Local News
Jewish performers at upcoming Winnipeg Fringe Festival July 17-28
By BERNIE BELLAN As has been my long-time custom, I try to find Fringe shows that feature Jewish performers or playwrights – or, as is sometimes the case – plays that have a Jewish theme.
This year will see a very large number of Jewish performers, many of whom are repeat Fringe performers, but we will also have one play to be performed by one of the Fringe Festival’s most popular performers: Jem Rolls who, while he is not Jewish, has chosen for his theme this year a most unusual subject
(For information about venues and show times go to Winnipegfringe.com)
Alli Perlov: One Human Being Potentially Comedic Performance of The Nightmare Before Christmas
Alli Perlov has been a theatre kid her entire life. Her experiences include training at Manitoba Theatre for Young People, a Bachelor of Arts from the University of Winnipeg, and a brief career in film and television in her teens.
For the past 13 years, Perlov has been a performing arts teacher in Winnipeg, teaching courses in musical theatre, improv and drama to students from Grades 6 to 12. In an effort to continue practicing what she teaches, Alli Perlov has mounted three one-person Fringe plays starting in 2017 and brings her fourth to this year’s festival with a new work for her most favourite film, “A One Human Being, Potentially Comedic Performance of The Nightmare Before Christmas”.
Some teachers take the summer off to recharge, while others mount a one-person Fringe festival show. In a similar approach to her 2018/2023 show, Perlov tackles her favourite film of all time in,
“A One Human Being Potentially Comedic Performance of The Nightmare Before Christmas”. Local performing arts teacher Alli Perlov aims to leave the audience in stitches as she performs dozens of creepy characters from the iconic 1993 Tim Burton stop-motion film.
In a musical parody full of charm and can-do spirit, Perlov tackles the task of making “try-hard” a compliment. Condensing the score to 50 minutes of music, and weaved with narrative, critiques and silly puns, everyone in the theatre is guaranteed a good time and a load of laughs.
Melanie Gall (3 separate shows): FORBIDDEN CABARET, STITCH IN TIME, ROCKIN’ BLUEBIRD (kids’ show)
Melanie Gall has been a Fringe favourite for years. Last year she performed in 3 separate shows – and she’s back doing 3 shows again!
FORBIDDEN CABARET
Hidden in the back alley of a Broadway theatre is the grittiest, most decadent club in New York. The year is 1934. Unlicensed musical entertainment is prohibited and the Dirty Blues are banned. But not at Club Hirondelle – and when the midnight hour strikes, the forbidden cabaret begins with some of the naughtiest songs from (almost) 100 years ago.
Featuring a dozen (real!) banned hits, including: “Boobs,” “What Can You Buy a Nudist on His Birthday?” and the Yiddish Theatre hit, “Mein Butcher.”
Melanie Gall is the award-winning performer of sellout hits Ingenue (5 STARS), American Songbook Experience (5 STARS) and Toast to Prohibition (5 STARS).
STITCH IN TIME
Excitement! Drama! Romance! And…knitting? A scintillating cabaret featuring ‘lost’ knitting songs of World War I and World War II.
Bring your knitting (or crochet) and stitch along to these funny, toe-tapping, needle-clicking tunes. Come out and have a ball! Melanie Gall presents over a dozen quirky historic songs, including “More Power to Your Knitting, Nell!” and “The Knitting Itch.”
During the wars, millions of women knit for soldiers and dozens of knitting songs appeared. After the wars, these songs were close to disappearing forever. But now, this music — a clever, sweet and entertaining footnote in history — will live again.
FIVE STARS – Glam Adelaide, Southside Advertiser
“Divine voice, highly recommended” – Fringe Review UK
“Cute, charming and funny” – Plank Magazine
ROCKIN’ BLUEBIRD (kids’ show)
Bluebird Scraps has always wanted to be a rock star. She dreams of bright lights, a cool costume, and thunderous applause. But the other birds just don’t understand! All the robins and sparrows sing together in their trees, but Scraps has a squawk that just doesn’t fit. With your help, she’ll find her voice and rock the show!
LEAPIN’ LOUIE LICHTENSTEIN
We sent an email to a Fringe performer by the name of Louie Lichtenstein, asking him if he was Jewish. The answer was yes. Here’s what Louie sent back:
Hello hard working Manitoba Jewish Media folks,
Leapin’ Louie, the most explosive Lithuanian Jewish Cowboy Comedian to ever come out of Oregon, is on his way to Winnipeg Fringe.
It’s Kids Fringe but awesome for adults too. An environmental theme no less.
Fly Through Time
with Leapin’ Louie Lichtenstein
A cowboy comedy circus show about animals who fly
Kids Fringe Manitoba Theatre For Young People
Pay what you can
Leapin’ Louie uses circus, cowboy tricks, a six-foot unicycle, and lots of comedy to explore all those wild critters, including us, who fly.
In 400 million years five amazing groups of animals developed flight: Insects, pterosaurs, birds, bats and finally humans. Only 66 years after the Wright Brothers invented the airplane, —we landed on the moon. We’re moving so fast! Can we leave enough room for our amazing wild ecosystems as we jet into the future? It’s a biodiversity science education show that’s really fun for adults and kids.
Leapin’ Louie is a master of physical comedy, trick roping, whip cracking, and juggling. He has performed one-person Leapin’ Louie shows in 35 different countries around the world, including many tours of Europe, Japan and Australia. He is considered the most explosive Lithuanian Jewish Cowboy Comedian to ever come out of Oregon, USA. This is his first time at Winnipeg Fringe.
“‘Awesome’ is a terrible word, but there’s no shame using it – in the truest sense – to describe Leapin’ Louie” Broadway Baby ☆ ☆ ☆ ☆ (Edinburgh Fringe Festival)
Keir Cutler: JOAN OF ARC ASCENDING
“Joan of Arc is easily and by far the most extraordinary person the human race has ever produced.” Mark Twain
A new work, created and performed by Keir Cutler. For his 17th presentation at the Winnipeg Fringe Festival, Keir Cutler will perform a captivating world premiere show that invites audiences to rediscover the legendary true story of Joan of Arc. His portrayal defies contemporary doubt and invites wonder, probing Joan’s life through the lens of the miraculous.
The show also features live music by University of Manitoba musicology grad student, Manitoban Kyla Kelsey, and onstage original art work by Michael Cutler, Keir’s brother.
Montrealer Keir Cutler has been called “a masterful entertainer,” (Winnipeg Free Press) “a marvel to watch,” (Toronto Sun) and “a phenomenal performer!” (winnipegonstage.com)
Keir has a PhD in theatre from Wayne State University in Detroit, a playwriting diploma from the National Theatre School of Canada, He is the writer/performer of twelve solo works, and the author of multiple plays and books. He is a veteran of more than 100 fringe and theatre festivals.
Jem Rolls: THE KID WAS A SPY
The true story of Ted Hall.
Brooklyn, October 1944. The youngest physicist in the Manhattan project asks himself a very big question.
Will the world be safer after the war if he gives the bomb to the Russians?
And he does.
• Events take place in the world of OPPENHEIMER
• Jem Rolls has done more Fringes than anyone else on earth … [Except Alex Dallas.]
This show takes the audience from the murky world of spies to the idyll of young love. From teenage friendship to stark treason. From big decision to deep consequence. From high idealism to extreme cynicism. And from pure science to Hiroshima and the electric chair.
The show also brings in the stories of Klaus Fuchs, the greatest atomic spy; and Ethel Rosenberg, executed yet innocent.
THE KID WAS A SPY is the third in Jem Rolls’ series of shows about Jewish Nuclear Physicists no-one has ever heard of.
Which is, to put it mildly, the niche of a niche of a niche.
One only realistically enterable in the unique world of Canadian Fringe.
Which most Canadians do not realize is unique.
The first two shows in the series, THE INVENTOR OF ALL THINGS, about Leo Szilard, and THE WALK IN THE SNOW, about Lise Meitner, have each seen multiple sellouts and five star
reviews.
Randy Ross: TALES OF A RELUCTANT WORLD TRAVELER
Novelist and Fringe veteran Randy Ross provides an unflinching look at world travel and the writing life, while bringing new meaning to suffering for one’s art.
The Show: Tales of a Reluctant World Traveler is the story of how a Boston homebody turned a rotten, solo trip around the globe into a comedy novel and an acclaimed one-man play. The show is part travelogue, part performance, and part off-kilter author talk. A must-see for book lovers, writers, travelers, whiners, kvetches, and misanthropes. Please note: The show carries content warnings for gooey diseases, heartless publishers, and liquor made from cobras.
The Performer: Randy Ross is a Boston-area novelist and story-teller. He has performed at more 30 fringe festivals around the U.S., Canada, and in Edinburgh, Scotland. In 2007, Ross took a four-month, solo trip around the world and learned to say in three languages: “Speak English?” “Got Pepto-Bismol?” and “Is this the evacuation helicopter?” His shows and novel were inspired by the trip.
Adam Schwartz (producer): NEUROHILARITY EXPOSED
SHOWCASING INTERSECTIONAL COMEDY AT FRINGE FEST
Neuodivergent Cast of Winnipeg Comics Includes Indigenous, 2SLGBTQ+, Asian, and Other Perspectives
About Neurohilarity
Neurohilarity is a non-profit organization created to give neurodivergent artists a stage to share their stories and promote a more positive representation of neurodiversity.
It was started in 2022 by Adam Schwartz.
Award-winning comedy showcase Neurohilarity is back again at the Winnipeg Fringe Festival, but this year, it’s taking its mandate of amplifying underrepresented voices one step further with an ultra-diverse cast that highlights the intersectionality of neurodivergence.
This is the third year that Autistic comedian and producer Adam Schwartz has brought Neurohilarity to the Winnipeg Fringe Festival, and he’s excited to show how neurodivergent and disability-centric comedy can look so many different ways. At the crossroads of disability, race, gender, and sexuality, there is no shortage of weird things to laugh about.
The stellar lineup includes a few familiar faces from last year’s festival run—which earned the Jenny Revue Mind and Body: The Health and Wellness Award. Returning performers include Danielle Kayahara, whom the Winnipeg Free Press called “self-deprecating, sympathetic and downright adorable as she describes her compulsion to ‘overthink everything’ while pausing to second-guess her comments.”
This year’s newcomers to the Neurohilarity stage include up-and-comer Kaitlynn Brightnose (IndigE-Girl Comedy), and comedy veteran Rollin Penner (Yuk Yuk’s, CBC, Winnipeg Comedy Festival). The show will be hosted by ADHD dynamo Carole Cunningham, a regular host at Yuk Yuk’s Comedy Club who is often accompanied onstage by her chihuahua, Karen.
Willow Rosenberg: A LESBIAN IN A BEAR STORE
From new playwright Willow Rosenberg, comes a deeply personal, funny, and emotional journey through her mom’s Beanie Baby collection. “A Lesbian in a Bear Store” has something for everyone. Including adorable animals, all of the gay, some of the Jewish, and a special appearance by one of the most angsty teenage poems you’
Tickets are $12 in advance, or bring your favourite plushie for discounted $10 tickets at the door.
Jay Stoller: UBUNTU
Visiting musicians from South Africa join local drumming group
Local African drummer Jay Stoller is thrilled to announce the upcoming production of Ubuntu, an interactive performance that brings to life the power of working together as a community. This exciting show is set to take place at the Winnipeg Fringe Festival from July 18 – 26.
Ubuntu will be a highly unique production at this year’s Fringe. Not only is it a collaboration of musicians from Winnipeg and South Africa, the audience will be fully participating in the show: everyone in attendance will have an African djembe drum to play along with the musicians on stage. Yes, there will be 200+ drums in the theatre!
Jay and his local drum group members are excited to welcome drummer extraordinaire Tiny Modise and vocalist Nosipho Mtotoba, both from Soweto, South Africa.
Ubuntu is a Southern African philosophy that says ‘I am because we are’. Through the interactive show, the power of drumming together will be demonstrated as Winnipeg’s Fringe community makes amazing music together.
(And yes, we asked Jay whether he’s related to any Stollers in Winnipeg, to which he replied, “Yes, we do have some family with the same last name, although probably second cousins.”)
Benji Rothman: REVIEWING THE FREE PRESS
The Winnipeg Free Press has run amok, reviewing each and every Fringe show for decades, completely unabated and without recourse. Well now, it’s their turn.
In this brand new show, Benji Rothman takes the Winnipeg Free Press to task, diving deep into their history and casting judgement on their performance as Manitoba’s leading news outlet.
Local News
From Broadway to Berney: Winnipeg Jewish Theatre Opens Season with Razor-Sharp Thriller
By MARTIN ZEILIG The Winnipeg Jewish Theatre (WJT) launches its 2025–26 season with a bold and timely production: JOB The Play, a psychological thriller that probes the fragile boundaries between truth, technology, and identity.
Written by Jewish American playwright Max Wolf Friedlich, the play arrives in Winnipeg fresh off its Broadway run, bringing with it a reputation for intellectual grit and emotional intensity.
Running from September 11 to 21 at the Berney Theatre, JOB is a two-hander that unfolds in the aftermath of a viral workplace incident. Jane, a high-strung tech employee, f inds herself on mandatory leave. Her return hinges on therapy sessions with Loyd, a calm but enigmatic practitioner who suspects her job may be more harmful than helpful. What follows is a taut, 80-minute battle of wits and wills—no intermission, no easy answers.
For WJT Artistic Director Dan Petrenko, the decision to open the season with JOB was immediate and instinctive.
“I came across this play as it was finishing its Broadway run, and I was immediately struck by how of-the-moment it feels,” Petrenko said. He and the play’s director, Jack Grinhaus, agreed to an email interview.
“It’s a play about work, technology, and the way we always question truth in this hyper-connected world,” Petrenko continued. “As a Jewish theatre, we are always looking for plays that ask big moral and ethical questions, and JOB does exactly that. It’s sharp, unsettling, and even funny at times.”
The production stars Jada Rifkin and Dov Mickelson, two actors Petrenko describes as “incredible talents.” Mickelson, originally from Edmonton and now based in Toronto, was last seen on a Winnipeg stage in Royal MTC’s Indecent. Rifkin, also Toronto-based, recently performed in The Thanksgiving Play at Mirvish Productions.
“JOB is a two-hander, so the entire play rests on their performances,” Petrenko noted.
“Both bring immense precision and depth to these roles. After seeing them in rehearsal this week, I can already tell this is going to be an electrifying performance.”
Grinhaus is Artistic Director of Calgary’s Vertigo Theatre— Canada’s national theatre of mystery and intrigue. He is no stranger to Winnipeg, having directed a show for Prairie Theatre Exchange just five months ago.
“Feels like I didn’t actually leave,” he joked. “Winnipeg has an incredible theatre community and audience base. It’s an honour and pleasure to be here.”
Grinhaus was immediately drawn to the play’s complexity.
“I was amazed at how both intellectual and visceral the piece was,” he wrote. engagement and offers poetry and honesty without being instructive. It lays out its argument for audiences to puzzle over, asking the questions but leaving the answers for each viewer to determine.”
The emotional and psychological journey of the characters is central to the production’s impact.
“I saw this as a battle for truth between two very opposing perspectives, positions, and generations,” Grinhaus explained. “There’s not one line in it where the characters can agree on a single ‘right’ Jack Grinhaus, Director JOB answer. They are often as right as the moral and ethical positions the audiences bring with them.”
Grinhaus hopes audiences leave the theatre questioning their own relationship with the digital world.
“The digital sphere is a double edged sword,” he said. “The promise of it being a place where the world is united and connected has, somehow, also created one where we are more divided and isolated. The long-term implications of this tech life are still to be figured out.”
Petrenko sees JOB as more than just a provocative opener—it’s a signal of what’s to come.
“There are so many things to be excited about in our upcoming season,” he said. “Beyond JOB, we’re bringing you a range of productions and theatrical events that celebrate Jewish stories while opening doors to broader conversations with the community at large.”
Highlights include a staged reading this fall of local playwright Alex Poch-Goldin’s comedy-drama The Right Road to Pontypool, and the Canadian premiere of Ride The Musical in April 2026. The latter tells the story of Annie Londonderry, the first woman to travel around the world on a bicycle—a Jewish icon whose adventures captivated audiences in London’s West End and San Diego’s Old Globe Theatre.
“I am so thrilled to be bringing this story to our stage,” Petrenko said.
The season will conclude in May 2026 with another family musical rooted in Jewish storytelling—details to be announced soon.
“The best way to get in on all the fun this year is to subscribe to our season,” Petrenko added, noting that special promotion packages are available until September 21.
For Grinhaus, JOB is more than a play—it’s a mirror.
“This is a very theatrical piece of theatre,” he said. “It’s pure theatre, highly engaging and entertaining while also challenging our own views on modern society. Our hope is that audiences are drawn deep into this world and, only once it is done, begin the conversation the story and its themes bring up.”
With JOB, the Winnipeg Jewish Theatre sets the tone for a season of bold storytelling, ethical inquiry, and cultural resonance. From Broadway to Berney, this is theatre that doesn’t just entertain—it interrogates and enlightens.
Local News
New Jewish Heritage centre archivist has travelled an eclectic path
By MYRON LOVE The Jewish Heritage Centre of Western Canada’s new archivist has come to her position from Rosser, Manitoba, by way of Israel.
Ava Garfinkel – the daughter of Harvey and Lee Garfinkel (and granddaughter of the late Irv and Shirley Garfinkel) – grew up on the family cattle farm just outside Winnipeg. “My family also raises horses and chickens,” she says. “I had a pony when I was little. I did my share of chores growing up.”
After attending rural schools in Rosser and Warren, Garfinkel moved on to the University of Manitoba, where she earned a B.A. in Art History. Her life journey then led he to Israel and Tel Aviv University, where she earned a Masters Degree in Archaeology.
She reports that she worked two summers on a site called Tel Azekah – an ancient community strategically located roughly half way between Jerusalem and Jaffa.
“Two years ago – in 2023 – Israel experienced its hottest summer in decades,” Garfinkel recalls. “The sun was unbearable. I realized that I preferred the paperwork, the research, and the documentation, rather than the digging.”
While Garfinkel says that she loved Israel – and had a job lined up at Tel Aviv University, fate – in the form of the terrorist attack on southern Israel on October 7, 2023 – intervened. It happened that she was home visiting her family when the attack occurred.
“I also love my family and my life here,” she says. “I found that I missed my family.”
Garfinkel finished her M.A. studies – with a particular emphasis on textiles in the ancient Levant – back in Winnipeg, and took up her new position at the JHCWC at the beginning of May.
“I am doing what I enjoy – preservation and documentation,” she says. “We are preserving Winnipeg’s – and Western Canada’s, Jewish history. “I am learning so much about our community’s rich history and cultural traditions.
“My colleagues and our volunteers are great. There is a lot to do. I couldn’t be happier.”
Local News
Gail Asper takes on new challenge as co-chair of major Hebrew University fundraising campaign
By MYRON LOVE Over the past 35 years Gail Asper has risen to the top ranks among Canadian philanthropists and as the go-to leader for high-profile fundraising campaigns. In her 30s, she notes, she chaired a successful Manitoba Theatre Centre fundraising campaign. In her 40s she was the youngest chair of our city’s annual United Way campaign. In her 50s she served for two years as chair of our Jewish community’s annual Combined Jewish Appeal. And, I am sure that most readers are aware of her herculean effortsbringing to fruition her father’s vision of a world class human rights museum in Winnipeg.
Now in her 60s, Asper has taken on a lead role in another major fundraising campaign – one of international scope – as co-chair of an upcoming Hebrew University campaign, which is set to launch in October.
“My dad (the late Israel Asper – Gail’s role model) always told me,” she recalls, “that when you are asked to do something, while you can’t guarantee success, you do the best you can.”
This year’s campaign will be a particularly significant one for Israel’s oldest and largest university. This year mark’s the Hebrew University’s 100th anniversary – and the Asper family has played a leading role in the university for almost 50 years.
Gail Asper remembers going to Jerusalem – with her father – and family – when she was in her 20s – when Israel Asper would be attending HU annual Board of Governors meetings. “I met the president of the university,” she recounts. “I got to see what the university was doing and got to know the people on the board. There were board members from all over the world, all accomplished and interesting people.. It was so glamourous.”
In 1989, her father – after more than 20 years on the board – told Gail that he was stepping down to spend more time building the still relatively new Canwest business – and suggested that she should replace him as a board member. Not only did she join the board, she also became one of the founding members of the newly formed Canadian Friends of Hebrew University Business and Professional Division, along with other now prominent community members Howard Morry and Murray Palay.
“I remember being on the phone, back in 1993, holding my baby Jonathan in one arm while going through my phone list selling tickets for our gala,” Asper says. “It was good training for being able to manage looking after my family, work and volunteering later in life.”
It wasn’t long after she joined the Hebrew U board that she moved on to join the board executive,” she notes. “We would have meetings in Israel three or four times a year. Thank goodness now for Zoom. But I really enjoyed meeting with fellow board members as well as university management and faculty.”
Asper says that she was really surprised to be asked to chair the new campaign. “Most of the major HU donors are American,” she explains. “I thought that an American chair would be more appropriate than a Canadian,” she says.
She agreed to take on the role, but insisted on having an American co-chair. The individual she chose is a prominent American trial lawyer from Los Angeles by the name of Patty Glaser.
“I have known Patty for years,” Asper reports. “We met through the Hebrew University. She is very well organized and a terrific fundraiser.”
Asper adds that she would also like to recruit an Israeli philanthropist as a third chair. “There are a lot more wealthy Israelis today,” she observes. “I think it is important to get an Israeli more involved. We identified a few prospects and narrowed it down to a HU alumnus who has been very successful.”
Asper officially takes up her new role in October 2025, coinciding with the investiture of the incoming president, Prof. Tamir Sheafer. “We don’t have many details about the 100th anniversary campaign,” she notes. “The target for the last seven-year campaign – which ended in June – was $1 billion. We co-chairs will have discussion with the new president as to our financial goal and how the funds will be distributed.”
One area that Asper suggests will be a focus of the new campaign will be Jewish philanthropists and foundations who had been supporting American and Canadian universities, but who have been told that since October 7, 2023, their donations are no longer welcome. “Others have pulled their donations because of anti-Jewish activity on campuses,” she points out. “We will be suggesting that their donations will be better spent supporting Israel’s leading universities rather than antisemitic universities in Canada and the US.”
She adds that she will be co-ordinating the Canadian contributions to the campaign with CFHU executive director (and former Winnipeg resident – while he was executive director of the Canadian Friends of the Hebrew University here) Rami Kleinmann. “In Canada, we always punch above our weight,” Asper notes.
She does admit to be disappointed that the HU’s 100th anniversary celebrations scheduled for last June had to be cancelled because of the war with Iran. “Anita Wortzman (the Asper Foundation’s executive director) and I were already in Israel,” Asper reports. “I had planned to attend every program on campus, meet the donors and scientists and scholars and learn what they are working on.”
She is looking forward to making up for some of what she missed in June with her upcoming visit to Israel in the fall and the kick-off to the campaign.