentschel, a German photographer who worked from a small studio in Jerusalem.

10. Advertisements from Jewish businesses in the United States

Advertisements , postcards and trading cards for American Jewish businesses. (Julia Gergely, design by Grace Yagel)

The Dorot Jewish Division also has a vast collection of matchboxes, postcard advertisements and trading cards from Jewish businesses across America. The colorful, illustrated advertisements from the 19th and 20th centuries are very often the only traces of Jewish businesses that still exist, Sholokhova explained.


The post 10 treasures from the New York Public Library’s 125-year-old Jewish collection appeared first on Jewish Telegraphic Agency.

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Hungarian Filmmaker Says ‘Orgy of Antisemitism Overtaking the West,’ Feels ‘Ostracized’ by Film Industry

Hungarian film director László Nemes attends the photocall of “Moulin” at the 79th Cannes Film Festival in Cannes, France. Photo: Marco Barada / SOPA Images via Reuters Connect

Hungarian Jewish filmmaker László Nemes talked about antisemitism, the “politicization of cinema” regarding Jewish subject matters, and what he believes is an unhealthy “obsession with Jews” in a new interview with The Guardian published on Monday.

Nemes’s latest film, “Moulin,” which is about French resistance leader Jean Moulin, debuted at the Cannes Film Festival on Sunday.

His 2025 film “Orphan” is about a teenage Jewish boy who survived the Holocaust by being hidden in an orphanage. While he searches for his missing father, he discovers the truth about how his mother survived the Holocaust. The film has so far not secured a US distribution deal, and Nemes believes it is because of the film’s Jewish subject matter at a time when tensions are high around the world.

“You should be able to talk about these things without being ostracized,” the filmmaker told The Guardian, adding that he feels “a little bit” ostracized by the industry.

“Even some response [to ‘Orphan’] from the media smells of an ideological standpoint,” he noted, explaining that he thinks the film was “ignored” at last year’s Venice Film Festival.

“There’s an orgy of antisemitism, an absolute, shameless orgy of antisemitism, overtaking the West,” added the director, whose grandmother is a Holocaust survivor. He also described a “race obsession” and a “puritan, moralizing, self-righteousness” ideology that he believes has taken over the cultural world and online.

Nemes won an Oscar in 2016 for his debut feature film “Son of Saul,” which follows a day and a half in the life of an Auschwitz concentration camp prisoner who is forced to clear out the corpses of fellow Jews from the gas chambers and place the bodies in ovens to be incinerated. The film won an array of awards, including the Oscar for best foreign language film. When asked how he thinks “Son of Saul” would be accepted if it was released today, Nemes told The Guardian: “I don’t even think it would make the [Oscar] shortlist today. Because of the politicization of cinema, because anything that’s Jewish is now considered … Nobody would touch it with a 10-feet pole.”

He also said he thinks boycotting Israeli film institutions, which thousands of Hollywood figures have pledged to do, is “anti-humanist regression.”

“And because it’s not identified as this, I think it’s very effective at spreading,” the filmmaker said. “And one of its very potent vectors has been antisemitism … The Jew has always been [cast as] the sort of internal enemy, and I think now [the idea of] the Jew as the internal enemy of the West has reached the dimensions of European antisemitism before the takeover by the National Socialist [Nazi] party.”

He further criticized the thousands of film industry professionals who support cultural boycotts of Israel or protest Israel’s military actions in the Gaza Strip, which target Hamas terrorists in the enclave who orchestrated the massacre in Israel on Oct. 7, 2023.

“Obviously, they prefer to attach themselves to an ideology that’s been around for a long time and that pretends to be humanitarian, but it’s actually not what it purports to be,” Nemes said. “Had they really cared about the people in this region, they would have revolted against these people being ruled by a totalitarian death cult that’s actually killing its own population and at unprecedented levels.”

He believes there is an “obsession with Jews,” and when referring to the difficulty in finding a US distributor for “Orphan,” he said: “People [would] ask me about Gaza, instead of, you know, asking about the movie. [They ask] if I signed this or that petition.”

“It’s tiring to hear the overclass of Hollywood lecture us morally,” Nemes added. “Not only in Hollywood, but in the world. There’s definitely an overclass of people cut from reality, and they are eager to preach to us … Sometimes I think it’s better if actors don’t, you know, speak up that much, because I don’t think they’re very much qualified to talk about anything. They should try to be actors, the best they can, and not become activists. It’s not really their role.”

While speaking to The Guardian, the Hungarian director also criticized fellow Jewish filmmaker Jonathan Glazer for the speech he made at the 2024 Academy Awards. When the British director went on stage to accept his Oscar for the Holocaust-focused historical drama “The Zone of Interest,” Glazer said he and the film’s producer James Wilson “stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people, whether the victims of Oct. 7 in Israel or the ongoing attack on Gaza.”

Nemes told The Guardian that making a film about the Holocaust “imposes on its maker a need for responsibility.”

“I didn’t feel that he was responsible at all,” Nemes said, referring to the Glazer. “I thought he wanted to please that overclass of Hollywood with the line of good, righteous thought … I don’t believe that he understands anything about the reality of the region, yet he feels the need to do it. And I think it’s very presumptuous, very condescending.”

Nemes is a graduate of the Sam Spiegel International Film Lab, which is part of the Jerusalem Sam Spiegel Film & Television School.

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UN Special Rapporteur Francesca Albanese Urges Germany to Get Over Holocaust Guilt in Antisemitic Tirade

Francesa Albanese, the United Nations special rapporteur on the situation of human rights in the Palestinian territories, speaks at a conference, “A Cartography of Genocide: Israel’s Conduct in Gaza,” at the Roma Tre University, in Rome, Italy, Oct. 6, 2025. Photo: REUTERS/Remo Casilli

Francesca Albanese, the United Nations’ special rapporteur on the human rights situation in the Palestinian territories, has published a bizarre social media post mixing antisemitic rhetoric with Holocaust revisionism, appearing to urge Germany to move beyond its historical guilt while casting Jews as arrogant and viewing themselves as morally superior to Europeans.

In a Facebook post published on Sunday, Albanese — who has an extensive history of using her role to denigrate Israel and seemingly rationalize the Palestinian terrorist group Hamas’s attacks against the Jewish state — called on Germans to absolve themselves of responsibility for the Nazi regime’s crimes and the historical burden of guilt tied to them.

The anti-Israel UN official argued that modern Germany’s efforts to come to terms with its past through strong support for the Jewish state do not reflect genuine remorse.

Instead, she claimed this stance reflects a “historical superiority syndrome” that has never been addressed and serves as a “convenient mask” for Germany’s return to the international community.

“The Western club accepted them because they proved themselves capable of tolerating certain members of the group that were previously ‘undesirable,’ and so they accepted the Jews, but not all of them,” Albanese wrote. “They learned that to survive in this world they must be superior. No longer a fragile minority. No longer a people in exile. No longer the people of the book. But the chosen people. ‘Chosen to rule?’ One might wonder when looking at what Israel has become.”

She then went on to claim that Germany does not respect Jews unless they are Zionist and behaves like a “socially deranged” state that enacts discriminatory laws, while calling on its citizens to free themselves from what she described as an obligation to Israel.

“I know Germans can do better,” Albanese concluded. “I have seen them. But they are called upon emancipating themselves. This is their chance.”

This latest controversy is far from the first involving Albanese, who has a mandate from the UN to advise the international body on the Israeli-Palestinian conflict. In her position, which she has held since 2022, Albanese has faced consistent criticism over a pattern of incendiary anti-Israel remarks, with officials accusing her of inciting violence and hatred.

Earlier this year, top diplomats from Austria, Germany, Italy, the Czech Republic, and France called for Albanese’s resignation after she delivered yet another inflammatory tirade against Israel.

During an Al Jazeera forum in Doha, Albanese described the state of Israel as “the common enemy of humanity” and accused the country of “planning and carrying out a genocide” during its defensive war against Hamas.

“It’s also true that never before has the global community seen the challenges that we all face, we who do not control large amounts of financial, algorithms, and weapons,” Albanese said at the time, appearing to invoke a long-standing antisemitic conspiracy that Jews control wealth and technology.

She also accused Western nations of being complicit in the so-called “genocide” by supplying arms and financing Israel, while claiming that Western media helps defend the Jewish state by “amplifying the pro-apartheid, genocidal narrative.”

Albanese has previously referred to a “Jewish lobby” controlling the US and Europe, compared Israel to Nazi Germany, and stated that Hamas’s violence against Israelis — including rape, murder, and kidnapping — needs to be “put in context.”

Despite her history of antisemitic statements, the UN has consistently refused to fire Albanese, citing her status as one of its “independent experts.”

Since taking on her UN role, Albanese has been at the center of controversy due to what critics, including US and European lawmakers, have described as antisemitic and anti-Israel public remarks.

Last year, the UN Human Rights Council (UNHRC) faced intense pressure to block Albanese’s reappointment for another three-year term, with several countries and NGOs urging UN members to oppose the move due to her controversial remarks and alleged pro-Hamas stance.

Despite significant pressure and opposition, her mandate was confirmed to extend until 2028.

Last year, the UN launched a probe into Albanese for allegedly accepting a trip to Australia funded by pro-Hamas organizations.

In the past, she has also celebrated the anti-Israel protesters rampaging across US college campuses during the 2023-2024 academic year, saying they represent a “revolution” and give her “hope.”

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Kuwaiti Jiu-Jitsu Gold Medalist Refuses Handshake With Israeli Athlete: ‘We Do Not Respect Them At All’

An aerial view shows Kuwait City, Kuwait, March 16, 2020. Photo: Reuters / Stephanie McGehee.

Kuwaiti jiu-jitsu gold medalist Jassim Alhatem refused to shake hands with Israeli bronze medalist Yoav Manor at the Abu Dhabi Grand Slam Jiu-Jitsu World Tour on Friday, saying later in a video posted on social media that he has no respect for an athlete from Israel.

Alhatem won all four of his bouts in the men’s blue belt amateur under-77-kilogram category at the competition and took home the gold, while Manor earned the bronze for winning three of his four matches. At the medal ceremony, Alhatem refused to shake Manor’s hand and also declined to pose with him for the traditional photo of all the winners.

Alhatem later defended his actions in an Arabic-language video posted on Instagram. He described Israel as a “Zionist entity” and claimed he told Manor before the award ceremony, “I don’t want to know you and I don’t want to greet you. Stay on your side and I on my side, so no problem happens,” according to an English translation of the video. He further claimed that “as a Muslim,” he will not respect athletes from Israel and does not believe in separating politics from sports.

“These types we do not respect,” Alhatem said. “As Kuwaitis, we do not respect them at all … as a Muslim man, [you] must have principle. It is not right for me to play with them or respect them. It is not right. You as a Muslim must have a principle, even if you told me sport is separate from politics. No, no. There is no [separation]. If that were true, Russia wouldn’t be banned right now from participating in the Olympics.”

The International Olympic Committee has allowed eligible Russian athletes to compete as neutrals and not under the Russian flag.

The Israeli delegation at the Abu Dhabi Grand Slam Jiu-Jitsu World Tour said in a statement to the Israeli publication Ynet that “despite the tension, the organizers and Emirati hosts tried to calm the situation and persuade the Kuwaiti competitor to take part in the medal ceremony, but he chose to leave the podium area. Manor, for his part, remained focused on the sporting achievement: a bronze medal at a prestigious international competition, after an impressive day of bouts against opponents from around the world.”

Members of the Israeli delegation added that Alhatem said to Manor, “You Israelis kill children,” and “If you had reached the final, I would not have competed against you.”

Amir Boaron, the coach of Israel’s national jiu-jitsu team, also told Ynet that Alhatem called Manor a “child murderer.”

“Yoav continued trying to shake his hand and behave like an athlete. It is important for me to stress that the Emirati hosts welcomed us wonderfully and even apologized for the incident,” Boaron added.

The Abu Dhabi Grand Slam Jiu-Jitsu World Tour is organized by the United Arab Emirates, which normalized diplomatic relations with Israel when it signed the 2020 Abraham ​Accords, while Kuwait does not have diplomatic ties with Israel. Senior Kuwaiti officials have said the country “will be the last to normalize ties” with the Jewish state.

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