Local News
Jewish performers at upcoming Winnipeg Fringe Festival July 17-28

By BERNIE BELLAN As has been my long-time custom, I try to find Fringe shows that feature Jewish performers or playwrights – or, as is sometimes the case – plays that have a Jewish theme.
This year will see a very large number of Jewish performers, many of whom are repeat Fringe performers, but we will also have one play to be performed by one of the Fringe Festival’s most popular performers: Jem Rolls who, while he is not Jewish, has chosen for his theme this year a most unusual subject
(For information about venues and show times go to Winnipegfringe.com)
Alli Perlov: One Human Being Potentially Comedic Performance of The Nightmare Before Christmas
Alli Perlov has been a theatre kid her entire life. Her experiences include training at Manitoba Theatre for Young People, a Bachelor of Arts from the University of Winnipeg, and a brief career in film and television in her teens.
For the past 13 years, Perlov has been a performing arts teacher in Winnipeg, teaching courses in musical theatre, improv and drama to students from Grades 6 to 12. In an effort to continue practicing what she teaches, Alli Perlov has mounted three one-person Fringe plays starting in 2017 and brings her fourth to this year’s festival with a new work for her most favourite film, “A One Human Being, Potentially Comedic Performance of The Nightmare Before Christmas”.
Some teachers take the summer off to recharge, while others mount a one-person Fringe festival show. In a similar approach to her 2018/2023 show, Perlov tackles her favourite film of all time in,
“A One Human Being Potentially Comedic Performance of The Nightmare Before Christmas”. Local performing arts teacher Alli Perlov aims to leave the audience in stitches as she performs dozens of creepy characters from the iconic 1993 Tim Burton stop-motion film.
In a musical parody full of charm and can-do spirit, Perlov tackles the task of making “try-hard” a compliment. Condensing the score to 50 minutes of music, and weaved with narrative, critiques and silly puns, everyone in the theatre is guaranteed a good time and a load of laughs.

Melanie Gall (3 separate shows): FORBIDDEN CABARET, STITCH IN TIME, ROCKIN’ BLUEBIRD (kids’ show)
Melanie Gall has been a Fringe favourite for years. Last year she performed in 3 separate shows – and she’s back doing 3 shows again!
FORBIDDEN CABARET
Hidden in the back alley of a Broadway theatre is the grittiest, most decadent club in New York. The year is 1934. Unlicensed musical entertainment is prohibited and the Dirty Blues are banned. But not at Club Hirondelle – and when the midnight hour strikes, the forbidden cabaret begins with some of the naughtiest songs from (almost) 100 years ago.
Featuring a dozen (real!) banned hits, including: “Boobs,” “What Can You Buy a Nudist on His Birthday?” and the Yiddish Theatre hit, “Mein Butcher.”
Melanie Gall is the award-winning performer of sellout hits Ingenue (5 STARS), American Songbook Experience (5 STARS) and Toast to Prohibition (5 STARS).
STITCH IN TIME
Excitement! Drama! Romance! And…knitting? A scintillating cabaret featuring ‘lost’ knitting songs of World War I and World War II.
Bring your knitting (or crochet) and stitch along to these funny, toe-tapping, needle-clicking tunes. Come out and have a ball! Melanie Gall presents over a dozen quirky historic songs, including “More Power to Your Knitting, Nell!” and “The Knitting Itch.”
During the wars, millions of women knit for soldiers and dozens of knitting songs appeared. After the wars, these songs were close to disappearing forever. But now, this music — a clever, sweet and entertaining footnote in history — will live again.
FIVE STARS – Glam Adelaide, Southside Advertiser
“Divine voice, highly recommended” – Fringe Review UK
“Cute, charming and funny” – Plank Magazine
ROCKIN’ BLUEBIRD (kids’ show)
Bluebird Scraps has always wanted to be a rock star. She dreams of bright lights, a cool costume, and thunderous applause. But the other birds just don’t understand! All the robins and sparrows sing together in their trees, but Scraps has a squawk that just doesn’t fit. With your help, she’ll find her voice and rock the show!

LEAPIN’ LOUIE LICHTENSTEIN
We sent an email to a Fringe performer by the name of Louie Lichtenstein, asking him if he was Jewish. The answer was yes. Here’s what Louie sent back:
Hello hard working Manitoba Jewish Media folks,
Leapin’ Louie, the most explosive Lithuanian Jewish Cowboy Comedian to ever come out of Oregon, is on his way to Winnipeg Fringe.
It’s Kids Fringe but awesome for adults too. An environmental theme no less.
Fly Through Time
with Leapin’ Louie Lichtenstein
A cowboy comedy circus show about animals who fly
Kids Fringe Manitoba Theatre For Young People
Pay what you can
Leapin’ Louie uses circus, cowboy tricks, a six-foot unicycle, and lots of comedy to explore all those wild critters, including us, who fly.
In 400 million years five amazing groups of animals developed flight: Insects, pterosaurs, birds, bats and finally humans. Only 66 years after the Wright Brothers invented the airplane, —we landed on the moon. We’re moving so fast! Can we leave enough room for our amazing wild ecosystems as we jet into the future? It’s a biodiversity science education show that’s really fun for adults and kids.
Leapin’ Louie is a master of physical comedy, trick roping, whip cracking, and juggling. He has performed one-person Leapin’ Louie shows in 35 different countries around the world, including many tours of Europe, Japan and Australia. He is considered the most explosive Lithuanian Jewish Cowboy Comedian to ever come out of Oregon, USA. This is his first time at Winnipeg Fringe.
“‘Awesome’ is a terrible word, but there’s no shame using it – in the truest sense – to describe Leapin’ Louie” Broadway Baby ☆ ☆ ☆ ☆ (Edinburgh Fringe Festival)

Keir Cutler: JOAN OF ARC ASCENDING
“Joan of Arc is easily and by far the most extraordinary person the human race has ever produced.” Mark Twain
A new work, created and performed by Keir Cutler. For his 17th presentation at the Winnipeg Fringe Festival, Keir Cutler will perform a captivating world premiere show that invites audiences to rediscover the legendary true story of Joan of Arc. His portrayal defies contemporary doubt and invites wonder, probing Joan’s life through the lens of the miraculous.
The show also features live music by University of Manitoba musicology grad student, Manitoban Kyla Kelsey, and onstage original art work by Michael Cutler, Keir’s brother.
Montrealer Keir Cutler has been called “a masterful entertainer,” (Winnipeg Free Press) “a marvel to watch,” (Toronto Sun) and “a phenomenal performer!” (winnipegonstage.com)
Keir has a PhD in theatre from Wayne State University in Detroit, a playwriting diploma from the National Theatre School of Canada, He is the writer/performer of twelve solo works, and the author of multiple plays and books. He is a veteran of more than 100 fringe and theatre festivals.

Jem Rolls: THE KID WAS A SPY
The true story of Ted Hall.
Brooklyn, October 1944. The youngest physicist in the Manhattan project asks himself a very big question.
Will the world be safer after the war if he gives the bomb to the Russians?
And he does.
• Events take place in the world of OPPENHEIMER
• Jem Rolls has done more Fringes than anyone else on earth … [Except Alex Dallas.]
This show takes the audience from the murky world of spies to the idyll of young love. From teenage friendship to stark treason. From big decision to deep consequence. From high idealism to extreme cynicism. And from pure science to Hiroshima and the electric chair.
The show also brings in the stories of Klaus Fuchs, the greatest atomic spy; and Ethel Rosenberg, executed yet innocent.
THE KID WAS A SPY is the third in Jem Rolls’ series of shows about Jewish Nuclear Physicists no-one has ever heard of.
Which is, to put it mildly, the niche of a niche of a niche.
One only realistically enterable in the unique world of Canadian Fringe.
Which most Canadians do not realize is unique.
The first two shows in the series, THE INVENTOR OF ALL THINGS, about Leo Szilard, and THE WALK IN THE SNOW, about Lise Meitner, have each seen multiple sellouts and five star
reviews.

Randy Ross: TALES OF A RELUCTANT WORLD TRAVELER
Novelist and Fringe veteran Randy Ross provides an unflinching look at world travel and the writing life, while bringing new meaning to suffering for one’s art.
The Show: Tales of a Reluctant World Traveler is the story of how a Boston homebody turned a rotten, solo trip around the globe into a comedy novel and an acclaimed one-man play. The show is part travelogue, part performance, and part off-kilter author talk. A must-see for book lovers, writers, travelers, whiners, kvetches, and misanthropes. Please note: The show carries content warnings for gooey diseases, heartless publishers, and liquor made from cobras.
The Performer: Randy Ross is a Boston-area novelist and story-teller. He has performed at more 30 fringe festivals around the U.S., Canada, and in Edinburgh, Scotland. In 2007, Ross took a four-month, solo trip around the world and learned to say in three languages: “Speak English?” “Got Pepto-Bismol?” and “Is this the evacuation helicopter?” His shows and novel were inspired by the trip.

Adam Schwartz (producer): NEUROHILARITY EXPOSED
SHOWCASING INTERSECTIONAL COMEDY AT FRINGE FEST
Neuodivergent Cast of Winnipeg Comics Includes Indigenous, 2SLGBTQ+, Asian, and Other Perspectives
About Neurohilarity
Neurohilarity is a non-profit organization created to give neurodivergent artists a stage to share their stories and promote a more positive representation of neurodiversity.
It was started in 2022 by Adam Schwartz.
Award-winning comedy showcase Neurohilarity is back again at the Winnipeg Fringe Festival, but this year, it’s taking its mandate of amplifying underrepresented voices one step further with an ultra-diverse cast that highlights the intersectionality of neurodivergence.
This is the third year that Autistic comedian and producer Adam Schwartz has brought Neurohilarity to the Winnipeg Fringe Festival, and he’s excited to show how neurodivergent and disability-centric comedy can look so many different ways. At the crossroads of disability, race, gender, and sexuality, there is no shortage of weird things to laugh about.
The stellar lineup includes a few familiar faces from last year’s festival run—which earned the Jenny Revue Mind and Body: The Health and Wellness Award. Returning performers include Danielle Kayahara, whom the Winnipeg Free Press called “self-deprecating, sympathetic and downright adorable as she describes her compulsion to ‘overthink everything’ while pausing to second-guess her comments.”
This year’s newcomers to the Neurohilarity stage include up-and-comer Kaitlynn Brightnose (IndigE-Girl Comedy), and comedy veteran Rollin Penner (Yuk Yuk’s, CBC, Winnipeg Comedy Festival). The show will be hosted by ADHD dynamo Carole Cunningham, a regular host at Yuk Yuk’s Comedy Club who is often accompanied onstage by her chihuahua, Karen.

Willow Rosenberg: A LESBIAN IN A BEAR STORE
From new playwright Willow Rosenberg, comes a deeply personal, funny, and emotional journey through her mom’s Beanie Baby collection. “A Lesbian in a Bear Store” has something for everyone. Including adorable animals, all of the gay, some of the Jewish, and a special appearance by one of the most angsty teenage poems you’
Tickets are $12 in advance, or bring your favourite plushie for discounted $10 tickets at the door.

Jay Stoller: UBUNTU
Visiting musicians from South Africa join local drumming group
Local African drummer Jay Stoller is thrilled to announce the upcoming production of Ubuntu, an interactive performance that brings to life the power of working together as a community. This exciting show is set to take place at the Winnipeg Fringe Festival from July 18 – 26.
Ubuntu will be a highly unique production at this year’s Fringe. Not only is it a collaboration of musicians from Winnipeg and South Africa, the audience will be fully participating in the show: everyone in attendance will have an African djembe drum to play along with the musicians on stage. Yes, there will be 200+ drums in the theatre!
Jay and his local drum group members are excited to welcome drummer extraordinaire Tiny Modise and vocalist Nosipho Mtotoba, both from Soweto, South Africa.
Ubuntu is a Southern African philosophy that says ‘I am because we are’. Through the interactive show, the power of drumming together will be demonstrated as Winnipeg’s Fringe community makes amazing music together.
(And yes, we asked Jay whether he’s related to any Stollers in Winnipeg, to which he replied, “Yes, we do have some family with the same last name, although probably second cousins.”)

Benji Rothman: REVIEWING THE FREE PRESS
The Winnipeg Free Press has run amok, reviewing each and every Fringe show for decades, completely unabated and without recourse. Well now, it’s their turn.
In this brand new show, Benji Rothman takes the Winnipeg Free Press to task, diving deep into their history and casting judgement on their performance as Manitoba’s leading news outlet.
Local News
Ilana Shapera one of the leads in dancing dentists upcoming production of “Chicago”

By MYRON LOVE Dr. Ilana Shapera is looking forward to once again treading the boards – this time with a role that she can really sink her teeth into. One of three principals in Affinity Dental – the others being her husband, Igal Margolin, and her brother-in-law, Artiom Margolin – has been cast in the role of Velma Kelly in the upcoming Manitoba Dental Foundation’s production of “Chicago,” which is scheduled to run May 7-11 at the Theatre Cercle Moliere.
“Velma is a real fun character,” Shapera says. “I love her snarkiness.”
“Chicago” the nusical, notes Phil Corrin, the production’s musical director, is based on a 1926 play by the same name that was intended to expose political corruption and its interface with celebrity. Fifty years later, it was restaged as a musical.
“Chicago” is the MDF’s seventh all-dentist musical production. A new show is staged every second year.
Shapera, who previously appeared in the Foundation’s production of “Lucky Stiff” in 2017, says that she is looking forward to getting back to dancing – a passion she has had for most of her life – in her role as Veloma. She reports that she began taking dancing lessons when she was four years old. In her teen years, she studied with Shelley Shearer and participated in Gray Academy musical productions. For several years, she was a member of the Chai Folk Ensemble choir and, for the past six or seven years, she has been singing with the Prairie Voices’ Horizon Choir.
The mother of two young sons, Lev and Shai, expresses her appreciation to her husband, Igal, “for holding down the fort at home, allowing her to live out her Broadway dreams”.

Some readers may remember Phil Corrin for his 25 year career as a band teacher at Garden City Collegiate. He holds a Bachelor of Music (Major in Music Education) from Brandon University and a Graduate Diploma in Fine Arts (Conducting) from the University of Calgary. His first foray into the world of theatre was in the sixth grade when he played Huckleberry Finn in his school’s production of “Tom Sawyer.” Since then, he has been involved in nearly 80 productions as an actor, musician, director, producer, stagehand, audio technician, and music director. He has worked with the Royal Manitoba Theatre Centre, Rainbow Stage, Winnipeg Studio Theatre, Winnipeg Jewish Theatre, Little Opera Company, and the Winnipeg Symphony Orchestra, as well as numerous high schools (including Gray Academy) throughout Winnipeg.
“Phil is happy to once again sink his teeth into the world of All-Dentist Musicals – having previously served as Associate Music Director for “Young Frankenstein” in 2015,” says Frank Hechter, currently the Manitoba Dental Foundation’s executive director (since 2018), who is also a member of the production’s organizing committee.

Hechter will be the conductor for the show and will also be a member of the ensemble. For Hechter – who began practising dentistry almost 55 years ago, appearing in “Chicago” will allow him to recreate his St. John’s high school operetta days, renew and create new friendships, challenge himself, and “move beyond his comfort zone,” he says.
A second Jewish member of the organizing committee is Bonnie Antel, the wife of Dr. Joel Antel, a former president of both the Manitoba Dental Foundation and Manitoba Dental Association and who is currently the Canadian Dental Association president. Bonnie says that while she would have loved to be in the “Chicago” cast, she isn’t a dentist. She has, however, been involved in music – both as a singer and choir leader, most of her life.
“I developed a love for music and singing in high school (Grant Park),” she recalls.
Bonnie has a Bachelor of Music, Bachelor of Education and a Master of Education from University of Manitoba and recently retired from teaching music in the Pembina Trails School Division.
As with Ilana Shapera, Bonnie Antel is a Chai alumna. For many years, from the time she was 13, she was a member of the Shaarey Zedek Choir. She adds that in the 1990s, she was the choir director and conductor. Currently, she is the Yom Tov choir leader at the Simkin Centre. “Chicago” is the second Dental Foundation all-dentist musical production that she has been involved with.
“We are all really thrilled that we were able to get the rights to “Chicago” this year,” remarks Antel, who has been involved in the all-dentist musical productions since their inception.. “We do these shows every second year but there has always been another production of “Chicago” somewhere else in the province taking place.”
“Our purposes in producing musical theatre with all dentist performers has always been to create opportunities for dentists with an interest in musical theatre to come together; create opportunities for students and graduates of performing arts programs to gain experience, refine their expertise to enhance their career paths; and to raise funds to support educational and mentorship programs in the performing arts and other charitable organizations,” Hechter points out. “We appreciate the contributions of everyone who has participated in our productions.”
He reports that the net proceeds from the productions have provided funding over the years for the Manitoba Dental Foundation – as well as the Harvey Speigel Bursary in the College of Dentistry (U of M), the Theatre and Film program at the U of W, Prairie Theatre Exchange, Winnipeg Studio Theatre Scholarship, the Rainbow Stage Professional Mentorship Program, the Never Alone Cancer Foundation, and Cancer Care Manitoba. The net proceeds from the production of “Chicago” will be divided evenly between Theatre Cercle Moliere and the Manitoba Dental Foundation.
Readers who may be interested in supporting the MDF and seeing the show can contact Dr. Frank J. Hechter (mdf.ed@manitobadentist.ca) or phone 204-782-8146.
Local News
Japanese author Akira Kitade recounts for Winnipeg audience role of foreign diplomats in saving Jewish lives in WWII

By MYRON LOVE One of the lesser known histories of the Holocaust was the role of various diplomats who saved thousands of Jewish lives through issuing visas to endangered Jews desperate to escape Nazi-occupied Europe. The best known of those diplomats was Raoul Wallenberg, the Swedish special envoy in Budapest in 1944 who issued Swedish passports to thousands of Hungarian Jews and – with the financial support of American Jewish organizations – hid them in numerous safe houses throughout Budapest.
Sadly, he himself met a tragic fate. When the Soviets liberated Budapest in late 1944, the courageous Swede was arrested, shipped back to Russia – and never seen again.
Lesser known diplomats also pitched in to save Jewish lives. One of these Holocaust heroes was Chiune Sempo Sugihara. Japanese consul in Kovno, Lithuania, who provided thousands of Japanese transit visas to Jewish refugees who had fled from Poland and elsewhere in Europe to the Baltic capital city in a desperate effort to escape the clutches of the Nazis.
On Sunday, March 23, about 100 individuals, largely from the Jewish and Japanese communities, were in attendance at the Canadian Museum for Human Rights for a special presentation by Japanese author Akira Kitade describing Sugihara’s exploits.
The story is a central element in Kitade’s most recent book, “Emerging Heroes: World War II Era Diplomats, Jewish Refugees and escape to Japan”, which was a sequel to his previous book, “Visas of Life and the Epic Journey:How the Sugihara Survivors Reached Japan.”
The program, a joint venture between the CHHR and the Jewish Heritage Centre of Western Canada, began with remarks by Takehiko Wajima, the Japanese Consul General in Calgary. (Local immigration lawyer Ken Zaifman, Japan’s honorary consul in Winnipeg, was also in attendance.)
Belle Jarniewski, the Jewish Heritage Centre’s executive director, then set the table, so to speak, for the guest speaker. She pointed out that “the medal awarded to those recognized as Righteous Among the Nations by Yad Vashem, Holocaust Martyrs’ and Heroes’ Remembrance Authority features the inscription – from the Mishnah (Sanhedrin 4:5), “Whosoever saves a single life, saves an entire universe.” Yad Vashem explains further that the quote is particularly appropriate when we think of the survivors and their many descendants and their many contributions to society. Chiune Sugihara did not save a single life – he saved thousands”.
She recounted that when the Nazis attacked Poland, some 15,000 Jews fled eastward, including to the then still independent Lithuania, which had been a centre for Jewish life since the 14th century. Caught between the Nazis and the Soviets, the Jews desperately sought ways to emigrate. After the annexation of Lithuania by the Soviets in the summer of 1940, all foreign diplomats were ordered to leave by August 9.
By then, the Jews were in very dire straits and could find no safe haven. Jan Zwartendijk, a Dutch consul in Kaunas at the time, agreed to stamp thousands of Jewish passports to visa-free Dutch Curacao, a Dutch colony in the Caribbean. The visas were, of course, bogus. With Europe engulfed in war, the only plausible means of escape was across the Soviet Union. For this, the refugees required transit visas showing Japan as their final destination.
As Sugihara and his family were packing their belongings, a delegation of Jews came to him with a desperate request for transit visas. They were led by Zerach Warhaftig – a Jewish refugee who, years later, was to become a minister in the government of the State of Israel. Seeing the desperation of the refugees, Sugihara began issuing the transit visas despite objections from Tokyo. Overall, he issued approximately 2140 transit visas—some of them for entire families.
The refugees rode the TransSiberian railroad across Russia to the Pacific port of Vladivostok. From there, they were transferred by boat, the Hikawa Maru, to Kobe in Japan. Many of the refugees were able to move on from Kobe to the United States and other places. The remainder – about 1,000 – were eventually relocated to the foreign quarter in Japanese-occupied Shanghai, where there was an existing community of German-Jewish refugees and a small number of prosperous Jewish merchant families from India.
Akira Kitade’s interest in Sugihara and the Jewish refugees, he noted, was sparked almost 30 years ago when he heard the firsthand account from Tatsuo Osaka, his boss at the Japanese Tourist Bureau, – who captained the Hikawa Maru carrying Jewish refugees from Vladivostok to Kobe. The retired diplomat recalled that, during a visit in the late 1990s, Osaka showed him an album with photos of eight of the refugees – one man and seven women – along with words of gratitude in various languages representing the many different European countries from which they were fleeing. After Osaka’s passing on 1993, his daughter gave Kitade the album.
His initial goal, the author recalled, was to find out what became of the individuals in the album. Over the next 10 years or so, he accomplished this mission. He shared with his audience at the CMHR what he learned about each of the survivors. All of them eventually reached America ,where they enjoyed successful careers and lives. Most married and had children.
Kitade’s research into the lives of the eight survivors in the album brought into contact with many more Sugihara transit visa holders and their descendants. He noted that while there are estimates that as many as 6,000 refugees – individual and family members, were saved by the Japanese consul’s actions, his view is that the real number is about 3,000. Their descendants, he suggested, are around 50,000.
The author also spoke about three European diplomats who aided Sugihara in facilitating the further movement of the transit visa holders. The problem for the refugees once they landed in Kobe was that the visas were only good for 14 days. Jan Zwartendijk, a Dutch businessman and diplomat, who was director of the Phillips factories in Lithuania and part-time acting consul of the Dutch Government in exile, provided 2,345 visas for Jewish refugees for the Dutch colony of Curacao, an island in the Caribbean.
Nicolaas Arie Johannes (Niek) de Voogd was the Dutch consul in Kobe at that time, and he also provided visas for Jewish refugees for Curacao. De Voogd returned to Japan as the Dutch ambassador in the early 1960s.
Tadeusz Romer was the Polish ambassador in Japan until the Polish embassy in Japan closed in July 1941. From August 1940 to November 1941, he otained transit visas in Japan, arranged asylum visas to Canada and other countries, immigration certificates to Palestine, and immigrant visas to the United States and some Latin American countries for 2,000 Polish-Lithuanian Jewish refugees who had arrived in Kobe. He created a ‘Polish Committee to Aid the Victims of War’ and appointed his wife, Zofia, to be president of the committee. They worked to financially support Jewish communities in Yokohama and Kobe by campaigning in Far Eastern countries for funding.
Belle Jarniewski completed the Sugihara narrative. The diplomat himself was posted to a number of different places, but in 1944 he was arrested by the Soviets along with a number of other diplomats. He was ultimately released, went to work for the Japanese Foreign Service in 1947, and held a variety of other jobs after that. Shortly before his death, Yad Vashem, the Holocaust Martyrs’ and Heroes’ Remembrance Authority in Israel, declared Sugihara “Righteous Among the Nations” for his aid to the refugees in Lithuania during World War II. Yad Vashem conferred the title in 1984, honoring the former Japanese consul with a ceremony in Jerusalem in January 1985.
“The number of people recognized as Righteous Among the Nations – is staggeringly small when you consider the six million Jewish men, women, and children who were murdered,” Jarniewski pointed out.. “However, the impact of the Righteous – those who mustered extraordinary courage and who acted with conscience and caring is immeasurable. Today, the global Jewish community finds itself facing a sustained resurgence of antisemitism unprecedented since the end of the Holocaust. The silence of far too many we had considered as friends and allies has been shocking. We need to see the kind of courage of conscience that Chiune Sugihara so inspiringly displayed.”
One final note. Towards the end of the program, it was noted that in the audience was Winnipegger Rochelle Zucker, whose father, Meyer, was one of the Sugihara survivors. In answer to a question as to how the Jewish refugees in Shanghai survived, she spoke of her own father’s story. As with most of the refugees, they found work. Meyer Zucker was a printer by trade and was hired by a British-owned printing company. After the war, he, like most of the others, applied to go wherever he could. He had a cousin in Calgary who was able to bring him to Calgary to work in the printing industry. In Calgary, he met his wife, Miriam Pearlman, and, in 1948, they moved to Winnipeg where Meyer and Miriam both had family. In Winnipeg, Zucker worked as a printer for the Israelite Press/Yiddishe Vort until just a couple of years before his passing n 1977.
Local News
BB Camp reverses decision to retain Jacob Brodovsky as co-director

BB Camp parts ways with co-director, who had held a variety of positions at BB Camp for the past 15 years
By BERNIE BELLAN (Posted April 17) In an email just issued by BB Camp, the camp’s Board of Directors has announced that “the Board of Directors and co-Executive Director Jacob Brodovsky have amicably agreed to part ways, having regard to the best interests of the Camp and the community at large.”
There is no mention in the announcement as to the status of Brodovsky’s co-director (also his wife), Lexi Yurman.
The decision announced today constitutes a complete reversal of the Board’s earlier decision to retain Brodovsky as co-director. The Board had issued a statement on April 9 in which it said that “After conducting painstaking due diligence, the BB Camp Board of Directors unanimously voted to retain Co-Executive Director, Jacob Brodovsky, following his full apology for his serious error in judgement on social media.”
The statement by the board issued today (April 17) goes on to say that “the Camp Board expressly and unequivocally rejects and denounces the nature and content of the social media posts that were ‘liked’ (by Brodovsky) and in no way does that personal activity reflect the views of BB Camp or its Board.”
That statement refers to several social media posts which were posted by someone (or perhaps a group) that goes by the name “Rusty Robot,” which were posted in the spring of 2024, and to which Jacob Brodovsky attached his name as “liking” them.
There had been a myriad of accusations levelled against Brodovsky on social media, and one website in particular had been leading the charge to have him dismissed. That website not only ran several articles demanding that Brodovsky be fired, it allowed a slew of comments to be posted – many of which contained highly incendiary accusations against Brodovsky. (There were also a great many comments coming to his defence.)
In its announcement of Brodovsky and the camp parting ways, the Board goes into great detail about where certain areas of the camp’s operation need to be strengthened. The announcement says “Through this period, we have undertaken a careful and thoughtful review of our Camp’s policies and have taken guidance from experts in the community. While we believe strongly that the Camp has been, and will continue to be, a safe Jewish place for children, we have nonetheless identified areas where improvement is warranted, and the Board has agreed to pursue these steps to benefit the Camp.”
The announcement outlines the areas in which it is seeking to improve certain aspects of the camp experience:
- The Board has adopted the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism and will incorporate it into our Code of Conduct. We believe taking this step gives formality to the Camp’s existing and unbending commitment to Jewish safety and outright rejection of any form of antisemitism or anti-Zionism. Our adoption of the IHRA definition will be posted to our website.
- We will review and update the Camp’s mission statement and core values statement to better reflect the Camp’s fundamental support of Israel.
- Employees and Board members will be required to sign the Code of Conduct, which will outline support of the IHRA definition and include confirmation that they will not publicly promote ideas that are contrary to the mission of the Camp or which are contrary to the IHRA definition.
- We will take steps to hire a Jewish Education Coordinator to develop and implement enhanced Jewish and Israeli programming at Camp.
- We will strike a community outreach sub-committee of the Board to formally engage with Israeli and other community organizations in order to repair relationships and enhance opportunities for collaboration.
- We will take steps to ensure that all Camp staff have a formal ability to communicate directly with the Board.
Yet, nowhere does the Board describe in any way how Brodovsky failed to meet any of the areas which the Board says it will seek to strengthen. It does say though that “Our campers will continue to do what they have been doing for decades: proudly sing Hatikvah daily while the Israeli flag is lowered, participate in meaningful and inclusive daily prayer services, enjoy the “Shabbat Procession” and Friday challah, and feel a connection to Israel and Judaism through our programming.”
Further, the announcement issued by the Board also says that the Board “would like to highlight we were particularly proud of what our Executive Directors initiated last year to support Israelis in need. They engaged with the community to raise funds which were used to bring young Israeli campers from destroyed communities in the Gaza envelope, along with a chaperone, to Camp for a session. This provided an incredible relief to those kids and gave our community’s kids a chance to connect with Israelis who have suffered so greatly.”
It should also be noted that the Board of the Jewish Federation issued a statement on April 14 that gave a forewarning that the BB Camp Board was coming under great pressure to part ways with Brodovsky.
The Federation statement said: “We are aware of the concerning situation regarding BB Camp.
“While BB Camp is governed by its own board of directors and operates independently — as do all of the Federation’s beneficiary agencies — we have listened closely to the concerns of community members, whose trust in the camp has been shaken. The Federation takes these concerns with the utmost seriousness. “Our Executive has already held a number of emergency meetings, and our Board will be meeting on Tuesday night to further discuss the matter. A formal statement will be shared with the community this week.” If there is a statement issued by the Federation we will provide an update to what is clearly an ongoing story. How the camp will reorganize itself this close to the opening of camp season is not explained in the announcement issued by the BB Camp Board. What it does say is that “The Board is actively working on a transition plan that ensures that Camp operates as it always has – as a safe Jewish place for campers to spend their summers, build leadership skills and create memories in an incredible wilderness environment. The Board has great confidence in our returning staff team, including our exceptionally talented Operations, Program and Wilderness Directors, each of whom held the same position last year. Camp has a culture guided by the dozens of amazing staff who commit their time and energy for the benefit of our community’s children. We are blessed to have a strong and capable staff team ready to welcome our campers this summer, and the Board will work hand in hand with them to ensure the Camp’s continued success.” |
Hats off to that hateful website which played such an instrumental role in seeing the departure of someone whom the Camp Board thanks for his “tireless efforts for the Camp over the last four years as Co-Executive Director and his dedicated service in a variety of Camp positions over the last 15 years.” If there is anything more to report on this story, we will do our best to do that here, but in past instances of administrators of Jewish organizations in Winnipeg leaving suddenly, it has consistently been the practice of neither the board involved in that person’s departure nor the person – him or herself, to say anything for public consumption that might explain their sudden departure.