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Extraordinary lives: 18 notable New York Jews who died in 2022
(New York Jewish Week) — Recalling the lives of what obituary writer Marilyn Johnson has called the “important dead” is one of the honors and pleasures of reading — and writing — daily journalism. Jewish tradition teaches that every life is of infinite value, but many people make their marks in ways that inspire readers to pause and ponder on the sheer variety of human endeavor.
In the case of the New York Jewish Week, we’ve been honored to remember those who died in 2022 and whose lives represent the diversity of Jewish experience and what it means to be a New Yorker. Below, we recall 18 Jewish New Yorkers whose contributions to religion, the arts, communal life, popular entertainment, public affairs or just their loving families were either the subject of an obituary that we had written, or who came to our attention thanks to their friends and relatives. May their memories be for a blessing.
David Henoch
Recent high school graduate who died doing what he loved.
Henoch and his parents, sisters, brothers-in-law and niece the day of his graduation from SAR High School in the Bronx, June 13, 2022. (Courtesy Henoch family)
The tight-knit Modern Orthodox community in the Bronx, where David Henoch grew up and attended the SAR Jewish day schools, remembered him as a curious, sensitive and empathetic leader among his peers, with a deep sense of humor and excitement for many different areas of life. Friends and family described “Divi” as an avid adventurer whose favorite activities — many of which he loved to do with his father Avi — included snowboarding, sailing and basketball. He was a certified scuba diver who died at 18 July 10 in a diving accident in Florida, a month after his graduation from SAR High School. He was buried in Israel, where he had planned to spend a year studying before going to college. “Divi always challenged me to improve. He was open to anyone and everyone’s ways no matter how mild or extreme,” a friend, neighbor and classmate recalled, adding, “He was as fearless as it gets and never once was he afraid to be himself.”
Michael Lang
A promoter behind the 1969 Woodstock festival.
Woodstock Music Festival co-producer Michael Lang attends a celebration of the 40th Anniversary of Woodstock at the at Rock & Roll Hall of Fame Annex NYC in New York CIty, Aug. 13, 2009. (Michael Loccisano/Getty Images)
Michael Lang, the Jewish co-creator of 1969’s legendary Woodstock Music and Art Fair, died on Jan. 8 in Manhattan. He was 77. A concert promoter who was just 24 at the time, he was one of several Jewish collaborators who made the generation-defining festival, billed as “Three Days of Peace and Music,” happen. Other key players included music executive and promoter Artie Kornfeld — another Brooklyn-born Jew — and businessman Joel Rosenman, a Jewish native of Long Island. Lang was born in 1944 in Bensonhurst, Brooklyn. Lang credited his Jewish parents, who were small-business owners, with teaching him the skills he needed to pull off an event of such scale. His father, he said, “gave me a strategy for getting out of tough situations: take charge and keep moving. Step back just enough to think clearly, and trust your instincts.”
Edward Schoenfeld
A Brooklyn-born maven of Chinese cuisine.
Ed Schoenfeld speaks at a Food Network event in New York City, Oct. 18, 2014. (Michael N. Todaro/Getty Images for NYCWFF)
Like a lot of Jews growing up in Brooklyn, Edward Schoenfeld learned to love Chinese food. He made it a career, opening a series of famed restaurants that introduced New Yorkers to the wide variety of Chinese cuisine. In 1973, he got his first restaurant job as assistant to restaurateur David Keh when he opened Uncle Tai’s, one of the first Hunan restaurants in New York. He went on to a career developing and running restaurants over some four decades. Among his well-regarded Chinese restaurants were Auntie Yuan and Pig Heaven, both on the Upper East Side, as well as Red Farm, a farm-to-table restaurant in Greenwich Village, which opened in 2010. “My personal joke is that I learned to speak Yiddish in the Chinese restaurant from my customers,” he told the Jewish Telegraphic Agency in 2013. Schoenfeld died Jan. 14 at 72.
Lori Zabar
A lawyer and activist devoted to landmarks — including her family’s gourmet food emporium.
Lori Zabar, left, with Kate Wood and David Sprouls at the book launch of “Interior Landmarks: Treasures of New York,” at The Four Seasons, Oct. 8, 2015. Zabar was the first director of the NYC Historic Properties Fund at the New York Landmarks Conservancy. (New York School of Interior Design)
Lori Zabar, a lawyer, author, antiques dealer and historic preservationist whose grandparents founded Zabar’s, the Upper West Side gourmet food emporium, died Feb. 3 the age of 67. The cause of death was cancer. The first director of the NYC Historic Properties Fund at the New York Landmarks Conservancy, she died shortly before the publication of “Zabar’s: A Family Story, with Recipes” in May. In an excerpt from her book published in the New York Jewish Week, she wrote about the perfectionism of her grandfather Louis when he opened the first reiteration of what became the famed “appy” store and a landmark in its own right: “For this new venture, Louis would sample deli meats and fish from various purveyors before he would commit to doing business with those suppliers. To taste fish, Louis would tour dozens of local smokehouses, large and small, mostly in Brooklyn and Queens. He was notorious among the wholesalers for rejecting more than he accepted. His retail mantra was simple: the highest quality at the lowest price.”
Sheldon Silver
A powerful politician undone by a corruption scandal.
Then-Speaker of the New York State Assembly Sheldon Silver walks in front of the State Capitol in Albany, New York, March 12, 2008. (Daniel Barry/Getty Images)
Sheldon Silver, who for two decades wielded enormous power as the speaker of the New York State Assembly before being brought down by a corruption scandal, died Jan. 24 at 77 at Otisville Correctional Facility in upstate New York, where he had been serving a 6 1/2-year sentence on federal corruption charges. An Orthodox Jew and Democrat who represented New York’s Lower East Side, Silver was one of the most influential political leaders in the state, using the power of his office to guide legislation and stall opposition even when, for 12 years, Republican George Pataki was governor and Republicans held a majority in the state Senate. Silver’s arrest and conviction sent shock waves through New York’s Jewish establishment. “Shelly Silver was one of the strongest forces for progressive issues in the New York State Legislature,” Assemblyman Richard Gottfried, a Jewish Democrat from Manhattan, told the New York Times. “It’s a tragedy that those achievements have been overshadowed by his criminal record.”
Pinchas Stolper
A leader of the Orthodox Union and its powerhouse youth movement.
Rabbi Pinchas Stolper delivers a Passover message to NCSY alumni on April 10, 2014. (YouTube)
Rabbi Pinchas Stolper, a pioneer in making Orthodox Judaism accessible to young people, died on May 25 at 90. Stolper helped turn the National Council of Synagogue Youth into a national powerhouse. He served as the first full-time national director of NCSY and as the longest-serving executive vice president of the Orthodox Union, and wrote a series of books making the holidays and Shabbat more accessible to younger readers. He retired from the leadership of the Orthodox Union in 2000, the same year that a rabbi under his supervision. Baruch Lanner, was accused of years of sexual and physical abuse. In the first report about the scandal, he told the New York Jewish Week that he had heard several complaints from young women about improper behavior by Lanner, but lacking specific allegations, let the youth leader off with a warning.
Miriam Winiarz
A Staten Island widow who was devoted to outreach.
Miriam Winiarz and her husband Rabbi Mendy Winiarz were known for their outreach to Jews on Staten Island. (Courtesy)
Miriam Winiarz lived through the unthinkable: In 2015, her husband Dovid Winiarz died in a Maryland car crash, leaving the Staten Island mother alone to raise their 10 children. And yet, after losing her husband, she remained a pillar in the borough’s Jewish community, Mendy Mirocznik, president of the Council of Jewish Organizations of Staten Island, told silive.com. She continued the kiruv, or outreach work that she and her husband had conducted before his death, bringing other Jews closer to their tradition through social media and through his rabbinate. “This was somebody who, when they got wind of the situation, somebody had a problem, they would interrupt their own lives and make you a priority,” said Mirocznik. Miriam Winiarz died in early December at the age of 56 after what was described as a brief illness. Her funeral at Young Israel of Staten Island in Willowbrook drew more than a thousand people. A fund has been set up to support her children, the youngest of whom is 14.
Philip Pearlstein
Modern realist painter and champion of Jewish art.
Modern realist painter Philip Pearlstein photographed in his New York studio in 1971. (Jack Mitchell/Getty Images)
Philip Pearlstein, an artist whose painting of nudes revived realistic painting after decades of dominance by abstraction, died in Manhattan on Dec. 17 at age 98. Born in Pittsburgh, he moved to Manhattan in 1949 as a sort of chaperone to a young Andy Warhol. He became an instructor at the Pratt Institute, and taught at Brooklyn College from 1963 until his retirement in 1988. Pearlstein served on the board of the Covenant Foundation in the early 2000s, and , according to Judith Ginsberg, former executive director of the foundation, opened the board to funding Jewish art in a bigger way and promoting the artists Debbie Friedman, Liz Lerman and Liz Swados.
Barbara Roaman
A grandma with a keen fashion sense and commitment to social justice
Barbara Roaman and her granddaughter, Sandy Fox. (Courtesy)
Barbara “Bobby” Roaman, who died on Nov. 6 at 91, was born in Manhattan and lived on the Upper West Side as a child. After attending Syracuse University and Columbia University, where she majored in Spanish, she moved to Long Island with her husband, Richard. In a eulogy shared with the New York Jewish Week, her granddaughter, Sandy Fox — an editor at In geveb: A Journal of Yiddish Studies — remembered both her sense of fashion and her work in the civil rights movement on Long Island:
“Our conversations as a child instilled in me much more than a love of clothing. She taught me values of social justice and tzedakah, or what she would have called charitable giving, and because she wasn’t at all religious, those were the pillars of her Judaism. She and my grandfather were born in the late 1920s and early 1930s. They were upwardly mobile and privileged. In their class status and whiteness, they had blind spots when it came to race. Nevertheless, their commitments to social justice and civil rights were inspiring to me as a child and teen. They were involved in attempts to desegregate Long Island in the 1950s and 1960s. In more recent years, grandma had become involved in a local group called ERASE Racism, and donated to many non-profits that I also care about: Planned Parenthood, Democratic campaigns of all kinds, American Jewish World Service, and so on. It would have been so easy for them to become Republicans, as many Jews in their generation did. But they didn’t…. My mom died when I was 18, and from then on we tried to bridge that cavernous loss that affected us so differently but both so profoundly. She could not replace my mother and I could not replace her daughter, but we came pretty damn close. I sensed that she poured into me everything she wished she had poured into my mother.”
René Slotkin
A survivor of Mengele’s sadistic experiments on twins.
Ita Guttmann and her twins, René and Irene (then Renate), were photographed for Nazi propaganda while they were imprisoned at Theresienstadt. (Courtesy of United States Holocaust Memorial Museum via Irene Guttmann Slotkin Hizme)
René Slotkin, who with his twin sister Renate (Irene) was subjected to Josef Mengele’s infamous medical experiments on twins, died July 10 at age 84. Born in Teplice-Sanov, a city in northern Bohemia, he and his sister were sent, at 4, with their mother, to Theresienstadt. After a year, the three were shipped to Auschwitz. Then they were split up, the children becoming part of the infamous medical experiments conducted by Mengele, the sadistic “Angel of Death.” Orphaned, Slotkin and his sister survived a death march and arrived in New York in 1950. He was married at a young age and, after serving as a sergeant in the U.S. National Guard, worked for a box manufacturing company as a cost estimator. In 2019, he joined the Speakers Bureau at the Museum of Jewish Heritage, sharing his testimony with students. “I am here because of good people, good people everywhere,” he told the museum in an interview.
Sarah Schlesinger
A force in musical theater education.
At NYU’s Tisch School of the Arts , Sarah Schlesinger was the recipient of the David Payne Carter Award and the University Distinguished Teacher Award. (tisch.nyu.edu)
Sarah Schlesinger was an award-winning lyricist and librettist whose works, with composer Mike Reid, included “The Ballad of Little Jo,” “The Last Day,” “Casanova Returns,” “Prairie Songs,” “A Wind in the Willows Christmas” and “In This House.” But her most lasting legacy may well be the composers and lyricists she mentored as an arts professor and dean at the Graduate Musical Theatre Writing Program at New York University’s Tisch School of the Arts. She joined the program in 1989, served as associate chair of the department from 1995 to 1997, and was named chair in 1998. “Under her leadership, the program produced a huge, international alumni network of artists who are at the forefront of every facet of musical theatre activity: as creators, teachers, scholars and business leaders,” the program said in a statement. “Her insight, razor-sharp mind and her ability to get things done and to identify and encourage faculty, students and alums was frankly staggering in its longevity and reach. Sarah was a force that could make things happen.” Schlesinger died Dec. 14 following an illness.
Menahem Schmelzer
The ‘go-to’ librarian at the Jewish Theological Seminary.
Menahem Schmelzer tended perhaps the greatest collection of Judaica in the Western Hemisphere. (Courtesy Jewish Theological Seminary)
In 1966, after a fire gutted the library at the Jewish Theological Seminary in Manhattan, Menahem Schmelzer led what the flagship Conservative seminary said in a statement was “the extraordinary effort to reopen it, restore it to health, and ultimately open a new Library building in 1983.” When he stepped down as its longtime librarian in 1987, he had watched over the resuscitation of perhaps the greatest collection of Judaica in the Western Hemisphere. Schmelzer, who spent four decades at JTS, also served as provost and held the title of Albert B. and Bernice Cohen Professor Emeritus of Medieval Hebrew Literature and Jewish Bibliography. A Holocaust survivor who was born in Hungary, Schmelzer was also a scholar in his own right, specializing in medieval Hebrew literature and the Jewish liturgical poetry known as piyyut. David Kraemer, the Joseph J. and Dora Abbell Librarian at JTS, remembered his colleague as “the ‘go-to’ person on questions of Jewish bibliography for researchers around the world.” He died on Dec. 10 at his home in Manhattan. He was 88.
Steven Salen
Holocaust survivor who dressed presidents
Steve Salen in an undated photo in his Manhattan atelier. (Family)
Born Zoltan Salomon in Czechoslovakia in 1919, Steven Salen first learned tailoring at a trade school run there by the American Jewish Joint Distribution Committee. Then the Nazis arrived and they deported Salen. He never saw his parents or seven of his 11 siblings again. But he stuck with his trade, establishing himself after arriving in New York City as a tailor to the elite, making garments for the likes of Richard Nixon, Henry Kissinger and Martin Scorsese (and keeping mementoes of their business at his Bayside home). Salen was an old-school, word-of-mouth tailor who started working at FL Dunn on Fifth Avenue in New York, and eventually had his own full-floor atelier on Madison Avenue and 53rd Street, at the heart of the city’s high-fashion district. In 2011, when Salen already topped 90, a New York style blog profiled his shop, noting that it was one of fewer than 30 bespoke tailors in a city that had once been home to more than 300. Salen would work until 95 before retiring; he died Nov. 23 at 103.
Maximilian Lerner
A World War II “Ritchie Boy” who went undercover behind German lines.
Maximilian Lerner served as a translator and interrogated prisoners on behalf of U.S. intelligence during World War II. (Via Museum of Jewish Heritage)
Maximilian Lerner, an Austrian Jewish immigrant, served as a translator and interrogated prisoners on behalf of U.S. intelligence during World War II as a member of the “Ritchie Boys,” a special unit trained in espionage and frontline interrogation. He died Sept. 10 at his home in Manhattan at age 98. Lerner left Austria with his family two months after Germany’s March 1938 annexation of his homeland and, after layovers in Paris and Nice, came to the U.S., via Lisbon, in 1941. After volunteering for the draft, he became one of the 2,000 to 3,000 European-born Jews who learned to interrogate prisoners of war and civilians, interpret and translate for foreign officials, and read codes. “I wore civilian clothes”— posing as German behind enemy lines – “a number of times,” he told the New York Jewish Week in 2004. “This was my war. I would do whatever it took.” After the war, her worked for a horticultural products business and later started his own business in the same field. He also earned a master’s degree in business education from Teachers College at Columbia University in 1952, and wrote two spy novels and an autobiography. In recent years Lerner volunteered at the Museum of Jewish Heritage in Manhattan, talking to groups about his experiences.
Chave Hecht
A camp director devoted to Jewish outreach.
Rebbetzin Chave Hecht and Rabbi J. J. Hecht receive a dollar and a blessing from the Lubavitcher rebbe, Menachem Mendel Schneerson, before a trip to South Africa in 1989. (Hecht Family/JEM van Chabad.org)
Rebbetzin Chave Hecht, the founder of Camp Emunah Bnos Yaakov Yehudah — an overnight camp for observant Jewish girls — and a host of other educational initiatives originating in the Chabad-Lubavitch community, died Feb. 8 at the age of 95. Born in the East New York section of Brooklyn and educated at public schools, she, along with her husband, the late Rabbi J.J. Hecht, also directed a Jewish summer day camp on Coney Island for public school children, pioneering Chabad’s outreach to non-observant Jewish families. Rebbetzin Hecht ran the day-to-day operations of Camp Emunah for decades, when her husband was back in Brooklyn running his synagogue. “She slept in her office,” her son, Rabbi Sholem Ber Hecht, a Chabad emissary in Queens, told Chabad.org. “She had no secretary; if you called the camp at 7 a.m. or 10 p.m., she answered the phone.”
Frederick Terna
Survivor, Brooklyn artist and “someone to watch” late into his 90s.
Artist Fred Terna, a Holocaust survivor, continued painting well into his late 90s. (Courtesy of Terna)
Holocaust survivor and painter Frederick Terna, who remained active at his Brooklyn studio into his late 90s, died on Dec. 8 at 99. Born in Vienna and raised in Prague, he was imprisoned in four Nazi concentration camps, including Terezin, where he began to make art. Terna moved to New York in 1952; his work was collected by a variety of museums and institutions, including the Smithsonian Institution in Washington, D.C., the Albertina Collection in Vienna and Yad Vashem in Jerusalem. Earlier this year he was named to the New York Jewish Week’s “36 to Watch” list of notable Jewish New Yorkers.
Saida Somekh
Immigrant, entrepreneur and loving grandmother.
Saida Somekh demonstrates her cooking skills for her family. (via Instagram)
Saida Somekh, who owned Dora Hosiery, a go-to lingerie shop in Midtown Manhattan for decades, died Nov. 5. She was 94. Her granddaughter, Erin Dana Lichy, a real estate agent and a new cast member on “The Real Housewives of New York,” remembered her in an Instagram post:
“She came from a different world, married very young and was expected to raise a family as a stay-at-home mom with little choice in her major life decisions. Well, that didn’t work for her, so she forged her own path. As a young immigrant with little practice in English, she became a female homeowner, businesswoman and successful entrepreneur…. As a grandmother, she was simply always there, like one’s backbone. She was a pillar of strength. Her presence made me feel safe and warm. She loved purely, deeply and didn’t pass judgment. She was patient. If I ever needed to fix a garment or didn’t have something to wear, she’d sew me something from scratch, however long it took. She was warm to my friends and anyone close to me. She would send us home with bags of food and cook with me for hours if I wanted to learn new a new dish. All I had to do was ask. My kids adored her and she them. They brought her so much joy and watching how prideful she was of them was heartwarming. She had pictures of us all around her house just so she could look at ‘her babies’ every morning when she woke up.”
Freddie Roman
Catskills comedian and keeper of the flame.
Freddie Roman, left and fellow comedian Shecky Greene attend “The Friars Club Salute to Freddie Roman and Stewie Stone” at New Tork’s Pierre Hotel, April 21, 2014. (John Lamparski/WireImage)
Comedian Freddie Roman, who died Nov. at 85, was never a crossover star in the mold of Alan King, Jackie Mason or Joan Rivers — three other Jewish comics with roots in the Catskills. And yet in a capstone to a long and steady career he resurrected the spirit of the Borscht Belt with the 1991 show “Catskills on Broadway” and, as the long-serving dean of the Friars Club, he injected new life into the fading Manhattan showbiz venue by inviting younger comics to join. Born Fred Kirschenbaum in Newark, New Jersey, and raised in Jamaica, Queens, Roman started emceeing at age 15 at the the Crystal Spring Hotel in the Catskills, which was owned by his uncle and grandfather. He soon was performing at hotels and resorts in the region for the largely Jewish crowd. “Catskills on Broadway,” starring him and fellow tummlers Dick Capri, Marilyn Michaels and Mal Z. Lawrence, was a bona fide hit, running for 453 performances. “I’m like the Fidel Castro of comedians,” he once said of his tenure at the Friar’s Club. “I’m president for life.”
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The post Extraordinary lives: 18 notable New York Jews who died in 2022 appeared first on Jewish Telegraphic Agency.
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In Britain, a Jewish Culture Month aims to move the conversation beyond Oct. 7
(JTA) — In the almost three years since the Oct. 7, 2023, Hamas invasion of Israel, Great Britain has seen “a relentless focus on everything to do with the Jewish community in the public domain, and it’s about antisemitism or Israel,” said Adam Ma’anit, the communications manager for the Board of Deputies of British Jews.
Over the past four weeks, a flurry of performances, lectures and art exhibits has been an opportunity to move past that.
The Board of Deputies, which represents a community of diverse and often competing views under its umbrella, created Jewish Culture Month, a first-of-its-kind series held under the banner of “Less Oy, More Joy.” The month was designed to bolster Jewish communal confidence and to introduce wider audiences to aspects of Jewish life that rarely make headlines.
The month, which wrapped up Tuesday, sought to make clear that British Jewish identity is, and always has been, about far more than conflict. “We’re not defined as a community by pain,” Ma’anit told the Jewish Telegraphic Agency. “We’ve got great architects, writers, and musicians as well.”
Those artists were featured in more than 150 events over four weeks across the country at major museums and galleries , including London’s British Museum, Oxford’s Bodlein Library, Bath’s Little Theatre Cinema, Nottinghamshire’s National Holocaust Museum and local synagogues and private homes nationwide.
Among them was The Klezmer Village Band, which introduced Jewish culture to primary schools in Plymouth. “We wanted to bring Jewish culture back into the community,” Plymouth Jewish Community Director Louise Clements said. “This is the first time in many years that something like this has happened here.”
One of the band’s musicians, Ilana Cravitz, also noted after the event that “music is a wordless language. People respond from inside — they stop thinking, they feel. And we really saw that today.”
Notables featured throughout the celebrations included British broadcaster and television personality Vanessa Feltz, who spoke at the opening at London’s Freud Museum; comedian Bennett Arron, who performed stand-up routines in Hampstead, London; and acclaimed British artist and vocal Israel critic Anish Kapoor, whose exhibit opening on Tuesday closed out the month.
“Part of Jewish Culture Month is about us celebrating our own culture and being proud, British Jews, and asserting ourselves in an environment where it has been the most challenging to be that very British Jew,” said Ma’anit.
The Holocaust Memorial Day Trust noted another aspect of the festival soon after it kicked off on May 16. “At a time when division and prejudice continue to affect communities across the country, initiatives like Jewish Culture Month can help build understanding and strengthen social cohesion,” it posted social media.
However, some thought it difficult to focus on social cohesion when discussing contemporary British Jewish identity without discussing how that identity dovetails with British Jews’ relationship with Israel.
It’s something that Jewish Renaissance, the online magazine of Jewish culture, raised ahead of the opening. Freelance writer and former Jewish Quarterly editor Matthew Reisz wrote that while there was definitely diversity in the program, “We seem unlikely to hear much about the deep divisions within the community, not least in relation to Israel/Palestine, or the crucial, though often tense dialogue with other minority communities on both shared and contentious issues.”
Ma’anit insisted that the choice was a deliberate one. “It’s not a rejection of Zionism or distancing ourselves from Israel,” he said. “Quite the opposite. The board’s leadership remains openly supportive of Israel and many of the figures involved in the project have deep personal and family ties to the country.”
Israeli-born Ma’anit is one of those figures. He is the cousin of the Idan family of Nachal Oz, a kibbutz close by the border with Gaza. Eighteen-year-old Maayan Idan was shot and killed by Hamas terrorists on Oct. 7 while trying to help her father, Tsachi, hold their safe room door closed. The entire event was livestreamed by the terrorists. Tsachi was abducted into Gaza, where it was believed he was still alive as the war on Gaza raged. It was discovered only later that he had been murdered, with his body finally returned in the hostage deal in February 2025.
Ma’anit, who spent those years lobbying for the hostages’ return, appearing on news programs and organizing hostage vigils in his hometown of Brighton, has been forced to meld the personal with the professional when it comes to the post-Oct. 7 era.
It’s why, he said, Jewish Culture Month is about creating space for aspects of Jewish identity that have been overshadowed post Oct. 7. “The argument is not that Israel is unimportant,” he said, “it’s that Jewish life cannot be reduced to Israel alone.”
Yet even without a focus on Israel and Zionism, the month did not pass without the conflict in the Middle East affecting the program. In May, a culture month lecture titled “Ancient Israel and Judah” at the British Museum had to be postponed, the museum said, because of “security concerns” over potential “disruptions” by protesters who had obtained tickets. The rescheduled event, held June 11, was the best-attended of the entire series, with around 4,000 people joining in person and online.
Ma’anit called the incident “overblown. It was just procedural,” he said. “People fill in the blanks and then it gets out of control.”
However, the speed with which the controversy escalated and elicited angry reactions from many in the community only served to highlight how questions about Jewish visibility and any event with “Israel” in the name — even a reference to thousands of years ago — have become highly charged in the last three years.
“It just shows how on edge the community is,” Ma’anit said.
That has intensified the need for something like Jewish Culture Month in the eyes of many British Jews. Steph Thwaites, head of a group dedicated to helping Jewish publishing professionals navigate an increasingly hostile publishing industry, said after a Jewish Culture Month event on the topic that the professionals felt “a sense of community and a source of comfort,” as well as a space to “combat anti-Jewish racism in publishing and to support Jewish creatives.”
Ultimately, as UK Communities Secretary Steve Reed put it in his speech at the launch of the festivities, Jewish Culture Month “is a time to celebrate Britain’s Jewish community and its contribution to our shared story. It’s a time for coming together. It’s a time for friendship. Jewish experience cannot just be about defending against fear; it also has to be an expression of hope and joy and freedom.”
The post In Britain, a Jewish Culture Month aims to move the conversation beyond Oct. 7 appeared first on The Forward.
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This Jewish activist was arrested and deported for her book ‘Lesbian Love.’ 100 years later, will NYC apologize?
In 1926, New York City police arrested Eve Adams, a Polish-Jewish immigrant who ran a lesbian bar in Greenwich Village, for the crime of being gay.
The formal charges were more euphemistic. Officially, Adams was charged with disorderly conduct — that is, flirting with an undercover police officer who had entrapped her, and obscenity, for writing and possessing the book Lesbian Love.
The following year, the U.S. government deported Adams to Poland, in what was effectively a death sentence: 16 years later, Adams would be murdered at Auschwitz.
Now, a century after Adam’s arrest, Manhattan Borough President Brad Hoylman-Sigal — the first openly gay person to hold the elected position — is urging New York City Mayor Zohran Mamdani to formally recognize the city’s role in Adams’ persecution.
He sent a letter to Mamdani requesting that the city issue a formal declaration acknowledging Adams’ conviction in 1926 “was unjust and rooted in discriminatory law enforcement and affirming that New York City failed her as a pioneer of LGBTQ+ life, as an immigrant, and as a Jewish woman who was ultimately deported to her death.”
“Adams’s story is among the most unjust in our city’s history,” the letter reads. “One hundred years after her arrest, we have the obligation and the opportunity to say plainly that she deserved better.”
In a statement to the Forward, the Mayor’s office said they are reviewing the request.
“The Mamdani Administration is deeply committed to uplifting the stories of New Yorkers that have gone unheard throughout history,” deputy press secretary Sam Raskin said.
A pioneer
Born with the name Chawa Zloczower in Poland in 1891, Adams immigrated to the United States through Ellis Island at age 20.
In America, she adopted the name Eve Adams — a playful nod to her androgyny, invoking the biblical Adam and Eve — and wore men’s clothing.
“She was a vibrant activist, who was daring. She had an androgynous appearance, which immediately identified her as a lesbian,” said Jonathan Ned Katz, author of The Daring Life and Dangerous Times of Eve Adams. “Wearing pants for women was just unthinkable in the time period.”
Adams soon immersed herself in New York’s anarchist circles, befriending prominent Jewish anarchists Emma Goldman and Alexander Berkman. She worked as a traveling saleswoman for leftist publications including Mother Earth, activities that landed her on the Bureau of Investigation’s watch list during the First Red Scare.
In 1923, Adams published Lesbian Love, a collection of essays about the romantic lives of dozens of women in Greenwich Village. Katz described the book as far ahead of its time.
“The word “lesbian” was not used much. It was like a dirty word at the time, so you didn’t say it out loud,” Katz said. “Here she was, putting it on a book jacket.”
Two years later, Adams opened Eve’s Hangout in Greenwich Village. The underground tearoom became a rare refuge where lesbian women could socialize openly.
But the haven proved short-lived. In 1926, an undercover detective named Margaret Leonard visited Eve’s Hangout, where she met Adams. The following day, the two attended a play in Times Square together. Adams gave Leonard a copy of Lesbian Love — evidence of “obscenity” that prosecutors later used against her — and Leonard alleged Adams made sexual advances toward her during the taxi ride to the theater.
Adams was convicted and spent 18 months in jail before the United States deported her to Poland.
She settled in Paris, where she began a relationship with Jewish cabaret singer Hella Olstein Soldner. In 1943, the two women were arrested and sent to the Drancy internment camp. From there, they were deported to Auschwitz, where both were murdered.
Adams’ legacy
Over the years, Adams has come to be recognized as a Jewish LGBTQ icon. Her life inspired the play The Great Lesbian Love of Eve Adams, and she was the subject of a New York Times obituary published as part of the newspaper’s “Overlooked” series, which chronicles the lives of notable people throughout history whose deaths went unreported.
Hoylman-Sigal said he was inspired to commemorate Adams by the NYC LGBTQ Historic Sites Project, a nonprofit that documents local queer history, which asked him to send the letter to Mamdani. The Sites Project also offers historic walking tours of the city featuring Adams’ story.
“Their jaws drop when we tell them these stories, standing in front of the building where her tea room was,” said Ken Lustbader, co-founder of the NYC LGBT Historic Sites Project.
On Wednesday, the centennial of Adams arrest, the Sites Project is hosting a performance and vigil in Adams’ honor at the former site of Eve’s Hangout — today, home to La Lanterna, an Italian cafe and pizzeria.
The site of Eve’s Hangout has also been recognized by the National Park Service as part of a roundup of Greenwich Village landmarks significant to LGBTQ history.
New York City, however, has never formally acknowledged the injustice of Adams’ arrest, conviction and deportation.
A posthumous apology would be unusual, though not without precedent: In 2019, the NYPD formally apologized for its 1969 raid on the Stonewall Inn, describing the department’s actions as “discriminatory and oppressive.”
“I would love to see the mayor do it, but we could have one from the police department — an apology for sort of framing her,” Katz said. “They sent in a plainclothes policewoman to entrap her, and so that was really beyond a democratic process.”
The NYPD did not respond to the Forward‘s request for comment.
Whether or not the city issues an official acknowledgement, Hoylman-Sigal said he hopes the campaign will help keep Adams’ story alive.
“It’s an extremely poignant story, sorrowful, outrageous, sad — and one that most people don’t know about,” he said. “So I thought bringing attention to it was a righteous cause.”
Jacob Kornbluh contributed reporting.
The post This Jewish activist was arrested and deported for her book ‘Lesbian Love.’ 100 years later, will NYC apologize? appeared first on The Forward.
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Ever the restless spirit, Tel Aviv-born architect and designer Ron Arad is still reinventing himself and his art
When the announcement was made on June 12 that Ron Arad, 75, has been appointed a Commander of the Order of the British Empire (CBE), it marked another step in the Tel Aviv-born architect, artist and designer’s remarkably varied journey. Arad’s mother was the painter Esther Peretz-Arad and his father Grisha was a sculptor and photographer. After industrial design studies at the Bezalel Academy of Arts and Design in Jerusalem, Arad traveled to London to become an architect, and has remained based there ever since. Yet although he won early fame with his piquant, witty concepts for chairs, Arad has proven anything but sedentary over the past half-century. Indeed, a 2010 retrospective at London’s Barbican Art Gallery was titled “Restless.”
Despite this seemingly permanent shpilkes (restless agitation), humane consideration for the pathways of others has been a constant in Arad’s public projects. His design for Beit Shulamit (2025), a cancer treatment center at the HaEmek Medical Center in Afula, northern Israel, intended to serve Jewish, Christian, Muslim and Druze communities in Israel and Palestine, deliberately freed patients and visitors from “horrible hospital corridors,” Arad told an architectural periodical. Patients walking around the site are given views of nature outdoors at every turn, in a facility that is the first to offer specialist cancer treatment for residents of West Bank conflict zones, including the cities of Jenin and Nablus. Named in honor of Dr. Shulamit Katzman, a pediatrician, the building’s gently curved lines embrace the public.
This awareness of social cohesion is also present in an Arad sculpture on the Tel Aviv University campus. “Kesher” is dedicated to the estimated 4,000 Ethiopian Jews who died from adverse conditions in transition camps on the Sudanese border while trying to emigrate to Israel between 1979 and 1990. Composed of dynamically soaring, interwoven metal tubes, the artwork, wrapped around two live palm trees, a ubiquitous symbol of the Middle East, evokes an expedition. A repeated figure-eight symbolizes the endless continuity of the immigrants’ route and the resolve that it communicates.
In England, Arad assisted the National Health Service (NHS) in responding to the COVID-19 pandemic. A flock of UK Jewish celebrities posed for photos wearing Arad-designed cotton masks, including actor Stephen Fry, comedian David Baddiel, and television host Natasha Kaplinsky. Despite lively colors, the masks, intended to be sold for fundraising, retained a somewhat tragic aura, like the grotesque permanent smile of Victor Hugo’s Gothic novel The Man Who Laughs.
Potential tragedy inherent in triumph likewise radiates from another Arad project, the Totzeret HaAretz (ToHA) tower, an office skyscraper in central Tel Aviv which was inspired by the shape of an iceberg. Its angular glass, built as the polar ice caps are rapidly melting and the fate of the passenger liner Titanic’s collision with an iceberg is particularly relevant, the ensemble when complete will include an 80-floor companion tower, Tel Aviv’s tallest building.
Similarly, Arad is aware of the agony of defeat as well as artistic victories he has experienced over the years. When his codesign for a National Holocaust Monument Ottawa in Canada failed to win a competition, Arad published the concept anyway. The result is a highly literary, theological rumination on the impact of the Shoah on modern Jewish history. Ever conscious of the pedestrian’s progress, Arad’s design featured concrete walls framing 22 narrow passageways, one for each country in which Jewish communities were decimated. These walls, spaced around a meter apart, would have allowed only one visitor to fit through at a time. The solitude would have been lessened by an architectural allusion to the covenant of the pieces (Brit Bein HaBetarim), the first of a series of covenants between God and the Patriarchs. In this narrative, God revealed himself to Abram (later Abraham), promising that his descendants would inherit the Land of Israel.
Less loftily or weighty with destiny, Arad’s chief promise as an artist is to his own creativity. He was so inspired by a melody by the American Jewish songwriter Jonathan Richman about shedding personal inhibition and pretension by accepting new, unfamiliar surroundings and contexts, that in all seriousness he informed an interviewer in 2005 that he wanted Richman’s tune, “I Was Dancing In The Lesbian Bar” to be played at his funeral. Another impeded project where dancing might have been at least delayed was a London Holocaust Memorial and Learning Centre design, initially approved in 2017, but later bogged down by objections about its proposed site, Victoria Tower Gardens, next to the Houses of Parliament. However, in January, a Holocaust Memorial Act 2026 received Royal Assent, officially clearing a legal hurdle blocking the construction of Arad’s UK Holocaust Memorial; the recent conferral of a CBE by Charles III, known to take particular interest in Jews and Holocaust victims, represents further establishment endorsement of Arad and his work.
Despite this authorized approval, Arad looks likely to remain an offbeat spirit, drawing inspiration from a wide range of predecessors, including the Czernowitz-born Austrian Jewish creator Friedrich Jacob Kiesler who innovated with 1965’s “Shrine of the Book” in Jerusalem to house the Dead Sea Scrolls and the Aleppo Codex, among other texts. Kiesler was also responsible for an unbuilt architectural concept, the Endless House, a biomorphic, continuous form with no beginning, end, or even boundaries between floor, wall, and ceiling. Some Arad projects resemble completed versions of things Kiesler and his fellow Jewish surrealists might have only dreamed of.
When it is built, Arad’s Holocaust Memorial will pay tribute to several minority groups targeted by the Nazis, in addition to the Jews. The Learning Centre is intended to explore antisemitism, but also extremism, Islamophobia, racism, homophobia and other forms of prejudice in today’s society. Much of it will be underground, drawing visitors down narrow stairs into the exhibition space and learning center, in yet another example of Arad’s obsession with peregrinations, like a modern-day architectural Benjamin of Tudela, a medieval Jewish traveler. Ever shedding past identities, Arad told the 2005 interviewer that the living person he most admired was Bob Dylan, for “reinventing himself and for reinventing us.” In a comparable way, Ron Arad has also reworked his own optic to express modern Jewish identity in a variety of forms, as an excursion hampered by tragedy and ominous echoes at times, but also with the possibility of quick-witted celebration.
At last year’s Royal Academy Summer Exhibition, Arad presented a bronze sculpture titled “I doubt therefore I think” (Dubito Ergo Cogito). Inviting museumgoers to sit on it, the artwork likely referred to a time-honored Jewish tradition of doubt as the mitzvah of questioning. This mitzvah has accompanied Arad’s career-long odyssey in the arts.
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