Local News
Shaarey Zedek capital campaign is on pace to hit $17 million goal, but is hoping to obtain a further $2 million from donors
By BERNIE BELLAN It was in the October 27, 2021 issue of The Jewish Post & News that we first described the plan to renovate the Shaarey Zedek Synagogue. At that time the planned budget for the renovation was $14 million but, as with most construction projects these days, as costs have increased the total cost of the project has increased considerably.
The Shaarey Zedek website now contains the following information: “The Board previously approved an overall budget of $14 million in September 2021, representing an earlier projection of $12 million in hard costs and $2 million in soft costs. However, because of supply and inflation issues, as well as changes to the renovation plans, including the installation of an operable dumbwaiter (to replace the current inoperable one), as well as a daycare space, the current budget recently approved by the Board in August 2022, is $16 million.”
However, even that figure has now been supplanted by an even higher figure, according to Neil Duboff, Shaarey Zedek President and Chair of the L’Dor Va Dor Capital Campaign.
In an interview conducted with Duboff in his office on Monday, May 6, he said that the renovation project is now expected to cost $17 million. As Duboff explained, “All in, including architects, including furniture, including all of the soft costs, (the total cost) is going to be virtually what we always counted on, about 17 million.”
Of that $17 million though, the cost for a day care facility within the synagogue has not added to the overall goal of the capital campaign,” Duboff noted, as the $1 million for the daycare is being donated by the Vickar family, one of the very generous benefactors to our community.
As far as where the other $2 million in increased costs are coming from, Duboff explained that “what’s gone up is security has gone up. Windows have gone up…and one of the other things that has really gone up is AV. AV was more expensive, audio visual is more expensive than we counted on.”
In addition to those added construction costs, there is work being done to improve the drainage in the back. As Duboff explained, “The way I’m led to believe by the architects and engineers is we’ve had a flooding problem in the back. Water has, when it’s a really heavy rain, water comes in. So, it’s something that needed to be fixed regardless” (of the renovations to the building).
As well, during a tour of the renovations in which I was a participant (along with three others) on April 26, which was conducted by Shaarey Zedek Executive Director Rena Elbaze, Elbaze did say that the back entrance is going to be modified extensively – to make it quite a bit more welcoming than it had been previously.
I was quite impressed with how the construction is proceeding from what I saw during that tour, although upon reading the original timetable for completion of the renovations, I see that they were originally slated to be completed by this August. Elbaze assured that the renovations will be done by September 26 (for the community Kavod evening) – which would be a week in advance of the first day of Rosh Hashanah. (Fortunately for the construction crew, Rosh Hashanah is very late this year – which gives them quite a bit of a cushion to finish their work in case any unexpected problems crop up – as they usually do in projects this grand.)
During my interview with Neil Duboff, he was confident that the renovations will be completed well ahead of Yom Tov, saying “it could be as soon as August, and then they just have to make sure that our maintenance staff understands the building in terms of heating and air conditioning.”
The one aspect of the renovation though, that will probably not be completed will be the back entrance, Duboff noted. “One of the things that I was really pushing for is a grander entrance in the back,” he said.
“It’s going to have the same limestone as the front,” he noted “It’s going to be mirroring the front. The feeling of the front will be the feeling in the back.”
But, returning to the issue of finances, Shaarey Zedek members did receive a letter the first week of May in which they were told that the capital campaign is still $2 million short of what is now a $17 million goal. There was also a reference to the cemetery perpetual care fund which apparently left some congregation members concerned that funds set aside for perpetual care might be used for the renovation.
Duboff took the blame for causing some consternation among congregation members over the possible use of the perpetual care fund for the renovation. He said: “I don’t know if you can do this in a synagogue, but I’ll take a mea culpa. It was wrong. because all we were ever intending on doing is saving money by not borrowing money from the bank. That’s all it was ever intended to do. But the mistake that was made in that letter is it talked about the word perpetual care fund.” He added that there was going to be a meeting on May 8 in which the funding situation would be fully clarified for congregation members.
I asked Neil Duboff how much money exactly has been raised by the campaign. He did say that $3 million of the $17 million renovation cost is coming from the provincial government and that $12 million has been raised in pledges, but some of the individuals who have pledged to contribute to the campaign will be fulfilling their pledges over the next five years.
That does leave a bit of a “cash flow” problem, Duboff admitted. The congregation did approve taking out a “$9 million line of credit,” he added, and so far, “we haven’t used it at all,” he said.
And, while that line of credit is available, if necessary, the rate on that line of credit is approximately eight per cent. Shaarey Zedek does have investments, Duboff noted, but the average rate of return is “about five” percent, he said, which means we pay 8% and earn 5%. The goal of the board has been to find a way to avoid paying the approximately 3% interest costs charges in excess of what we earn.
The congregation also has a capital fund, Duboff explained, and $3 million from that fund has been used for the renovations, but Duboff said he’d like to “raise funds to put that back” because the “purpose of the fund” is to “sustain the congregation” to pay for things like “programming.”
One of the problems in raising funds, Duboff admitted, is that “some of our great philanthropists in our city still are considering their donations and need to kick the tire to believe the project and the future of the synagogue is real and viable. And we believe that when people come in to see the renovations and talk to the synagogue leadership, like Steve Kroft, (who was one of the people on the tour in which I participated on April 26) has now given a very, very generous gift.”
Yet, Duboff continued, “there are other people who are top donors in our city who haven’t. So some of the typical people you’d expect haven’t donated because they want to see if it’s real.”
I wondered though, whether the Shaarey Zedek’s not having a second rabbi will be an impediment to being able to grow the congregation – which would be necessary in order to sustain the congregation for the long term?
I said to Duboff that, during the tour Rena Elbaze conducted on April 26, she pointed to an area that will become an office for a second rabbi. I asked Elbaze: “So, you’re still looking for another rabbi?” She answered that she would fill me in on how the search is going, but as of the time or writing, Elbaze hasn’t responded to my request for further information.
The entire atmosphere surrounding the departure of Rabbi Matthew Leibl three years ago remains shrouded in controversy. Regardless what happened to lead to a parting of the ways between Rabbi Leibl and the Shaarey Zedek Congregation, there is no doubt that Rabbi Leibl’s leaving has had a negative impact upon the congregation.
You just have to take a look at the number of funerals, weddings, bar and bat mitzvahs at which Rabbi Leibl has officiated over the past four years to realize how immensely popular he remains as a rabbi within this community.
Neil Duboff isn’t the first person to whom I’ve suggested that it’s the congregation’s loss that Rabbi Leibl is not only not serving as a rabbi at the Shaarey Zedek, his being available to officiate at life cycle events outside of a synagogue venue and his having held High Holiday services at the Gates last year has been partly at the expense of the Shaarey Zedek in terms of people still making Rabbi Leibl their first choice for a rabbi in this city.
In response, Duboff said: “I think that the message has to be that I am a fan of Matthew’s. I think he does great work…
“But I have to sustain a strong Conservative synagogue. I can tell you that, regardless of who the Shaarey Zedek were to hire tomorrow, the synagogue, the congregation, the Shaarey Zedek, has to be bigger than a rabbi. Rabbis come and go. The institution doesn’t. Every synagogue is like that…
“Rabbis come and go. That’s the nature of an employee. But, it would be a tremendous solidifying thing, I think if Matthew would come back, I would open the door to it.”
Duboff admitted that there were conflicts between Rabbi Leibl and certain individuals (whose names he did divulge, but who will not be identified here), and that another prominent member of the congregation did reach out to Rabbi Leibl to see if there was a possibility of his returning to the congregation, but Duboff’s understanding is that “he’s not interested in working at the Shaarey Zedek.”
Looking ahead though, I wondered what the community’s demographics portend for the long-term future of the Shaarey Zedek? I said that I thought there would be an initial flurry of interest in coming to the Shaarey Zedek because of the novelty aspect – the same way Gray Academy attracted over 900 students the first year that the Asper Campus opened (in 1997), but that initial interest levelled off quickly after that first year.
And, with the Etz Chayim just having moved into new quarters on Wilkes, there is bound to be a competition between the two congregations for new members, I suggested. I asked Duboff whether, in hindsight, there should’t have been a merger of the two congregations 20 years ago when discussions of a merger ended in failure because of the apparent “culture clash” between the two congregations?
“Don’t you think that should have been the way to go?” I asked Duboff.
He agreed, saying “A hundred percent. I think that in our city, I still think at some point the congregations are going to have to join. Our city’s too small. And like you just said, there aren’t as many young families. When our generation goes, who are going to be the leaders?”
Local News
New Israeli restaurant opens in River Heights
By BERNIE BELLAN (July 6, 2025) It’s been a long time since our community has been able to welcome the opening of a restaurant that specializes in Israeli food.
That void is now going to be filled with the opening of The Green Falafel, at 1833 Grant (corner of Centennial – next to the Subway).
The restaurant is the fulfillment of a dream long held by the husband and wife team of Ariel and Eden Maudi, who have been living in Winnipeg the past 11 years.
Ariel, who was born in Israel and grew up in Beer Sheva, says that he worked in telecommunications in Ramat Gan for several years. He adds though that he had always dreamed of owning his own falafel stand in Israel, but life was difficult there and he decided to come to Canada as a tourist to see whether there were any opportunities here for him, Eden and their two young children.
Eden, who was born in Russia and moved to Israel with her family in 1996, stayed behind with the two kids, who were both pre-schoolers, while Ariel tested the waters in Canada first.
Ariel says he came to Canada as a tourist in 2013. His first stop was in Toronto, where he acquired his 1st class driver’s license. At the end of 2013 he moved to Winnipeg where he began working as a truck driver. Soon he found himself employed as a successful sales person at Vickar Nissan where, he says, he once achieved the status as the top car sales person in Canada. After working at Vickar Nissan for a number of years, Ariel began working as an installer for Bell MTS.
Meanwhile, Eden began working at a Walmart, later at the Costco on Regent.
But, when the opportunity to move into a space that had been previously occupied by another restaurant, but which had closed, became available, Ariel and Eden decided to open their own Israeli restaurant in an area that hadn’t seen Israeli food served since the controversial closure of Bermax Café in 2019.
The Maudis say that they will be serving a variety of Israeli dishes – all vegetarian, and that they will be fully kosher.
The “green” in Green Falafel, by the way, Ariel Maudi explains, comes from the cilantro and parsley that are added to the chickpeas. In addition, their pitas will be coming from Israel and will be baked fresh daily.
The Green Falafel will be open from 10-8 daily. Delivery will be available through Uber Eats and DoorDash.
Call 204-557-7837 for information.
Local News
Previews of shows with Jewish performers at this year’s Fringe Festival July 16-27
For show dates and venues go to winnipegfringe.com
By BERNIE BELLAN As has been our custom for many years now we try to find shows that have either Jewish performers or themes that would have particular appeal for Jewish audiences. Many of the Jewish performers at this year’s festival have been here before, but several are new. In no particular order here are blurbs about the shows we’ve found that fit the criteria I’ve just described. (By they way, if we’ve omitted a show that should be included in our list there’s plenty of time to get added to this post. Just drop me a line at jewishp@mymts.net.)
You’ve Been Served: A One-Woman Show About Divorce, Cults, and Coming of Age at Midlife
Noemi Zeigler
You are hereby summoned… to laugh, cry, and maybe belt out a Streisand number in solidarity. You’ve Been Served is a raw and riotous solo comedy by writer-performer Noemi Zeigler. It all begins when Noemi is served divorce papers on top of a garbage bin lid while taking out the trash—an undignified start to a full-blown midlife unraveling.
At 50, still clinging to her dream of becoming a singer, she falls under the spell of a music producer slash self-help guru, joins a spiritual cult, and, instead of landing a record deal, she lands in jail. Behind bars, with help from her long-buried inner child, she begins to reclaim her voice and her power. Turns out, dreams really do come true—just not the way she expected.
The show features vividly drawn characters—including a manipulative cult leader, a toxic ex-husband, and a jail guard named Roach who shares Noemi’s obsession with the fashion of Charlie’s Angels (the ‘70s TV version, of course.)
With salsa dancing, twerking, and a belting rendition of Don’t Rain on My Parade, Zeigler dives into abandonment, reinvention, and self-rescue. As she confronts perimenopause, she discovers it’s not the end—it’s the new puberty. The show touches on grief, sexuality, and spiritual confusion, but Noemi’s childlike optimism asks: What if your breakdown is actually your breakthrough?
You’re good for nothing… I’ll milk the cow myself
Written & Performed by Natacha Ruck
France, 1981: The first socialist president is about to be elected and young Natacha is ready to implement her own political platform. But first, she has to take down the schoolyard bully,emasculate the rules of French grammar and make off with grandmother’s chocolate.
If you think you know the limits of Jewish mothers, evil grandmothers and transcontinental lovers, meet Natacha Ruck’s family. This true tale of three generations of women, facing three world wars, is equal parts hilarious, shocking and zany.
A One Human Being, Potentially Comedic Performance of Beauty and the Beast NEW WORK!
Written & Performed by Alli Perlov
Be our guest! Local high school drama teacher Alli Perlov is back for a tale as old as time. Can she sing? Not really. Can she act? That’s debatable. Will you laugh? Oh… probably.
Perlov plays dozens of characters, some human, some animal, and many objects, in a comedic exploration of Beauty and the Beast.
In an homage to this brilliant musical adventure, through witty commentary and unstoppable energy, Perlov aims to entertain an audience that isn’t forced to be there like her students.
Hockey Sticks and Beaver Pie
Written & Performed by Melanie Gall
Take a trip around Manitoba. From the 30,000 ft. St. Adolphe snow maze to the Narcisse snake dens! After all, where else holds both the title of Slurpee Capital of the World and the Guinness Record for the most people simultaneously howling like wolves?
Deanna Durbin, Terry Jacks and Burton Cummings are among the many homegrown stars, and Hockey Sticks features their music along with original songs and the stories that make this province unique.
Starring Melanie Gall from past shows Piaf & Brel, Ingenue and Toast to Prohibition
Nerohilarity Exposed
Produced by Adam Schwartz
We all sometimes feel exposed, whether that’s as a fraud or a pretender.
The performers of the award-winning Neurohilarity show, Danielle Kayahara (Laugh Out Loud CBC), Carole Cunningham (Yuk Yuks, The Debaters), Adam Schwartz (Winnipeg Fringe) and Rollin Penner (Yuk Yuks, CBC, Rumors, Winnipeg Comedy Festival), apply a comedic spin to the experiences that make us feel insecure, stripping away the emotional weight with nittygritty jokes and stories that will have you laughing uproariously.
Brilliantly awkward.
A Lesbian in the Kitchen
Willow Rosenberg
Professional lesbian Willow Rosenberg takes you on a journey through the centuries, superstitions and tablespoons of her lifelong passion for baking in this spiritual successor to 2024’s Jenny Award-nominated A Lesbian in a Bear Store.
Whether you have a favourite spatula, bake once or twice a year, or live in constant fear of being told to “just fold it in”, this one-woman show about family, joy, tradition (but make it gay),
Judaism, comfort, home (but make it gayer*), love, chemistry and magic is for you!
*Who’re we kidding, it’s all gay!
Eleanor’s Story: An American Girl in Hitler’s Germany
Written & Performed by Ingrid Garner
(Ed. note: Although Ingrid Garner isn’t Jewish, we thought the theme of this show might have a special appeal for Jewish readers.)
Based on Eleanor Ramrath Garner’s best-selling memoir, this 16x internationally award-winning adaptation – performed by her granddaughter, Ingrid Garner – details Eleanor’s youth as an American caught in Second World War Berlin.
Punctuated with humour and accompanied by cinematic sound and video, Garner embodies her ancestors in this coming-of-age odyssey, delivering an account of war that is more relevant than ever.
Reviewing The Free Press 2
Benji Rothman
The Winnipeg Free Press has run amok, reviewing each and every Fringe show over the past two decades without consequence or recourse. Now, it’s their turn… again.
In this refurbished work that debuted at last year’s Winnipeg Fringe, Benji Rothman once again takes the Winnipeg Free Press to task. In this (mostly) new, (hopefully) hilarious 45-minute show, Rothman dives deep into their past and exposes their faulty journalism, imbalanced reporting and, of course, embarrassing typos.
Local News
Jewish performers at this year’s Winnipeg Folk Festival July 10-13
The Black Sea Station
Long ago, there were the klezmorim, itinerant musicians who roamed the back streets of Eastern Europe, playing at parties for meals and a few coins. The sound they honed then was a visceral exploration of life’s joy, and its loss; they could whip audiences into a frenzy of dancing, or bring them to tears with the mournful wail of a clarinet. Today, Winnipeg’s own The Black Sea Station is carrying on this tradition. Featuring Daniel Koulack (bass), Victor Schultz (violin) and Myron Schultz (clarinet) — cofounders of seminal local klezmer act Finjan — along with Moldovan accordion wizard Nikolai Prisacar and multi-instrumentalist Ben Mink, the quintet transports listeners to a time and place long past. Through a mix of original songs rooted in history, and traditional tunes spun up with modern zest, they whirl through the exuberant klezmer sounds of their Eastern European heritage, tending the old ways with deep love and respect.
The Black Sea Station will be performing Sunday, July 13, at 1:00 pm in Snowberry Field.
Romi Mayes
Romi Mayes has taken some hard knocks in her life, but she’s never faded away. For more than 25 years, Manitoba’s first lady of blues-rock has been a lynchpin of the Canadian roots scene. She earned that position the old-fashioned way, through her gritty, passionately emotive music. With her sizzling guitars and full-throated rasp, the Juno-nominated performer howls and purrs through razor-edged lyrics, rocking out wherever she can find a stage. She’s long been one of the hardest-working musicians on the circuit, keeping a busy slate of gigs and mentoring up-and-coming artists to get a foothold on the trails she blazed. Now, after a nine-year hiatus from the studio, Mayes has put her scintillating sound back on record with her long-awaited seventh album, Small Victories — a return that leaves no doubt, no matter the ups and downs, Mayes is here to stay.
Romi will be performing Friday, July 11, at 1:00 pm in Burr Oak.
Leonard Podolak (with Matt Gordon)
Ireland’s Matt Gordon is a fiddler and singer, whose fleet-footed clogging and thigh-slapping hambone has taken stages by storm since the 1980s. Leonard Podolak is a virtuosic master of the clawhammer banjo, who for decades has whipped up some of Manitoba’s wildest roots parties with his band, The Duhks. Put those talents together, and they can promise you this much: we’re all gonna have a real good time. Longtime friends and musical collaborators, Gordon and Podolak deliver an exhilarating trip through old-time Appalachian music. Their performances seamlessly blend intricate instrumental lines with heartfelt singing and dazzling dance. They’ve teamed up on a few records over the years, including 2020’s bigband extravaganza Power Wagon: Live At Shanley’s. But the best way to experience this duo’s toe-tapping, hand-clapping chemistry is to see it live.
Podolak and Gordon will be performing A concert with a side of clogging Sunday, July 13, at 3:00 pm in Folk School.