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“Unusual in Every Way” to cap off upcoming International Jewish Film Festival
Review By BERNIE BELLAN In January of this year Myron Love wrote about a new film that has been produced by local filmmaker Yolanda Papini-Pollock, titled “Unusual in Every Way”.
As Myron noted in that article, the film tells “the story of the unlikely friendship between Don Barnard, an individual of Indigenous background living with disabilities and post traumatic stress, and Solly Dreman, a former Winnipegger who made aliyah almost 60 years ago and is a retired Ben Gurion University Professor of Psychology.”
“Unusual in Every Way” will be the final film shown at the upcoming International Jewish Film Festival, on Sunday May 29, at 2:00 pm, in the Berney Theatre. (As with all the films to be shown this year, viewers will have the choice of attending in person or streaming the films on a computer or mobile device.)
I had the opportunity to view the film in advance. Although I have seen other of Yolanda’s films, I told her in an email that I was more than impressed with her latest production, as it marked a new sophistication in her documentary story telling style.
Through fast cutting, clever and imaginative graphics, some outstanding historical footage interspersed throughout the film, and some very insightful interviews with a range of subjects, “Unusual in Every Way” both tells the story of Don Barnard’s personal struggles and how his own story parallels the Jewish story of survival.
Although Don has an exceedingly high IQ (of 163), he has struggled with various challenges throughout his life, as the film makes exceedingly – and quite painfully, clear. He has been diagnosed as having Autism Spectrum Disorder he reveals in the film, and his father was a violent alcoholic. (Don’s father actually appears in the film, and in one scene that can be difficult to watch, Don tells him about the often violent, alcohol-fuelled outbursts Don was forced to endure as a child. His father though, admits he has no recollection at all of any of those incidents.)
As Myron also notes in his story about the film, Yolanda first met Don when they worked together on a documentary about different genocides that have occurred in recent history. (Don is an accomplished videographer in his own right.)
Later, Yolanda introduced Don to Solly and Orly Dreman in 2016 when they were in Winnipeg for a visit. (Solly had asked Yolanda whether she knew anyone who could video a lecture Solly was going to be giving, along with a family reunion he was planning on having.)
Again, as Myron notes in his story, the “Dremans and Barnard hit it off and the Israeli couple invited him to come to Israel at their expense. It happens that among Solly Dreman’s post-retirement activities has been helping youth with severe learning disorders.
“In 2020, thanks to the Dremans’ generosity, Barnard was able to realize his long-time dream of visiting Israel. He stayed with his hosts in Jerusalem for a week and toured the country with Orly’s son, Oren Cytto, as his tour guide.
“Solly Dreman also bought his Canadian guest a professional level video camera.”
Scenes from that visit form a good part of this film. Yet, not only did Solly and Orly open up their home to Don, they also introduced him to many of their friends, many of whom had also suffered their own personal traumas, having survived the Holocaust.
As Don learns more about Israel and the experiences of many of the individuals he encounters there, he begins to become aware just how similar the Jewish and Indigenous experience is in so many respects.
After viewing the film, I was curious about many aspects of how it was put together, so I asked Yolanda some questions about how the film was produced.
I asked her, for instance, when the scenes in Israel were actually filmed – and who did the filming there?
She answered: “Most of the filming was done by Don. He was there twice (2017 and 2020) and some was done by Omer Armoni.
I told Yolanda that I was very impressed with the historical footage she assembled. For instance, there are some fascinating scenes of Native children in residential schools, also of Holocaust survivors arriving in Israel. The parallels that Yolanda draws are quite insightful, I told her.
I also said to Yolanda that this particular film “seems to be by far your most ambitious project to date. Would you agree? The amount of editing it would have required would have been enormous.”
She responded: “Thank you. I did work hard on it and it is my favorite so far because the topic is close to my heart on many levels.”
And yet, while “Unusual in Every Way” seems to be pointing to a fairly happy ending, what with Don Barnard finding so much acceptance within Solly and Orly’s family, again, as Myron notes in his story, “Papini Pollock reports that overcoming trauma is not a simple process and Barnard’s personal recovery may take a long time. Despite being inspired by the stories he heard in Israel, his personal journey to healing is a roller coaster. As he says near the end of the documentary, he has his good days and his bad days – and he never knows when his disabilities will cause him to have a meltdown.”
Yet, despite Don Barnard’s struggles, which are often laid bare for all to see during the course of this film, Yolanda told me that “Don is much better. In fact, I really see a new drive in him and he is stronger than ever. I hope this continues.”
Thus, the hope engendered by the warm relationship that the film depicts between Solly and Orly Dreman on the one hand, and Don Barnard, on the other, does seem to have imbued Don Barnard with a newfound vitality, despite the bleak shadow often cast over him. In that sense, this film can serve as an inspiration for anyone who has had to deal with similar challenges that can often seem quite overpowering.
“Unusual in Every Way”
Sunday, May 29 2:00 pm
Documentary | 2021 | Canada | Directors: Don Barnard and Yolanda Papini-Pollock| English | 63 min.
Local News
UNVEILING for the headstone of Velimir Kon (Sept. 18, 1950-June 27, 2025)
A true mensch and person of many talents and profoundness, Dr. Velimir (Shlomo) Kon is deeply missed and loved by his family and friends. Known for his warmth, kindness, integrity and love of learning and teaching, Velimir continues to inspire all who knew him and his memory warms our hearts and souls. Velimir is deeply missed.
You are invited to helps us remember and honour our beloved husband and father who passed away almost a year ago.
We, Branka, Deborah and Lea Kon, wish to inform our relatives and friends of the unveiling of a headstone dedicated to his loving memory on FRIDAY, JUNE 26, 2026 at 11:00am at the HEBREW SICK CEMETERY (2605 McPhillips Street) followed by lunch at the Chabad Lubavitch of Winnipeg – Jewish Learning Centre (1845 Mathers Avenue). Please come say a l’chaim in his honour.
In Memoriam
1st Yahrzeit
In loving memory of Dr. Velimir (Shlomo) Kon who passed away June 27, 2025, 12 Days in Tammuz.
⁃ Forever and deeply loved and missed by his wife of over 50 years, Branka, and daughters Deborah and Lea Kon. Velimir brought joy to our lives with his boundless kindness and gentleness, irrepressible humour, great intellect and love of people, tikun olam and Judaism. Not a day goes by that we do not mention Velimir and feel his presence with us. Our lives are not the same without him and we deeply miss and cherish him. We can never forget his presence that was larger than life, yet also his humility and thoughtfulness. A gentleman to the very core, Velimir was respected as a scientist, academic, professor, researcher, and later as a teacher and mentor. He always endeavoured to make every place he worked and live at better and was able to bridge many cultures. He was Abraham of his generation and made many personal sacrifices; giving up status, position and privilege in order for his family to have a better and peaceful future. May his memory always be a blessing. He left us at only 74 years young and we wish we had had more time together. Indeed, to know him was to love him.
Local News
Younger Jewish talents continue to shine in their respective categories at annual Winnipeg Music Festival
By MYRON LOVE A number of younger members of our community were repeat stars at the most recent (108th annual) Winnipeg Music Festival – which takes place annually in March. Among the repeat Jewish singers and musicians in the ranks of high achievers this year were” Yale Rayburn-Vander Hout, Gregory Hyman, Alex Schaeffer, Juliet Eskin, Noah Kravetsky, and Lyla Chisick.
Vocalist Yale Rayburn-Vander Hout, the oldest of this year’s group of Jewish repeat winners, was competing in his fifth straight festival, where he continued to build on his accomplishments in previous festivals. This year, the 20-year-old son of Samantha and Peter finished first in two musical theatre categories – songs from musical theatre productions between 1965 and 1999, and shows from the past 26 years. Yale sang “I’m Allergic to Cats,” from the 2016 musical “The Theory of Relativity,” and “Suppertime,” from the 1967 musical, “You’re a Good man, Charlie Brown.”
The former Gray Academy student is currently enrolled at the University of Manitoba’s Desautels Faculty of Music in the Choral program. Yale says that he is hoping to get into the performance track in the fall with the goal of earning a degree in Classical Voice Performance en route to pursuing a career in musical theatre.
As reported previously, Gregory Hyman is a multi-faceted artist who can do it all. The 18-year-old son of Hartley and Rishona Hyman is a singer/songwriter/musician (guitar) who records and performs under the stage name, GMH. His versatility shone through once again in his eighth Music Festival, in which he registered first-place finishes for vocal performances in both “Popular and Contemporary Music” and “TV and Movie Music “categories.
Gregory notes that he was also recommended to compete in the provincial finals in June. The St. John’s-Ravenscourt student (and soon-to be) graduate continues to be busy on stage. In January, he headlined a sold out solo show at Sidestage on Osborne featuring some of his new material. In March, he released an album of his newest songs. Readers can check out his latest compositions on any of the music streaming platforms as well as his own social media (thegmh) on Instagram.
Gregory also continues to host his own podcast: “Talk and Rock with GMH – now in its fifth season – in which he interviews various people in the music business across Canada.
While Gregory says that a musical career is his “dream,” he reports that he is hedging his bets and considering different potential career opportunities. Come September, he will be enrolled at the University of Manitoba in a University One program, which will allow him to select from a variety of courses that can count toward a degree.
Sixteen-year-old Alex Schaeffer won first place this year in the “Musicals Prior to 1965, 16 Years and Under” category with “Try Me” from “She Loves Me,” and was runner-up in the “Musicals 1965 to 1999, 16 Years and Under” category with “On My Own,” from “Les Misérables.” For the son of Marc Schaeffer and Kae Sasaki, this was his fifth year competing in the festival.
The Grant Park High School student made his big stage debut three years ago as Kurt von Trapp in “The Sound of Music,” followed by playing Michael Hobbs in “Elf the Musical” this past winter at the Royal MTC.
Alex recently performed in Grant Park High School’s production of “Something Rotten!” This summer Schaeffer can be seen again at the Winnipeg Fringe Festival, where he will be appearing in a production staged by Rem Lezar Theatre.
Rounding out the voice winners is Lyla Chisick. The daughter of Daniel and Baillee was competing in her second music festival. This year, she scored Gold performances in the “Vocal Solo,” “Manitoba Composers,” and “TV/Movie Musical, 12 and under” categories.
Lyla reports that she began taking voice lessons from Jessica Kos-Whicher three years ago. She says she regularly takes part in the Shaarey Zedek Synagogue Family Service and has sung at several community events. Lyla adds that she is already looking forward to next year’s music festival.
Nate Kravetsky and Juliet Eskin competed in the festival as musicians rather than singers. Juliet, 16, plays the viola, and is also is the violist in the Assiniboine String Quartet. In this, her fifth go-round at the festival, Juliet, the daughter of the musically talented Kelly Robinon and Josh Eskin, had first place finishes in the “Viola Solo, level 8,” “Baroque or Classical Concerto,” and “Romantic Composers” categories.
Juliet originally took up the violin – adding the viola a couple of years after. She also just finished performing in the Grant Park High School production of “Something Rotten!”
Nate Kravetsky is currently in Grade 5 level piano. He studies with Erica Schultz and has been taking lessons from her since age 5.
Nate competed in three categories at the Winnipeg music festival: “Baroque,” “Sonata,” and “Contemporary/own choice.”
His own choice selection was the theme from his favourite video game, “Hollow Knight.”
Nate, who is in Grade 7 at Gray Academy, is also preoccupied preparing for his upcoming bar mitzvah.
We look forward to the continued musical success off Yale, Gregory, Alex, Nate, Juliet and Lyla, and what new talent may be unveiled at next year’s Winnipeg Music festival.
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Local News
Jewish Heritage Centre of Western Canada’s Archivist and Curator Stan Carbone retires
By MYRON LOVE Stan Carbone, a long-time friend of our Jewish community and fixture at the Jewish Heritage Centre of Western Canada (JHCWC) for the past 25 years, retired last week. His last day of work was May 13.
Most recently, he was the JHCWC’s Director of Programs and Exhibits.
“For the past 25 years, the Jewish Heritage Centre of Western Canada has been an integral part of my life,” Carbone said. “I have made a lot of friends in the Jewish community, and I hope to maintain those friendships.”
Carbone’s own history reflects the immigrant experience. He arrived in Canada in 1960 as a three-year-old with his mother and sister, from San Giovanni in Fiore, Calabria in southern Italy. His father had come a few months earlier. Initially, the family settled in Fort Rouge which, at that time, had a substantial Italian community. Within a couple of years, they had relocated to East Kildonan to be closer to where his father’s two sisters and their families lived.
He earned a BA Double Honours in History and Political Studies at the University of Winnipeg, followed by an MA in History at the University of Manitoba, from where he graduated in 1981.
In 1993, he was hired at the Manitoba Museum of Man and Nature (as it was then called) as Curator of Multicultural Studies.
“I always enjoyed doing research,” he said.
His first project for the JHCWC came in 2000, the year after the organization was formed through the amalgamation of the Jewish Historical Society, the Ed and Marion Vickar Jewish Museum of Western Canada and the Freeman Family Foundation Holocaust Education Centre.
Marim Zipursky had approached the Manitoba Museum of Man and Nature looking for a curator to organize a JHCWC exhibit featuring Jewish music and musicians in Winnipeg,” Carbone recalled. “I didn’t know much about Jewish music and musicians, but I was familiar with the Jewish Historical Society – which preceded the JHCWC. I was really impressed by its extensive archives, and I was intrigued by the Jewish community’s history and the wide range of subject materials in the archives.”
The next year, when a position opened at the JHCWC, Carbone applied.
“I have been here ever since,” he said.
Over the past quarter century, Carbone has been involved in bringing to fruition several interesting exhibits. He mentions the synagogues display, a history of the YMHA, and the current exhibit highlighting the important role of women’s organizations. The exhibit that was closest to his heart though was “A Stitch in Time,” a look at how Jews contributed to the development of the garment trade in Winnipeg. Both of his parents worked in the garment industry.
The exhibits though are just one facet of the JHCWC’s focus, Carbone noted. He mentioned how the organization contributed to the publication of Allan Levine’s “Coming of Age: A History of the Jewish People of Manitoba.”
There have also been several compilations over the years of talks that the JHCWC has organized. These are known as the “Jewish Life and Times,” consisting to date of ten volumes.
Carbone further pointed out the organization’s commitment to Holocaust education and the numerous initiatives that have brought that subject to greater public attention.
The organization’s genealogical component, he reported, draws numerous queries from people all over the world.
One particularly interesting project that Carbone spoke about is an ongoing cooperative partnership with Gray Academy. For the past 10 years, the JHCWC has been loaning photos from the archives to the school’s art program, allowing the students to make drawings based on the photos.
“It has been a wonderful program which has given the students a better understanding of local Jewish history,” he said.
“During my time here, we have worked with numerous Jewish and non-Jewish organizations,” Carbone added. “It helps to build bridges between the Jewish and other communities.”
In retirement, Carbone is looking forward to doing more travelling with Anna, his wife of 40 years. They were scheduled to leave for southern Italy on May 16.
He will also continue to be busy in his role as Italy’s vice-consul here, helping fellow Italians and others in Winnipeg.
And he is excited about having more time to spend on his own genealogical and historical research. He has already published two books: “Italians in Winnipeg: an Illustrated History,” and “The Streets Were Not Paved With Gold: A Social History of Italians in Winnipeg”.
A future project which he is seriously considering is a study of the history of Jewish life in Calabria.
He is also working on a family tree.
“I may be retired,” he said, “but I will still be available from time to time to help out if needed.”