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Extraordinary lives: 18 notable New York Jews who died in 2022

(New York Jewish Week) — Recalling the lives of what obituary writer Marilyn Johnson has called the “important dead” is one of the honors and pleasures of reading — and writing — daily journalism. Jewish tradition teaches that every life is of infinite value, but many people make their marks in ways that inspire readers to pause and ponder on the sheer variety of human endeavor.

In the case of the New York Jewish Week, we’ve been honored to remember those who died in 2022 and whose lives represent the diversity of Jewish experience and what it means to be a New Yorker. Below, we recall 18 Jewish New Yorkers whose contributions to religion, the arts, communal life, popular entertainment, public affairs or just their loving families were either the subject of an obituary that we had written, or who came to our attention thanks to their friends and relatives. May their memories be for a blessing.

David Henoch

Recent high school graduate who died doing what he loved.

Henoch and his parents, sisters, brothers-in-law and niece the day of his graduation from SAR High School in the Bronx, June 13, 2022. (Courtesy Henoch family)

The tight-knit Modern Orthodox community in the Bronx, where David Henoch grew up and attended the SAR Jewish day schools, remembered him as a curious, sensitive and empathetic leader among his peers, with a deep sense of humor and excitement for many different areas of life. Friends and family described “Divi” as an avid adventurer whose favorite activities — many of which he loved to do with his father Avi — included snowboarding, sailing and basketball. He was a certified scuba diver who died at 18 July 10 in a diving accident in Florida, a month after his graduation from SAR High School. He was buried in Israel, where he had planned to spend a year studying before going to college. “Divi always challenged me to improve. He was open to anyone and everyone’s ways no matter how mild or extreme,” a friend, neighbor and classmate recalled, adding, “He was as fearless as it gets and never once was he afraid to be himself.”

Michael Lang

A promoter behind the 1969 Woodstock festival.

Woodstock Music Festival co-producer Michael Lang attends a celebration of the 40th Anniversary of Woodstock at the at Rock & Roll Hall of Fame Annex NYC in New York CIty, Aug. 13, 2009. (Michael Loccisano/Getty Images)

Michael Lang, the Jewish co-creator of 1969’s legendary Woodstock Music and Art Fair, died on Jan. 8 in Manhattan. He was 77. A concert promoter who was just 24 at the time, he was one of several Jewish collaborators who made the generation-defining festival, billed as “Three Days of Peace and Music,” happen. Other key players included music executive and promoter Artie Kornfeld — another Brooklyn-born Jew — and businessman Joel Rosenman, a Jewish native of Long Island. Lang was born in 1944 in Bensonhurst, Brooklyn. Lang credited his Jewish parents, who were small-business owners, with teaching him the skills he needed to pull off an event of such scale. His father, he said, “gave me a strategy for getting out of tough situations: take charge and keep moving. Step back just enough to think clearly, and trust your instincts.”

Edward Schoenfeld 

A Brooklyn-born maven of Chinese cuisine. 

Ed Schoenfeld speaks at a Food Network event in New York City, Oct. 18, 2014. (Michael N. Todaro/Getty Images for NYCWFF)

Like a lot of Jews growing up in Brooklyn, Edward Schoenfeld learned to love Chinese food. He made it a career, opening a series of famed restaurants that introduced New Yorkers to the wide variety of Chinese cuisine. In 1973, he got his first restaurant job as assistant to restaurateur David Keh when he opened Uncle Tai’s, one of the first Hunan restaurants in New York. He went on to a career developing and running restaurants over some four decades. Among his well-regarded Chinese restaurants were Auntie Yuan and Pig Heaven, both on the Upper East Side, as well as Red Farm, a farm-to-table restaurant in Greenwich Village, which opened in 2010. “My personal joke is that I learned to speak Yiddish in the Chinese restaurant from my customers,” he told the Jewish Telegraphic Agency in 2013. Schoenfeld died Jan. 14  at 72.

Lori Zabar

A lawyer and activist devoted to landmarks — including her family’s gourmet food emporium.

Lori Zabar, left, with Kate Wood and David Sprouls at the book launch of “Interior Landmarks: Treasures of New York,”  at The Four Seasons, Oct. 8, 2015. Zabar was the first director of the NYC Historic Properties Fund at the New York Landmarks Conservancy. (New York School of Interior Design)

Lori Zabar, a lawyer, author, antiques dealer and historic preservationist whose grandparents founded Zabar’s, the Upper West Side gourmet food emporium, died Feb. 3  the age of 67. The cause of death was cancer. The first director of the NYC Historic Properties Fund at the New York Landmarks Conservancy, she died shortly before the publication of “Zabar’s: A Family Story, with Recipes” in May. In an excerpt from her book published in the New York Jewish Week, she wrote about the perfectionism of her grandfather Louis when he opened the first reiteration of what became the famed “appy” store and a landmark in its own right: “For this new venture, Louis would sample deli meats and fish from various purveyors before he would commit to doing business with those suppliers. To taste fish, Louis would tour dozens of local smokehouses, large and small, mostly in Brooklyn and Queens. He was notorious among the wholesalers for rejecting more than he accepted. His retail mantra was simple: the highest quality at the lowest price.”

Sheldon Silver

A powerful politician undone by a corruption scandal.

Then-Speaker of the New York State Assembly Sheldon Silver walks in front of the State Capitol in Albany, New York, March 12, 2008. (Daniel Barry/Getty Images)

Sheldon Silver,  who for two decades wielded enormous power as the speaker of the New York State Assembly before being brought down by a corruption scandal, died Jan. 24 at 77 at Otisville Correctional Facility in upstate New York, where he had been serving a 6 1/2-year sentence on federal corruption charges. An Orthodox Jew and Democrat who represented New York’s Lower East Side, Silver was one of the most influential political leaders in the state, using the power of his office to guide legislation and stall opposition even when, for 12 years, Republican George Pataki was governor and Republicans held a majority in the state Senate. Silver’s arrest and conviction sent shock waves through New York’s Jewish establishment. “Shelly Silver was one of the strongest forces for progressive issues in the New York State Legislature,” Assemblyman Richard Gottfried, a Jewish Democrat from Manhattan, told the New York Times.  “It’s a tragedy that those achievements have been overshadowed by his criminal record.”

Pinchas Stolper

A leader of the Orthodox Union and its powerhouse youth movement.

Rabbi Pinchas Stolper delivers a Passover message to NCSY alumni on April 10, 2014. (YouTube)

Rabbi Pinchas Stolper, a pioneer in making Orthodox Judaism accessible to young people, died on May 25 at 90. Stolper helped turn the National Council of Synagogue Youth into a national powerhouse. He served as the first full-time national director of NCSY and as the longest-serving executive vice president of the Orthodox Union, and wrote a series of books making the holidays and Shabbat more accessible to younger readers. He retired from the leadership of the Orthodox Union in 2000, the same year that a rabbi under his supervision. Baruch Lanner, was accused of years of sexual and physical abuse. In the first report about the scandal, he told the New York Jewish Week that he had heard several complaints from young women about improper behavior by Lanner, but lacking specific allegations, let the youth leader off with a warning.

Miriam Winiarz

A Staten Island widow who was devoted to outreach. 

Miriam Winiarz and her husband Rabbi Mendy Winiarz were known for their outreach to Jews on Staten Island. (Courtesy)

Miriam Winiarz lived through the unthinkable: In 2015, her husband Dovid Winiarz died in a Maryland car crash, leaving the Staten Island mother alone to raise their 10 children. And yet, after losing her husband, she remained a pillar in the borough’s Jewish community, Mendy Mirocznik, president of the Council of Jewish Organizations of Staten Island, told silive.com. She continued the kiruv, or outreach work that she and her husband had conducted before his death, bringing other Jews closer to their tradition through social media and through his rabbinate. “This was somebody who, when they got wind of the situation, somebody had a problem, they would interrupt their own lives and make you a priority,” said Mirocznik. Miriam Winiarz died in early December at the age of 56 after what was described as a brief illness. Her funeral at Young Israel of Staten Island in Willowbrook drew more than a thousand people. A fund has been set up to support her children, the youngest of whom is 14.

Philip Pearlstein

Modern realist painter and champion of Jewish art. 

Modern realist painter Philip Pearlstein photographed in his New York studio in 1971. (Jack Mitchell/Getty Images)

Philip Pearlstein, an artist whose painting of nudes revived realistic painting after decades of dominance by abstraction, died in Manhattan on Dec. 17 at age 98. Born in Pittsburgh, he moved to Manhattan in 1949 as a sort of chaperone to a young Andy Warhol. He became an instructor at the Pratt Institute, and taught at Brooklyn College from 1963 until his retirement in 1988. Pearlstein served on the board of the Covenant Foundation in the early 2000s, and , according to Judith Ginsberg, former executive director of the foundation, opened the board to funding Jewish art in a bigger way and promoting the artists Debbie Friedman, Liz Lerman and Liz Swados.

Barbara Roaman 

A grandma with a keen fashion sense and commitment to social justice

Barbara Roaman and her granddaughter, Sandy Fox. (Courtesy)

Barbara “Bobby” Roaman, who died on Nov. 6 at 91, was born in Manhattan and lived on the Upper West Side as a child. After attending Syracuse University and Columbia University, where she majored in Spanish, she moved to Long Island with her husband, Richard. In a eulogy shared with the New York Jewish Week, her granddaughter, Sandy Fox — an editor at In geveb: A Journal of Yiddish Studies — remembered both her sense of fashion and her work in the civil rights movement on Long Island:

“Our conversations as a child instilled in me much more than a love of clothing. She taught me values of social justice and tzedakah, or what she would have called charitable giving, and because she wasn’t at all religious, those were the pillars of her Judaism. She and my grandfather were born in the late 1920s and early 1930s. They were upwardly mobile and privileged. In their class status and whiteness, they had blind spots when it came to race. Nevertheless, their commitments to social justice and civil rights were inspiring to me as a child and teen. They were involved in attempts to desegregate Long Island in the 1950s and 1960s. In more recent years, grandma had become involved in a local group called ERASE Racism, and donated to many non-profits that I also care about: Planned Parenthood, Democratic campaigns of all kinds, American Jewish World Service, and so on. It would have been so easy for them to become Republicans, as many Jews in their generation did. But they didn’t…. My mom died when I was 18, and from then on we tried to bridge that cavernous loss that affected us so differently but both so profoundly. She could not replace my mother and I could not replace her daughter, but we came pretty damn close. I sensed that she poured into me everything she wished she had poured into my mother.”

René Slotkin

A survivor of Mengele’s sadistic experiments on twins.

Ita Guttmann and her twins, René and Irene (then Renate), were photographed for Nazi propaganda while they were imprisoned at Theresienstadt. (Courtesy of United States Holocaust Memorial Museum via Irene Guttmann Slotkin Hizme)

René Slotkin, who with his twin sister Renate (Irene) was subjected to Josef Mengele’s infamous medical experiments on twins, died July 10 at age 84. Born in Teplice-Sanov, a city in northern Bohemia, he and his sister were sent, at 4, with their mother, to Theresienstadt. After a year, the three were shipped to Auschwitz. Then they were split up, the children becoming part of the infamous medical experiments conducted by Mengele, the sadistic “Angel of Death.” Orphaned, Slotkin and his sister survived a death march and arrived in New York in 1950. He was married at a young age and, after serving as a sergeant in the U.S. National Guard, worked for a box manufacturing company as a cost estimator. In 2019, he joined the Speakers Bureau at the Museum of Jewish Heritage, sharing his testimony with students. “I am here because of good people, good people everywhere,” he told the museum in an interview.

Sarah Schlesinger

A force in musical theater education.

At NYU’s Tisch School of the Arts , Sarah Schlesinger was the recipient of the David Payne Carter Award and the University Distinguished Teacher Award. (tisch.nyu.edu)

Sarah Schlesinger was an award-winning lyricist and librettist whose works, with composer Mike Reid, included “The Ballad of Little Jo,” “The Last Day,” “Casanova Returns,” “Prairie Songs,” “A Wind in the Willows Christmas” and “In This House.” But her most lasting legacy may well be the composers and lyricists she mentored as an arts professor and dean at the Graduate Musical Theatre Writing Program at New York University’s Tisch School of the Arts. She joined the program in 1989, served as associate chair of the department from 1995 to 1997, and was named chair in 1998. “Under her leadership, the program produced a huge, international alumni network of artists who are at the forefront of every facet of musical theatre activity: as creators, teachers, scholars and business leaders,” the program said in a statement. “Her insight, razor-sharp mind and her ability to get things done and to identify and encourage faculty, students and alums was frankly staggering in its longevity and reach. Sarah was a force that could make things happen.” Schlesinger died Dec. 14 following an illness.

Menahem Schmelzer

The ‘go-to’ librarian at the Jewish Theological Seminary.

Menahem Schmelzer tended perhaps the greatest collection of Judaica in the Western Hemisphere. (Courtesy Jewish Theological Seminary)

In 1966, after a fire gutted the library at the Jewish Theological Seminary in Manhattan, Menahem Schmelzer led what the flagship Conservative seminary said in a statement was “the extraordinary effort to reopen it, restore it to health, and ultimately open a new Library building in 1983.” When he stepped down as its longtime librarian in 1987, he had watched over the resuscitation of  perhaps the greatest collection of Judaica in the Western Hemisphere. Schmelzer, who spent four decades at JTS, also served as provost and held the title of Albert B. and Bernice Cohen Professor Emeritus of Medieval Hebrew Literature and Jewish Bibliography. A Holocaust survivor who was born in Hungary, Schmelzer was also a scholar in his own right, specializing in medieval Hebrew literature and the Jewish liturgical poetry known as piyyut. David Kraemer, the Joseph J. and Dora Abbell Librarian at JTS, remembered his colleague as  “the ‘go-to’ person on questions of Jewish bibliography for researchers around the world.” He died on Dec. 10 at his home in Manhattan. He was 88.

Steven Salen

Holocaust survivor who dressed presidents

Steve Salen in an undated photo in his Manhattan atelier. (Family)

Born Zoltan Salomon in Czechoslovakia in 1919, Steven Salen first learned tailoring at a trade school run there by the American Jewish Joint Distribution Committee. Then the Nazis arrived and they deported Salen. He never saw his parents or seven of his 11 siblings again. But he stuck with his trade, establishing himself after arriving in New York City as a tailor to the elite, making garments for the likes of Richard Nixon, Henry Kissinger and Martin Scorsese (and keeping mementoes of their business at his Bayside home). Salen was an old-school, word-of-mouth tailor who started working at FL Dunn on Fifth Avenue in New York, and eventually had his own full-floor atelier on Madison Avenue and 53rd Street, at the heart of the city’s high-fashion district. In 2011, when Salen already topped 90, a New York style blog profiled his shop, noting that it was one of fewer than 30 bespoke tailors in a city that had once been home to more than 300. Salen would work until 95 before retiring; he died Nov. 23 at 103.

Maximilian Lerner

A World War II “Ritchie Boy” who went undercover behind German lines.

Maximilian Lerner served as a translator and interrogated prisoners on behalf of U.S. intelligence during World War II. (Via Museum of Jewish Heritage)

Maximilian Lerner, an Austrian Jewish immigrant, served as a translator and interrogated prisoners on behalf of U.S. intelligence during World War II as a member of the “Ritchie Boys,” a special unit trained in espionage and frontline interrogation. He died Sept. 10 at his home in Manhattan at age 98. Lerner left Austria with his family two months after Germany’s March 1938 annexation of his homeland and, after layovers in Paris and Nice, came to the U.S., via Lisbon, in 1941. After volunteering for the draft, he became one of the 2,000 to 3,000 European-born Jews who learned to interrogate prisoners of war and civilians, interpret and translate for foreign officials, and read codes. “I wore civilian clothes”— posing as German behind enemy lines – “a number of times,” he told the New York Jewish Week in 2004. “This was my war. I would do whatever it took.” After the war, her worked for a horticultural products business and later started his own business in the same field. He also earned a master’s degree in business education from Teachers College at Columbia University in 1952, and wrote two spy novels and an autobiography. In recent years Lerner volunteered at the Museum of Jewish Heritage in Manhattan, talking to groups about his experiences.

Chave Hecht

A camp director devoted to Jewish outreach.

Rebbetzin Chave Hecht and Rabbi J. J. Hecht receive a dollar and a blessing from the Lubavitcher rebbe, Menachem Mendel Schneerson, before a trip to South Africa in 1989. (Hecht Family/JEM van Chabad.org)

Rebbetzin Chave Hecht, the founder of Camp Emunah Bnos Yaakov Yehudah — an overnight camp for observant Jewish girls — and a host of other educational initiatives originating in the Chabad-Lubavitch community, died Feb. 8 at the age of 95. Born in the East New York section of Brooklyn and educated at public schools, she, along with her husband, the late Rabbi J.J. Hecht, also directed a Jewish summer day camp on Coney Island for public school children, pioneering Chabad’s outreach to non-observant Jewish families. Rebbetzin Hecht ran the day-to-day operations of Camp Emunah for decades, when her husband was back in Brooklyn running his synagogue. “She slept in her office,” her son, Rabbi Sholem Ber Hecht, a Chabad emissary in Queens, told Chabad.org. “She had no secretary; if you called the camp at 7 a.m. or 10 p.m., she answered the phone.”

Frederick Terna

Survivor, Brooklyn artist and “someone to watch” late into his 90s.

Artist Fred Terna, a Holocaust survivor, continued painting well into his late 90s. (Courtesy of Terna)

Holocaust survivor and painter Frederick Terna, who remained active at his Brooklyn studio into his late 90s, died on Dec. 8 at 99. Born in Vienna and raised in Prague, he was imprisoned in four Nazi concentration camps, including Terezin, where he began to make art. Terna moved to New York in 1952; his work was collected by a variety of museums and institutions, including the Smithsonian Institution in Washington, D.C., the Albertina Collection in Vienna and Yad Vashem in Jerusalem. Earlier this year he was named to the New York Jewish Week’s “36 to Watch” list of notable Jewish New Yorkers.

Saida Somekh 

Immigrant, entrepreneur and loving grandmother.

Saida Somekh demonstrates her cooking skills for her family. (via Instagram)

Saida Somekh, who owned Dora Hosiery, a go-to lingerie shop in Midtown Manhattan for decades, died Nov. 5. She was 94. Her granddaughter, Erin Dana Lichy, a real estate agent and a new cast member on “The Real Housewives of New York,” remembered her in an Instagram post:

“She came from a different world, married very young and was expected to raise a family as a stay-at-home mom with little choice in her major life decisions. Well, that didn’t work for her, so she forged her own path. As a young immigrant with little practice in English, she became a female homeowner, businesswoman and successful entrepreneur…. As a grandmother, she was simply always there, like one’s backbone. She was a pillar of strength. Her presence made me feel safe and warm. She loved purely, deeply and didn’t pass judgment. She was patient. If I ever needed to fix a garment or didn’t have something to wear, she’d sew me something from scratch, however long it took. She was warm to my friends and anyone close to me. She would send us home with bags of food and cook with me for hours if I wanted to learn new a new dish. All I had to do was ask. My kids adored her and she them. They brought her so much joy and watching how prideful she was of them was heartwarming. She had pictures of us all around her house just so she could look at ‘her babies’ every morning when she woke up.”

Freddie Roman

Catskills comedian and keeper of the flame.

Freddie Roman, left and fellow comedian Shecky Greene attend “The Friars Club Salute to Freddie Roman and Stewie Stone” at New Tork’s Pierre Hotel, April 21, 2014. (John Lamparski/WireImage)

Comedian Freddie Roman, who died Nov. at 85, was never a crossover star in the mold of Alan King, Jackie Mason or Joan Rivers — three other Jewish comics with roots in the Catskills. And yet in a capstone to a long and steady career he resurrected the spirit of the Borscht Belt with the 1991 show “Catskills on Broadway” and, as the long-serving dean of the Friars Club, he injected new life into the fading Manhattan showbiz venue by inviting younger comics to join. Born Fred Kirschenbaum  in Newark, New Jersey, and raised in Jamaica, Queens, Roman started emceeing at age 15 at the the Crystal Spring Hotel in the Catskills, which was owned by his uncle and grandfather. He soon was performing at hotels and resorts in the region for the largely Jewish crowd. “Catskills on Broadway,” starring him and fellow tummlers Dick Capri, Marilyn Michaels and Mal Z. Lawrence, was a bona fide hit, running for 453 performances. “I’m like the Fidel Castro of comedians,” he once said of his tenure at the Friar’s Club. “I’m president for life.”

 


The post Extraordinary lives: 18 notable New York Jews who died in 2022 appeared first on Jewish Telegraphic Agency.

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An Israeli poet was scheduled to do a reading in New York. Then her publisher called. 

It was supposed to be a party to celebrate the revival of a nonprofit poetry press and to welcome a beloved Israeli poet back to an America quite different from the one she visited decades ago.

But politics in that new America intervened, canceling the party.

Hamutal Bar-Yosef, a contemporary icon of Israeli poetry, had planned to be in New York City this week to read from the new English translation of her collection The Miraculous Mistake. 

Bar-Yosef’s book is one of three volumes coming out this fall by Sheep Meadow Press, an American nonprofit that had been dormant since its founder, renowned Jewish poet Stanley Moss, died in 2024.

The scheduled reading was also part of a new chapter for Poets House, a national poetry library and meeting place in Manhattan, which, after a four-year hiatus sparked by the pandemic, reopened in 2024 and began offering rental space.

But as conversations about the upcoming event unfolded, Greg Miller, the new head of Sheep Meadow, grew concerned. Bar-Yosef, who is 86, had just received one of Israel’s most prestigious literary awards, the Bialik Prize for a lifetime of achievement in poetry. But not everyone at Poets House seemed enthusiastic about welcoming her, he told the Forward.

Given her elevated profile and the anti-Israeli climate now pervading the literary world, Miller called off the event. He said select staff from the Poets House offered to help him find a new venue in the spring.

“As a result of this conversation and others it was important for someone who is representative of Israel right now to have security,” Miller said. “And so I made the decision we were going to postpone and find a more appropriate venue, the right spot for her that will give her the audience she deserves.”

Courtesy of Sheep Meadow Press

Poets House did not respond to the Forward’s inquiries. Bar-Yosef declined to be interviewed for this story.

Sheep Meadow and Poets House have a long history, going back 40 years since Sheep Meadow founder Moss also helped found Poets House as a place that “exists to create a welcoming home for poets, poetry readers and for those who are exploring poetry.”

Moss, whose Almost Complete Poems won the National Jewish Book Award for Poetry in 2016, founded Sheep Meadow Press in 1977 as a nonprofit press with a particular focus on international poets in translation.

Thursday’s event was going to feature a reading of poems from Soon, Moss’s final collection of poems completed in his 99th year. Miller also planned to share the stage with Bar-Yosef to read from his own new collection Green Runs Through It.

Moss and Bar-Yosef appeared together for a reading at the 92nd Street Y when Sheep Meadow published an English translation of Night, Morning, one of her nine poetry collections.

But much has changed for Israeli and Jewish authors since then and especially since the Israel-Hamas War began on Oct. 7, 2023. According to a PEN America report published in July, editors have increasingly ignored submissions, rejected them outright or asked agents not to submit Israeli authors in the future.

Miller said it comes down to what the word Zionism means for audience members. Bar-Yosef believes in a homeland for the Jewish people and the state of Israel, Miller said. For years, she has helped transport Palestinian children from the West Bank to hospitals inside Israel. She has Palestinian family members. A prolific prose writer, literary scholar and translator, at least three of her poetry books have been translated into Arabic. She also has published in journals that include Arabic and Hebrew writers.

But because others have imposed their own meaning on the Z-word, finding a safe and welcoming space in the U.S. for an Israeli to read poetry free of indictment has become a challenge.

“I don’t want to be the shillelagh of the left or the right,” Miller said. “I don’t want Hamutal to be that either.”

Bar-Yosef’s latest collection of verse, originally published in Hebrew in 2020, explores grief through the various losses in her life including the death of her older brother in the War of Independence, the suicide of one of her sons, the murder of family members in the Shoah and choices that have become clear long after the fact and too late to right the wrongs.

“It is poetry that addresses harsh realities directly, eschewing pathos and sentimentality, and refusing to hide behind musicality or fluidity—qualities that can otherwise veil the blemishes and scars of reality,” one reviewer wrote in Haaretz when the original Hebrew edition was released in 2020.

A description of the collection by its distributor, Wesleyan University Press, describes it as “a glimpse of holy solidarity, of a time, perhaps some 500 years in the future, where there will be no need for steel doors and bomb shelters” – a reference to the poem Five Hundred Years, which opens with: “It’s hard to believe, but five hundred years ago people like us had slaves.”

It ends with: “That is how they will talk about wars and terrorist attacks as a way of settling disputes or salvaging pride after five hundred more years, perhaps even less.”

The post An Israeli poet was scheduled to do a reading in New York. Then her publisher called.  appeared first on The Forward.

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The power of Sukkot to unite the Jewish people

אין דער גמרא שטייט אַז יעדער ייִד קען — טעאָרעטיש — נוצן די זעלבע סוכּה. דאָס שטרײַכט אונטער דעם פֿאַקט, אַז מיר זענען אַלע גלײַך, און אַלעמען באַגריסט מען גלײַך אין דער סוכּה.

אין דער אמתן, ווען מען וואָלט געבויט אַ גענוג לאַנגע און ברייטע סוכּה, וואָלט דאָס גאַנצע ייִדישע פֿאָלק — אָן אויסנאַם — געקענט אַרײַנגיין אין איר און עסן אין דער זעלבער צײַט.

דער דאָזיקער באַגריף פֿון אַחדות דריקט זיך אויך אויס אין אַ באַזונדערער מצווה פֿון סוכּות: די אַרבעה מינים. די תּורה באַפֿעלט אונדז, אַז דעם ערשטן טאָג סוכּות זאָלן מיר נעמען אַן אתרוג, אַ לולבֿ (אַ צווײַג פֿון אַ טייטל־פּאַלמע), דרײַ הדסים (מירטן־צווײַגן), און צוויי ערבֿות (הושענות), כּדי זיך צו פֿרייען פֿאַרן אויבערשטן.

וואָס שטעלן מיט זיך פֿאָר די אַרבעה מינים? דער אתרוג האָט סײַ אַ גוטן גערוך סײַ אַ גוטן טעם; דער לולבֿ האָט אַ טעם — טייטלען — אָבער קיין גערוך נישט; דער הדס האָט אַ גוטן גערוך אָבער קיין טעם נישט; און די ערבֿה (הושענא) האָט ניט קיין טעם און ניט קיין גערוך.

דער גערוך שטעלט פֿאָר מעשׂים טובֿים, גוטע מעשׂים, וואָס — אַזוי ווי אַ גערוך — האָבן אַן השפּעה אויפֿן אַרום; בשעת דער טעם שטעלט פֿאָר לימוד התּורה, וואָס דערנערט די נשמה אַזוי ווי פֿיזישע שפּײַז דערנערט דעם גוף.

יעדער איינער פֿון די אַרבעה מינים שטעלט פֿאָר אַן אַנדער סאָרט ייִד: עס זענען דאָ ייִדן וואָס צייכענען זיך אויס מיט זייער חכמת התּורה, אַנדערע מיט זייערע גוטע מעשׂים, אַנדערע מיט ביידע, און אַנדערע מיט קיינעם פֿון די צוויי. דער געדאַנק איז, אַז מיר זענען אַלע אָפּהענגיק איינער פֿונעם צווייטן, און יעדער איינער דערגאַנצט דעם אַנדערן. נאָר ווען מען האָט אַלע פֿיר צוזאַמען קען מען מאַכן די ברכה און מקיים זײַן די מצווה.

בכלל ווערט פֿאַרשטאַנען, אַז די לערנונג פֿון דער דאָזיקער מצווה איז, אַז דער וואָס געפֿינט זיך אין דער העכערער רוחניותדיקער מדרגה פֿונעם „אתרוג“, אויסגעצייכנט סײַ מיט חכמה סײַ מיט גוטע מעשׂים, דאַרף זיך — אַלטרויִסטיש — אָפּגעבן מיט דעם וואָס געפֿינט זיך אין דער קאַטעגאָריע פֿון „ערבֿה“, אָן קיין באַזונדערער רוחניותדיקער מעלה.

לויטן זעקסטן ליובאַוויטשער רבין, רבי יוסף יצחק שניאורסאהן זצ״ל, איז פֿאַראַן אָבער נאָך אַן אַנדער דינאַמיק: דער וואָס געפֿינט זיך אין דער מדרגה פֿון „אתרוג“ קען און דאַרף אויך לערנען עפּעס ווערטפֿולס פֿון דעם וואָס געפֿינט זיך אין דער קאַטעגאָריע פֿון „ערבֿה“.

דער וואָס געפֿינט זיך אינעם מצבֿ פֿון „ערבֿה“, אָן קיין באַזונדערער רוחניותדיקער מעלה, און פֿונדעסטוועגן פֿילט ער זיך „זייער ייִדישלעך“, דריקט אויס אַ טיפֿן, אומברעכלעכן ייִדישן צושטאַנד, ניט געקוקט אויף דעם וואָס עס פֿעלט אים אין ייִדישן בילדונג און וויסן. דער וואָס האָט אַ סך געלערנט קען דורך זײַן פּערזענלעכער אַנטוויקלונג אַ סך פֿאַרשטיין און אַ סך פֿילן; פונדעסטוועגן איז אים אָפֿט שווער צו דערגרייכן און אויסדריקן דעם עסענץ פֿון זײַן נשמה. צו דער דאָזיקער בחינה פֿון זײַן אייגענעם מהות קען ער צוקומען דווקא דורך לערנען פֿונעם ייִד פֿון דעם „ערבֿה“־טיפּ, וואָס פֿילט זיך ייִדיש נישט צוליב זײַן ייִדישער בילדונג, נאָר טראָץ דעם וואָס עס פֿעלט אים. זײַן ייִדיש געפֿיל שטאַמט פֿון זײַן עצם הנשמה, דעם „פּינטעלע ייִד“ וואָס איז אינגאַנצן אומאָפּהענגיק פֿון קיין שום סיבה.

דער ליובאַוויטשער רבי זי״ע ווײַזט אָן, אַז די אַרבעה מינים שטעלן פֿאָר די אַחדות פֿונעם ייִדישן פֿאָלק, ניט נאָר ווײַל זיי רעפּרעזענטירן דעם צוזאַמען־פֿאַרבונד פֿון פֿיר פֿאַרשידענע קאַטעגאָריעס, נאָר אויך ווײַל יעדער מין פֿאַר זיך שטעלט פֿאָר אַחדות אין זײַן אייגענער קאַטעגאָריע.

דער אתרוג וואַקסט און ווערט דערנערט במשך פֿון אַלע פֿיר סעזאָנען פֿונעם יאָר. די בלעטער פֿונעם הדס וואַקסן אַזוי, אַז לענגאויס דעם שטאַם קומען אַרויס גרופּעס פֿון דרײַ בלעטער פֿון דער זעלבער הייך. בײַם לולבֿ דאַרפֿן די בלעטער ווערן פֿאַרמאַכט און צונויפֿגענומען און ניט צעשפּרייט איינער פֿונעם צווייטן — אַחוץ דעם וואָס יעדער בלעטל איז צונויפֿגעלייגט פֿון צוויי העלפֿטן — און די ערבֿות וואַקסן צוזאַמען אין אַ סאָרט אַחדות.

דאָס שטעלט פֿאָר נאָך אַן אַספּעקט פֿון אַחדות, ווײַל אַ מאָל איז גרינגער זיך צו פֿאַראייניקן מיט איינעם וואָס איז אַנדערש פֿון מיר, ווי מיט איינעם וואָס איז ענלעך צו מיר און קען אויסזען ווי אַ קאָנקורענט.

אַזוי אַז אויף סוכּות דריקן מיר אויס דרײַ מדרגות פֿון אַחדות אינעם ייִדישן פֿאָלק: איין מדרגה וואָס שטאַמט פֿון דעם געמיינזאמען עסענץ, וואָס איז העכער פֿון פֿאַרשידנאַרטיקייטן;איין מדרגה וואָס דריקט זיך אויס דווקא דורך די פֿאַרשידנאַרטיקייטן; און נאָך אַ מדרגה — די אַחדות צווישן די וואָס זענען ענלעך איינער צום צווייטן.

אין דער אמתן, קומט איינס אַרויס פֿון צווייטן. אויב אַ מענטשנס אַמביציע איז עגאָצענטריש, איז זייער שווער זיך צו פֿאַראייניקן מיט אַנדערע. אויב אָבער זײַן אַמביציע איז אויסצופֿירן דעם ג־טלעכן ציל, וועט ער אָפּשאַצן און שעצן די הצלחה פֿון יעדן וואָס שטעלט זיך צו אויסצופֿירן דעם בשותּפֿותדיקן שליחות.

עס איז די אַחדות וואָס דריקט זיך אויס אין די מצוות פון סוכּות וואָס דערמעגלעכט די אמתע שׂימחה פון „ושמחת בחגך“.

די שוואַכע, צאַרטע סטרוקטור פֿון דער סוכּה האָט איבערגעלעבט טויזנטער יאָרן פֿון געשיכטע און רדיפֿות — אין די גולאָגן און אין די קאָנצענטראַציע־לאַגערן. הײַנט־צו־טאָג קען מען אין אַ סך קהילות איבער דער וועלט זען ווי ליובאַוויטשער ישיבֿה־בחורים פֿאָרן איבער די גאַסן פֿון שטאָט מיט אַ מאָבילער סוכּה, כּדי צו פֿאַרבעטן ייִדישע דורכגייער מקיים צו זײַן די מצוות פֿון עסן אין דער סוכּה און צו מאַכן די ברכה אויף די אַרבעה מינים.

אז איר וועט זיך אָנטרעפֿן אין איינעם פֿון זיי, ביטע גיט זיי איבער א גרוס!

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The Jewish soul and Hasidic inspirations of Annie Dillard

The Pulitzer Prize-winning writer Annie Dillard, who died Sept, 15 at age 81, drew on Jewish inspiration past and present for her meditative books on humans and the deity, including the nature-imbued narrative Pilgrim at Tinker Creek.

Raised a Presbyterian, in young adulthood Dillard discovered Martin Buber’s Tales of the Hasidim, in which she found a kindred spirit among Hasidic rabbis who, according to legend, would turn somersaults and do cartwheels and flips in the synagogue before ritual acts such as reciting Kiddush, the blessing uttered to sanctify Shabbat and Jewish holidays; lighting Hanukkah candles; and weddings. As Dillard put it at Michigan’s Calvin College Festival of Faith & Writing in 1996, her introduction to Hasidism was through Buber’s books and she “really, really, really liked them.”

Herself exultant by temperament, fond of energetic dancing and sports, Dillard saw no contradiction between exuberance and serious consideration of moral and ethical questions. Indeed, she followed the Hasidic spiritual concept of Bitul ha-yesh (ego effacement) to become receptive to the divine by reading from a range of sources to find inspiration for her own books.

These included Rabbi Abraham Joshua Heschel, whom she described to an interviewer in 1992 as “the great religious thinker” of the 20th century, and Simone Weil, the French philosopher. The latter two, “especially Heschel,” added Dillard, “have everything I need.”

What she needed as a writer was to fulfill her self-definition as a “Christian Hasid,” as she informed a reporter in the year 2000. The English literature maven Lori Kanitz has observed tyhat Dillard drew on Hasidic notions to better mull over nature and creation. Dillard agreed with the concept that humans assist God in redemption by making everyday physical objects and moments into something sacred or consecrated.

She favored the argument by the 16th century rabbi Isaac Luria that divine sparks trapped in the material world might be liberated through intense spiritual awareness. Especially in books such as  1999’s For the Time Being, she blended Yiddishkeit with heterodox Christian philosophers such as the Jesuit scientist Pierre Teilhard de Chardin to address questions about faith, suffering and individual existence.

The result was an emotionally fraught style, rich with biblical allusions. Pilgrim at Tinker Creek likens a combative domestic feline’s ensanguined paws to the “mark of Cain” and “blood sign of the Passover.” In this exalted, highly artful prose with Judaism as part of its vocabulary, the Quran is mentioned in the distressing context of animals devouring one another in nature, followed by the French Catholic thinker Blaise Pascal’s implication that after creation, God more or less abandoned humanity. Yet this existential doubt is calmed by two further citations from Albert Einstein to remind the reader that “subtle is the Lord, but malicious He is not” and “Nature hides her secret because of her essential loftiness, but not by means of ruse.” Bringing in Einstein, another example for Dillard alongside Abraham Joshua Heschel of the quasi-omniscient good grey Jew, shows her acute admiration for Jewish wisdom.

Characteristically, Dillard published in a 1998-99 issue of a University of Notre Dame publication for Catholic readers an essay insistent in its Yiddishkeit. The text begins by reminding readers of the execution of Rabbi Akiva by the Romans in the aftermath of the Bar Kokhba revolt. Unsparing of gory details, this account is followed by quotes from the Nobel-Prize-winning Holocaust poet Nelly Sachs, Gershom Scholem, Rabbi Nachman of Breslov, Rabbi Yehudah Aryeh Leib Alter, Rabbi Pinhas of Koretz, Rabbi Menachem Nochum Twersky, and a rare modern too, Rabbi Lawrence Kushner.

Blending nature with Jewish elements, Dillard recounts a trip to Lavi, a kibbutz in northern Israel near Tiberias, where she witnesses birds mating in mid-air. Juxtaposed with maxims by Christians, her narrative has an anthological aura, akin to that of Aldous Huxley’s The Perennial Philosophy (1945) which by contrast contains almost no direct passages from Jewish mystics.

Overall, Dillard kept in mind, as she suggested to one critic in 1999, that her goal was to persuade “the agnostic intellectual” that all spirituality need not be discarded by a discerning reader. That said, in some of Dillard’s books, the transitions between different traditions, from Sufism to Inuit beliefs, could appear contradictory.

But then as friends observed, Dillard herself could seem to be a walking contradiction; she was obsessed with nature, but also a lifelong chainsmoker. And although according to Lori Kanitz and others, her works were redolent of such venerable Jewish ideas as tsimtsum (divine contraction) and shevirat ha-kelim (shattering of the vessels), she likewise surrounded herself with a self-created Jewish mishpocheh of literati.

Dillard achieved the latter feat by energetically supporting modern American Jewish writing, lauding authors with more sheer enthusiasm than they may have been accustomed to receiving from fellow Jews. Drawn to high spirits and celebrants among living Jews, she was a fan of Louis D. Rubin’s Small Craft Advisory about shepping nachas from boats; she termed Rubin’s book a “moving account by a happy man.”

Part of appreciating happy Jews for Dillard was relishing Jewish humor with a highly developed sense of the absurd. She provided a blurb for a book by Jewish chef Peter Kaminsky about how to prepare decidedly un-kosher pork products, noting: “I love ham and I love this book.” She similarly kvelled at the inherent absurdity of describing how in 1982, the American Jewish Beat poet Allen Ginsberg was assigned the task of guiding a tour group in Disneyland composed of visiting Chinese communist authors. And she valued that a hybrid factual/fictional work by journalist Jake Silverstein was both “warm and funny.”

Dillard also persistently lavished serious praise on Jewish contemporaries such as the American visual artist and novelist Rosalyn Drexler for being “committed to a lifetime struggle for excellence.” Dillard deemed Fortune’s Daughter (1985) by Alice Hoffman “one of the best” American novels of the previous decade and in 2010 welcomed a debut story collection from Hester Kaplan as evidence of a “remarkable new writer.”

Unsurprisingly, Jewish writer friends of Dillard expressed gratitude for her enthusiasm for their efforts. The biographer Phyllis Rose’s Parallel Lives: Five Victorian Marriages includes an acknowledgement to Dillard for “precious gifts of time, friendship, intelligence, and candor.” Jewish readers can likewise be grateful to Dillard for her characterful investment of time, friendship, intelligence, and candor in conveying elements of Yiddishkeit in serendipitous contexts.

 

The post The Jewish soul and Hasidic inspirations of Annie Dillard appeared first on The Forward.

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