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“Unusual in Every Way” to cap off upcoming International Jewish Film Festival

l-r: Orly Dreman, Don Barnard,
and Solly Dreman in a scene
from “Unusual in Every Way”

Review By BERNIE BELLAN In January of this year Myron Love wrote about a new film that has been produced by local filmmaker Yolanda Papini-Pollock, titled “Unusual in Every Way”.
As Myron noted in that article, the film tells “the story of the unlikely friendship between Don Barnard, an individual of Indigenous background living with disabilities and post traumatic stress, and Solly Dreman, a former Winnipegger who made aliyah almost 60 years ago and is a retired Ben Gurion University Professor of Psychology.”

Yolanda montage“Unusual in Every Way” will be the final film shown at the upcoming International Jewish Film Festival, on Sunday May 29, at 2:00 pm, in the Berney Theatre. (As with all the films to be shown this year, viewers will have the choice of attending in person or streaming the films on a computer or mobile device.)
I had the opportunity to view the film in advance. Although I have seen other of Yolanda’s films, I told her in an email that I was more than impressed with her latest production, as it marked a new sophistication in her documentary story telling style.
Through fast cutting, clever and imaginative graphics, some outstanding historical footage interspersed throughout the film, and some very insightful interviews with a range of subjects, “Unusual in Every Way” both tells the story of Don Barnard’s personal struggles and how his own story parallels the Jewish story of survival.
Although Don has an exceedingly high IQ (of 163), he has struggled with various challenges throughout his life, as the film makes exceedingly – and quite painfully, clear. He has been diagnosed as having Autism Spectrum Disorder he reveals in the film, and his father was a violent alcoholic. (Don’s father actually appears in the film, and in one scene that can be difficult to watch, Don tells him about the often violent, alcohol-fuelled outbursts Don was forced to endure as a child. His father though, admits he has no recollection at all of any of those incidents.)
As Myron also notes in his story about the film, Yolanda first met Don when they worked together on a documentary about different genocides that have occurred in recent history. (Don is an accomplished videographer in his own right.)
Later, Yolanda introduced Don to Solly and Orly Dreman in 2016 when they were in Winnipeg for a visit. (Solly had asked Yolanda whether she knew anyone who could video a lecture Solly was going to be giving, along with a family reunion he was planning on having.)
Again, as Myron notes in his story, the “Dremans and Barnard hit it off and the Israeli couple invited him to come to Israel at their expense. It happens that among Solly Dreman’s post-retirement activities has been helping youth with severe learning disorders.
“In 2020, thanks to the Dremans’ generosity, Barnard was able to realize his long-time dream of visiting Israel. He stayed with his hosts in Jerusalem for a week and toured the country with Orly’s son, Oren Cytto, as his tour guide.
“Solly Dreman also bought his Canadian guest a professional level video camera.”
Scenes from that visit form a good part of this film. Yet, not only did Solly and Orly open up their home to Don, they also introduced him to many of their friends, many of whom had also suffered their own personal traumas, having survived the Holocaust.
As Don learns more about Israel and the experiences of many of the individuals he encounters there, he begins to become aware just how similar the Jewish and Indigenous experience is in so many respects.
After viewing the film, I was curious about many aspects of how it was put together, so I asked Yolanda some questions about how the film was produced.
I asked her, for instance, when the scenes in Israel were actually filmed – and who did the filming there?
She answered: “Most of the filming was done by Don. He was there twice (2017 and 2020) and some was done by Omer Armoni.
I told Yolanda that I was very impressed with the historical footage she assembled. For instance, there are some fascinating scenes of Native children in residential schools, also of Holocaust survivors arriving in Israel. The parallels that Yolanda draws are quite insightful, I told her.
I also said to Yolanda that this particular film “seems to be by far your most ambitious project to date. Would you agree? The amount of editing it would have required would have been enormous.”
She responded: “Thank you. I did work hard on it and it is my favorite so far because the topic is close to my heart on many levels.”
And yet, while “Unusual in Every Way” seems to be pointing to a fairly happy ending, what with Don Barnard finding so much acceptance within Solly and Orly’s family, again, as Myron notes in his story, “Papini Pollock reports that overcoming trauma is not a simple process and Barnard’s personal recovery may take a long time. Despite being inspired by the stories he heard in Israel, his personal journey to healing is a roller coaster. As he says near the end of the documentary, he has his good days and his bad days – and he never knows when his disabilities will cause him to have a meltdown.”
Yet, despite Don Barnard’s struggles, which are often laid bare for all to see during the course of this film, Yolanda told me that “Don is much better. In fact, I really see a new drive in him and he is stronger than ever. I hope this continues.”
Thus, the hope engendered by the warm relationship that the film depicts between Solly and Orly Dreman on the one hand, and Don Barnard, on the other, does seem to have imbued Don Barnard with a newfound vitality, despite the bleak shadow often cast over him. In that sense, this film can serve as an inspiration for anyone who has had to deal with similar challenges that can often seem quite overpowering.

“Unusual in Every Way”

Sunday, May 29 2:00 pm
Documentary | 2021 | Canada | Directors: Don Barnard and Yolanda Papini-Pollock| English | 63 min.

 

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Local News

Third annual JFest Winnipeg will be offering programs for all ages

Popular Israeli singing star Harel Skaat will be kicking off JFest with a performance Saturday, Nov. 14 at the Seven Oaks Performing Arts Centre

By MYRON LOVE JFest Winnipeg is back with a good variety of musical performances, a book launch, popular Jewish-themed films, children’s activities, and a family-oriented Shabbat dinner.
“JFest,” observes Laura Marjovsky, the Rady JCC Director of Programming, “is an opportunity for our community to experience Jewish art and culture. With our range of JFest events, we are trying to reach out beyond what has been our base audience and appeal to all ages.   We have a commitment to bring top notch Israeli performers to share the highest caliber of Israeli entertainment with our audiences.”
The week-long festival (November 14-21) kicks off with a performance by top-ranked Israeli singer-songwriter Harel Skaat.  The popular Israeli star began singing as a child.  He shot to fame when he finished second in the second season of “Kochav  Nolad” – Israel’s version of “American Idol.” His first album was released in 2006 and achieved Platinum status – with one of the songs being ranked as “song of the year.” He followed that up in 2009 with a second album that reached Gold status.  In 2010, he represented Israel at the Eurovision competition.
Skaat’s performance is scheduled for the Seven Oaks Performing Arts Centre (which is attached to Garden City Collegiate) beginning at 8:00 P.M. on Saturday, November 14. Patrons will have the opportunity to purchase an enhanced ticket to attend a meet and greet with Harel.
All other JFest programs and activities will be at the Rady JCC.
Music Producer Karla Berbrayer says Ben Caplan’s performance on Saturday, November 21 will also be another highlight. “Ben Caplan redefines what it means to be a modern folk artist,” Berbrayer says. “His music and stories are matched by his larger-than-life stage presence. This concert focuses on how his Jewish upbringing has influenced his entire performance career.”  
“Flatland Famous” is returning by popular demand.  This quintet, known for its performances at Winnipeg Jets games, will be presenting its concert, “Jewish Soul of Rock and Roll,” on Wednesday, November 18, at 7:30 pm.  This year’s show will feature songs by Amy Winehouse, Neil Diamond, Barbra Streisand, Simon and Garfinkel, and other famous Jewish icons.
 
On Tuesday, November 17, local author Deborah Schnitzer will be taking centre stage with the launch of her new book, “The Woman Who Swallowed West Hawk Lake.” The University of Winnipeg English Professor Emeritus’s new novel explores intergenerational trauma related to Nazi breeding programs.  Joining Schnitzer on stage will be a panel of professionals who have experience working with children who have experienced trauma.
And of course, “Best of the Fest” is back. Films to be presented will include“The Floaters” and “We Met at Grossingers,” two wildly popular movies at last spring’s Winnipeg International Jewish Film Festival. 
“The Floaters,” to be screened on Monday , November 16 at 7:00 pm is a funny and bang-on depiction of Jewish summer camp culture.  
“We Met at Grossingers” is a loving look back at the Borscht Belt in New York’s Catskills, where generations of young Jewish performers earned their dues and developed their acts. The film will be screened on Thursday, November 19 at 7:00 P.M.
On Friday November 20,  JFest will host a Family Shabbat dinner featuring Anat Kriger, an Israeli-born, Toronto-based musician, actor, and children’s performer, who has made several appearances in Winnipeg at major communal events.
Kidfest on Sunday, November 15, will be a day-long potpourri of programming that will include live performances, workshops, bouncy castles, games and crafts, and much more.  
Readers seeking more information about JFest can contact Laura Marjovsky at 204 477-7539 or lmarjovsky@radyjcc/com 

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Local News

Hen Mazzig, leading Israeli advocate, makes first Winnipeg appearance

Sarah Mali, the Director General of JFC-UIA (Jewish Federations-United Jewish Appeal) Canada in Israel interviewing Hen Mazzig

By MYRON LOVE On Tuesday, October 6, a large number of members of our community packed the chapel at the Shaarey Zedek Synagogue, eager to welcome Hen Mazzig in his first appearance in our community. 
Over the past few years, the Israeli-born Mazzig – who was appearing at the invitation of our Jewish Federation and Combined Jewish Appeal team – has become one of Israel’s and the Jewish people’s leading advocates on the international stage. His online platforms reach as many 100 million viewers a month with a regular following of almost 1 million. He has been interviewed by numerous leading media outlets and has given addresses at close to 500 universities in recent years.
Mazzig’s presentation in Winnipeg (which was funded by the Asper Family and the Asper Foundation) took the form of a question and answer format with Sarah Mali, the Director General of JFC-UIA (Jewish Federations-United Jewish Appeal) Canada in Israel, asking the questions.
Mali , who was visiting Winnipeg for the third time in the past three years, began by expressing how honoured she felt about having the opportunity to converse with Mazzig – referring to Jewish Federation of Winnipeg President Carrie Shenkarow’s  comments regarding Mazzig’s “devotion to Israel and the Jewish people”, his “deep sense of purpose, moral clarity” and “willingness to enter some of the most difficult spaces and conversations.”
 
The first question that Mali posed to Mazzig was related to his visit to the Canadian Museum of Human Rights and its controversial and one-sided take on the longstanding and ongoing Israeli-Palestinian conflict.  She referred to a comment that Mazzig had made on X the day after visiting the museum, in which he wrote  that while he “has no problem with people learning about Palestinian history,” he wished that “Palestine Uprooted” didn’t “distort the regional  events, including the displacement of 800,000 people just like my grandmother, Hela, who became a refugee when Iraq turned on its Jewish community” post-1948.
“History can only lead to reconciliation when it is told honestly,” he observed.  “Otherwise, it is just fuelilng an agenda.”
What most disturbed him about the exhibit, Mazzig told his audience, is that it erased his own family’s history. Expanding upon his family’s roots, he noted that his father’s family came to Israel from Tunisia and his mother’s side from Iraq.  He spoke in particular about his maternal grandmother, Hela, who left behind “a beautiful civilization” – Jews had been living and thriving in Iraq since before the Roman destruction of Jerusalem 2000 years ago – to a new land (Israel), where she had to learn a new language (Hebrew) and rebuild her life.
Mazzig added that his grandmother is his anchor in life and the inspiration for all that he has accomplished.
Mali asked Mazzig about his ability to empathize with Palestinians.  It was difficult to do, he answered. He got to know Palestinians, he recalled, during the Covid epidemic when he was serving as a medic with the Israel Defense Force and found himself responsible for helping Palestinians through that difficult time and transporting sick Palestinians to Israeli hospitals.
 
“Even though I fight so hard for Israel,” he observed, it doesn’t mean that I can’t feel empathy for anyone else.”
Mali asked Mazzig how October 7, 2023, changed him.
“I chose not to become a victim,” he said, “but rather to engage more with the world, bear witness, share our stories and talk about genocide.  While I was actively advocating for Israel before October 7, I have been much more in demand since. I have become a lot more visible.
”I have found that a lot of people support us,” he continued. “They see what is happening and are on our side.”
On the other hand, he added,  a lot of people don’t know anything about Israel. “It is a matter of education,” he said. “I encourage people to go to Israel and talk to Israelis.”    

Mali’s last question was what Mazzig means when he writes that “I promise to love being Jewish ten times more than anyone hates me for it.” What does it mean to him to love and find joy and happiness in being Jewish”, she added?
It means cherishing our rich history, Mazzig responded, enjoying Shabbat dinners with family and friends, celebrating all of our holidays and traditions.
 
“The Jewish People have been through so much over the past 2000 years,” he said.  “Many people have tried to destroy us, but we have survived. We are arisen from the ashes numerous time and continued to move forward.  Not only are we still here but we have returned as an independent people living again in our ancestral homeland.”
Also addressing the audience at the Shaarey Zedek was Steven Shulman, the president and CEO of the Jewish Federations of Canada.  Shulman heaped much praise on our Jewish community in Winnipeg.
“Winnipeg is special,” he noted, “not just in Canada but worldwide.  Your CJA campaign continues to be the most successful in North America. You have an outstanding CEO (of the Jewish Federation of Winnipeg) in Jeff Lieberman, who is universally respected.”
He further praised Gray Academy and our community’s highly successful GrowWinnipeg campaign – which has attracted thousands of new families to our community over the past 25 years.
He noted that he was particularly impressed with how our community has come together to protest the biased Nakba exhibit at the Canadian Museum for Human Rights.
He also spoke of the many supporters that we have among non-Jewish Canadians – singling out, as an example, the police officer in Belleville  who put his own life on the line protecting the city’s only Jewish congregation from a  terrorist attack during  yom tov services.
The last word went to Jeff Lieberman, who thanked all the members of our community who have contributed to the CJA campaign this year, as well as our many non-Jewish friends who continue to stand with Israel and the Jewish community.

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Enrolment in videographer/photographer Jeff Gordon’s education programs growing exponentially

By MYRON LOVE When last I spoke with local videographer/photographer Jeff Gordon early last year, he had just launched his new training program for budding photographers and videographers. Now, about 20 months later, he is happy to report that his new course has grown well beyond his original expectations.
“My program has already graduated more than 100 students – with another four sessions beginning in September,” says the founder of JAG Videos and Photography.  “I have recently introduced a new training program geared to organizations and businesses and have digitized my courses so that they can be accessed from anywhere in the world.”
What is unique about what Gordon is doing in that this is the only educational program that combines photography and video. “Up until now, the only options for anyone interested in learning the art of photography or making videos has been either Red River College or the University of Winnipeg,” Gordon pointed out in that earlier Post interview.  “I recognized a niche here and my goal is to fill this gap.”
He launched his educational initiative in mid-January in his new studio behind his north River Heights home with three classes a week – one strictly for teenagers – over 16 weeks.
“The response exceeded my expectations,” he said in that earlier interview.  “We sold out quickly and I have a waiting list.  I am teaching the students everything I know about photographer and videography.  The curriculum is easy to follow.”
Gordon’s interest in photography and videography – and teaching, he recalled, came about through his previous career as a musician.  The graduate of the Hebrew Bilingual program at Brock Corydon Elementary School, and later, Shaftesbury High School – began playing drums in high school.
After high school, he enrolled  at the Los Angeles Music Academy.  In 2006, he graduated from the jazz program at Grant MacEwan University in Edmonton.  His professional credits include 16 years as a drummer with the Sarah Sommer Chai Folk Ensemble, and five years as a member of a touring band called “Driver.”
It was while performing with “Driver” that he began doing videography. “I have always been fascinated by technology,” Gordon said.  “While on tour, I began making videos of our live concerts.  I would set up four or five cameras to record the shows.”
In 2014, Gordon took the plunge and dove into photography and videography full time with the founding of JAG Videos and Photography.  He started with weddings and gradually started to develop a commercial and corporate clientele. He reported that he does a lot of head shots for businesses. He  has also done a number of TV spots for Global and Corus.
 
Gordon’s curriculum is his own creation, based on his experience and a previous training manual he wrote years ago for an entirely different group of students: drummers.
 “I used to have as many as 40 students at a time,” he recalled. “I really enjoy teaching.  I love expounding on subjects I am passionate about.”
Gordon’s first foray into teaching had a focus on helping businesses and organizations, government departments and agencies enhance their online presence.
“Increasingly, we are in a digital world,” he points out.  “Businesses need staff who are adept at making videos and taking photographs.  Companies need staff who are able to create videos for them to promote the business online. I can customize my training programs to the needs of my clients to create their own social media and marketing materials.”
Gordon notes that this outreach wasn’t initially part of his expansion plans.    “I had people coming to me for this training because there is no one else providing this kind of education,” he observes.
Gordon’s major new development this fall is that he has built and launched a full digital version of his course – which he calls The JAG Creator Academy. “Going digital has opened the training up beyond Winnipeg and makes it available to people globally,” he points out.
“I developed a website, filmed all my tutorials  and recorded the video,” he says.
“I even have a sponsor for it,” he adds. (That would be Evoto – an AI-powered photo editing software built specifically for professional photographers.)
The program is only available in English but, Gordon reports,  there has been a  lot of interest so far.
The next stage in the evolution and growth of Gordon’s move into education will be a program which will coach businesses on SEO (Search Engine Optimization) – and which will involve helping businesses access Google and get their name at the top of search results.
“SEO is what has helped my business stay at the top of Google (searches) and in demand all these years,” Gordon notes.  “I am running ads for my new SEO programming on Facebook and Instagram. I am anticipating that I will draw clients from across Canada and the United States.”
While he is still in demand locally as a photographer and videographer, he notes, the education side has also become a full-blown business of its own and, he reports, he is looking to hire additional staff.
As well, he is continually adding new topics and courses to his offerings.
 
Readers who may be interested in contacting Jeff  can find him through his website, which is www.jagvideos.com.

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