Local News
Former Jewish Child and Family Service client is new JCFS president
By MYRON LOVE When Elena and Konstantin Grinshteyn arrived in Winnipeg in 2006 with their one-year-old daughter, they were warmly welcomed at the airport by a settlement worker from Jewish Child and Family Service, who assisted them in settling in. This past June, at the JCFS’s Annual General Meeting, Elena was appointed the new president of the JCFS board.
“I have experienced first-hand the good work that the JCFS does in our community,” says the Red River College Polytech Senior Development Officer (responsible for student awards, and special initiatives), who joined the JCFS board in 2017.
Since Elena and her family settled in Winnipeg as a young couple with their one-year-old daughter, they have maintained a strong connection to the community by actively volunteering for the Grow Winnipeg program with the Jewish Federation, and later with JCFS. In their new country, Elena pursued a career in fundraising, working for the United Way of Winnipeg and Friends of Ralph Connor House before joining Red River College Polytechnic.
“The opportunity to work with visionary people who are shaping the community and creating a brighter future for the city is what makes being a Winnipegger special,” she says. Elena also sits on the board of the Canadian Association of Gift Planners (CAGP).
Elena’s vision for the next two years at JCFS is to help move JCFS forward, ensuring the organization reaches as many clients as possible and continues to grow. As an immigrant to Canada, she feels a profound commitment to maintaining a strong connection with new immigrant families and raising awareness about all the services JCFS offers.
On Thursday, July 11, independently of her new role as JCFS Board President, Elena spoke to a small gathering of Christian friends of Israel – which was organized by Pastor Rudy Fidel of Faith Temple and his wife and partner, Gina. The reason for Elena’s presentation was twofold – to speak of her experiences being in Israel on October 7 – when she was not far from the epicentre of the Hamas attacks. As well, Al Benarroch, JCFS Executive Director, was invited to raise awareness with the group about JCFS’s support services for Holocaust survivors. During his presentation Benarroch noted that there was an unexpected shortfall in year’s funding for the program this year.
Grinshteyn began her talk with some biographical information. The daughter of a Ukrainian father and Jewish mother living in the now embattled Donetsk region of eastern Ukraine, the family decided to make aliyah in 1991, when Grinshteyn was 13. The family settled in Ashkelon in southern Israel.
Grinshteyn did her two years of service in the IDF, after which she earned a degree in Economics and Computer Science from Bar Ilan University.
“Israel is a multifaceted country – you hear many different languages on the street – and where people are generally happy despite the constant threat of terrorism and war,” she observed.
It was acts of terrorism – in particular, the bombing of the Dolphinarium Discotheque in Tel Aviv on June 1, 2001, that persuaded Elena and Konstantin to leave Israel. “It was a hard decision,” Elena recalls, “but we wanted to offer our kids a home where they would be safe.” The couple has two daughters – 19 and 13 years old.”
At the beginning of October, the Grinshteyn family returned to Israel to spend Sukkot with their extended family. “We enjoyed an amazing six days,” she told her audience. “We were surrounded by our loving family in Ashdod and Ashkelon.”
“Then, in the early hours of October 7, we heard rockets and the sirens going off ,“ she recounts. “Fortunately, my mother-in-law had a bomb shelter in her apartment building. Although everyone said we would be okay, the sounds of the rockets were terrifying.”
“By 9:00 A.M., we realized that a full-scale invasion was taking place.”
“By 10:30 am, over 2,000 missiles had already been fired into southern Israel.”
She proceeded to show slides of some of the destruction in Ashdod.
Elena and Konstantin immediately began trying to make plans to return home to Canada, but most flights were cancelled. They were able to get a flight to Greece on October 11 and were able to finally return to Canada five days later.
As was noted, the second part of the evening’s presentation for Christian friends of Israe saw Al Benarroch, JCFS’s Executive Director, speaking about the needs of local Holocaust survivors and the reductions in funding for the program at JCFS that supports them.
“This year, we are facing a $40,000 deficit,” he reported. Pastor Rudy Fidel and his congregants have pledged their own efforts to help raise money toward making up that deficit.
After WWII, Benarroch explained, the German government slowly accepted responsibility for what the Nazi Regime unleashed on the Jewish people and entered into negotiations to pay financial compensation to survivors. The negotiations (which continue to this day) and funding channels through the Conference on Jewish Material Claims Against Germany (also known as the “Claims Conference”), a nonprofit organization with offices in New York, Israel, and Germany. Over the decades, Germany has paid out many billions of dollars to help Holocaust survivors all over the world.
“The problem here,” Benarroch pointed out, “ is that the number of Holocaust survivors in Winnipeg served by JCFS now stands at 91 (an estimated 20-25 additional survivors have not sought services from JCFS). We have assisted as many as 160 over the years. (Some 1,050 or so survivors originally settled in Winnipeg after the war). JCFS assists them with filling out the various forms for reparations, which can be an emotionally daunting task for survivors. We also assist with emergency financial assistance for those most in need, and private homecare services to top up the few hours that the public healthcare system may provide. Funding from the Claims Conference covers all of this, including funds to employ two social workers to work with the survivors. Until recently, negotiations with the German government allowed for funding in a ratio of one social worker for every 50 Holocaust survivor clients. As a result of negotiations, and to establish more consistency worldwide, this ratio has now been changed to one worker for every 70 clients.
“JCFS currently receives and spends almost $900,000 a year total for the services to Holocaust survivors in our community”, Benarroch reported. “The funds allocated to financial assistance and homecare remain the same. However, the funds to cover the salaries of those 2 social workers at the new ratio of 1:70 cases is resulting in a deficit of $40,000.
“On principle, JCFS will not reduce the amount of social work time devoted to Holocaust survivors,” said Benarroch. “They deserve so much more than we already give them, and we will find a way to keep funding those positions.”
He singled out special praise for JCFS social worker, Adeena Lungen, herself the daughter of Holocaust survivors, who has been working with the survivor community for the past 20 years.
“Adeena’s dedication is remarkable. She is so committed and, as an example, she makes every effort to attend the funeral of any local Holocaust survivor who passes away,” Benarroch added. “It is estimated that in another 10-12 years, the last remaining Holocaust survivor in the world will pass away. What then will be their legacy?”
Referring to Elena Grinshteyn’s account of terrorism in Israel, Benarroch recounted his own parents’ narrow escape once – in Jerusalem. In the 1990s, Shlomo and Mary Benarroch were visiting in Jerusalem. They were shopping for a tallis – the kind with the rainbow stripes, for a younger Al Benarroch – before doing their Friday afternoon pre-Shabbat shopping at the nearby Machane Yehuda Market. They were delayed in that particular Judaica store and ,while waiting, a double suicide bombing occurred in the market.
“It was a miracle,” Benarroch said to the church group. “There is no other way to explain it. Israel is a special place. It is a land where miracles happen every day, and our very survival itself is a miracle. It is through the grace of God that Israel will continue to overcome hardships and survive.”
Local News
Hundreds rally against opening of Nakba exhibit at Human Rights Museum
By NOAH STRAUSS Around 300 people gathered outside the Canadian Museum for Human Rights on Friday during the grand opening of the museum’s newest exhibit, “Palestine Uprooted: Nakba Past and Present.” (Ed. note: The CBC report on the protest said there were “100” people at the rally. I know there were more than 100, but I’m not sure there were 300 either.) The exhibit, which had a limited number of tickets available for opening night, sold out. The Canadian Palestinian Association of Manitoba had originally planned a rally in support of the exhibit’s opening, but it was cancelled just days before the event.
The Nakba, which means “catastrophe” in Arabic, refers to the displacement of an estimated 750,000 Palestinians during the 1947–1949 war surrounding the establishment of the State of Israel. The exhibit has drawn criticism from members of Winnipeg’s Jewish community and others who argue that it does not acknowledge the displacement and persecution of Jewish communities in many Arab and Muslim-majority countries following Israel’s independence and the 1948 Arab-Israeli War. Historians estimate that between 850,000 and 950,000 Jews left or were expelled from Arab and Muslim-majority countries during the decades surrounding Israel’s establishment. In countries including Iraq, Egypt, and Yemen, many had their property confiscated, while others left because of persecution or increasing hostility.
Supporters of the Jewish community came from all faiths and backgrounds. The Jewish Post spoke with Lisa Lewis, a longtime supporter of the Jewish community.
“I think there is a crisis of antisemitism happening right now,” Lewis said.
She was one of many non-Jewish community members who attended the rally. Lewis said she has been an active ally since the 2000s, helping Argentine immigrants come to Canada. Following the October 7 attacks on Israel, she said she has become a more vocal supporter of the Jewish community. During the rally, she wore a Magen David necklace.
Lewis also criticized the museum’s approach to the exhibit.
“The Jewish community organizations that represent the majority of the Jewish community weren’t consulted on something like this,” she said.
Cindy Clubb, another ally of the Jewish community who attended the rally, also voiced her concerns.
“I grew up with prominent businesspeople and members of the academic and medical communities. I don’t know what we would do without our Jewish cooperation. So I’m up here to support them, and I think all of Winnipeg should be out here,” Clubb said.
One protester, who identified herself as Michelle, said, “We are against the Nakba exhibit. It’s all lies.”
Gustavo Zentner, Vice President of CIJA Manitoba and Saskatchewan, said, “We are calling on Minister Miller to hold the museum leadership accountable. The Minister of Canadian Heritage needs to ensure that national institutions are not weaponized against Canadians to serve a one-sided political agenda. These concerns were expressed not only by the Jewish community, but by many concerned Canadians. At its core, this is a Canadian issue.”
Zentner did not participate in the community rally. He went on to say, “We are proud of the many community members, allies, and organizers who gathered at the museum before Shabbat began to demonstrate their concerns.”
The museum defended its decision to present the exhibit. CEO Isha Khan said that “human rights matter precisely when they are inconvenient.” She added that the museum “belongs in the collective memory of Canadians.”
The exhibit is scheduled to remain on display until November 2028.
Local News
Interviews with the curator of the Nakba exhibit and the CEO of the Human Rights Museum
By BERNIE BELLAN On June 26, I was invited to attend the Canadian Museum for Human Right to see the Nakba exhibit prior to its being opened to the public. While I was there I was given the opportunity to interview the curator for the exhibit, Isabelle Masson, along with CMHR CEO Isha Khan. What follows are the transcripts of those interviews (edited only to remove pause words like “uh” and phrases that were repeated). The first interview was with Isabelle Masson:
Jewish Post: Several representatives of Winnipeg Jewish community organization say that they weren’t fairly consulted on this exhibit. How do you respond to that?
Masson: We came to this project with an awareness that Palestinian voices are often marginalized, even silenced, and an awareness that Islamophobia and anti-Palestinian racism have an impact on whose voice is heard and whose suffering is recognized. And so we intentionally chose to centre Palestinian voices with this exhibition.
JP: But to the point that many Jewish representatives of organizations and people within the community at large feel that the Jewish community should have been consulted on an issue that had such a direct impact on the Jewish community – did you not feel an obligation to consult with the Jewish community?
Masson: I think the best person to talk further about this issue is our CEO, Isha.
JP: In terms of the exhibit itself, I must say it really stresses the suffering that Palestinians have endured. But, in looking at other refugee situations around the world, the Palestinian situation seems to me to be unique in that there has never been an effort to resettle Palestinians within the countries to which they were forced to flee.
Do you not think that separates their situation (from other refugee situations) and, in some ways, it has made their situation worse than it could have been?
Masson: Well, the exhibit not only centres that experience of forced displacement and disposition as a longstanding experience across five generation that you know is tied to human rights violations that are ongoing today, but it also I want to point out, you know, foregrounds beauty, foregrounds resilience, foregrounds the maintenance of identity and belonging across time and across that experience. So there’s also these elements about this exhibition because it was also about humanizing Palestinians – about people with families with stories, with creativity – and coming back to some of the videos what interviewees say, right, we hope that Palestinians can be seen as fully human and hope that they can see Palestinians as having human rights and this this story today in this gallery is is a story about human rights.
JP: If I can focus on one particular aspect of the exhibit that I read this morning when I was sent the preview, it referred to what happened between the years 2000 and 2005 as a Palestinian uprising. But the Israeli term would be the Intifada which for them meant large-scale attacks – terrorist bombings by some Palestinians. Did you not think it necessary to include that in a larger context?
Masson: Well, we use uprising because it’s the most more accessible term in the exhibition and we, you know, we’re focusing really here on an artwork by artists – Palestinian American artist Reggie Cook and with an artwork that was trying to translate the experience of of occupation into what is created. So that’s the context in which we talk about that.
JP: But to ignore what happened during the uprising seems to me to leave out a major part of the context.
Masson: I don’t think that we are ignoring that. This exhibit is not about the full story of what has happened in Palestine, in Israel. It’s not, you know, the scope of this small exhibition. This small exhibition has a scope and the scope was really to create an opportunity and a place for Canadians to be able to encounter Palestinian Canadians and hear their voices.
JP: Given the current mood in the Middle East and the ongoing tensions between Israel and various other actors, the concern among many in the Jewish community that this is going to lead to a heightening of antisemitism and an exhibit like this seems that it’s not going to do much to improve relations between Jews and Palestinians when it focuses on only one side of the story. How do you respond to that?
Masson: Well, this is only one exhibit of of many, of many stories that we have.
Following is my interview with Isha Khan. Khan began by explaining that she is “the CEO at the Canadian Museum for Human Rights and I’ve been here as CEO of the museum since August of 2020. So almost six years.”
JP: So let’s get right down to discussing (the exhibit). I spoke to the curator. I asked a lot of questions about the exhibit itself. I’m more interested in asking (you) about the general context and the atmosphere in the community. The accusation has been made repeatedly by various leaders of Jewish organizations that you have not been willing to consult on this exhibit. How do you respond to that?
Khan: I think the word consult can mean many things. We have a community engagement practice. So for us that means that depending on the scope of the exhibit and this exhibit is about Palestinian Canadians and their experiences, the impacts of the human rights impacts, of forced displacement, which means we engage with that community as we share their stories. Many folks in the Jewish community will say we haven’t consulted with them and yet we have met with leaders of Jewish organizations from across Canada, main uh, major federations, foundations, local Jewish organization representatives many times to talk about this exhibit, to explain what its scope is, what it’s about, what it’s intended to do, and most importantly, what it isn’t. And unfortunately there continues to be misconceptions about what it is. So we hope people will come and see it.
JP: I think the fear in the community – and I think it’s well founded is that this will foment an increase in antisemitism. Can you understand that concern?
Khan: Absolutely. I personally and any member of our team who’s talked to folks about this has said that we unequivocally share the concern about antisemitism in Canada today. That is part of our mandate. And we will continue to do that work and we can also share these stories of Palestinian Canadians – you know, telling the story of one community’s human rights violation in no way should negate or minimize the experience of another community. That’s what this museum was designed to do….designed to build understanding of shared humanity and that’s what we believe we’re doing responsibly.
JP: Just before I began this interview, I was taken (down to the fourth floor; the Nakba exhibit is on the fifth floor) to see the gallery of other human rights violations. I’m not sure what it’s called. (It’s where there is a ) recitation of various human rights violations, including what happened in 1947 and 1948 (in Palestine). They offer passing reference to the displacement of both Jewish and Palestinian refugees. Would you consider ever having an exhibit about the displacement of Jewish refugees from Arab lands in 1948 and subsequent years?
Khan: We would absolutely consider it and in fact have shared with leaders of the Jewish organizations months ago that yes, these are important stories that need to be told (and) invited them to work constructively with us on developing that content. Unfortunately we didn’t really receive much response.
JP: How long is this exhibit supposed to be on for?
Khan: So this exhibit right now we’re saying is a minimum of two years. That’s because it is an exhibit in a standing gallery and so it also depends on our updating of our other galleries and, you know, exhibits take a bit of time. This one is four years in the making and so we’ve just committed that it’ll be a minimum of two years and we’ll see where things go.
JP: There are a lot of other refugee situations in the world – (for instance) South Sudan, and just this morning I was saying to Isabelle that I received an email about the situation for people from Burundi in the Democratic Republic of the Congo.
I didn’t realize that was a problem. I know that the Congo has had ongoing problems with displacement of populations. It it seems to me it’s not an unlimited number of stories like this you could tell, but there are a lot of others. How do you decide which ones take priority?
Khan: We’re often asked the question of how we decide, and it comes back to how this museum is designed. Each gallery is intended to tell a different story. It has an objective. So this exhibit, Palestine Uprooted, is in our Rights Today gallery. It’s to talk about global human rights issues. And we know that people want to better understand human rights of Palestinians. There’s no question. It’s being talked about, debated, discussed all over the world. And so we’re being responsive there to that need. And we know that Palestinian experiences were under represented in our galleries and have heard that for years. To your point though that there are other stories – the design of this museum is that you ought to be able to feel something, understand something about the forced displacement of one community and apply it to another. So now this story stands along the forced displacement of the Rwanda people, indigenous peoples, Ukrainian people, the Igbo people. You’ve named a number of others that we do need to develop content on over time, but it’s done depending on what gallery it is, what we are trying to invoke…because we’ll never be the encyclopedia of all human rights atrocities in the world. That’s actually why we’re called the Canadian Museum for Human Rights rather than the Canadian Museum of Human Rights.
We’re here to to develop an understanding through the stories that will impact people.
JP: Okay. I want to ask a politically loaded question.
Khan: Okay.
JP: The Jewish population of Canada is at best 450,000. In that range, Jews don’t have the political impact that they used to. At most, there are 12 to 16 ridings where the Jewish vote can make a difference. The Muslim population has grown substantially. It has a much larger political impact. Did that factor in to this exhibit being mounted in any way?
Khan: Absolutely not.
JP: So, I’ll ask the question that I asked the curator of the exhibit. Where did the impetus for this come from? Did it come from Palestinian Canadians?
Khan: This exhibit came from a recognition, our decision. I hold responsibility ultimately for the decisions made by my team. It was made based on the recognition that Palestinian experiences were under represented in this museum. We absolutely heard from the Palestinian community organizations in Canada and had heard for many years that their stories were underrepresented. Ultimately, the decision was ours. And as we look at this gallery and updating our content, this is ‘rights today’ – global human rights. We know that the world is talking about Palestinian human rights and the stories of Palestinian Canadians naturally belong in our collective memory alongside many other stories that are told here.
JP: There was one particular aspect on one of the panels when I was sent a preview this morning and it referred to the Palestinian uprising from 2000 to 2005 which led to a lot of Israeli deaths that we generally refer to as the Intifada. There’s no mention of Israeli deaths on that panel. Would you agree that might have been an oversight?
Khan: I mean I know that there the factual point is absolutely accurate. The decisions on the curation of the exhibit are not ones that I make, but certainly if that is a concern that we will look at.
Local News
Nakba exhbit at CMHR now open – here’s what it looks like
By BERNIE BELLAN (Posted June 26)The following press release was sent to me early Friday morning June 26 (Photos supplied by Annie Kierans, CMHR) Nothing that follows has been edited. I leave it to you to form your own opinion:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
