Uncategorized
The settlers’ attack on Huwara is not the Orthodox Judaism I grew up on
(JTA) — Nighttime in Huwara, a small Palestinian town in the West Bank. Jews in large skullcaps and sidelocks, prayer fringes dangling from their waists, responding loudly to the cantor: “Yehei shmei raba mevurach leolam u’leolmei olmaya” (“May His great name be blessed, forever and ever”) — the words of Kaddish, a regular daily prayer that can also be said to mourn the dead.
The gloom outside is illuminated by an enormous bonfire of cars, shops and homes belonging to the Palestinian residents of the village, which the Kaddish-reciters have set on fire, in revenge for the horrific and heartrending murders, hours before the pogrom, of brothers Hillel and Yagel Yaniv (may their memory be a blessing) and for other recent terror attacks in the area.
One Palestinian was killed during the rioting by these Jewish settlers. Dozens of wounded Palestinians were evacuated to hospitals, some from smoke inhalation, others from beatings and stabbings. A family was evacuated by IDF troops, moments before they might have perished in the flames that took their home.
This wasn’t just any Kaddish, yet another one of those said and repeated by any observant Jew multiple times a day, sometimes in mumbling fashion. This time it was a Kaddish for Judaism itself.
I grew up in a small town in central Israel, in a classic “dati leumi” or national religious community whose ideology combines Zionism and Orthodox Judaism. I studied in typical religious institutions: a school in the state-religious education stream, a high school yeshiva and a “hesder yeshiva,” which combines advanced religious studies with military service. I was also very active in the religious Zionist Bnei Akiva youth movement, as an educator and leader.
Even today I live in a religious community in Jerusalem, and my young children study in schools that belong to the state-religious education stream.
The Judaism that I know and by which I try to live is a Judaism that operates according to the commandment “walk in His ways” (Deuteronomy 11:22) and the Talmud: “As He is gracious you should also be gracious, as He is compassionate you should also be compassionate” (Shabbat 133b:4-6). This Judaism operates according to the verse from Leviticus, “The land shall not be sold permanently, for the land belongs to Me, for you are strangers and [temporary] residents with Me.”
By contrast, the Judaism that the militant settlers imbibed — or distorted — led one of the pogromchiks, he too in skullcap and sidelocks, to speak in Hebrew words I understood but whose language I could not not comprehend. “There is something very moving here,” he told a reporter. “Jews won’t be silent. What the army can’t do, what the police will never do, simple Jews come and carry out a simple act of vengeance, setting fire to anything they can.”
The same Judaism led Davidi Ben Zion, deputy head of the Samaria Regional Council, also an observant Jew, to say blithely, shortly before the pogrom, that “Huwara should be wiped off the earth — no room for mercy,” and “the [Jewish] guys in Huwara right now are behaving precisely like guys whose brothers were massacred in cold blood at point-blank. The idea that a Jew in Samaria is a diasporic Jew who will be stabbed in the heart and politely say thank you, is childish naivete.”
That same Judaism led Israel’s finance minister, Betzalel Smotrich, the de facto governor of the West Bank, to publicly support a tweet by another coalition member calling to “wipe out” the village.
In the name of this Judaism, denizens of hills and outposts abuse the Palestinians daily, with the aid or under the blind eye of the IDF. A national Jewish settlement endeavor has been taking place for two generations now, which despite the good intentions of some of its practitioners, has included land theft, institutionalized discrimination, killing and hatred. An endeavor under which the current coalition, the most observant ever, only grows and intensifies.
In ordinary times life is not black and white. The Palestinian side also has a significant part in the story. The violence comes in great force and cruelty from there as well, and its many victims and circles burn the soul and draw many good people into the cycle of vengeance. The solution, too, is complex and hard to see, even far off on the horizon. But there are moments when things are actually very clear, clarifying the gray areas, when the choices are between life and death, and good and evil.
This evil version of Judaism is a lethal drug, which through a historical twist of fate gained ascendance over our ancient tradition. Combined with nationalism and majority hegemony in the Land of Israel, it has become a conflagration, one that has long since spread beyond religious Zionism — what Americans might refer to as “Modern Orthodox” — to the haredi, or ultra-Orthodox sector, and Israeli society in general.
An entire generation of Jews has been raised on this Judaism of hate, contemptuous of anyone who is not Jewish, of any display of weakness, of compassion. To whom Judaism is not the keeping and continuation of our tradition, observing commandments or studying Torah, but a worship of “Jewish might” (“Otzma Yehudit,” the name of a far-right political party) and limitless greed. In this Judaism, traditional values like modesty, pity and charity are signs of weakness, or remnants of a pathetic and feeble Christian morality that under no circumstances are to be shown to a stranger, the other, those who are not like us.
What we need now is not accommodation, nor soft words and platitudes. Neither will an obvious and empty condemnation of the pogrom do a bit of good. What we need now — having seen the elected officials who represent this religious population, having witnessed their nationalist Judaism — is a policy rooted in a tradition they abandoned. We should treat those who distort Judaism as the Mishnah tells us to treat all evildoers: “Distance yourself from an evil neighbor, and do not cleave to a wicked person” (Ethics of the Fathers 1:7). We need to announce that we want no part in the feral growth that has sprung up here, that this is not the tradition we grew up on, this is not the Torah we studied, and this is not how we wish to live our lives and raise our children.
Let us return to tradition and start over.
—
The post The settlers’ attack on Huwara is not the Orthodox Judaism I grew up on appeared first on Jewish Telegraphic Agency.
Uncategorized
‘Marty Supreme’ is an outstanding celebration — and indictment — of chutzpah
Marty Mouser will have the beef Wellington and caviar, as they are the most expensive items on the menu.
The 23-year-old table tennis phenom, heralded as “the chosen one,” is dining at the Ritz in London. Seated opposite him, his recent opponent, Bela Kletzki. The two are friends, but this didn’t stop Mouser from telling a gaggle of reporters before their match of his plans to “do to Kletzski what Auschwitz couldn’t.” He can say that, he assured them — he’s a Jew.
This, like Mouser’s remark that he is the “ultimate product of Hitler’s defeat,” is all bluster. (He’s really a lowly Lower East Side shoe clerk who stole money from his shop to fly to the tournament.) But we soon see what Auschwitz meant for his survivor companion: defusing bombs on the camp outskirts and once managing to sneak honey from a beehive onto his person, which his fellow prisoners licked off him for nourishment.
We get a flashback of Kletzki. It’s lensed like a Renaissance painting, with honey glistening off of the hairy chest of actor Géza Röhrig, (Hungarian star of the Sonderkommando drama Son of Saul).
You may wonder what exactly this moment is doing in Josh Safdie’s Marty Supreme, a walloping period piece that follows Mouser’s picaresque ploys to become a global icon by hustling, stealing and lying his way into a tournament in Japan. But there’s rarely a moment in the frenetic picture, set over eight months in 1952, where only one thing is happening. While Kletzki tells his haunting honey story, to pen magnate and potential patron Milton Rockwell (Kevin O’Leary, Mr. Wonderful, indeed), Marty makes eyes at Rockwell’s wife from across the room, another sort of honeypot in mind. The contrast is the point.
Unlike Kletzki, Marty — very loosely based on ping-pong champ Marty Reisman — is an American, New York-born, and believes in the Augie March doctrine of first knocked, first admitted. To get his foot in the door so he can stare down from his rightful place on a Wheaties box, he will shove anyone and everyone out of the way. He refuses to demean himself by playing Harlem Globetrotter halftime shows with Kletzki, or throwing a match for Rockwell — but his principles are malleable when the straits are dire.
Mouser feels entitled to everything: the money in his uncle’s safe at the shoe shop; a suite at the Ritz; other men’s wives; a chunk of the pyramids, which he presents to his manipulative mother (Fran Drescher) with the words, “We built that.”
We know from how he speaks about this hunk of Egyptian rock — and about Kletzki, the Holocaust and Hitler — his entitlement comes in part from a legacy of immiseration and violence he never suffered personally. But Mouser, this New Jew coming of age after the Shoah, claims redemption as his birthright while also striving to float above his people’s history of oppression and retail drudgery, concocting a mythology of self-invention and radical individualism. (Meanwhile, Kletzki, a world champ before the war, is all too happy to be treated kindly and paid decently for hitting balls with skillets for the Globetrotters.)
The tension between the horror of the recent past, and the just-dawning promise of an America where antisemitism is unfashionable, plays through Marty’s vision of what’s to come. He dreams up orange-colored ping-pong balls, a hue only approved for use by the International Table Tennis Federation in 2019. The 1980s synth-pop needle drops remixed by composer Daniel Lopatin, lean into futurism. Our hero is ahead of his time, chafing at the present to which he’s tethered. He wants an unready world to acknowledge his greatness now. He has no patience for a rocky transition.
If the opening credits of Uncut Gems bespeak a past-one’s-prime ritual — a colonoscopy — Marty Supreme‘s titles are set to a burst of youthful virility. (Inventive, hilarious, if something I’ve seen before.)
Timothée Chalamet, outfitted with prosthetic acne scars and eye-shrinking contact lenses, is incandescent and somehow stays to the right side of insufferable as he wrecks the lives of all around him with his singular focus. Unlike Gems’ Howard Ratner, a sleaze with a gambling addiction and little else to offer, Mouser’s talent is undeniable, but like any Safdie protagonist, he takes his licks.
The film, co-written and co-edited with Safdie’s constant collaborator Ronald Bronstein, is a rich Jewish text that alternates between wish fulfillment and nightmare. Mouser competes for the WASPy Rockwell’s patronage while shtupping his icy blonde wife (Gwyneth Paltrow). On the other side of the ledger, his lover, Rachel (a pitch-perfect Odessa A’zion), is attacked near a Forverts delivery truck. Marty’s uncle Murray (music journalist Larry “Ratso” Sloman) calls a cop goyische kopf for ordering the roast beef over pastrami at the Garden Cafe. It’s no mistake that, at his lowest, Mouser faces a treyf humiliation orchestrated by Rockwell: lose and kiss a pig.
But Marty Supreme is too dense with plot points and people to insist on a solely Jewish gloss, even as critics for the non-Jewish press have been tempted to apply one.
Exploring the warrens of postwar New York — the wings of a Broadway theater, the back alley of a Chinatown restaurant, stockrooms, airshafts and fire escapes — all outstandingly revived by legendary production designer Jack Fisk, Safdie proves he’s not only ready for a solo effort away from brother, Benny, but ready to leap over space and time. He may not be ready to say goodbye to all that (New York stuff), the backdrop for all his features up to now, but he easily could.
In this epic of chutzpah, we have a mature work via a singularly immature avatar. Mouser may have never reached the recognition he felt he was owed, but coming into awards season, there’s little doubt that Safdie’s film is a cross-category contender.
Should the gentleman order the caviar, there’s no doubt he’s earned it.
The post ‘Marty Supreme’ is an outstanding celebration — and indictment — of chutzpah appeared first on The Forward.
Uncategorized
The Future of War: Israel Takes Global Lead on Military Innovation With New AI Division, Iron Beam Laser System
A part of Iron Beam laser anti-missile interception system, developed by Israel, is seen in this handout image obtained by Reuters on Sept. 17, 2025. Photo: Israel Defense Ministry/Handout via REUTERS
The Israel Defense Forces (IDF) announced this week a revolutionary reorganization of the technology and artificial intelligence capabilities of the Jewish state’s military, unveiling new plans to prepare for future warfare with cutting-edge advancements.
Israel’s major defense overhaul, unveiled on Tuesday, comes in preparation for the deployment of the long-anticipated “Iron Beam” laser interceptor system, which will be delivered to the military at the end of the month.
Under the name “Bina” — Hebrew word “intelligence” — the IDF has chosen to shut down its Lotem Unit from the C41 Corps, replacing it with the Artificial Intelligence (AI) Division and the Spectrum Division. The latter will focus on communications and electronic warfare with an emphasis on threats from Iran, China, and Russia.
The AI Division will grow through merging other sections within the IDF, including Mamram (the abbreviation for the Center of Computing and Information Systems) and software development units Shahar and Mitzpen. This consolidation of AI-development related divisions intends both to intensify security and avoid accidentally duplicating research efforts. The project will align with Israel’s Project Nimbus cloud computing program supplied by Amazon and Google.
The IDF also announced the ICT Division, which will focus on satellite warfare in outer space.
According to the military, about 50 percent of the new divisions are composed of women soldiers, with female officers comprising 40 percent of the senior command including two of the five top leadership positions.
Brig. Gen. Yael Grossman now heads ICT and the Cyber Defense Division, and Brig Gen. Racheli Dembinsky will head the Spectrum Division. Others in leadership positions include Chief Signals Officer Brig. Gen. Omer Cohen and Maj. Gen. Aviad Dagan.
“I have no doubt that the world is heading towards a space war, especially after the US and China defined space as a possible war arena,” Dr. Moshik Cohen, CEO for defense technology company AIPEX which focuses on missiles, told the Israeli publication Globes.
“Rival powers are already using it on the battlefield,” Cohen continued. “The Chinese have developed a way to detect stealth aircraft using satellites, and the Russians have jammed GPS signals from US satellites, which have dropped thousands of smart bombs on earth and blocked satellite communications for the Ukrainians. At the same time, the US is promoting Golden Dome, which will consist of a network of low-flying satellites able to perform military missions such as intercepting ballistic and hypersonic missiles and blocking enemy communications.”
Dagan said that the new divisions aspired to use technology to “turn one tank into 100 tanks, one soldier into 100 fighters.”
On Monday, meanwhile, Danny Gold, the head of the Israeli Defense Ministry’s Directorate of Defense Research and Development, revealed that the military would soon receive the “Iron Beam” laser interception system, a project a decade in development.
“With development complete and a comprehensive testing program that has validated the system’s capabilities, we are prepared to deliver initial operational capability to the IDF on Dec. 30, 2025,” Gold said. “The Iron Beam laser system is expected to fundamentally change the rules of engagement on the battlefield. Simultaneously, we are already advancing the next-generation systems.”
Created by Rafael Advanced Systems Ltd., the Iron Beam is intended to supplement rather than replace Israel’s Iron Dome and other air defense systems, focusing especially on smaller targets. As long as the weapon maintains a power source then it cannot run out of ammunition. However, the system does not function optimally in situations with clouds or low visibility.
The IDF chose to rename the laser weapon from Magen Or (Light Shield) to Or Eitan (Eitan’s Light) in honor of Cpt. Eitan Oster, a member of the Egoz Commando Unit killed in October 2024 while fighting the Hezbollah terrorist group in Lebanon.
Brig. Gen. Benny Aminov also announced this week an Israeli breakthrough in countering enemy drone attacks.
“We are now working on interception solutions using drone-based systems that enable response to swarm scenarios while accelerating the development of new directed-energy weapons,” Aminov said. “The issue of low-altitude threats is an example of a challenge that requires our defense establishment to fundamentally change its operational approach, responding within compressed time frames, spiral development, accelerating testing during the development process, and bridging small defense-tech companies with major defense contractors.”
Uncategorized
‘Dancing With the Stars’ Airs Its First Dance Dedicated to Hanukkah During Holiday Special
Alan Bersten, Val Chmerkovskiy, Gleb Savchenko, Emma Slater, Onye Stevenson, and Hailey Bills dancing to “Miracle” by Matisyahu on “Dancing with the Stars” on Dec. 2, 2025, on ABC. Photo: Disney/Eric McCandless
“Dancing with the Stars” aired a holiday special on Wednesday night that included the show’s first celebration of the Jewish holiday of Hanukkah, which begins later this month.
The reality show and dancing competition aired its first full holiday special, titled “Dancing with the Holidays,” which highlighted the skills of its professional dancers without their celebrity partners. The dances mainly honored Christmas, but for the first time in the show’s 20-year history, there was a dance dedicated to Hanukkah.
Professional dancers Alan Bersten and Val Chmerkovskiy, who are both Jewish, along with four non-Jewish pros – Gleb Savchenko, Emma Slater, Onye Stevenson, and Hailey Bills – danced to “Miracle” by Matisyahu. Bersten choreographed the dance, which included the men linking their raised arms to form a menorah, a hora, a sit-spin as a nod to a spinning dreidel, and a take on some of the dances from the classic Jewish musical “Fiddler on the Roof.”
“We have a lot of work to do,” the Mirrorball champion told the dancers in rehearsal. “We need a miracle.”
In the intro package for the dance, Bersten, who is the son of Russian-Jewish immigrants, talked about not seeing much Hanukkah representation around the holiday season when he was growing up. Bersten said he wanted to create something that Jewish kids today could identify with.
“Everyone celebrates holidays in a different way. Growing up Jewish, you don’t really see a lot of Hanukkah representation, so tonight we’re doing a special performance to celebrate Hanukkah,” he said. “Hopefully a Jewish kid’s watching this, and they feel seen, and they feel proud.”
Following the dance, DWTS co-host Alfonso Ribeiro reminded the audience and viewers at home “that the holiday season is for everyone.”
The “Dancing with the Stars” holiday special was released on Disney+ and Hulu.