Uncategorized
A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory
(JTA) — Paul Farber was shocked when he first watched “Rocky” and saw a Star of David on the grave of Rocky Balboa’s coach, Mickey Goldmill.
As a Jew and as the founder of the Philadelphia-based Monument Lab, which has explored collective memory through art installations across the country for over a decade, Farber was well positioned to think about the deeper meaning of that brief shot.
“Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story,” he told the Jewish Telegraphic Agency.
“We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating,” he added.
That outlook lies behind Farber’s work as the host of the new NPR podcast “The Statue,” a deep dive into Philadelphia’s famed statue of Rocky Balboa, the fictional prizefighter at the center of “Rocky.” The series delves into what sports and society can convey about memory, and in his research, Farber discovered a few Jewish nuggets found in the film series — including the fact that Rocky’s love interest was originally supposed to be Jewish.
“They made an actual gravestone [for her character] and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is ‘buried,’” he said. “People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.”
In an interview with JTA, Farber shared his inspiration for the series, how his Jewish upbringing informed his life’s work and the role statues — such as that of Jewish baseball legend Sandy Koufax — do, and should, play.
This interview was lightly edited for length and clarity.
Jewish Telegraphic Agency: To start off, I’d love to hear about how you first got interested in studying monuments.
Paul Farber: I’m really interested in the ways that, in cities, we innovate toward the future, and also come to terms with our past, and it happens often in the same exact places. That could be a statue, a street, a corner store. And so that’s a big part for me.
What really inspired this project is a conversation I had with my mother, quite a few years ago. My mother is a lifelong Philadelphian. Her parents were Jewish immigrants in South Philadelphia. And when I told her I was teaching a class at the University of Pennsylvania about Philly neighborhoods, she asked me if I was covering Rocky. When I said, “Oh, it’s not on the syllabus” — and I may have said it in a way that felt dismissive — she gave me this look that I think a lot of us know: “How could you.” So for her birthday, we watched “Rocky” and we went to see “Creed.” My grandfather went to South Philly High and was in the boxing club. He shared stories in our family about what it meant to have sport and culture and belonging go together in South Philly. I started to see that across generations, from long before “Rocky” to this moment now, almost 50 years after the release of the film, many people’s family stories could be channeled through this statue, including my own, and that was enough of a prompt to go dive in.
“Rocky” is obviously not a Jewish story, but there are some nuggets. There’s the funeral scene, and you mentioned something about Adrian almost being Jewish. I’m curious what you think about the little Jewish pieces you can pull out of this famous story, and what those mean to you as a Philly sports fan.
It blew me away that Rocky’s coach, Mick, passes away and the character Rocky goes to his funeral, and you see a Star of David. Anytime I see a Jewish funeral in a film, there’s some kind of call to attention. And I always want to know what that means, especially for a Hollywood production, especially when it may not be branded as a Jewish story. And it just opened up a whole set of questions for me that blurred between art and life, between the film series and the city of Philadelphia.
In episode two, we showcase this monumental art book that Sylvester Stallone [who played Rocky] created. There was this passage in it that just blew me away, about the first draft of “Rocky,” where he says, “As for Adrian, she was Jewish in the first draft.” And he got feedback and cut that character. We never hear about Mickey’s Judaism. We never hear about Rocky’s bond across culture. But the fact that the first scene in the “Rocky” series is in a place called Resurrection Gym — that is obvious Christian iconography — and to put Jewish characters in is really fascinating to me.
There is another famous grave that is involved in the series. The character Adrian eventually passes away, and like the statue, which was made as a bronze sculpture, for the “Rocky” film series they made an actual gravestone and it’s in Philadelphia’s most famous cemetery, Laurel Hill. And you can go there and see this gravestone where a movie character is “buried.” People leave offerings on the gravestone, including small pebbles as if it’s a Jewish site of memory.
People talk about representation on screen, and I’m not sure a Jewish funeral necessarily does that, but I would imagine for some people, seeing Rocky Balboa say the “Mourner’s Kaddish“ was maybe their first interaction with Judaism in some way. What do you make of that?
Every shot is deliberate. And it’s actually that kind of attitude and outlook that created the Rocky statue, because Sylvester Stallone was the director of that film, and they could have made a styrofoam version or a temporary one, but they spent over a year making a bronze version so that when the camera faced it, it would make contact. I think very similarly, this is part of the artistry of Stallone that plays out in our podcast series. We’re not with him when he sits shiva. We’re not there in a prolonged series of mourning, but in a split second, seeing a Jewish site of a memory is really fascinating. And to see the coach Mickey, to have his Wikipedia page say he’s Jewish, all that we have is mourning.
I think about how for immigrant Jewish communities, there are gaps in our narratives. Throughout the series, and one of the reasons I wanted to share my perspective as a queer Jewish person who grew up loving sports in Philly, I’ve been informed by my own family’s history, and what we’re able to recall and what gaps there are. And I see that being echoed for so many people in the Rocky story.
It’s clearly a very personal story for you. Why did you think it was important to start the podcast with your own identity, and to include your Jewish mother?
I think it’s important that when we talk about sites of memory, we understand that there are shared and collective ways that we bring the past forward, and there are others that are incredibly personal. My hope was to find, in this case, to spotlight, a significant site of memory in the city, but ask questions about it. And I think it was important to note what position I would take, because I don’t believe there’s one story to the Rocky statue. To tell a biography of a statue, you actually have to tell it of the people who make meaning from it. So in the series, we do a lot of work where we want to know other people’s stories and backgrounds, whether they are refugees from Afghanistan, or community organizers in Kensington [a neighborhood of Philadelphia]. My hope was by positioning this from my perspective, almost as a memoir in a way, that it opened up space for others to have their experiences be valued and made meaning of.
The official artwork for Farber’s podcast. (Courtesy)
Both with the podcast and in your work with the Monument Lab, how do you feel that your Jewish identity informs what you do? Do you see overlap between your Jewish values and the values you work on in your organization?
I absolutely think so. I grew up in a Jewish community in Philadelphia, and tikkun olam was a constant refrain. The work of tikkun olam meant a worldview that necessitated building coalitions and understanding across divides, to not diminish or under-emphasize them, but to appreciate how we work in solidarity, whether that’s around racial justice, gender justice, in various struggles. I am a co-founder and director of an organization that focuses on memory, and that I really get from the stories of growing up in a Jewish household, in a Jewish community, where memory lived in different ways. We were always aware of the stories of trauma and loss, as well as reconciliation and transformation, and how you work with the gaps that you have, and you listen, and you learn and you carry the story with you. Because that is the way to bond generations. Jewish memory really grounds what I do, and I seek to use it as a tool to learn more and to feed connection across divides.
Rocky takes on this almost mythical, godlike status, and his statue in Philadelphia is a bit of a pilgrimage site. Do you see any tension there as a Jew, given the prohibition against idol worship?
I think about the importance of memory, against forces of violence and erasure. I also understand that, in a world that is full of pain and difficulty and loss, we seek places to release that. And so I understand the pull to monuments. What I would like to see, and what we try to do through this series, “The Statue,” and also with the work of Monument Lab, is to look on and off the pedestal, and really think about how history lives with us. As we say in the series and other places, history doesn’t live inside of statues, it lives with people who steward them, who create other kinds of sites of memory, who are vigilant in their modes of commemoration. What I try to do in this work is understand the ambivalence around monuments, the pull to try to remember and be enduring through time, and just that constant reminder that whenever you try to freeze the past, or freeze an image of power, you cut out the potential to find connection and empowerment, and thus forms of survival.
In sports, there are so many ways to honor people, especially different ways that, like a statue, take on the idea of permanence. When Bill Russell died, the NBA retired his number 6 across the league. On Jackie Robinson Day, every April 15, the whole MLB honors Jackie Robinson by wearing his uniform number. But statues just have a different level of oomph. Sandy Koufax has a new statue in Los Angeles that was unveiled last year; Hank Greenberg has one. What do you think it should take for an athlete to reach that status?
The pinnacle in sports is to have a statue dedicated to you outside of the stadium. And I do believe the cultures of social media have amplified that, because we grew up with the story of Sandy Koufax not pitching in the World Series during the High Holy Days, and that wasn’t because we learned it from a statue or a plaque. We learned it because it was carried forward and put into different forms of remembering and recalling its importance. I went to several Maccabi Games in the U.S. — I used to be a sprinter. And the culture of memory and sport, they were one in the same.
In professional sports, the pinnacle is the statue, but I think you brought up other really important ways of remembering that operate in non-statue forms that feel like they are living memorials. The idea of retiring someone’s number, and keeping their number up, is a way to acknowledge, in this really public of all public spaces, an intimacy and a care, and especially when an athlete passes away, how that transcends the lines of city geography. Jackie Robinson Day is something that did not occur immediately after Jackie Robinson was the first Black player to play in the major leagues, but was a product of a later moment when people around Major League Baseball sought to activate his memory. So yes, a statue outside of a stadium is like a particular kind of professional accolade. But the other forms are really meaningful.
—
The post A Jewish expert on monuments on what Philly’s famous Rocky Balboa statue can teach us about memory appeared first on Jewish Telegraphic Agency.
Uncategorized
Why Jewish teens aren’t speaking out about the NYC mayoral election, despite their strong feelings
This article was produced as part of the New York Jewish Week’s Teen Journalism Fellowship, a program that works with Jewish teens around New York City to report on issues that affect their lives.
As a teen reporter I work hard to amplify the voices of young people on issues that affect them. That’s why I was excited about my assignment from the New York Jewish Week to gather teens’ reactions to the upcoming New York City mayoral election. While many of these teens aren’t old enough to vote, I hoped to present a range of opinions from young people who care about their city and its future.
But when I started to report on the issue, I kept hitting the same wall: None of the teens I tried to interview would go on the record with their names or their political beliefs. All eight said they didn’t want that type of exposure in such a politically divisive time.
The teens I met aren’t the only ones who feel this way, and it isn’t just the mayoral election that’s keeping young adults quiet. According to Education Week, “young people are reluctant to discuss politics, especially without a space to safely navigate those discussions in such a polarized environment.” The article found that teens often worry that if they speak up in school, their voices will be dismissed, criticized or misunderstood. A lack of confidence could play a role, too: A 2023 study by CIRCLE, Tufts University’s research organization focused on youth civic engagement, found that only 40% of students feel “well-qualified” to participate in political conversations.
Nonetheless, in private conversations, the New York City teens I talked with shared fascinating insights about the mayoral race. The discussions broadly fell into two camps: Teens felt conflicted over the morality and beliefs of the candidates, and they also feared that if they said the wrong thing, their opinions would follow them for the rest of their lives.
Zohran Mamdani, the frontrunner, is a progressive and a staunch critic of Israel who won the Democratic nomination. His closest challenger, former New York Gov. Andrew Cuomo, is seeking a political comeback after resigning as governor in 2021 amid a barrage of sexual harassment allegations. Trailing the pack is Republican Curtis Sliwa, the red beret-wearing founder and CEO of the Guardian Angels.
To Jewish teens, none of these candidates seem suitable to run their beloved city — something my sources were eager to express, albeit anonymously.
“On the one hand, it feels morally wrong to consider electing Andrew Cuomo, given the numerous allegation of sexual harassment. As a woman, I believe elected officials should embody the values of respect and integrity,” one Jewish teen living on the Upper West Side told me. “On the other hand, while Zohran Mamdani’s policies often sound compelling, in theory, I consistently find myself questioning what a sharply critical view of Israel might mean for a city with the largest Jewish population outside of Israel.”
Another Upper West Side teen, a senior at a private high school, echoed a similar sentiment: “This election has been so frustrating because it feels like I have to give up one set of values to protect another.”
The teens I spoke to had strong beliefs. Why had they declined to attach their names to their statements?
Well, according to a junior at a Manhattan public high school, “although I am not yet old enough to vote, I’ve found this mayoral race both confusing and frustrating. I don’t want my name attached to either one of these candidates.”
“I do not want my name to be linked to a political figure,” explained one Upper East Side teen, “because it can follow me into the future and change how others automatically view me when they meet me for the first time.”
This last quote, in particular, touched a nerve with me, as it highlights just how aware teens are of growing up in a society that increasingly lives online. Teens applying for colleges and thinking about their future career path start thinking at a young age. The last thing we want is for a future employer to find — and disagree with — something we said about a politician when we were 16.
As a teen reporter, my job is to give teens an opportunity to be seen and heard. My editor, who has worked with teen journalists for over 30 years, told me that she’s seen more and more young sources ask for anonymity over the past five years. As our lives become inextricably tied to the internet, it’s easy to see why: Doxxing — the malicious release of private information — has become a “mainstream public safety concern,” according to Safe Home, which conducts yearly research on doxxing. According to their report, 57% of Americans say they avoid sharing political views online out of fear of being targeted.
Doxxing over perspectives related to the Israeli-Palestinian conflict has been common in recent years, with both pro-Israel and pro-Palestinian voices experiencing the practice.
So as a 17-year-old who is constantly on social media and always with my friends, I understand why my peers are worried about sharing too much. But this also means my role as a reporter who focuses on teen issues has become significantly more difficult. I worry that as the city becomes more polarized by politics, teens and young adults will feel less and less comfortable sharing their views and, as a result, news articles can’t reflect the community fully and policies can’t be responsive to young people’s needs. When that happens, we all lose.
Compounding the reluctance of young people to speak publicly about politics is the hesitancy of politicians and media to seek their opinions. Meira Levinson, a professor of education and society at Harvard University, writes about the “civic empowerment gap.” She describes how young people, especially those still in school, are often encouraged to care about politics but are rarely given the opportunity to express their views in a meaningful way. Candidates almost never make the effort to integrate teen concerns into their campaign.
Our communal politics need to create a safe space for young people to share their opinions. And candidates should solicit teens’ views if they want to make New York City a safe and inclusive city for all.
—
The post Why Jewish teens aren’t speaking out about the NYC mayoral election, despite their strong feelings appeared first on Jewish Telegraphic Agency.
Uncategorized
Hamas Expands Terror Operations Across Europe Amid Gaza War, Exploiting Criminal Networks and Weapons Caches
Palestinian Hamas terrorists stand guard on the day of the handover of hostages held in Gaza since the deadly Oct. 7, 2023, attack, as part of a ceasefire and a hostages-prisoners swap deal between Hamas and Israel, in Rafah in the southern Gaza Strip, Feb. 22, 2025. Photo: REUTERS/Hatem Khaled
Hamas has expanded its terrorist operations beyond the Middle East, exploiting a long-established network of weapons caches, criminal alliances, and covert infrastructure that has been quietly built across Europe for years, according to a new report.
Earlier this month, West Point’s Combating Terrorism Center released a study detailing how Hamas leaders in Lebanon have directed operatives to establish “foreign operator” cells across Europe, collaborating with organized crime networks to acquire weapons and target Jewish communities abroad.
“Hamas has never carried out a successful terrorist attack outside of Israel, the West Bank, or Gaza — but not for lack of plotting,” Matthew Levitt, a senior fellow and counterterrorism expert at the Washington Institute for Near East Policy, wrote in the report.
“European and Israeli officials fear that Hamas has taken the decision to go global and carry out plots abroad, marking a significant departure from the group’s prior modus operandi,” he continued.
For example, the study cited a failed Hamas plot in which an alleged operative in Germany traveled to Lebanon to “receive orders from the Qassam Brigades [Hamas’s military wing] to set up an arms depot for Hamas in Bulgaria,” part of a broader, multi-year effort to cache weapons across Europe.
However, German authorities foiled the plot, detaining four Hamas members in late 2023 on suspicion of planning attacks.
Earlier this year, the four suspects went on trial in Berlin in what prosecutors described as Germany’s first-ever case against members of the Palestinian terrorist group.
According to German officials, the weapons “were intended to expand Hamas’s activities in Europe.”
During the investigation, German authorities also found evidence on a defendant’s USB device showing that the Hamas operatives were planning attacks on specific sites in Germany, including the Israeli embassy in Berlin.
Similar weapons depots were established in Denmark, Poland, and other European countries, with Hamas members repeatedly trying to retrieve them to support their operations and plan potential attacks.
The newly released report identified Hamas’s operational headquarters in Lebanon as the command center for its activities abroad, with senior leaders directly managing plots across Europe.
“Even before Oct. 7, Hamas leaders periodically threatened to carry out attacks abroad,” Levitt explained in his report, referring to the Iran-backed Islamist group’s invasion of and massacre across southern Israel in 2023.
“The increased Hamas terrorist activity abroad correlates to the establishment of a Hamas operational component in Lebanon driven by senior Hamas leaders,” he said, noting that such network “developed over time, as senior Hamas leaders left Turkey and Qatar and later made their way to Lebanon.”
The study also reported that Hamas operatives established alliances with European organized crime networks to secure weapons and logistical support for their operations.
For example, another major plot was foiled earlier this year, when a member of the Danish, banned Loyal to Familia (LtF) gang was indicted for purchasing Chinese drones intended for attacks in Denmark or Sweden. Local authorities later revealed that the gang had been working with Hamas, which has ruled Gaza for nearly two decades.
This month, German authorities foiled another planned terrorist attack, arresting three suspects on the eve of Yom Kippur who were preparing to target Jewish institutions.
According to the report, analysts remain uncertain whether these plots signal a permanent strategic shift or reflect a short-term tactical adjustment in response to the Gaza war.
“It remains unclear how decisions about such operations are made and if this includes input and approval from a broad range of Hamas leadership or just a select few,” Levitt said.
Given the loss of Hamas’s leadership and the resulting decentralized decision-making, the report noted that external operations may now be possible where they were previously constrained by internal disagreements.
“With Hamas operational capabilities in Gaza severely degraded, and the group under pressure from both Israeli and Palestinian Authority security forces in the West Bank, the group’s military commanders may find that acts of international terrorism carried out by small cells … may be a more central component of Hamas’s attack strategy,” Levitt concluded.
Uncategorized
British Airways breaks ties with Louis Theroux after interview with ‘Death to the IDF’ artist Bob Vylan
(JTA) — British Airways has dropped its sponsorship of documentarian Louis Theroux’s podcast following an interview with British punk musician Bobby Vylan where the artist defended his chants of “death, death to the IDF” at the Glastonbury music festival.
Following the band’s Glastonbury performance in June, the two members of Bob Vylan had their U.S. visas revoked by the State Department ahead of a planned tour this month. The BBC also said the livestream of the performance broke its guidelines because Bob Vylan’s chants could “fairly be characterised as antisemitic.”
Bob Vylan’s frontman, whose real name is Pascal Robinson-Foster, Theroux that he did not regret the chants during the interview.
“If I was to go on Glastonbury again tomorrow? Yeah, I would do it again. I’m not regretful of it,” said Vylan. “I’d do it again tomorrow, twice on Sundays. I’m not regretful of it at all. Like, the subsequent backlash that I’ve faced is minimal. It’s minimal compared to what people in Palestine are going through.”
Robinson-Foster also criticized a report by the Community Security Trust, British Jewry’s antisemitism watchdog, that found antisemitic incidents had spiked the day after Bob Vylan’s set, telling Theroux that it was unclear what the group was “counting as antisemitic.”
“I don’t think I have created an unsafe atmosphere for the Jewish community,” said Robinson-Foster. “If there were large numbers of people being like, going out and ‘Bob Vylan made me do this,’ then maybe I might go, woof, I’ve had a negative impact here. Again, in that report, what definition are they going by? We don’t know that.”
During the interview, Robinson-Foster also said that the “focus” should not have been placed on the “death to the IDF” chant, but rather “on the conditions that allow for that chant to exist.”
“Ultimately, the fight is against white supremacy, right?,” said Robinson-Foster. “That is what the fight is against. And I think white supremacy is displayed so vividly in Zionists.”
In response, Theroux replied, “They say we’re not white, we’re Jewish, right?”
Later, Theroux appeared to agree with Robinson-Foster’s assertion that the “Zionist movement and the war crimes being committed by Israel” should be viewed through the “lens of white supremacy.”
“I think I’d add to that, there’s an even more macro lens which you can put on it, which is that Jewish identity in the Jewish community, as expressed in Israel, has become almost like an acceptable quote, unquote, way of understanding ethno-nationalism,” said Theroux, later adding that “this sense of post-Holocaust Jewish exceptionalism or Zionist exceptionalism, has become a role model on the national stage for what these white identitarians would like to do in their own countries.”
Following the interview, Theroux drew criticism for failing to challenge Robinson-Foster’s defense of his chants during the interview.
“Louis Theroux has every right to interview whoever he wants, but with that right comes responsibility,” Jewish film producer Leo Pearlman told the British outlet Jewish News. “When you give a microphone to someone who proudly repeats a genocidal chant that played a part in inspiring attacks on Jews across Britain, you’re not probing hate, you’re amplifying it.”
Dave Rich, the head of policy at the Community Service Trust, wrote in a blog post that he had been distressed that Theroux did not note that Robinson-Foster had publicly undercut the idea that his chant of “death to the IDF” was not meant as a call to voice when he commented at another concert, “We are for an armed resistance. We wanna make that explicitly f–king clear.” Rich also criticized the decision to release the interview even after the attack on a Manchester, England, synagogue in which two people were killed on Yom Kippur.
“Theroux’s podcast was recorded before the Manchester attack, which he acknowledges in the introduction,” Rich wrote. “But they still went ahead and published it anyway, as if the death of two Jews due to an Israel-hating jihadist doesn’t change the context of an interview with someone who became famous for calling for death for Israelis.”
After the interview aired on Spotify last Friday, British Airways issued a statement to announce it had dropped its sponsorship of Theroux’s show.
“Our sponsorship of the series has now been paused and the advert has been removed,” the airline wrote in a statement shared with the British outlet Jewish News. “We’re grateful that this was brought to our attention, as the content clearly breaches our sponsorship policy in relation to politically sensitive or controversial subject matters.”
The episode follows the release, in April, of a documentary by Theroux titled “The Settlers” that served a searing portrayal of the far-right Israeli settler movement in the West Bank.
The post British Airways breaks ties with Louis Theroux after interview with ‘Death to the IDF’ artist Bob Vylan appeared first on The Forward.