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Gwen Secter online concert series fill much needed role in community’s cultural life

Karla Berbrayer introducing singer
Aaron Hutton in Concert #4 of
Gwen Secter Concert Series

By BERNIE BELLAN
It’s been almost eight months since the province imposed the first lockdown due to the COVID pandemic. While we’ve had our fair share of stories in this paper about how the pandemic has affected so many of us, we’ve also been trying to avoid dwelling on the terrible toll it’s taken.

You’re undoubtedly inundated with those types of stories from so many other media. Instead we’ve tried to find stories that illustrate the often innovative ways in which both individuals and organizations within our Jewish community have responded to the challenges presented by the awful disruption in life that we’ve all encountered to one degree or another.
One organization in particular has amazed me in the way that, despite its relatively small size, it has filled several voids in the community that were left when other organizations were either unable or unwilling to provide services that were desperately needed by some members of our community. I am referring to the Gwen Secter Centre. (Elsewhere in this issue we have a story by Myron Love about the upcoming tea that Gwen Secter will be holding –but not an actual tea.)
The reason I wanted to write this article was to explain how the Gwen Secter Centre – somewhat surprisingly, came to be involved in offering a firstrate online concert series that anyone can watch from their home – so long as you have a computer or tablet (and you register in advance, as will be explained if you continue reading).

I contacted our community’s go-to impresario, Karla Berbrayer, who has been organizing concerts and other programs for various organizations for so many years that it’s hard to know where this community would be without her. I told Karla that, while we’ve been running ads promoting the concert series, we really hadn’t explained to readers how the series had come about, which led to a phone interview – interrupted strangely when her phone line went dead. (Later Karla emailed me to say that an MTS crew that had been installing new cables in the area had accidentally cut the line to her home, leading not only to the loss of landline connection, but the internet and TV as well. If that had happened in our home my wife would have blamed me.)
When our phone interview resumed Karla related the story how the online concert series had come about. She said she had been working for Gwen Secter the past year (2019) “doing a series called ‘All About Jews’. That’s when Becky (Chisick, Gwen Secter executive director) and I solidified our working relationship – and she had hired me back to do the same series in 2020.”

The idea behind that series was to offer monthly Friday lunch time programs featuring either a speaker or a concert. The first program in “All About Jews” – in February, featured children’s author Harriet Zaidman speaking about the Winnipeg General Strike while the second program – on Friday, March 13 (the last day before the province wide shutdown went into effect) featured Kevin McIntyre singing songs from Broadway musicals with a Jewish connection. The day of that second program Karla said she “wondered whether anyone was going to be here? “ The first case of COVID had just been announced the day prior, Karla noted.
“The room was absolutely full,” she continued, “and I said to one woman in the audience that I was afraid no one would come today, and she said: ‘Karla, we just want to be entertained.’ So I was adamant that I would continue bringing that to them.
“And once it became mandatory that this specific demographic was not going to be able to mingle freely in an environment like they had been, I suggested to Becky that I could do a virtual concert series. I said to her that if we wanted to bring culture to her membership I saw this as the only option and I’m happy to do it.
“We all have to reinvent ourselves,” Karla observed, “and ‘pivot’ – that’s a great word – and if you don’t reinvent yourself, it’s game over,” she suggested.
“ At that point Becky said :‘Let me think about this’ and then she called me back shortly afterwards and said: ‘Karla, let’s just do it.’ “
“So that was amazing because she gave me carte blanche to put together a high quality concert series and gave me free run to manage it the way I felt it should be managed. Becky deserves a lot of credit. I produced the series but without Becky it wouldn’t have happened.”
Of course, by now many of us have become used to the notion of watching Zoom events, but frankly the quality of many of those sessions leaves something to be desired. And for Karla Berbrayer, the idea of simply offering concerts via Zoom was a non-starter.
“From the start I made a decision that I did not want to do a concert series where everyone is recording themselves from their living room or their kitchen – on their cell phone. I wanted a high end event. I wanted to record the performers in a theatre (which, in this case, turned out to the Berney Theatre), with lighting and sound and a tech crew – basically everything except the audience.”

As it turned out Karla managed to record 10 different concerts – all in the same day!
Each concert is between 20-30 minutes. The concerts run the gamut from “jazz to pop to Borscht Belt to Broadway,” Karla observed. “I try to give it a lot of variety so that if you don’t like a specific concert you’ll like another one.”
“I would bring in a group or a performer and they would ask me: ‘How many takes do I get?” and I’d say: ‘One. You just perform as if there’s a live audience. We’re not doing any editing.’ “
“Each one was able to have the feeling of playing live in a theatre, having a tech crew. It was also a good feeling giving all these people work as well. After all,” she added, “their lives had been shut down because of the death of live entertainment in the city”.
The series opened in October. Karla explained how it works: “Every Monday at 9 am we release a concert. They’ll be released weekly right up until mid-December. There are 10 concerts altogether and all people have to do is register at and they’re immediately given a link that will allow them to watch a concert. Also, every week they’re sent a reminder when the next concert is coming up.”
So far, concerts have featured local performers Nadia Douglas, Erin Propp and Larry Roy, Shayla Fink, and Aaron Hutton with Paul De Gurse.
I asked Karla whether the concerts can be viewed if you don’t happen to watch one on a particular Monday?
“Yes,” Karla answered. “The concerts are archived so if you want you can go online and watch an earlier concert – by going to the Gwen Secter website once you’ve registered. You can watch a concert any time of day and as many times as you’d like.”

The response to the concert series has been terrific. Over 364 individuals have registered at www.gwensecter.com as of the time of writing. As well, statistics of how many people are actually watching the concerts live indicate that, as of the date of writing concerts have been viewed 729 times.
As for cost, Becky Chisick was adamant that the series would be offered free of charge. Funding for the series is provided by the Manitoba Arts Council.
I suggested to Karla that while Gwen Secter deserves full credit for stepping up to fill a cultural void in our community, the fact that it’s the Gwen Secter Centre filling that void still comes as somewhat of a surprise. It wasn’t that long ago that the Gwen Secter Centre’s very survival was in question. Now it’s rising to the fore of Jewish community organizations that are stepping up during the pandemic. Who would have thunk it?
.

 

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Local News

New Israeli restaurant opens in River Heights

By BERNIE BELLAN (July 6, 2025) It’s been a long time since our community has been able to welcome the opening of a restaurant that specializes in Israeli food.
That void is now going to be filled with the opening of The Green Falafel, at 1833 Grant (corner of Centennial – next to the Subway).

Eden & Ariel Maudi


The restaurant is the fulfillment of a dream long held by the husband and wife team of Ariel and Eden Maudi, who have been living in Winnipeg the past 11 years.
Ariel, who was born in Israel and grew up in Beer Sheva, says that he worked in telecommunications in Ramat Gan for several years. He adds though that he had always dreamed of owning his own falafel stand in Israel, but life was difficult there and he decided to come to Canada as a tourist to see whether there were any opportunities here for him, Eden and their two young children.
Eden, who was born in Russia and moved to Israel with her family in 1996, stayed behind with the two kids, who were both pre-schoolers, while Ariel tested the waters in Canada first.
Ariel says he came to Canada as a tourist in 2013. His first stop was in Toronto, where he acquired his 1st class driver’s license. At the end of 2013 he moved to Winnipeg where he began working as a truck driver. Soon he found himself employed as a successful sales person at Vickar Nissan where, he says, he once achieved the status as the top car sales person in Canada. After working at Vickar Nissan for a number of years, Ariel began working as an installer for Bell MTS.
Meanwhile, Eden began working at a Walmart, later at the Costco on Regent.

But, when the opportunity to move into a space that had been previously occupied by another restaurant, but which had closed, became available, Ariel and Eden decided to open their own Israeli restaurant in an area that hadn’t seen Israeli food served since the controversial closure of Bermax Café in 2019.
The Maudis say that they will be serving a variety of Israeli dishes – all vegetarian, and that they will be fully kosher.
The “green” in Green Falafel, by the way, Ariel Maudi explains, comes from the cilantro and parsley that are added to the chickpeas. In addition, their pitas will be coming from Israel and will be baked fresh daily.
The Green Falafel will be open from 10-8 daily. Delivery will be available through Uber Eats and DoorDash.
Call 204-557-7837 for information.

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Local News

Previews of shows with Jewish performers at this year’s Fringe Festival July 16-27

Noemi Ziegler

For show dates and venues go to winnipegfringe.com

By BERNIE BELLAN As has been our custom for many years now we try to find shows that have either Jewish performers or themes that would have particular appeal for Jewish audiences. Many of the Jewish performers at this year’s festival have been here before, but several are new. In no particular order here are blurbs about the shows we’ve found that fit the criteria I’ve just described. (By they way, if we’ve omitted a show that should be included in our list there’s plenty of time to get added to this post. Just drop me a line at jewishp@mymts.net.)

You’ve Been Served: A One-Woman Show About Divorce, Cults, and Coming of Age at Midlife
Noemi Zeigler

You are hereby summoned… to laugh, cry, and maybe belt out a Streisand number in solidarity. You’ve Been Served is a raw and riotous solo comedy by writer-performer Noemi Zeigler. It all begins when Noemi is served divorce papers on top of a garbage bin lid while taking out the trash—an undignified start to a full-blown midlife unraveling.
At 50, still clinging to her dream of becoming a singer, she falls under the spell of a music producer slash self-help guru, joins a spiritual cult, and, instead of landing a record deal, she lands in jail. Behind bars, with help from her long-buried inner child, she begins to reclaim her voice and her power. Turns out, dreams really do come true—just not the way she expected.
The show features vividly drawn characters—including a manipulative cult leader, a toxic ex-husband, and a jail guard named Roach who shares Noemi’s obsession with the fashion of Charlie’s Angels (the ‘70s TV version, of course.)
With salsa dancing, twerking, and a belting rendition of Don’t Rain on My Parade, Zeigler dives into abandonment, reinvention, and self-rescue. As she confronts perimenopause, she discovers it’s not the end—it’s the new puberty. The show touches on grief, sexuality, and spiritual confusion, but Noemi’s childlike optimism asks: What if your breakdown is actually your breakthrough?

You’re good for nothing… I’ll milk the cow myself
Written & Performed by Natacha Ruck

France, 1981: The first socialist president is about to be elected and young Natacha is ready to implement her own political platform. But first, she has to take down the schoolyard bully,emasculate the rules of French grammar and make off with grandmother’s chocolate.
If you think you know the limits of Jewish mothers, evil grandmothers and transcontinental lovers, meet Natacha Ruck’s family. This true tale of three generations of women, facing three world wars, is equal parts hilarious, shocking and zany.

A One Human Being, Potentially Comedic Performance of Beauty and the Beast NEW WORK!
Written & Performed by Alli Perlov

Be our guest! Local high school drama teacher Alli Perlov is back for a tale as old as time. Can she sing? Not really. Can she act? That’s debatable. Will you laugh? Oh… probably.
Perlov plays dozens of characters, some human, some animal, and many objects, in a comedic exploration of Beauty and the Beast.
In an homage to this brilliant musical adventure, through witty commentary and unstoppable energy, Perlov aims to entertain an audience that isn’t forced to be there like her students.

Hockey Sticks and Beaver Pie
Written & Performed by Melanie Gall

Take a trip around Manitoba. From the 30,000 ft. St. Adolphe snow maze to the Narcisse snake dens! After all, where else holds both the title of Slurpee Capital of the World and the Guinness Record for the most people simultaneously howling like wolves?
Deanna Durbin, Terry Jacks and Burton Cummings are among the many homegrown stars, and Hockey Sticks features their music along with original songs and the stories that make this province unique.
Starring Melanie Gall from past shows Piaf & Brel, Ingenue and Toast to Prohibition

Adam Schwartz

Nerohilarity Exposed
Produced by Adam Schwartz

We all sometimes feel exposed, whether that’s as a fraud or a pretender.
The performers of the award-winning Neurohilarity show, Danielle Kayahara (Laugh Out Loud CBC), Carole Cunningham (Yuk Yuks, The Debaters), Adam Schwartz (Winnipeg Fringe) and Rollin Penner (Yuk Yuks, CBC, Rumors, Winnipeg Comedy Festival), apply a comedic spin to the experiences that make us feel insecure, stripping away the emotional weight with nittygritty jokes and stories that will have you laughing uproariously.
Brilliantly awkward.

A Lesbian in the Kitchen
Willow Rosenberg
Professional lesbian Willow Rosenberg takes you on a journey through the centuries, superstitions and tablespoons of her lifelong passion for baking in this spiritual successor to 2024’s Jenny Award-nominated A Lesbian in a Bear Store.
Whether you have a favourite spatula, bake once or twice a year, or live in constant fear of being told to “just fold it in”, this one-woman show about family, joy, tradition (but make it gay),
Judaism, comfort, home (but make it gayer*), love, chemistry and magic is for you!
*Who’re we kidding, it’s all gay!

Eleanor’s Story: An American Girl in Hitler’s Germany
Written & Performed by Ingrid Garner

(Ed. note: Although Ingrid Garner isn’t Jewish, we thought the theme of this show might have a special appeal for Jewish readers.)
Based on Eleanor Ramrath Garner’s best-selling memoir, this 16x internationally award-winning adaptation – performed by her granddaughter, Ingrid Garner – details Eleanor’s youth as an American caught in Second World War Berlin.
Punctuated with humour and accompanied by cinematic sound and video, Garner embodies her ancestors in this coming-of-age odyssey, delivering an account of war that is more relevant than ever.

Reviewing The Free Press 2
Benji Rothman

The Winnipeg Free Press has run amok, reviewing each and every Fringe show over the past two decades without consequence or recourse. Now, it’s their turn… again.
In this refurbished work that debuted at last year’s Winnipeg Fringe, Benji Rothman once again takes the Winnipeg Free Press to task. In this (mostly) new, (hopefully) hilarious 45-minute show, Rothman dives deep into their past and exposes their faulty journalism, imbalanced reporting and, of course, embarrassing typos.

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Local News

Jewish performers at this year’s Winnipeg Folk Festival July 10-13

The Black Sea Station

The Black Sea Station
Long ago, there were the klezmorim, itinerant musicians who roamed the back streets of Eastern Europe, playing at parties for meals and a few coins. The sound they honed then was a visceral exploration of life’s joy, and its loss; they could whip audiences into a frenzy of dancing, or bring them to tears with the mournful wail of a clarinet. Today, Winnipeg’s own The Black Sea Station is carrying on this tradition. Featuring Daniel Koulack (bass), Victor Schultz (violin) and Myron Schultz (clarinet) — cofounders of seminal local klezmer act Finjan — along with Moldovan accordion wizard Nikolai Prisacar and multi-instrumentalist Ben Mink, the quintet transports listeners to a time and place long past. Through a mix of original songs rooted in history, and traditional tunes spun up with modern zest, they whirl through the exuberant klezmer sounds of their Eastern European heritage, tending the old ways with deep love and respect.
The Black Sea Station will be performing Sunday, July 13, at 1:00 pm in Snowberry Field.

Romi Mayes
Romi Mayes has taken some hard knocks in her life, but she’s never faded away. For more than 25 years, Manitoba’s first lady of blues-rock has been a lynchpin of the Canadian roots scene. She earned that position the old-fashioned way, through her gritty, passionately emotive music. With her sizzling guitars and full-throated rasp, the Juno-nominated performer howls and purrs through razor-edged lyrics, rocking out wherever she can find a stage. She’s long been one of the hardest-working musicians on the circuit, keeping a busy slate of gigs and mentoring up-and-coming artists to get a foothold on the trails she blazed. Now, after a nine-year hiatus from the studio, Mayes has put her scintillating sound back on record with her long-awaited seventh album, Small Victories — a return that leaves no doubt, no matter the ups and downs, Mayes is here to stay.
Romi will be performing Friday, July 11, at 1:00 pm in Burr Oak.

Matt Gordon (left) with Leonard Podolak

Leonard Podolak (with Matt Gordon)
Ireland’s Matt Gordon is a fiddler and singer, whose fleet-footed clogging and thigh-slapping hambone has taken stages by storm since the 1980s.  Leonard Podolak is a virtuosic master of the clawhammer banjo, who for decades has whipped up some of Manitoba’s wildest roots parties with his band, The Duhks. Put those talents together, and they can promise you this much: we’re all gonna have a real good time. Longtime friends and musical collaborators, Gordon and Podolak deliver an exhilarating trip through old-time Appalachian music. Their performances seamlessly blend intricate instrumental lines with heartfelt singing and dazzling dance. They’ve teamed up on a few records over the years, including 2020’s bigband extravaganza Power Wagon: Live At Shanley’s. But the best way to experience this duo’s toe-tapping, hand-clapping chemistry is to see it live.
Podolak and Gordon will be performing A concert with a side of clogging Sunday, July 13, at 3:00 pm in Folk School.

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