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Velimir Kon fulfilled goal to teach Aboriginal students

By MYRON LOVE When Velimir Kon decided 20 years ago that he wanted to dedicate his career to teaching Aboriginal students, he recalls how surprised everyone was at the idea.
“People were in shock,” says Kon – who at a time when he was in his early 50s – had walked away from a comfortable position as a lecturer at the University of Guelph to pursue a new career as a high school maths teacher. “But I felt an empathy for the First Nations communities and was confident that I, as a teacher would be able to make a difference.”
The only person (besides his wife, Branka) who supported Kon’s choice of career path, he notes, was a Chabad rabbi in Hamilton who suggested that the teacher would be following a path pre-ordained by God.
Big Trout Lake in northwestern Ontario and Berens River on the southeastern side of Lake Winnipeg, the First Nations communities where Kon taught for a combined 15 years, were two of the more recent stops on a lengthy life journey for Branka and Velimir Kon that began 70-some years ago in Communist postwar Yugoslavia. Velimir grew up in a community called Osijek – with a Jewish community of about 250 – in what is now Croatia. Branka is from Belgrade, the former capital city of Yugoslavia, which is now the capital of Serbia.
Both Velimir and Branka are children of Holocaust survivors whose fathers were leaders in their respective Jewish communities. They met in a Jewish summer camp (Velimir is three years older) and married in 1975.
While their Jewish communities were largely assimilated, Velimir notes that his zaida was a religious Zionist – his father more of a social Zionist. Velimir himself was a Jewish youth leader in his community. “I visited Israel twice in the 1970s and did consider staying there,” he recalls.
Branka describes her family as Jewish Conservative. “We observed all the Jewish holidays,” she says.
Velimir pursued a career in higher education focusing on agriculture – culminating in a Ph.D. in Agricultural Economics while Branka became a nurse specializing in neo-natal care.
Although the couple were comfortable in Yugoslavia, Velimir notes that by 1988, he could see that in the new post-Tito era that difficult times were coming. Thus, Velimir and Branka and their young daughters, Deborah and Lea, made the move to Canada.
“Everybody was surprised by our decision,” he recalls. “But, three or four years later, civil war broke out and Yugoslavia was no more.”
The family settled in Guelph, Ontario, where Velimir began his career as a lecturer at the university.
It was while at the university that he first met Michael Eskin, the long time professor in the University of Manitoba department of Food and Human Nutritional Sciences, who was at Guelph University for a conference. The Kons and the Eskins became close friends. (I actually met Velimir and Branka in early July when Michael invited us to attend his inauguration into the Manitoba Agricultural Hall of Fame.)
A second couple who became close friends of the Kons in Winnipeg were Gerry and Sharna Posner. Velimir met The Jewish Post & News columnist – who now lives in Toronto – the first time he attended services at the Shaarey Zedek. (Gerry arranged for Velimir and Branka to buy a house right next door to the Posners.)
Velimir reached another turning point in his life 20 years ago, when, at the age of 51, he decided to quit the university and become a high school teacher. “Because my credentials were not from a Canadian university, I came to realize that I was never going to become a professor or even assistant professor,” he recalls. “ I wanted to do something else where I could get steady work. I liked the idea of working with young people.”
So he enrolled in Education at the University of Ottawa. “I liked the idea of working with First Nations students,” he says. “I felt that I could bring compassion and empathy to my teaching and, in a typically Jewish way, look at old problems with new eyes.”
As noted previously, he began his teaching at Big Trout Lake before moving to the Berens River Reserve (population about 1,000) in 2007. Initially, he taught Grades 8 and 9 mathematics.
“I quickly learned that my students didn’t know basic math,” he recounts. I needed to build up their knowledge one step at a time. I incorporated their own life experiences to help them better understand math.”
He also introduced a chess club to the school. “It was a challenge interesting young people to chess who are mainly used to outdoor activities,” he points out. “In our first session, I explained chess in terms of hunting and the need in both cases to develop a strategy. I had ten students in the club.
“One of the benefits of chess for the students is that those who were suffering with ADHD learned to focus better.”
After a few years teaching at the high school, Kon was appointed adult education coordinator for the community. “Teaching literacy and numeracy are very important skills for people,” he notes.
Kon’s success at Berens River can be measured by the frequency with which he was invited to teach as a guest lecturer in other nearby First Nations communities.
Throughout his tenure at Berens River, he points out, he was also aware of the importance of living and modeling a Jewish life. He kept kosher – with Branka bringing him kosher food from Winnipeg (where she and her daughters were living while Velimir was at Berens River whenever she could get out to the community for Shabbat. She continued working as a nurse in Winnipeg.) Or Velimir would stock up when coming home to visit on Yom Tov when he could or at Pesach.
And Shabbat candles always lit at his Berens River residence. He recalls one time when Branka was visiting and the couple invited some of Velimir’s colleagues for Shabbat supper. On one of those occasions, a colleague revealed that she, too, was Jewish but had never lit Shabbat candles.
Another time, Danny Koulack – best known for his association with Finjan – was in Berens River to lead a two-day workshop. “It was Chanukah and we got snowed in,” Kon recalls. “We organized a Chanukah party and invited all the teachers. We lit the candles and everyone joined in the singing.”
Velimir retired in 2017 – about the same as Branka. In 2020 the couple – along with younger daughter Lea, moved to Victoria where Deborah was living and working. All four Kons recently returned to Winnipeg after Lea was hired by the government.
“In a way,” Velimir notes, “working in First Nations Communities, I saw myself as an unofficial ambassador for Israel and the Jewish People. I found that people respected my beliefs and that there was strong support in the communities for Israel. One individual even apologized to me for the Canadian Government’s refusal to accept the Jewish refugees on the St. Louis in 1938.”

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Nakba exhbit at CMHR – you can see it right here and make your own assessment

By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).

There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.

We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.

Here is what we received the morning of June 26:

Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
 
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
 
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.  

Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.

Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.

Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.

Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.

Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.  

Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
 
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit


“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted


“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
 
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
 
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”

  • – Isha Khan, CEO
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A photo that’s being circulated on the internet about me

For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)

Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.

So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.

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Ami Hassan returning as owner of Falafel Place

By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.

Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.

We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.

We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.

Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!

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