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10 treasures from the New York Public Library’s 125-year-old Jewish collection

(New York Jewish Week) – In the heart of Manhattan, you can page through the Passover story in an Italian haggadah from half a century ago, check out the posters for the most popular Yiddish plays of the 1920s and examine dried flower arrangements from the Holy Land made at the end of the 19th century.

Opened just two years after the New York Public Library itself, the Dorot Jewish Division of the New York Public Library is celebrating its 125th anniversary this year.

Today the collection, housed in the library’s main building on Fifth Ave., boasts over 250,000 materials from all over the world, with the earliest ones dating back to the 13th century.

“People don’t realize the amount of depth we have in this collection chronologically and geographically and it is still growing,” said Lyudmila Sholokhova, the curator of the collection. “I think we have been too modest about what we have here — this library is for everybody and the community needs to know that.”

To celebrate its 125th birthday and spread the word, the Dorot Jewish Division is putting some of its favorite materials on display for an event with librarians, scholars and writers from around the country to discuss the history of Dorot, and its future, on Wednesday, Dec. 14. The event is in person and online.

That history dates to November 1897, when banker and philanthropist Jacob Schiff donated $10,000 to the New York Public Library for the purchase of “Semitic literature” and the hiring of a curator of a Jewish division in the library. Schiff ended up donating $115,000 (nearly $4 million today) over the course of his lifetime.

The head librarian position went to bibliographer and historian Abraham Solomon Freidus, who immigrated to New York from Latvia in 1889. Under his watch, the newly established Jewish Division became a prominent research and reference center for Jewish scholars all over the world. A reading room dedicated to the Jewish Division, where scholars have researched everything from a study of Jews and chocolate to a history of Jewish women in theater, has remained in active use at the library since 1911.

Sholokhova came to the NYPL in 2020 after nearly 20 years working as a librarian at the YIVO Institute for Jewish Research. Part of her mission is to showcase the collection to the public and help bring awareness to the library’s extensive resources.

Through most of its history, the Dorot Jewish Division was used as a reference site while scholars worked on encyclopedias and research. Today, the reading room is still open to the public — and there’s alos an extensive digital catalog available on the library’s website. All New Yorkers need to do is request the items they want to see a few days in advance.

Though the division inherited a few small collections and private libraries, many of its items have been purchased or donated over time.

The New York Jewish Week recently stopped by to see what would be on view during the anniversary celebrations. Here are 10 highlights:

1. Historic haggadahs from Venice and Amsterdam

Traditional illustrated haggadahs from Venice (left) and Amsterdam (right). Printed in the 17th century. (Julia Gergely, design by Grace Yagel)

The Dorot Jewish Division boasts an impressive collection of haggadahs, the guides used at Passover seders. The collection includes the Venice Haggadah with Judeo-Italian translation, printed in 1609, and the Amsterdam Haggadah printed in 1695. Both of these volumes are first editions of what became a standard structure for a haggadah — the Venice Haggadah influenced Mediterranean tradition and the Amsterdam Haggadah influenced Central European tradition.

2. The very first Sunday edition of the Forverts

Vol. 1, No. 1. Sunday edition of the Forverts from May 2, 1897. (Julia Gergely, design by Grace Yagel)

Forverts (or “Forward” in English), the Yiddish daily that circulated in New York throughout the 20th century, is not just one of the most significant publications in American Jewish history — at its height it was the highest-circulation daily in New York. The paper began publishing in April 1897 and paper copies from its first few months in circulation are incredibly scarce. Sholokhova believes Dorot’s original copy of its first Sunday Supplement, published May 2, 1897, may be the earliest known copy of the Forverts in existence.

3. The earliest image of the North American continent in a Hebrew book

An image of the globe in Ma’aseh Toviyah, an encyclopedia of science and medicine. (Julia Gergely)

Published in Venice in 1707, “Ma’aseh Toviyah” (Work of Tobias) is an encyclopedia of science and medicine written in Hebrew, with sections on theology, astronomy, medicine and geography. Written by Toviyah Katz (also known as Tobias Cohn), the book contains the earliest known image of the American continent in a Hebrew book.

4. First Hebrew alphabet printed in the United States

The first Hebrew grammar book, printed for a Hebrew course at Harvard College. (Julia Gergely)

Printed around 1735, “A Grammar of the Hebrew Tongue” or “Dikduk leshon l’ivrit” is the first known book in the American colonies to contain the entire Hebrew alphabet and a lesson on Hebrew grammar. Compiled by Judah Monis, a Hebrew teacher at Harvard College, the book was intended for Harvard students who desired to study the Old Testament in its original language. Monis was born Jewish but converted to Christianity.

5. A palmistry guide according to Kabbalah

A kabbalah palmistry book, dated around 1800. (Julia Gergely)

This book details the art of palmistry, or hand-reading, according to the Jewish mystical tradition of kabbalah. “Sefer Hochmat HaYad,” or “Book of the Wisdom of the Hand,” was compiled by Eliyahu Mosheh Galino, who lived in Constantinople (present-day Istanbul) in the early 16th century. The library dates the printing of this copy, notable for illustrations that feature white lines etched into black hands, to sometime around 1800.

6. Farewell banquet invitation for Eliezer Ben-Yehudah, lexicographer of the first Hebrew dictionary

Invitation for a farewell banquet for Eliezer Ben-Yehuda, who compiled the first Hebrew dictionary at the New York Public Library. (Julia Gergely, design by Grace Yagel)

One of the Dorot Jewish Division’s most famous researchers, Eliezer Ben-Yehudah, was an early Zionist who became known as the father of Modern Hebrew. During World War I, Ben-Yehudah came to the New York York Public Library to work on the first modern Hebrew dictionary, which he eventually brought back to Palestine. The archive has kept an invitation for Ben-Yehudah’s farewell dinner on Feb. 26, 1919, which includes all the names of the members of the dinner committee as well as the menu in Hebrew and English.

7. A community ledger from Mariupol, Ukraine

The title page ledger with minutes from a mishnah study class in Mariupol, Ukraine. (Julia Gergely)

A pinkas is a census-like ledger kept by Jewish communities in Eastern Europe, recording births, deaths, financial transactions, events and even criminal cases. This illustrated pinkas comes from a mid-19th century Hasidic community in what is now Mariupol, Ukraine, and details the minutes of a Mishnah study class held over the course of a decade. The first entry is dated 1837 and the last is 1848. The pinkas is dedicated to the Trisk Rabbi, Avrohom ben Mordechai Twersky.

8. An 18th-century Megillat Esther

An illuminated manuscript of Megillat Esther, read on Purim. The illustrations, in folk style, were drawn in the late 18th century. (Julia Gergely)

An illustrated scroll of Megillat Esther, the scroll read on Purim, is believed to be from Eastern Europe from the late 18th century. The scroll is significant because it is an illuminated manuscript, with hand-drawn images from scenes in the Book of Esther surrounding the text.

9. Pressed flowers and photographs from 1890s Palestine

Left: An 1899 photo of Jerusalem by Bruno Kentschel. Right: Flowers from Israel, dried and pressed in the 1890s. (Julia Gergely, design by Grace Yagel)

In the 1890s, as the political Zionist movement was beginning to take shape, small books of pressed flowers that were gathered in the Holy Land appeared in the United States. Dorot’s holding features native flowers pressed into the shape of Jewish symbols, and will be shown next to photographs of the landscape of Jerusalem from the same period, taken by Bruno Kentschel, a German photographer who worked from a small studio in Jerusalem.

10. Advertisements from Jewish businesses in the United States

Advertisements , postcards and trading cards for American Jewish businesses. (Julia Gergely, design by Grace Yagel)

The Dorot Jewish Division also has a vast collection of matchboxes, postcard advertisements and trading cards from Jewish businesses across America. The colorful, illustrated advertisements from the 19th and 20th centuries are very often the only traces of Jewish businesses that still exist, Sholokhova explained.


The post 10 treasures from the New York Public Library’s 125-year-old Jewish collection appeared first on Jewish Telegraphic Agency.

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Could poetry revive Yitzhak Rabin’s legacy among young American Jews?

Perhaps the most enduring phrase from the period following Yitzhak Rabin’s assassination, 30 years ago this week, was then-President Bill Clinton’s valediction for his slain friend: “Shalom, haver” — goodbye, friend. It exemplified not just the genuine kinship between Clinton and Rabin, one amiable and telegenic, the other awkward and camera-shy, but also the ironclad bond between Israel and the United States.

Today, however, the so-called special relationship is under considerable duress — not least because generations of younger American Jews are increasingly suspicious of Zionism. And Rabin? He’s at risk of being forgotten altogether in the US, said Barak Sella, editor of Class of 95, a new English translation of an Israeli poetry anthology about Rabin’s murder and legacy.

Sella, who was born in Texas but came to Israel in 1994 when he was 10, was part of a generation of Israeli schoolchildren for whom Rabin’s death in November 1995 loomed impossibly large. “It was my moment of political awakening,” he said. “The first event I went to at my youth movement was a Rabin memorial ceremony. So for me, the assassination ran parallel to my socialization into Israeli society.”

In 2013, Dror L’Nefesh, the printing press of the Habonim Dror Youth movement to which Sella belonged — he was by this point also a well-established activist and community organizer — published the anthology in Hebrew under the title ‘Machzor 95’. Its publication was something of a happy accident: The movement had wanted to do something literary to mark the 18th anniversary of Rabin’s passing, Sella recalled, “but we couldn’t find any poetry or literature about it — only op-eds and articles.” When they put out an open call for contributors, the response was so overwhelming they had enough material to produce Israel’s first poetry anthology dedicated to Rabin’s passing.

The title, Machzor 95,  was a pun of sorts, for in Hebrew Machzor has both a colloquial meaning — class, or generation — and a liturgical one: a Machzor is a prayer book for Jewish holidays. The aim was “to create a tradition of memory that was cyclical,” Sella said, “to create an artifact you can return to year after year.”

By 2022, when a second Hebrew-language edition was published, Sella was already toying with the idea of putting together an English version, as he’d always seen Rabin’s assassination “not as an Israeli event, but as a Jewish event.” Indeed, in 1995, much of American Jewry had mourned Rabin intensely. “It was everything American Jews talked about,” Sella said. “One of the largest ever Jewish gatherings was for Rabin’s shloshim in Madison Square Garden.” (On Dec. 11, 1995, a crowd of more than 15,000 packed the New York arena to mark thirty days, shloshim in Hebrew, since Rabin’s death.)

But Rabin’s legacy faded from view, Sella believed, because Israel itself could not agree on what he represented. “Israel is still so deeply divided about this,” he said. “So it’s very hard to expect American Jews to create some kind of shared culture around Rabin’s memory.”

That’s where the translated anthology comes in, which Sella hopes will serve “as an education tool,” something “teachers and rabbis who want to talk to their community about the assassination can pick up, choose a poem or two, and invite people into a conversation.”

The anthology is at once a guide to the assassination and a window into how Israeli society responded. One poem, Shachar-Mario Mordechai’s ‘Before the Government of Israel Announces With Astonishment’, invokes the official announcement of Rabin’s death. Another, ‘Blank’, by Raanan Ben Tovim, explores the claim, never substantiated, that immediately after the shots rang out somebody shouted “srak, srak” (in English, blank) a phrase that, among Israelis, has become a shorthand for Rabin’s murder — and has fueled conspiracy theories ever since.

Sella’s vision for the anthology is decidedly long-term. “This translation is not only for the thirty-year anniversary,” he said. “I’m thinking about, you know, in 50 years, in 100 years, what are the artifacts of our time that will assist not only the current generation, but also future ones, to build a story, to understand, and to reflect?”

The translation is therefore aimed especially at younger American Jews. “The people who will carry this memory forward are not going to be those who were at the square,” Sella said. He still firmly believes Rabin can be a “symbol for overcoming our differences, for shared destiny and democracy.” In short, American Jews would do well to recall not simply that Yitzhak Rabin was killed, but, no less important, the ideals he died for.

The post Could poetry revive Yitzhak Rabin’s legacy among young American Jews? appeared first on The Forward.

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Hundreds Attend Elie Tahari Runway Show in Miami Honoring Female IDF Soldiers, Hosted at Catholic University

Elie Tahari, right, with wounded IDF solider Dvorah Lea Bart. Photo: Provided

Eight hundred people attended a fashion show on Thursday night in Miami by renowned Israeli fashion designer Elie Tahari that honored female soldiers in the Israel Defense Forces (IDF) and supported Tahari’s new initiative to provide clothing for wounded IDF veterans.

The runway show highlighted 40-50 garments from Tahari’s Fall 2026 collection, assembled into a new collection for the event titled “Threads of Valor.” Its name draws inspiration from a chapter in the Book of Proverbs called Eshet Chayil (“Women of Valor”), which praises a woman as the matriarch of her family and household, and is traditionally sung by a husband on Friday night before the start of the Shabbat meal. “Eshet Chayil” includes lines that talk about a woman making and selling garments.

“Tonight has been the best night of my life,” Tahari said on stage at the runway show. “I’m very proud to be a part of this. Anything I can do for the soldiers — they are my heroes; they are always going to be my heroes. And it makes me feel happy.”

The Israeli-born fashion designer immigrated to New York in 1971 with less than $100 and built a billion-dollar fashion empire that has been successful for over 50 years. Since the Hamas-led terrorist attack in southern Israel on Oct. 7, 2023, he has been passionate about supporting IDF veterans, with 100 percent of his e-commerce going directly to help female IDF soldiers.

Thursday’s runway show took place at St. Thomas University (STU), a Catholic school. It was co-organized by Ashlee Rzyczycki, director of STU’s Fashion Merchandising and Design program, as well as Tobi Rubinstein, who serves on the school’s fashion advisory committee and had a career in fashion for the last 45 years. The show was also organized in collaboration with Yedidim – an organization that assists IDF veterans — and Soireee Events.

The runway show was divided into different segments and each revolved around a different theme – including resilience, command, power, freedom, confidence, and sacrifice – that related to the journey and stories of the IDF soldiers honored at the event. Students in STU’s fashion design program collaborated in picking garments by Tahari that would be featured in the runway show, in line with the chosen themes, but students also helped create the lineup and worked behind the scenes at Thursday night’s event.

“It’s an interfaith collaboration. We are a Catholic school, but we can have conversations about faith. It’s been such an amazing learning opportunity for my students,” Rzyczycki told The Algemeiner. “The fashion show is taking audience members on this journey that these women have gone through, when they are in the army, and what they experience from that. It’s kind of a visual, artistic interpretation of that sacrifice … of what they do and incorporating how fashion can be part of that story and narrative.”

“It’s like bringing New York Fashon Week together with a charity event, blending it together and putting it in a major fashion school,” added Rubinstein, who is also a best-selling author and founder of the House of Faith and Fashion movement. “It’s really quite something, and the irony of it being in a Catholic fashion school that is so pro-Israel just makes it all the most delicious.”

Among the models who walked the runway on Thursday night were IDF soldiers, Jewish STU students, influencers, and pro-Israel activists, including former UC Santa Barbara Student Body President Tessa Veksler, who was featured in the “Blind Spot” documentary; Lawfare Project founder Brooke Goldstein; and artist, designer, and entrepreneur Elizabeth Sutton.

“It was an immense privilege to walk the runway for such a monumental fashion moment in support of Israel — alongside legendary women who have fought for Israel not only on the frontlines of the war itself, but also on the frontlines of the global war against antisemitism. It was humbling,” Sutton told The Algemeiner. “To witness a fashion icon like Elie Tahari commit such bold philanthropy — pledging all e-commerce sales in perpetuity to wounded soldiers — was profoundly inspiring, and reaffirmed my own goals as a Jewish businesswoman, leader, and designer.”

Proceeds from Thursday night’s event when directly to supporting female IDF veterans through Tahari’s new initiative Project Wardrobe, which provides wounded female IDF veterans with clothing so they can feel empowered while acclimating back into society after they finish their army service. As part of the initiative, launched in collaboration with Yedidim and Soiree Events, Tahari gives a clothing allowance to soldiers each month and he covers the cost of shipping, delivery, taxes, and other fees for the garments.

“It’s about giving the wounded soldier a sense of self-esteem and self-worth through clothing,” Rubinstein said of Project Wardrobe. “Clothing is so much more than just what I wear. It can heal you. It can rehabilitate you and give you the strength to move forward.”

“To me Elie’s clothing is like a suit of armor,” added Rzyczycki. “It demonstrates power and showing that you can be confident and powerful in what you wear. And all of the clothing that Elie has, his designs, has always been focused on that. He is a really powerful beacon to demonstrate how clothing can provide power to women.”

Rzyczycki also talked to The Algemeiner about the decision to have STU host the fashion show and collaborate in efforts to support Israeli soldiers.

“It’s all about educating my students on the power that fashion can have … For me, as an educator I think it’s important for me to tell my students about doing things that are bigger than ourselves,” she explained. “I think it’s really important for my students to be able to understand some of the philanthropic efforts that go into fashion. And this event really embodies that – being able to give back and also do things that have a bigger purpose revolving around fashion.”

“Fashion can be a unifier for all religions, all different ways of life, to be able to provide education and camaraderie,” she added. “I think we’re teaching our students valuable lessons on the power that fashion can have in that language and delivering that to people.”

A day before the runway show, Tahari and Rubenstein hosted a fashion masterclass for STU students in the fashion merchandising and design program, where the designer discussed the fashion business but also the combination of faith and fashion.

See below photos from Tahari’s “Threads of Valor” fashion show.

Photo: Threads of Valor

Photo: Threads of Valor

Photo: Threads of Valor

Photo: Threads of Valor

Photo: Threads of Valor

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Brandeis Center Seeks Anonymity for Jewish Victim in Antisemitism Lawsuit

Illustrative: A detained anti-Israel demonstrator on July 19, 2025. Photo: REUTERS/Isabel Infantes

The Louis D. Brandeis Center for Human Rights Under Law has asked a US federal court to allow a whistleblower of antisemitism at the Fashion Institute of Technology (FIT) to pursue her lawsuit anonymously and avoid acts of retaliation which may await those who come forward to report civil rights violations against Jews in higher education.

The request comes as an amendment to a suit the Brandeis Center filed earlier this year after its client, Jane Doe, sought representation in a civil suit alleging that FIT allowed what the nonprofit has described as “one of the most alarming antisemitic environments on a campus.” According to the complaint, students there traded antisemitic tropes, allegedly charging that Jews “literally control our school,” calling on the student body to “punch a Zionist,” and denying a Jewish student the presidency of a club by citing his identity as the reason.

Meanwhile, school officials weaponized procedures for investigating discrimination by allowing anti-Zionists to filed politically charged complaints which reversed the roles of victim and perpetrator in order to create new ways of harassing Jews, the Brandeis Center said.

Jane Doe has asked for the chance to tell her story behind the protection of a pseudonym, a courtesy that would minimize the disruption of her life that being forced into litigation has already caused.

“We routinely hear from Jewish students and professionals who are too afraid to come forward publicly,” Brandeis Center founder and chairman Kenneth Marcus said in a statement. “They fear being doxxed, stalked, defamed, or ostracized — and without anonymity, many will simply remain silent. Courts must not allow antisemitism to chill Jewish voices seeking justice.”

He added, “By preventing victims from filing complaints anonymously, more Jewish individuals will be forced to abandon their civil rights rather than face potential consequences from their abusers. Our nation’s legal system was created to protect the most vulnerable populations.”

The Brandeis Center suit comes amid a worsening campus antisemitism crisis that continues to roil Jewish students, faculty, and staff across the Western world.

On Wednesday, members of Toronto Metropolitan University’s Students for Justice in Palestine chapter led a mob that spilled blood and caused the hospitalization of at least one Jewish student after forcibly breaching a venue in which the advocacy group Students Supporting Israel had convened for an event featuring veterans of the Israel Defense Forces (IDF).

The former soldiers agreed to meet Students Supporting Israel to discuss their experiences at a “private space” on campus which had to be reserved because the university denied the group a room reservation and, therefore, security personnel that would have been afforded to it. However, someone leaked the event location, leading to one of the most violent incidents of campus antisemitism since Hamas’s Oct. 7, 2023, massacre across southern Israel sparked a surge of anti-Jewish hostility in higher education.

By the time the attack ended, three people had been rushed to a local medical facility for treatment of injuries caused by a protester’s shattering the glazing of the venue’s door with a drill bit, a witness, student Ethan Elharrar, told The Algemeiner during an interview.

“No one should have known where this event was, but they were setting up when a couple of girls with keffiyehs walked in yelling ‘baby killers!’ and ‘free Palestine!’” Elharrar said. ‘Then more started coming in, and then we closed the door trying to make sure no one could come in, and then these individuals in masks then began banging on the door and trying to open the door.”

“Our universities don’t care, and it comes down to our government, which won’t do anything about it,” he continued. “They don’t want to support us. I’ve had maybe a dozen calls with the human rights division at the university, and they told me specifically that they won’t help with anything having to do with Israel.”

According to a study released by the Combat Antisemitism Movement’s Antisemitism Research Center, there were 53 antisemitic incidents on college campuses in the month of September alone, a 178 percent increase over the previous month, when 19 were recorded despite students not being present on campus during the summer holiday.

“This surge reflects the resumption of the academic year and the persistent problem of antisemitism at colleges and university,” the report said. “In France, students at Sorbonne University in Paris discussed a targeted shooting attack against Jewish students at the school. In Argentina, students at the Universidad Nacional de Córdoba seized control of parts of the campus, protesting Israel’s ‘genocide’ of the Palestinians.”

The report added that the US saw 38 campus antisemitism incidents in September, several of which The Algemeiner reported.

In upstate New York, for example, law enforcement agencies filed hate crime charges against two Syracuse University students who they say forcefully gained entry into a Jewish fraternity’s off-campus house during Rosh Hashanah, the Jewish New Year, and heaved a bag of pork at a wall, causing its contents to splatter across the floor. In Hanover, New Hampshire, an unknown person or group graffitied a swastika, the symbol of the Nazi Party, outside the dormitory of a Jewish student at Dartmouth College.

Follow Dion J. Pierre @DionJPierre.

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