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Jewish performers at upcoming Winnipeg Fringe Festival July 17-28

Alli Perlov: One Human Being Potentially Comedic Performance of The Nightmare Before Christmas

By BERNIE BELLAN As has been my long-time custom, I try to find Fringe shows that feature Jewish performers or playwrights – or, as is sometimes the case – plays that have a Jewish theme.
This year will see a very large number of Jewish performers, many of whom are repeat Fringe performers, but we will also have one play to be performed by one of the Fringe Festival’s most popular performers: Jem Rolls who, while he is not Jewish, has chosen for his theme this year a most unusual subject
(For information about venues and show times go to Winnipegfringe.com)

Alli Perlov: One Human Being Potentially Comedic Performance of The Nightmare Before Christmas
Alli Perlov has been a theatre kid her entire life. Her experiences include training at Manitoba Theatre for Young People, a Bachelor of Arts from the University of Winnipeg, and a brief career in film and television in her teens.
For the past 13 years, Perlov has been a performing arts teacher in Winnipeg, teaching courses in musical theatre, improv and drama to students from Grades 6 to 12. In an effort to continue practicing what she teaches, Alli Perlov has mounted three one-person Fringe plays starting in 2017 and brings her fourth to this year’s festival with a new work for her most favourite film, “A One Human Being, Potentially Comedic Performance of The Nightmare Before Christmas”.
Some teachers take the summer off to recharge, while others mount a one-person Fringe festival show. In a similar approach to her 2018/2023 show, Perlov tackles her favourite film of all time in,
“A One Human Being Potentially Comedic Performance of The Nightmare Before Christmas”. Local performing arts teacher Alli Perlov aims to leave the audience in stitches as she performs dozens of creepy characters from the iconic 1993 Tim Burton stop-motion film.  
In a musical parody full of charm and can-do spirit, Perlov tackles the task of making “try-hard” a compliment. Condensing the score to 50 minutes of music, and weaved with narrative, critiques and silly puns, everyone in the theatre is guaranteed a good time and a load of laughs. 

Melanie Gall (3 separate shows): FORBIDDEN CABARET, STITCH IN TIME, ROCKIN’ BLUEBIRD (kids’ show)
Melanie Gall has been a Fringe favourite for years. Last year she performed in 3 separate shows – and she’s back doing 3 shows again!

FORBIDDEN CABARET
Hidden in the back alley of a Broadway theatre is the grittiest, most decadent club in New York. The year is 1934. Unlicensed musical entertainment is prohibited and the Dirty Blues are banned. But not at Club Hirondelle – and when the midnight hour strikes, the forbidden cabaret begins with some of the naughtiest songs from (almost) 100 years ago.
Featuring a dozen (real!) banned hits, including: “Boobs,” “What Can You Buy a Nudist on His Birthday?” and the Yiddish Theatre hit, “Mein Butcher.”
Melanie Gall is the award-winning performer of sellout hits Ingenue (5 STARS), American Songbook Experience (5 STARS) and Toast to Prohibition (5 STARS).

STITCH IN TIME
Excitement! Drama! Romance! And…knitting? A scintillating cabaret featuring ‘lost’ knitting songs of World War I and World War II.
Bring your knitting (or crochet) and stitch along to these funny, toe-tapping, needle-clicking tunes. Come out and have a ball! Melanie Gall presents over a dozen quirky historic songs, including “More Power to Your Knitting, Nell!” and “The Knitting Itch.”
During the wars, millions of women knit for soldiers and dozens of knitting songs appeared. After the wars, these songs were close to disappearing forever. But now, this music — a clever, sweet and entertaining footnote in history — will live again.
FIVE STARS – Glam Adelaide, Southside Advertiser
“Divine voice, highly recommended” – Fringe Review UK
“Cute, charming and funny” – Plank Magazine

ROCKIN’ BLUEBIRD (kids’ show)
Bluebird Scraps has always wanted to be a rock star. She dreams of bright lights, a cool costume, and thunderous applause. But the other birds just don’t understand! All the robins and sparrows sing together in their trees, but Scraps has a squawk that just doesn’t fit. With your help, she’ll find her voice and rock the show!

LEAPIN’ LOUIE LICHTENSTEIN
We sent an email to a Fringe performer by the name of Louie Lichtenstein, asking him if he was Jewish. The answer was yes. Here’s what Louie sent back:

Hello hard working Manitoba Jewish Media folks,

Leapin’ Louie, the most explosive Lithuanian Jewish Cowboy Comedian to ever come out of Oregon, is on his way to Winnipeg Fringe.
It’s Kids Fringe but awesome for adults too. An environmental theme no less.
Fly Through Time
with Leapin’ Louie Lichtenstein
A cowboy comedy circus show about animals who fly
Kids Fringe Manitoba Theatre For Young People
Pay what you can
Leapin’ Louie uses circus, cowboy tricks, a six-foot unicycle, and lots of comedy to explore all those wild critters, including us, who fly.
In 400 million years five amazing groups of animals developed flight: Insects, pterosaurs, birds, bats and finally humans. Only 66 years after the Wright Brothers invented the airplane, —we landed on the moon. We’re moving so fast! Can we leave enough room for our amazing wild ecosystems as we jet into the future? It’s a biodiversity science education show that’s really fun for adults and kids.
Leapin’ Louie is a master of physical comedy, trick roping, whip cracking, and juggling. He has performed one-person Leapin’ Louie shows in 35 different countries around the world, including many tours of Europe, Japan and Australia. He is considered the most explosive Lithuanian Jewish Cowboy Comedian to ever come out of Oregon, USA. This is his first time at Winnipeg Fringe.

“‘Awesome’ is a terrible word, but there’s no shame using it – in the truest sense – to describe Leapin’ Louie” Broadway Baby ☆ ☆ ☆ ☆ (Edinburgh Fringe Festival)

Keir Cutler: JOAN OF ARC ASCENDING
“Joan of Arc is easily and by far the most extraordinary person the human race has ever produced.” Mark Twain
A new work, created and performed by Keir Cutler. For his 17th presentation at the Winnipeg Fringe Festival, Keir Cutler will perform a captivating world premiere show that invites audiences to rediscover the legendary true story of Joan of Arc. His portrayal defies contemporary doubt and invites wonder, probing Joan’s life through the lens of the miraculous.
The show also features live music by University of Manitoba musicology grad student, Manitoban Kyla Kelsey, and onstage original art work by Michael Cutler, Keir’s brother.

Montrealer Keir Cutler has been called “a masterful entertainer,” (Winnipeg Free Press) “a marvel to watch,” (Toronto Sun) and “a phenomenal performer!” (winnipegonstage.com)
Keir has a PhD in theatre from Wayne State University in Detroit, a playwriting diploma from the National Theatre School of Canada, He is the writer/performer of twelve solo works, and the author of multiple plays and books. He is a veteran of more than 100 fringe and theatre festivals.

Jem Rolls: THE KID WAS A SPY
The true story of Ted Hall.
Brooklyn, October 1944. The youngest physicist in the Manhattan project asks himself a very big question.
Will the world be safer after the war if he gives the bomb to the Russians?
And he does.
• Events take place in the world of OPPENHEIMER
• Jem Rolls has done more Fringes than anyone else on earth … [Except Alex Dallas.]

This show takes the audience from the murky world of spies to the idyll of young love. From teenage friendship to stark treason. From big decision to deep consequence. From high idealism to extreme cynicism. And from pure science to Hiroshima and the electric chair.

The show also brings in the stories of Klaus Fuchs, the greatest atomic spy; and Ethel Rosenberg, executed yet innocent.
THE KID WAS A SPY is the third in Jem Rolls’ series of shows about Jewish Nuclear Physicists no-one has ever heard of.
Which is, to put it mildly, the niche of a niche of a niche.
One only realistically enterable in the unique world of Canadian Fringe.
Which most Canadians do not realize is unique.

The first two shows in the series, THE INVENTOR OF ALL THINGS, about Leo Szilard, and THE WALK IN THE SNOW, about Lise Meitner, have each seen multiple sellouts and five star

reviews.

Randy Ross: TALES OF A RELUCTANT WORLD TRAVELER 
Novelist and Fringe veteran Randy Ross provides an unflinching look at world travel and the writing life, while bringing new meaning to suffering for one’s art.
 The Show: Tales of a Reluctant World Traveler is the story of how a Boston homebody turned a rotten, solo trip around the globe into a comedy novel and an acclaimed one-man play. The show is part travelogue, part performance, and part off-kilter author talk. A must-see for book lovers, writers, travelers, whiners, kvetches, and misanthropes. Please note: The show carries content warnings for gooey diseases, heartless publishers, and liquor made from cobras.
 The Performer: Randy Ross is a Boston-area novelist and story-teller. He has performed at more 30 fringe festivals around the U.S., Canada, and in Edinburgh, Scotland. In 2007, Ross took a four-month, solo trip around the world and learned to say in three languages: “Speak English?” “Got Pepto-Bismol?” and “Is this the evacuation helicopter?” His shows and novel were inspired by the trip.

Adam Schwartz (producer): NEUROHILARITY EXPOSED
SHOWCASING INTERSECTIONAL COMEDY AT FRINGE FEST
Neuodivergent Cast of Winnipeg Comics Includes Indigenous, 2SLGBTQ+, Asian, and Other Perspectives

About Neurohilarity
Neurohilarity is a non-profit organization created to give neurodivergent artists a stage to share their stories and promote a more positive representation of neurodiversity.
It was started in 2022 by Adam Schwartz.
Award-winning comedy showcase Neurohilarity is back again at the Winnipeg Fringe Festival, but this year, it’s taking its mandate of amplifying underrepresented voices one step further with an ultra-diverse cast that highlights the intersectionality of neurodivergence.   
This is the third year that Autistic comedian and producer Adam Schwartz has brought Neurohilarity to the Winnipeg Fringe Festival, and he’s excited to show how neurodivergent and disability-centric comedy can look so many different ways. At the crossroads of disability, race, gender, and sexuality, there is no shortage of weird things to laugh about.

The stellar lineup includes a few familiar faces from last year’s festival run—which earned the Jenny Revue Mind and Body: The Health and Wellness Award. Returning performers include Danielle Kayahara, whom the Winnipeg Free Press called “self-deprecating, sympathetic and downright adorable as she describes her compulsion to ‘overthink everything’ while pausing to second-guess her comments.”
This year’s newcomers to the Neurohilarity stage include up-and-comer Kaitlynn Brightnose (IndigE-Girl Comedy), and comedy veteran Rollin Penner (Yuk Yuk’s, CBC, Winnipeg Comedy Festival). The show will be hosted by ADHD dynamo Carole Cunningham, a regular host at Yuk Yuk’s Comedy Club who is often accompanied onstage by her chihuahua, Karen.

Willow Rosenberg: A LESBIAN IN A BEAR STORE
From new playwright Willow Rosenberg, comes a deeply personal, funny, and emotional journey through her mom’s Beanie Baby collection. “A Lesbian in a Bear Store” has something for everyone. Including adorable animals, all of the gay, some of the Jewish, and a special appearance by one of the most angsty teenage poems you’
Tickets are $12 in advance, or bring your favourite plushie for discounted $10 tickets at the door.

Jay Stoller: UBUNTU
Visiting musicians from South Africa join local drumming group
Local African drummer Jay Stoller is thrilled to announce the upcoming production of Ubuntu, an interactive performance that brings to life the power of working together as a community.  This exciting show is set to take place at the Winnipeg Fringe Festival from July 18 – 26.
 Ubuntu will be a highly unique production at this year’s Fringe.  Not only is it a collaboration of musicians from Winnipeg and South Africa, the audience will be fully participating in the show:  everyone in attendance will have an African djembe drum to play along with the musicians on stage.  Yes, there will be 200+ drums in the theatre!
 Jay and his local drum group members are excited to welcome drummer extraordinaire Tiny Modise and vocalist Nosipho Mtotoba, both from Soweto, South Africa.
Ubuntu is a Southern African philosophy that says ‘I am because we are’.  Through the interactive show, the power of drumming together will be demonstrated as Winnipeg’s Fringe community makes amazing music together.
(And yes, we asked Jay whether he’s related to any Stollers in Winnipeg, to which he replied, “Yes, we do have some family with the same last name, although probably second cousins.”) 

Benji Rothman: REVIEWING THE FREE PRESS

The Winnipeg Free Press has run amok, reviewing each and every Fringe show for decades, completely unabated and without recourse. Well now, it’s their turn.

In this brand new show, Benji Rothman takes the Winnipeg Free Press to task, diving deep into their history and casting judgement on their performance as Manitoba’s leading news outlet.

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Chesed Shel Emes panel delves into different aspects of death and dying

l-r: panelists Rabbi Matthew Leibl, Dr. Bruce Martin, Dr. Harvey Chochinov, and moderator Allson Gilmour

By MYRON LOVE They say there are two things you can count on in life – death and taxes.  I don’t know about taxes – but no one escapes death.
 When we are younger, few give much thought to dying. As we age though, we come ever closer to that final reality.  The best we can hope for – in my view – is to live to a relatively old age in relatively good health and pass away quickly – preferably in your sleep.
 
So what would one consider a “good death?” That was one of the questions that was discussed by a panel of three experts on the subject who appeared together on Sunday, November 24, in a program at the Chesed Shel Emes titled: “The Last Stop – Reflections on Living and Dying”.
 (The Chesed Shel Emes is our community’s non-profit Jewish funeral chapel; the only one of its kind in North America).
 
About 180 people were in attendance – both in person and online, as independent Rabbi Matthew Leibl, palliative care specialist Dr. Bruce Martin, and Dr. Harvey Max Chochinov, a psychiatrist who is one of the world’s authorities on the subject of the emotional aspects surrounding death and dying, shared their experiences and perspectives.  Alison Gilmur, popular culture and lifestyles reporter for the Free Press. served as the moderator.
 A “good death” – as opposed to a “bad death” – is important for patients and families alike, Chochinov noted.


 “Is dying in your sleep a good death?” Rabbi Leibl asked.  “That depends on both the individual and the family. It certainly doesn’t give the individual much time to think about it beforehand.  I think the major concern for most people is that death be as painless as possible.”
 “The problem is that you only die once,” Chochinov pointed out. “There is no rehearsal.  Many fear the unknown. And you don’t know what the path will be, what it will be like for you. Or if you will still be you afterward.”
 
Gilmour asked the panelists what people fear most about dying? Chochinov cited the case of one woman who refused to take her medication because she feared it would make her confused – the way it had her mother prior to her death. Reassuring her that she was in capable hands allowed her to accept proper pain management and die peacefully.
 
 Another anecdote from Chochinov concerned  the case of a young woman who was facing death – with a young family and a young child at hand.  “She was concerned that her little girl would have no memory of her,” Chochinov noted.  “We completed something called Dignity Therapy, which allowed her to create a written legacy that would eventually be shared with her child.”
 
Rabbi Leibl referred to a member of the Shaarey Zedek who had been suffering for some time.  She chose to die at home but, before her passing, she asked her children to leave the room. She and the rabbi talked.
 “I asked if she was afraid,” he recalled.  “She said that she wasn’t afraid, but that she worried that she would never see her family again.”
 Dr. Martin noted that every death is personal.  “There is no common thread,’ he said.  “A last conversation can be profound or trivial.
“One concern for the dying is not being able to live to see their grandchildren grow up and the shared moments they will miss.”
 Chochinov also added that some people are worried about the process of dying and what it may be like.  “While dying is inevitable, suffering ought not to be”.
 Gilmour asked what people can do to help comfort someone who is dying? 
Chochinov’s answer was simple: “Be sure to show up”. “When you know someone is dying,” he noted, “for many the impulse is to stay away, to withdraw.  You don’t know what to say,” he observed.  “Don’t try to fix what can’t be fixed.  But do show up and listen.”
 
Martin recalled a former mentor who suggested that the most important question that someone who is visiting someone who is terminally ill is: ‘What can you do to help?’ “
 
“People who are dying don’t need to be reminded about it,” Rabbi Leibl observed.  “Although every case is different, a visitor should talk to the afflicted individual the same way you would talk to anyone else. You can talk about life, for example, or what you are reading, or a show you are  watching together.”
 
Gilmour concluded her questioning by bringing up the issue of government-approved Medical Assistance in Dying (MAID) – medically assisted suicide.
 
A number of liberal rabbis Are in favour of MAID, Rabbi Leibl noted.  “Judaism however dictates that we must do everything we can to prevent death,” he pointed out. 
“I have officiated at funerals for a few people who have chosen IAID,” he reported.  “One such funeral was for a Holocaust survivor – in her 90s. I spoke with her the day before she died.  She was at peace.  I viewed what she was doing as courageous.”
 
Chochinov said it is also important to look at factors that can undermine a patient’s will to live, such as poorly controlled pain, limited access to palliative care and lack of supports, including respite.“MAID is driven by a desire for personal autonomy,” he observed.  “It was originally designed as an option for patients who were suffering and facing a reasonably foreseeable death.” Eligibility criteria have been expanded, making patients not imminently dying, but suffering, able to request MAiD.He expressed grave concerns about extending MAiD for people who are mentally ill.  “We simply can’t know which of these patients might improve with adequate time, support and care.”
 In response to a later follow-up question from a member from the audience, Bruce Martin added that, in the case of people with dementia and MAID, the latter may prevent children and grandchildren from spending more time with the parent/ grandparent.  After all, who then decides when the time is right?
 The panelists were asked about talking about death and dying and how to cope. Martin noted that when he speaks to kids in schools, there is a lot of interest in the subject.      
 A question about planned giving elicited a comment from Chochinov about the importance of not only leaving a will, but letting family know what your wishes are. “It’s never too early to talk about these things”, he said, “but if you put it off long enough, there may come a time when it’s too late”.

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Jewish scholar and bibliophile provides overview of hidden treasures hidden in Chevra Mishnayes congregation library

Justin Jaron Lewish at the Chevra Mishnayes Dec. 8

By MYRON LOVE Most shuls have a library of religious texts – or genizah (storage space) for discards – often books that were either donated specifically to the congregation or private collections dropped off at the synagogue after the original owners passed away.  
On Sunday, December 8, the egalitarian Chvera Mishnayes synagogue in Garden City hosted a Lunch and Learning program, the highlight of which was an overview of the books housed at the Chevra Mishnayes – including Chumashim,  machzorim, various assorted Talmudic tractates and commentaries on the Torah and Talmud. The program featured a presentation by Justin Jaron Lewis, during which the Yiddishist, bibliophile and professor of religion, revealed subtle features of some of the books, unveiling clues revealing when and where they were published, some direct connections to Winnipeg’s Jewish community and other interesting features.   
The Chevra Mishnayes dates back to 1906.  It has been at its present location on Jefferson Avenue since 1966. The former  Ohel Jacob congregation merged with the Chevra Mishnayes in 1971.
“It’s amazing what people brought with them from the old country,” Lewis commented.
He cited as an example a book from the Chevra Mishnayes collection which was identified as having been bought from a Jewish books store in Toronto, but which had been printed in Poland.  He pointed out other books that were  published in the 19th century in cities such as Lublin, Vilna and Warsaw – all cities with large Jewish populations. 
“The Warsaw edition had Cyrillic writing (based on the Russian-language alphabet) in it,” he noted. ‘Warsaw, Lublin and Vilna were all part of the Russian empire at the time.”
He added that a fourth book was published in Lviv in Ukraine which was part of the Austrian Empire in the 19th Century.  “Because the Russians used to tax books that were printed in Russia but were to be taken out of the country, some claimed that their books were published in Austria or another country to avoid the tax,” Lewis explained.
Of interest also, for Jewish geography enthusiasts, Lewis noted, were books with the owners’ names written in them.  One book belonged to the family of the well known comedian David Steinberg.  
In a second book, Grade 9 Talmud Torah student Israel Pudavick had written his name.
There were other books originally from the collections of a shoichet named B.M Yahweis and one Rev. Martin Weisman.
There are religious commentaries in the Chevra Mishnayes collection penned over the years by Winnipeg rabbis such as Rabbi Y. H. Horowitz, Rabbi Meyer Schwartzman, Rabbi Shmuel Polonsky and one Rabbi Zorach Diskin – who lived in  Winnipeg in the early 1900s.
“Some of the books offer a glimpse into Jewish history,” Lewis pointed out. There is one, published in 1865 in Warsaw, which he pointed out, includes a paean to Jewish life in Russia.
Censorship was strict in Russia, he explained.  You had to satisfy the censors.
Lewis pointed out that trying to figure out the date of printing for some of the books can be challenging.  In some cases, he noted, the book may be a copy – and the copyright date may be the date of the publication of the original.  In other cases the date is written in Hebrew letters – leaving researchers to have to translate the letters to their numerical equivalent.  What was thought to be the oldest book in the collection, for example, and which was originally estimated to date back to 1819, on further study was determined to be published in 1918.
Lewis also delved into the artwork in some of the books.  With the Jewish injunction against  recreating human images or those of angels or heavenly bodies, one book in the collection does have a scene where angels are watching as Moses hold the ten commandments and light is streaming from his head.
Another has a scene with Moses and Aaron  opposite each other with lions overhead and Roman numerals also in the picture – an  example, Lewis suggested of cross  cultural influences.
Other popular scenes include the hands of the Cohen doing the priestly blessing   The print design and layout can also offer opportunity for artistic flair.
Lewis further note that some of the machzorim have prayers inserrted in Yiddish – for instance, asking for good health – or a good life – or a prayer for one who is ill.
Incidentally, for readers with older Yiddish books at home who are considering trying to find a new home for them, Lewis is one of a handful of Winnipeggers who are collecting Yiddish books for transfer to the Yiddish Book centre in Amherst, Massachusetts.
 The book centre,, he reports, is dedicated to finding good homes for such books in university libraries, or the homes of other scholars or other private homes.  “A lot of younger people,” he said, “are rediscovering Yiddish and writing songs and poems in Yiddish.”
As to the Chevra Mishnayes’ library, Lewis observed that, as is the case with many other modern shuls, there has not been much interest in more recent years in studying Talmud and Torah. 
“Some of the older books are crumbling,” he reported.  “Perhaps we should form a committee to cull some of the books that we don’t need and look into ways to better preserve the remainder.
Readers with Yiddish books they no longer want can contact Justin lewis at justin_lewis@umaniotoba.ca

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Representatives from The New Israel Fund of Canada come to Winnipeg to speak to Winnipeg audience

left: Michael MItchell (NIFC Board member) with Ben Murane (NIFC Executive Director)

By BERNIE BELLAN In 1977, Menachem Begin became Prime Minister of Israel when his Likud Party was able to form a very narrow coalition with two other parties, thus ending 29 years of dominance by Israel’s Labor Party.
That event set in motion a series of changes to Israel’s political, social, and economic landscapes that are still reverberating to this day.
In reaction to the strongly conservative tilt of Begin’s government – which threatened to undo many of the democratic underpinnings of what Israel’s founders had attempted to achieve when Israel became a state in 1948, a group in California created what was known as the New Israel Fund. According to Wikipedia, “The New Israel Fund was established in 1979 in California and is credited with seed-funding ‘almost every significant cause-related progressive NGO in Israel’. Since its inception the fund has provided over US$250 million to more than 900 organizations. NIF states that while its position is that ‘Israel is and must be a Jewish and democratic state’ it says it was among the first organizations to see that civil, human and economic rights for Israeli Arabs is an issue crucial to the long-term survival of the state.’ “
In 1986, The New Israel Fund of Canada was established as a separate entity, with full charitable status in Canada. Since that time, “NIFC has contributed over $10 million to more than 100 organizations in Israel that fight for socio-economic equality, religious freedom, civil and human rights, shared society and anti-racism, Palestinian citizens, and democracy itself,” according to information taken from the NIFC website.

On Wednesday, December 11, two representatives of the New Israel Fund of Canada who were in Winnipeg spoke to a small group of individuals who braved a bitterly cold night to attend an information session held in the basement of Temple Shalom.
Those two individuals were: Michael Mitchell, a former Winnipegger and a longtime member of the board of NIFC; and Ben Murane, the executive director of NIFC. It was the first ever visit for Murane to Winnipeg and he said that one of the reasons he came here was to help make the work that NIFC has been doing in Israel more widely known to Winnipeggers.

Michael Mitchell introduced himself to the audience, saying that “the person who introduced me to the The New Israel Fund was (the late) Vivian Silver” (who, most readers are no doubt aware, was killed in the October 7 massacre).
Mitchell explained that the The New Israel Fund started “in the 1980s in a very small way, funding certain groups as the problems in Israeli society grew more severe.”
The New Israel Fund of Canada adheres very closely to the rules set out by the CRA for Canadian charities, he said. “We have agents in Israel supervising our projects.”
“NIF in Israel has an international board,” Mitchell noted, including Palestinians and representatives from NIF from other countries.
“NIF has money; they’re nimble, they’re quick,” Mitchell said, “to take nascent Israeli organizations and bring them along.”
NIF “has become much more sophisticated these past five years,” he suggested.
He cited as an example of how effective NIF has been in advancing the work of various Israeli peace groups the drastic decline in violence within Israel itself this past year between Jews and Palestinians, as opposed to what followed in the immediate aftermath of the October 7 massacre, when communities like Lod were riven by violent clashes between Israeli Jews and Arabs.
“If you’re in the middle of a war then you have to tamp down the violence between Jews and Palestinians,” Mitchell said. And a lot of the reasons for the decline in that kind of violence is attributable to the work done by organizations funded by NIF, he suggested.
Where NIF has achieved particular success, he continued, “is in organizing on the ground if you’re opposed to the messianic tendencies of the current Israeli government.”
“There’s a much bigger audience – both in Israel and abroad, that wants to see progressive goals achieved,” Mitchell argued.
As for where The New Israel Fund of Canada stands, Mitchell noted that “the Canadian Jewish community is going through what the American and British communities went through 15 years ago, which is to stop waiting for mainstream organizations to represent them.” A lot of new groups have been formed, he noted, such as “Women Wage Peace” and “Stand Together,” both of which helped to sponsor the December 11 event.
“Canadian Jews are not more conservative about Israel than American Jews,” Mitchell suggested, referring to the results of a survey of Canadian Jews for which NIFC was one of the sponsors. (For more on this turn to https://jewishpostandnews.ca/wjn/news-from-syria-shouldnt-distract-from-whats-been-going-on-in-gaza/.)
“There are at least 100,000 Canadian Jews who agree with us completely but are quiet because they don’t want to rock the boat.”

Ben Murane followed Mitchell, giving a lengthy presentation during which he fully outlined what the NIF is all about. He began by noting that “I am also making a pilgrimage to the place that made Vivian.”
Murane was just a youngster when Yitzhak Rabin was assassinated in 1995, he said. “A lot of the stuff I had heard about Israel – about how great it was, wasn’t quite true,” he noted.
Referring to the most recent Likud victory that returned Netyanyahu to the prime ministership in 2022, Murane said: “Let’s flash backward – a government got elected by a slim margin and announced a grand vision for rewriting Israel’s democracy. It was the first wave of what became a global populism.
“We (the NIF) started investing more in Israeli democracy projects.”
Two years ago, Murane reminded the audience, “hundreds of thousands of Israelis were on the streets” protesting what was then the Likud government’s attempt at judicial overhaul – which would have severely limited the power of Israel’s Supreme Court to intervene in cases where civil liberties were at stake.
“We (the NIF) were firmly there,” Murane said, helping Israeli civil liberties organizations to fight back at what the government was attempting to do.
Then, with the events set in motion by the October 7 massacre, Murane observed: “We knew what would happen. They (the Likud-led coalition) would use what happened as an excuse to advance the rest of their agenda.”

But, what happened after October 7 was the almost complete disappearance of many of the structures that held together Israeli civil society, Murane suggested.
Families were forced to evacuate from their homes near the Gaza Strip – with no support given by the government. Instead, groups that had sprung up in 2022 in response to the government’s attempted judicial overhaul stepped in to provide basic supports to those families, with food and housing. The NIF provided funding for many of those groups.
Something else soon became apparent after October 7, Murane said. “It was immediately obvious that the government didn’t care about the hostages…They weren’t their people.” (Many of the hostages came from kibbutzim that were strongly socialist in their orientation and not at all supportive of the right wing government coalition.)
In fact, Murane observed, within Israel’s current political atmosphere, the only opposition to the government is coming from “the organized support for the hostages.”
Something else Murane pointed out about the aftermath to October 7 is that “it wasn’t just Jews hurt on October 7.” There were members of other groups taken hostage, including Thai and Filipino workers, also Arab Bedouins.
The NIF has helped to provide support for evacuees ever since October 7, including to joint Jewish-Arab distribution centres that “have provided aid on a daily basis,” Murane noted.
“It is not Jew against Arab,” he said. “It is those who believe in life as opposed to those who believe in death…We will take care of each other. We will be the first to help civil society deliver aid.”

Murane suggested that there are several key components to what the NIF is attempting to do in Israel, including “pushback, partnership and peace.”
By “pushback,” he meant, pushing back at the narrative that the Netanyahu-led coalition has developed, which is that the hostages will not return until Hamas totally accedes to the demands put forward by the Israeli government.
“Freeing the hostages is a political matter,” he suggested. “The hostage families have been saying to Jews in the Diaspora: ‘If you want to support the hostages, then Bibi has to step down.’ “

As for “partnership,” Murane explained that “there are still many Jewish and Palestinian people who will stand together and find common cause.” He referred to groups such as “Omidm B’yachad” (standing together), whose members have been “protecting trucks bringing aid to Gaza” from Israelis who had been trying to stop those trucks from entering Gaza.
“We want to keep that flame of partnership alive,” Murane said.
He noted that on Yom Hazikaron (Remembrance Day in Israel) over “6,000 Jews and Arabs came together in one place to show compassion for one another.”

When it comes to “peace,” Murane pointed to the example of World Central Kitchen (an organization receiving funding from the NIF), which has been providing food to Palestinians in Gaza. Helping that group is “an act of morality showing people around the world Zionists giving support to their neighbours.”
Insofar as the road to peace is concerned, Murane suggested that “there are ways out of this mess.” He noted that the idea for the Abraham Accords, in which Israel signed peace agreements with Bahrain, the United Arab Emirates, Morocco, and Sudan, in 2020, was actually first advanced by an Israeli peace group known as “MITVIM.”
Murane posited that a “reinvigorated Palestinian Authority” is one component that would lead to advancing the peace process, but “of course the Israeli government doesn’t want to hear about that.”
The NIF has been active in supporting many different Israeli peace groups, Murane noted, including “Breaking the Silence,” which is made up of IDF veterans who want to draw attention to what Israel’s occupation of the West Bank is truly like.
“The way out of this mess is not going to come from the government,” Murane suggested. “It’s going to come from civil society.”
Yet, time is short, he said. There will be another election in Israel within the next year or two. “We have two to three years to see who will win the civil war in Israel: the annexationist camp or the pro-democracy camp,” he said.
To that end, the NIF has greatly increased funding for many Israeli human right groups, Murane noted. (In 2023, the NIF provided $19 million in funding to over 234 different organizations in Israel, of which $1 million came from The New Israel Fund of Canada.)

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