Local News
The Ashkenazie Synagogue is the last of the old North End synagogues still remaining – can it be saved? An imaginary proposal to do just that
By BERNIE BELLAN Two and a half years ago, in our Dec. 4, 2021 issue, we wrote about a proposal that was developed by the board of the Ashkenazie Synaogogue, Winnipeg’s oldest still-in-use synagogue building, and the last of what once were 18 synagogues dotting Winnipeg’s North End.
In that story we explained that Ashkenazie members were faced with some stark – and very difficult choices. As we wrote back then: “Unable to sustain a regular minyan and with a membership that is a mere fraction of what it once had, the few remaining members of the Ashkenazie are faced with a difficult choice: Either find a new use for the building or close it as a house of worship.”
We also noted that, under the leadership of Dr. Yosel Minuk, the Ashkenazie board had “come up with an imaginative proposal that would see the Ashkenazie retain a core area for services, while reconfiguring the rest of the building into a ‘living’ museum of Winnipeg’s Jewish North End.”
As Dr. Minuk wrote in a letter to us at that time,”the idea has been developed to reconfigure the Ashkenazie into a museum that commemorates all the previous (17) synagogues and at the same time, continue to offer services to its regular attendees, museum visitors and staff.
“Essentially, our ‘vision’ entails the following: the main body of the synagogue would remain intact for daily and/or holiday services. However, the flanking pews would be converted into cubicles that contain narratives, photos and 3 dimensional items recovered from previous synagogues in the area, largely drawing upon collections and exhibits previously displayed by the Jewish Heritage Centre. If the memorabilia exceeds the space available, the flanking pews of the upstairs ladies gallery could be utilized for the same purpose.
“Certain cubicles would also feature former North-Enders who went on to national or international acclaim (ex. Monty Hall, David Steinberg, Sydney Halter, etc.) and computer stations that would enable visitors to look up old relatives and friends who were amongst the first immigrants to the North-End. Similar information would be offered for Jewish owned North-End businesses that helped contribute to the area’s economy.
“In addition, the Chedar-shaynee (anteroom to the main synagogue) would be repurposed as a small café, gift shop and washrooms. Depending on public feedback, the kosher kitchen and undeveloped downstairs area would be renovated and used for either hosting exhibits/seminars/events/dinners.”
In that article, we also advised readers who were interested in commenting upon the proposal that they could do so by responding to an online survey. (We offered a link to the 8-question survey.)
In our Dec. 18, 2021 issue, Dr. Minuk noted that there had been 20 responses received as a result of the article we had published in the previous issue. He wrote the following:
“I’m pleased that our initiative to reconfigure the Ashkenazie synagogue into both a museum and synagogue has generated so much reader interest as it underscores the importance of what we hope to create: a site that offers visitors a historical account and pays tribute to these synagogues and the individuals who built and supported them.
“We were also very pleased with the feedback we received from readers who completed our on-line questionnaire Of the 20 respondents, 17 rated the initiative 10/10 in terms of being worth pursuing. There was one response in particular that we considered rather compelling: ‘Please do this before we lose our tradition.’ Some also offered memorabilia they had stored while others pledged financial donations, which we are not accepting – at this time. Overall, we were quite encouraged by the responses.”
Now, two and a half years later, that proposal still remains simply that: a proposal.
Dr. Minuk advises that a request to the Jewish Foundation for a grant to conduct a feasibility study of the proposal was turned down, although upon speaking with a member of the Board of the Jewish Foundation, we were told that the Foundation would certainly consider the request again if it were to be submitted a second time, but this time for less money.
In the meantime, upon speaking with Dr. Minuk via a Zoom meeting, we were able to see a very effective PowerPoint presentation he had prepared which fulyl outlined what the proposed reconfiguration of the Ashkenazie Synagogue would look like.
Yet, within that same PowerPoint presentation, Dr. Minuk also addressed head-on the many challenges that would accompany any plan to redevelop the Ashkenazie, including:
- Engineering
- Architectural Design
- Curator
- Safety
- Parking
- Appeal to youth
- Inclusiveness (appeal to other communities that have strong roots in the North End, including First Nations, Filipino, Ukrainian, and others)
- Business model (capital and operating costs)
I asked Dr. Minuk how much he sees this total project as costing?
He answered that he thought it would be from $3-5 million.
I said to him that the proposal reminded me of a story Bob Freedman, former CEO of the Jewish Federation, had told me years ago about how the federal government came to provide $3 million toward the construction of the Asper Campus.
The very powerful federal minister from Manitoba in what was then the federal Liberal government under Prime Minister Jean Chretien was Lloyd Axworthy. When Freedman (accompanied by Marjorie Blankstein and Sheldon Berney) finally managed to corral Axworthy for a meeting (and in Freedman’s recounting of the story, it was when Axworthy was in a room at the Westin Hotel, getting ready to speak at some particular function there – and he met with the trio while he was stripped down to his underwear, putting his tux on – much to Marjorie Blankstein’s chagrin, Freedman said.)
According to Freedman, Axworthy asked the three of them: “Are you going to have a museum there?”
“Museum?” replied Freedman. “No, we don’t have plans for a museum.”
“Well, put a museum in there and we’ll give you $3 million,” said Axworthy.
And that’s how the federal government came to contribute $3 million toward the building of the Asper Campus.
Unfortunately, as many readers are now probably aware, once the campus was built, the decision was taken to substantially reduce the amount of space that was to be given to the Jewish Heritage Centre of Western Canada and, rather than build a museum, those glass panels that house some permanent and some temporary exhibits along the corridor between the Berney Theatre and offices in the campus are what we have instead of a full-fledged museum.
Many of the artifacts that were intended to be part of the JHCWC museum at the campus and which could be put on display in this new Ashkenazie “Musynagogue” (as Dr. Minuk puts it), are being held in storage in the basement of the Asper Campus.
The point of my writing this is to illustrate how difficult it would be for the Ashkenazie proposal to get off the ground – unless there is federal government funding. (Despite the federal government continuing to run massive deficits, there is nothing governments like more than “shovel-in-the-ground” projects which can prominently display the federal government logo on a sign in front of the project. Also, think of the number of jobs a project like this can generate. It would be a lot cheaper than the billions the federal government has shelled out in recent years for pipelines, auto plants, and lithium battery plants.)
Also, by including a variety of other ethnic groups in the project, especially First Nations – who have a long and storied connection to the North End, this proposal might just have a chance of succeeding.
And, with a federal election required to be held no later than 2025, the timing is right to approach federal representatives for support.
As for those naysayers who would dismiss the proposal outright on the grounds that the Ashkenazie is located in an unsafe area, can you imagine how an idea of this sort might help to revitalize that part of the North End?
The fact is, however, that right now, it’s Dr. Yosel Minuk who’s carrying the ball on this one pretty much by himself. If he is able at least to obtain the funds to do a feasibility study then he can pursue the idea of the project more fully, but first he has to get past first base.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
New GrowWinnipeg “Grow Together” highlights diverse origins of our growing Jewish community
By MYRON LOVE On Monday, June 11, about 120 younger Jewish Winnipeggers from diverse backgrounds came together at the Asper Campus for an evening of food and music, games and prizes and, most important, the opportunity to socialize with their peers from a growing community that reflects the long term success of our community’s 26-year-old GrowWinnipeg initiative.
“We are gathered here to celebrate your and your parents’ decisions to come to Winnipeg, build families and raise families here,” noted Dalia Szpiro, GrowWinnipeg’s director, in addressing the young adults in attendance.
To summarize, the GrowWinnipeg Initiative arose when our past community’s leadership recognized that our Jewish population was an aging and shrinking community with aging infrastructure.
The first stage was the planning and construction of the Asper Campus, which brought our major institutions and organizations under one roof in an attractive new building.
The next challenge was to attract more people to our community. GrowWinnipeg was created to take on the challenge. The initiative, which was officially launched in 2000, is unique in its efforts to reach out to young Jewish families throughout the Western world.
The first outreach efforts were directed at Argentina’s sizeable Jewish community at a time when the South American country’s economy was going through a very difficult period. Several of our community leaders visited the Jewish community in Buenos Aires and a website was established. Arrangements were made for local families to host Jewish Argentinians here on exploratory visits and the community helped the prospective immigrants navigate the then new Provincial Nominee Program, find jobs and establish themselves here.
Since then, many young families – from Argentina, as well as a great number of other countries – have chosen to make Winnipeg their new home. The young people at the recent GrowWinnipeg evening were reflective of the diversity of our growing community. During the course of the evening, I had the opportunity to speak with not only Israeli-born participants, also young people from Russia and Ukraine, Turkey and Uruguay – and a young lady who grew up in Ottawa.
Naomi Kirshenblatt Palansky originally came here from Ottawa to go to university. She met and married local entrepreneur Noah Palansky in 2023. (We wrote about Noah in the December 19, 2025 issue). That same year, the former competitive swimmer who competed in the Maccabiah Games in 2009 and 2013 served as manager of the Canadian Junior swimming team participating in the games. She is currently the director of operations and strategy for a company called CoinFlip.
Although born in Montevideo, Uruguay, Yael Borovich grew up in Winnipeg. She is the daughter of Dalia Szpiro and Eduardo Borovich (and younger sister of Vanessa) all of whom moved here in 2002. She is a graduate of the Asper School of Business and works as a senior client relationship manager for Scotia Bank’s commercial branch.
Siblings Igal and Edem Avimelek arrived here from Turkey six years ago with their parents, Etel and Moris. Edem is in her second year at the University of Manitoba while Igal is studying engineering at UBC.
They report that their father, Moris, has established the Upperwear Textile Agency – marketing textile products online – while their mother Etel, is senior IT Director, software development and data analytics and enterprise architecture at Standard Aero.
“Our parents were looking to move to a new country and came across the GrowWinnipeg webpage,” Edem says. “GrowWinnipeg has been really supportive of us in helping us move here and become established.”
More recent arrivals Alex Tsmokaliuk and Jane Hin are from Ukraine and Russia respectively and have been together since 2022. “We were looking for a peaceful place to start a family,”: Alex says. “We heard about GrowWinnpeg and here we are.”
Alex is a fitness trainer while Jane is working for WRE Development as a property manager.
Dora Bronstein, who is originally from Beersheva, is also a recent arrival to our community. “I came to Winnipeg because I wanted to get away from war – and I heard about GrowWinnipeg,” she says.
She is currently working for L.C. Taylor Licensed Insolvency Trustee as an estate manager.
Erele Tzidon and Daniel Mejnov
Last October, GrowWinnipeg introduced its new Youth Ambassadors program.
“Since October, we have been working to create an organized system and opportunities to help young newcomers find their people within our community,” wrote Youth Ambassador Erele Tzidon on Facebook.
“Our mission is to help young immigrants find a sense of home in Winnipeg and support a smooth and welcoming transition.
We are excited to help bring our young Jewish community together.
As reported in the Jewish Post about 18 months ago, Tzidon is originally from Moshav Ginaton in central Israel. She came to Winnipeg in 2018 with her parents Ofer – formerly regional manager for a car rental agency in Israel and now an RBC branch manager – and Sharon – an emotional therapist in Israel who is currently working as an educational assistant at Gray Academy – and three younger brothers.
The 20-year Gray Academy graduate has recently completed her third year in Science at the University of Manitoba. For the past three years, she has also been a member of Dr. Inna Rabinovich-Nikitin’s research team at the Institute of Cardiovascular Sciences (ICS), researching the link between pregnancy complications and the risk for heart disease.
In November, 2024, Tzidon was presented with the Dr. James S. McGoey Student Award – based on the quality of her cardiovascular research at the ICS, which operates out of the St. Boniface Hospital campus’s Albrechchtsen Research Centre.
Tzidon’s fellow Youth Ambassador is Daniel Mejnov. He was born in Beersheva but moved to Winnipeg with his parents, Dennis and Victoria (and younger brother Alon) 14 years ago. He is currently enrolled in an IT program at the University of Winnipeg.
Mejnov welcomed all those in attendance at the celebration and thanked the volunteers who helped him and Tzidon organize the event.
“It has been great being able to bring so many people together,” he said. “This is a good way to unite our community.
Two other individuals of particular note that I spoke with at the event were Orit Agabayev and Alina Plis, partners in three year old A and O Event Décor, who provided the balloon arches and walls, table settings and centre pieces for the evening.
Agabayev is originally from Netanya and Plis is from Yeruham (in southern Israel). The latter has been here for 18 years and operates a daycare. The former came 16 years. Her principal career is working in the field of animal nutrition.
In an Instagram PosI from four years ago, Plis noted that “I have always been passionate about planning parties and events. I started out with planning big surprise birthday parties for my kids. Eventually I began planning and decorating events for family and friends. Now I am taking the next step with my friend, Orit, who shares the same level enthusiasm as me. What drives me to go above and beyond is simply the excitement my creations bring to those who see my work.
On Facebook, Agabayev added that “Alina and I are so excited to start A&O event decor. We both love decorating and planning different events. We hope that you can put your trust in us to create or decorate an event for you. We do Birthday parties, anniversaries, bachelor/bachelorette parties, proposals, weddings and more..
“Message us with your ideas to get a free quote and you’re one step closer to having an unforgettable event.”
Local News
Hungarian Holocaust survivor focus of new documentary co-produced by Winnipeggers Liam Karp and Jamie Michaels
By MYRON LOVE “I Draw Things the Best I Can,” a new documentary co-produced by Winnipegger Liam Karp and former Winnipegger Jamie Michaels premiered June 8 at the Toronto Jewish Film Festival.
The 40-minute film focuses on the life of Hungarian-born Holocaust survivor Adam Policzer from his childhood hiding with neighbours in Miskolc in 1944, his postwar immigration to Chile to reunite with his father (who came to Chile just before the war but was unable to bring his family out), his imprisonment in Chile for over a year under the dictatorship of General Augusto Pinoche following the coup in 1972, his subsequent immigration with his wife and family to Vancouver, and his successful career as an architect.
Earlier this year, Policzer unveiled a new side of himself. He wrote and drew all the illustrations for “The House Across the Street,” the story of his struggle for survival – a memorial he had published in the form of a graphic novel. The book was published by Jamie Michaels’ “Dirty Water Comics” in June.
According to its webpage, Dirty Water Comics is “a boutique publishing house that specializes in literary comics that showcase a unique voice and a talent for storytelling. We publish a selective catalogue, create immersive readings, and pride ourselves on championing the work we curate”.
Michaels co-founded the company in 2016 in order to publish his own first graphic comic –an account of his ambitious journey some years before – along with a couple of high school friends – to travel by canoe down the Red and Mississippi Rivers to the Gulf of Mexico. The launch of that graphic novel was reported in a story that previously appeared in The Jewish Post & News.
The son of John Michaels and Karen Stern then published a second graphic novel recounting the 1933 Christie Pitts riot, which pitted younger members of Toronto’s Jewish community and their supporters against Nazi-inspired thugs.
“The House across the Street” is Dirty Water Comics’ fourth publication. (“The Harrowing Tales of La Coriveau” – the third publication – “is a graphic novel retelling the legend and history of Marie-Josephte Corriveau, a Quebecois woman whom the English executed in 1763 for the murder of her second husband. Following her death, Corriveau was hanged from a tree outside of Quebec City in an iron cage. In the centuries that followed, her story was transformed. She became a caged witch who haunted lone travellers, a reviled murderess, and a victim of circumstance”.)
“I first met Adam Policzer a couple of years ago when he approached me about his book,” recalls Michaels, who recently earned his Ph.D from the University of Calgary, where he currently teaches. (His dissertation was on the evolution of Jewish and Arab nationalism during World War I.) “I reached out to Liam and he and I both thought it was a beautiful story and thAt we should make a documentary about Adam.”
Karp and Michaels have been friends since high school (Grant Park). Over the past ten years, the son of Marcia and Morris Karp has built a successful career as the go-to guy for visual effects for movies and television series being shot in and around Winnipeg. He is currently providing his expertise for the remake of the popualtr TV series “Little House on the Prairie,” which is being shot in and around Winnipeg.
In filming the documentary, Karp and Michaels spent time with Policzer and his family in Vancouver. They also filmed on location in Budapest and visited Miskolc to interview members of the family that hid him during the Holocaust.
Karp and Michaels express their appreciation to the Jewish Foundation of Manitoba and Manitoba Film and Music, which provided funding for the project.
Michaels reports that the partners have secured several screenings of the documentary throughout North America. “We hope to show Adam’s story at the Winnipeg Jewish Film Festival next year,” he says.
While Karp and Michaels don’t currently have any plans to collaborate again as yet, they both say that they would like to work together again.
