Features
Dan Petrenko brings a youthful enthusiasm to his role as the new WJT artistic director
By BERNIE BELLAN At the age of 24, Dan Petrenko became the youngest artistic director of any of the member theaters of the Canadian Professional Association of Canadian Theaters (PACT) when he was hired this past November as the new artistic director of Winnipeg Jewish Theatre.
Dan was actually in London, England, having just moved there two and a half months previously, when he was contacted by a recruiter for the WJT, who asked him whether he might like to meet with the WJT board (via Zoom) to discuss the possibility of his becoming the new WJT artistic director.
The WJT’s previous artistic director, Ari Weinberg, announced in June 2022 that, after seven seasons as WJT artistic director, he would be moving on to a new position in Ontario.
Now in its 35th season the WJT has had only five artistic directors prior to Dan Petrenko: Bev Aronovitch, Kayla Gordon, Mariam Bernstein, Michael Nathanson, and Ari Weinberg. The WJT is the only professional theatre company in Canada dedicated to developing and producing new Jewish works.
Recently, we sat down with Dan Petrenko to discuss the path he took to his present position.
Dan was born in Israel, the son of Jewish parents who had moved from their hometown of Odessa in Ukraine.
A formative influence in his life, he says, was his grandmother, who had been a pianist in Ukraine. She had aspirations early in her life to study in a music conservatory, but the antisemitism that was pervasive in the Soviet Union prevented her from achieving that ambition. Instead, she had to travel all the way to Siberia in order to obtain training to become a pianist.
In 1991, Dan’s parents made two momentous decisions, he says: They got married and they moved to Israel, settling in Givaataim.
As Dan describes it, “For the first time in their lives, my parents felt they could be Jewish.”
Life in Israel was good for the Petrenkos, but things changed for the worse in 2006 when Israel became engaged in a major conflict in Lebanon.
Dan and his sister were enrolled in a kindergarten in Givaataim when, one day after dropping Dan and his sister off, his parents heard on the radio that a bus had exploded right next to their children’s kindergarten.
“They didn’t want to leave Israel,” Dan observes, but, like other Israelis who wanted to find someplace safer in which to raise their children, his parents decided to leave, eventually moving to Toronto.
Arriving to Toronto, however, had a paradoxical effect on the Petrenko family, Dan explains.
“In Israel you didn’t have to be Jewish; everyone was.” But coming to Toronto, with its polyglot ethnic mix, awakened a desire in the Petrenkos to embrace their Jewish heritage.
“It was in Toronto that we celebrated our first Passover seder,” Dan says. “We also started going to synagogue for the first time.”
As well, the Petrenkos started keeping kosher and observing Shabbat, something Dan says he adheres to.
Still, when I asked Dan whether he went to Jewish school in Toronto, he says he didn’t.
His first real immersion in a Jewish milieu in Canada, he explains, came when he went to a Jewish summer sleep-over camp near Toronto, called J Academy.
“It was specifically for kids from Russian-speaking Jewish backgrounds,” he explains.
In time Dan went on from being a camper at J Academy to becoming a counsellor, and eventually a senior staff member.
It was also during his high school years that Dan says he began playwriting and directing. In fact, when he was still in high school, Dan wrote a play called “Train for Two,” which was based on his own family’s experience in the Holocaust. Later, he was able to mount a successful production of that play when he was only 17 and had started his own youth theatre company called JDY Theatre.
I asked Dan from where he derived his artistic sensibility?
He answers that, as a young boy, his grandmother had taken him to the opera and to ballet, so developing an interest in theatre was a natural progression.
Even through his years at the University of Toronto, where he double majored in Theatre and International Relations, Dan remained the artistic director of JDY Theatre.
By the time the Covid epidemic began in 2020, however, Dan had moved on to become artistic director of another theatre company: Olive Branch Theatre, which is described as “a non-profit professional company dedicated to providing opportunities for new-generation artists.”
In 2022 Dan returned to university to obtain his masters degree in Theatre. That same year he directed a production of “A Night on Jewish Broadway” in the newly renovated Leah Posluns Theatre in the Bathurst Jewish Community Centre.
This past fall, Dan decided to move to London to pursue opportunities in the West End theatre district.
While in London, he received that unexpected request from a recruiter for the WJT.
It turns out that Dan already had an extensive knowledge of the WJT, as he explains: “I had written a paper on the WJT while I was in university.”
His meeting with the WJT board via Zoom must have been an impressive one for, as Dan says, “I was offered the job the same day.” (He also says he has no idea how many other people might have been considered for the job as WJT artistic director.)
By the same token, the immediate positive reception Dan received from the WJT board was reciprocated. “After meeting with the board,” he says, “I felt this was an organization I wanted to be a part of…So far I feel I’ve hit the jackpot.”
We also have a story by Myron Love about WJT’s upcoming production of “Summer of Semitism,” but we wanted to ask Dan about the play. Since he was hired after the 2022-23 playbill had been announced, Dan won’t be at the helm of the play. (It will be directed by Winnipeg’s Krista Jackson, a former associate artistic director at the Manitoba Theatre Centre.)
The play was written by Ori Black, a young Torontonian. “It’s been in development for six years,” Dan explains.
“It’s a play about belonging – or not belonging,” he continues. “Is it only in a time of crisis that we think we’re part of the Jewish community?”
The play is set in an overnight summer camp (Camp Mazel), where four friends who grew up together and who are now tasked with running the camp, find they have to deal with an unexpected challenge having to do with antisemitism. (We won’t reveal the exact nature of what that challenge is.)
Tension develops among the four camp leaders stemming from the fact that one of them isn’t Jewish.
As Dan puts it: “They’re all brothers, but the question is: ‘Who belongs…who really fits in in a time of crisis?”
The show is intended to provoke a wider discussion of antisemitism and how we respond to it. Dan notes that following two of the shows – on April 30 and May 4, audience members will be invited to participate in a talk-back session.
Tickets for “The Summer of Semitism” can be obtained from the WJT, either online at https://www.wjt.ca or by calling 204-477-7478.
Features
Rabbi Gary Zweig’s new book provides humorous and moving accounts of making minyans in unlikely circumstances
By MYRON LOVE The recitation of the kaddish is a central tenet of Jewish religious life. Even members of our community who are largely secular will likely recite the words of the kaddish for a parent, sibling or spouse at some point in their lives – even if only at the grave site.
The kaddish can only be recited publicly in the presence of a minyan – a gathering of ten (men in the Orthodox tradition. The number, as explained by Rabbi Gedalia (Gary Zweig), stems from the number of spies – as written in the Torah – whom Moshe rabbenu sent into the promised land and who came back with negative reports as compared to the two spies – one of whom was Joshua – who said that the land was flowing with milk and honey.
It is this challenge of putting together minyans for a mourner to recite the kaddish in different locales and circumstances – when a minyan in a shul is not possible – that is the subject of Zweig’a newly released book, “Kaddish Around the World” – a 90-plus page compilation of short stories – some humourous, some heartwarming – of successful efforts to recruit enough daveners for a kaddish minyan, ranging in time and space from a Super Bowl game in San Diego to the middle of a game reserve in South Africa to a Jewish museum in Cordoba in Spain – in a city largely devoid of Jews.
Zweig, who hails from Toronto, was in Winnipeg over Yom Tov to lead services – along with Toronto-based Chazan Manny Aptowitser – at the Chavurat Tefila Talmud Torah Synagogue. On the Tuesday just before Yom Kippur, the synagogue hosted an evening to provide the rabbi with a venue to discuss his new book – a sequel to his first book, “Living Kaddish,” which he released in 2007 (and has been translated into Russian and Spanish).
Zweig is one of the original Aish Hatorah-trained rabbis – having attained his smicha in 1982 from Rabbi Noah Weinberg, the founder of Aish Hatorah. He (Zweig) is much travelled, himself having led Yom Tov services in such exotic locales as Bermuda, Barbados and Curacao in the Caribbean, Mexico and Sweden.
Zweig noted that he was inspired to write “Living Kaddish” after his mother passed away in 2002 when, on one occasion, he was not able to find a minyan so that he could say kaddish.
In his presentation at the Chavurat Tefila, he observed that the first Jew to mention kaddish is purported to be Rueven – about 3,500 years ago – on the passing of his father, Yaacov (Israel). About 900 C.E., Zweig continued, kaddish became part of the liturgy and, 200 years later, was included in the siddur.
It is interesting, he noted, that kaddish is said not for the deceased, but, rather, the living. There is no mention of the Lord in the kaddish either. Kaddish is actually a prayer for hope and the future.
For a parent, one is required to say kaddish three times a day – morning, afternoon and evening – for 11 months. For a sibling, child (God forbid), relative or others, the requirement is just 30 days.
One of the stories in “Kaddish Around the World” tells of one of Zweig’s own experiences – after his father died in 20201 at the age of 101. The author happened to be at a family bar mitzvah in Orlando several months later. He fully expected that in a city with a Jewish population the size of Orlando, he wouldn’t have any trouble putting together a minyan for a Sunday morning. He felt even more confident when he noticed that an AMOR Rabbis convention was being held at the same hotel. On inquiring which sort of rabbis these were, he learned that AMOR stood for “Association of Messianic Rabbis”.
Come Sunday morning, most of the bar mitzvah guests had gone home. He could only muster eight for the minyan. He thought he could try the messianic group in the hope that some of them may have been born Jewish. Four of the group offered to help. A Chabad rabbi suggested that Zweig ascertain that each had two Jewish parents. Two qualified.
Zweig quoted one of the two messianic rabbis who said, after the service that ”this was the most moving service I have ever experienced.”
“Maybe Hashem brought me to that particular hotel at that particular time so that I could provide them with little spark of what Judaism is about,” Zweig said.
Another of the stories in the book concerns a shopkeeper in an American mall where many of the other store owners were also Jewish. The individual, Yossi, needed a minyan for mincha (the afternoon prayer) but couldn’t afford to close his business. He figured he could round up enough of the other store keepers to form a minyan. Everyone he approached was willing to come if he were to be the tenth. (In my own years organizing minyans, that was something I heard often enough – “call me if I will be the tenth”). Yossi’s solution was to assure each one he asked that, yes, he would be the tenth.
“Kaddish Around the World” is available on Amazon and also in digital ebook format and as an audio book.
In addition to being a rabbi and author, Zweig also is a singer/songwriter working in his own genre – Jewish rock and roll. He has a band called “The Kiddush Club,” and a CD called “TOYS.” In addition, he has recently launched a YouTube channel called “Living Kaddish”.
Features
The Gaza Peace Plan is not a Done Deal, but an Opening
By HENRY SREBRNIK (Oct. 23, 2025) The idea that Hamas will voluntarily disarm, that international forces will deploy in the Gaza Strip, and that the process of building a Palestinian government by people like former British Prime Minister Tony Blair, in which a disarmed Hamas does not participate, are false hopes, if not fantasies. But does this mean U.S. President Donald Trump’s peace plan was useless? Of course not.
Trump understood the necessity of bringing the war to an end. But he also believed that endless debate among experts or, worse, historian and lawyers, would never produce an agreement. He presented an offer – actually, an ultimatum – to Benjamin Netanyahu and Hamas that neither could refuse: immediate, unconditional and complete release of all hostages and missing persons, something the Israeli public longed for, in exchange for a final end to the war, which a humbled Hamas needed.
Two years of war has left Hamas weaker than it had been in decades. Israeli bombardments had shattered the group’s military capabilities and depleted its arsenals. In many neighborhoods, control had drifted to local clan networks and tribal councils. This hinted at something that could one day replace Hamas’s iron grip. To prevent this, Hamas has been ruthlessly murdering all potential rivals in the areas of Gaza it controls since the ceasefire went into effect.
Despite the severe degradation of its military capabilities during the war, Hamas still has more soldiers and weapons than all its rival factions in Gaza combined. Hamas has managed to redeploy approximately 7,000 militants to reassert control over the territory. They have publicized photographs and videos of their forces murdering and torturing; the victims include women and children.
The ceasefire is a temporary reprieve for Hamas: a chance to regroup, rearm, and prepare for the next round of fighting. In Islamist political thought there’s a word for it, hudna — a temporary truce with non-Muslim adversaries that can be discarded as soon as the balance of power shifts. Then the time for jihad will arrive again. Hamas was established in 1987 and isn’t going to disappear.
In fact Hamas also says it expects an interim International Transitional Authority to hire 40,000 Hamas employees, and Hamas spokesman Basem Naim says he expects its fighters to be integrated into a post-transition Palestinian state.
Still, Trump has succeeded in ending the current war in Gaza, where Joe Biden failed. Biden’s national security team, drawn almost entirely from his supposed expert class, didn’t even see the crisis coming. Just five days before the attack, National Security Adviser Jake Sullivan had published an article in Foreign Affairs in which he wrote that “the region is quieter than it has been for decades.”
Biden also had insulted the Saudi crown prince, Mohammed bin Salman, by publicly condemning the 2018 murder of Saudi dissident journalist Jamal Khashoggi. And, of course, there was Biden’s poor relationship with Netanyahu, and his chronic inability to get the Israeli prime minister to do what he wanted.
By contrast, Trump returned to office with substantially more influence in both the Gulf and Israel, based on his first-term successes in the Middle East, especially the Abraham Accords (for which he’s never been praised by his political enemies).
Four Arab countries formally recognized Israel, beginning with the United Arab Emirates and Bahrain, followed by Sudan and Morocco. The next stage was intended to include Saudi Arabia. One motive put forward by some analysts for the October 7 attacks was that they were intended to provoke Israel into a response that would derail Saudi Arabia’s admission.
Instead of sitting Israelis and Arabs in a room and expecting them to negotiate an outcome, Trump’s approach has been to exert leverage through other players in the region, especially, Egypt, Turkey, and – most importantly – Qatar.
In Jerusalem, they call Qatar “the spoiler state.” Israelis describe the emirate as two trains running behind the same engine. One, led by the Qatari ruler’s mother and brother, supports the Muslim Brotherhood and is an unmistakable hater of Israel. The other, led by the prime minister, Mohammed bin Abdulrahman bin Jassim Al Thani and several other senior figures, seeks rapprochement with the West.
The Qataris were shocked when Israeli jets on Sept. 9 conducted an airstrike in Doha targeting the leadership of Hamas. They then signed onto Trump’s peace plan at a meeting in New York Sept. 23, hosted by Trump and Qatari Emir Sheikh Tamim Ibn Hamad Al Thani, and attended by the leaders of eight Arab states, along with members of the Organization of Islamic Cooperation.
Netanyahu was then browbeaten into accepting the plan (and also forced to apologize to the Emir for the airstrike). It was somewhat ironic that the airstrike made the peace plan possible. As well, Trump’s attack on Iran’s nuclear facilities in June gave this negotiation some very sharp teeth.
“If you would rather leave peacemaking to the historians and diplomats, then you may wait a long time for wars to end,” suggested Niall Ferguson of the Hoover Institution at Stanford University, in an Oct. 15 Free Press article. His advice? Go to the “deal guys: They get the job done.”
In a sense, both Israel and Hamas had accomplished their goals. Israel had broken the Iranian axis of terror by eliminating Hezbollah and Hamas as a fighting force, along with the Iranian nuclear threat. Hamas had succeeded in luring Israel into a trap that led it to become hated and isolated around the world. This included the labelling of Israel as genocidal and the global call for a Palestinian state.
The rest of the 20-point peace plan will be addressed in a step-by-step fashion. Meanwhile, Israel must ensure that it retains freedom of action in Gaza, by decisive action against any attempt by Hamas to rebuild its army, its rockets, its battalions and its divisions.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
Features
Why Fitness Routines Fall Apart — and How to Rebuild Yours
Every spring, gyms see a flood of hopeful faces. New shoes, fresh playlists, unwavering intentions, by mid-summer? Half of them vanish into the fog of abandoned routines. The story repeats year after year until it starts to feel almost scripted. Why does enthusiasm evaporate? The easy answer involves willpower but that explanation misses the point. Habits don’t fail because people are weak. Life stress, boredom, and monotony ruin routines. Timely lever pulls can change narratives. The hardest part is persevering when motivation wanes.
Mistaking Motivation for Momentum
Most chase that opening surge, the lightning strike of motivation, but then stop searching once enthusiasm fizzles. A scroll through sites like PUR Pharma (pur-pharma.is/) or a glimpse of an influencer’s progress triggers a burst of action: new workout gear ordered, plans scribbled in planners destined for dusty drawers. Yet momentum fades when small setbacks pop up (a late meeting here, rainy weather there). Real progress comes from building systems stronger than any fleeting pep talk. Those who frame fitness as something owed to motivation end up back at square one every time life interrupts, which it always does.
Overcomplicating Everything
It’s tempting to turn wellness into a science fair project with spreadsheets and specialized equipment lined up on day one. This is the allure of complexity disguised as seriousness, a new diet paired with seven types of supplements and four color-coded bottles. Simplicity gets lost in the noise almost instantly. Most successful routines rely on two principles: keep it simple and keep showing up even when everything else is chaos outside those gym walls. Anyone insisting that perfection is required before taking step one has already constructed an excuse not to begin at all.
Forgetting Fun Completely
Who decided exercise must hurt or look like punishment? Somewhere along the line, fun got swapped out for grind culture and “no pain, no gain.” That isn’t just unappealing, it’s unsustainable over months or years. If sessions feel like torture devices borrowed from medieval times, nobody should be surprised when commitment falters fast. Seek activities that actually spark some joy or curiosity, a dance class instead of yet another treadmill session, maybe, or play a pickup game rather than slogging through solo circuits again and again.
Ignoring Recovery (and Reality)
Sleep deprivation, disguised as discipline, fools anyone, except perhaps uncritical Instagram followers. Ignoring recovery turns ambition into tiredness faster than any missed session. Because bodies break without rest, routines must breathe with owners. Cycling, real leisure, and honest self-checks regarding weekly goals build endurance, not continual pushing.
Conclusion
Change rarely arrives by force alone but usually grows quietly from patterns repeated imperfectly over time, even if last month looked nothing like this week so far. Drop the hunt for nonstop inspiration. Instead of breaking behaviors at the first hint of stress or boredom, build habits that last. People who rebuild methodically after every stumble or detour make progress, not those who peak and then fall.