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Prolific author  Bryan Schwartz has put out five new works within past year

By MYRON LOVE Professor Bryan Schwartz is the very model of a modern-day Jewish Renaissance scholar.  The  popular legal educator, passionate Zionist, and student of the Holocaust as an in-demand commentator on modern legal and constitutional issues has written or contributed to 34 books and over 300 publications in all – in a legal and teaching career that stretches back more than 40 years.  His works encompass legal and governmental issues as well as commentary on the entire gamut of Jewish life – from ancient times to the Holocaust to the current Jewish situation.
In addition to his work as an author, lawyer and academic (as a professor in the University of Manitoba’s Faculty of Law), Schwartz is also a poet, playwright, and songwriter.  And his literary output over just the past year reflects the full gamut of his interests and talents.
Since January 2023,  Schwartz has produced five quite different works.  His most recent  work is “It’s About Time:104 Dimensions of Time During Passover” – which readers can download for free on his website –sacredgoof.ca –   is a comprehensive overview of the Pesach holiday from a novel perspective.
In a series of  what used to be called “quick snappers”, Schwartz points out, for example, that Pesach actually combines two ancient Jewish spring festivals – the sacrifice of the first-born lamb and the first fruits of the harvest of the grain that was planted in the late fall or winter.
He groups his explanations and commentaries into  21 categories related to time.  The first group  – Cyclical Time – discusses Pesach’s connection to Purim preceding it and Shavuot seven weeks later.  He further explains Pesach in Israel and why, in Israel, only one seder is designated as compared to two in the diaspora, how the date for the first seder is officially determined, and what the rules are when the seders overlap with Shabbat. 
Other groups include an overview of Pesach’s place in different histories, Pesach within the family context, ritual, the Exodus in world history, Pesach and historical memory, the history of the Haggadah, the bringing together of past, present and future – and many more interesting explanations and fact.
The inspiration for “About Time: 104 Dimensions of Time During Passover”, Schwartz explains in his introduction on his website, came last year at Passover.  “I noticed that the text of the Haggadah contains some explicit references to time,” he noted on his website.
“We begin by thanking the Creator for separating the ordinary days from holy days,” he pointed out. “We are enjoined to tell the Passover story “as if” we were personally redeemed from that captivity. We experience, in the now, the coming together of families and communities…as the Israelites did on the night of Passover. We are invited at the end to proclaim, “next year in Jerusalem” – and with the cup of Elijah, think of a Messianic age beyond the present.”
At first, he wrote, he was aiming to write a single blog piece for The Times of Israel, an Israeli-based online newspaper to which Schwartz has become a regular contributor.  “Yet the more I looked, the more I found,” he noted.
‘The Jewish tradition is largely about taking a concrete starting point – like an episode related in the Haggadah or the egg on the Seder plate – and finding more and more ways to think about it. The saying is that the Torah has seventy faces. I did not expect to ever get to seventy dimensions of time in Passover, but here I am so far, with one hundred and four…so far.”
While this year, Pesach has now passed.  I would encourage interested readers to peruse “About Time: 104 Dimensions of Time During Passover” and print out sections that you might consider introducing into your seders next year.
“My aspiration,” Schwartz writes on his webpage,  “would be for the book, in some form or other, to become a familiar companion to the Haggadah as we re-experience Passover every year, For some readers, it might help to make everything old seem new again.”
Schwartz published two other books of note last year.  In January, he spoke about the themes in “Re-Enlightening Canada:  A Legislative Program for promoting Open, Democratic and Rational policymaking” (available on Amazon) in a question and answer session at the Berney Theatre, with Ruth Ashrafi, Bnai Brith Canada Regional Director for Manitoba, in which he discussed the ills plaguing today’s universities and recommended some solutions.
“When I began my teaching career (at the University of Manitoba Faculty of Law) over 40 years ago,” universities were places which encouraged freedom of expression, open dialogue and diversity of opinion,” he recalls.  “That is no longer the case.  DEI (diversity, equity and inclusiveness) as it has been developed over the past few years is antithetical to traditional liberal values and is, in particular, hostile to Jews because Jews, within the DEI context, are considered White and White people are considered bad.
“For Jewish students and faculty members, the University of Manitoba has become a hostile environment.”
Schwartz’s grim conclusion is that “Woke” ideology has entirely conquered most universities  and  that universities are not capable of reforming themselves. The only way they will be restored to a public space where diverse opinions are welcome and freedom of expression again flourishes, he says, is through strong government actions – a recipe for which he outlines in “Re-enlightening Canada”.  
’The program,” he explains, “is intended to appeal to reasonable people across the political spectrum. It is a proposal for how people of good faith in democracies can “reason together.” “It is intended to be a moderate and practical response to the ideological excesses of our time.”
The multifaceted Schwartz’s third project – completed last year, was his contribution to the second edition of “Humanity in Doubt”, the reflections of his late father-in—law Philip Weiss, a Holocaust survivor who built a successful furniture manufacturing business here and became a leader in Holocaust education in the schools.
Weiss died in 2008 at the age of 85.
This new, updated edition includes a eulogy by Schwartz and an afterword written by Frances Winograd,  one of Weiss’s daughters: “Furnishing an Identity” – based on her Master’s thesis in Interior Design, which places Weiss’s career in design in the context of the Jewish contribution to modernism.
Schwartz co-edited this second edition with his daughter, Lainie (who work at Yad Vashem), and John Richthammer.
Both “Humanity in Doubt” and “ReEnlightening Canada” are available from Amazon or Schwartz’ website – bryanpschwartz@gmail.com
Readers may also be interested in checking out Schwartz’s latest compilation of 24 songs – entitled “The Sacred Goof”- which you can listen to for free online.  Schwartz points out that “The Sacred Goof” is a follow up to “Consoulation: A Musical Meditation,” a  Jewish-themed musical that successfully premiered at the Gas Station Theatre several years ago.   The author/composer hopes to both bring back Consoulation as well as see a production of “The Sacred Goof” in the next year.   
An illustrated booklet (with illustrations by Maren Amini) with all the lyrics – can be purchased online by typing in the album name.
Then there is Schwartz’s “Online Dispute Resolution in the Time of Covid”, which is part of a trilogy that he is overseeing, as Co-Editor in Chief of The Manitoba Law Journal,  on how the Canadian legal system adapted during the COVID period, and how many of those innovations will bel enduring
Schwartz is available for group presentations.  

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Nakba exhbit at CMHR – you can see it right here and make your own assessment

By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).

There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.

We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.

Here is what we received the morning of June 26:

Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
 
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
 
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.  

Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.

Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.

Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.

Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.

Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.  

Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
 
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit


“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted


“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
 
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
 
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”

  • – Isha Khan, CEO
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A photo that’s being circulated on the internet about me

For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)

Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.

So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.

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Ami Hassan returning as owner of Falafel Place

By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.

Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.

We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.

We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.

Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!

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