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Extraordinary lives: 18 notable New York Jews who died in 2022

(New York Jewish Week) — Recalling the lives of what obituary writer Marilyn Johnson has called the “important dead” is one of the honors and pleasures of reading — and writing — daily journalism. Jewish tradition teaches that every life is of infinite value, but many people make their marks in ways that inspire readers to pause and ponder on the sheer variety of human endeavor.

In the case of the New York Jewish Week, we’ve been honored to remember those who died in 2022 and whose lives represent the diversity of Jewish experience and what it means to be a New Yorker. Below, we recall 18 Jewish New Yorkers whose contributions to religion, the arts, communal life, popular entertainment, public affairs or just their loving families were either the subject of an obituary that we had written, or who came to our attention thanks to their friends and relatives. May their memories be for a blessing.

David Henoch

Recent high school graduate who died doing what he loved.

Henoch and his parents, sisters, brothers-in-law and niece the day of his graduation from SAR High School in the Bronx, June 13, 2022. (Courtesy Henoch family)

The tight-knit Modern Orthodox community in the Bronx, where David Henoch grew up and attended the SAR Jewish day schools, remembered him as a curious, sensitive and empathetic leader among his peers, with a deep sense of humor and excitement for many different areas of life. Friends and family described “Divi” as an avid adventurer whose favorite activities — many of which he loved to do with his father Avi — included snowboarding, sailing and basketball. He was a certified scuba diver who died at 18 July 10 in a diving accident in Florida, a month after his graduation from SAR High School. He was buried in Israel, where he had planned to spend a year studying before going to college. “Divi always challenged me to improve. He was open to anyone and everyone’s ways no matter how mild or extreme,” a friend, neighbor and classmate recalled, adding, “He was as fearless as it gets and never once was he afraid to be himself.”

Michael Lang

A promoter behind the 1969 Woodstock festival.

Woodstock Music Festival co-producer Michael Lang attends a celebration of the 40th Anniversary of Woodstock at the at Rock & Roll Hall of Fame Annex NYC in New York CIty, Aug. 13, 2009. (Michael Loccisano/Getty Images)

Michael Lang, the Jewish co-creator of 1969’s legendary Woodstock Music and Art Fair, died on Jan. 8 in Manhattan. He was 77. A concert promoter who was just 24 at the time, he was one of several Jewish collaborators who made the generation-defining festival, billed as “Three Days of Peace and Music,” happen. Other key players included music executive and promoter Artie Kornfeld — another Brooklyn-born Jew — and businessman Joel Rosenman, a Jewish native of Long Island. Lang was born in 1944 in Bensonhurst, Brooklyn. Lang credited his Jewish parents, who were small-business owners, with teaching him the skills he needed to pull off an event of such scale. His father, he said, “gave me a strategy for getting out of tough situations: take charge and keep moving. Step back just enough to think clearly, and trust your instincts.”

Edward Schoenfeld 

A Brooklyn-born maven of Chinese cuisine. 

Ed Schoenfeld speaks at a Food Network event in New York City, Oct. 18, 2014. (Michael N. Todaro/Getty Images for NYCWFF)

Like a lot of Jews growing up in Brooklyn, Edward Schoenfeld learned to love Chinese food. He made it a career, opening a series of famed restaurants that introduced New Yorkers to the wide variety of Chinese cuisine. In 1973, he got his first restaurant job as assistant to restaurateur David Keh when he opened Uncle Tai’s, one of the first Hunan restaurants in New York. He went on to a career developing and running restaurants over some four decades. Among his well-regarded Chinese restaurants were Auntie Yuan and Pig Heaven, both on the Upper East Side, as well as Red Farm, a farm-to-table restaurant in Greenwich Village, which opened in 2010. “My personal joke is that I learned to speak Yiddish in the Chinese restaurant from my customers,” he told the Jewish Telegraphic Agency in 2013. Schoenfeld died Jan. 14  at 72.

Lori Zabar

A lawyer and activist devoted to landmarks — including her family’s gourmet food emporium.

Lori Zabar, left, with Kate Wood and David Sprouls at the book launch of “Interior Landmarks: Treasures of New York,”  at The Four Seasons, Oct. 8, 2015. Zabar was the first director of the NYC Historic Properties Fund at the New York Landmarks Conservancy. (New York School of Interior Design)

Lori Zabar, a lawyer, author, antiques dealer and historic preservationist whose grandparents founded Zabar’s, the Upper West Side gourmet food emporium, died Feb. 3  the age of 67. The cause of death was cancer. The first director of the NYC Historic Properties Fund at the New York Landmarks Conservancy, she died shortly before the publication of “Zabar’s: A Family Story, with Recipes” in May. In an excerpt from her book published in the New York Jewish Week, she wrote about the perfectionism of her grandfather Louis when he opened the first reiteration of what became the famed “appy” store and a landmark in its own right: “For this new venture, Louis would sample deli meats and fish from various purveyors before he would commit to doing business with those suppliers. To taste fish, Louis would tour dozens of local smokehouses, large and small, mostly in Brooklyn and Queens. He was notorious among the wholesalers for rejecting more than he accepted. His retail mantra was simple: the highest quality at the lowest price.”

Sheldon Silver

A powerful politician undone by a corruption scandal.

Then-Speaker of the New York State Assembly Sheldon Silver walks in front of the State Capitol in Albany, New York, March 12, 2008. (Daniel Barry/Getty Images)

Sheldon Silver,  who for two decades wielded enormous power as the speaker of the New York State Assembly before being brought down by a corruption scandal, died Jan. 24 at 77 at Otisville Correctional Facility in upstate New York, where he had been serving a 6 1/2-year sentence on federal corruption charges. An Orthodox Jew and Democrat who represented New York’s Lower East Side, Silver was one of the most influential political leaders in the state, using the power of his office to guide legislation and stall opposition even when, for 12 years, Republican George Pataki was governor and Republicans held a majority in the state Senate. Silver’s arrest and conviction sent shock waves through New York’s Jewish establishment. “Shelly Silver was one of the strongest forces for progressive issues in the New York State Legislature,” Assemblyman Richard Gottfried, a Jewish Democrat from Manhattan, told the New York Times.  “It’s a tragedy that those achievements have been overshadowed by his criminal record.”

Pinchas Stolper

A leader of the Orthodox Union and its powerhouse youth movement.

Rabbi Pinchas Stolper delivers a Passover message to NCSY alumni on April 10, 2014. (YouTube)

Rabbi Pinchas Stolper, a pioneer in making Orthodox Judaism accessible to young people, died on May 25 at 90. Stolper helped turn the National Council of Synagogue Youth into a national powerhouse. He served as the first full-time national director of NCSY and as the longest-serving executive vice president of the Orthodox Union, and wrote a series of books making the holidays and Shabbat more accessible to younger readers. He retired from the leadership of the Orthodox Union in 2000, the same year that a rabbi under his supervision. Baruch Lanner, was accused of years of sexual and physical abuse. In the first report about the scandal, he told the New York Jewish Week that he had heard several complaints from young women about improper behavior by Lanner, but lacking specific allegations, let the youth leader off with a warning.

Miriam Winiarz

A Staten Island widow who was devoted to outreach. 

Miriam Winiarz and her husband Rabbi Mendy Winiarz were known for their outreach to Jews on Staten Island. (Courtesy)

Miriam Winiarz lived through the unthinkable: In 2015, her husband Dovid Winiarz died in a Maryland car crash, leaving the Staten Island mother alone to raise their 10 children. And yet, after losing her husband, she remained a pillar in the borough’s Jewish community, Mendy Mirocznik, president of the Council of Jewish Organizations of Staten Island, told silive.com. She continued the kiruv, or outreach work that she and her husband had conducted before his death, bringing other Jews closer to their tradition through social media and through his rabbinate. “This was somebody who, when they got wind of the situation, somebody had a problem, they would interrupt their own lives and make you a priority,” said Mirocznik. Miriam Winiarz died in early December at the age of 56 after what was described as a brief illness. Her funeral at Young Israel of Staten Island in Willowbrook drew more than a thousand people. A fund has been set up to support her children, the youngest of whom is 14.

Philip Pearlstein

Modern realist painter and champion of Jewish art. 

Modern realist painter Philip Pearlstein photographed in his New York studio in 1971. (Jack Mitchell/Getty Images)

Philip Pearlstein, an artist whose painting of nudes revived realistic painting after decades of dominance by abstraction, died in Manhattan on Dec. 17 at age 98. Born in Pittsburgh, he moved to Manhattan in 1949 as a sort of chaperone to a young Andy Warhol. He became an instructor at the Pratt Institute, and taught at Brooklyn College from 1963 until his retirement in 1988. Pearlstein served on the board of the Covenant Foundation in the early 2000s, and , according to Judith Ginsberg, former executive director of the foundation, opened the board to funding Jewish art in a bigger way and promoting the artists Debbie Friedman, Liz Lerman and Liz Swados.

Barbara Roaman 

A grandma with a keen fashion sense and commitment to social justice

Barbara Roaman and her granddaughter, Sandy Fox. (Courtesy)

Barbara “Bobby” Roaman, who died on Nov. 6 at 91, was born in Manhattan and lived on the Upper West Side as a child. After attending Syracuse University and Columbia University, where she majored in Spanish, she moved to Long Island with her husband, Richard. In a eulogy shared with the New York Jewish Week, her granddaughter, Sandy Fox — an editor at In geveb: A Journal of Yiddish Studies — remembered both her sense of fashion and her work in the civil rights movement on Long Island:

“Our conversations as a child instilled in me much more than a love of clothing. She taught me values of social justice and tzedakah, or what she would have called charitable giving, and because she wasn’t at all religious, those were the pillars of her Judaism. She and my grandfather were born in the late 1920s and early 1930s. They were upwardly mobile and privileged. In their class status and whiteness, they had blind spots when it came to race. Nevertheless, their commitments to social justice and civil rights were inspiring to me as a child and teen. They were involved in attempts to desegregate Long Island in the 1950s and 1960s. In more recent years, grandma had become involved in a local group called ERASE Racism, and donated to many non-profits that I also care about: Planned Parenthood, Democratic campaigns of all kinds, American Jewish World Service, and so on. It would have been so easy for them to become Republicans, as many Jews in their generation did. But they didn’t…. My mom died when I was 18, and from then on we tried to bridge that cavernous loss that affected us so differently but both so profoundly. She could not replace my mother and I could not replace her daughter, but we came pretty damn close. I sensed that she poured into me everything she wished she had poured into my mother.”

René Slotkin

A survivor of Mengele’s sadistic experiments on twins.

Ita Guttmann and her twins, René and Irene (then Renate), were photographed for Nazi propaganda while they were imprisoned at Theresienstadt. (Courtesy of United States Holocaust Memorial Museum via Irene Guttmann Slotkin Hizme)

René Slotkin, who with his twin sister Renate (Irene) was subjected to Josef Mengele’s infamous medical experiments on twins, died July 10 at age 84. Born in Teplice-Sanov, a city in northern Bohemia, he and his sister were sent, at 4, with their mother, to Theresienstadt. After a year, the three were shipped to Auschwitz. Then they were split up, the children becoming part of the infamous medical experiments conducted by Mengele, the sadistic “Angel of Death.” Orphaned, Slotkin and his sister survived a death march and arrived in New York in 1950. He was married at a young age and, after serving as a sergeant in the U.S. National Guard, worked for a box manufacturing company as a cost estimator. In 2019, he joined the Speakers Bureau at the Museum of Jewish Heritage, sharing his testimony with students. “I am here because of good people, good people everywhere,” he told the museum in an interview.

Sarah Schlesinger

A force in musical theater education.

At NYU’s Tisch School of the Arts , Sarah Schlesinger was the recipient of the David Payne Carter Award and the University Distinguished Teacher Award. (tisch.nyu.edu)

Sarah Schlesinger was an award-winning lyricist and librettist whose works, with composer Mike Reid, included “The Ballad of Little Jo,” “The Last Day,” “Casanova Returns,” “Prairie Songs,” “A Wind in the Willows Christmas” and “In This House.” But her most lasting legacy may well be the composers and lyricists she mentored as an arts professor and dean at the Graduate Musical Theatre Writing Program at New York University’s Tisch School of the Arts. She joined the program in 1989, served as associate chair of the department from 1995 to 1997, and was named chair in 1998. “Under her leadership, the program produced a huge, international alumni network of artists who are at the forefront of every facet of musical theatre activity: as creators, teachers, scholars and business leaders,” the program said in a statement. “Her insight, razor-sharp mind and her ability to get things done and to identify and encourage faculty, students and alums was frankly staggering in its longevity and reach. Sarah was a force that could make things happen.” Schlesinger died Dec. 14 following an illness.

Menahem Schmelzer

The ‘go-to’ librarian at the Jewish Theological Seminary.

Menahem Schmelzer tended perhaps the greatest collection of Judaica in the Western Hemisphere. (Courtesy Jewish Theological Seminary)

In 1966, after a fire gutted the library at the Jewish Theological Seminary in Manhattan, Menahem Schmelzer led what the flagship Conservative seminary said in a statement was “the extraordinary effort to reopen it, restore it to health, and ultimately open a new Library building in 1983.” When he stepped down as its longtime librarian in 1987, he had watched over the resuscitation of  perhaps the greatest collection of Judaica in the Western Hemisphere. Schmelzer, who spent four decades at JTS, also served as provost and held the title of Albert B. and Bernice Cohen Professor Emeritus of Medieval Hebrew Literature and Jewish Bibliography. A Holocaust survivor who was born in Hungary, Schmelzer was also a scholar in his own right, specializing in medieval Hebrew literature and the Jewish liturgical poetry known as piyyut. David Kraemer, the Joseph J. and Dora Abbell Librarian at JTS, remembered his colleague as  “the ‘go-to’ person on questions of Jewish bibliography for researchers around the world.” He died on Dec. 10 at his home in Manhattan. He was 88.

Steven Salen

Holocaust survivor who dressed presidents

Steve Salen in an undated photo in his Manhattan atelier. (Family)

Born Zoltan Salomon in Czechoslovakia in 1919, Steven Salen first learned tailoring at a trade school run there by the American Jewish Joint Distribution Committee. Then the Nazis arrived and they deported Salen. He never saw his parents or seven of his 11 siblings again. But he stuck with his trade, establishing himself after arriving in New York City as a tailor to the elite, making garments for the likes of Richard Nixon, Henry Kissinger and Martin Scorsese (and keeping mementoes of their business at his Bayside home). Salen was an old-school, word-of-mouth tailor who started working at FL Dunn on Fifth Avenue in New York, and eventually had his own full-floor atelier on Madison Avenue and 53rd Street, at the heart of the city’s high-fashion district. In 2011, when Salen already topped 90, a New York style blog profiled his shop, noting that it was one of fewer than 30 bespoke tailors in a city that had once been home to more than 300. Salen would work until 95 before retiring; he died Nov. 23 at 103.

Maximilian Lerner

A World War II “Ritchie Boy” who went undercover behind German lines.

Maximilian Lerner served as a translator and interrogated prisoners on behalf of U.S. intelligence during World War II. (Via Museum of Jewish Heritage)

Maximilian Lerner, an Austrian Jewish immigrant, served as a translator and interrogated prisoners on behalf of U.S. intelligence during World War II as a member of the “Ritchie Boys,” a special unit trained in espionage and frontline interrogation. He died Sept. 10 at his home in Manhattan at age 98. Lerner left Austria with his family two months after Germany’s March 1938 annexation of his homeland and, after layovers in Paris and Nice, came to the U.S., via Lisbon, in 1941. After volunteering for the draft, he became one of the 2,000 to 3,000 European-born Jews who learned to interrogate prisoners of war and civilians, interpret and translate for foreign officials, and read codes. “I wore civilian clothes”— posing as German behind enemy lines – “a number of times,” he told the New York Jewish Week in 2004. “This was my war. I would do whatever it took.” After the war, her worked for a horticultural products business and later started his own business in the same field. He also earned a master’s degree in business education from Teachers College at Columbia University in 1952, and wrote two spy novels and an autobiography. In recent years Lerner volunteered at the Museum of Jewish Heritage in Manhattan, talking to groups about his experiences.

Chave Hecht

A camp director devoted to Jewish outreach.

Rebbetzin Chave Hecht and Rabbi J. J. Hecht receive a dollar and a blessing from the Lubavitcher rebbe, Menachem Mendel Schneerson, before a trip to South Africa in 1989. (Hecht Family/JEM van Chabad.org)

Rebbetzin Chave Hecht, the founder of Camp Emunah Bnos Yaakov Yehudah — an overnight camp for observant Jewish girls — and a host of other educational initiatives originating in the Chabad-Lubavitch community, died Feb. 8 at the age of 95. Born in the East New York section of Brooklyn and educated at public schools, she, along with her husband, the late Rabbi J.J. Hecht, also directed a Jewish summer day camp on Coney Island for public school children, pioneering Chabad’s outreach to non-observant Jewish families. Rebbetzin Hecht ran the day-to-day operations of Camp Emunah for decades, when her husband was back in Brooklyn running his synagogue. “She slept in her office,” her son, Rabbi Sholem Ber Hecht, a Chabad emissary in Queens, told Chabad.org. “She had no secretary; if you called the camp at 7 a.m. or 10 p.m., she answered the phone.”

Frederick Terna

Survivor, Brooklyn artist and “someone to watch” late into his 90s.

Artist Fred Terna, a Holocaust survivor, continued painting well into his late 90s. (Courtesy of Terna)

Holocaust survivor and painter Frederick Terna, who remained active at his Brooklyn studio into his late 90s, died on Dec. 8 at 99. Born in Vienna and raised in Prague, he was imprisoned in four Nazi concentration camps, including Terezin, where he began to make art. Terna moved to New York in 1952; his work was collected by a variety of museums and institutions, including the Smithsonian Institution in Washington, D.C., the Albertina Collection in Vienna and Yad Vashem in Jerusalem. Earlier this year he was named to the New York Jewish Week’s “36 to Watch” list of notable Jewish New Yorkers.

Saida Somekh 

Immigrant, entrepreneur and loving grandmother.

Saida Somekh demonstrates her cooking skills for her family. (via Instagram)

Saida Somekh, who owned Dora Hosiery, a go-to lingerie shop in Midtown Manhattan for decades, died Nov. 5. She was 94. Her granddaughter, Erin Dana Lichy, a real estate agent and a new cast member on “The Real Housewives of New York,” remembered her in an Instagram post:

“She came from a different world, married very young and was expected to raise a family as a stay-at-home mom with little choice in her major life decisions. Well, that didn’t work for her, so she forged her own path. As a young immigrant with little practice in English, she became a female homeowner, businesswoman and successful entrepreneur…. As a grandmother, she was simply always there, like one’s backbone. She was a pillar of strength. Her presence made me feel safe and warm. She loved purely, deeply and didn’t pass judgment. She was patient. If I ever needed to fix a garment or didn’t have something to wear, she’d sew me something from scratch, however long it took. She was warm to my friends and anyone close to me. She would send us home with bags of food and cook with me for hours if I wanted to learn new a new dish. All I had to do was ask. My kids adored her and she them. They brought her so much joy and watching how prideful she was of them was heartwarming. She had pictures of us all around her house just so she could look at ‘her babies’ every morning when she woke up.”

Freddie Roman

Catskills comedian and keeper of the flame.

Freddie Roman, left and fellow comedian Shecky Greene attend “The Friars Club Salute to Freddie Roman and Stewie Stone” at New Tork’s Pierre Hotel, April 21, 2014. (John Lamparski/WireImage)

Comedian Freddie Roman, who died Nov. at 85, was never a crossover star in the mold of Alan King, Jackie Mason or Joan Rivers — three other Jewish comics with roots in the Catskills. And yet in a capstone to a long and steady career he resurrected the spirit of the Borscht Belt with the 1991 show “Catskills on Broadway” and, as the long-serving dean of the Friars Club, he injected new life into the fading Manhattan showbiz venue by inviting younger comics to join. Born Fred Kirschenbaum  in Newark, New Jersey, and raised in Jamaica, Queens, Roman started emceeing at age 15 at the the Crystal Spring Hotel in the Catskills, which was owned by his uncle and grandfather. He soon was performing at hotels and resorts in the region for the largely Jewish crowd. “Catskills on Broadway,” starring him and fellow tummlers Dick Capri, Marilyn Michaels and Mal Z. Lawrence, was a bona fide hit, running for 453 performances. “I’m like the Fidel Castro of comedians,” he once said of his tenure at the Friar’s Club. “I’m president for life.”

 


The post Extraordinary lives: 18 notable New York Jews who died in 2022 appeared first on Jewish Telegraphic Agency.

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He was a privileged Jewish kid from NYC’s Upper East Side. Donald Trump was his greatest invention.

American Scoundrel: Roy Cohn’s Dark Journey from Joe McCarthy to Donald Trump
By Kai Bird with Susan Goldmark
Scribner, $32, 528 pages

By the beginning of the new millennium, Roy Cohn, the red-baiting scourge of the McCarthy hearings, lived largely in the pages of U.S. history books, trotted out on occasion to illustrate how America always manages to overcome its worst nativist impulses. But just in case someone never knew or had forgotten about Cohn’s malign influence on U.S. politics, Tony Kushner brought him back as a villain in his brilliant drama of the early 1990s, Angels in America.

Then, in 2016, Donald Trump was elected president and suddenly, Cohn was breaking news again. The very next year, when Trump was furious at then-Attorney General Jeff Sessions for recusing himself from an investigation into whether Russia meddled with the election, the president cried out to his advisers, “Where’s my Roy Cohn?”

Now, as if in answer to that question, Kai Bird has written a magisterial biography of the notorious lawyer and Trump whisperer that is indispensable reading for anyone who wants to understand the current political moment. Bird, the co-author of American Prometheus, the Pulitzer Prize-winning biography of Robert J. Oppenheimer and inspiration for the Oscar-winning movie, began it in 2022, a couple years before Trump’s re-election. He collaborated with his wife, Susan Goldmark, who did the research for this riveting account of the unseemly, outrageous life of the hustler and con man about whom Trump once said, “If you need somebody to get vicious, hire Roy Cohn.”

Though Cohn has been long gone from public life — he died of AIDS at age 59 in 1986, insisting to the very end that he had succumbed to liver cancer — Bird demonstrates how he practically invented the dark political arts of resentment and division adopted by his former client, protégé and future president of the U.S.

Indeed, over the recent 4th of July weekend — decades after the collapse of the Soviet Union — Trump used Cohn’s divisive, inflammatory rhetoric in back-to-back speeches, including one at Mount Rushmore, branding his political opponents as evil, godless communists.

Donald Trump, pictured when he was the owner of the New Jersey Generals of the USFL and Roy Cohn was his attorney. Photo by Getty Images

Bird walks us through Cohn’s life decade by decade. He grew up as an only child in a wealthy Jewish family on the Upper East Side and attended elite private schools, where his boyhood friends included Si Newhouse Jr., heir to the Condé Nast media empire, Gene Pope Jr., who would go on to found the National Enquirer, and, improbably, Al Lowenstein, later a well-known liberal Democratic activist and politician.

After Cohn graduated from Columbia Law School, his father, a judge, pulled strings to get him a job in the U.S. attorney’s office for the Southern District of New York, where he made a name for himself as the boy prosecutor who sent Julius and Ethel Rosenberg to the electric chair in 1953 for passing nuclear secrets to the Soviets. His tactics were highly irregular, including private meetings with the trial judge.

Not long after that, he went to work as chief counsel to Wisconsin Senator Joe McCarthy, using his position to force U.S.-funded libraries abroad to purge 30,000 books on the flimsy pretext that the authors were communists or Soviet sympathizers. He was also a central figure in the so-called Lavender Scare, when hundreds of federal employees thought to be gay lost their jobs because they were deemed a security risk.

By the 1960s, Cohn was back in New York, hanging out at the Stork Club and 21, squiring Barbara Walters around town, and representing mobsters though still living at home with his mother at 1165 Park Avenue. Over the next decade he would be indicted three times by U.S. Attorney Robert Morgenthau Jr. for bribery, perjury, extortion and other white-collar crimes. In each case, he managed to beat the rap though months before his death he was finally disbarred for unethical conduct.

After Cohn’s mother died in 1967, he moved into a stately townhouse on East 68th Street, where he established his law practice and stopped the pretense of dating women though he never publicly came out as gay. Then, in 1973, Cohn met his most consequential client. At the time, Trump was the 27-year-old son of a Queens real estate mogul trying to break into the Manhattan market and living in a rent-controlled studio on East 75th Street with a view of a water tank on an adjacent building.

Cohn advised the family on how to fight a Justice Department lawsuit accusing the real estate company of violating the Fair Housing Act by refusing to rent to Black tenants. Over the course of the litigation, Cohn taught Trump his signature moves: Keep your name in the paper. Never settle. Countersue. Claim victory. Don’t pay the bills.

Cohn also advised Trump on his first major real estate deal in Manhattan — buying the dilapidated Commodore Hotel on East 42nd Street, next to Grand Central Terminal. To get the deal done, Cohn worked his extensive connections to New York’s first Jewish mayor, Abraham Beame, a player in Democratic machine politics and an old friend of Cohn’s father.

For more than a decade, Trump continued to model himself after his mentor, adopting his penchant for personalized license plates and his snarling, scowling demeanor. Bird argues that in the decades since Cohn died, the McCarthyism of the 1950s has morphed into a nativist, America Firster politics that transformed the Republican Party into one of resentments against the old establishment, multiculturalism, globalization and liberal culture — in other words, the MAGA movement of today.

Cohn’s “values, his unethical behavior, and his political mindset have survived and replaced the values of the establishment he so resented,” Bird writes. “Perhaps his life is proof of the ability of one individual to change the arc of history. Certainly, he gave us the narcissistic politics of Donald Trump.”

 

 

The post He was a privileged Jewish kid from NYC’s Upper East Side. Donald Trump was his greatest invention. appeared first on The Forward.

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Trump wants to remake Washington — Hitler tried to do the same to Berlin

“It was natural that I also followed my passion for architecture. My faith increased that after many years my dreams would become reality. I was firmly convinced that I would win fame as a builder.”

–Adolf Hitler

“I own buildings. I’m a builder; I know how to build. Nobody can build like I can build.”

–Donald Trump

Adolf Hitler personally drew up architectural plans to remake Berlin into a 1,000-year monument to himself with a three-mile-long “Avenue of Splendors,” on one end an Arch of Triumph that would dwarf the Paris original, and on the other, the domed Hall of the People, which would have been the largest enclosed structure in the world.

Hitler’s grandiose remodeling schemes were suspended in 1943, in order to redirect resources to the war he had begun.

Like Hitler, Donald Trump is also busy designing and creating monuments to himself, including an arch even larger than the one Hitler had planned for Berlin.  Unlike Hitler, Trump is proceeding at a fevered pace on completing his legacy projects despite the soaring costs of a war he began.

History is replete with monarchs, emperors, pharaohs and tyrants who sought to immortalize themselves with monuments. In modern times, what sets Trump and Hitler apart is their decision to personally draw up a plan to entirely change the look of a  capital city to project their powers.

Hitler began sketching his plans to remake Berlin in the 1920s, years before he came to power. In his postwar book Inside the Third Reich, Hitler architect Albert Speer recalled Hitler showing him two sketches the Nazi leader had already made of his own concept, hoping to recruit the architect to the project. In 1937, the Hitler tasked Speer with making it happen.

Speer started by making a model of the redesigned city, to be renamed Germania. In his book, Speer wrote of Hitler’s glee while inspecting the scaled model.

“He bent down, almost kneeling, his eye an inch or so above the level of the model, in order to have the right perspective, and while looking he spoke with unusual vivacity. These were the rare times when he relinquished his usual stiffness. In no other situation did I see him so lively, so spontaneous, so relaxed,” Speer wrote.

Hitler admired the imperial architectural styles of Rome, Vienna and Paris, but came up with designs for Berlin that were meant to surpass those cities not in elegance, but in expressions of Teutonic power.

The Germania model designed by Speer looks like an elaborate Wagnerian stage set: Visitors disembarking from a new train station would immediately see the 380-foot-tall Arch of Triumph, and as they passed beneath they would follow a wide boulevard lined with about a dozen monumental ministry buildings made of hand-hewn stone, a Soldiers’ Hall with a crypt for the tombs of German field marshals, and, at the terminus of the avenue, the monstrous centerpiece of the whole project — the domed Hall of the People, with enough space to hold 150,000 people.

“He wanted the biggest of everything to glorify his works and magnify his pride,” Speer wrote.

A model for Hitler’s Germania, built by Speer, looking north toward the Volkshalle, 1939. Photo by Getty Images

The New Reich Chancellery went up, and some other pieces of Germania were completed. But as Hitler’s regime focused on building concentration camps and death camps, and German invasion forces spread across Europe and the Soviet Union, Hitler had to divert resources to pay for his war crimes.

The Reich suspended work on Germania in 1943. Hitler’s original idea was to complete the transformation in 1950, creating Germania as a new Rome, capital of a vanquished continent. But when the Soviet army entered Berlin, the city had been reduced to ruins. Hitler’s Germania fantasy came to a bloody end on April 30, 1945 when he put a bullet in his head inside the Führerbunker.

Like Hitler, Donald Trump seems to favor classical architectural styles for public buildings, although his love of gaudy glitter – on display inside the White House and at Trump’s own properties — contrasts with Hitler’s preference for a Teutonic austereness.

A few days ago Trump gave the White House press pool a tour of work that he has directed to be done on and around the White House. It reminded me of Speer’s description of Hitler’s glee while inspecting Speer’s model of Germania. 

“I’m fixing the country. We’re fixing the White House too. One thing I know how to do is build,” said Trump, who spoke of having columns of the White House repaired, its exterior cleaned, of work on his ballroom and the “military complex” that would be built beneath it. He staged the dog-and-pony show to show off a helipad that was under construction.

“It’s ridiculous the way this place was taken care of.  Nobody, including presidents, they didn’t see it.  But I see it because I was very good at real estate, like maybe the best in a lot of ways,” said the man who went through multiple bankruptcies and has a history of failed business ventures: Trump University, Trump Steaks, and Trump’s airline, to name only a subset of available examples.

Despite Trump’s boasts, his vanity projects have hit some rough patches. There’s the reflecting pool debacle, a court ruling that his name had to come off the John F. Kennedy Center for the Performing Arts. Some Senate Republicans tried to stop him from spending taxpayer money on his garish ballroom.

But because of a Supreme Court ruling, it looks like the ballroom will go up after all. And Trump is not about to abandon other legacy projects – like his Triumphal Arch, and a National Garden of American Heroes.

Trump’s powers are cracking faster than he can build these monuments to himself. His approval ratings are abysmal. Global respect for America is tanking. Allies who have tried to mollify him are beginning to defy him. Iran has outsmarted him. Former MAGA loyalists like Marjorie Taylor Greene and Tucker Carlson have abandoned him. Trump is increasingly looking like an empty shell – a man who has chosen building narcissistic monuments, and corruptly enriching himself and his family, over paying heed to Americans who are suffering because of his self-aggrandizing rule.

Economist Paul Krugman just released a video titled Der Untergang, and subtitled “How badly will Trump punish America?” Der Untergang, German for “downfall,” is the title of a 2004 movie about Hitler’s last days in the Führerbunker. Krugman says that Trump’s obsession with his vanity projects is an indication that Trump knows his powers are rapidly vanishing, and that Trump is becoming perilously desperate.

“In many ways he is behaving like somebody who knows that his days of supreme power are about to end,” Krugman said.

Krugman argues that Trump is showing a deranged proclivity to tear things down rather than preserve them, as evidenced by his demolition of the beloved East Wing. And now Trump is threatening to raze the Kennedy Center for the Performing Arts, simply because he can’t get his name on it.

History has shown how perilous things can become when a despot finds himself backed into a corner.  As we approach the mid-term elections, we should all worry about the wreckage Trump is capable of wreaking while watching his powers vanish. Trump’s downfall, whenever and however it may come, must not also be America’s.

The post Trump wants to remake Washington — Hitler tried to do the same to Berlin appeared first on The Forward.

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John Galliano bows out of Met exhibition as backlash over antisemitism mounts

(JTA) — John Galliano withdrew from a planned exhibition of his work at the Metropolitan Museum of Art in response to a rapidly escalating controversy over the museum’s decision to honor the fashion designer despite his history of antisemitic and racist remarks.

Galliano said Monday that, after discussions with the Met and others involved in the exhibition, he had decided that it was best for the show not to take place “at this time.” He said he remained accountable for the pain caused by his past words, particularly to Jews and Asians, and recognized that an exhibition honoring his work could be painful for some. The Met said it agreed with his decision.

The reversal came less than a month after the Met announced that Galliano would be the subject of its spring 2027 Costume Institute exhibition, a rare honor that would have made him only the third living designer to receive a solo show there. The exhibition was to open in conjunction with the Met Gala, one of New York’s biggest annual cultural and celebrity events.

Opposition to the exhibition appeared to mount steadily in recent weeks. Early public pushback came from Dana Thomas, Galliano’s biographer, who wrote in an Aug. 6 New York Times guest essay that the Met had made a serious error in choosing to honor him. The criticism then broadened, with Jewish leaders, museum donors and New York politicians publicly urging the museum to reconsider.

Those criticizing the exhibition were New York City Council Speaker Julie Menin, who called the decision deeply painful for Jewish New Yorkers. Prominent Met donor Alice Tisch described the planned exhibition as a “whitewash,” according to the Times.

The reversal is also a setback for Anna Wintour, Condé Nast’s chief content officer and the driving force behind the Met Gala. She had championed Galliano for decades and was among the Met figures most closely associated with bringing the exhibition to the museum.

The controversy was complicated by the fact that some prominent rabbis had actually met with Galliano before the exhibition was announced and had come away believing that his repentance was sincere, as JTA reported earlier this month.

Rabbi Rick Jacobs, president of the Union for Reform Judaism, said Galliano had shown the contrition necessary to earn his return to the fashion world. Rabbi Joshua Davidson of Congregation Emanu-El, a Reform synagogue in New York, likewise said he was convinced by Galliano’s statements of remorse and his efforts to educate himself about Judaism and the Holocaust. Neither rabbi endorsed the Met’s decision to honor Galliano, however. Rather, both told the museum that if it proceeded, it had a responsibility to make Galliano’s antisemitic conduct and the lessons of his repentance an explicit part of the exhibition.

That distinction was reflected in the Met’s original plans. Andrew Bolton, the Costume Institute’s curator, said in announcing the exhibition that it would address Galliano’s antisemitic and anti-Asian conduct, as well as his firing from Dior, a hate speech conviction in France and his subsequent treatment for addiction and public acknowledgment of his actions.

Galliano, among the most celebrated designers in the world, was fired by Christian Dior in 2011 after a video surfaced showing him praising Hitler and making antisemitic remarks in a tirade in a Paris cafe, and directing an anti-Asian slur at the partner of a Jewish woman. A French court convicted him of making public insults based on race, religion and ethnicity.

After entering treatment for substance abuse, he embarked on a process of rehabilitation and eventually returned to the fashion industry. Abraham Foxman, then national director of the Anti-Defamation League, met privately with Galliano repeatedly; in 2013 the ADL said that Galliano had demonstrated “true contrition.”

After the initial announcement of the exhibition, Jonathan Greenblatt, CEO and national director of the ADL, noted that the organization had “long since accepted his apology,” but added that he understood “why some Jews may question the decision to include Galliano’s work in an exhibit given the massive spike in antisemitism in recent years.”

In a statement Monday, Greenblatt appeared to take a harder line in welcoming Galliano’s withdrawal.

“With antisemitism at crisis levels, the Met honoring John Galliano at this moment was misguided, and even Galliano ultimately recognized what the Met should have done from the start,” Greenblatt wrote on X. “This was the wrong move at the wrong moment. Timing matters.”

Galliano’s withdrawal leaves the Met without a planned spring 2027 Costume Institute exhibition. The museum said information about a replacement exhibition and the 2027 Met Gala will be announced later.

This article originally appeared on JTA.org.

The post John Galliano bows out of Met exhibition as backlash over antisemitism mounts appeared first on The Forward.

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