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A picture book about a heroine of Holocaust memory and 2 fantasy novels top year’s Sydney Taylor Jewish children’s book awards

(JTA) — An illustrated book about an inspiring Holocaust survivor and two works of fantasy featuring dybbuks and Jewish demons have won this year’s top prizes in Jewish children’s literature.

The Sydney Taylor Book Awards are awarded annually to outstanding works of Jewish literature for children, as part of the American Library Association’s youth media awards and in conjunction with the Association of Jewish Libraries.

This year, the top winner in the picture book category was ““The Tower of Life: How Yaffa Eliach Rebuilt Her Town in Stories and Photographs” by Chana Stiefel, illustrated by Susan Gal. “Aviva vs. the Dybbuk” by Mari Lowe won in the middle-grade level. And “When the Angels Left the Old Country,” the debut novel by Sacha Lamb, garnered the young adult award.

Named in memory of Sydney Taylor, the author of the “All-of-a-Kind-Family” series that is being made into a TV show, the prestigious award “recognizes books that exemplify high literary standards while authentically portraying the Jewish experience,” according to the award committee announcement. 

As chair of the Sydney Taylor award committee for the past three years, Martha Simpson sees a growing diversity in Jewish children’s books. This year, they considered an array of new titles that portray global Jewish life, others that feature neurodiverse characters and LGBTQ kids and more set in Orthodox communities, she wrote in an email.

“There are many different ways to live a Jewish life,” Simpson said. “It’s wonderful that these stories are finally being written and published so that readers can see themselves and also learn about other experiences.”

The top picture book tells the story of Yaffa Eliach, who survived the Holocaust in hiding with her family after being expelled from their hometown of Eishyshok, a Polish shtetl (now in Lithuania) where she had helped in her grandmother’s bustling photography studio taking portraits of the Jewish villagers.

After immigrating to the U.S. and becoming a historian, Eliach set about a globetrotting journey to thousands of photographs and remembrances from Eishyshok’s Jewish families. Her ambitious project is now a centerpiece of the core exhibit at the U.S. Holocaust Memorial Museum in Washington, D.C. She died in 2016.

The Tower of Faces at the United States Holocaust Museum in Washington, D.C. (Wikimedia Commons)

Gal, a previous Sydney Taylor winner and past recipient of the National Jewish book award, brings Eliach’s story to life through her richly colored illustrations interspersed with photographs of Eliach.

Lowe’s “Aviva vs. the Dybbuk” is a suspenseful coming-of-age novel about an introspective 11-year-old girl that opens a window into daily life in a tight-knit Orthodox Jewish community in New York. After the traumatic accidental death of her father, Aviva and her increasingly reclusive mother move into a small apartment above the old mikveh, the ritual bathing house where Aviva’s mother becomes the caretaker. A supernatural, troublemaking dyybuk, whom only Aviva can see, becomes Aviva’s confidant. The tale of resilience deals with grief, memory, the ups and downs of teen friendship, acts of antisemitic violence and the healing power of love and community. 

A demon named Little Ash and an angel named Uriel are the compelling otherworldly characters at center stage of “When the Angels Left the Old Country,” Lamb’s lyrically penned historical fantasy. As the page-turning drama unfolds, the pair of unlikely, centuries-old Talmud study partners, who take on human-like form, set out from their small Pale of Settlement shtetl and head to New York City on a quest to find the village baker’s missing daughter.

In their journey, they confront the perils faced by Jewish immigrants — a deceitful rabbi, probing Ellis Island officials, exploitative sweatshop bosses and the pushes and pulls of Jewish assimilation. Lamb, a 2018 Lambda Literary Fellow in young adult fiction, paints a richly textured tale of pathos and wit, filled with Jewish culture that explores gender identity and the bonds of friendship.

“Angels” took home two other ALA prizes, including the Stonewall book award for LGBTQ works for young readers.

In addition to the top winners, the Sydney Taylor committee named nine books as silver medalists and nine notable titles of Jewish content. Winners will be honored in June at the AJL’s digital conference. https://jewishlibraries.org/2023-digital-conference.

Other books with Jewish characters and themes also garnered several ALA awards including, “The Life and Crimes of Hoodie Rosen,” by Isaac Blum, which won the William C. Morris young adult debut award; and “Just a Girl: A True Story of World War II” by Lia Levi, illustrated by Jeff Mason, which won the Batchelder prize, adapted for young readers, and translated from its original in Italian.

Jewish children’s books recently recognized by the Jewish Book Council’s National Jewish book awards were “The Very Best Sukkah: A Story from Uganda” by Shoshana Nambi, illustrated by Moran Yogev, and the middle-grade novel “The Prince of Steel Pier” by Stacy Nockowitz.

Last week, the Association of Jewish Libraries announced separately that Omer Friedlander won the organization’s fiction prize for “The Man Who Sold Air in the Holy Land,” a collection of short stories set in Israel.


The post A picture book about a heroine of Holocaust memory and 2 fantasy novels top year’s Sydney Taylor Jewish children’s book awards appeared first on Jewish Telegraphic Agency.

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Hezbollah Rejects Israel-Lebanon Talks, Reaffirms Refusal to Disarm as Tensions Escalate Along Border

Smoke rises after Israeli strikes following Israeli military’s evacuation orders, in Tayr Debba, southern Lebanon, Nov. 6, 2025. Photo: REUTERS/Ali Hankir

Hezbollah has rejected any talks with Israel and reaffirmed its refusal to disarm, even as the Jewish state ramps up military operations in southern Lebanon amid rising border tensions.

On Thursday, the Iran-backed Lebanese terrorist group condemned the prospect of negotiations between Lebanon and Israel, while reaffirming its refusal to disarm and claiming it has “a legitimate right to resist [Israeli] occupation.”

In an open letter to Lebanese President Joseph Aoun, Prime Minister Nawaf Salam, and Parliament Speaker Nabih Berri, Hezbollah called for prioritizing efforts to pressure Israel into complying with the US-brokered ceasefire negotiated by the countries last year rather than “being drawn into political negotiations with the Zionist enemy.”

“Any attempt at political negotiations with Israel does not serve Lebanon’s national interest,” the letter read. 

“The weapons that defended Lebanon will not be up for negotiation and will remain an integral part of the country’s national defense strategy,” it continued, with Hezbollah seemingly depicting itself as the protector of Lebanese sovereignty.

US and Israel officials have been pressuring the Lebanese government to enter direct negotiations with the Jewish state, with Egypt offering to mediate as fears of renewed conflict in the region intensify.

Hezbollah’s warning came as the Israel Defense Forces (IDF) carried out its latest airstrikes against the terrorist group, describing it as a response to ceasefire violations.

In a press release, the Israeli military confirmed it carried out a strike in southern Lebanon, targeting operatives at a Hezbollah site, which the IDF said was used to “produce equipment used by the organization to restore terror infrastructure.”

Under last year’s ceasefire agreement, the Lebanese government committed to disarm Hezbollah, which for years has wielded significant political and military influence across the country while maintaining significant terrorist infrastructure in southern Lebanon, which borders northern Israel. The deal was reached after Israel decimated much of Hezbollah’s leadership and military capabilities with an air and ground offensive following the Islamist group’s attacks on northern Israeli communities — which Hezbollah claimed were a show of solidarity with the Palestinian terrorist group Hamas amid the war in Gaza.

Hezbollah claimed in its letter on Thursday that “the government’s hasty decision regarding the monopoly of arms” enabled Israel to exploit the situation, making disarmament a prerequisite for halting what the group alleges are Israeli violations of the ceasefire.

“Disarmament should be discussed within a national framework and not as a response to a foreign demand or Israeli blackmail,” the letter read. 

“We affirm our legitimate right to resist occupation and aggression, and to stand with our army and our people in defending our country’s sovereignty against an enemy that wages war on us, continues its attacks, and seeks to subjugate our state,” it continued. 

New reports indicate that Hezbollah has been actively rebuilding its military capabilities, in violation of the ceasefire agreement with the Jewish state.

With support from Iran, the terrorist group has been intensifying efforts to bolster its military power, including the production and repair of weapons, smuggling of arms and cash through seaports and Syrian routes, recruitment and training, and the use of civilian infrastructure as a base and cover for its operations.

In recent weeks, Israel has conducted strikes targeting Hezbollah’s rearmament efforts, particularly south of the Litani River, where the group’s operatives have historically been most active against the Jewish state.

For years, Israel has demanded that Hezbollah be barred from carrying out activities south of the Litani, located roughly 15 miles from the Israeli border.

Earlier this year, Lebanese officials agreed to a US-backed disarmament plan, which called for the terrorist group to be fully disarmed within four months — by November — in exchange for Israel halting airstrikes and withdrawing troops from the five occupied positions in the country’s southern region.

The Lebanese government is now facing mounting pressure from Israeli and US officials to disarm Hezbollah and establish a state monopoly on weapons.

Meanwhile, the Iran-backed terrorist group has repeatedly defied international calls to disarm, even threatening protests and civil unrest if the government tries to enforce control over its weapons.

Since the Lebanese government has so far been unable to successfully implement the US-backed disarmament plan, Israeli Defense Minister Israel Katz last week accused Aoun of “dragging his feet” on this issue.

“The Lebanese government’s commitment to disarm Hezbollah and remove it from southern Lebanon must be implemented,” Katz said. “Maximum enforcement will continue and even intensify — we will not allow any threat to the residents of the north.”

Israeli Prime Minister Benjamin Netanyahu also warned that Israel would exercise its right to self-defense under the ceasefire agreement if Lebanon failed to disarm the terrorist group.

“We expect the Lebanese government to uphold its commitments, namely, to disarm Hezbollah. But it’s clear that we’ll exercise our right to self-defense as stipulated in the ceasefire terms,” the Israeli leader said. “We won’t let Lebanon become a renewed front against us, and we’ll do what’s necessary.”

For his part, Aoun criticized Israel for escalating strikes after he expressed willingness to negotiate, accusing it of hindering prospects for negotiations while also directing the Lebanese army to confront IDF incursions along the southern border.

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Artist Won’t ‘Surrender to Extremism’ After Mural of Hamas Victims Shiri Bibas, Two Sons Defaced Again in Milan

A look at the mural “October 7, The Hostages” before (left) and after (right) it was vandalized for a second time. Photo: Provided

Italian contemporary pop artist and activist AleXsandro Palombo spoke to The Algemeiner on Thursday about the “antisemitic hatred” that fueled the second vandalism of his mural in Milan, Italy, honoring Shiri Bibas and her two young sons – all three of whom were murdered by Hamas terrorists in the Gaza Strip after being taken as hostages from Israel.

Shiri’s face in the mural was recently covered with white paint, as was the Star of David on the Israeli flag that is draped over her two children Kfir and Ariel, who were 4 and nine months old, respectively, when taken hostage on Oct. 7, 2023, along with their mother. The mural shows Shiri, 32, holding her two sons. The three of them were kidnapped from Kibbutz Nir Oz when Hamas-led terrorists went on a deadly rampage across southern Israel, and they were later killed in captivity in Gaza.

Palombo titled the mural “October 7, The Hostages.” It is featured in the center of Milan, outside the Qatari consulate, and just a few steps from the famous Via Montenapoleone shopping area. The mural was first vandalized days after it was unveiled in October during an event commemorating the two-year anniversary of the Oct. 7 terrorist attack. French philosopher Bernard-Henri Lévy described the vandalism as “a vile gesture against the memory of the victims.”

“These works are testimonies; they carry memory and truth within them,” Palombo told The Algemeiner on Thursday following the most recent vandalism of his mural dedicated to the Bibas family. “Those who destroy them aren’t just targeting art; they’re trying to erase its meaning, its message, its resistance. It’s a deliberate act meant to extinguish what stands up to hatred, to intimidate anyone who defends freedom of thought and to rewrite history for their own advantage.” He added that stopping his art “would mean surrendering to extremism.”

“The works dedicated to the Bibas family, like all those destroyed by antisemitic hatred, must continue to live,” he said. “Every time art is silenced, the conscience of our civilization is struck. Defending artistic freedom means defending the dignity and memory of the West.”

Yarden Bibas – Shiri’s husband and the father of Ariel and Kfir — was separately kidnapped from Israel by Hamas-led terrorists on Oct. 7, 2023. He survived captivity and is the only living member of his immediate family.

Other murals by Palombo that have been dedicated to the Holocaust, antisemitism, or the deadly terrorist attack in October 2023 have all been vandalized in the past, including murals depicting Auschwitz survivors and another featuring a survivor of the Nova music festival. Even a mural created in support of Iranian women protesters was vandalized. Palombo told The Algemeiner he has received hundreds of death threats because of his artwork, mostly from “extremist online communities and radicalized pro-Palestinian movements.” He believes the vandalism of his work tied to the Holocaust, Israel, or antisemitism “is part of a deliberate strategy that uses antisemitism as a weapon to spread fear and destabilize democracies from within.”

“Today, anti-Jewish hatred is no longer just a social or cultural phenomenon; it has become a tool of hybrid warfare, employed by hostile networks to manipulate public opinion and undermine the very foundations of freedom and civil coexistence,” he added. “To attack art is to attack freedom of expression and erase collective memory. It’s a way to weaken democratic consciousness and pave the way for fanaticism. Every defaced mural is not just an attack on an artwork; it’s an assault on the right to remember.”

The only murals tied to the Holocaust and antisemitism that have not been vandalized are those displayed in Rome after being acquired by the city’s Shoah Museum. Palombo explained that they are located near a police booth and in front of a synagogue, which has a constant armed guard stationed in front.

“It’s a paradox: In a Western democracy, art must be protected like a potential target, as if memory itself had become something to be defended by law enforcement,” he told The Algemeiner.

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The fundamental miscalculation behind the GOP’s antisemitism crisis

As the political right navigates Tucker Carlson’s recent decision to host the white supremacist Holocaust denier Nick Fuentes on his podcast, one thing has become clear: There are some people in this country who are eager to pretend that antisemitism on the political right is a new issue.

This is untrue. And understanding the contours of that warped perception are essential to accurately identifying and pushing back on antisemitism in the United States today.

For a long time, much of the political right has held that to be pro-Israel is to be good for the Jews, and to be too critical of Israel is to be an antisemitic security threat.

This has meant that President Donald Trump can be excused for ranting about “globalists” and pushing conspiracy theories about Hungarian-born Jewish billionaire philanthropist George Soros, because he is such a friend to Israel. For many right-wing American Jews, that friendship was enough.

There is a cost to this calculus. Those who believed conservative support for Israel would keep antisemitism on the right at a level they deemed comfortable are now, perhaps, beginning to see that they have made a devil’s bargain.

The most obvious proof of that is the decision of Kevin Roberts, president of the influential Heritage Foundation, to publicly stand by Carlson. (Nearly a week after his initial statement, Roberts apologized to staff amid profound internal criticism, claiming he didn’t know much about Fuentes. He also issued another video statement proclaiming that even “even when my friend Tucker Carlson needs challenging,” he and Heritage will speak up).

The Heritage Foundation is behind the Trump White House’s antisemitism policy: It developed Project Esther, a plan to instrumentalize antisemitism to crack down on civil society. The group has been enormously influential in turning a purported battle against antisemitism into a trademark effort of Trump’s second term. For Roberts to say that to “cancel” Fuentes — who has compared Jews in death camps to cookies in an oven and deemed Jews “unassimilable” — would be a mistake suggests that the significant sector of the right that they represent sees antisemitism more as an opportunity than as an actual problem.

Because for all the stories about Republicans racing to condemn the antisemites in their ranks in the wake of Carlson’s interview with Fuentes — who for a long time was considered too extremist for more mainstream right-wing figures to touch — the Republican party has been comfortable using antisemitism for years.

They’ve built the modern right on conspiracy theories about Soros, transparent hints at charges of Jewish “dual loyalty,” suggestions that Jews are to blame for electoral losses, and winks and nudges at hateful tropes about Jews and money. The reason that the pro-Israel right is now, suddenly, deeply concerned about these tropes is that Fuentes has a vitriolic hatred of Israel, in violation of longstanding conservative norms.

Which raises the question of why they, or anyone, thought that antisemitism was acceptable or could be contained so long as it came with support for a nation state — or so long as it was only directed against liberal Jews, or was couched in suitably coded language.

Those who practiced that kind of cultivated looking-away overlooked an essential fact: Antisemitism that simmers at a certain level does not check itself. It just makes society as a whole more comfortable with antisemitism.

The idea that antisemitism is a new problem for the right in this country — one that must be condemned now, but was fine before Carlson invited Fuentes on his platform — is contradicted by the reality of the last decade of American political life.

The Republican Jewish Coalition condemned Roberts for standing by Carlson. That’s good. However, the same group was proud to endorse Trump, whom it called “the most pro-Israel president in U.S. history,” in 2024, two years after he had dinner with Fuentes and the rapper Ye, formerly Kanye West, now known for his exceptionally vocal and vicious antisemitism. (Trump claimed he did not know who Fuentes was at the time of the meeting, but also proved unwilling to openly criticize him after details of his past statements were made clear.)

The right-wing Jewish pundit Ben Shapiro is accusing Carlson of helping to sabotage the U.S. by hosting Fuentes. I agree that Carlson’s prominence and widespread influence on the right is bad for the U.S., but I also thought that was true when he repeatedly used his platform to push the so-called “replacement theory,” a conspiracy theory that Jewish-coded shadowy elites are trying to flood the country with non-white migrants.

Several Jews who are affiliated with the Heritage Foundation and Project Esther reportedly threatened to quit over Roberts’ response to the Carlson scandal. But why were these individuals content to be associated with a plan to ostensibly fight antisemitism that did not bother to meaningfully engage with white supremacy — the root of Fuentes’ antisemitism — in the first place?

And still others are apparently hoping that we can go back to playing nice with those who deal in antisemitism, so long as they are sufficiently subtle about it and keep supporting Israel. Jonathan Greenblatt, head of the ADL, which recently dropped “protect civil rights” from its online mission, thanked Roberts for clarifying after his initial statement that he finds Fuentes’s views abhorrent. Ideally, one does not need to clarify that they abhor Holocaust denial.

The truth is that when you decide to look past antisemitism for political purposes, you can’t be shocked when that antisemitism eventually goes too far.

And so when pundits now talk about a “civil war” on the American political right over antisemitism, we should remember is that this is the result of years and years of tacit approval of subtle antisemitism. It may have come with support for Israel, and it may not have actually used the word “Jew,” but it has been a core part of the political movement that is currently ruling the country.

We are not going to be able to put this genie back in the bottle if we pretend it only emerged when Fuentes came onto Carlson’s show.

The post The fundamental miscalculation behind the GOP’s antisemitism crisis appeared first on The Forward.

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