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Josh Bellan cast in lead male role as Eric in Rainbow Stage’s upcoming production of “A Little Mermaid”…Becky Frohlinger to play Jetsam
By MYRON LOVE Rainbow Stage, Canada’s only summer musical theatre in a park, has since its earliest days, had a strong connection to our Jewish community. The opening benefit concert in 1954 listed among its featured performers the Jewish community choir led by Cantor Benjamin Brownstone – and, of course, Jack Shapira served as executive producer from 1965 to 1988.
Over the years, many Rainbow Stage productions have included one or more members of uor Jewish community in the cast. This year is no exception. The first production of the season, “Rent” – which ran from June 26 to July 16 – featured by now veteran performers Eliot Lazar playing one of the leads and Rochelle Kives as a member of the ensemble and understudy to one of the leads.
In the upcoming Rainbow Stage production of “The Little Mermaid” – scheduled to run from August 16 to September 3 – rising local musical theatre star Josh Bellan has been cast in the lead role of Eric, the little mermaid’s love interest.
When this writer last wrote about Bellan in 2019, the 24-year-old son of the late Murray Bellan and Robyn Zimberg had been making his first turn on the stage in a lead role in Winnipeg Studio theatre’s production of the musical version of “Reefer Madness”.
Over the past four years, the multi-talented Bellan reports, he has been kept busy with some film and stage work, teaching voice and guitar, and playing guitar accompanying some musical productions. This summer, not only is he playing the lead in “Mermaid,” he is also serving as one of the musicians – guitar and keyboard – for Rainbow Stages’ two other productions – the aforementioned “Rent” and “Afterlight” (September 21-October 1 at the Franco Manitoban Cultural Centre). The latter production, Bellan notes, is the love story between a 500-year-old vampire and an elderly insomniac widow desperately searching for her missing husband.
(“Afterlightt” is the co-creation by local performers Sharon Bajer and Duncan Cox.)
“I am very excited,” he says about his first lead role at the outdoor summer theatre. “I really appreciate this opportunity.”
He reports that he has some tentative theatre work lined up for next year. In the meantime, he will be continuing his teaching and picking up various guitar gigs.
Bellan says that for now,. his career plan is to remain based in Winnipeg but also be available for theatrical opportunities elsewhere.
“I am always excited to be home again,” says Becky Frohlinger, who is playing the role of Jetsam in “The Little Mermaid.”
At 29, the Toronto-based daughter of Heather Pullan and Tom Frohlinger is already a seasoned veteran. She has been involved in musical theatrical productions for as long as she can remember. “I followed in the shoes of my brother and sister,” she said in an earlier interview. “Musical theatre is my passion. I wouldn’t be happy doing anything else.”
She started dancing lessons when she was five or six. While growing up, she appeared in multiple RMTC shows, including appearances in “Gypsy” and “White Christmas”.
After finishing high school in Winnipeg, Becky applied to a number of musical theatre schools in the United States. “I auditioned for 14 schools and was lucky enough to be accepted to Elon University in North Carolina,” she said. “Elon has one of the top five musical theatre schools in the country. It was an incredible experience. Elon really prepares you for the professional world.”
Frohlinger was most recently back in Winnipeg in December to appear in the Manitoba Theatre for Young People’s production of “A Charlie Brown Double Bill.” The year before, she co-starred in the WJT production of “Dear Jack, Dear Louise.”
For the past few years, she reports, she has been appearing in productions right across the country. She has just finished a cross-Canada tour of “Glory,” a new musical created by Canadian playwright Tracey Power, which is based on the true story of four young Canadian women in 1933 who set out to prove that women could play hockey too.
“I played the role of one of the women ho was Jewish and also had to deal with anti-Semitism,” she notes.
And after “The Little Mermaid” -. “I am always open to new opportunities,” she says.
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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May
By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”
Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”
All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”
Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man
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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa
The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:
“Dear Members and Friends,
“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.
“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”
Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018.
In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:
The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.
Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York.
He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.
Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.
He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.
In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.