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“Antisemitism from the Crusades to the Holocaust”

Lionel Steiman

Presented by LIONEL STEIMAN at the Lanny Remis Speakers Forum, May 8, 2025.

Lionel Steiman

One of the questions I wanted to answer in my course on the history of antisemitism was why culturally assimilated European Jews seemed blind to the rising tide of antisemitism during the years in which they had grown up? Of course they didn’t have the benefit of hindsight. They knew of the pogroms, of course, but they were in Russia, not in such sophisticated centres like Vienna, Prague, and Berlin, cities to which Jews from the east had flocked by the thousands, taking advantage of the opportunities offered during the rapid industrialization of the later nineteenth century. In Vienna they would eventually become the propertied and educated elites of the upper middle class. What they underestimated was the danger they faced from masses prone to the appeals of antisemitic demagogues.


The reason was that these Jews were the beneficiaries of what was called “Jewish emancipation,” the removal of age-old restrictions on Jews that had limited what they could do, where they could live, and much more. Emancipation facilitated the admission of Jews to society on terms of equality with other citizens. They were granted the right to vote, freedom of movement, access to education, and other areas from which they had been barred. France was the first country in Europe to emancipate its Jewish population, which it did during the French Revolution. Subsequently, the process of ‘Emancipation’ was launched everywhere in Europe except the Russian Empire, and by the later 19th century was relatively complete.
Emancipation had been the product of the so-called Enlightenment, when philosophers and rulers got the bright idea that Jews, whom they had regarded as scarcely human, would stop being Jews if only they were given an opportunity to be like everyone else. If they were given freedom, the right to vote, and access to other occupations than peddling and money-lending they would lose the negative characteristics associated with Jews. This Jewish ‘character’ was not considered a matter of ‘race’ or ‘blood’, but was seen as a product of the environment in which Jews were forced to live. But behind these novel ideas lay centuries of popular hatred and prejudice rooted in religion and superstition.

Wilhelm Marr – coined the term “Antisemite”

So it was almost inevitable that there would be a popular reaction against the emancipation of Jews, and attempts made to roll it back. Jewish entry into areas in which they’d never before been seen made people uneasy, to say the least. And because Jews in western Europe were abandoning their distinctive dress and manner, thus assimilating and becoming indistinguishable from non-Jews, their presence came to be feared all the more. Opponents of emancipation demanded the re-imposition of restraints and restrictions on Jews, many of which dated back centuries. They organized and gave themselves a name intended to distinguish themselves from the religious bigots they scorned. Their “The League of Antisemites”, was founded in 1878 by a journalist by the name of Wilhelm Marr.
The word ‘Antisemite’ was a totally new, totally invented word. But it had a scientific ring to it, as did so much else in this age of scientific progress. Antisemitism dissociated itself from the age-old anti-Jewish prejudices rooted in religion and legend, claiming instead to have a basis in science. The word ‘Semite’ was taken from the field of philology and referred to a grouping of languages, though soon it was referring to a category of people as well. And since Jews were the only “Semites” in Europe, it was they whom anti-Semites opposed. Soon, inflammatory antisemitic publicists and their products proliferated in various countries, most especially in France and Germany, the countries where ‘Emancipation’ had proceeded furthest, and needed to be rolled back. Meanwhile, beneficiaries of Emancipation dismissed antisemitism as a matter for the gutter, or for cynical politicians

Karl Lueger, Mayor of Vienna 1897-1910

The most prominent politician to exploit antisemitism before Hitler was Karl Lueger, the famous mayor of Vienna, who used it to woo the masses. During his tenure from 1897 to 1910, Vienna became the most advanced city in the world: public facilities such as gasworks, public transit, and housing were unmatched anywhere else. And nowhere else in Europe did Jews feel more secure. Lueger was a charming man; with Jewish friends, he was often seen attending Jewish marriages and bar mitzvahs. When the contradiction was pointed out, he replied, “I decide who’s a Jew.” Antisemitism was socially acceptable and taken for granted everywhere. After all, compared to Jews in Russia, with regular pogroms claiming hundreds of lives, Jews in Vienna, Prague, Paris, or Berlin were safe and could relax. They would never have dreamed of joining the hundreds of thousands of Jews fleeing Russia for America every year. In fact, they scorned them, and their Yiddish, which they regarded as a “jargon and not a language at all.

Pope Urban II – proclaimed the first Crusade


Nothing remotely like the Russian pogroms had occurred in the West since the First Crusade of 1095. Prior to that, the Jews of Europe had enjoyed relative peace and security. And because their value as physicians, merchants, and scholars were prized by rulers, Jews often enjoyed privileges later denied them. So why had everything changed in 1095, with the launch of the first Crusade, the armed campaign to secure recapture the Holy Land from Islam? When Pope Urban II proclaimed the Crusade he made clear there was no act more deserving of heavenly reward than to die on Crusade: to do so was assurance of immediate salvation. But when the first crusaders set out for the Holy Land, they asked themselves: “Why are we going all the way to the Jerusalem to defeat Christ’s Muslim enemies when the Jews who murdered him are right here among us?” So as the armies of French Knights set out for the East, they plundered and massacred age-old Jewish communities en route, and even made significant detours to do so. Some of the Jewish victims believed their suffering heralded the coming of the Messiah. Others thought the Pope had promised a blanket pardon to anyone who killed a Jew. Jews could save themselves by becoming Christian, and some were offered baptism. Such conversions were rare. Far more common was mass ritual suicide, or “Kiddush ha-Shem”, sanctification of the divine name.


Within a century, popular pressures moved the Pope to decide to legislate that Jews everywhere be required to wear some distinguishing mark. Specifics were left to individual countries. France required Jews to wear a yellow patch on their cloaks; Germany required a yellow, cone-shaped hat. To this day, ‘yellow’ has negative connotations, notably that of cowardice. The year of this legislation was 1215: from that point on, Jews are seldom depicted without such insignia, whether in art, sculpture, or other illustrations. This began a process that continued for centuries: the separation of the ‘image’ of the Jew from their human reality. The very word ‘Jew’ became a synonym for various undesirable qualities, triggering repugnance by its very mention.

This separation of the ‘image’ from the individual allowed Jew-hatred to flourish in the absence of Jewish people. In the mid-1970s a student of mine from Sioux Lookout told me that before he came to Winnipeg he thought that “Jew” was simply a word for crooked bargaining. The boy was himself no anti-Semite; he seemed totally open-minded, and eager to learn. I found that people with Jewish friends or a Jewish doctor or other professional could still hold antisemitic views simply because their prejudices were independent of their lived experience. A colleague from a town in the north of England told me that folks there seemed to have three categories of Jews: there were “powerful international Jewish financiers”; there were the Jews in the Bible- the “Israelites”; and there were Jewish shopkeepers, who were well liked but who didn’t affect their prejudices about “the Jews.”

Where did all this begin, this separation of “Jews” from the individual human beings they really were? We have to go back to the very beginning of Christianity, which began as a radical messianic sect of Jews, whose leader, a young rabbi called Jesus, was tried and executed by a Roman court under the authority of the Roman Governor. His followers believed he was the “Messiah” who would transform Israel. Their foremost missionary was Saul of Tarsus, much later known as St. Paul. Although Saul’s original mission was to persecute the followers of Jesus, he underwent a conversion “on the road to Damascus” and joined them. Paul’s sermons and letters became central books in what eventually became the New Testament. Because Greek was the common language of the eastern Mediterranean world, Saul became Paul, and “Messiah” became ‘Christos’. Soon Christians and Jews became ever deeper entrenched in an antagonistic relationship. Christians couldn’t understand why Jews refused to recognize the truth and accept Christ. Either they must be blind, or stupid. Since obviously they were neither, they must be evil. And so in the New Testament’s book of John they are “sons of the devil” and bound to do his work. (John 8:14) During the Holocaust, some people cited the passage from Matthew in which the Jews implicitly confess their guilt for the death of Christ: “His blood be upon us and our children” (Matthew 27:25).


Throughout the centuries that followed, Jews were depicted in various art forms as devil-like creatures, with horns and tails and cloven feet. Sculptures on churches and public places showed Jews with blindfolds signifying they were blind to truth. A particularly popular motif was the so-called “Judensau”, which depicted a rabbi lifting the tail of a huge pig to look for his Talmud, while other Jews gathered beneath the pig to suckle. Variations of the “Judensau” can still be found sculpted in public places in Europe. Then there was the so-called “foetor judaicus.”, the innate stench of the Jewish body. And it only got worse.

Image of the “devil-like” Jew


The Church Fathers who laid the theological and pastoral foundations of Christianity defined Jews as a threat to the moral and political foundations of Christendom, just as they were a threat to the soul of every individual Christian. Some Church Fathers accused Jews of killing Christ, thus making all Jews thereafter guilty of the crime of “Deicide”, killing God! Scores of other accusations against Jews proliferated. The logic was simple: for if you would kill the Savior, what else wouldn’t you do? Soon Jews were being accused of all manner of outlandish crimes: spreading plague by poisoning wells; killing Jewish children to use their blood in baking matzoh; and even drinking Jewish blood in their rituals. If you would believe what was patently impossible- since drinking blood was taboo for Jews, what wouldn’t you believe? And thus, reasoned one prominent historian of antisemitism, the road to Auschwitz was begun over a thousand years ago.

Mendel Beilis


Incidentally, the last “blood libel” trial was held in Kiev (then in the Russian Empire) Russia in 1913. The verdict was ambiguous: yes, the crime had indeed been committed, but the accused, Mendel Beilis, was not the murderer. Although both sides could claim victory, the trial helped perpetuate the myth of ritual murder: the killing of a Jewish child to use its blood to bake matzoh.
But if the “road to Auschwitz” was begun a thousand years ago, why wasn’t the attempt to exterminate Jewry also begun a thousand years ago? After all, in the 4th century C.E. Christianity became the official religion of the Roman Empire; the Romans made life difficult for Jews but made no attempt to kill them all. Why not? The answer lies with the greatest of the Church Fathers, St. Augustine (354-430). It is true, he wrote, that the Jews are guilty of the crime of Deicide, of killing the Savior. So they should be persecuted, but not too much; and they must be made to suffer, but not too much. And they should not live near Christians. Their suffering and eternal “wandering” would be proof of their guilt; and they would be living (if unwilling) witnesses to the truth of the Christian faith. This idea was repeated in variations by subsequent Popes, who in any case held out the possibility that Jews could avoid all this by converting. The Jewish communities of Europe, despite some ups and downs, were able to live relatively peaceful lives. Theirs was not an unbroken tale of suffering. But the myths, legends, and lies about them remained.


The attack on this hateful tradition began in the 18th century, the age of Enlightenment. The absurd notions of Jews having horns or drinking Christian blood now seemed out of place. Philosophers and intellectuals attacked all manner of superstitions including those that appeared to support Christianity. In attacking the Church these thinkers also attacked its beliefs that justified Jew-hatred. The further decline of religion in subsequent centuries occasioned by the rising prestige of science might have resulted in a decline of anti-Jewish prejudice, but instead the whole cluster of prejudice and superstition only found a more secure foundation in science.
Of course the word ‘science’ here must be qualified, for in the 19th and even part of the 20th centuries “science” included craniology, physiognomy, and eugenics. Today they are regarded as pseudo-sciences and historical curiosities, but prior to World War II they enjoyed a respect like that accorded to physics or any other exact science. Everywhere, “race” was accepted as a valid category for defining human groups, though its analytical usefulness was increasingly questioned until the term itself was discarded. By the 1880s Europe had completed its ranking of the world’s so-called “races” along a sliding scale. White, northern Europeans topped the list, which ranked other inhabitants according to skin colour, head-shape, physiognomy, and other physical characteristics, all of which were believed to denote the intellectual and moral qualities indicating a group’s level of ‘civilization. So where did Jews fit in? At first they were ranked simply as a sub-group of Europeans; one theory even had them at the apex of the white race; but antisemites attempted to find a scientific basis for excluding them. Since the Middle Ages, as was pointed out, Jews were believed to have a distinctly unpleasant odor, so there must be a scientific basis for it; but none was found. Researchers fanned out over Europe measuring skulls, noses, and other physical features thought to distinguish Jews from other white people. Was there a typical ‘Jewish nose’? One survey found the so-called Jewish nose was most prevalent in the Polish nobility. Research found no support for the popular belief that Jews were dark while gentiles were fair. Regional variations were such that many different ‘races existed within any given country. Wider research showed that Jews tended to resemble the populations in whose midst they resided.


In today’s “post-Truth” era we know too well that dangerous beliefs can persist despite overwhelming evidence against them. This is what happened with the cluster of beliefs encompassed in the term ‘antisemitism.’. The failure of science to support antisemitism or the notion of “race” did not stop people from believing that it did. Others recognized that science could provide little support to prejudice, so antisemites shifted their ground again: the essence of race, they argued, was in the blood—not in its physical elements but in elements which could not be measured, and whose power was therefore all the greater. By thus elevating ‘race’ to the level of ‘mystery’ late 19th century racists were merging prejudices based on religion with the emerging force of nationalism based on “race.” To the ancient belief that Jews were the enemies of Christ was added the modern belief that they posed a threat to the nation. Thus religious and racial antisemitism were strengthened by the most powerful political force ever to emerge, modern nationalism. And because Jews were a threat to race, which was the biological foundation of the nation, they were enemies of the state.

Alfred Dreyfus


The political force of this antisemitism showed itself in 1897 with the election of Karl Lueger as mayor of Vienna, who was mentioned earlier. The antisemitism that was such a powerful force in central Europe also ignited the worst political crisis in France since the French Revolution, the Dreyfus Affair. Raging at the very time Lueger was making Vienna the most advanced city in Europe, the Dreyfus Affair threatened to destroy the French Republic. Spreading far beyond the issue of the guilt or innocence of Alfred Dreyfus, the Jewish officer charged with treason, it polarized the nation between supporters of the Republic, and those who would restore the pillars of the old order: Monarchy, Church, and Aristocracy.
With the spread of industrialism and its threat to agrarian and village life, there was a heightened urgency to demands that the influence of Jews be curbed. The prominent role of Jews in finance capital and speculation earned them blame for the scandals and crashes that dogged the era. Jewish prominence in the free professions of medicine, law, journalism and publishing all increased Jewish vulnerability to various charges of malfeasance. Add to this the persistence of the blood libel, and public depiction of Jews as pigs, goats, and devils; the stereotypes of greedy, conniving Jews proliferating in literature and fairy tales everywhere—the list goes on and on. The reality is that antisemitism had come to permeate the intellectual and cultural life of Europe. Its assumptions were widely shared across the political spectrum; general distaste for Jews was fashionable in high society; blatant antisemitism was articulated at all levels of culture, and freely expressed from church pulpits and in parliaments- including those of Canada.


But what was it about antisemitism in Germany that made the country ripe for a rabidly obsessive anti-Semite like Adolf Hitler? Israel’s most respected Holocaust historian once commented: “If people had been told in 1914 that within one generation most of the Jews of Europe would be murdered, their answer would most certainly have been: The French are capable of any crime.” The reason for this comment was that France was by far the most prolific producer and disseminator of antisemitic literature, purveyed by some of its most respected writers and intellectuals across the political spectrum; it was the home of repeated outbursts of vicious Jew-hatred, most notorious of which was the Dreyfus Affair, the likes of which had never been seen in Germany. The name Edouard-Adolphe Drumont (1844-1917) is synonymous with French antisemitism. In 1886 he published La France Juive. Its Index listed not only prominent Jews but all prominent figures having anything to do with Jews, implicating thousands in what many already believed was an inevitable national degeneration. Drumont provided a list of “hidden Jews” who had been masquerading as Frenchmen. Since antisemitism permeated every element of French culture and politics, there was no need for a specifically anti-Semitic party or movement. Antisemitism was simply a constant in culture and society.

Germany was considered the safest country in Europe for Jews, and although antisemitism was certainly widespread, it hadn’t occasioned significant violence there since the revolutionary upheavals of 1848. So what happened? Why was the Holocaust “Made in Germany”? The answer is Adolf Hitler. There is a consensus amongst many historians: “No Hitler, No Holocaust.” Antisemitism was a necessary cause of the Holocaust, but it was not a sufficient cause. The Nazis were an insignificant bubble in the froth of discontent, for which people commonly blamed the Jews. In the years following World War I, Antisemitism was common currency in political discourse all over Europe. For Hitler, communism and capitalism were both Jewish conspiracies, and the major figures in both were all of them Jews, whether in Moscow or New York. During the 1920s, support for the Communists and Nazis grew, especially during the Great Depression. In 1932, 30% of the German labour force were unemployed, compared to 22.5% in the US and 24% in Canada. Even so, the Nazi victory was not inevitable. In late 1932 the party’s electoral support was declining. There were several other options available, and yet President Hindenburg chose to appoint Hitler Chancellor.
Hitler’s subsequent dismantling of German democracy is part of a complex political story involving far more than the antisemitism which was common everywhere. In any case, Hitler’s genocidal hatred of Jews was not wholly representative. Antisemites may have desired the exclusion of Jews, but not the annihilation of the Jewish people. While Hitler’s murderous fantasies were exceptional, he was able to gain control over the entire state apparatus necessary to realize them. And however extreme his views, their individual elements were available and accessible throughout the Christian West. Everywhere in Europe, the Nazis found accomplices in murder because their victims were Jews, everywhere the historical ‘other’. The Holocaust was the product of a pervasive antisemitism that, in the Nazi mind, placed the Jewish people outside the bounds of humanity, and marked them for extinction.

Features

In Dan Brown’s chaotic tale of a rampaging Golem, a case of missing Judaism

The Jewish cemetery in Prague, which gets about a paragraph of mention in a book about the Golem in Prague. And a mud creature.

By Mira Fox September 27, 2025

This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.

Sign up for Forwarding the News, our essential morning briefing with trusted, nonpartisan news and analysis, curated by Senior Writer Benyamin Cohen.


Strap on your best smooth-soled Italian loafers and get ready to spring over some cobblestones, because Robert Langdon — everyone’s favorite tweed-jacketed, baritone-voiced, handsome Harvard “symbologist” — is back, and he’s racing through the streets of Prague.

In Dan Brown’s newest thriller, however, there’s no Dante or Mary Magdalene; Brown is finally veering away from the Christian mythos that drove all of his previous adventures such as The DaVinci Code and Angels and Demons. This time, he’s taking on something older and far more mysterious: Judaism.

Each of Brown’s symbology books has a central guiding myth or story, i.e. the Holy Grail, Dante’s Inferno or the Founding Fathers’ involvement with Freemasonry. The Secret of Secrets follows the same formula, and its opening moments make its central myth obvious. Within the first few pages of the book, the Golem of Prague — which for some reason Brown insists on spelling as Golěm — has already murdered someone.

The story proceeds about as you’d expect, if you’ve read any of the previous Robert Langdon novels; though it has been eight years since we last read about the Harvard professor’s misadventures, he remains dashing and impressively fit for his age, as Brown reminds us regularly, though this time we hear less about his penchant for tweed. Langdon still has a photographic memory, which still comes in handy as he deciphers various codes, and the book is still loaded with long tangents about the history of various buildings and artifacts that Langdon is sprinting by. (Even while desperately attempting to escape from a gunman in a historic library, the symbologist has the presence of mind to consider the artist behind the frescoes on the ceiling.)

But the book is notably lacking in something surprising: the Jewish history of Prague, or of the Golem, or blood libel. There are no Hebrew translations or reinterpretations of Talmudic texts. We don’t learn some little known midrash that holds a secretive double meaning. These are the kinds of factoids that usually drive Brown’s mysteries, yet they’re absent.

The plot revolves, instead, around a damsel in distress, who readers may remember from the previous Langdon books: The beautiful “noetic scientist” Katherine Solomon, who is about to publish an academic treatise detailing her research on human consciousness and death. Apparently some very powerful people want to destroy her manuscript, so the action and mystery unfold across Prague as Langdon attempts to save Katherine, save her book, and — hey why not — save all of Prague and also maybe the United States. And, somewhere in there, a Golem is on the loose.

Brown’s previous novels have delved into various Christian mysteries with vigor and palpable fascination; whatever Brown’s many foibles as a writer, you could tell that he was excited by the myth of the Holy Grail, which took centerstage in The DaVinci Code, which he reinterpreted to be an allegory about a love affair between Jesus and Mary Magdalene. In Angels and Demons, Brown has great fun with the secretive inner workings of the Vatican, and Inferno is laden with delighted diversions into Christian history and ideas about the afterlife, courtesy of Dante Alighieri’s Divine Comedy.

In The Secret of Secrets, Brown outlines the basic myth of the Golem: Rabbi Judah Loew, a 16th century Talmudic scholar and leader of Prague’s Jewish community, created a magic guardian out of clay to protect the ghetto from antisemitic attacks. Loew engraved the word “emet,” or truth, in Hebrew on its forehead to bring it to life. Eventually the Golem turned on the rabbi, almost killing him, until Loew managed to rub away the aleph in “emet,” turning the word to “met,” or death, and stopping the creature; its body was placed in an attic in case it was needed again.

That’s about all we get, yet there’s so much more to explore. In another version of the story, Loew made sure to erase the aleph from the Golem’s forehead every Shabbat to allow it to rest; instead of going on a murderous rampage, the creature was eventually destroyed because it desecrated the holy day. According to some stories, a Nazi tried to ransack the attic where the Golem was stored, and died mysteriously. Others say its body was stowed in a genizah, where sacred Jewish texts are placed since they cannot be destroyed.

Then there is the actual Jewish history, the blood libel, accusations of witchcraft and antisemitic laws that kept Jews segregated in Prague’s ghetto. There is also Loew’s own life as a lauded Talmudic scholar — not a Kabbalist, as Brown describes him — and, of course, a rich tradition of Talmudic and midrashic exegesis. The setting is rife with the kind of symbols and mystery that Brown uses as fodder in all his other thrillers, inventing secret societies and mystical artifacts lost to history.

Instead, The Secret of Secrets has no Jewish characters and very little Jewish history. Though Brown sprinkles in a few of Prague’s Jewish landmarks — the Old-New Synagogue and the city’s historic Jewish cemetery — the book still manages, despite its Golem centerpiece, to spend most of its time in churches. When Langdon first encounters the Golem and sees its forehead inscription, Brown notes that the symbologist “did not read Hebrew well,” though the professor, who specializes in religion, regularly relies on his fluency in Greek, Latin, Arabic, Cyrillic and even a fake angelic language invented by two crackpot mediums that was never spoken by more than a handful of people. At one point, the Golem is described as arriving “like some kind of ascendant Christ.”

The real focus of the book is an imaginary bit of science having to do with human consciousness and life after death, a topic Brown has been exploring in the Langdon books for some time now. His interest in religion seems to stem from the idea that they are all, fundamentally, the same, and that all religions are reaching for proof that life persists after death.

But Judaism doesn’t. There are concepts — which Brown overemphasizes — like gilgul or gehenna that imply some post-death experience, but they’re not central to Jewish thought. Though one of the characters reads Loew’s most famous text, Brown clearly didn’t. (Like most works of Jewish commentary, it’s hardly the kind of work one buys in a bookstore and reads in a sitting.)

It’s not as though Brown’s previous books got everything, or even most things, right about Christianity. His wacky inventions are part of the fun — no one is reading a thriller about a fictional professor of an imaginary discipline for accuracy. The Golem is a myth, a rich story that has remained resonant over the centuries due to its flexibility and ability to be reinterpreted; Brown can make whatever he wants of it. The problem is that he has made so little.

Mira Fox is a reporter at the Forward. Get in touch at fox@forward.com or on Twitter @miraefox.

This story was originally published on the Forward.

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Features

Top Free Slot Demos You Can Play Right Now

Sometimes, you might not want to pay for spinning reels. Maybe you just don’t have cash at the moment, or you want to just play for fun without any responsibilities. And that’s totally normal. Free slot demos are there for you. If you’re looking for some great options to play right now, here are the top free slot demos that are worth checking out.

Free slot demos that bring the fun

Sweet Bonanza

Fans’ favorite Sweet Bonanza demo play offers a candy-themed slot. Instead of traditional paylines, it uses a 6×5 grid where wins happen when you land eight or more matching symbols anywhere on the screen. Every win triggers the tumble feature. It means that winning symbols disappear, and new ones drop in. Potentially, they chain multiple wins together.

The highlight, though, is the free spins round. If you land four or more lollipop scatters, you’ll get 10 free spins. They’d be complete with colorful multiplier bombs that can reach up to 100x. Since the game is known for high volatility, demo mode is a nice way to test whether you enjoy the thrill of chasing those big but less frequent wins. Plus, the candy graphics and upbeat soundtrack make the whole experience surprisingly addictive.

Big Bass Bonanza

If you prefer fishing rods to candy canes, Big Bass Bonanza is another top demo slot you should try. It’s simple and fun. It has a free spins feature where the fisherman collects money values that are attached to fish symbols. As you progress through levels, multipliers increase. And it gives you a shot at some impressive wins. The demo version is a great way to see how often the fisherman shows up and whether this type of slot is what you might like.

Cleocatra

Cleocatra slots are about ancient Egypt with adorable cats. As fun as it sounds, it somehow works. The base game features wild multipliers. However, the free spins round is what makes it truly interesting. Sticky wilds lock in place and can quickly build up some wild combinations. In demo mode, you’ll get to see how powerful those sticky wilds can be without risking any cash.

Boom!

Among the slots that are packed with features, Boom! is worth a spin in demo. This game offers expanding wilds, free spins, jackpots, and even multiple bonus games. It might not be the greatest choice if you’re new to slots. There are just so many different things that it might feel overwhelming. Well, it’s free. So, even if you want to try, there’s nothing to be afraid of. That’s exactly why demo play is so useful. You can try out each feature and figure out whether you like the layered gameplay.

Sweet Bonanza 1000

Yes, Sweet Bonanza deserves two mentions. The newer Sweet Bonanza 1000 takes the original formula and cranks up the intensity. There are bigger multipliers, higher max wins, and even more fun. It makes this version perfect for people who just want extra adrenaline. Why should you try it? You can actually see if the higher risk is what you can go after. It’s more volatile than the original. That’s why trying the demo play is a wise choice.

Why play free demos?

Of course, the feeling is completely different from playing for real money. However, there are people who enjoy slots not because of the potential winnings. Here are some other reasons to pay attention to them:

  1. You can get the full slot experience without spending anything at all;
  2. You can actually figure out the bonus trigger, scatter, and volatility;
  3. You can see how bonus buys, multipliers, and jackpots actually play out;
  4. You can choose if you like slow and steady play or big swings.

Final thoughts

With the option to play free slot demos, you can try popular titles like Sweet Bonanza without any risks. Surely, they can help you just kill the time. However, they can also let you figure out the mechanics and test features. There are lots of them, and you can test them all. After that, you can decide you’re up to bet real money.

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New movie, “Bau, Artist at War,” now playing in Winnipeg, tells the amazing story of Joseph Bau, whose marriage to his wife Rebecca was made famous in “Schindler’s List”

They can starve us, beat us, cage us – but they could never kill our spirit. – Joseph Bau
A gripping new movie, titled Bau, Artist at War, is now on at the Cineplex Odeon McGillivray Theatre.

The movie tells the story of Joseph Bau, whose dramatization of his marriage in Plaszow concentration camp to his wife Rebecca was an unforgettable scene in the movie Schindler’s List.

The film is based in large part on Bau’s memoir, Dear God, Have You Ever Gone Hungry? (published in 1998). The film was written by Deborah Smerecnik, Ron Bass, and Sonia Kifferstein, and is directed by Sean McNamara.

Emile Hirsch as Joseph Bau

Featuring stellar performances by Emile Hirsch (who appeared in Once Upon a Time in Hollywood) as the protagonist, and Inbar Lavi (who appeared in the Israeli television series Fauda and the U.S. television series Imposters) as Rebecca, the movie is a combination love story and espionage tale that deserves attention in an era, as one commentator has said, “where survivors are fading away, and the Holocaust is slipping from memory.”
It’s also a story about resistance during the Holocaust.  

A scene set in Krakow, where Joseph Bau and his family lived before they were all taken to Plaszow Concentration Camp

In the movie, during his time in Plaszow Concentration Camp, Bau is a Jewish forger, an artist and a designer. He is employed by the brutal commandant Josef Liepold to draw a newly planned wing in the prison. He is simultaneously forging IDs for Jewish inmates helping them escape the prison. Hirsch as Bau, also draws comics for the prisoners, and his gift of art inspires his future wife with his colorful “lifegiving” creations, to which she responds in the gloomy setting of the death camp. McNamara cleverly intercuts these wonderful artworks within the film’s action.
Joseph Bau was a man who defied the darkness of the Holocaust with art, humor, and an unbreakable spirit. A gifted artist and master forger, Bau risked his life to save others, using his talent to create false documents that helped fellow prisoners escape certain death. But in the depths of despair, he discovered something even more powerful…love.
In the Plaszow concentration camp, amid relentless brutality, Joseph met Rebecca – a woman whose courage matched his own.

Emile Hirsch as Joseph Bau, testifying against the sadistic Nazi officer who tormented him

Years later, when Joseph is called to testify against the sadistic Nazi officer who tormented him, he is forced to relive the horrors of his past. But through it all, he draws strength from the love that saved him, the art that sustained him, and the unyielding will that kept him alive.
A gripping war drama, a daring espionage thriller, and one of the greatest love stories of our time, Bau, Artist at War is a testament to the power of resilience, the triumph of the human spirit, and the unbreakable bonds that even war could not destroy.

More stills from the movie:

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