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A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory

(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.

As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.

“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.

“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.

That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.

“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”

In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.

This interview was lightly edited for length and clarity. 

Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.

Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.

What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.

“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.

It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.

In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.

There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.

People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?

Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.

I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.

It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?

I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.

The official artwork for Farber’s podcast. (Courtesy)

Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?

I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.

Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?

I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.

In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?

The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.

In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.


The post A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory appeared first on Jewish Telegraphic Agency.

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A Hanukkah Guide for the Perplexed

Members of Turkey’s Jewish community and visitors gather around a Hanukkah menorah during a celebration of the Jewish holiday of Hanukkah at Neve Shalom Synagogue in Istanbul, Turkey, Dec. 19, 2017. Photo: Reuters / Murad Sezer.

Ahead of this year’s celebration of Hanukkah, here are eight important facts about the holiday:

1. Hanukkah is the only Jewish holiday that commemorates an ancient national liberation struggle in the Land of Israel, unlike Passover, Sukkot/Tabernacles, and Shavuot/Pentecost, which commemorate the liberation from slavery in Egypt to independence in the land of Israel, and unlike Purim, which commemorates liberation from a Persian attempt to annihilate the Jewish people of Persia.

2. According to an NBC news report on December 13, 2022, “An ancient treasure trove of silver coins dating back 2,200 years, found in a desert cave in Israel, could add crucial new evidence to support a story of Jewish rebellion …. The 15 silver coins were hidden [during] the Maccabean revolt from 167-160 B.C., when Jewish warriors rebelled against the Seleucid [Syrian] Empire….”

3. In 1777, Hanukkah candles were lit by a Jewish soldier, during the Valley Forge encampment, the turning point of the Revolutionary War. Benjamin Rush, a signer of the Declaration of Independence and a player in the ratification of the US Constitution, wrote: “What shining examples of patriotism do we behold in Joshua, Samuel, the Maccabees and the illustrious princes and prophets among the Jews…”

4. According to Israel’s Founding Father, David Ben-Gurion: Hanukkah commemorates “the struggle of the Maccabees, which was one of the most dramatic clashes of civilizations in human history, not merely a political-military struggle against foreign oppression. … Unlike many peoples, the meager Jewish people did not assimilate. The Jewish people prevailed, won, sustained and enhanced their independence and unique civilization. … It was the spirit of the people, rather than the establishment, which enabled the Hasmoneans to overcome one of the most magnificent spiritual, political and military challenges in Jewish history…” (Uniqueness and Destiny, pp 20-22)

5. When ordered by Emperor Antiochus IV Epiphanes of the Seleucid region to end the Jewish “occupation” of Jerusalem, Jaffa, Gaza, Gezer, and Akron, Shimon the Maccabee responded: “We have not occupied a foreign land. … We have liberated the land of our forefathers from foreign occupation (Book of Maccabees A: 15:33).”

Hanukkah highlights the centrality of the Land of Israel in the formation of Judaism and the Jewish people. The mountain ridges of Judea and Southern Samaria (the West Bank) — the cradle of Jewish history, religion, culture and language — were the platform for the Maccabean military battles.

6. Hanukkah’s historical context is narrated in the Four Books of the Maccabees, The Scroll of Antiochus, and The Wars of the Jews.

In 323 BCE, following the death of Alexander the Great (Alexander III, who held Judaism in high esteem), the Greek Empire was split into three independent and rival mini-empires: Greece, Seleucid/Syria, and Ptolemaic/Egypt.

In 175 BCE, the Seleucid/Syrian Emperor Antiochus (IV) Epiphanes claimed the Land of Israel. He suspected that the Jews were allies of his Ptolemaic/Egyptian enemy. The Seleucid emperor was known for eccentric behavior, hence his name, Epiphanes, which means “divine manifestation.” He aimed to exterminate Judaism and convert Jews to Hellenism. In 169 BCE, he devastated Jerusalem, attempting to decimate the Jewish population, and outlaw the practice of Judaism.

In 166/7 BCE, a Jewish rebellion was led by the non-establishment Hasmonean (Maccabee) family from the rural town of Modi’in, half-way between Jerusalem and the Mediterranean. The rebellion was led by the head of the family and his five sons, Yochanan, Judah, Shimon, Yonatan, and Eleazar, who fought the Seleucid occupier and restored Jewish independence. The Hasmonean dynasty was replete with external and internal wars and lasted until 37 BCE, when Herod the Great (a proxy of Rome) defeated Antigonus II Mattathias.

7. As was prophesized by the Prophet Hagai in 520 BCE, the re-inauguration of the Temple took place on the 25th day of the Jewish month of Kislev, which is the month of miracles, such as the post-flood appearance of Noah’s rainbow, the completion of the construction of the Holy Ark by Moses, the laying of the foundations of the Second Temple by Nehemiah, etc. The 25th Hebrew word in Genesis is “light,” and the 25th stop during the Exodus was Hashmona (the same Hebrew spelling as Hasmonean-Maccabees).

8. Hanukkah highlights the defeat of darkness, forgetfulness, disbelief, and pessimism, and the victory of light, commemoration, faith, defiance of odds, can-do mentality, and optimism. The first day of Hanukkah is celebrated when daylight hours are equal to darkness hours — and when moonlight is hardly noticed — ushering in brighter days.

The author is a commentator and former Israeli ambassador.

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Report on ‘Journalist Deaths’ in Gaza Raises Alarming Questions About Transparency

Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer

This past week, Reporters Without Borders (RSF) released its annual round-up of journalists killed worldwide, declaring 2025 a “deadly year for journalists” driven by “hatred and impunity.”

Across global conflict zones, RSF recorded 67 journalists killed between December 1, 2024, and December 1, 2025. According to their tally, 29 of those deaths occurred in Gaza — an eye-catching 43 percent of all journalists killed “because of their profession.”

But RSF’s framing omits a crucial fact: in Gaza, many so-called “journalists” are not solely media workers at all, but documented members of terrorist organizations who operate under the guise of reporting.

Urban warfare is inherently chaotic, and tragically, civilians — including journalists covering the fighting — can sometimes be caught in the crossfire.

Despite this reality, Israel has consistently worked to minimize civilian harm and does not intentionally target journalists or anyone else without a lawful military purpose. But when an individual is found to be operating as part of a terrorist organization and actively participating in hostilities, they are no longer considered a civilian under the laws of armed conflict.

Over the course of the war, it has become increasingly clear that Hamas has woven its propaganda strategy directly into the media sphere. Some of the “journalists” cited by advocacy groups were, in fact, dual-role operatives.

Hossam Shabat served as a sniper in Hamas’ Beit Hanoun Battalion. Anas Al-Sharif worked for Al Jazeera while simultaneously being employed by Hamas in the East Jabaliya Battalion. Yet both appear on RSF’s list of journalists “killed in the line of duty” during the Israel–Gaza war.

Their actual line of duty was not journalism, but active service within a terrorist organization.

It is highly likely that Al-Sharif and Shabat are counted in RSF’s annual tally of journalists killed. But this cannot be independently confirmed because RSF does not actually identify by name all of those it reports to have been killed. For an organization that claims to defend access to “free and reliable information,” the lack of basic transparency in its own reporting is a striking contradiction.

Even so, major news outlets rushed to amplify the headline, asserting that Israel is responsible for nearly half of all journalist deaths worldwide. The framing spoke volumes.

Haaretz led with Israel’s “attack in Gaza” as the explanation for journalists killed — recasting a defensive war launched after a brutal terror attack as an unprovoked Israeli offensive. The Irish Times and France24 likewise pushed the RSF roundup, while omitting the inconvenient fact that many of the individuals counted were terrorists masquerading as journalists.

A comparison with the Committee to Protect Journalists (CPJ) is revealing. CPJ, an organization with a similar mandate, publishes a continuously updated list of journalists killed in Gaza. Of the 209 individuals on their list, 83 have been identified as members of, or employed by, outlets linked to designated terrorist organizations.

Graph based on CPJ data from 2023-2025.

Of the 83 on the CPJ list, 56 are confirmed to be affiliated with Hamas, 21 with Islamic Jihad, and another 6 have ties to other terrorist organizations such as Hezbollah or Fatah.

Graph based on CPJ data from 2023-2025.

Thus, even though RSF has declined to publish a list of names, the available data from organizations that do offer transparency tells a very different story. CPJ’s publicly accessible information shows that many individuals labeled as “journalists” in Gaza also had direct ties to terrorist organizations. Likewise, a study by the Meir Amit Intelligence and Terrorism Information Center examined 266 Gazan journalists killed during the war and found that 60 percent were operatives or had documented affiliations with terrorist groups. This directly contradicts the narrative advanced by RSF’s annual round-up.

RSF surely understood that releasing a report without sufficient underlying data to support its implicit claim that Israel is intentionally targeting journalists, is a journalistic failure in itself. By publishing the round-up without verifiable evidence, RSF created a vacuum — one that media outlets quickly filled by framing Israel as the primary aggressor while erasing the role of terrorist organizations entirely.

If organizations devoted to protecting journalistic integrity expect others to uphold standards, they must meet those standards themselves. When transparency disappears, facts blur, and an anti-Israel narrative fills the void.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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A Lesson From Joseph and His Brothers: Don’t Dismiss the Visionary in Your Midst

A Torah scroll. Photo: RabbiSacks.org.

In a letter dated November 1861, General George B. McClellan — newly appointed by President Abraham Lincoln as commander of the Union Army — wrote to his wife Mary Ellen that “Mr. Lincoln is nothing more than a well-meaning baboon.” 

McClellan’s undisguised disdain echoed a broader sentiment among the political and military elite, who badly misjudged Lincoln’s capacity to lead the United States in a moment of national crisis. In the years that followed, history would vindicate Lincoln as America’s greatest commander-in-chief — while McClellan’s own legacy was overshadowed by the very man he had once so casually disparaged.

McClellan was hardly the first person to look down on someone far greater than himself, and he certainly wasn’t the last. Take Ignaz Semmelweis, for example, the brilliant Hungarian physician whose simple, lifesaving idea should have made him a medical hero. 

In the 1840s, Semmelweiss researched the high incidence of women dying after childbirth in hospitals and concluded that it was caused by doctors moving straight from autopsies to maternity wards, thereby infecting mothers. A staggering one in every six mothers died due to this practice.

There was a simple solution, Semmelweis said: doctors needed to wash their hands so that ‘cadaverous particles’ — the term germs had not yet been invented — would be removed. But the response to his suggestion was not gratitude but outrage. One senior Viennese physician dismissed Semmelweis’s handwashing solution as “the outpourings of a disturbed mind.”

The hostility to Semmelweis grew, and it essentially ended his career, the man poised to save countless lives was literally ridiculed into obscurity. He was eventually committed to an insane asylum, where he died at the age of 47. Only decades later did the medical world finally admit that the “disturbed mind” had been right all along.

Semmelweis was not the only doctor ridiculed for seeing the truth too clearly. During the 1854 cholera outbreak in London, Dr. John Snow proposed an idea that all his colleagues considered utterly laughable: he argued that cholera wasn’t caused by “bad air” or mysterious atmospheric vapors, but by contaminated water. Today we don’t question this fact — but in mid-19th-century London, it was considered scientific heresy. 

Snow wasn’t put off easily. He painstakingly mapped cholera cases, eventually traced the outbreak to the Broad Street water pump, and persuaded local officials to remove its handle so no one could pump water there. The deaths plummeted almost immediately, but the medical establishment still refused to take him seriously.

The president of the General Board of Health dismissed Snow’s work as “mere hypothesis,” and another critic sneered that his theory “cannot be entertained in any scientific discussion.” Snow, like Semmelweis, was treated as an irritant rather than a visionary. Only years later, long after his early death at 45, did the world recognize that the man they had waved away as a crank had actually solved one of the great medical mysteries of all time.

This pattern of condescension was not limited to the medical world. In the 1840s, Ada Lovelace — daughter of the poet Lord Byron and one of the most extraordinary minds of her generation — became fascinated by Charles Babbage’s proposed “analytical engine,” a mechanical device most people viewed as little more than an elaborate calculator. 

But Lovelace saw something far more revolutionary. In a set of notes that she appended to her translation of an Italian science paper, she suggested that this machine, if built according to her specifications, would be able to manipulate symbols, compose music, and even generate original ideas — concepts that today form the backbone of modern computing and, more recently, AI.

But her vision was far too radical for her contemporaries. One prominent engineer dismissed her ideas as “the wild fancies of a young woman,” and others insisted Lovelace simply did not understand the limits of machinery. Lovelace, like Semmelweis and Snow, was written off as someone who thought too strangely, too imaginatively, too far beyond the accepted boundaries. 

A century later, computer scientists rediscovered her work and suddenly realized that her “wild fancies” were, in fact, the earliest blueprint for the digital age. The woman whose insights were rudely dismissed in her lifetime became known as the world’s first computer programmer.

The dismissal of great people by their peers was not a phenomenon limited to the 19th century. History is replete with such examples, going all the way back to the Bible itself, with the most famous case appearing in Parshat Vayeishev

Long before Lincoln was dismissed by McClellan, long before Semmelweis was mocked as delusional, long before John Snow was waved away as a crank, and long before Ada Lovelace was written off as an over-imaginative dreamer, Joseph’s brothers concluded that he was an overblown egotist punching way above his weight. They saw his confidence and heard his dreams, and immediately decided he was an arrogant narcissist obsessed with visions of grandeur.

What they never paused to consider was that perhaps these dreams were not fantasies at all, but glimpses of a destiny that he alone could perceive. Their prejudices and preconceived notions of their little brother blinded them to the remarkable qualities standing right in front of them: Joseph’s intuition, his emotional intelligence, his spiritual imagination, his innate leadership — all of which would emerge in the concluding chapters of Genesis. 

Convinced they were dealing with an insufferable younger sibling who needed to be put in his place, they misread the situation entirely. In their rush to dismiss him, they failed to recognize that he was, in fact, the person who would one day save them all.

Malbim offers a psychologically astute insight that applies equally to all the examples throughout history: people interpret ambiguous information through the filter of their existing emotions. Because the brothers already viewed Joseph with suspicion, they didn’t read his dreams as neutral messages but as hostile declarations. 

Their own jealousy and insecurity shaped what they thought the dreams meant — and, by extension, who they believed Joseph was. Malbim points out that had they not been so entangled in their biases, they might have seen the dreams in an entirely different light.

Which brings us to the most unsettling question of all. If Lincoln could be written off as a “well-meaning baboon,” if Semmelweis could be mocked into madness, if John Snow could be dismissed as a crank, and if Ada Lovelace could be waved away as a fanciful young woman, how many other potential Josephs has history quietly buried? 

How many brilliant minds, original thinkers, and visionary spirits were crushed before their gifts could ever see daylight, not because they lacked greatness, but because those around them lacked the imagination to recognize it? 

Joseph survived his brothers’ attempts to dismiss him and ultimately rose to fulfill his destiny. But his story stands as a warning: when we assume we already know someone’s limits, we may be blinding ourselves to the greatness standing right in front of us. And the tragedy is not only what we fail to see — it’s what the world loses when a future savior is silenced before he ever has a chance to begin.

So here’s a challenge for us all: This week, champion a quiet contrarian in your own circle. Seek out someone with unconventional ideas, and nurture them. Who knows, you might just uncover the next great thinker whose insights can change the world. Let us learn from the past and ensure that no potential Joseph is buried under the weight of our doubts.

The author is a rabbi in Beverly Hills, California. 

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