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Prolific author  Bryan Schwartz has put out five new works within past year

By MYRON LOVE Professor Bryan Schwartz is the very model of a modern-day Jewish Renaissance scholar.  The  popular legal educator, passionate Zionist, and student of the Holocaust as an in-demand commentator on modern legal and constitutional issues has written or contributed to 34 books and over 300 publications in all – in a legal and teaching career that stretches back more than 40 years.  His works encompass legal and governmental issues as well as commentary on the entire gamut of Jewish life – from ancient times to the Holocaust to the current Jewish situation.
In addition to his work as an author, lawyer and academic (as a professor in the University of Manitoba’s Faculty of Law), Schwartz is also a poet, playwright, and songwriter.  And his literary output over just the past year reflects the full gamut of his interests and talents.
Since January 2023,  Schwartz has produced five quite different works.  His most recent  work is “It’s About Time:104 Dimensions of Time During Passover” – which readers can download for free on his website –sacredgoof.ca –   is a comprehensive overview of the Pesach holiday from a novel perspective.
In a series of  what used to be called “quick snappers”, Schwartz points out, for example, that Pesach actually combines two ancient Jewish spring festivals – the sacrifice of the first-born lamb and the first fruits of the harvest of the grain that was planted in the late fall or winter.
He groups his explanations and commentaries into  21 categories related to time.  The first group  – Cyclical Time – discusses Pesach’s connection to Purim preceding it and Shavuot seven weeks later.  He further explains Pesach in Israel and why, in Israel, only one seder is designated as compared to two in the diaspora, how the date for the first seder is officially determined, and what the rules are when the seders overlap with Shabbat. 
Other groups include an overview of Pesach’s place in different histories, Pesach within the family context, ritual, the Exodus in world history, Pesach and historical memory, the history of the Haggadah, the bringing together of past, present and future – and many more interesting explanations and fact.
The inspiration for “About Time: 104 Dimensions of Time During Passover”, Schwartz explains in his introduction on his website, came last year at Passover.  “I noticed that the text of the Haggadah contains some explicit references to time,” he noted on his website.
“We begin by thanking the Creator for separating the ordinary days from holy days,” he pointed out. “We are enjoined to tell the Passover story “as if” we were personally redeemed from that captivity. We experience, in the now, the coming together of families and communities…as the Israelites did on the night of Passover. We are invited at the end to proclaim, “next year in Jerusalem” – and with the cup of Elijah, think of a Messianic age beyond the present.”
At first, he wrote, he was aiming to write a single blog piece for The Times of Israel, an Israeli-based online newspaper to which Schwartz has become a regular contributor.  “Yet the more I looked, the more I found,” he noted.
‘The Jewish tradition is largely about taking a concrete starting point – like an episode related in the Haggadah or the egg on the Seder plate – and finding more and more ways to think about it. The saying is that the Torah has seventy faces. I did not expect to ever get to seventy dimensions of time in Passover, but here I am so far, with one hundred and four…so far.”
While this year, Pesach has now passed.  I would encourage interested readers to peruse “About Time: 104 Dimensions of Time During Passover” and print out sections that you might consider introducing into your seders next year.
“My aspiration,” Schwartz writes on his webpage,  “would be for the book, in some form or other, to become a familiar companion to the Haggadah as we re-experience Passover every year, For some readers, it might help to make everything old seem new again.”
Schwartz published two other books of note last year.  In January, he spoke about the themes in “Re-Enlightening Canada:  A Legislative Program for promoting Open, Democratic and Rational policymaking” (available on Amazon) in a question and answer session at the Berney Theatre, with Ruth Ashrafi, Bnai Brith Canada Regional Director for Manitoba, in which he discussed the ills plaguing today’s universities and recommended some solutions.
“When I began my teaching career (at the University of Manitoba Faculty of Law) over 40 years ago,” universities were places which encouraged freedom of expression, open dialogue and diversity of opinion,” he recalls.  “That is no longer the case.  DEI (diversity, equity and inclusiveness) as it has been developed over the past few years is antithetical to traditional liberal values and is, in particular, hostile to Jews because Jews, within the DEI context, are considered White and White people are considered bad.
“For Jewish students and faculty members, the University of Manitoba has become a hostile environment.”
Schwartz’s grim conclusion is that “Woke” ideology has entirely conquered most universities  and  that universities are not capable of reforming themselves. The only way they will be restored to a public space where diverse opinions are welcome and freedom of expression again flourishes, he says, is through strong government actions – a recipe for which he outlines in “Re-enlightening Canada”.  
’The program,” he explains, “is intended to appeal to reasonable people across the political spectrum. It is a proposal for how people of good faith in democracies can “reason together.” “It is intended to be a moderate and practical response to the ideological excesses of our time.”
The multifaceted Schwartz’s third project – completed last year, was his contribution to the second edition of “Humanity in Doubt”, the reflections of his late father-in—law Philip Weiss, a Holocaust survivor who built a successful furniture manufacturing business here and became a leader in Holocaust education in the schools.
Weiss died in 2008 at the age of 85.
This new, updated edition includes a eulogy by Schwartz and an afterword written by Frances Winograd,  one of Weiss’s daughters: “Furnishing an Identity” – based on her Master’s thesis in Interior Design, which places Weiss’s career in design in the context of the Jewish contribution to modernism.
Schwartz co-edited this second edition with his daughter, Lainie (who work at Yad Vashem), and John Richthammer.
Both “Humanity in Doubt” and “ReEnlightening Canada” are available from Amazon or Schwartz’ website – bryanpschwartz@gmail.com
Readers may also be interested in checking out Schwartz’s latest compilation of 24 songs – entitled “The Sacred Goof”- which you can listen to for free online.  Schwartz points out that “The Sacred Goof” is a follow up to “Consoulation: A Musical Meditation,” a  Jewish-themed musical that successfully premiered at the Gas Station Theatre several years ago.   The author/composer hopes to both bring back Consoulation as well as see a production of “The Sacred Goof” in the next year.   
An illustrated booklet (with illustrations by Maren Amini) with all the lyrics – can be purchased online by typing in the album name.
Then there is Schwartz’s “Online Dispute Resolution in the Time of Covid”, which is part of a trilogy that he is overseeing, as Co-Editor in Chief of The Manitoba Law Journal,  on how the Canadian legal system adapted during the COVID period, and how many of those innovations will bel enduring
Schwartz is available for group presentations.  

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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May

Sara Kreindler

By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”

Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”

All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”

Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man

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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa

The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:

“Dear Members and Friends,

“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel  where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.

“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”

Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018. 

In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:

The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.

Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York. 

He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.

Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.

He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.

In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.

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