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Extraordinary lives: 18 notable New York Jews who died in 2022
(New York Jewish Week) — Recalling the lives of what obituary writer Marilyn Johnson has called the “important dead” is one of the honors and pleasures of reading — and writing — daily journalism. Jewish tradition teaches that every life is of infinite value, but many people make their marks in ways that inspire readers to pause and ponder on the sheer variety of human endeavor.
In the case of the New York Jewish Week, we’ve been honored to remember those who died in 2022 and whose lives represent the diversity of Jewish experience and what it means to be a New Yorker. Below, we recall 18 Jewish New Yorkers whose contributions to religion, the arts, communal life, popular entertainment, public affairs or just their loving families were either the subject of an obituary that we had written, or who came to our attention thanks to their friends and relatives. May their memories be for a blessing.
David Henoch
Recent high school graduate who died doing what he loved.
Henoch and his parents, sisters, brothers-in-law and niece the day of his graduation from SAR High School in the Bronx, June 13, 2022. (Courtesy Henoch family)
The tight-knit Modern Orthodox community in the Bronx, where David Henoch grew up and attended the SAR Jewish day schools, remembered him as a curious, sensitive and empathetic leader among his peers, with a deep sense of humor and excitement for many different areas of life. Friends and family described “Divi” as an avid adventurer whose favorite activities — many of which he loved to do with his father Avi — included snowboarding, sailing and basketball. He was a certified scuba diver who died at 18 July 10 in a diving accident in Florida, a month after his graduation from SAR High School. He was buried in Israel, where he had planned to spend a year studying before going to college. “Divi always challenged me to improve. He was open to anyone and everyone’s ways no matter how mild or extreme,” a friend, neighbor and classmate recalled, adding, “He was as fearless as it gets and never once was he afraid to be himself.”
Michael Lang
A promoter behind the 1969 Woodstock festival.
Woodstock Music Festival co-producer Michael Lang attends a celebration of the 40th Anniversary of Woodstock at the at Rock & Roll Hall of Fame Annex NYC in New York CIty, Aug. 13, 2009. (Michael Loccisano/Getty Images)
Michael Lang, the Jewish co-creator of 1969’s legendary Woodstock Music and Art Fair, died on Jan. 8 in Manhattan. He was 77. A concert promoter who was just 24 at the time, he was one of several Jewish collaborators who made the generation-defining festival, billed as “Three Days of Peace and Music,” happen. Other key players included music executive and promoter Artie Kornfeld — another Brooklyn-born Jew — and businessman Joel Rosenman, a Jewish native of Long Island. Lang was born in 1944 in Bensonhurst, Brooklyn. Lang credited his Jewish parents, who were small-business owners, with teaching him the skills he needed to pull off an event of such scale. His father, he said, “gave me a strategy for getting out of tough situations: take charge and keep moving. Step back just enough to think clearly, and trust your instincts.”
Edward Schoenfeld
A Brooklyn-born maven of Chinese cuisine.
Ed Schoenfeld speaks at a Food Network event in New York City, Oct. 18, 2014. (Michael N. Todaro/Getty Images for NYCWFF)
Like a lot of Jews growing up in Brooklyn, Edward Schoenfeld learned to love Chinese food. He made it a career, opening a series of famed restaurants that introduced New Yorkers to the wide variety of Chinese cuisine. In 1973, he got his first restaurant job as assistant to restaurateur David Keh when he opened Uncle Tai’s, one of the first Hunan restaurants in New York. He went on to a career developing and running restaurants over some four decades. Among his well-regarded Chinese restaurants were Auntie Yuan and Pig Heaven, both on the Upper East Side, as well as Red Farm, a farm-to-table restaurant in Greenwich Village, which opened in 2010. “My personal joke is that I learned to speak Yiddish in the Chinese restaurant from my customers,” he told the Jewish Telegraphic Agency in 2013. Schoenfeld died Jan. 14 at 72.
Lori Zabar
A lawyer and activist devoted to landmarks — including her family’s gourmet food emporium.
Lori Zabar, left, with Kate Wood and David Sprouls at the book launch of “Interior Landmarks: Treasures of New York,” at The Four Seasons, Oct. 8, 2015. Zabar was the first director of the NYC Historic Properties Fund at the New York Landmarks Conservancy. (New York School of Interior Design)
Lori Zabar, a lawyer, author, antiques dealer and historic preservationist whose grandparents founded Zabar’s, the Upper West Side gourmet food emporium, died Feb. 3 the age of 67. The cause of death was cancer. The first director of the NYC Historic Properties Fund at the New York Landmarks Conservancy, she died shortly before the publication of “Zabar’s: A Family Story, with Recipes” in May. In an excerpt from her book published in the New York Jewish Week, she wrote about the perfectionism of her grandfather Louis when he opened the first reiteration of what became the famed “appy” store and a landmark in its own right: “For this new venture, Louis would sample deli meats and fish from various purveyors before he would commit to doing business with those suppliers. To taste fish, Louis would tour dozens of local smokehouses, large and small, mostly in Brooklyn and Queens. He was notorious among the wholesalers for rejecting more than he accepted. His retail mantra was simple: the highest quality at the lowest price.”
Sheldon Silver
A powerful politician undone by a corruption scandal.
Then-Speaker of the New York State Assembly Sheldon Silver walks in front of the State Capitol in Albany, New York, March 12, 2008. (Daniel Barry/Getty Images)
Sheldon Silver, who for two decades wielded enormous power as the speaker of the New York State Assembly before being brought down by a corruption scandal, died Jan. 24 at 77 at Otisville Correctional Facility in upstate New York, where he had been serving a 6 1/2-year sentence on federal corruption charges. An Orthodox Jew and Democrat who represented New York’s Lower East Side, Silver was one of the most influential political leaders in the state, using the power of his office to guide legislation and stall opposition even when, for 12 years, Republican George Pataki was governor and Republicans held a majority in the state Senate. Silver’s arrest and conviction sent shock waves through New York’s Jewish establishment. “Shelly Silver was one of the strongest forces for progressive issues in the New York State Legislature,” Assemblyman Richard Gottfried, a Jewish Democrat from Manhattan, told the New York Times. “It’s a tragedy that those achievements have been overshadowed by his criminal record.”
Pinchas Stolper
A leader of the Orthodox Union and its powerhouse youth movement.
Rabbi Pinchas Stolper delivers a Passover message to NCSY alumni on April 10, 2014. (YouTube)
Rabbi Pinchas Stolper, a pioneer in making Orthodox Judaism accessible to young people, died on May 25 at 90. Stolper helped turn the National Council of Synagogue Youth into a national powerhouse. He served as the first full-time national director of NCSY and as the longest-serving executive vice president of the Orthodox Union, and wrote a series of books making the holidays and Shabbat more accessible to younger readers. He retired from the leadership of the Orthodox Union in 2000, the same year that a rabbi under his supervision. Baruch Lanner, was accused of years of sexual and physical abuse. In the first report about the scandal, he told the New York Jewish Week that he had heard several complaints from young women about improper behavior by Lanner, but lacking specific allegations, let the youth leader off with a warning.
Miriam Winiarz
A Staten Island widow who was devoted to outreach.
Miriam Winiarz and her husband Rabbi Mendy Winiarz were known for their outreach to Jews on Staten Island. (Courtesy)
Miriam Winiarz lived through the unthinkable: In 2015, her husband Dovid Winiarz died in a Maryland car crash, leaving the Staten Island mother alone to raise their 10 children. And yet, after losing her husband, she remained a pillar in the borough’s Jewish community, Mendy Mirocznik, president of the Council of Jewish Organizations of Staten Island, told silive.com. She continued the kiruv, or outreach work that she and her husband had conducted before his death, bringing other Jews closer to their tradition through social media and through his rabbinate. “This was somebody who, when they got wind of the situation, somebody had a problem, they would interrupt their own lives and make you a priority,” said Mirocznik. Miriam Winiarz died in early December at the age of 56 after what was described as a brief illness. Her funeral at Young Israel of Staten Island in Willowbrook drew more than a thousand people. A fund has been set up to support her children, the youngest of whom is 14.
Philip Pearlstein
Modern realist painter and champion of Jewish art.
Modern realist painter Philip Pearlstein photographed in his New York studio in 1971. (Jack Mitchell/Getty Images)
Philip Pearlstein, an artist whose painting of nudes revived realistic painting after decades of dominance by abstraction, died in Manhattan on Dec. 17 at age 98. Born in Pittsburgh, he moved to Manhattan in 1949 as a sort of chaperone to a young Andy Warhol. He became an instructor at the Pratt Institute, and taught at Brooklyn College from 1963 until his retirement in 1988. Pearlstein served on the board of the Covenant Foundation in the early 2000s, and , according to Judith Ginsberg, former executive director of the foundation, opened the board to funding Jewish art in a bigger way and promoting the artists Debbie Friedman, Liz Lerman and Liz Swados.
Barbara Roaman
A grandma with a keen fashion sense and commitment to social justice
Barbara Roaman and her granddaughter, Sandy Fox. (Courtesy)
Barbara “Bobby” Roaman, who died on Nov. 6 at 91, was born in Manhattan and lived on the Upper West Side as a child. After attending Syracuse University and Columbia University, where she majored in Spanish, she moved to Long Island with her husband, Richard. In a eulogy shared with the New York Jewish Week, her granddaughter, Sandy Fox — an editor at In geveb: A Journal of Yiddish Studies — remembered both her sense of fashion and her work in the civil rights movement on Long Island:
“Our conversations as a child instilled in me much more than a love of clothing. She taught me values of social justice and tzedakah, or what she would have called charitable giving, and because she wasn’t at all religious, those were the pillars of her Judaism. She and my grandfather were born in the late 1920s and early 1930s. They were upwardly mobile and privileged. In their class status and whiteness, they had blind spots when it came to race. Nevertheless, their commitments to social justice and civil rights were inspiring to me as a child and teen. They were involved in attempts to desegregate Long Island in the 1950s and 1960s. In more recent years, grandma had become involved in a local group called ERASE Racism, and donated to many non-profits that I also care about: Planned Parenthood, Democratic campaigns of all kinds, American Jewish World Service, and so on. It would have been so easy for them to become Republicans, as many Jews in their generation did. But they didn’t…. My mom died when I was 18, and from then on we tried to bridge that cavernous loss that affected us so differently but both so profoundly. She could not replace my mother and I could not replace her daughter, but we came pretty damn close. I sensed that she poured into me everything she wished she had poured into my mother.”
René Slotkin
A survivor of Mengele’s sadistic experiments on twins.
Ita Guttmann and her twins, René and Irene (then Renate), were photographed for Nazi propaganda while they were imprisoned at Theresienstadt. (Courtesy of United States Holocaust Memorial Museum via Irene Guttmann Slotkin Hizme)
René Slotkin, who with his twin sister Renate (Irene) was subjected to Josef Mengele’s infamous medical experiments on twins, died July 10 at age 84. Born in Teplice-Sanov, a city in northern Bohemia, he and his sister were sent, at 4, with their mother, to Theresienstadt. After a year, the three were shipped to Auschwitz. Then they were split up, the children becoming part of the infamous medical experiments conducted by Mengele, the sadistic “Angel of Death.” Orphaned, Slotkin and his sister survived a death march and arrived in New York in 1950. He was married at a young age and, after serving as a sergeant in the U.S. National Guard, worked for a box manufacturing company as a cost estimator. In 2019, he joined the Speakers Bureau at the Museum of Jewish Heritage, sharing his testimony with students. “I am here because of good people, good people everywhere,” he told the museum in an interview.
Sarah Schlesinger
A force in musical theater education.
At NYU’s Tisch School of the Arts , Sarah Schlesinger was the recipient of the David Payne Carter Award and the University Distinguished Teacher Award. (tisch.nyu.edu)
Sarah Schlesinger was an award-winning lyricist and librettist whose works, with composer Mike Reid, included “The Ballad of Little Jo,” “The Last Day,” “Casanova Returns,” “Prairie Songs,” “A Wind in the Willows Christmas” and “In This House.” But her most lasting legacy may well be the composers and lyricists she mentored as an arts professor and dean at the Graduate Musical Theatre Writing Program at New York University’s Tisch School of the Arts. She joined the program in 1989, served as associate chair of the department from 1995 to 1997, and was named chair in 1998. “Under her leadership, the program produced a huge, international alumni network of artists who are at the forefront of every facet of musical theatre activity: as creators, teachers, scholars and business leaders,” the program said in a statement. “Her insight, razor-sharp mind and her ability to get things done and to identify and encourage faculty, students and alums was frankly staggering in its longevity and reach. Sarah was a force that could make things happen.” Schlesinger died Dec. 14 following an illness.
Menahem Schmelzer
The ‘go-to’ librarian at the Jewish Theological Seminary.
Menahem Schmelzer tended perhaps the greatest collection of Judaica in the Western Hemisphere. (Courtesy Jewish Theological Seminary)
In 1966, after a fire gutted the library at the Jewish Theological Seminary in Manhattan, Menahem Schmelzer led what the flagship Conservative seminary said in a statement was “the extraordinary effort to reopen it, restore it to health, and ultimately open a new Library building in 1983.” When he stepped down as its longtime librarian in 1987, he had watched over the resuscitation of perhaps the greatest collection of Judaica in the Western Hemisphere. Schmelzer, who spent four decades at JTS, also served as provost and held the title of Albert B. and Bernice Cohen Professor Emeritus of Medieval Hebrew Literature and Jewish Bibliography. A Holocaust survivor who was born in Hungary, Schmelzer was also a scholar in his own right, specializing in medieval Hebrew literature and the Jewish liturgical poetry known as piyyut. David Kraemer, the Joseph J. and Dora Abbell Librarian at JTS, remembered his colleague as “the ‘go-to’ person on questions of Jewish bibliography for researchers around the world.” He died on Dec. 10 at his home in Manhattan. He was 88.
Steven Salen
Holocaust survivor who dressed presidents
Steve Salen in an undated photo in his Manhattan atelier. (Family)
Born Zoltan Salomon in Czechoslovakia in 1919, Steven Salen first learned tailoring at a trade school run there by the American Jewish Joint Distribution Committee. Then the Nazis arrived and they deported Salen. He never saw his parents or seven of his 11 siblings again. But he stuck with his trade, establishing himself after arriving in New York City as a tailor to the elite, making garments for the likes of Richard Nixon, Henry Kissinger and Martin Scorsese (and keeping mementoes of their business at his Bayside home). Salen was an old-school, word-of-mouth tailor who started working at FL Dunn on Fifth Avenue in New York, and eventually had his own full-floor atelier on Madison Avenue and 53rd Street, at the heart of the city’s high-fashion district. In 2011, when Salen already topped 90, a New York style blog profiled his shop, noting that it was one of fewer than 30 bespoke tailors in a city that had once been home to more than 300. Salen would work until 95 before retiring; he died Nov. 23 at 103.
Maximilian Lerner
A World War II “Ritchie Boy” who went undercover behind German lines.
Maximilian Lerner served as a translator and interrogated prisoners on behalf of U.S. intelligence during World War II. (Via Museum of Jewish Heritage)
Maximilian Lerner, an Austrian Jewish immigrant, served as a translator and interrogated prisoners on behalf of U.S. intelligence during World War II as a member of the “Ritchie Boys,” a special unit trained in espionage and frontline interrogation. He died Sept. 10 at his home in Manhattan at age 98. Lerner left Austria with his family two months after Germany’s March 1938 annexation of his homeland and, after layovers in Paris and Nice, came to the U.S., via Lisbon, in 1941. After volunteering for the draft, he became one of the 2,000 to 3,000 European-born Jews who learned to interrogate prisoners of war and civilians, interpret and translate for foreign officials, and read codes. “I wore civilian clothes”— posing as German behind enemy lines – “a number of times,” he told the New York Jewish Week in 2004. “This was my war. I would do whatever it took.” After the war, her worked for a horticultural products business and later started his own business in the same field. He also earned a master’s degree in business education from Teachers College at Columbia University in 1952, and wrote two spy novels and an autobiography. In recent years Lerner volunteered at the Museum of Jewish Heritage in Manhattan, talking to groups about his experiences.
Chave Hecht
A camp director devoted to Jewish outreach.
Rebbetzin Chave Hecht and Rabbi J. J. Hecht receive a dollar and a blessing from the Lubavitcher rebbe, Menachem Mendel Schneerson, before a trip to South Africa in 1989. (Hecht Family/JEM van Chabad.org)
Rebbetzin Chave Hecht, the founder of Camp Emunah Bnos Yaakov Yehudah — an overnight camp for observant Jewish girls — and a host of other educational initiatives originating in the Chabad-Lubavitch community, died Feb. 8 at the age of 95. Born in the East New York section of Brooklyn and educated at public schools, she, along with her husband, the late Rabbi J.J. Hecht, also directed a Jewish summer day camp on Coney Island for public school children, pioneering Chabad’s outreach to non-observant Jewish families. Rebbetzin Hecht ran the day-to-day operations of Camp Emunah for decades, when her husband was back in Brooklyn running his synagogue. “She slept in her office,” her son, Rabbi Sholem Ber Hecht, a Chabad emissary in Queens, told Chabad.org. “She had no secretary; if you called the camp at 7 a.m. or 10 p.m., she answered the phone.”
Frederick Terna
Survivor, Brooklyn artist and “someone to watch” late into his 90s.
Artist Fred Terna, a Holocaust survivor, continued painting well into his late 90s. (Courtesy of Terna)
Holocaust survivor and painter Frederick Terna, who remained active at his Brooklyn studio into his late 90s, died on Dec. 8 at 99. Born in Vienna and raised in Prague, he was imprisoned in four Nazi concentration camps, including Terezin, where he began to make art. Terna moved to New York in 1952; his work was collected by a variety of museums and institutions, including the Smithsonian Institution in Washington, D.C., the Albertina Collection in Vienna and Yad Vashem in Jerusalem. Earlier this year he was named to the New York Jewish Week’s “36 to Watch” list of notable Jewish New Yorkers.
Saida Somekh
Immigrant, entrepreneur and loving grandmother.
Saida Somekh demonstrates her cooking skills for her family. (via Instagram)
Saida Somekh, who owned Dora Hosiery, a go-to lingerie shop in Midtown Manhattan for decades, died Nov. 5. She was 94. Her granddaughter, Erin Dana Lichy, a real estate agent and a new cast member on “The Real Housewives of New York,” remembered her in an Instagram post:
“She came from a different world, married very young and was expected to raise a family as a stay-at-home mom with little choice in her major life decisions. Well, that didn’t work for her, so she forged her own path. As a young immigrant with little practice in English, she became a female homeowner, businesswoman and successful entrepreneur…. As a grandmother, she was simply always there, like one’s backbone. She was a pillar of strength. Her presence made me feel safe and warm. She loved purely, deeply and didn’t pass judgment. She was patient. If I ever needed to fix a garment or didn’t have something to wear, she’d sew me something from scratch, however long it took. She was warm to my friends and anyone close to me. She would send us home with bags of food and cook with me for hours if I wanted to learn new a new dish. All I had to do was ask. My kids adored her and she them. They brought her so much joy and watching how prideful she was of them was heartwarming. She had pictures of us all around her house just so she could look at ‘her babies’ every morning when she woke up.”
Freddie Roman
Catskills comedian and keeper of the flame.
Freddie Roman, left and fellow comedian Shecky Greene attend “The Friars Club Salute to Freddie Roman and Stewie Stone” at New Tork’s Pierre Hotel, April 21, 2014. (John Lamparski/WireImage)
Comedian Freddie Roman, who died Nov. at 85, was never a crossover star in the mold of Alan King, Jackie Mason or Joan Rivers — three other Jewish comics with roots in the Catskills. And yet in a capstone to a long and steady career he resurrected the spirit of the Borscht Belt with the 1991 show “Catskills on Broadway” and, as the long-serving dean of the Friars Club, he injected new life into the fading Manhattan showbiz venue by inviting younger comics to join. Born Fred Kirschenbaum in Newark, New Jersey, and raised in Jamaica, Queens, Roman started emceeing at age 15 at the the Crystal Spring Hotel in the Catskills, which was owned by his uncle and grandfather. He soon was performing at hotels and resorts in the region for the largely Jewish crowd. “Catskills on Broadway,” starring him and fellow tummlers Dick Capri, Marilyn Michaels and Mal Z. Lawrence, was a bona fide hit, running for 453 performances. “I’m like the Fidel Castro of comedians,” he once said of his tenure at the Friar’s Club. “I’m president for life.”
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The post Extraordinary lives: 18 notable New York Jews who died in 2022 appeared first on Jewish Telegraphic Agency.
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Mamdani once vowed to arrest Netanyahu. Now he won’t join protests against him.
New York City Mayor Zohran Mamdani said Wednesday that he will not join protests against Israeli Prime Minister Benjamin Netanyahu when he arrives in the city to address the United Nations annual gathering next week and pushed back on the suggestion that he ever encouraged New Yorkers to protest the Israeli leader.
“I do not have any plans to attend any protest at the U.N. General Assembly,” Mamdani told reporters. “To New Yorkers, I have never encouraged them to protest. What I have always told them is that they have the right to do so in the city.”
But two months ago, when Mamdani was asked what New Yorkers frustrated with Netanyahu should do when the Israeli leader came to the city for the annual fall U.N. event, the mayor repeatedly pointed to protest as an option. “I think one of the bedrocks of our city is protest,” Mamdani said at a July 22 press conference. “It is something that has been a part of what makes our city so special: that New Yorkers can express themselves, whether they are in support or in opposition, no matter the topic.”
Mamdani’s July remarks came after a legal review the mayor ordered concluded that he lacks the power to order the arrest of Netanyahu, a pledge he made during his mayoral election campaign.
In July, when a reporter followed up directly, “Are you urging them to protest?” Mamdani stopped short of saying yes. But he again pointed to protests as a way for New Yorkers who oppose Netanyahu to make their voices heard. “I’m simply saying that this is a city where — if anyone feels a level of frustration or opposition, protest is something that we will always respect,” Mamdani said. “I leave it to New Yorkers themselves to make that decision,” he added.
From arrest pledge to protest rights
Mamdani had campaigned on ordering Netanyahu’s arrest based on a warrant issued by the International Criminal Court in November 2024, which accused the Israeli prime minister, former Israeli Defense Minister Yoav Gallant and Hamas military commander Mohammed Deif of war crimes and crimes against humanity. Netanyahu has rejected the charges. The United States is not a member of the International Criminal Court and the Trump administration imposed sanctions on the ICC months after it issued the warrants.
After taking office, Mamdani ordered a legal review and acknowledged in July that New York City does not have the authority to execute the ICC warrant.
He made that announcement in an unusual video address describing Netanyahu as “a war criminal, the architect of a horrific genocide against the Palestinian people” and declared that the Israeli leader would not be welcome in New York, home to the largest concentration of Jews in the United States.
The address drew criticism from Jewish leaders who questioned why the mayor was devoting so much attention to an arrest he acknowledged he could not legally carry out. The criticism came amid growing tension between Mamdani and parts of New York’s Jewish community over his rhetoric about Israel. Jewish organizations have also raised concerns about it contributing to a hostile climate for Jews across the city.
It was against that backdrop that Mamdani was pressed at the July press conference about what he would tell Palestinian supporters who had welcomed his promise to arrest Netanyahu, and were disappointed that he could not fulfill it. That is when he turned to protest as a remaining option. “I want to make it very clear that that welcome ends with me,” Mamdani said. “ I will not be welcoming Benjamin Netanyahu or any other war criminals when they come to this city.”
Netanyahu is expected to arrive in New York City next Wednesday under heavy security measures and address the U.N. General Assembly on Thursday before returning to Israel. One Israeli media outlet reported that the official plane carrying the Israeli leader, known as “Wings of Zion,” will land at Newark International Airport in New Jersey instead of John F. Kennedy International Airport in New York due to concerns that Mamdani could try to prevent the aircraft from remaining parked at JFK during Netanyahu’s visit.
Protests against Netanyahu are planned outside his hotel and near the United Nations during his address. Jewish groups are also planning a mass rally against antisemitism on Wednesday.
At Wednesday’s press conference, Mamdani drew a sharper distinction between encouraging protests and defending the right to hold them. “We respect that right,” he said. “And this is a city that is proud of the Constitution, proud of the First Amendment; we’ll continue to do so.”
Mamdani cited the same First Amendment right when asked about students from Ramaz and SAR, two prominent Modern Orthodox schools, who are planning a prayer vigil outside the mayor’s residence on Friday morning in support of Israel. “They can have a vigil, or I’ve heard some describe it even as a ‘protest,’” he said. “Whatever it is intended to be, they have the room and space to do so outside of Gracie Mansion. Though, he added, he would “probably be somewhere else across the city” when they gather.
The post Mamdani once vowed to arrest Netanyahu. Now he won’t join protests against him. appeared first on The Forward.
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Renoir’s paintings have been stolen again. Their history may never be found.
The timing was as swift as Auguste Renoir’s brushstrokes. In the pre-dawn darkness of Sept. 8, thieves in camouflage and helmets took less than three minutes to saw through a wire-mesh fence and carry off four paintings from the neo-Provençal villa in the south of France where the artist spent the final years of his life.
Perhaps spooked by the city’s newly acquired police dog, the looters dropped two works as they fled from the Musée Renoir across the hillside above Cagnes-sur-Mer, through ancient olive groves, orange trees and figs. Two Renoir works remain missing — a reminder of the peculiar power these paintings exert, not only on those who love them, but on those who covet them and yearn to possess them at almost any cost.
Three of the four stolen works were MNRs — Musées Nationaux Récupération, the French designation for “orphan” works recovered after World War II but never restituted because their rightful owners could not be identified or located. French museums hold them provisionally, a limbo that for some has lasted more than 70 years.
For one of the missing Renoirs, the latest theft amounts to a double tragedy: wartime spoliation followed by modern looting.
German property records show that, during World War II “Jeune femme au puits” was “confiscated by SS man Brandl,” an apparent reference to Hermann Brandl, a Nazi officer and black marketeer who went by the pseudonym “Otto,” and led an organization that bought goods and artworks outside normal channels. Recovered in Bavaria, the painting passed through the Munich Central Collecting Point and was returned to France.
The painting is small and unfinished, oil on wood. A woman in a blue apron stands at a well, drawing water. We do not know her name, but Renoir preserved her gesture and her face. History did not preserve who she was.
I find that omission difficult to leave alone.
I felt something similar in Paris in 2019, when I first stood before another Renoir, “La Petite Irène,” in an exhibition at the Musée Maillol. The portrait had not been publicly exhibited in Paris for 73 years. Yet there was little to explain the tragic history of the girl in blue — or the fact that her portrait itself had been looted during the German Occupation.
In 1946, a French critic had encountered the portrait in a Paris exhibition of artworks recovered from Germany. He wrote that the painting brought him to his knees and asked: “Who was Mlle. Irène Cahen d’Anvers?”
Seventy-three years later, I was asking essentially the same question.
The question became a search. The search became an investigation. The investigation became a book.
Irène Cahen d’Anvers was eight when Renoir painted her, with cascading ginger hair, a distant gaze and lips pressed red as if bitten. She was born into a family of art collectors who were also part of one of Belle Époque France’s great Jewish banking dynasties. She survived the German Occupation. Her sister Élisabeth, her daughter Béatrice de Camondo and her two grandchildren did not. All were victims of the Holocaust.
Before the arrests, Irène’s son-in-law Léon Reinach entrusted her Renoir portrait to the Louvre for safekeeping in 1939. The museum evacuated it with treasures including the Mona Lisa and the French crown jewels to the Château de Chambord in the Loire Valley.
But it was not safe there. In 1941, a Nazi looting unit arrived with a list of works belonging to private Jewish collectors and seized Irène’s portrait along with other paintings. Reinach boldly demanded its return, enlisting senior French museum officials in an unsuccessful campaign. Instead, the portrait eventually passed through Hermann Göring’s art-looting network.
After the war, Monuments Men investigators traced it to a Bavarian farmhouse owned by a murky art merchant near Neuschwanstein castle, a repository for looted art. In 1946, the portrait was returned to Irène, who later described it as “a remembrance of my youth and of all.”
Yet three years later, she sold it to Emil Bührle in a choice that seems almost incomprehensible. Bührle was a German-born Swiss arms manufacturer whose wartime fortune was built in significant part on weapons sales to Nazi Germany. He had also bought looted paintings during the war and, afterwards, was forced to restitute them — only, in several cases, to buy them back because he could not bear to part with them.
French archival records show that museum officials fiercely opposed the sale of “La Petite Irène.” Bührle’s own broker acknowledged that the Louvre had been interested in acquiring it, and a French commission voted to deny the export license needed to remove the Renoir from France.
Yet somehow those objections fell away. The broker’s correspondence showed that he bargained over the price and currency exchange rates with Irène and her banker. Bührle ultimately paid 240,000 Swiss francs — roughly $1.5 million in today’s dollars.
To understand Irène’s decision, I had to understand what the war had done to her.
During the Occupation, Irène left her grand Paris residence for a smaller apartment on Rue de la Tour in the 16th arrondissement and lived under the Italian surname of her former second husband. She survived by hiding in plain sight in occupied Paris, moving within a world of older Jewish women who survived by rotating among friends and discreet addresses. Helped by political connections and by a Catholic conversion decades earlier, she had obtained a coveted certificate declaring that she was not Jewish..
After the war, survivors returning from Auschwitz wrote to that Rue de la Tour apartment. Their painful letters told Irène what had happened to her missing family.
Her daughter Béatrice had survived arrest, Drancy and deportation to Auschwitz, where she was put to work in an ammunition factory. Newly uncovered records of letters from survivors indicate that she was murdered on Jan. 3, 1945, with more than 800 other prisoners, only weeks before Soviet troops liberated Auschwitz on Jan. 27, which is now known as International Holocaust Remembrance Day.
Béatrice died knowing that her two adult children were already dead, according to former prisoners who later wrote to Irène. Léon Reinach — the son-in-law who had fought to recover Irène’s portrait — also died at Auschwitz. Irène’s sister Élisabeth, painted beside her younger sister Alice in Renoir’s “Pink and Blue,” was murdered after deportation as well.
What, then, did Irène see when she looked at Renoir’s image of the eight-year-old girl she had once been?
A family relic? A remnant of a vanished world? A Jewish identity she had spent a lifetime navigating? Or simply losses too great to absorb?
The correspondence surrounding the 1949 sale offers one practical explanation. Bührle’s intermediary wrote that Irène, then 77, wanted to prevent the portrait from being sold at auction after her death because, given its value, it was unlikely any single heir could keep it.
It is an almost mundane explanation for a painting burdened with so much history: She wanted to avoid the public spectacle of an auction and Bührle had the fortune to pay for it quickly.
After the sale, “La Petite Irène” largely disappeared into Bührle’s private collection in Zürich. Only in recent years, now that the Bührle archives have been opened to greater scrutiny and much of the collection has gone on long-term loan to the Kunsthaus Zürich, has the history behind the painting received sustained public attention.
Today “La Petite Irène” hangs alone against an expanse of green in an austere reflection room at the Kunsthaus. Recently, the museum created the gallery around the portrait, inviting visitors to contemplate Irène’s story, record their reactions on a digital screen or draw responses to a history that is finally being confronted.
When I first saw the painting in Paris in 2019, I was struck not only by the girl but by the silence surrounding her. Now that silence is beginning to recede. The history has become part of the portrait’s biography — and part of the mystery of her gaze.
And now another Renoir has disappeared.
The woman in “Jeune femme au puits” still has no name. We know more about the travels of her painting than we know about her: taken during the war, recovered in Bavaria, returned to France, stolen again.
Paintings outlive the people who make them, own them, covet them, steal them and fight to recover them. Perhaps that is part of their strange power.
They carry what we remember — and what we fail to remember.
The post Renoir’s paintings have been stolen again. Their history may never be found. appeared first on The Forward.
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Translation series connects English readers to prewar Eastern European Jewish life
דאָס איז איינער פֿון אַ סעריע קורצע אַרטיקלען אָנגעשריבן אױף אַ רעלאַטיװ גרינגן ייִדיש און געצילעװעט אױף סטודענטן. די מחברטע איז אַלײן אַ ייִדיש־סטודענטקע. דאָ קען מען לײענען די פֿריִערדיקע אַרטיקלען אין דער סעריע.
אַ דאַנק אַ סעריע נײַע ענגלישע איבערזעצונגען פֿון מיזרח־אײראָפּעיִשע ייִדישע ווערק, האָבן ענגליש־לייענערס הײַנט אַ געלעגנהײט זיך צו באַקענען מיטן ייִדישן לעבן־שטייגער פֿאַרן חורבן.
די סעריע, „ייִדישע שטימען“ — אַ בשותּפֿותדיקער איניציאַטיוו פֿון ייִװאָ און דעם פֿאַרלאַג בלומסבערי — איז שוין צו ניץ געקומען סײַ לערערס פֿון קורסן, וווּ די סטודענטן פֿאַרשטייען ניט קיין ייִדיש, סײַ לייענערס מיט אַן אינטערעס צו דער ייִדישער געשיכטע.
„ייִדישע שטימען“ באַשטייט פֿון ביכער װאָס זענען קײן מאָל פֿריִער ניט איבערגעזעצט געװאָרן אױף ענגליש. זיי נעמען אַרײַן אַ ברײטע גאַמע אידעעס און פּערספּעקטיװן װאָס האָבן צוגעטראָגן צו דער מאָדערנער ייִדישער קולטור אין (און מחוץ) מיזרח־אײראָפּע.
זינט 2023, װען די סעריע איז לאַנצירט געװאָרן, זענען אַרױס פֿינעף בענד, װאָס צװײ פֿון זײ — „מיסיסיפּי“ און „די חסידישע װאַרשע“ — זענען ערשט דערשינען מיט אַ פּאָר װאָכן צוריק. ביז איצט האָט מען איבערגעזעצט בלויז ייִדיש־שפּראַכיקע װערק אָבער מיט דער צײַט װעט מען איבערזעצן טעקסטן פֿון אַנדערע לשונות, אַזױ װי פּױליש און העברעיִש, וואָס מע האָט ביז איצט ניט איבערגעזעצט אויף ענגליש.
די סעריע, סובסידירט פֿון דער משפּחה פֿון האַריעט יאַסקי, װערט רעדאַקטירט פֿון אַליסאַ קװינט און עליסאַ בן-פּורת. (איך אַלײן אַרבעט מיט זײ װי אַן אַסיסטענטקע). קװינט איז אַ היסטאָריקערין פֿונעם ייִדישן טעאַטער, און בן-פּורת איז אַ היסטאָריקערין פֿונעם ייִדישן לעבן אין רוסלאַנד און אין סאָװעטן־פֿאַרבאַנד. ס׳איז דערפֿאַר נישט קײן חידוש אַז דער סעריעס קוקװינקל איז אַ היסטאָרישער. כאָטש די איבערגעזעצטע װערק רעפּרעזענטירן פֿאַרשײדענע קאַטעגאָריעס — למשל פּיעסעס, זכרונות און דערצײלונגען — איז דער עיקר זײער היסטאָרישע רײַכקײט.
„מיר קלײַבן אױס טעקסטן װאָס װאַרפֿן אַ שײַן סײַ אױף ברײטע טענדענצן, סײַ אױף ספּעציפֿישע פֿראַגעס װעגן ייִדיש לעבן אין מיזרח־אייראָפּע, און אין אַנדערע לענדער װוּ מיזרח־אייראָפּעיִשע ייִדן האָבן געװױנט װי אימיגראַנטן אָדער פּליטים. אַפֿילו די ׳ליטעראַרישע׳ װערק װי דערצײלוגען און פּיעסעס פֿאָרשן מיר פֿון אַ היסטאָרישן שטאַנדפּונקט“, האָט מיר קװינט געזאָגט.
צוליב דעם דאָזיקן שליחות שפּילט אַ װיכטיקע ראָלע דער אַרײַנפֿיר צו יעדן באַנד, װאָס איז תּמיד געשריבן פֿון אַ היסטאָריקער. אַ מאָל איז דער מחבר פֿון דער הקדמה אױך דער איבערזעצער, און אַ מאָל נעמען אונטער באַזונדערע מענטשן די צװײ אױפֿגאַבעס. „דעם היסטאָריקערס אַרבעט אינעם אַרײַנפֿיר איז אַרױסצוציִען און צוצובינדן די ביאָגראַפֿישע, גײַסטיקע און געזעלשאַפֿטלעכע אַספּעקטן פֿונעם װערק, אױף אַן אופֿן װאָס איז גלײַכצײַטיק װיסנשאַפֿטלעך און צוטריטלעך צו אַלע לײענערס, אַרײַננעמענדיק די װאָס האָבן פֿריִער ניט געװוּסט קײן סך װעגן דער טעמע,“ האָט בן-פּורת געזאָגט.
ביז אַהער באַשטײט די סעריע פֿון די דאָזיקע בענד, װאָס זענען אַלע בראָשירטע ביכלעך גרינג אַרומצוטראָגן אין אַ רוקזאַק און צו לײענען אַבי װוּ:
— „דרײַ ייִדישע פּיעסעס פֿון פֿרױען׃ װײַבערשע ייִדישע פּערספּעקטיװן“, איבערגעזעצט פֿון אַלען לויִס ריקמאַן, מיראָ מניעװסקי און אליע פּיאַצאַ, מיט אַ הקדמה פֿון אַליסאַ קװינט. דאָס בוך נעמט אַרײַן דרײַ פּיעסעס אָנגעשריבן פֿון דראַמאַטורגינס אין דער רוסישער אימפּעריע, אין פּױלן און אין ברוקלין, ניו־יאָרק, צװישן 1880 און 1920. אַלע דרײַ באַהאַנדלען קאָנטראָװערסיעלע „װײַבערשע“ טעמעס אַזױ װי חתונה און גט, שװאַנגערשאַפֿט, קינדל־קאָנטראָל און פּראָסטיטוציע. דראַמעס װאָס באַטראַכטן איבערלעבונגען דורך װײַבערשע אױגן זענען אַ זעלטנקײט אין דער ייִדישער ליטעראַטור.
— „חורבן דובאָװע׃ אַ פּינקס פֿון אַ טױטער שטאָט“, פֿון רחל פֿײַגנבערג (1926), איבערגעזעצט פֿון סינטיע און אַלבערט מאַדאַנסקי, מיט אַן אַרײַנפֿיר פֿון עליסאַ בן-פּורת (לײענט װײַטער דאָ). פֿײַגנבערג באַשרײַבט דאָס לעבן און דעם טראַגישן אוקמום פֿונעם שטעטל דובאָװע אין אוקראַיִנע, װוּ כּמעט אַלע ייִדן זענען בעת דער רוסישער בירגערקריג אין 1919 אָדער פֿאַרטיליקט אָדער פֿאַרטריבן געװאָרן. װען נישט פֿײַגנבערגס רירנדיקע דערצײלונג װאָלט דאָס ייִדישע לעבן אין דובאָװע אין גאַנצן פֿאַרגעסן געװאָרן. איר נאַראַטיװ האָט געדינט פֿאַר אַ גבֿית־עדות אינעם מישפּט פֿון שלום שװאַרצבאָרד אין 1927.
— „די מוטער פֿונעם ייִדישן טעאַטער׃ זכרונות פֿון אסתּר־רחל קאַמינסקאַ“ (1927-1926), איבערגעזעצט און מיט אַ הקדמה פֿון מיכל יאַשינסקי (לײענט װײַטער דאָ). קאַמינסקאַ איז געװען די באַרימטסטע ייִדישע אַקטריסע פֿון איר דור — טאַקע אַ „סופּערשטערן“ סײַ אױף דער בינע, סײַ אין ייִדיש־שפּראַכיקע פֿילמען. זי איז געװען ספּעציעל באַקאַנט פֿאַר אירע מאַמע־ראָלעס: דער טיטל פֿון דער איבערזעצונג פֿאַררופֿט זיך סײַ אױף דעם, סײַ אױף איר השפּעה אױף דער אַנטװיקלונג פֿון ייִדישן טעאַטער. קאַמינסקאַס זכרונות זײַנען פֿול מיט אומפֿאַרגעסלעכע געשיכטעס װעגן די פֿריילעכע מאָמענטן און די שװעריקײטן פֿונעם טעאַטער־לעבן, און מיט באַמערקונגען װעגן דער טעאַטער־קונסט װאָס זי האָט געהאָלפֿן אױספֿורעמען.
— „מיסיסיפּי׃ אַ ייִדישע פּיעסע װעגן דעם סקאָטסבאָראָ־ענין“ (1935), פֿון לײב מלאך, איבערגעזעצט פֿון עלען פּערעצמאַן, מיט אַן אַרײַנפֿיר פֿון אַליסאַ קװינט (לײענט װײַטער דאָ). מלאך האָט אָנגעשריבן די פּיעסע בתּשובֿה אױפֿן טרויעריק באַרימטן סקאָטסבאָראָ־ענין אין די דרום־שטאַטן, װען נײַן אַפֿריקאַנער־אַמעריקער זענען פֿאַלש באַשולדיקט געװאָרן אין פֿאַרגװאַלדיקן צװײ װײַסע פֿרױען אין אַ באַן. די װאַרשעװער טרופּע „יונג טעאַטער“, רעזשיסירט פֿון מיכל װײַכערט, האָט געשפּילט „מיסיסיפּי“ איבער 100 מאָל. דער ייִדישער עולם האָט מיטגעפֿילט מיט די שװאַרצע פּערסאָנאַזשן, סײַ פֿון אַ הומאַניסטישן שטאַנדפּונקט, סײַ צולוב די אײגענע איבערלעבונגען מיט אַנטיסעמיטיזם אין פּױלן.
— „די חסידישע װאַרשע׃ ר׳ זלמן און דאָס אַלעקסאַנדער־שטיבל“ (1960), פֿון יחיאל האָפֿער, איבערגעזעצט און מיט אַ הקדמה פֿון יונתּן בױאַרין (לײענט װײַטער דאָ). די מעשׂיות דערצײלן די אָפֿט־הומאָריסטישע טווּנגען פֿון ר׳ זלמן, אַן עקסצענטרישער לופֿטמענטש און אַ חסיד פֿונעם אַלעקסאַנדער־רבין. דורך זלמנס אַוואַנטורעס שילדערט האָפֿער דאָס לעבן פֿון אַ װאַרשעװער שטיבל, װוּ מענער האָבן געדאַװנט, געלערנט תּורה, געגעסן און זיך אויסגעטענהט. די דערצײלונגען מאָלן אױס אַ לעבעדיק בילד פֿון פֿאַר־מלחמהדיקן חסידות אין װאַרשע, װאָס איז געבליבן פֿעסט, נישט־געקוקט אױף דער ייִדישער מאָדערניזירונג ביזן חורבן.
אין 2027 און 2028 װעט „ייִדישע שטימען“ אַרױסגעבן:
— די דראַמאַטישע זכרונות פֿון שמעון דזשיגאַן, פֿונעם גאָר באַרימטן קאָמעדיע־פּאָר, דזשיגאַן און שומאַכער (איבערגעזעצט פֿון מרים אייזיקס, מיט אַן אַרײַנפֿיר פֿון דיעגאָ ראָטמאַן).
— חיים גראַדעס נישט־פּובליקירט מײַסטערװערק, „די פֿרױען פֿון דער געטאָ“, װעגן אַ גרופּע פֿרױען װאָס האָבן איבערגעלעבט די װילנער געטאָ (איבערגעזעצט און מיט אַ הקדמה פֿון דוד פֿישמאַן).
— די פּױליש־שפּראַכיקע זכרונות פֿון יולאַ װאַלד, די טאָכטער פֿון אַ חסידישן קרעטשמער אין דער צײַט פֿון דער ערשטער װעלט־מלחמה (איבערגעזעצט פֿון מאַרטאַ דודזיק־רודקאָװסקאַ, מיט אַן אַרײַנפֿיר פֿון גלען דײַנער).
— אױטאָביאָגראַפֿישע מעשׂיות װעגן די רײַזעס פֿון יוסף יצחק שניאורסון (דעם ריי״ץ), דער זעקסטער ליובאַוויטשער רבי (איבערגעזעצט און מיט אַן אַרײַנפֿיר פֿון אלי רובין).
„מיר האָבן כּמעט ניט קײן צײַט אָפּצוכאַפּן דעם אָטעם“, האָט אַליסאַ קװינט געזאָגט. „יעדער פּראָיעקט איז אַן אוצר, מיטן אײגענעם קוקװינקל אױף די דערפֿאַרונגען און געדאַנקען פֿון מיזרח־אײראָפּעיִשע ייִדן. ס׳איז אַ פּריװילעגיע זיך צו טײלן מיט אַזעלכע באַטײַטיקע טעקסטן מיט ענגליש־רעדנדיקע לײענערס.“
קױפֿט דאָ אַלע פֿינעף בענד פֿון דער סעריע ( כּדי צו פֿאַרשפּאָרן 20%, ניצט דעם קאָד YIDDISHVOICES בעתן באַצאָלן).
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