Features
Cruise ship singing star looking forward to going back to sea
By MYRON LOVE After ten years – literally – at sea, it should come as no surprise that Winnipeg-based cruise ship entertainer Rochelle Kives is missing the life aquatic.
“I love to travel and working on cruise ships has been part of my life for so many years,” she notes.
That is not to say though that the daughter of David and Margarita Kives is unhappy being at home again.
Since deciding that she and her husband, Ruslan Rusin, wanted to raise their family (including four-year-old Paulina) in Winnipeg, the mezzo soprano and her musician husband – his instrument is the upright bass – have found plentiful opportunities in Winnipeg. Kives has appeared with both the Winnipeg and the Regina Symphony Orchestras, singing the role of Bloody Mary in the two orchestras’ tribute to “South Pacific”. She has also been featured in Dry Cold Production’s “Kiss of the Spider Woman”. She has also had roles in the Manitoba Theatre Centre’s Shakespeare Festival of “Elizabeth Rex” and Manitoba Theatre for Young People’s presentation of “Year in the Life of Frog and Toad” and had appeared pre-Covid in Rainbow Stage’s staging of “Ma-Buhay” – a celebration of Filipino talent in our city. (Kives’ mother is of Filipino origin.)
She notes that her husband has also worked with the WSO and RSO and was involved in the MTYP “Year in the Life of Frog and Toad”.
The couple are looking forward to their first live concert since pre-Covid days. That would be the final concert in the Gwen Secter Creative Living Centre’s summer outdoor concert series (“Live from the Lot”) on August 25th ( with shows scheduled for 11:00 and 1:00.
Kives will be singing songs from Broadway, compositions from Rodgers and Hammerstein and numbers made popular by Barbra Streisand. Kives and Rusin will be joined on stage by Renate Rossol on keyboard.
Kives further reports that she and Rusin are part of Prairie Heart, a cover band, and are available for bookings.
“Being able to perform with my husband means a lot to me,” she says.
In addition to stage work, Kives has become involved in film and digital productions. She workshopped with the Winnipeg Jewish Theatre to produce a digital filming of, “Precipice”, a story written by Winnipegger Primrose Madayag Knazan about a Filipino girl’s journey of conversion from Catholicism to Judaism (as did Kives’ mother), trying to determine if she in converting for herself or her partner.
She has also participated in an MTC film production for the Manitoba Museum for Human Rights – working with Rob Paterson – entitled “Where.Are.You.From” – also written by Primrose Madayag Knazan – about identity, racism and how to deal with it.
And she has been teaching yoga and barre (a fusion of yoga and pilates) for the past few years.
Her first love however remains singing.
Kives began taking singing lessons at the age of nine and made her debut at Rainbow Stage in 1997 in a production of “South Pacific”. Raised in River Heights, she graduated from Grant Park High and the performing art program at Sheridan College in Oakville, Ontario.
“I was grinding it out in Toronto in 2007 – dealing with the challenges of being young and adjusting to living in a new city when I learned that auditions were being held for singers for a cruise ship. There were hundreds at the audition but I was hired.”
She recalls that for the first month on board, she was constantly seasick and second-guessing her choice, but, after that initial period, she never experienced seasickness again.
Initially, she worked strictly for the Norwegian and Celebrity Cruise Lines but has since sailed at one time or another with all the major cruise lines.
In winters, she says, the cruises generally would start out from Fort Lauderdale or Miami, in summers from Rome, Athens or Southampton in England.
“I have been all over the world and learned so much from working on cruise ships,” she says. “I became a more versatile performer. I can sing in a variety of styles. I picked up choreography very quickly. I had to learn how to perform on rocking and rolling ships.
“Most important of all was that I met my husband when he came on board in the Baltic. We worked several cruises together while developing a shipboard romance. We married in 2014.”
Kives notes that for most of her time at sea, she was working on long-term contracts and she and the other cast members were essentially considered members of the crew. As such, there were certain rules, including living in crew quarters, wearing name tags and limiting interaction with the passenger/guests.
“I did develop some friendships with guests over time, though,” she reports. “But my best friends were among the other performers.”
She explains that each show generally consisted of four singers, ten dancers and four acrobats.
And she would be able to get off at ports during shore leave whereas certain other crew members’ jobs required them to stay on board at all times.
She notes that on longer cruises, she would be doing only three shows with theme nights filling in the other evenings.
Kives says that the longest period that she was at sea was for a year and the last major contract that she signed as a crew member was in 2015. In 2016, she and a couple of colleagues working under the name “Unique Three” have developed a show that combines Broadway numbers, Soul and Rock.
“Now, we take on short term contracts as guest artists,” she says. “We are working on tweaking our show and looking forward to being back at sea by the end of the year.”
Uncategorized
Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
Features
They Deserve the Very Best”: The Doctors Bringing Specialist Care to Holocaust Survivors at Home
Features
The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
