Features
Dan Petrenko brings a youthful enthusiasm to his role as the new WJT artistic director
By BERNIE BELLAN At the age of 24, Dan Petrenko became the youngest artistic director of any of the member theaters of the Canadian Professional Association of Canadian Theaters (PACT) when he was hired this past November as the new artistic director of Winnipeg Jewish Theatre.
Dan was actually in London, England, having just moved there two and a half months previously, when he was contacted by a recruiter for the WJT, who asked him whether he might like to meet with the WJT board (via Zoom) to discuss the possibility of his becoming the new WJT artistic director.
The WJT’s previous artistic director, Ari Weinberg, announced in June 2022 that, after seven seasons as WJT artistic director, he would be moving on to a new position in Ontario.
Now in its 35th season the WJT has had only five artistic directors prior to Dan Petrenko: Bev Aronovitch, Kayla Gordon, Mariam Bernstein, Michael Nathanson, and Ari Weinberg. The WJT is the only professional theatre company in Canada dedicated to developing and producing new Jewish works.
Recently, we sat down with Dan Petrenko to discuss the path he took to his present position.
Dan was born in Israel, the son of Jewish parents who had moved from their hometown of Odessa in Ukraine.
A formative influence in his life, he says, was his grandmother, who had been a pianist in Ukraine. She had aspirations early in her life to study in a music conservatory, but the antisemitism that was pervasive in the Soviet Union prevented her from achieving that ambition. Instead, she had to travel all the way to Siberia in order to obtain training to become a pianist.
In 1991, Dan’s parents made two momentous decisions, he says: They got married and they moved to Israel, settling in Givaataim.
As Dan describes it, “For the first time in their lives, my parents felt they could be Jewish.”
Life in Israel was good for the Petrenkos, but things changed for the worse in 2006 when Israel became engaged in a major conflict in Lebanon.
Dan and his sister were enrolled in a kindergarten in Givaataim when, one day after dropping Dan and his sister off, his parents heard on the radio that a bus had exploded right next to their children’s kindergarten.
“They didn’t want to leave Israel,” Dan observes, but, like other Israelis who wanted to find someplace safer in which to raise their children, his parents decided to leave, eventually moving to Toronto.
Arriving to Toronto, however, had a paradoxical effect on the Petrenko family, Dan explains.
“In Israel you didn’t have to be Jewish; everyone was.” But coming to Toronto, with its polyglot ethnic mix, awakened a desire in the Petrenkos to embrace their Jewish heritage.
“It was in Toronto that we celebrated our first Passover seder,” Dan says. “We also started going to synagogue for the first time.”
As well, the Petrenkos started keeping kosher and observing Shabbat, something Dan says he adheres to.
Still, when I asked Dan whether he went to Jewish school in Toronto, he says he didn’t.
His first real immersion in a Jewish milieu in Canada, he explains, came when he went to a Jewish summer sleep-over camp near Toronto, called J Academy.
“It was specifically for kids from Russian-speaking Jewish backgrounds,” he explains.
In time Dan went on from being a camper at J Academy to becoming a counsellor, and eventually a senior staff member.
It was also during his high school years that Dan says he began playwriting and directing. In fact, when he was still in high school, Dan wrote a play called “Train for Two,” which was based on his own family’s experience in the Holocaust. Later, he was able to mount a successful production of that play when he was only 17 and had started his own youth theatre company called JDY Theatre.
I asked Dan from where he derived his artistic sensibility?
He answers that, as a young boy, his grandmother had taken him to the opera and to ballet, so developing an interest in theatre was a natural progression.
Even through his years at the University of Toronto, where he double majored in Theatre and International Relations, Dan remained the artistic director of JDY Theatre.
By the time the Covid epidemic began in 2020, however, Dan had moved on to become artistic director of another theatre company: Olive Branch Theatre, which is described as “a non-profit professional company dedicated to providing opportunities for new-generation artists.”
In 2022 Dan returned to university to obtain his masters degree in Theatre. That same year he directed a production of “A Night on Jewish Broadway” in the newly renovated Leah Posluns Theatre in the Bathurst Jewish Community Centre.
This past fall, Dan decided to move to London to pursue opportunities in the West End theatre district.
While in London, he received that unexpected request from a recruiter for the WJT.
It turns out that Dan already had an extensive knowledge of the WJT, as he explains: “I had written a paper on the WJT while I was in university.”
His meeting with the WJT board via Zoom must have been an impressive one for, as Dan says, “I was offered the job the same day.” (He also says he has no idea how many other people might have been considered for the job as WJT artistic director.)
By the same token, the immediate positive reception Dan received from the WJT board was reciprocated. “After meeting with the board,” he says, “I felt this was an organization I wanted to be a part of…So far I feel I’ve hit the jackpot.”
We also have a story by Myron Love about WJT’s upcoming production of “Summer of Semitism,” but we wanted to ask Dan about the play. Since he was hired after the 2022-23 playbill had been announced, Dan won’t be at the helm of the play. (It will be directed by Winnipeg’s Krista Jackson, a former associate artistic director at the Manitoba Theatre Centre.)
The play was written by Ori Black, a young Torontonian. “It’s been in development for six years,” Dan explains.
“It’s a play about belonging – or not belonging,” he continues. “Is it only in a time of crisis that we think we’re part of the Jewish community?”
The play is set in an overnight summer camp (Camp Mazel), where four friends who grew up together and who are now tasked with running the camp, find they have to deal with an unexpected challenge having to do with antisemitism. (We won’t reveal the exact nature of what that challenge is.)
Tension develops among the four camp leaders stemming from the fact that one of them isn’t Jewish.
As Dan puts it: “They’re all brothers, but the question is: ‘Who belongs…who really fits in in a time of crisis?”
The show is intended to provoke a wider discussion of antisemitism and how we respond to it. Dan notes that following two of the shows – on April 30 and May 4, audience members will be invited to participate in a talk-back session.
Tickets for “The Summer of Semitism” can be obtained from the WJT, either online at https://www.wjt.ca or by calling 204-477-7478.
Features
BOOK REVIEW: “Fighting the Hate: A Handbook for Jews Under Siege”
Reviewed by MURRAY BENDER “Thinking on your feet”—quickly defending a position in a coherent, persuasive manner—is a situation that many people find challenging and stressful. “If only I had said this.” or “Why didn’t I say that?” Hindsight is always 20-20.
Following the Hamas atrocities of October 7, 2023, it has become increasingly necessary for diaspora Jews to “think on their feet” as they unwittingly face a barrage of tough, sometimes hateful, questions about Jews and their Israeli homeland.
Why is Israel committing genocide in Gaza? Why doesn’t Israel return the land it has stolen from Palestinians? Why are Israeli settlers attacking Palestinian farmers? How is Israel different from apartheid South Africa? Why can’t I criticize Israel without being called antisemitic? Is it true that Jews control the world? The list of potential questions is nearly endless.
Engage or hide? This is the difficult choice that confronts Jews as they look to deal with anti-Jewish and anti-Israeli behaviour. Fortunately, author and journalist Melanie Phillips comes to the rescue with her practical and insightful book, Fighting the Hate: A Handbook for Jews Under Siege.
According to Phillips, the dilemma has no single answer. “People need to decide how to behave in accordance not just with the specific circumstances but also with their own attributes and limitations.”
Some regard engagement with their opponents as a sacred duty. “They believe it is a betrayal of the Jewish people not to uphold Israel’s case.” Ohers may be uncomfortable with such a direct approach, but “those who decide to keep their heads down and avoid any altercation may well find that this leaves them with a permanent sense of regret and even failure,” she says.
As a result, it’s probably a good idea to adopt some sort of balance. And that’s where Phillips’ 150-page handbook comes in.
She starts by providing context around the “crisis of legitimacy and acceptance” from which Jews are reeling post-October 7. On the basis of extensive conversations with Jews from across the U.S., Britain and Australia, the author found that many “were near stupefied by the terrifying hatred and irrationality that was unfolding around them.” Again and again, they asked: “What should we do? What can we do?”
In response, Phillips offers a pragmatic approach to help prepare for the inevitable conversations, including a number of key principles:
- Get smart rather than emotional
- Stop playing defence
- Find common ground
- Be positive and confident
- Keep physically safe
Based on these overarching criteria, she provides an extensive list of quick and clever retorts to a range of different situations, emphasizing that “it’s our duty to our children and grandchildren to fight for truth and justice.”
So, the next time it is necessary to “think on their feet,” diaspora Jews will be able to respond quickly and confidently to those difficult questions about themselves and Israel. And they can thank Melanie Phillips for coming to the rescue.
Fighting the Hate: A Handbook for Jews Under Siege by Melanie Phillips is available online from Amazon and Indigo.
Features
ESports Meets Casinos: Overview of Bet Sport Gaming
ESports has become part of the interactive entertainment of online casinos. In fact, many fans already have the opportunity to use Dragonia Casino Bet Sport options while watching the matches of their favorite teams. The hybrid entertainment model opens up many possibilities and increases audience engagement. When video games intersect with betting, it creates a unique collaboration where participants have the opportunity to get a completely new experience right in their own home. At the same time, you can continue to enjoy the usual viewing of familiar tournaments and competitions.
How ESports and Casinos Interconnect
ESports has become a multi-billion-dollar industry that attracts spectators. Traditional casinos are focused on luck. But now they are introducing additional methods of encouraging their customers. Among such options, eSports events deserve special attention. Such bet sport offers combine the usual excitement with an element of competition. The structure of the casino entertainment provides participants with the opportunity to test their skills and reveal their own hidden talents. There are several forms of integration of eSports mechanics into the structure of a classic online casino:
- Competitive betting. Online casinos provide the opportunity to bet on eSports tournaments, which is similar to the usual sports betting. In addition, the possibilities are significantly expanded compared to simple viewing platforms.
- Skill-based casino games. Games inspired by eSports encourage players to actively participate in what is happening on the screen. The games reward the player’s results with certain prizes.
- Interactive arenas. Some casinos broadcast eSports events in real time. This allows players to follow the games directly online, which creates a feeling of real participation in familiar entertainment.
- Cross-platform interaction. Online casinos are introducing eSports-style leaderboards and achievements to attract more participants.
Such innovations appeal to new participants. Cultural changes are part of the development of the infrastructure of the classic casino, and eSports fans find a new environment for entertainment and communication.
Growth of ESports Betting
Global eSports revenue in 2025 exceeded $1.5 billion. Each bet sport option has made a significant contribution to the development. Surveys show that over 60% of players will express interest in betting on eSports, which reflects the demand and the need to develop an updated infrastructure for participation.
ESports events attract 15-20% more new participants compared to conventional casinos. The eSports betting market will exceed $20 billion by 2027, according to analysts’ forecasts, which encourages new participants to more actively watch tournaments and participate in various types of activity.
Why Fans Choose ESports
Bet sport gambling is gaining popularity. This is due to several reasons. For example, large casinos in Las Vegas and Macau now host full-fledged eSports tournaments alongside traditional entertainment. Venues are also experimenting with separate fan zones where sports betting and classic gambling are available.
Some of the most popular eSports disciplines are League of Legends and Counter-Strike: Global Offensive. Some online casinos even introduce eSports mechanics into slots so that players can try something new.
In short, the intersection of eSports and casinos is a natural development of the industry. Competitive play and an optimized betting system create a comfortable environment for true fans who want to diversify their leisure time.
Features
Card Game Traditions: Complete Review from Casino Online Lolajack Experts
Card games have been around for centuries. They are constantly evolving and improving. For example, there are now many different formats of online games available. On sites like casino online Lolajack https://Lolajack.com/ca/, you can choose a title according to your preferences and skills. The traditions of card games date back to ancient times. To better show yourself, it is worth familiarizing yourself with these features. This way, you will gain experience, have a good time, and get acquainted with something completely new.
Roots of Card Games
Card games directly reflect cultural identity. They have a unique mathematical structure and thoughtful moves that make even professionals think. Depending on the tradition, the rules differ, but the basic principles always remain similar. Each game has a unique origin:
- Poker. It originated in the USA back in the 19th century. During its existence, many variations of gameplay have appeared. It combines risk, strategy, and psychology; therefore, it requires high skill from each player.
- Baccarat. This game has ancient origins. It appeared in the 15th century in Italy, after which it spread throughout Europe. Now it is the basis of any operator like casino online Lolajack.
- Rimmy and bridge. Card games require the cooperation of participants, so coordinated communication is important here.
- Blackjack. This is the perfect combination of skill and chance. The player needs to learn to make decisions quickly and monitor the circumstances.
Card games have their own origins and characteristics. Currently, they are an integral part of any online casino, offering a wide range of opportunities for participants.
Why Card Games Are So Popular
Experts from casino online Lolajack emphasize the importance of card games in many cultures. For example, poker remains the leader for a reason. There are more than 100 million active players worldwide who compete and work on their skills. Blackjack also does not lag behind the trends. The level of participation exceeds 40% of regular online casino users.
Every year, the level of online card games grows by 10%. This is possible due to digitalization and increased player awareness. In addition, seasonal events also increase the involvement of participants during peak periods.
Traditions of Card Games
Unique events attract the attention of fans. For example, the World Series of Poker attracts not only participants but also millions of viewers around the world. Sites such as casino online Lolajack also give participants the opportunity to try their hand and compete with professionals.
Baccarat is associated with high stakes. This is especially noticeable among the Asian audience, who like to put probability theory into practice. Blackjack also has an appeal among math lovers. The probabilities of the model and observations directly affect the decisions of players. Online casinos strive to ensure that participants have the opportunity to communicate and find an activity option according to their own preferences.
As a result, card games remain the true leaders of the gambling market. They not only entertain, but also develop attention, perseverance, and social skills. A large selection of various variations of classic games allows you to choose the version that suits your preferences. Developers do not lag behind trends and do everything possible to surprise fans.