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10 treasures from the New York Public Library’s 125-year-old Jewish collection

(New York Jewish Week) – In the heart of Manhattan, you can page through the Passover story in an Italian haggadah from half a century ago, check out the posters for the most popular Yiddish plays of the 1920s and examine dried flower arrangements from the Holy Land made at the end of the 19th century.

Opened just two years after the New York Public Library itself, the Dorot Jewish Division of the New York Public Library is celebrating its 125th anniversary this year.

Today the collection, housed in the library’s main building on Fifth Ave., boasts over 250,000 materials from all over the world, with the earliest ones dating back to the 13th century.

“People don’t realize the amount of depth we have in this collection chronologically and geographically and it is still growing,” said Lyudmila Sholokhova, the curator of the collection. “I think we have been too modest about what we have here — this library is for everybody and the community needs to know that.”

To celebrate its 125th birthday and spread the word, the Dorot Jewish Division is putting some of its favorite materials on display for an event with librarians, scholars and writers from around the country to discuss the history of Dorot, and its future, on Wednesday, Dec. 14. The event is in person and online.

That history dates to November 1897, when banker and philanthropist Jacob Schiff donated $10,000 to the New York Public Library for the purchase of “Semitic literature” and the hiring of a curator of a Jewish division in the library. Schiff ended up donating $115,000 (nearly $4 million today) over the course of his lifetime.

The head librarian position went to bibliographer and historian Abraham Solomon Freidus, who immigrated to New York from Latvia in 1889. Under his watch, the newly established Jewish Division became a prominent research and reference center for Jewish scholars all over the world. A reading room dedicated to the Jewish Division, where scholars have researched everything from a study of Jews and chocolate to a history of Jewish women in theater, has remained in active use at the library since 1911.

Sholokhova came to the NYPL in 2020 after nearly 20 years working as a librarian at the YIVO Institute for Jewish Research. Part of her mission is to showcase the collection to the public and help bring awareness to the library’s extensive resources.

Through most of its history, the Dorot Jewish Division was used as a reference site while scholars worked on encyclopedias and research. Today, the reading room is still open to the public — and there’s alos an extensive digital catalog available on the library’s website. All New Yorkers need to do is request the items they want to see a few days in advance.

Though the division inherited a few small collections and private libraries, many of its items have been purchased or donated over time.

The New York Jewish Week recently stopped by to see what would be on view during the anniversary celebrations. Here are 10 highlights:

1. Historic haggadahs from Venice and Amsterdam

Traditional illustrated haggadahs from Venice (left) and Amsterdam (right). Printed in the 17th century. (Julia Gergely, design by Grace Yagel)

The Dorot Jewish Division boasts an impressive collection of haggadahs, the guides used at Passover seders. The collection includes the Venice Haggadah with Judeo-Italian translation, printed in 1609, and the Amsterdam Haggadah printed in 1695. Both of these volumes are first editions of what became a standard structure for a haggadah — the Venice Haggadah influenced Mediterranean tradition and the Amsterdam Haggadah influenced Central European tradition.

2. The very first Sunday edition of the Forverts

Vol. 1, No. 1. Sunday edition of the Forverts from May 2, 1897. (Julia Gergely, design by Grace Yagel)

Forverts (or “Forward” in English), the Yiddish daily that circulated in New York throughout the 20th century, is not just one of the most significant publications in American Jewish history — at its height it was the highest-circulation daily in New York. The paper began publishing in April 1897 and paper copies from its first few months in circulation are incredibly scarce. Sholokhova believes Dorot’s original copy of its first Sunday Supplement, published May 2, 1897, may be the earliest known copy of the Forverts in existence.

3. The earliest image of the North American continent in a Hebrew book

An image of the globe in Ma’aseh Toviyah, an encyclopedia of science and medicine. (Julia Gergely)

Published in Venice in 1707, “Ma’aseh Toviyah” (Work of Tobias) is an encyclopedia of science and medicine written in Hebrew, with sections on theology, astronomy, medicine and geography. Written by Toviyah Katz (also known as Tobias Cohn), the book contains the earliest known image of the American continent in a Hebrew book.

4. First Hebrew alphabet printed in the United States

The first Hebrew grammar book, printed for a Hebrew course at Harvard College. (Julia Gergely)

Printed around 1735, “A Grammar of the Hebrew Tongue” or “Dikduk leshon l’ivrit” is the first known book in the American colonies to contain the entire Hebrew alphabet and a lesson on Hebrew grammar. Compiled by Judah Monis, a Hebrew teacher at Harvard College, the book was intended for Harvard students who desired to study the Old Testament in its original language. Monis was born Jewish but converted to Christianity.

5. A palmistry guide according to Kabbalah

A kabbalah palmistry book, dated around 1800. (Julia Gergely)

This book details the art of palmistry, or hand-reading, according to the Jewish mystical tradition of kabbalah. “Sefer Hochmat HaYad,” or “Book of the Wisdom of the Hand,” was compiled by Eliyahu Mosheh Galino, who lived in Constantinople (present-day Istanbul) in the early 16th century. The library dates the printing of this copy, notable for illustrations that feature white lines etched into black hands, to sometime around 1800.

6. Farewell banquet invitation for Eliezer Ben-Yehudah, lexicographer of the first Hebrew dictionary

Invitation for a farewell banquet for Eliezer Ben-Yehuda, who compiled the first Hebrew dictionary at the New York Public Library. (Julia Gergely, design by Grace Yagel)

One of the Dorot Jewish Division’s most famous researchers, Eliezer Ben-Yehudah, was an early Zionist who became known as the father of Modern Hebrew. During World War I, Ben-Yehudah came to the New York York Public Library to work on the first modern Hebrew dictionary, which he eventually brought back to Palestine. The archive has kept an invitation for Ben-Yehudah’s farewell dinner on Feb. 26, 1919, which includes all the names of the members of the dinner committee as well as the menu in Hebrew and English.

7. A community ledger from Mariupol, Ukraine

The title page ledger with minutes from a mishnah study class in Mariupol, Ukraine. (Julia Gergely)

A pinkas is a census-like ledger kept by Jewish communities in Eastern Europe, recording births, deaths, financial transactions, events and even criminal cases. This illustrated pinkas comes from a mid-19th century Hasidic community in what is now Mariupol, Ukraine, and details the minutes of a Mishnah study class held over the course of a decade. The first entry is dated 1837 and the last is 1848. The pinkas is dedicated to the Trisk Rabbi, Avrohom ben Mordechai Twersky.

8. An 18th-century Megillat Esther

An illuminated manuscript of Megillat Esther, read on Purim. The illustrations, in folk style, were drawn in the late 18th century. (Julia Gergely)

An illustrated scroll of Megillat Esther, the scroll read on Purim, is believed to be from Eastern Europe from the late 18th century. The scroll is significant because it is an illuminated manuscript, with hand-drawn images from scenes in the Book of Esther surrounding the text.

9. Pressed flowers and photographs from 1890s Palestine

Left: An 1899 photo of Jerusalem by Bruno Kentschel. Right: Flowers from Israel, dried and pressed in the 1890s. (Julia Gergely, design by Grace Yagel)

In the 1890s, as the political Zionist movement was beginning to take shape, small books of pressed flowers that were gathered in the Holy Land appeared in the United States. Dorot’s holding features native flowers pressed into the shape of Jewish symbols, and will be shown next to photographs of the landscape of Jerusalem from the same period, taken by Bruno Kentschel, a German photographer who worked from a small studio in Jerusalem.

10. Advertisements from Jewish businesses in the United States

Advertisements , postcards and trading cards for American Jewish businesses. (Julia Gergely, design by Grace Yagel)

The Dorot Jewish Division also has a vast collection of matchboxes, postcard advertisements and trading cards from Jewish businesses across America. The colorful, illustrated advertisements from the 19th and 20th centuries are very often the only traces of Jewish businesses that still exist, Sholokhova explained.


The post 10 treasures from the New York Public Library’s 125-year-old Jewish collection appeared first on Jewish Telegraphic Agency.

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What I learned from 180 pounds of Yiddish books, one ‘interesting and complicated’ Jewish man, and Jorge Luis Borges

I’ve never met Harris Saltzberg, but one day last summer, I went to his house to abduct 180 pounds of his Yiddish books. He lived in a sturdy brown-brick co-op in Chelsea. In the lobby, there was Roz Chastian aroma of long-simmered onions and mothballs, with a subtle undertone of feet.

I took the elevator to the eleventh floor. Once I’d infiltrated Harris’ apartment, I began to get a sense of his personality. From the posters on the kitchen walls, I deduced that Harris liked Van Gogh and Martha Graham. From his box of cassette tapes, I got a taste of his cultured, klezmer-forward musical palate: Puccini Famous Arias sat next to  Miriam Kressyn’s Yiddish Folk Songs. Pavarotti and Marilyn Horne kept company with Sidor Belarsky and Jennie Goldstein.

Before I go further, I should clarify: I did not burglarize Harris’ house. I was there as a “zamlerin,” a volunteer collector and schlepper of Yiddish books for the Yiddish Book Center in Amherst, Mass. I joined the international legion, some 160-zamlers-strong, at the end of a summer internship at the Center two years ago. Since then, every few months or so, I get a call or an email from an older Jew. Some Yiddish books have fallen into their hands, or maybe the books have been in the family for a long time. We tend to meet at their houses. (Once, though, I met a guy at his synagogue and sat through a full service for the first time in Hashem-knows-how-long.)

An unexpected find: a Yiddish translation of the Kalevala, Finland’s 19th-century national epic. Photo by Clara Shapiro

Wherever we meet, the pass-off process always feels ceremonial, more like the adoption of a child than the transfer of objects. We schmooze a bisl in Yiddish, a bisl in English while we load up the books, stacking them inside cardboard boxes like a game of 3D tetris. Sometimes, like a Yiddish-speaking Neanderthal, I’ll sound out the title of a book, and my host will light up like an electric menorah, turn the book over, rub its spine up and down, and tell me all about it. This? Oh, that’s Di Yeshiva. See, you can even see Chaim Grade’s autograph on the inside flap. That? Oh, that’s the Yiddish Kalevala. Naturally.

But zamling for Harris was different from zamling for other people, because for one thing, Harris was dead. His niece told me that Harris’ close friend, Andy, would be there to help me pack up the books. Andy was waiting in the lobby when I got there. He was a tall and weathered man of Irish extraction, about 75. His hooded blue eyes and the smoke on his deep, gravelly voice gave me the impression that he’d seen a lot in his time, like a hardbitten reporter in a noir novel. Except, Andy clarified, he was actually in publishing.

He didn’t say much after that.

Harris’ Yiddish bookshelf was right by the front door, so while I did a preliminary inventory, ooing and cooing in a way that would have annoyed me if another person were doing it, Andy shuffled through Harris’ living room and kitchen, shifting his chairs, stacking his dishware, emptying his cabinets. Even with Harris gone for months, the apartment hadn’t lost the ascetic spareness that only monks and longtime bachelors seem capable of cultivating. Dust had already settled over the few wooden tables and shelves. The rugs looked frayed, and a thin white light seeped into the room from in between the vertical blinds. There was a bottle of Cinzano Rosso sitting on the kitchen counter, forever half-finished. It seemed like a place Bernard Malamud might have cooked up for a story about an erudite bachelor character.

“Everyone will agree: this is the author’s best book,” declares this ad for a book of humor, satire, and songs. $2 per copy. Photo by Clara Shapiro

But what sort of erudite bachelor, exactly? Before I’d come over, I’d found a few clues on the internet. A Facebook obituary from Camp Kinderland described Harris as “an interesting and complicated person,” adding that he was “often very funny, often thoughtful and generous and warm.” He sounded prickly-sweet, not unlike a jackfruit. I’d also found a LinkedIn profile for one Harris Saltzberg who described his job as “Observer of aging,” employed at “Life.” That sounded about right.

But it was the books that brought Harris into focus. On the shelf, I found at least three Yiddish textbooks. “Harris was insecure about his Yiddish,” Andy told me later, when we were lugging boxes to the lobby. But from the looks of it, he shouldn’t have been. He had the big names on his shelf — Y.L. Peretz, Mendele Mocher Sforim, Sholem Aleichem (who, by the way, is so abundant at the Yiddish Book Center that you can sometimes get a copy of his collected works for free). But Harris was hardcore. He was a proper Yiddish junkie; he’d bought books that would have been challenging to get through even in English, like Klassenkamfn in Altertum, Class Struggles in Antiquity, by a man named Kalman Marmor. He’d collected landsmanshaft periodicals from tiny Besarabbian shtetls, school almanacs from 1929, an instructional book on Yiddish stenography, song books, and one baffling, proto-woke rhyming tale about a white thug with notably sharp elbows (“sharfn elboygn”) who torments a Black boy with sad eyes (“troyerike oygen”).

In this rhyming poem, Z. Weinper condemns the actions of a thuggish white boy who bullies a Black boy. Photo by Clara Shapiro

Sometimes, I would find signs of a bygone reader— maybe Harris, maybe somebody else —scrawled on a book’s inside cover, or tucked away on a scrap of paper. “To Rivke with Love — May you two get well acquainted!” wrote Manya on Jan. 30, 1959. I found grocery lists, and one detailed pencil sketch of a dog. I found a scrap of paper where Harris had scrawled in cursive ciphers, “Tammy Baker,” “Uniforms,” and something that might have been “human want,” or maybe “human meat.”

I had never met Harris and never would. But even as I stuffed the boxes to busting, I felt reluctant to throw anything out. When somebody is alive, odd bobs like scratch paper are replaceable junk. But when somebody is gone, everything becomes evidence that they lived. Maybe that is why Harris saved all those periodicals from towns that could no longer be found on any map, advertisements for pamphlets of essays and satire by long-dead Jews in the Bronx, stenography manuals, children’s books. So long as even one witness to a fading world remained, that world wouldn’t truly be gone.

There is a story by Jorge Luis Borges called “The Witness,” or “El Testigo” that I have thought about several times since visiting Harris’ apartment. It is about the last pagan in England. As church bells ring, he lies dying in a stable in the shadow of a new stone church. This man is the last living person to remember worshipping the wooden idol of the pagan god Woden. “Before dawn he would be dead and with him would die, never to return, the last firsthand images of the pagan rites,” Borges writes. “The world would be poorer when this Saxon was no more.”

In the moment, though, I was not thinking much about books beyond how many of them I could cram into one box. As Andy and I hauled the book boxes down to an extremely patient Uber driver — six boxes total, around 30 pounds each — he told me how Harris had loved opera. He talked about his own two brothers, and about his upcoming trip to the motherland, Donegal, which he taught me to pronounce “Don-ee-GAL.” In the car to the UPS store, we kvetched about how hungry we were. At the curb, he helped me unload the boxes. Then he bent down and hugged me goodbye. I was sorry to see him go. I wondered if we would ever see each other again.

It’s been over a year since that day. Harris’ apartment probably belongs to someone else now, and as for the books, they are living a literally chilled-out retirement in the temperature-controlled vaults of the Yiddish Book Center. I wonder whose fingers will touch those pages next. And whose will be the last.  After all, Borges muses, there is a last for everything. There was a day when the last eyes to see Christ closed forever. When the last man to have loved Helen of Troy died. When the last person to remember the Battle of Junín was buried. “Something, or an infinite number of things, dies in each death,” he writes. “What will die with me when I die?”

The post What I learned from 180 pounds of Yiddish books, one ‘interesting and complicated’ Jewish man, and Jorge Luis Borges appeared first on The Forward.

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With Marine Le Pen on the right and Defiant France on the left, French Jews face an impossible choice

Marine Le Pen is back. And once again, the French Republic and the democratic values it represents, has its back against the wall.

On Wednesday, the judges of a French appeals court reached something of a Solomonic decision. On the one hand, they confirmed the ruling of a lower court that Le Pen, for more than a decade, oversaw the funneling of several million euros, meant for her European Parliament staff, to her political party, the extreme-right National Rally. On the other hand, they shortened the length of her ineligibility to run for political office, thus allowing her to join the fray for next year’s presidential election.

Much can be said about the consequences of this decision. First, there is the stunningly brazen legal dimension. Just as Donald Trump was the first convicted felon to be elected president of the United States, Le Pen — who leads other announced candidates by at least 10% in opinion polls — stands a very good chance to be the first convicted felon, on far more serious charges than Trump’s, to become president of France. (Two earlier presidents of the Fifth Republic, Jacques Chirac and Nicolas Sarkozy, were also found guilty of embezzlement, but only after their presidential terms ended.)

No less significant are the political ramifications. Le Pen’s announcement that nothing will stop her from running in turn stopped Jordan Bardella, her young protégé and president of the National Rally, dead in his tracks. Dismissed as an empty, though always svelte and shiny suit, Bardella proved to be, to Le Pen’s growing discontent, more popular in opinion polls than his mentor. Poised to run in her stead, this young man in a hurry, and with neither practical experience nor university education, was suddenly benched.

It is too early to predict how this will play out. On Wednesday, in their first public appearance together since the court’s ruling, Bardella, standing a few steps behind Le Pen, looked less like a partner than a prop while she bathed in the crowd’s attention. Adding to the tension are policy differences that had begun to appear between Le Pen and Bardella, with the former hewing to her populist image and Bardella leaning towards the traditional right. Tellingly, Le Pen supports the recent rollback of the retirement age to 62, while Bardella seems, like others on the traditional right, to prefer raising the age as high as 67.

More important, Le Pen’s entry may well turn the 2027 election into a choice between equally dismal options. For months, Jean-Luc Mélenchon, the turbulent tribune of the extreme-left Defiant France, has portrayed himself as the one figure who can save the republic from Le Pen. In the latest IFOP poll, Mélenchon stands an even chance to finish in second place in the first round of the election. This will mean that for the two-thirds of French voters still allergic to Le Pen, they will have nowhere to go after the second round except to the leader of a party that has repeatedly flirted with antisemitism.

This brings us, finally, to the historical significance of this event. The National Rally is, of course, the party formerly known as the Front National. Equally obvious, the latter, founded by Marine’s father, Jean-Marie Le Pen, was a gaggle of goose-steppers, antisemites, and apologists for Vichy, the collaborationist regime which did its bit for the Final Solution. (By the time he died last year, Le Pen père, who coined the infamous line that the Final Solution was a “detail of history,” had racked up multiple guilty verdicts for Holocaust denial and inciting race hatred.)

Her father’s notorious verbal dérapages, or excesses, finally led his daughter, who had slapped a new coat of paint on the party by renaming it soon after her father gave her the keys, to banish her father from its fold. Undeniably, Le Pen’s relentless pursuit of a policy of “dédiabolisation” or “detoxification,” has largely rid the party of its Nazi-adjacent followers. (As part of this renovation, the more than one hundred National Front representatives who sit on the far-right in the National Assembly — by far the largest parliamentary party — always wear business attire. This makes for a striking contrast with their Defiant France colleagues, who tend to dress as my students do.)

But a bespoke suit does not mean one is not still beholden to racism. Le Pen and Bardella have labored to distance their party from its rancid and racist origin, most recently reflected in the latter’s controversial visit last year to Israel, where he spoke at a sparsely attended conference on antisemitism. (Many of the invitees, upon learning that Bardella would attend, snubbed the event.)

No less contentious was Le Pen’s decision for her party to join the march against antisemitism two years earlier in Paris, along with her vow that the National Rally would serve as the “bouclier,” or shield to protect French Jews. She did not say against whom her party would shield French Jews, but there was no need to: All of France understood who she meant. For her party, the Jew is no longer, if only for now, the dreaded other who threatens the unity and purity of the French people. The Arab or Muslim now fills that role. Hence the party’s insistent demand for a constitutional amendment for “la préférence nationale,” which would limit an array of social privileges to French citizens, as well as the consistent drumbeat of racist and xenophobic declarations on the part of its rank and file.

Apologists for Marshal Philippe Pétain, the leader of Vichy France, insisted that he too served as his nation’s shield against Nazi Germany. They conveniently forgot, of course, that this shield was used to separate French Jews from their non-Jewish compatriots. Between now and next year’s presidential election, the French will have time enough to reflect on the promise, or threat, of a party whose origins warn us against those who use shields to clobber those they decide do not belong to a nation.

 

The post With Marine Le Pen on the right and Defiant France on the left, French Jews face an impossible choice appeared first on The Forward.

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Graham Platner may be gone, but his Nazi tattoo is not fading away

(JTA) — Why did it take sexual assault allegations to collapse Graham Platner’s Maine Senate campaign when the Nazi-linked tattoo was there all along?

Progressive lawmakers, Jewish leaders and conservative commentators posed the question in dozens of exasperated iterations in the hours after Platner announced Wednesday evening that he would suspend his race amid allegations reported by Politico Monday that he had raped a former girlfriend.

“Graham Platner has dropped out of the Maine Senate race amid serious sexual assault allegations,” the CEO of the Anti-Defamation League, Jonathan Greenblatt, wrote in a post on X. “But leaders should not have needed another scandal to act. The Nazi tattoo should have been enough.”

Platner, who won his Democratic primary in June on an anti-Israel progressive platform, faced mounting calls to leave the race after the Politico story ran from Democratic groups and progressive leaders who had formerly supported him, including Vermont Sen. Bernie Sanders. (Platner has denied the allegations.)

But others argued that those backers should have pulled their endorsements months earlier after it surfaced in October that he had a chest tattoo of a Totenkopf, a Nazi-era skull-and-crossbones design favored by SS officers.

At the time, Platner claimed that he had gotten the tattoo while “inebriated” as a young adult when he was on shore leave from a tour of duty in Iraq, without knowing what it meant. A number of people who knew him before his political ascent, including at least one of the women who accused him of sexual misbehaviour, said he had been aware of the symbol’s provenance. When the revelations emerged, he covered up the skull with a Celtic knot.

His campaign had dismissed as irrelevant noise the backlash the tattoo revelation received, as well as criticism over allegations that he had deployed race and gender stereotypes in the past as irrelevant noise.

“I said, ‘None of this will or should stop him from becoming a U.S. senator,’” Daniel Moraff, a progressive strategist who had headhunted Platner, told The Wall Street Journal last month, before the Politico revelations, about Reddit posts that included homophobic and ableist epithets unearthed in the vetting process. The firm that vetted Platner did not uncover anything about his Nazi tattoo, Moraff said.

The tattoo didn’t seem to be a dealbreaker for voters, either, since he coasted to victory in the June primary after his primary opponent, Gov. Janet Mills, suspended her candidacy in late April, saying her campaign could not afford to continue.

Now the Maine Democratic Party is considering replacements for the disgraced candidate, but the question of why his backers ignored warning signs still looms.

Brian Romick, the president and CEO of the Democratic Majority for Israel, told JTA in a statement that he didn’t understand why progressives had supported “a candidate with so many obvious red flags, including an allegation of sexual assault and a Nazi tattoo.”

And Halie Soifer, the CEO of the Jewish Democratic Council of America, which did not endorse Platner, told the Forward ahead of Platner’s exit that “a lesson for Democrats is that we shouldn’t compromise.”

“There were red flags about Platner from the outset,” Soifer said. “They just continued to compound on each other as more stories came out. But the Nazi tattoo for us alone was one too many.”

On Tuesday, New Jersey Democratic Rep. Josh Gottheimer argued that warning signs had been apparent long before the latest allegation.

“I said it in June: Nothing about this guy was right. From the first abuse allegations to his Nazi tattoo, the red flags were there. His endorsers just chose to accept them,” Gottheimer wrote in a post on X.

New York State Sen. Julia Salazar, a Democratic Socialist, also argued that supporters had made a mistake by overlooking Platner’s tattoo.

“Sorry to the well-intentioned people who made the mistake of supporting this guy. But: having a Nazi tattoo doesn’t pass the sniff test for running for US Senate, nor did his excuses. And far worse that he faces a credible allegation of rape,” Salazar wrote in a post on X.

Jewish Republicans said the Democratic response to Platner’s campaign was too late.

“I didn’t support Graham Platner as soon [as] we all learned he’s a Nazi,” Republican Max Abrahms, a political scientist focusing on terrorism, wrote in a post on X. “For the Democratic Party his being a Nazi wasn’t disqualifying. They viewed it as an asset. Platner matters politically for what he says about mainstream Democrats.”

The Republican Jewish Coalition also took aim at Democratic leaders who had stood by Platner earlier in the race.

“American Jews will never forget that leading Democrats chose to stand with Graham Platner KNOWING FULL WELL THAT HE HAD A NAZI SS CONCENTRATION CAMP GUARD TATTOO,” the group wrote in a post on X. “There is only ONE party where American Jews can be proudly Jewish and loudly pro-Israel: @Republicans.”

This article originally appeared on JTA.org.

The post Graham Platner may be gone, but his Nazi tattoo is not fading away appeared first on The Forward.

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