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Shalom Square winds up a very successful week…but where was the very first Israel pavilion located in 1970?

By BERNIE BELLAN It was another very successful run for the Israel pavilion – Shalom Square, during the first week of Folklorama, from Aug 6-13.
This year marked the 51st year in which audiences were able to attend Folklorama in person, with over 7,000 individuals having attended at least one of the 19 shows put on at Shalom Square from August 6-12.
Yet, something that I wrote in our August 2 issue has led me to wonder: Where was the first-ever Israel pavilion actually located – in 1970?
That question might not seem to be of earth-shaking importance, but then again, it’s the kind of question for which, so far, no one I’ve asked has come up with an unequivocal answer.
Still, I would hope the following story might lead to a resolution of somewhat of a mystery: Where was that first-ever Israel pavilion located – in 1970?

The argument was touched off by my writing in the August 2 issue that, prior to the Israel pavilion moving to the Asper Campus in 1997, its home had always been the old YMHA on Hargrave. (I simply assumed that was the case, but I hadn’t really thought to look into it prior to my writing that.)
Sure enough, one of our readers – Roz Greenfeld, sent me an email telling me that the Israel pavilion had been held in what was called “Council House” in the Golden Age Club on Pritchard and Salter (which was also the home for the National Council of Jewish Women, hence the name “Council House.”)
Here is what Roz wrote: “Good morning Bernie. As always glad to see my Jewish Post arrived this morning ! While I was reading about Shalom Square and the connection to the Jewish Post, there is one small error. Shalom Square started at the Golden Age club in 1970! It may have also been called the Council House! It was on Pritchard and Salter – a 2 floor walk up!!
“I know, because I was the representative for Shalom Square in 1971. (Ed. note: Roz would would have been Roz Bernstein back then.) Even back then, the Jewish Post had several articles and pictures about Shalom Square and Folklorama
“They did a great job !!
“Roz”

Roz’s email got me to wondering: She says that the Israel pavilion was located in the Golden Age Club in 1970, and that may well have been the case, but she also says that she didn’t represent Shalom Square until 1971. That does leave open the possibility that the very first Israel pavilion – in 1970, might have been located somewhere else altogether.

I tried to find any reference to some sort of Israel representation – of any sort, during that 1970 festival, by looking through Jewish Posts from 1970 but, unfortunately, wasn’t able to find anything.

So, I turned to two experts whose history with Folklorama goes back quite a long time: Avrom Charach, who’s served as president of Folklorama as well as having been a long-time volunteer at the Israel pavilion – also an ambassador, and who, along with his father, Barney, has been connected to Folklorama for the longest time; and Reeva Nepon, executive director of the Chai Folk Ensemble. (I figured that, since Chai has been a part of every Israel pavilion for as long as I can remember, that there might be some record of where Chai first danced in Folklorama.)
Now, here’s where the controversy really gets heated. While Reeva answered that she couldn’t find any archival material going back earlier than 1972 – and she sent me some picture from that year of Chai dancers, she did say she would try to go through her archives at a later date.
But Avrom Charach really muddied the waters, in response to the question: Where was the very first Israel pavilion? I also told Avrom that the Wikipedia article about Folklorama does not mention an Israel pavilion as being a part of that original 1970 celebration.

Chai dancers 1972


With regard to the question whether there was an Israel pavilion in 1970, Avrom wrote: “Folklorama certified that we were an original founding member in 1970, that Mary Kelekis and I used to speak about this, and that we had Jewish founders of the festival; the founders were all involved in pavilions.”
Avrom added: “I have spoken to some original dancers who said they performed in 1970. It was on the stage in the small gym at Hargrave – I was there but only remember Monte Hall cutting a ribbon to open the pavilion on night 1.”
Now, I had a couple of issues with Avrom’s response. First, why would the very first Israel pavilion have been at the Y – in 1970, only to move to the Golden Age Club (a much smaller venue) in 1971? Second, in an article in The Jewish Post in 1971, it was noted that Chai was to perform only one night during Folklorama in 1971. (The entertainment on the first night of Folklorama in 1971 was provided by none other than Rabbi Zalman Schachter as a raconteur and someone named Ted Nyder as a singer.) Chai performed only on the Monday night of the festival that year. Also, there were different entertainers every night of the festival, with none performing more than one evening. So, the notion that dancers from Chai remembered dancing at the Y in 1970 might also be attributable to foggy memories from whomever it was that Avrom contacted.
Yet, Avrom added this in a later email: “I will concede that as a four-year-old my memory could be of the NCJW building on Pritchard, but I do strongly remember being on my father’s shoulders and looking at a permanent raised stage. If Pritchard had that type of stage the location in my mind could be wrong.”
Thus, the issue where the first Israel pavilion was located remains unresolved. Also, while we’re pretty sure the Israel pavilion moved to the Y for the next 25 years in 1972, we’re not absolutely sure of that. If anyone could shed some light on the questions raised here, you can either email me at jewishp@mymts.net or call me at 204-694-3332.

Post script: Since this article first appeared in the August 16 issue of The Jewish Post & News, and thanks to responses from some readers of the paper, I was able to determine conclusively, not only where the Israel pavilion was held the first year of Folklorama – in 1970, also where it was held every year thereafter.

But, if you’ve read this far you’re going to have to wait until after the August 30 issue of the paper is published for answers. I owe it to readers of the paper to give them first dibs on the resolution of the mystery.

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Join the Sewing Circle at Chesed Shel Emes

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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May

Sara Kreindler

By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”

Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”

All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”

Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man

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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa

The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:

“Dear Members and Friends,

“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel  where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.

“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”

Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018. 

In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:

The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.

Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York. 

He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.

Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.

He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.

In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.

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