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Jewish performers at upcoming Winnipeg Fringe Festival July 17-28

Alli Perlov: One Human Being Potentially Comedic Performance of The Nightmare Before Christmas

By BERNIE BELLAN As has been my long-time custom, I try to find Fringe shows that feature Jewish performers or playwrights – or, as is sometimes the case – plays that have a Jewish theme.
This year will see a very large number of Jewish performers, many of whom are repeat Fringe performers, but we will also have one play to be performed by one of the Fringe Festival’s most popular performers: Jem Rolls who, while he is not Jewish, has chosen for his theme this year a most unusual subject
(For information about venues and show times go to Winnipegfringe.com)

Alli Perlov: One Human Being Potentially Comedic Performance of The Nightmare Before Christmas
Alli Perlov has been a theatre kid her entire life. Her experiences include training at Manitoba Theatre for Young People, a Bachelor of Arts from the University of Winnipeg, and a brief career in film and television in her teens.
For the past 13 years, Perlov has been a performing arts teacher in Winnipeg, teaching courses in musical theatre, improv and drama to students from Grades 6 to 12. In an effort to continue practicing what she teaches, Alli Perlov has mounted three one-person Fringe plays starting in 2017 and brings her fourth to this year’s festival with a new work for her most favourite film, “A One Human Being, Potentially Comedic Performance of The Nightmare Before Christmas”.
Some teachers take the summer off to recharge, while others mount a one-person Fringe festival show. In a similar approach to her 2018/2023 show, Perlov tackles her favourite film of all time in,
“A One Human Being Potentially Comedic Performance of The Nightmare Before Christmas”. Local performing arts teacher Alli Perlov aims to leave the audience in stitches as she performs dozens of creepy characters from the iconic 1993 Tim Burton stop-motion film.  
In a musical parody full of charm and can-do spirit, Perlov tackles the task of making “try-hard” a compliment. Condensing the score to 50 minutes of music, and weaved with narrative, critiques and silly puns, everyone in the theatre is guaranteed a good time and a load of laughs. 

Melanie Gall (3 separate shows): FORBIDDEN CABARET, STITCH IN TIME, ROCKIN’ BLUEBIRD (kids’ show)
Melanie Gall has been a Fringe favourite for years. Last year she performed in 3 separate shows – and she’s back doing 3 shows again!

FORBIDDEN CABARET
Hidden in the back alley of a Broadway theatre is the grittiest, most decadent club in New York. The year is 1934. Unlicensed musical entertainment is prohibited and the Dirty Blues are banned. But not at Club Hirondelle – and when the midnight hour strikes, the forbidden cabaret begins with some of the naughtiest songs from (almost) 100 years ago.
Featuring a dozen (real!) banned hits, including: “Boobs,” “What Can You Buy a Nudist on His Birthday?” and the Yiddish Theatre hit, “Mein Butcher.”
Melanie Gall is the award-winning performer of sellout hits Ingenue (5 STARS), American Songbook Experience (5 STARS) and Toast to Prohibition (5 STARS).

STITCH IN TIME
Excitement! Drama! Romance! And…knitting? A scintillating cabaret featuring ‘lost’ knitting songs of World War I and World War II.
Bring your knitting (or crochet) and stitch along to these funny, toe-tapping, needle-clicking tunes. Come out and have a ball! Melanie Gall presents over a dozen quirky historic songs, including “More Power to Your Knitting, Nell!” and “The Knitting Itch.”
During the wars, millions of women knit for soldiers and dozens of knitting songs appeared. After the wars, these songs were close to disappearing forever. But now, this music — a clever, sweet and entertaining footnote in history — will live again.
FIVE STARS – Glam Adelaide, Southside Advertiser
“Divine voice, highly recommended” – Fringe Review UK
“Cute, charming and funny” – Plank Magazine

ROCKIN’ BLUEBIRD (kids’ show)
Bluebird Scraps has always wanted to be a rock star. She dreams of bright lights, a cool costume, and thunderous applause. But the other birds just don’t understand! All the robins and sparrows sing together in their trees, but Scraps has a squawk that just doesn’t fit. With your help, she’ll find her voice and rock the show!

LEAPIN’ LOUIE LICHTENSTEIN
We sent an email to a Fringe performer by the name of Louie Lichtenstein, asking him if he was Jewish. The answer was yes. Here’s what Louie sent back:

Hello hard working Manitoba Jewish Media folks,

Leapin’ Louie, the most explosive Lithuanian Jewish Cowboy Comedian to ever come out of Oregon, is on his way to Winnipeg Fringe.
It’s Kids Fringe but awesome for adults too. An environmental theme no less.
Fly Through Time
with Leapin’ Louie Lichtenstein
A cowboy comedy circus show about animals who fly
Kids Fringe Manitoba Theatre For Young People
Pay what you can
Leapin’ Louie uses circus, cowboy tricks, a six-foot unicycle, and lots of comedy to explore all those wild critters, including us, who fly.
In 400 million years five amazing groups of animals developed flight: Insects, pterosaurs, birds, bats and finally humans. Only 66 years after the Wright Brothers invented the airplane, —we landed on the moon. We’re moving so fast! Can we leave enough room for our amazing wild ecosystems as we jet into the future? It’s a biodiversity science education show that’s really fun for adults and kids.
Leapin’ Louie is a master of physical comedy, trick roping, whip cracking, and juggling. He has performed one-person Leapin’ Louie shows in 35 different countries around the world, including many tours of Europe, Japan and Australia. He is considered the most explosive Lithuanian Jewish Cowboy Comedian to ever come out of Oregon, USA. This is his first time at Winnipeg Fringe.

“‘Awesome’ is a terrible word, but there’s no shame using it – in the truest sense – to describe Leapin’ Louie” Broadway Baby ☆ ☆ ☆ ☆ (Edinburgh Fringe Festival)

Keir Cutler: JOAN OF ARC ASCENDING
“Joan of Arc is easily and by far the most extraordinary person the human race has ever produced.” Mark Twain
A new work, created and performed by Keir Cutler. For his 17th presentation at the Winnipeg Fringe Festival, Keir Cutler will perform a captivating world premiere show that invites audiences to rediscover the legendary true story of Joan of Arc. His portrayal defies contemporary doubt and invites wonder, probing Joan’s life through the lens of the miraculous.
The show also features live music by University of Manitoba musicology grad student, Manitoban Kyla Kelsey, and onstage original art work by Michael Cutler, Keir’s brother.

Montrealer Keir Cutler has been called “a masterful entertainer,” (Winnipeg Free Press) “a marvel to watch,” (Toronto Sun) and “a phenomenal performer!” (winnipegonstage.com)
Keir has a PhD in theatre from Wayne State University in Detroit, a playwriting diploma from the National Theatre School of Canada, He is the writer/performer of twelve solo works, and the author of multiple plays and books. He is a veteran of more than 100 fringe and theatre festivals.

Jem Rolls: THE KID WAS A SPY
The true story of Ted Hall.
Brooklyn, October 1944. The youngest physicist in the Manhattan project asks himself a very big question.
Will the world be safer after the war if he gives the bomb to the Russians?
And he does.
• Events take place in the world of OPPENHEIMER
• Jem Rolls has done more Fringes than anyone else on earth … [Except Alex Dallas.]

This show takes the audience from the murky world of spies to the idyll of young love. From teenage friendship to stark treason. From big decision to deep consequence. From high idealism to extreme cynicism. And from pure science to Hiroshima and the electric chair.

The show also brings in the stories of Klaus Fuchs, the greatest atomic spy; and Ethel Rosenberg, executed yet innocent.
THE KID WAS A SPY is the third in Jem Rolls’ series of shows about Jewish Nuclear Physicists no-one has ever heard of.
Which is, to put it mildly, the niche of a niche of a niche.
One only realistically enterable in the unique world of Canadian Fringe.
Which most Canadians do not realize is unique.

The first two shows in the series, THE INVENTOR OF ALL THINGS, about Leo Szilard, and THE WALK IN THE SNOW, about Lise Meitner, have each seen multiple sellouts and five star

reviews.

Randy Ross: TALES OF A RELUCTANT WORLD TRAVELER 
Novelist and Fringe veteran Randy Ross provides an unflinching look at world travel and the writing life, while bringing new meaning to suffering for one’s art.
 The Show: Tales of a Reluctant World Traveler is the story of how a Boston homebody turned a rotten, solo trip around the globe into a comedy novel and an acclaimed one-man play. The show is part travelogue, part performance, and part off-kilter author talk. A must-see for book lovers, writers, travelers, whiners, kvetches, and misanthropes. Please note: The show carries content warnings for gooey diseases, heartless publishers, and liquor made from cobras.
 The Performer: Randy Ross is a Boston-area novelist and story-teller. He has performed at more 30 fringe festivals around the U.S., Canada, and in Edinburgh, Scotland. In 2007, Ross took a four-month, solo trip around the world and learned to say in three languages: “Speak English?” “Got Pepto-Bismol?” and “Is this the evacuation helicopter?” His shows and novel were inspired by the trip.

Adam Schwartz (producer): NEUROHILARITY EXPOSED
SHOWCASING INTERSECTIONAL COMEDY AT FRINGE FEST
Neuodivergent Cast of Winnipeg Comics Includes Indigenous, 2SLGBTQ+, Asian, and Other Perspectives

About Neurohilarity
Neurohilarity is a non-profit organization created to give neurodivergent artists a stage to share their stories and promote a more positive representation of neurodiversity.
It was started in 2022 by Adam Schwartz.
Award-winning comedy showcase Neurohilarity is back again at the Winnipeg Fringe Festival, but this year, it’s taking its mandate of amplifying underrepresented voices one step further with an ultra-diverse cast that highlights the intersectionality of neurodivergence.   
This is the third year that Autistic comedian and producer Adam Schwartz has brought Neurohilarity to the Winnipeg Fringe Festival, and he’s excited to show how neurodivergent and disability-centric comedy can look so many different ways. At the crossroads of disability, race, gender, and sexuality, there is no shortage of weird things to laugh about.

The stellar lineup includes a few familiar faces from last year’s festival run—which earned the Jenny Revue Mind and Body: The Health and Wellness Award. Returning performers include Danielle Kayahara, whom the Winnipeg Free Press called “self-deprecating, sympathetic and downright adorable as she describes her compulsion to ‘overthink everything’ while pausing to second-guess her comments.”
This year’s newcomers to the Neurohilarity stage include up-and-comer Kaitlynn Brightnose (IndigE-Girl Comedy), and comedy veteran Rollin Penner (Yuk Yuk’s, CBC, Winnipeg Comedy Festival). The show will be hosted by ADHD dynamo Carole Cunningham, a regular host at Yuk Yuk’s Comedy Club who is often accompanied onstage by her chihuahua, Karen.

Willow Rosenberg: A LESBIAN IN A BEAR STORE
From new playwright Willow Rosenberg, comes a deeply personal, funny, and emotional journey through her mom’s Beanie Baby collection. “A Lesbian in a Bear Store” has something for everyone. Including adorable animals, all of the gay, some of the Jewish, and a special appearance by one of the most angsty teenage poems you’
Tickets are $12 in advance, or bring your favourite plushie for discounted $10 tickets at the door.

Jay Stoller: UBUNTU
Visiting musicians from South Africa join local drumming group
Local African drummer Jay Stoller is thrilled to announce the upcoming production of Ubuntu, an interactive performance that brings to life the power of working together as a community.  This exciting show is set to take place at the Winnipeg Fringe Festival from July 18 – 26.
 Ubuntu will be a highly unique production at this year’s Fringe.  Not only is it a collaboration of musicians from Winnipeg and South Africa, the audience will be fully participating in the show:  everyone in attendance will have an African djembe drum to play along with the musicians on stage.  Yes, there will be 200+ drums in the theatre!
 Jay and his local drum group members are excited to welcome drummer extraordinaire Tiny Modise and vocalist Nosipho Mtotoba, both from Soweto, South Africa.
Ubuntu is a Southern African philosophy that says ‘I am because we are’.  Through the interactive show, the power of drumming together will be demonstrated as Winnipeg’s Fringe community makes amazing music together.
(And yes, we asked Jay whether he’s related to any Stollers in Winnipeg, to which he replied, “Yes, we do have some family with the same last name, although probably second cousins.”) 

Benji Rothman: REVIEWING THE FREE PRESS

The Winnipeg Free Press has run amok, reviewing each and every Fringe show for decades, completely unabated and without recourse. Well now, it’s their turn.

In this brand new show, Benji Rothman takes the Winnipeg Free Press to task, diving deep into their history and casting judgement on their performance as Manitoba’s leading news outlet.

Local News

Shalom Residences Foundation to host third annual donor appreciation evening

Shalom Residences treasurer Elaine Paul

By MYRON LOVE On Tuesday, June 16, Shalom Residences  Foundation Inc (SRFI) will be hosting its third annual Donor Appreciation evening.  Donors and other Shalom Residences  supporters can look forward to chilling to the music of local singer/songwriter David Grenon (aka Soul Bear), who will be performing songs by Billy Joel, Elton John and other well-known artists.
For readers who are not yet familiar with Shalom Residences, the organization was originally created to care for intellectually challenged Jewish young adults.  The vision was to provide them with a Jewish environment – strictly kosher group homes where all the Jewish holidays are observed and celebrated.
One of Shalom Residences’ objectives has always been to develop a community in which individuals with intellectual disabilities are fully included, self-actualized, and valued in all aspects of life.
The concept has been a remarkable success.
Shalom Residences was founded in 1980 by six far-sighted couples, including Thelma and Ernie Bronstein, Dolly and Zivey Chudnow, Min and Joe Fromkin, Roberta and Larry Hurtig, Elaine and Bobby Paul,
and Sybil and Frank Steele. The original Shalom Home was a converted house on Cathedral Avenue.

“Thelma Bronstein’s determination and dynamism contributed to making it happen,” says Elaine Paul, currently Shalom Residences’ treasurer (and for the past 20 years, the organization’s leading fundraiser).
I remember the home’s official opening.  This was shortly after I started writing for the Jewish Post.  Rabbi Charles Grysman affixed the mezzuzah  to the door frame.
Today, the organization operates six group homes housing 19 residents as well as 12 residents in supported independent living arrangements.
While the operations today are largely funded by the provincial government – which means that the residences have to be open to accepting non-Jewish clients as well (just over half of the residents are Jewish) – the Shalom Residences Foundation funding supplements the  government contribution – providing financial support for increasing staffing levels when needed, as well as extraordinary expenditures and contingencies. The Foundation has also provided the down payment for the purchase  of new housing when necessary. .
The necessity of fundraising was evident right from the beginning.   Elaine Paul recalls that the first Manitoba Marathon –  in which all the founding parents were involved –  provided the funding for the mortgage at 175 Cathedral Ave.
“We worked with Helen Steinkopf and John Robertson to develop the marathon,” Paul remembers. ”For several years,  Hy Kravetsky and I worked handing out water to the runners.”
Paul relates that it was Zivey Chudnow who was instrumental in starting up Shalom Residences’ annual fundraising. “Three of Zivey’s friends,:Norman Tatleman, Sam Ostrove, and Gary Levinson, asked how they could help,” she recalls.  “Their idea was to have a fundraising dinner.  We combined the dinner with a lottery. We sold 60 tickets at $1,000 a piece and paid out $15,000 to the winning ticket and lesser amounts to other lucky winners.”
The organization also held annual well attended fundraising teas.   
 
Paul reports that, for years, Chudnow was Shalom Residences’ best fundraiser – with honourable mention to Avrum Katz, Frank Steele, and the late Joe Elfenbaum.  Paul took over the role 10 years ago – again with honourable mention to SRFI board members, Dr. Allen Kraut, Peter Leipsic, Donna Chudnow, Jon Feldman, and Mickey Rosenberg. 
  
In addition, the goal was, and remains empowering adults with intellectual disabilities to live meaningful, dignified lives in community-based homes in Winnipeg, enriched by Jewish values.
Charles Tax, the SRFI’s long time president, notes that in 2017, the organization created an endowment fund with the Jewish Foundation of Manitoba. “At the time, we transferred more than half of our assets to the JFM,” he says.  “We continue to make contributions to our fund.”
 
He notes that the annual dinners came to an end with the 20230 Covid lockdowns.  The donor appreciation evenings were started in 2023. 
“One of our goals is to acquire one or two more houses in the south end,” Tax adds.
 
Readers who may be interested in attending the donor appreciation evening or otherwise supporting SRFI can contact the office at 204 582-7064 or via email (admin@shalomresidences.com).
 
 
 
 
 
 
 
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Debbie Maslowsky playing lead role in upcoming Dry Cold Productions musical

By MYRON LOVE For the past 40 years Debbie Maslowsky has been entertaining Winnipeg audiences – both Jewish and non-Jewish, with her acting and singing.  Arguably Winnipeg’s queen of musical theatre is returning to the stage on May 13 in a lead role in Dry Cold Productions’ upcoming “Kimberly Akimbo”.
Maslowsky is enthusiastic about the Tony-winning production, which debuted on Broadway in November 2022.  “It’s a gem of a musical,” she says of the production crafted by the musical team of  composer Jeanine Tesori and lyricist David Lindsay-Abaire.
 
The subject itself is not – on the surface – uplifting. As Maslowsky describes it,  “Kimberly Akimbo” is the story  of a teenager suffering from a very rare condition – progeria – also known as the aging disease.  The genetic condition causes children to age at an accelerated rate causing them to die of old age while still in their teens. For those readers who may recall Rabbi Harold Kushner’s book, “Why Bad Things Happen to Good People” – written years ago, Kushner was responding to the death of his own son from progeria.

In the hands of Tesori and Lindsay-Abaire though, Maslowsky notes, the show is about mindfulness and living day by day.  In the production, Maslowsky explains, “Kimberly is trying to live as normal a life as she can despite her illness. Her life is further complicated by a dysfunctional family. Her parents are dealing with their own issues. Then there is the madcap aunt who develops a complicated and hilarious plan to make money for a family road trip, raise funds for choir costumes – with some left over for herself.

“The play is very funny,” Maslowsky comments, “but also poignant.  Kimberly knows that she most likely won’t live much beyond 16.  Therefore, she wants to live every day to the fullest. She wants to live every day in the now.  At the same time, she doesn’t want to hide from reality. She doesn’t want special treatment. She also doesn’t want people – such as her parents – trying to pretend that everything will be okay.”

Maslowsky last appeared on stage in Winnipeg Jewish Theatre’s one-woman production of “A Pickle” in the spring of 2023. That was the true story of a Jewish pickle maker living in Minnesota who had to fight to get her pickles included in the state fair pickle competition, which tried to disqualify her because her pickles were made the Jewish way through a  brining process that the non-Jewish judges refused to accept. 
In the interim, Maslowsky has been focusing on her longstanding business as a trade show, conference  and event manage,r as well as picking up some singing gigs. She reports that she began winding down her business last fall.

She speaks highly of her younger cast mates. “They are an amazing group of young people,” she says. “For some of them, this is their first show.  I myself am still learning new things after all these years.”
Maslowsky will next be appearing in the joint Winnipeg Jewish Theatre-Rainbow Stage production of “Fiddler on the Roof” in September.  “I played one of the daughters years ago in an earlier Fiddler production,” she recalls.  “I feel like I am coming full circle.”
 
Dry Cold Productions was founded by Donna Fletcher and Reid Harrison (now retired) more than 25 years ago. The company stages a yearly musical theatre production – sometimes edgy – which has played on Broadway and is new to Winnipeg audiences.
The Dry Cold website cautions that “Kimberly Akimbo” contains “strong language (with frequent profanity), mature humour, and references to sexual activity”.
“Kimberly Akimbo” is scheduled to run May 13–17, 2026 at the Prairie Theatre Exchange. Tickets can be purchased by contacting  Dry Cold productions online.

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The second Bar Mitzvah: Better than the first

Gerry Posner and Ted Lyons

By GERRY POSNER As we pass down the corridor of life, there are certainly times we can identify as moments we will never forget. I had such a moment on April 11 at my second Bar Mitzvah, at the Shaarey Zedek Synagogue, shared with Dr. Ted Lyons, or E. A. as I called him over the years. We were celebrating this life cycle event at the very same synagogue as the first one, that is – the Shaarey Zede. For me, it was some 70 years ago or 25,557 days – from April 21, 1956 to April 11, 2026. The notion of returning to the original place of Bar Mitzvah 1.0 was too powerful a force, causing me to abandon my plan to do this in Toronto where my wife, Sherna and I have lived for the last 13 plus years.

It was quite the weekend. We started just before Erev Shabbat with photos of our two families on the bimah. Ted had his whole family there, including his daughter Mara, her husband Sheldon, and their two daughters, as well as his son Sami, his wife Rose, and their three kids, all of whom live In Calgary, not to forget his sister Ellen and her husband Howard Goldstein, from Toronto. Our three kids: Ari, Rami and Amira, all of whom live in Toronto, along with two of my grandchildren, as well as my brother Michael from Toronto were also present.

After the Shabbat service, we stayed on in the building for our Shabbat dinner. There were 23 of us, including Michael’s partner, Ruth Grubert, (formerly Mozersky), also a former Winnipegger, as well as Rabbi Mass,his son Ranan, Rabbi Carnie Rose and his wife Pauline. It was a warm group and the dinner was gobbled up and appreciated by all of us. We were all surprised when independently, the respective grandchildren of the Bar Mitzvah “bochers” presented both of us with a kind of tribute – funny and sincere in their affection for their Zaidas.

Then came the big day. It lived up to and even exceeded my expectations. It was a sell-out crowd. I was overwhelmed just at that fact. The only thing missing from the building was the electronic ark. The respective families all participated with aliyahs and indeed Torah readings by Sami Lyons and the 83-year-old Bar Mitzvah boy Ted Lyons. Now, “leyning” from the Torah was not something Ted had done at the first go-round 70 years ago. (In fact, almost all of us were deficient in that area).
One particular moment during the service was especially meaningful for Sherna and me. In the first part of the service, there is a prayer called “Mi Chamocha.” My son Ari had written music for that prayer several years ago and now he was at Shaarey Zedek, where he had his Bar Mitzvah long ago. This time though the clergy had arranged to use his music and to sing his melody. (It had been used many times previously, but without Ari. ) Not only that, he was invited to play his composition at the service as Cantor Leslie Emery sang it. Those few moments – as we watched and listened, at this – my second Bar Mitzvah, at a place where my parents had been members for years and whose names are on the memorial plaque in the chapel, well, that was powerful, to put it mildly.

Ted and his family had various honours as did my family. I was given the Haftorah to chant. Now, I have few talents, but I can chant a Haftroah (not the most marketable skill), so that was not that much of an obstacle for me. In fact, I rather enjoyed doing this part of the service. Rabbi Rose had also given me permission to deliver a D’var Torah on the portion of the week, “Shemini”, and to discuss the meaning of this, my second Bar Mitzvah. Once I had the mic and the stage, I was ready to go in spite of my wife’s protestations that it was too long. And, in fact, as I rolled along into my Haftorah, after about 10 minutes, my parter in the double Bar, Ted, came up from behind me where he was sitting, and nudged me gently, or to put it more accurately, gave me the hook, announcing that it was time to wrap up. It was kind of comical, in fact. I got a large charge from that sudden intervention. To top it off, as I had been speaking, I noticed a congregant on my left near the front who had apparently passed out. It was alarming to me at first, but the medics came and were able to revive this person. I was told later that other first words out of the mouth were “Has he finally finished?”

We concluded the day with a rather large kiddish luncheon highlighted at least for me by traditional party sandwiches, which were a staple of the kiddishes of my youth. I met with so many people of my past, which was a treat and a half for me. I was so into the moment that It was hard to get me out of the building.

As I reflect on the day and the service, I recognized that for all of us, we have times in our lives, whether it be an hour, a day or a week, that we will never forget. This day was for me one such moment. It is etched in my memory to be relived through the Youtube video now in my possession. The gift that keeps on giving, I say.
My first Bar Mitzvah was good, for sure. This one was far better. I knew what I was doing.

Post script (After Gerry had sent us his story, he sent us something else that he said should have been included in the story): True, Ted and I had the Bar Mitzvah no 2. But we only had it because there was one person who did the real work and yet received no credit. She made all the arrangements with the synagogue for both the Friday night Shabbat dinner and the kiddish lunch after the service. She dealt with various people in the synagogue and basically took charge of our simcha. I speak, of course, of Harriet Lyons. That I failed to mention her was due to my excess focus on the eating of the party sandwiches and not enough on the reason we had them in the first place. Harriet teaches the weaving of tallits, but she stands tall in the arranging of Bar Mitzvahs.

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