Features
Dan Petrenko brings a youthful enthusiasm to his role as the new WJT artistic director
By BERNIE BELLAN At the age of 24, Dan Petrenko became the youngest artistic director of any of the member theaters of the Canadian Professional Association of Canadian Theaters (PACT) when he was hired this past November as the new artistic director of Winnipeg Jewish Theatre.
Dan was actually in London, England, having just moved there two and a half months previously, when he was contacted by a recruiter for the WJT, who asked him whether he might like to meet with the WJT board (via Zoom) to discuss the possibility of his becoming the new WJT artistic director.
The WJT’s previous artistic director, Ari Weinberg, announced in June 2022 that, after seven seasons as WJT artistic director, he would be moving on to a new position in Ontario.
Now in its 35th season the WJT has had only five artistic directors prior to Dan Petrenko: Bev Aronovitch, Kayla Gordon, Mariam Bernstein, Michael Nathanson, and Ari Weinberg. The WJT is the only professional theatre company in Canada dedicated to developing and producing new Jewish works.
Recently, we sat down with Dan Petrenko to discuss the path he took to his present position.
Dan was born in Israel, the son of Jewish parents who had moved from their hometown of Odessa in Ukraine.
A formative influence in his life, he says, was his grandmother, who had been a pianist in Ukraine. She had aspirations early in her life to study in a music conservatory, but the antisemitism that was pervasive in the Soviet Union prevented her from achieving that ambition. Instead, she had to travel all the way to Siberia in order to obtain training to become a pianist.
In 1991, Dan’s parents made two momentous decisions, he says: They got married and they moved to Israel, settling in Givaataim.
As Dan describes it, “For the first time in their lives, my parents felt they could be Jewish.”
Life in Israel was good for the Petrenkos, but things changed for the worse in 2006 when Israel became engaged in a major conflict in Lebanon.
Dan and his sister were enrolled in a kindergarten in Givaataim when, one day after dropping Dan and his sister off, his parents heard on the radio that a bus had exploded right next to their children’s kindergarten.
“They didn’t want to leave Israel,” Dan observes, but, like other Israelis who wanted to find someplace safer in which to raise their children, his parents decided to leave, eventually moving to Toronto.
Arriving to Toronto, however, had a paradoxical effect on the Petrenko family, Dan explains.
“In Israel you didn’t have to be Jewish; everyone was.” But coming to Toronto, with its polyglot ethnic mix, awakened a desire in the Petrenkos to embrace their Jewish heritage.
“It was in Toronto that we celebrated our first Passover seder,” Dan says. “We also started going to synagogue for the first time.”
As well, the Petrenkos started keeping kosher and observing Shabbat, something Dan says he adheres to.
Still, when I asked Dan whether he went to Jewish school in Toronto, he says he didn’t.
His first real immersion in a Jewish milieu in Canada, he explains, came when he went to a Jewish summer sleep-over camp near Toronto, called J Academy.
“It was specifically for kids from Russian-speaking Jewish backgrounds,” he explains.
In time Dan went on from being a camper at J Academy to becoming a counsellor, and eventually a senior staff member.
It was also during his high school years that Dan says he began playwriting and directing. In fact, when he was still in high school, Dan wrote a play called “Train for Two,” which was based on his own family’s experience in the Holocaust. Later, he was able to mount a successful production of that play when he was only 17 and had started his own youth theatre company called JDY Theatre.
I asked Dan from where he derived his artistic sensibility?
He answers that, as a young boy, his grandmother had taken him to the opera and to ballet, so developing an interest in theatre was a natural progression.
Even through his years at the University of Toronto, where he double majored in Theatre and International Relations, Dan remained the artistic director of JDY Theatre.
By the time the Covid epidemic began in 2020, however, Dan had moved on to become artistic director of another theatre company: Olive Branch Theatre, which is described as “a non-profit professional company dedicated to providing opportunities for new-generation artists.”
In 2022 Dan returned to university to obtain his masters degree in Theatre. That same year he directed a production of “A Night on Jewish Broadway” in the newly renovated Leah Posluns Theatre in the Bathurst Jewish Community Centre.
This past fall, Dan decided to move to London to pursue opportunities in the West End theatre district.
While in London, he received that unexpected request from a recruiter for the WJT.
It turns out that Dan already had an extensive knowledge of the WJT, as he explains: “I had written a paper on the WJT while I was in university.”
His meeting with the WJT board via Zoom must have been an impressive one for, as Dan says, “I was offered the job the same day.” (He also says he has no idea how many other people might have been considered for the job as WJT artistic director.)
By the same token, the immediate positive reception Dan received from the WJT board was reciprocated. “After meeting with the board,” he says, “I felt this was an organization I wanted to be a part of…So far I feel I’ve hit the jackpot.”
We also have a story by Myron Love about WJT’s upcoming production of “Summer of Semitism,” but we wanted to ask Dan about the play. Since he was hired after the 2022-23 playbill had been announced, Dan won’t be at the helm of the play. (It will be directed by Winnipeg’s Krista Jackson, a former associate artistic director at the Manitoba Theatre Centre.)
The play was written by Ori Black, a young Torontonian. “It’s been in development for six years,” Dan explains.
“It’s a play about belonging – or not belonging,” he continues. “Is it only in a time of crisis that we think we’re part of the Jewish community?”
The play is set in an overnight summer camp (Camp Mazel), where four friends who grew up together and who are now tasked with running the camp, find they have to deal with an unexpected challenge having to do with antisemitism. (We won’t reveal the exact nature of what that challenge is.)
Tension develops among the four camp leaders stemming from the fact that one of them isn’t Jewish.
As Dan puts it: “They’re all brothers, but the question is: ‘Who belongs…who really fits in in a time of crisis?”
The show is intended to provoke a wider discussion of antisemitism and how we respond to it. Dan notes that following two of the shows – on April 30 and May 4, audience members will be invited to participate in a talk-back session.
Tickets for “The Summer of Semitism” can be obtained from the WJT, either online at https://www.wjt.ca or by calling 204-477-7478.
Features
Winnipegger behind restoration of historic Jewish cemetery in Portugal

By MYRON LOVE The Butterfly Effect is roughly the idea that, metaphorically, great trees grow from small seeds or, to be more specific, the theory that tornadoes in North America may be triggered by a butterfly in Africa – or a seagull in the Atlantic – flapping its wings multiple times.
This story is an example of the Butterfly Effect in human terms. Roughly 40 years ago, a Winnipegger by the name of Bonnie Neil – she was known as Bonnie Griffith back then – happened to be visiting Portugal – in her role as program director of the old Hargrave YMHA’s Stay Young seniors group – and came across an abandoned Jewish cemetery in the south of the country. She mentioned the sorry state of the cemetery to a member of the small Jewish community in Lisbon. Now, that cemetery is a Jewish heritage site.
A social worker by training, she was hired by the Y in 1975 to work with teens. After a short time, she switched her focus to developing programming for older Jewish adults. “I founded the Stay Young Club,” recalls Neil (who isn’t Jewish). “When I started at the Y, there were no programs for older adults. I first proposed to Les Marks (who was then the Y’s executive director) the idea of programming for older adults and he gave me carte blanche to create programming.”
With funding from the Jewish Foundation and the Federal Government’s New Horizons program, Neil set to work. She began with a weekly gym and swim program, then added a weekly lunch, a Yiddish group, a choir and a light exercise group. Within a couple of years, the Stay Young Club was offering activities for older adults every week day.
The ambitious Neil then began going further afield. She began organizing short trips for Stay Young members, starting with Calgary and Edmonton, subsequently to Florida and Palm Springs. Looking even further afield, she took her charges to Israel three times –with assistance the first time from the well known Noach Witman (who operated Witman Travel in addition to hosting the Jewish Radio Hour). Subsequent Israeli trips were organized through Beth Shore at Flair Travel.
Les was always asking me where we were going to go next,” she remembers. “I had come across a little book listing places of Jewish interest. I noticed that Portugal wasn’t listed. We had been flying with CP Air -which flew to Portugal. I decided to go to Portugal to see for myself what might be of interest to Jewish travellers.
“As I knew nothing about the country, I asked a Jewish woman I met what there was in Portugal that might be of interest to Jewish travellers? She suggested I visit the southern city of Faro where there was a Jewish cemetery.”
Now some background: It is common knowledge (I think) that all Jews (except those who were willing to convert to Christianity) were expelled from Portugal in 1496 – four years after Jews were expelled from Spain. I hadn’t given much thought to what Jewish life in Portugal was like following the expulsion. According to information that Neil gave me, Portugal began allowing some Jews back into the country in the early 1800s. During World War II, the country became a haven for Jews fleeing Nazi persecution. Thousands of Jewish refugees found safety in Portugal. After the war, most left for other destinations. The Jewish population currently is about 900 – with two-thirds living in Lisbon, the capital.
(Ed. note: Portugal has become a prime destination for Israelis seeking to obtain citizenship in a different country, although without actually leaving Israel. According to the Times of Israel, over 60,000 Israelis have been granted Portugese citizenship, although only 569 had actually moved there as of September 2023. According to the TOI article, ‘The surge of Israeli applicants began after Portugal passed its “law of return” in 2015, allowing the descendants of Portuguese Sephardic Jews who were affected by the 16th-century Inquisition to apply for nationality. The Portuguese government has announced plans to end this policy in December 2023, saying its purpose of reparation will be ‘fulfilled.’ “
It sounds quite similar to the vast number of Lebanese who hold Canadian citizenship – between 40-75,000. It seems that Portugal and Canada offer attractive alternative destinations for Israelis on the one hand, and Lebanese on the other. If either group thought their lives were truly in peril, then they would have a safe place to where they could run, but in the meantime both Israelis and Lebanese seem content to stay where they are.)
In the 15th century, Faro had been a centre of Hebrew printing. The Jewish community began to be reconstituted in the 19th century. The cemetery was opened in 1820. In the 1860s, Jews from Morocco settled in the community – with some Russian and Polish Jews coming before World War I.

So Neil traveled to Portugal on an exploratory visit and asked her guide to show her the cemetery. She was horrified by what she saw.
“The last Jewish resident of Faro had died a year before,” she recalls. “When I arrived, the gates were locked. I could see that there was garbage and weeds everywhere. I also learned that the city was planning to tear down the cemetery to expand a sports field nearby. I let it be known that I was planning to bring a group of Jewish tourists and I got a promise that the cemetery would be cleaned up.”
During a stopover in Lisbon, she mentioned the cemetery’s deplorable condition. Then she went home. As it happened, the tour was cancelled due to a lack of registrants.
She says that she never gave Portugal another thought.
In 1985 she left the Y for government employment. “While I loved working at the Y,” she says, “I was a single mother by then with two children – and the government was offering a salary that was twice what the Y was paying.”
Recently, Neil learned what happened to the cemetery. It seems that shortly after she alerted the Jewish community in Lisbon, a community member by the name of Ike Bitton founded the Faro Cemetery Restoration Fund. The result of the fundraising effort resulted not only in the cemetery’s restoration, but also the opening a small Jewish museum containing a display of furniture from Faro’s synagogues.
Neil left government in 1992 to go into private practice in the social work field. She notes that she did some programming with seniors at the Simkin Centre. She retired in 2014. She still supports some Jewish institutions such as the Winnipeg Jewish Theatre.
Features
Famous Gambling Scandals and Controversies: Allyspin Casino Opinion

The gambling industry is full of scandals and controversies. There are various cases of fraud and manipulation schemes. That is why it is very important to pay attention to reliable gambling sites like Allyspin online casino, which follows the rules of responsible and safe gambling for its fans. Research shows that more than one trillion dollars are bet worldwide every year. That is why it is very important to be able to distinguish safe and reliable sites from fraudulent ones.
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Gambling Industry Reforms after Scandals
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The Future of Casino Security and Fraud Prevention
Large sites like Allyspin casino continue to expand, introducing enhanced security and fraud prevention tools. In the near future, such unique features will be available:
Fraud detection systems based on artificial intelligence and machine learning. Automation of processes helps to detect any fraudulent facts much faster compared to traditional methods.
Blockchain technology and cryptocurrency. Cryptocurrency payments help not only simplify payments for users, but also reduce the risks of unauthorized transactions.
Biometric and multi-factor authentication. Thus, users undergo unambiguous identification, which reduces the risk of account use by fraudsters.
Cybersecurity plays an important role in online casino gambling. Modern sites implement the latest mechanisms to combat fraud, ensure fair gaming process and fully protect honest players.
Features
Canada Is Failing Its Students on Holocaust Education — Here’s What Must Change

By EMILY (surname withheld by request) We received the following article from a third-year Health Sciences student at Western University, who wrote that as “a Jewish student, I have seen firsthand how Holocaust education in Canada is falling short and how that failure is contributing to fear, misinformation, and rising antisemitism on campuses like mine.”
Despite curriculum requirements, Holocaust education in Canada is alarmingly inadequate. A recent survey found that nearly one in five young Canadians believe the Holocaust has been exaggerated. This highlights a dangerous gap in historical understanding, leaving students vulnerable to misinformation, denial, and rising antisemitism. If Canada is serious about combating hate, it must take Holocaust education far more seriously.
When asked whether Holocaust education in Canada is lacking, Professor Hernan Tessler-Mabe, historian and coordinator of Jewish Studies at Huron University, did not hesitate: “You are 100 percent correct.”
While most provinces claim to include Holocaust education in their curricula, the programming and implementation of curriculum tends to be inconsistent and inadequate. A student’s understanding of one of history’s greatest atrocities depends heavily on where they go to school, which teacher they have, and whether their school offers substantive instruction. The result is misinformation, denial, and rising antisemitism.
Avoiding Holocaust education allows dangerous myths and conspiracy theories to spread unchecked. Without an understanding of the Holocaust and the centuries of antisemitism that preceded it, students are ill-equipped to identify modern antisemitism in the world around them. This antisemitism manifests into everyday conversation, online spaces, and political discourse.
To address this crisis, Canada must act with urgency in three key areas. These include consulting experts, confronting difficult material, and properly training educators.
First, schools and provincial governments must consult those who specialize in Holocaust history and education. “It is the most important thing,” Dr. Tesler-Mabé, Associate Professor and Coordinator of Jewish Studies at Huron University says. He points out, “You cannot just throw it into a general history class and assume it will be taught well. You need people who understand both the history and how to teach it.”
Second, we must accept that the subject is deeply disturbing and cannot be made comfortable. Dr. Tesler-Mabé iterates, “We have to accept that parts of this will be traumatic or triggering.” “Obviously it depends on grade level, but if students do not feel disturbed by it, they will not understand it. That discomfort is part of the learning.”
Third, teachers must be prepared. Many educators may feel unequipped to teach this material and either gloss over it or skip it altogether. Training programs and partnerships are essential. In Ottawa, the Centre for Holocaust Education and Scholarship (CHES) works to connect schools with survivor testimonies and support resources, but broader reach and investment are needed.
Dr. Tesler-Mabé explains, “We have to teach the teachers, especially now that we are losing survivors. That raises a whole new concern. How do you teach something this heavy, this complex, without first hand testimony? Educators need the tools, the background, and the sensitivity to do it well.”
Some may argue that Canada already does enough in this area. After all, Holocaust education is present in some curricula, and many students visit Holocaust museums or hear from survivors. But occasional exposure is not enough. The widespread prevalence of Holocaust denial and the proliferation of antisemitic conspiracy theories underscore significant shortcomings in current systems designed to combat such misinformation. A 2022 report by UNESCO and the United Nations, in collaboration with the World Jewish Congress, found that 16.2% of Holocaust-related content on major social media platforms either denied or distorted fundamental facts about the Holocaust. A standardized, rigorous, and mandatory approach is the only way forward.
Holocaust education is not just about history, it is about safeguarding the future and combating antisemitism in modern manifestations. When students understand how propaganda, scapegoating, and dehumanization led to one of history’s darkest chapters, they are better equipped to recognize and reject hatred in all its forms. Without a solid foundation in Holocaust education, antisemitism continues to fester, not just in online spaces, but within universities, workplaces, and public discourse. We are already seeing the consequences of unchecked Holocaust denial and rising antisemitism, from bias in professional spaces to hostility on university campuses. As a Jewish student at Western University, I have seen fear take hold among my peers. Friends who once wore Stars of David or spoke openly about their heritage now hesitate to do so. I have also begun to question whether it is safe to express my identity. With the last generation of Holocaust survivors passing, the responsibility to preserve their stories and the lessons they teach rests with all of us. If we do not confront this crisis at its root, we risk allowing history to repeat itself in new and dangerous ways.
Canada is failing its students. In doing so, it is failing the promise of Never Again. The question is not whether we should strengthen Holocaust education, but why we have not already.