Local News
The accidental killing of hostage Alon Shamriz resonated with me in an unexpected way
By BERNIE BELLAN As we near year’s end we are still living through what is arguably the most difficult period in Israel’s history since the War of Independence in 1948. Israelis are caught in between two competing – and probably incompatible goals: to free the remaining hostages held by Hamas and to eliminate Hamas permanently as a threat.
The mistaken killing of three Israeli hostages by the IDF brought home the incredibly difficult task the IDF faces in trying to wage war while at the same time finding and rescuing the remaining hostages.
When I heard the names of the three hostages who were mistakenly tragically shot by a member of the IDF this past week, one of the names immediately caught my attention: Alon Shamriz. Just a week prior, on December 7, I had received a phone call from David Horowitz, editor of the Times of Israel, about Shamriz.
What Horowitz told me was that our website, jewishpostandnews.ca, had posted a story about Alon Shamriz which, Horowitz said, had to come down immediately. I should explain that our website receives news stories from a number of other websites, which offer news feeds that are aggregated into our own site on a continuing basis – without me actually screening those stories beforehand.
The story about Shamriz, Horowitz explained, had to be removed because it posed a danger to Shamriz, should his Hamas captors happen to see it. The story was headlined: “Taken captive, Along Shamriz eliminated a terrorist before capture.” Shamriz’s family was rightly concerned that, if Hamas were to see that story they would exact revenge upon Shamriz – and kill him.
To be honest, I hadn’t noticed that story in our news feed and it wasn’t on our home page but, as Horowitz further explained, if anyone were to do a Google search for Alon Shamriz that story would appear in the Google search results.
Naturally, I acceded to Horowitz’s request immediately, but I noticed, when I did my own search for Alon Shamriz, that the same story appeared on a number of other websites. (I suppose Horowitz spent some time that day trying to contact every other website that also had the story on their site.) In addition, the next morning I received an email from Horowitz thanking me for removing the story from our site, but also asking me whether I could “scrub” it from Google. His email explained that even though the story was gone, if one did a Google search, the headline for the story would still show up in the search results. So, I set out “scrubbing” the story from Google. (Needless to say, I had to educate myself on that process.)
What all this did is bring home for me in a way that I never expected how intertwined we all are as a result of the internet. To think: A terrorist in Gaza might see something on the jewishpostandnews.ca website and want to kill a hostage as a result. That was quite unnerving. No matter how inadvertent and unlikely the possibility of that happening might have been, I acted as quickly as I could – and kept my mouth shut about what had happened. And then – word emerged that Alon Shamriz, whose name had just been brought to my attention, was dead – not at the hands of Hamas, which is what I feared might happen as a result of that story, but through the gross negligence of an Israeli soldier who completely disregarded the IDF’s rules of engagement.
Which brings me to the issue of the hostages – and what Israel can – and should do, to free them.
In our October 25 issue I wrote that “revenge is not a good military strategy.” As much as Netanyahu and his war cabinet still seem bent on “eradicating” Hamas, the closest scenario that bears some resemblance to what the IDF is attempting to accomplish in Gaza occurred in Mosul, Iraq, from November 2016 to July 2017 when a number of different forces made up primarily of Iraqis, but also a large number of Kurds, engaged in urban warfare with members of ISIS similar to what is now happening with the IDF and Hamas.
Of course, the Iraqi forces were nothing like what the IDF has. Many of them were poorly trained and overall, they were lacking coordination. The Iraqis and their Kurdish allies took over 10,000 casualties – and here’s something else that’s of tremendous significance: There were over 10,000 civilian casualties in Mosul, as ISIS used civilians as human shields – just as Hamas has always done and is doing as I write this.
And yet, with the war in Gaza now in its third month, and with Israel’s Defense Minister Yosi Gallant saying the war will continue until at least until February, one has to ask: At what cost?
Israel’s image in the world, as a result of thousands of Palestinian casualties, has been tarnished to the point where it has lost support from governments that had previously jumped to Israel’s defense, including our own Canadian government.
But, even worse, what of the ongoing psychological – and physical toll, that this prolonged war, is having on Israelis themselves? As psychologist Orly Dreman writes so eloquently – and passionately, in a piece in this issue, the trauma inflicted on Israelis, which is continuing every day, is immense. As Orly writes: “People are getting chest pain, stomach aches, headaches, back pains all stemming from stress. They obsessively check ten times that the door is locked and sleep with the lights on. We all have a sense of existential threat and that we feel powerless. The whole country was exposed to what happened either directly or indirectly. We are traumatized but being partners to the same fate we desperately cling together for support.”
But, with a failed Prime Minister at the helm who seems to be concerned more with his own political survival than anything else, and who, for weeks on end, avoided meeting with the families of hostages, Israel is faced with an intractable situation: Either continue a war, but with one hand tied behind its back as American pressure to reduce civilian casualties means that the IDF is bound to start taking more casualties of its own, or accept calls for at least a long-lasting truce that could lead to the eventual freeing of all the hostages.
In the meantime, we here in the diaspora are continuing to see the fallout from the displacement and deaths of so many Palestinian civilians. The metaphorical battleground here has been primarily on university campuses and, as we’ve noted in many articles within these pages over the past two and a half months, the hypocrisy of both students and professors in assailing Israel while completely ignoring the barbarity of Hamas is unconscionable.
We were recently sent a link to a Youtube video of comedian – and social commentator, Bill Maher’s most recent “New rules” segment of his weekly show (which aired December 15). In the segment (which we have elsewhere on this website at https://jewishpostandnews.ca/uncategorized/bill-maher-tells-it-like-it-is-when-it-comes-to-what-the-river-to-the-sea-really-means/, Maher offers devastatingly wittingly commentary on the abject ignorance of left wing critics of Israel. Maher is fearless in cutting through the phoniness of dogma, whether it’s coming from the right or, as we’ve seen so continually lately, the left, when it comes to heaping scorn on Israel. In this particular segment, which is about eight minutes long, one by one, Maher points out the intellectual weaknesses of the usual arguments being trotted out to justify condemnation of Israel on the world stage. In one particular clip he hones in on the phrase “from the river to the sea” and asks just where are the Jews in Israel supposed to go? (His suggested answer is quite hilarious, but I’ll leave it to you to watch the entire segment. Just go to Youtube and enter: “Bill Maher: From the River to the Sea.”)
One final note: As I note in another story on this site about the Jewish Federation’s recently held Annual General Meeting (https://jewishpostandnews.ca/faqs/rokmicronews-fp-1/jewish-federation-of-winnipeg-reports-a-surplus-for-the-2022-23-fiscal-year/), this past month saw the completion of Gustavo Zentner’s term as Federation President. Our community has been most fortunate to have had Gustavo in that position, not only for the tremendous contribution he has made to streamlining so much of the Federation’s operations and putting it on a very stable path going forward, but in particular, for his having stepped forward to lead this community these past two months in what has been a most difficult period. Gustavo’s eloquence, which has often been put to the test at a series of rallies called to bring us together since October 7, has been inspirational. When events called for a leader, Gustavo Zentner stepped up and we are all in his debt. Thank you Gustavo.
Local News
New Israeli restaurant opens in River Heights
By BERNIE BELLAN (July 6, 2025) It’s been a long time since our community has been able to welcome the opening of a restaurant that specializes in Israeli food.
That void is now going to be filled with the opening of The Green Falafel, at 1833 Grant (corner of Centennial – next to the Subway).
The restaurant is the fulfillment of a dream long held by the husband and wife team of Ariel and Eden Maudi, who have been living in Winnipeg the past 11 years.
Ariel, who was born in Israel and grew up in Beer Sheva, says that he worked in telecommunications in Ramat Gan for several years. He adds though that he had always dreamed of owning his own falafel stand in Israel, but life was difficult there and he decided to come to Canada as a tourist to see whether there were any opportunities here for him, Eden and their two young children.
Eden, who was born in Russia and moved to Israel with her family in 1996, stayed behind with the two kids, who were both pre-schoolers, while Ariel tested the waters in Canada first.
Ariel says he came to Canada as a tourist in 2013. His first stop was in Toronto, where he acquired his 1st class driver’s license. At the end of 2013 he moved to Winnipeg where he began working as a truck driver. Soon he found himself employed as a successful sales person at Vickar Nissan where, he says, he once achieved the status as the top car sales person in Canada. After working at Vickar Nissan for a number of years, Ariel began working as an installer for Bell MTS.
Meanwhile, Eden began working at a Walmart, later at the Costco on Regent.
But, when the opportunity to move into a space that had been previously occupied by another restaurant, but which had closed, became available, Ariel and Eden decided to open their own Israeli restaurant in an area that hadn’t seen Israeli food served since the controversial closure of Bermax Café in 2019.
The Maudis say that they will be serving a variety of Israeli dishes – all vegetarian, and that they will be fully kosher.
The “green” in Green Falafel, by the way, Ariel Maudi explains, comes from the cilantro and parsley that are added to the chickpeas. In addition, their pitas will be coming from Israel and will be baked fresh daily.
The Green Falafel will be open from 10-8 daily. Delivery will be available through Uber Eats and DoorDash.
Call 204-557-7837 for information.
Local News
Previews of shows with Jewish performers at this year’s Fringe Festival July 16-27
For show dates and venues go to winnipegfringe.com
By BERNIE BELLAN As has been our custom for many years now we try to find shows that have either Jewish performers or themes that would have particular appeal for Jewish audiences. Many of the Jewish performers at this year’s festival have been here before, but several are new. In no particular order here are blurbs about the shows we’ve found that fit the criteria I’ve just described. (By they way, if we’ve omitted a show that should be included in our list there’s plenty of time to get added to this post. Just drop me a line at jewishp@mymts.net.)
You’ve Been Served: A One-Woman Show About Divorce, Cults, and Coming of Age at Midlife
Noemi Zeigler
You are hereby summoned… to laugh, cry, and maybe belt out a Streisand number in solidarity. You’ve Been Served is a raw and riotous solo comedy by writer-performer Noemi Zeigler. It all begins when Noemi is served divorce papers on top of a garbage bin lid while taking out the trash—an undignified start to a full-blown midlife unraveling.
At 50, still clinging to her dream of becoming a singer, she falls under the spell of a music producer slash self-help guru, joins a spiritual cult, and, instead of landing a record deal, she lands in jail. Behind bars, with help from her long-buried inner child, she begins to reclaim her voice and her power. Turns out, dreams really do come true—just not the way she expected.
The show features vividly drawn characters—including a manipulative cult leader, a toxic ex-husband, and a jail guard named Roach who shares Noemi’s obsession with the fashion of Charlie’s Angels (the ‘70s TV version, of course.)
With salsa dancing, twerking, and a belting rendition of Don’t Rain on My Parade, Zeigler dives into abandonment, reinvention, and self-rescue. As she confronts perimenopause, she discovers it’s not the end—it’s the new puberty. The show touches on grief, sexuality, and spiritual confusion, but Noemi’s childlike optimism asks: What if your breakdown is actually your breakthrough?
You’re good for nothing… I’ll milk the cow myself
Written & Performed by Natacha Ruck
France, 1981: The first socialist president is about to be elected and young Natacha is ready to implement her own political platform. But first, she has to take down the schoolyard bully,emasculate the rules of French grammar and make off with grandmother’s chocolate.
If you think you know the limits of Jewish mothers, evil grandmothers and transcontinental lovers, meet Natacha Ruck’s family. This true tale of three generations of women, facing three world wars, is equal parts hilarious, shocking and zany.
A One Human Being, Potentially Comedic Performance of Beauty and the Beast NEW WORK!
Written & Performed by Alli Perlov
Be our guest! Local high school drama teacher Alli Perlov is back for a tale as old as time. Can she sing? Not really. Can she act? That’s debatable. Will you laugh? Oh… probably.
Perlov plays dozens of characters, some human, some animal, and many objects, in a comedic exploration of Beauty and the Beast.
In an homage to this brilliant musical adventure, through witty commentary and unstoppable energy, Perlov aims to entertain an audience that isn’t forced to be there like her students.
Hockey Sticks and Beaver Pie
Written & Performed by Melanie Gall
Take a trip around Manitoba. From the 30,000 ft. St. Adolphe snow maze to the Narcisse snake dens! After all, where else holds both the title of Slurpee Capital of the World and the Guinness Record for the most people simultaneously howling like wolves?
Deanna Durbin, Terry Jacks and Burton Cummings are among the many homegrown stars, and Hockey Sticks features their music along with original songs and the stories that make this province unique.
Starring Melanie Gall from past shows Piaf & Brel, Ingenue and Toast to Prohibition
Nerohilarity Exposed
Produced by Adam Schwartz
We all sometimes feel exposed, whether that’s as a fraud or a pretender.
The performers of the award-winning Neurohilarity show, Danielle Kayahara (Laugh Out Loud CBC), Carole Cunningham (Yuk Yuks, The Debaters), Adam Schwartz (Winnipeg Fringe) and Rollin Penner (Yuk Yuks, CBC, Rumors, Winnipeg Comedy Festival), apply a comedic spin to the experiences that make us feel insecure, stripping away the emotional weight with nittygritty jokes and stories that will have you laughing uproariously.
Brilliantly awkward.
A Lesbian in the Kitchen
Willow Rosenberg
Professional lesbian Willow Rosenberg takes you on a journey through the centuries, superstitions and tablespoons of her lifelong passion for baking in this spiritual successor to 2024’s Jenny Award-nominated A Lesbian in a Bear Store.
Whether you have a favourite spatula, bake once or twice a year, or live in constant fear of being told to “just fold it in”, this one-woman show about family, joy, tradition (but make it gay),
Judaism, comfort, home (but make it gayer*), love, chemistry and magic is for you!
*Who’re we kidding, it’s all gay!
Eleanor’s Story: An American Girl in Hitler’s Germany
Written & Performed by Ingrid Garner
(Ed. note: Although Ingrid Garner isn’t Jewish, we thought the theme of this show might have a special appeal for Jewish readers.)
Based on Eleanor Ramrath Garner’s best-selling memoir, this 16x internationally award-winning adaptation – performed by her granddaughter, Ingrid Garner – details Eleanor’s youth as an American caught in Second World War Berlin.
Punctuated with humour and accompanied by cinematic sound and video, Garner embodies her ancestors in this coming-of-age odyssey, delivering an account of war that is more relevant than ever.
Reviewing The Free Press 2
Benji Rothman
The Winnipeg Free Press has run amok, reviewing each and every Fringe show over the past two decades without consequence or recourse. Now, it’s their turn… again.
In this refurbished work that debuted at last year’s Winnipeg Fringe, Benji Rothman once again takes the Winnipeg Free Press to task. In this (mostly) new, (hopefully) hilarious 45-minute show, Rothman dives deep into their past and exposes their faulty journalism, imbalanced reporting and, of course, embarrassing typos.
Local News
Jewish performers at this year’s Winnipeg Folk Festival July 10-13
The Black Sea Station
Long ago, there were the klezmorim, itinerant musicians who roamed the back streets of Eastern Europe, playing at parties for meals and a few coins. The sound they honed then was a visceral exploration of life’s joy, and its loss; they could whip audiences into a frenzy of dancing, or bring them to tears with the mournful wail of a clarinet. Today, Winnipeg’s own The Black Sea Station is carrying on this tradition. Featuring Daniel Koulack (bass), Victor Schultz (violin) and Myron Schultz (clarinet) — cofounders of seminal local klezmer act Finjan — along with Moldovan accordion wizard Nikolai Prisacar and multi-instrumentalist Ben Mink, the quintet transports listeners to a time and place long past. Through a mix of original songs rooted in history, and traditional tunes spun up with modern zest, they whirl through the exuberant klezmer sounds of their Eastern European heritage, tending the old ways with deep love and respect.
The Black Sea Station will be performing Sunday, July 13, at 1:00 pm in Snowberry Field.
Romi Mayes
Romi Mayes has taken some hard knocks in her life, but she’s never faded away. For more than 25 years, Manitoba’s first lady of blues-rock has been a lynchpin of the Canadian roots scene. She earned that position the old-fashioned way, through her gritty, passionately emotive music. With her sizzling guitars and full-throated rasp, the Juno-nominated performer howls and purrs through razor-edged lyrics, rocking out wherever she can find a stage. She’s long been one of the hardest-working musicians on the circuit, keeping a busy slate of gigs and mentoring up-and-coming artists to get a foothold on the trails she blazed. Now, after a nine-year hiatus from the studio, Mayes has put her scintillating sound back on record with her long-awaited seventh album, Small Victories — a return that leaves no doubt, no matter the ups and downs, Mayes is here to stay.
Romi will be performing Friday, July 11, at 1:00 pm in Burr Oak.
Leonard Podolak (with Matt Gordon)
Ireland’s Matt Gordon is a fiddler and singer, whose fleet-footed clogging and thigh-slapping hambone has taken stages by storm since the 1980s. Leonard Podolak is a virtuosic master of the clawhammer banjo, who for decades has whipped up some of Manitoba’s wildest roots parties with his band, The Duhks. Put those talents together, and they can promise you this much: we’re all gonna have a real good time. Longtime friends and musical collaborators, Gordon and Podolak deliver an exhilarating trip through old-time Appalachian music. Their performances seamlessly blend intricate instrumental lines with heartfelt singing and dazzling dance. They’ve teamed up on a few records over the years, including 2020’s bigband extravaganza Power Wagon: Live At Shanley’s. But the best way to experience this duo’s toe-tapping, hand-clapping chemistry is to see it live.
Podolak and Gordon will be performing A concert with a side of clogging Sunday, July 13, at 3:00 pm in Folk School.