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“Unusual in Every Way” to cap off upcoming International Jewish Film Festival

l-r: Orly Dreman, Don Barnard,
and Solly Dreman in a scene
from “Unusual in Every Way”

Review By BERNIE BELLAN In January of this year Myron Love wrote about a new film that has been produced by local filmmaker Yolanda Papini-Pollock, titled “Unusual in Every Way”.
As Myron noted in that article, the film tells “the story of the unlikely friendship between Don Barnard, an individual of Indigenous background living with disabilities and post traumatic stress, and Solly Dreman, a former Winnipegger who made aliyah almost 60 years ago and is a retired Ben Gurion University Professor of Psychology.”

Yolanda montage“Unusual in Every Way” will be the final film shown at the upcoming International Jewish Film Festival, on Sunday May 29, at 2:00 pm, in the Berney Theatre. (As with all the films to be shown this year, viewers will have the choice of attending in person or streaming the films on a computer or mobile device.)
I had the opportunity to view the film in advance. Although I have seen other of Yolanda’s films, I told her in an email that I was more than impressed with her latest production, as it marked a new sophistication in her documentary story telling style.
Through fast cutting, clever and imaginative graphics, some outstanding historical footage interspersed throughout the film, and some very insightful interviews with a range of subjects, “Unusual in Every Way” both tells the story of Don Barnard’s personal struggles and how his own story parallels the Jewish story of survival.
Although Don has an exceedingly high IQ (of 163), he has struggled with various challenges throughout his life, as the film makes exceedingly – and quite painfully, clear. He has been diagnosed as having Autism Spectrum Disorder he reveals in the film, and his father was a violent alcoholic. (Don’s father actually appears in the film, and in one scene that can be difficult to watch, Don tells him about the often violent, alcohol-fuelled outbursts Don was forced to endure as a child. His father though, admits he has no recollection at all of any of those incidents.)
As Myron also notes in his story about the film, Yolanda first met Don when they worked together on a documentary about different genocides that have occurred in recent history. (Don is an accomplished videographer in his own right.)
Later, Yolanda introduced Don to Solly and Orly Dreman in 2016 when they were in Winnipeg for a visit. (Solly had asked Yolanda whether she knew anyone who could video a lecture Solly was going to be giving, along with a family reunion he was planning on having.)
Again, as Myron notes in his story, the “Dremans and Barnard hit it off and the Israeli couple invited him to come to Israel at their expense. It happens that among Solly Dreman’s post-retirement activities has been helping youth with severe learning disorders.
“In 2020, thanks to the Dremans’ generosity, Barnard was able to realize his long-time dream of visiting Israel. He stayed with his hosts in Jerusalem for a week and toured the country with Orly’s son, Oren Cytto, as his tour guide.
“Solly Dreman also bought his Canadian guest a professional level video camera.”
Scenes from that visit form a good part of this film. Yet, not only did Solly and Orly open up their home to Don, they also introduced him to many of their friends, many of whom had also suffered their own personal traumas, having survived the Holocaust.
As Don learns more about Israel and the experiences of many of the individuals he encounters there, he begins to become aware just how similar the Jewish and Indigenous experience is in so many respects.
After viewing the film, I was curious about many aspects of how it was put together, so I asked Yolanda some questions about how the film was produced.
I asked her, for instance, when the scenes in Israel were actually filmed – and who did the filming there?
She answered: “Most of the filming was done by Don. He was there twice (2017 and 2020) and some was done by Omer Armoni.
I told Yolanda that I was very impressed with the historical footage she assembled. For instance, there are some fascinating scenes of Native children in residential schools, also of Holocaust survivors arriving in Israel. The parallels that Yolanda draws are quite insightful, I told her.
I also said to Yolanda that this particular film “seems to be by far your most ambitious project to date. Would you agree? The amount of editing it would have required would have been enormous.”
She responded: “Thank you. I did work hard on it and it is my favorite so far because the topic is close to my heart on many levels.”
And yet, while “Unusual in Every Way” seems to be pointing to a fairly happy ending, what with Don Barnard finding so much acceptance within Solly and Orly’s family, again, as Myron notes in his story, “Papini Pollock reports that overcoming trauma is not a simple process and Barnard’s personal recovery may take a long time. Despite being inspired by the stories he heard in Israel, his personal journey to healing is a roller coaster. As he says near the end of the documentary, he has his good days and his bad days – and he never knows when his disabilities will cause him to have a meltdown.”
Yet, despite Don Barnard’s struggles, which are often laid bare for all to see during the course of this film, Yolanda told me that “Don is much better. In fact, I really see a new drive in him and he is stronger than ever. I hope this continues.”
Thus, the hope engendered by the warm relationship that the film depicts between Solly and Orly Dreman on the one hand, and Don Barnard, on the other, does seem to have imbued Don Barnard with a newfound vitality, despite the bleak shadow often cast over him. In that sense, this film can serve as an inspiration for anyone who has had to deal with similar challenges that can often seem quite overpowering.

“Unusual in Every Way”

Sunday, May 29 2:00 pm
Documentary | 2021 | Canada | Directors: Don Barnard and Yolanda Papini-Pollock| English | 63 min.

 

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Chesed Shel Emes project to improve safety, accessibility and parking after acquiring fire-damaged property

street view of the Chesed Shel Emes and the adjoining house which will be demolished

By MYRON LOVE The Chesed Shel Emes, Winnipeg’s non-profit funeral chapel and ritual tahara house, has embarked on a new project that will enhance safety, accessibility and provide more parking opportunities.
The new project stems from the Chesed’s acquisition of the property immediately north of the chapel on Main Street at Magnus Avenue. The plan will involve the demolition of the existing house and paving of the lot. This will allow the use of a pre-existing side door in the chapel to be used to transfer coffins directly to the hearse — thus freeing some additional parking in front of the building.
Rena Boroditsky, the Chesed’s long-time executive director, points out that pallbearers will no longer have to carry coffins down the front steps but, instead, walk along a level surface and place the caskets directly into the back of the hearse. As well, the new parking lot will have room for accessible parking.
“We weren’t looking for a new project,” Boroditsky reports. “About a year ago, we learned that the family who owned the home — and had been renting it out for a number of years — was looking to sell after the property suffered a devastating fire. We seized on the opportunity rather than have a retail business open or an apartment block be built that would further complicate the parking in front of our building.”
Boroditsky notes that the finished product will take a couple of years to complete. “Permits take time,” she says. “I expect that we will be able to demolish the house in the fall and have the paving done next year.”
She estimates that the budget for the work will come to about $190,000. “We have applied to the Jewish Foundation of Manitoba and the Asper Foundation for grants,” Boroditsky reports. “We are also appealing to our many generous supporters in the community.”
She proudly points out that Chesed succeeded in raising $4-million for its most recent redevelopment program, in which the 100 year old office and tahara building was replaced with a new structure designed specifically to meet the needs of the Chevra Kadisha.
The new building includes state-of-the-art equipment for the care of the deceased — a larger tahara room with stainless steel counters, new up-to-date refrigeration, mechanical lifts for transferring bodies more safely, and enhanced safety features to improve the experience of volunteers and ensure the dignity of the deceased. The accessible facility also includes expanded storage space for caskets, shrouds, and supplies, a lending library, and private meeting spaces for mourners to gather. That project was completed five years ago.
“We are happy to report that we don’t have a mortgage,” Boroditsky says. “We have always exercised good fiscal management, and have been blessed with community support”.
Chesed Shel Emes began operations in 1930, serving all members of the community regardless of denomination, affiliation, or level of observance. No one is denied service due to financial constraints. Everyone is guaranteed a dignified funeral and burial care. The chapel was opened in 1947 as an active synagogue and community center.
“Over the past few years, we have been hosting more funerals,” Boroditsky notes, “in part because the Shaarey Zedek was closed for renovations for almost two years, and the Etz Chayim relocated to Wilkes Ave. As a result, more people were able to see that we offer a clean, warm and welcoming space.
Readers who wish to make a gift to support the “Opening New Doors” campaign can phone Rena at 204-582-5088, or visit the website at www.chesedshelemes.org New Chesed Shel Emes project will improve accessibility,  allow for more parking in front

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Dina Raihman’s lifelong journey in education

Dina Raihman

Foreword by BERNIE BELLAN Seven years ago, The Jewish Post & News published a story by Rebeca Kuropatwa about a woman who had arrived in Winnipeg from Israel in 2008. That woman was Dina Raihman.

Before moving to Canada, Dina had spent 25 years working as an educator in Israel. As Rebeca wrote at the time, Dina brought her passion for teaching with her and eventually opened her own private after-school program specializing in mathematics and science.

Over the years, Dina has kept in touch with us as her educational programs have continued to grow. What began as evening classes held in rented classrooms throughout Winnipeg gradually evolved into permanent school locations.

In 2022, she opened Integral School at 1080 Waverley Street in Linden Woods. Since then, a second location has opened in Transcona, and Dina says plans are already underway to open a third location in Sage Creek. All three locations offer after-school educational programs for students of different ages and abilities.

As we noted in a 2022 follow-up article to Rebeca Kuropatwa’s original story, Dina quickly identified a problem after beginning work as a substitute teacher in Manitoba’s public and private schools. She noticed that many mathematically gifted students were not being sufficiently challenged and, as a result, were failing to reach their full potential.

In 2014, she decided to do something about it.

Starting with only 17 students, her evening school steadily expanded. Today, approximately 270 students are enrolled in her programs.

When Dina recently contacted me to tell me about the opening of her second location in Transcona, I told her that rather than simply writing another update about the school, I wanted to know the story behind the educator herself.

Both Rebeca and I had previously written about Dina’s success working with children from many immigrant families, including those from countries where mathematics and science education has traditionally been emphasized, such as Israel and Ukraine. But neither of us had ever explored the experiences that shaped Dina’s own lifelong commitment to education.

So I asked Dina to tell her story in her own words.

Here it is:

My Story

By DINA RAIHMAN My story began long before I was born.

During World War II, my parents, along with my grandparents, were forced to leave Ukraine to escape the war. Fate brought them to Georgia, where our family eventually settled. It was there, after the war, that I was born.

My childhood, school years, and youth were spent in Georgia. It was there that I first discovered my love for mathematics and realized I wanted to become a teacher. I have always believed that a great teacher changes a child’s life not only by teaching a subject, but by teaching a child how to think.

I later attended the Voroshilovgrad Pedagogical Institute (now located in the city of Luhansk, Ukraine), where I earned a Master’s Degree in Mathematics and Physics. Even then, I knew teaching would become my life’s work.

In 1990, my husband and I made an important decision to begin a new chapter of our lives in Israel.

We lived there for seventeen years, raised our two children, and continued building both our family and our careers.

Then, in 2006, we made another life-changing decision.

We immigrated to Canada after my older sister had moved here. Like many newcomers, we knew we were starting almost from scratch, but we believed the opportunities available for our children made every sacrifice worthwhile.

As with many internationally trained professionals, I needed to have my education recognized in Canada. Although I already held a master’s degree and many years of teaching experience, I was required to earn Canadian teaching qualifications.

For a period of time, I worked at the University of Winnipeg. I was even offered the opportunity to pursue a PhD and continue an academic career.

Although it was an exciting opportunity, our family had only recently arrived in Canada. Financially, it was impossible for me to devote several years to graduate research while supporting my family. Instead, I chose another path—one that allowed me to continue studying while working.

I became a substitute teacher in Winnipeg.

Looking back, those years were among the most valuable of my professional life.

Over several years, I taught in approximately 80 percent of Winnipeg’s schools. Every school, every classroom, and every group of students gave me new experiences and broadened my understanding of Canadian education.

While teaching, I also continued studying at the University of Winnipeg to earn my Permanent Professional Teaching Certificate.

In 2010, I successfully received my Permanent Professional Teaching Certificate, allowing me to teach permanently in Manitoba schools.

My first full-time teaching position took me far north to the community of Pukatawagan, where I taught Biology to students in Grades 9 through 11.

The experience taught me resilience, adaptability, and the importance of understanding every student’s individual background.

After one year, I returned to Winnipeg and continued substitute teaching.

During the 2012–2013 school year, I accepted a one-year teaching replacement position in Saskatchewan, where I taught Mathematics to students in Grades 9 through 12.

By then, an idea that had been growing inside me for years had become impossible to ignore.

I wanted to create my own educational program—one that would help students truly understand mathematics, develop logical thinking, build confidence, and prepare for future academic success.

That dream became reality in 2014 when I founded the Physics and Mathematics Integral School.

The school first opened on Corydon Avenue before later moving to St. Vital.

Today, we operate permanent locations on Waverley Street and in Transcona, and we are preparing to open our third Winnipeg location in Sage Creek.

Since opening our doors, our mission has never been simply to teach mathematics.

We have always wanted to create an environment where children learn to think independently, analyze problems, embrace mistakes as part of learning, and believe in themselves.

Over the years, more than 1,000 students have studied with us.

One of our greatest sources of pride is seeing our graduates continue their education at Canadian universities in fields such as engineering, computer science, medicine, economics, and the natural sciences.

Since opening in 2014, we have helped more than 430 students successfully graduate from high school, many of whom have continued into university programs requiring strong mathematical foundations.

For us, however, success means much more than university admission.

We strive to develop logical thinking, independent problem-solving, confidence, perseverance, concentration, and the ability to learn from mistakes.

I often tell my students:

“Mistakes are not failures. They simply show us what we still have to learn.”

Today, approximately 270 students attend our programs.

We offer both in-person and online classes, making our programs accessible to students throughout Winnipeg and beyond.

Our youngest learners begin at 3 to 5 years of age, where they develop early mathematical thinking, logic, concentration, and problem-solving skills through engaging activities designed specifically for preschool children.

For school-age students, we offer both Beginner and Advanced groups, ensuring that every child learns at the level best suited to their abilities.

Our programs include:

Mathematics
Logic
Geometry
Mental Math using the Japanese Abacus program
Biology
Chemistry
Physics

In addition to our regular classes, we prepare students for mathematics competitions. Each year, many of our students participate in contests organized through their schools, where they apply not only mathematical knowledge but also logical reasoning, analytical thinking, and effective time management.

One of our proudest achievements is that 15 of our students have earned certificates recognizing them among the top 25 percent of young mathematics students in Canada through these prestigious competitions.

For me, these accomplishments represent much more than awards.

They demonstrate that every child has the potential to succeed when they are given encouragement, effective instruction, and the opportunity to believe in themselves.

Throughout my career, I have come to believe one simple truth:

Children are not born “good” or “bad” at mathematics.

They become successful when they have a teacher who can explain difficult ideas in simple ways, encourage them during challenging moments, and inspire them never to give up.

That is why every student who walks through our doors becomes part of one large family.

Looking back today, I realize that the journey that began many years ago in Georgia has become far more than a teaching career.

It has become a lifelong mission to help children discover confidence, develop their abilities, and understand that with the right guidance, they are capable of achieving far more than they ever imagined.

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Nakba exhbit at CMHR – you can see it right here and make your own assessment

By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).

There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.

We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.

Here is what we received the morning of June 26:

Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
 
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
 
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.  

Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.

Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.

Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.

Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.

Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.  

Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
 
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit


“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted


“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
 
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
 
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”

  • – Isha Khan, CEO
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