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On one foot: Digital innovator and ‘Tech Shabbat’ pioneer Tiffany Shlain’s lessons from 3 years living online

(JTA) – Next month will mark three years since the Covid outbreak was officially declared a pandemic, which is 30 in Zoom years. For those lucky enough to be spared the worst of the pandemic, it nevertheless changed how they worked, played and socialized. Very few businesses — especially in the nonprofit sector that includes synagogues and other Jewish institutions — didn’t move at least part of their operations online.

“We were living in a world that changed overnight,” Tiffany Shlain, the artist, activist and Emmy-nominated filmmaker told me recently. “On the more technical side, we were forced to live on our screens in a way that made us realize how much better the real thing is. However, this move to online spaces did expand what Jewish learning and organizations we can tap into.”

I spoke to Shlain ahead of the Jewish Digital Summit, which begins next Tuesday. It’s a three-day, fully virtual conference run by 70 Faces Media, the parent company of the Jewish Telegraphic Agency, the New York Jewish Week and other sites. (Go here to register and for more information.) Shlain will be among the industry leaders helping individuals and organizations working in Jewish spaces to boost their digital expertise.  

A pioneer in both realms, Shlain is the founder of The Webby Awards for excellence on the internet. She is also the author of the 2019 bestseller, “24/6: Giving up Screens One Day a Week to Get More Time, Creativity, and Connection,” which calls for a 24-hour “Tech Shabbat” for people glued to their screens

“During Covid, it was a lifesaver,” she said, referring to her family’s experience taking breaks from technology at their home in Northern California. “At a time when it felt like all the days were the same, blurring together, we got a hard stop every week, and a chance to spend time with each other, off screens, in nature, doing things we loved. When we got back online afterward, the internet felt fresh (and we did too). This is still what keeps me balanced in today’s 24/7 world.”

For the times people are plugged in, and want to be better creators and consumers of digital content, I asked Shlain to share her recommendations for various sites, projects and organizations that are getting it right. Who’s succeeded in keeping people connected, or reimagining what ritual and community look like now?

“Now that we are in this new phase of the pandemic, we need to reconsider what works best online and what’s better in person,” she said. 

Here are her recommendations for the hybrid future: 

HeyAlma

The culture site and online community calls itself “Jewish, feminist, and full of chutzpah” and is part of 70 Faces Media.

“If you want to see how to ‘do’ Instagram, check out HeyAlma. It’s always witty, insightful, funny, and ironic — it’s my favorite Jewish Instagram handle. My daughter Odessa, who’s in college, and I are constantly sending each other their posts. I love their spot-on tone. It feels like we’re all in on the same joke, which is exactly what it feels like when you meet another Jew.” 

TheTweetOfGod on Twitter

Comedy writer David Adam Javerbaum ran the satiric Twitter account, which had 6.2 million followers before shutting down last November.

“Twitter used to be my preferred social media, although now I am on Instagram much more. One of my favorite Twitter handles of all time was TheTweetOfGod. Once Elon Musk started destroying Twitter, TheTweetOfGod sadly left, but there’s still a record there of all his posts. I highly recommend checking it out for his pure brilliance at taking a concept and using the medium in all its holy glory. The creator (ha!) ran with this concept of God tweeting in so many brilliant directions, even down to the one person he follows. It’s a great example of taking a new format and using all its different constraints for maximum entertainment and engagement.”

“No one gets between me and my community in my newsletter,” says Tiffany Shlain, an artist and activist based in Northern California. (Courtesy)

Reboot 

An arts and culture non-profit that helps foster experiential Jewish projects and programs, including podcasts, film, multimedia, art projects and holiday events.

“I am a firm believer that arts move society in a way that creates important changes, which is what Reboot is all about. Reboot is a thriving, provocative hotbed of creativity. I love Reboot’s ambitious rethinking of Jewish rituals, their podcasts and newsletter, and now their Reboot Studios, which funds new Jewish media content. I was part of the first cohort when it was very much an experiment and I have collaborated on many projects with people in their network. It’s also been great to see it grow into this amazing community of artists and culture leaders. Covid activated this network both internally and for great public experiences in a whole new way that continues today.”

OneTable

A national nonprofit that empowers people 21-39 to host Shabbat meals and build community.

“I love the way OneTable brings young Jews together to organize and facilitate Shabbat experiences.They have a great Mad Lib-like questionnaire to help users figure out how they want to experience Shabbat. They also offer DIY tools for hosting and attending Shabbat dinners. I highly recommend exploring their site. We’ve worked together on a couple of films about the value of Shabbat you can see while you’re there. Rethinking Shabbat for the 21st century has been a big focus of my Jewish work, and I love the way OneTable scales this online. We are working on a cool four-week online program for people to try screen-free Shabbats in 2023. Stay tuned.” 

Breakfast @ Tiffany’s

Shlain’s own newsletter offers a highly curated combination of her own projects, arts events and “things I think you’ll find interesting.”

“I’ve been writing a monthly newsletter called ‘Breakfast @ Tiffany’s’ for over 25 years. Each month, I share both the project that I’m working on and a selection of books, films, podcasts, art exhibits, events and articles to inform and inspire, make you laugh and think. It always features a lot of Jewish work. I love sharing my perspective on what’s going on in the world through my lens as a Jew, mother, wife and human on this planet. It’s also my laboratory as I am both sharing what I think is best online and in the real world. So many organizations focus primarily on social media posts but as we repeatedly see, the social media company can change the algorithm and what we see with a switch of a business plan or CEO. No one gets between me and my community in my newsletter. It’s a straight connection, and I love the call-and-response feedback I get from readers who have been with me a long time and new ones. It’s a way to ensure you can communicate with your audience with no one else in control of who sees what.” 

Chat GPT 

The conversational chatbot uses artificial intelligence to create everything from poems and cover letters to film scripts and term papers.

Chat GPT is basically a digital golem. People may have read about it but everyone should try it to get an experience of its capabilities. Could this be the ultimate Jewish online experience — where it’s all about knowing how to ask questions and decipher and wrestle with the truth?


The post On one foot: Digital innovator and ‘Tech Shabbat’ pioneer Tiffany Shlain’s lessons from 3 years living online appeared first on Jewish Telegraphic Agency.

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Eleven Arrested Amid Heavy UK Police Presence at Soccer Match Between Maccabi Tel Aviv and Aston Villa

Soccer Football – UEFA Europa League – Aston Villa v Maccabi Tel Aviv – Villa Park, Birmingham, Britain – Nov. 6, 2025, Aston Villa’s Ian Maatsen scores their first goal. Photo: Action Images via Reuters

British police said 11 men were arrested during protests outside Maccabi Tel Aviv’s UEFA Europa League game on Thursday night against Aston Villa in the United Kingdom, a match in which the Israeli team lost and also had its fans banned from attending.

West Midlands Police said a 63-year-old man was arrested for a racially aggravated public order offense after he was heard shouting a racist remark during a road rage incident near Villa Park, the arena where the match was taking place. A 21-year-old man was arrested for failing to comply with an order to remove a face mask, and a 17-year-old boy was arrested for failing to comply with a dispersal order.

Three other people were arrested on suspicion of racially aggravated public order offenses, including a 34-year-old and 29-year-old who both shouted abuse toward pro-Israel demonstrators. The latter was also arrested for possession of an illegal drug, and a 67-year-old was arrested for shouting racist abuse at a police officer.

A 32-year-old man was arrested on suspicion of a racially aggravated public order offense after shouting racist abuse toward a pro-Palestinian group. Meanwhile, a 21-year-old man was arrested after trying to throw fireworks on the ground, and another was arrested on suspicion of possession with intent to supply drugs.

West Midlands Police maintained a “high-visibility police presence” around Villa Park throughout the night, the police department said.  Roughly 700 officers were dispatched to keep order outside the arena amid planned protests by pro-Palestinian and pro-Israeli groups. There were also police horses, police dogs, a drone unit, roads policing unit, and protest liaison officers.

“This has definitely been one of the most contentious and controversial matches we’ve hosted for some time, but our priority, really clearly, is public safety,” said Birmingham Police Commander and Chief Superintendent Tom Joyce. “It’s about protecting the communities that live in and around Aston Villa, and reassuring those communities who are potentially affected by the match tonight.”

Aston Villa beat Maccabi Tel Aviv 2-0 in the league phase match taking place at Villa Park, which located in the city of Birmingham in central England. At the end of the match, lines of police officers made sure soccer fans leaving the stadium were separated from the anti-Israel protesters who remained outside the area and there were no confrontations, according to The Independent. Police officers also pushed back protestors outside Villa Park during the game.

Before the start of the game, hundreds attended a protest outside of Villa Park, organized by the group Palestine Solidarity Campaign, to demand Israel be excluded from all international soccer competitions. Attendees held signs with anti-Israel messages and Palestinian flags, and chanted “Free, free Palestine.” A smaller counter-protest took place in solidarity with the Israeli club and its fans, who had been banned from attending the game.

Maccabi Tel Aviv fan and Arab-Christian activist Yoseph Haddad traveled from Israel to express support for Maccabi Tel Aviv at the venue and protest the ban against the club’s supporters.

“You have a problem with us and not the fact that people cannot come to Britain and watch a football game because you have extremists here who don’t want certain people to be here? You should check yourself,” he said in a video shared on X. “We’re not in Nazi Germany. This is not the 1940s. And I promise you we will not be silent. We will be here, and show the truth of the Israeli society, and we will scream it and shout it as loud as possible. Stop the hate.”

The ban against Maccabi Tel Aviv fans was imposed by Birmingham’s Safety Advisory Group and police, which deemed the match as “high risk” and said the ban was necessary “to mitigate risks to public safety.” Government officials in Israel and the UK, including British Prime Minister Keir Starmer, condemned the decision. The UK government said it was taking steps to try to reverse the move, but Maccabi Tel Aviv then announced it would decline to accept any allocated tickets for its fans due to its own safety concerns.

Joyce told Sky News that “significant levels of hooliganism” among Maccabi Tel Aviv fans is the reason they were banned from Thursday’s match.

“We are simply trying to make decisions based on community safety, driven by the intelligence that was available to us and our assessment of the risk that was coming from admitting traveling fans,” Joyce said ahead of the match. “I’m aware there’s a lot of commentary around the threat to the [Maccabi] fans being the reason for the decision. To be clear, that was not the primary driver. That was a consideration. We have intelligence and information that says that there is a section of Maccabi fans, not all Maccabi fans, but a section who engage in quite significant levels of hooliganism.”

Maccabi Tel Aviv’s Chief Executive Jack Angelide criticized the “blatant falsehoods” about the club’s supporters.

“We have not been given a clear reason,” he told Sky News. “I have seen people coming up with all sorts of stories about our fans, especially in Amsterdam, where there was, what the Amsterdam authorities themselves classified as “a Jew hunt,” being portrayed as organized fighters, soldiers, etc., etc. It’s just blatant falsehoods, and people who say those things know that they’re false and shame on them.”

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Could poetry revive Yitzhak Rabin’s legacy among young American Jews?

Perhaps the most enduring phrase from the period following Yitzhak Rabin’s assassination, 30 years ago this week, was then-President Bill Clinton’s valediction for his slain friend: “Shalom, haver” — goodbye, friend. It exemplified not just the genuine kinship between Clinton and Rabin, one amiable and telegenic, the other awkward and camera-shy, but also the ironclad bond between Israel and the United States.

Today, however, the so-called special relationship is under considerable duress — not least because generations of younger American Jews are increasingly suspicious of Zionism. And Rabin? He’s at risk of being forgotten altogether in the US, said Barak Sella, editor of Class of 95, a new English translation of an Israeli poetry anthology about Rabin’s murder and legacy.

Sella, who was born in Texas but came to Israel in 1994 when he was 10, was part of a generation of Israeli schoolchildren for whom Rabin’s death in November 1995 loomed impossibly large. “It was my moment of political awakening,” he said. “The first event I went to at my youth movement was a Rabin memorial ceremony. So for me, the assassination ran parallel to my socialization into Israeli society.”

In 2013, Dror L’Nefesh, the printing press of the Habonim Dror Youth movement to which Sella belonged — he was by this point also a well-established activist and community organizer — published the anthology in Hebrew under the title ‘Machzor 95’. Its publication was something of a happy accident: The movement had wanted to do something literary to mark the 18th anniversary of Rabin’s passing, Sella recalled, “but we couldn’t find any poetry or literature about it — only op-eds and articles.” When they put out an open call for contributors, the response was so overwhelming they had enough material to produce Israel’s first poetry anthology dedicated to Rabin’s passing.

The title, Machzor 95,  was a pun of sorts, for in Hebrew Machzor has both a colloquial meaning — class, or generation — and a liturgical one: a Machzor is a prayer book for Jewish holidays. The aim was “to create a tradition of memory that was cyclical,” Sella said, “to create an artifact you can return to year after year.”

By 2022, when a second Hebrew-language edition was published, Sella was already toying with the idea of putting together an English version, as he’d always seen Rabin’s assassination “not as an Israeli event, but as a Jewish event.” Indeed, in 1995, much of American Jewry had mourned Rabin intensely. “It was everything American Jews talked about,” Sella said. “One of the largest ever Jewish gatherings was for Rabin’s shloshim in Madison Square Garden.” (On Dec. 11, 1995, a crowd of more than 15,000 packed the New York arena to mark thirty days, shloshim in Hebrew, since Rabin’s death.)

But Rabin’s legacy faded from view, Sella believed, because Israel itself could not agree on what he represented. “Israel is still so deeply divided about this,” he said. “So it’s very hard to expect American Jews to create some kind of shared culture around Rabin’s memory.”

That’s where the translated anthology comes in, which Sella hopes will serve “as an education tool,” something “teachers and rabbis who want to talk to their community about the assassination can pick up, choose a poem or two, and invite people into a conversation.”

The anthology is at once a guide to the assassination and a window into how Israeli society responded. One poem, Shachar-Mario Mordechai’s ‘Before the Government of Israel Announces With Astonishment’, invokes the official announcement of Rabin’s death. Another, ‘Blank’, by Raanan Ben Tovim, explores the claim, never substantiated, that immediately after the shots rang out somebody shouted “srak, srak” (in English, blank) a phrase that, among Israelis, has become a shorthand for Rabin’s murder — and has fueled conspiracy theories ever since.

Sella’s vision for the anthology is decidedly long-term. “This translation is not only for the thirty-year anniversary,” he said. “I’m thinking about, you know, in 50 years, in 100 years, what are the artifacts of our time that will assist not only the current generation, but also future ones, to build a story, to understand, and to reflect?”

The translation is therefore aimed especially at younger American Jews. “The people who will carry this memory forward are not going to be those who were at the square,” Sella said. He still firmly believes Rabin can be a “symbol for overcoming our differences, for shared destiny and democracy.” In short, American Jews would do well to recall not simply that Yitzhak Rabin was killed, but, no less important, the ideals he died for.

The post Could poetry revive Yitzhak Rabin’s legacy among young American Jews? appeared first on The Forward.

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Hundreds Attend Elie Tahari Runway Show in Miami Honoring Female IDF Soldiers, Hosted at Catholic University

Elie Tahari, right, with wounded IDF solider Dvorah Lea Bart. Photo: Provided

Eight hundred people attended a fashion show on Thursday night in Miami by renowned Israeli fashion designer Elie Tahari that honored female soldiers in the Israel Defense Forces (IDF) and supported Tahari’s new initiative to provide clothing for wounded IDF veterans.

The runway show highlighted 40-50 garments from Tahari’s Fall 2026 collection, assembled into a new collection for the event titled “Threads of Valor.” Its name draws inspiration from a chapter in the Book of Proverbs called Eshet Chayil (“Women of Valor”), which praises a woman as the matriarch of her family and household, and is traditionally sung by a husband on Friday night before the start of the Shabbat meal. “Eshet Chayil” includes lines that talk about a woman making and selling garments.

“Tonight has been the best night of my life,” Tahari said on stage at the runway show. “I’m very proud to be a part of this. Anything I can do for the soldiers — they are my heroes; they are always going to be my heroes. And it makes me feel happy.”

The Israeli-born fashion designer immigrated to New York in 1971 with less than $100 and built a billion-dollar fashion empire that has been successful for over 50 years. Since the Hamas-led terrorist attack in southern Israel on Oct. 7, 2023, he has been passionate about supporting IDF veterans, with 100 percent of his e-commerce going directly to help female IDF soldiers.

Thursday’s runway show took place at St. Thomas University (STU), a Catholic school. It was co-organized by Ashlee Rzyczycki, director of STU’s Fashion Merchandising and Design program, as well as Tobi Rubinstein, who serves on the school’s fashion advisory committee and had a career in fashion for the last 45 years. The show was also organized in collaboration with Yedidim – an organization that assists IDF veterans — and Soireee Events.

The runway show was divided into different segments and each revolved around a different theme – including resilience, command, power, freedom, confidence, and sacrifice – that related to the journey and stories of the IDF soldiers honored at the event. Students in STU’s fashion design program collaborated in picking garments by Tahari that would be featured in the runway show, in line with the chosen themes, but students also helped create the lineup and worked behind the scenes at Thursday night’s event.

“It’s an interfaith collaboration. We are a Catholic school, but we can have conversations about faith. It’s been such an amazing learning opportunity for my students,” Rzyczycki told The Algemeiner. “The fashion show is taking audience members on this journey that these women have gone through, when they are in the army, and what they experience from that. It’s kind of a visual, artistic interpretation of that sacrifice … of what they do and incorporating how fashion can be part of that story and narrative.”

“It’s like bringing New York Fashon Week together with a charity event, blending it together and putting it in a major fashion school,” added Rubinstein, who is also a best-selling author and founder of the House of Faith and Fashion movement. “It’s really quite something, and the irony of it being in a Catholic fashion school that is so pro-Israel just makes it all the most delicious.”

Among the models who walked the runway on Thursday night were IDF soldiers, Jewish STU students, influencers, and pro-Israel activists, including former UC Santa Barbara Student Body President Tessa Veksler, who was featured in the “Blind Spot” documentary; Lawfare Project founder Brooke Goldstein; and artist, designer, and entrepreneur Elizabeth Sutton.

“It was an immense privilege to walk the runway for such a monumental fashion moment in support of Israel — alongside legendary women who have fought for Israel not only on the frontlines of the war itself, but also on the frontlines of the global war against antisemitism. It was humbling,” Sutton told The Algemeiner. “To witness a fashion icon like Elie Tahari commit such bold philanthropy — pledging all e-commerce sales in perpetuity to wounded soldiers — was profoundly inspiring, and reaffirmed my own goals as a Jewish businesswoman, leader, and designer.”

Proceeds from Thursday night’s event when directly to supporting female IDF veterans through Tahari’s new initiative Project Wardrobe, which provides wounded female IDF veterans with clothing so they can feel empowered while acclimating back into society after they finish their army service. As part of the initiative, launched in collaboration with Yedidim and Soiree Events, Tahari gives a clothing allowance to soldiers each month and he covers the cost of shipping, delivery, taxes, and other fees for the garments.

“It’s about giving the wounded soldier a sense of self-esteem and self-worth through clothing,” Rubinstein said of Project Wardrobe. “Clothing is so much more than just what I wear. It can heal you. It can rehabilitate you and give you the strength to move forward.”

“To me Elie’s clothing is like a suit of armor,” added Rzyczycki. “It demonstrates power and showing that you can be confident and powerful in what you wear. And all of the clothing that Elie has, his designs, has always been focused on that. He is a really powerful beacon to demonstrate how clothing can provide power to women.”

Rzyczycki also talked to The Algemeiner about the decision to have STU host the fashion show and collaborate in efforts to support Israeli soldiers.

“It’s all about educating my students on the power that fashion can have … For me, as an educator I think it’s important for me to tell my students about doing things that are bigger than ourselves,” she explained. “I think it’s really important for my students to be able to understand some of the philanthropic efforts that go into fashion. And this event really embodies that – being able to give back and also do things that have a bigger purpose revolving around fashion.”

“Fashion can be a unifier for all religions, all different ways of life, to be able to provide education and camaraderie,” she added. “I think we’re teaching our students valuable lessons on the power that fashion can have in that language and delivering that to people.”

A day before the runway show, Tahari and Rubenstein hosted a fashion masterclass for STU students in the fashion merchandising and design program, where the designer discussed the fashion business but also the combination of faith and fashion.

See below photos from Tahari’s “Threads of Valor” fashion show.

Photo: Threads of Valor

Photo: Threads of Valor

Photo: Threads of Valor

Photo: Threads of Valor

Photo: Threads of Valor

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