Local News
Fringe show asks: Was giving the secret to the atomic bomb to the Russians morally justifiable?
By BERNIE BELLAN When I took a look at at the Fringe Festival shows I was going to be previewing on this website (also in the print edition of the Jewish Post), one show intrigued me in a different way than the others: Jem Rolls’ one-man show: THE KID WAS A SPY.
In his blurb describing the show, Jem wrote:
The true story of Ted Hall.
Brooklyn, October 1944. The youngest physicist in the Manhattan project asks himself a very big question.
Will the world be safer after the war if he gives the bomb to the Russians?
And he does.
• Events take place in the world of OPPENHEIMER
This show takes the audience from the murky world of spies to the idyll of young love. From teenage friendship to stark treason. From big decision to deep consequence. From high idealism to extreme cynicism. And from pure science to Hiroshima and the electric chair.
The show also brings in the stories of Klaus Fuchs, the greatest atomic spy; and Ethel Rosenberg, executed yet innocent.
THE KID WAS A SPY is the third in Jem Rolls’ series of shows about Jewish Nuclear Physicists no-one has ever heard of.
Which is, to put it mildly, the niche of a niche of a niche.
One only realistically enterable in the unique world of Canadian Fringe.
Which most Canadians do not realize is unique.
The first two shows in the series, THE INVENTOR OF ALL THINGS, about Leo Szilard, and THE WALK IN THE SNOW, about Lise Meitner, have each seen multiple sellouts and five star reviews.
I’m sorry I hadn’t seen the first two shows in what must be one of the strangest series of Fringe shows (which itself extols “strange”), but when Jem Roll happened to contact me prior to this year’s Fringe Festival – which he had never done before, I thought to myself: “Now this is a show I’ve got to see.”
So, on the first night of the Fringe Festival I got on my bike and headed to the Fringe – of course ending up at the wrong venue – something I’ve done quite often before. I raced to the correct venue and, after taking a very creaky elevator to the 4th floor of a building in the Exchange District, arrived just in time to catch the beginning of what turned out be a fascinating 57-minute monologue.
I rather doubt that anyone else in the audience had heard of Ted Hall before this show either – but, after listening to Jem Rolls describe Hall, he certainly seemed a familiar enough character for anyone who knows their history. I had read quite a bit about Julius and Ethel Rosenberg – going back to when I was still in high school and I read a book called “The Implosion Conspiracy,” about the Rosenbergs, by lawyer Louis Nizer. I’ve read many articles about Soviet spies, but had never heard of Ted Hall prior to Jem Rolls’ show.
Several years ago I also read a terrific book by Canadian Ben Macintyre, titled “Agent Sonya,” about another Jewish spy for the Russians of whom I had not heard, whose full name was Ursula Kuczynski. (You can read my review of that book here: Agent Sonya)
So, when I read what Jem Rolls’ show was going to be about, I decided I wanted to make it the first Fringe show I would see this year.
Rather than simply telling what in and of itself is a fascinating story, Jem asks members of the audience to keep their minds open when it comes to assessing the morality of what Ted Hall did.
As Rolls explains – in his typically animated style, Hall was a precociously brilliant student who was tapped to be the youngest member of the Manhattan Project – made famous last summer with the release of the film, “Oppenheimer.”
Yet, amazingly – as Rolls goes on to note, Hall was an avowed Communist – something that should have excluded him right from the start from participating in a project that was shrouded in the utmost secrecy. In fact, Hall’s attempts to collaborate with the Russians were met with disbelief by the KGB at first; here was a pimply-faced kid offering to give them (and not sell them) the keys to the deadliest weapon ever devised by man to that point.
Without going into too much detail about how Rolls develops the story, he does say that he himself couldn’t figure out how it was that Hall was never arrested by the FBI, nor later by MI6 in Britain, which is to where he had moved later in his career.
Rolls concludes that Ted Hall’s brother, Ed, who was an even more brilliant scientist than Ted, must have intervened to save his brother’s skin. (In talking to him afterwards though, Rolls conceded that his conclusion is based on surmising; no one has been able to establish conclusively how Ted Hall was never arrested – although he was interrogated by both the FBI and MI6.)
Throughout the show Rolls reminds the audience how views of Soviet Russia changed over time – and how someone young and idealistic – as Ted Hall was, could have thought it was not only justifiable to give the secret to the atomic bomb to the Russians, given everything we know about how abominably the US has behaved in so many ways over the years, perhaps we should be treating him as a hero rather than a villain.
In fact, at the very end of the show, Rolls asks the audience to vote on that very question: Was Hall right to give the secret to the bomb to the Russians? I won’t tell you how the audience voted on opening night, but Rolls did say that the vote conformed with how other audiences have voted.
THE KID WAS A SPY is on at Venue 22, 245 McDermot Avenue, 4th floor, through July 28.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
