Features
Filmmaker Shira Newman brings wealth of experiences to role of Rady JCC Coordinator of Arts & Older Adult Programming
By MYRON LOVE As with many people I have interviewed over the years, Shira Newman’s life journey towards her present stage as Rady JCC Coordinator of Arts & Older Adult Programming has encompassed a range of different areas, including: fine arts, filmmaking and teaching stints, working at the Society of Manitobans with Disabilities, and the Women’s Health Clinic and, most recently before coming to the Rady JCC, the Prairie Fusion Arts and Entertainment Centre (as program co-ordinator) in Portage La Prairie.
The daughter of Joan and the late Paul Newman began her life in River Heights. After graduation from Grant Park, she enrolled in Fine Arts at the University of Manitoba. In addition to painting and drawing, she took a course in film – and found that she really enjoyed it.
“I learned a lot about the art that goes into filmmaking,” she recalls. “We watched foreign films and independent films. I fell in love with the ideas of creating this three-dimensiomal world on the screen.”
After earning her first degree at the University of Manitoba, Newman worked for a few years at the aforementioned Women’s Health Clinic and the Society for Manitobans with Disabilities before returning – in her mid-20s – to university, this time Concordia in Montreal – to study filmmaking full time.
After completing the two year program Newman returned to Winnipeg and became involved with the Winnipeg Film Group and the Winnipeg film community.
Over the next few years, she taught filmmaking in Winnipeg School Division No. 1, and also began to get work in our city’s booming film production industry, working in set design and costuming..
Her big break came when she was asked by local filmmaker Sean Garrity to serve as script supervisor on one of his movies.
(According to Wikipedia, a script supervisor oversees the continuity of the motion picture, including dialogue and action during a scene. The script supervisor may also be called upon to ensure wardrobe, props, set dressing, hair, and makeup are consistent from scene to scene. The script supervisor keeps detailed notes on each take of the scene being filmed. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scenes together in the order specified in the shooting script. They are also responsible for keeping track of the film production unit’s daily progress.)
“I knew Sean’s films and was excited that he asked to me to work with him,” Newman recalls.
That job led to many other assignments as a script supervisor over the next ten years. “I worked on a lot of Hallmark Movies being shot here as well as some Lifetime features,” she says.
The last movie shot in Winnipeg that Newman worked on was in 2018. It was called “Escaping the Madhouse: the Nellie Bly Story”.
It was about that time that Newman felt that she needed a change in direction. “Making a movie is a world in itself,” she observes, “but the work isn’t steady. I decided that I needed something more stable.”
Thus, she responded to an ad for a coordinator at the Prairie Fusion Centre in Portage. The Centre, she notes, has a gallery, a store and classes. She was responsible for educational programming.
Newman stayed at the Prairie Fusion Centre for a year – commuting every day from Winnipeg. Then she saw the Rady JCC ad calling for a Coordinator for Arts and Older Adult Programming.
“It was a perfect fit for me,” she says.
Newman is now in her fourth year at the Rady JCC. One of the first programs she introduced was a new social club for seniors – replacing the former Stay Young Club which had been disbanded some years before due to flagging attendance.
Club programs are Mondays at 11:00. “We have guest speakers and musical programs and we celebrate all the holidays,” Newman notes.
Last year, Newman introduced a new Yiddish Festival – picking up where the former Mamaloshen left off. “While studying filmmaking, I developed an appreciation for the 1930s Yiddish cinema,” she reports. “In recent years, there has been a revival of interest in Yiddish culture, music and literature.”
For the first “Put a Yid in it Festival of new Yiddish Culture,” Newman brought in younger performers in the persons of ”Beyond the Pale”, a Toronto-based klezmer band that also performs Romanian and Balkan music – and, from Montreal, Josh Dolgin, aka Socalled – a rap artist and record producer who combines hip hop, klezmer and folk music.
“We had the concert at the West End Cultural Centre.” Newman reports. “We had a great crowd with people of all ages, including kids.”
For this second upcoming Yidfdish festival at the beginning of February, Newman is organizing three concerts featuring klezmer group “Schmaltz and Pepper” from Toronto; “Forshpil”, a Yiddish and klezmer band from Latvia; and live music to accompany a 1991 movie called “The Man Without a World” – a recreation of a 1920s silent movie set in a Polish shtetl.
This year’s festival will also include three movies and two speakers. Among the movies is “The Jester”. Co-directed by Joseph Green and Jan Nowina-Przybylski – who also made “Yiddle with His Fiddle” in 1936, “The Jester” is a musical drama involving a love triangle featuring a wandering jester, a charismatic vaudeville performer, and Esther, the shoemaker’s daughter, torn between her family’s desire for a prominent match and her own dreams.
“Yiddishland”, by Australian Director Ros Horin, focuses on the art and practices of a diverse group of innovative international artists who create new works about the important issues of our time in the Yiddish language, why they create in Yiddish, what it means to them personally and professionally, and what obstacles they must overcome to revive what was once considered a dying language..
“Mamele” is described as “a timeless masterpiece, brought to life by Molly Picon, the legendary Pixie Queen of the Yiddish Musical. Picon shines as a devoted daughter who keeps her family together after the loss of their mother. Caught between endless responsibilities and her own dreams, her world changes when she discovers a charming violinist across the courtyard. Set in the vibrant backdrop of Lodz, this enchanting musical comedy-drama immerses audiences in the rich diversity of interwar Jewish life in Poland – featuring everything from pious communities to nightclubs, gangsters and spirited ‘nogoodnicks’’.”
The speaking presentation will nclude a talk by the University of Manitoba Yiddish teacher Professor Itay Zutra “exploring the resilience and survival of Yiddish art, from S. Ansky’s The Dybbuk to the demons of I.B. Singer, through the trauma of the Holocaust and beyond.”
There will also be a panel discussion highlighting the pivotal experience of the Jewish community in the 1919 Winnipeg General Strike, with a focus on Yiddish-speaking organizations and newspapers.
Back in late October, Newman organized our community’s first JFest – a celebration of Jewish Culture and the Arts – which highlighted the works of seven local Jewish artists. She reports that the art exhibit was well attended.
She also mentions ongoing Rady JCC programs such as the long-running “Music and Mavens” and the annual Jewish Film Festival.
Returning to the subject of filmmaking, Newman has been a film programmer for the Gimli International Film Festival for the last four years. (The first years, she says, she served as the shorts programmer and the last three as the documentary film programmer.)
She adds that her first short film, “The Blessing,” which she made when she returned to Winnipeg from Montreal, was shown at various festivals, including the Toronto International Jewish Film Festival.It was also shown here in Winnipeg at the Winnipeg Jewish International Film Festival where it won the award here for “best short film by an emerging or established local filmmaker.”
In her spare time, Newman reports, she has embarked on a new project. “I am working on a documentary about Monarch butterflies and the community of people who are dedicated to preserving them. These are regular people who have become citizen scientists. I am working with a friend whose zaida was a biology teacher and instilled in his family a love of nature and conservation. I have met people who have gone to Mexico to see for themselves where the butterflies spend their winters.”
Newman is anticipating that the new documentary will be completed within a year.
Features
River Heights home close to school & synagogue
Blending timeless character with thoughtful modern updates, this beautifully maintained River Heights home offers comfort, style, and everyday functionality. Bright living spaces, a finished basement, a private backyard, and a double detached garage make it ideal for families, professionals, or anyone looking to enjoy one of Winnipeg’s most sought-after neighbourhoods. Conveniently located close to schools, parks, cafés, shopping, and everyday amenities, this move-in-ready home is ready for its next chapter.

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Features
Will the Democratic Socialists of America control the Democratic Party?
By HENRY SREBRNIK On June 23, radical Democratic Socialists of America (DSA) candidates backed by New York mayor Zohran Mamdani won multiple Democratic Party primaries in New York City and elsewhere in the state. They also were victorious in other parts of the country.
The socialist victories in New York far surpassed anyone’s predictions. Who, three years ago, could have predicted that a Muslim anti-Zionist would be elected mayor of a city with 900,000 Jews and would lead insurgents to victories in that party’s primaries in 2026? Yet here we are.
Marxist Third Worldist ideology has moved out of the universities into the polling booths, after campus activism, divestment campaigns, and social media have reinforced an anti-Israeli framework for years. The DSA’s platform states it plainly: It pledges “support for Palestinian self-determination against Israeli apartheid and settler-colonialism.”
The mayor, a long-standing DSA member, worked overtime to appear at countless campaign events for a trio of candidates he dubbed “the Team”: Claire Valdez, Darializa Avila Chevalier, and Brad Lander. The last two unseated incumbent Democratic congressmen. Mamdani has assembled a coalition in New York City that is capable of elevating like-minded candidates to office.
In the Seventh Congressional District, which straddles northern Brooklyn and southwestern Queens, an open primary to replace retiring progressive Rep. Nydia Velázquez saw State Assembly Member Claire Valdez’s’s defeat Brooklyn Borough President Antonio Reynoso. She was even further left than Mamdani himself. In the end, it was not even close: Valdez prevailed with 56.1 per cent of the vote to Reynoso’s 35.8 per cent.
In 2019, Valdez joined the DSA after seeing the rise of Rep. Alexandria Ocasio-Cortez and state senator Julia Salazar, both of whom were elected with the DSA’s help. Valdez emphasized her anti-Israel activism as a key part of her campaign. At events, her staff handed out signs that said “Free Palestine.” She launched her campaign alongside Mahmoud Khalil, a key anti-Israel leader at Columbia University that the Donald Trump administration has tried to deport.
Valdez referred to Israel’s war against Hamas as a “genocide” as early as October 13, 2023. She lambasted police for restraining anti-Israel mobs chanting “Globalize the Intifada” and waving Hezbollah flags outside a Brooklyn synagogue last June. “New Yorkers don’t just have the right to protest the sale of stolen Palestinian land — they have a responsibility to,” she declare. She has repeatedly criticized the American Israel Public Affairs Committee (AIPAC). She also boasted on social media of having “wiped my hand on the American flag.”
In the Thirteenth Congressional District, covering the upper Manhattan neighborhoods of Harlem, Washington Heights, and Morningside Heights and parts of the West Bronx, Darializa Avila Chevalier won a much more startling victory over Rep. Adriano Espaillat, a five-term incumbent Democratic Party power broker and chair of the Congressional Hispanic Caucus. Espaillat’s campaign was heavily backed by AIPAC. Chevalier defied expectations and won by gaining 49 per cent to Espaillat’s 46 per cent. She told the crowd at her watch party that she had fought against the “Democratic machine.” Espaillat lost despite the backing of Democratic leaders in Congress and the state, including House Minority Leader Hakeem Jeffries, New York Governor Kathy Hochul, and Julie Menin, speaker of the New York City Council.
When Chevalier, draped in a keffiyeh, first announced her candidacy in November of last year, few outside her immediate circle knew her name. But her message was clear: she presented herself as an organiser working to unite families torn apart by the immigration system and against “what we all know is a genocide in Palestine.”
Chevalier has publicly proclaimed her hatred for Israel, the United States, and “Western civilization” as a whole. She has called for the abolition of prisons, open borders and an end to deportations — even for people convicted of violent crimes. As a student at Columbia University, she was involved in Students for Justice in Palestine. In 2024, she returned to her alma mater to help organize an anti-Israel encampment that was ultimately disbanded by the police.
She co-founded Columbia University Apartheid Divest: “We are Westerners fighting for the eradication of Western Civilization. We stand in full solidarity with every movement for liberation in the Global South. Our intifada is an Internationalist one,” it states.
The day after the October 7 attack, Chevalier attended an anti-Israel demonstration in Times Square. “I can only say I have been advocating for the human rights of Palestinians for my adult life,” when asked about her attendance at the rally. Chevalier has said that her conversion to Islam was inspired by the Israel-Hamas war. Mamdani celebrated her win, describing Chevalier as a person “of clarity, of conscience and of conviction.”

The war was also on the minds of voters in former Comptroller Brad Lander’s race against another AIPAC-funded incumbent, Rep. Dan Goldman, in New York’s Tenth District, covering lower Manhattan and part of Brooklyn. Both are Jewish, but Goldman has been a steadfast friend of Israel while Lander is the quintessential anti-Zionist and a key faction of his coalition was anti-Israel. It was a contest that laid bare the party’s divisions over the Israel-Gaza war.
At his son Marek’s bris, Lander gave a speech lambasting Israel. “We pray fervently that by the time you read this, the Israeli occupation of the West Bank and Gaza, the settlements, the house demolitions, the violence will be history,” which was later reprinted in a 2003 book titled Wrestling with Zion. Lander enjoyed the night’s biggest victory, winning 65.8 per cent of the vote to Goldman’s 34 per cent. Many Democrats have suggested that Lander has proved useful to Mamdani and other leftists who have been accused of antisemitism for singling out the Jewish state for opprobrium.
In the run-up to Election Day, a chain of Brooklyn coffee shops called Poetica posted that it would have barred Goldman entry had they recognized him during a recent visit to their storefront. “We don’t serve racists, fascists, homophobes, genocide enablers,” Poetica declared. “Too bad we didn’t recognize you right away, or we would have turned you away.”
At the state level, seven of the eight candidates endorsed by the DSA for the New York State legislature also won their primary elections. One of them is Aber Kawas, a Queens-based community organizer. If she, as expected, wins in November, she will be the first Palestinian woman elected to state office in New York history.
“Were defeated congressmen Dan Goldman and Adriano Espaillat insufficiently anti-Trump?” asked Will Rahn, a senior editor and writer for The Free Press, rhetorically, in a June 26 column. “Of course not. They lost because they aren’t anti-Israel enough. ‘Free Palestine’ is now the binding issue on the left, the only thing that actually matters.” No matter who you are, how you identify, or what causes you’ve championed, if you refuse to fall in line on Israel, you risk being ostracized from communities you’ve long called home.
For most of the postwar era, support for Israel was one of the least controversial positions in Democratic Party politics. That consensus has not merely weakened; it has collapsed. Once viewed as a righteous anti-colonial cause, Zionism has been reframed by radical thinkers as the ideology of a colonial oppressor of stateless Palestinians. Opposition to Israel is now the litmus test in Democratic Party politics. “There’s a cliff, and we’re heading towards it,” warned Daniel C. Kurtzer, a Princeton University professor who was ambassador to Israel under President George W. Bush.
The DSA has now built an entire ecosystem that runs parallel to the official Democratic apparatus, equipped with their own consultant network, endorsing organizations, donors and even billionaires who back them.
A generation after Pat Buchanan was denounced as an antisemite by all proper liberals for saying things like “Capitol Hill is Israeli-occupied territory,” will the left now embrace him as a “premature antizionist”? Even satire can’t match this.
Think about it: Since October 7, Israel has done what every other country viciously attacked by implacable enemies throughout history has done: It has lashed back in a defensive war. This is a policy that any state that cared for the life of its citizens would have to adopt.
Yet Israel has become the “omnicause.” That’s why antisemitism and antizionism are two sides of the same coin: hatred of Jews. Jews around the world aren’t being attacked because of Israel. Israel is itself being condemned because it’s Jewish.
American Jews have been blindsided by this, as the French writer Simone Rodan-Benzaquen, senior envoy for Europe at the Foundation for Defense of Democracies, tells us in a brilliant article, “Stand Up,” Tablet, July 6, 2026. “When anti-Jewish hostility arrives wrapped in the language of liberation, antiracism, decolonization, and human rights –when it emerges among allies, colleagues, students, professional peers, or other minority communities — the disorientation is deeper. It is inside the world in which one has built a life. It speaks in familiar accents. It borrows cherished values.”
In “A Profound Question Haunting Jews Today,” New York Times, July 6, 2026, Nicholas Lemann, the former dean of the Columbia University Journalism School, agrees. He writes that for half a century or more, American Jews could achieve, “through being successful, culturally Jewish, Zionist, liberal and not especially observant,” a status that elsewhere has persistently eluded them.
“This set of certainties has evaporated. Today, Israel is the pariah nation of the world, and ‘Zionist’ has become an epithet, something it’s unacceptable to be, at least in progressive circles,” where most Jews have usually found themselves.
So, are the Democrats going to become America’s anti-Israel party? And then what?
Henry Srebrnik is a professor emeritus of political science at the University of Prince Edward Island.
Features
Discover Your Ultimate Smooth at Sets on Corydon: Nanoplasty vs. Keratin vs. Japanese Straightening
Are you ready to wake up with flawless, effortless hair every single day? While standard straightening methods try to fit everyone into the same box, your hair has its own unique structure, strength, and history.
We offer three distinct, state-of-the-art smoothing and straightening systems. Finding the perfect match depends entirely on your hair type, your lifestyle, and your ultimate hair goals.
Here is exactly how they compare so you can choose the path to your most beautiful, resilient hair.
The Treatment Breakdown
1. The Elite Standard: Nanoplasty (Our Premier Selection)
Nanoplasty is a revolutionary, high-technical smoothing treatment that works at a deep cellular level. Using nanotechnology, nutrients and amino acids are deeply integrated right into the hair cortex (the inner core of the hair strand). It heals, seals, and straightens from the inside out without harsh chemicals.
- How it works: It uses an acidic formula triggered by specialized infrared heat to realign the hair bonds. It does not just coat the cuticle; it restructures it while infusing massive hydration.
- The Finish: Ultra-glossy, high-shine, sleek, and straight, while retaining natural movement and zero frizz.
- The Big Benefit: Formulated without formaldehyde or harsh chemicals. There are no fumes, no burning eyes, and you can wash your hair or tie it up the very same day.
- Longevity: Lasts up to 4 to 6 months.
2. The Classic De-Frizzer: Keratin Treatment
The traditional choice for managing unruly texture. Keratin acts like a protective shield, filling in the cracks along a compromised or distressed hair cuticle (the protective outer layer).
- How it works: A liquid keratin formula is sealed into the outer layer of the hair with a flat iron.
- The Finish: Soft, smooth, and incredibly manageable. It reduces curl volume by roughly 50 to 70% and completely deletes frizz, but leaves some of your natural body and bounce.
- The Big Benefit: Ideal for hair that has undergone chemical stress or bleaching. It acts like a temporary protein bandage to restore softness and cut your blow-dry time in half.
- Longevity: Lasts 3 to 4 months, gradually washing out over time.
3. The Permanent Sleek: Japanese Straightening (Thermal Reconditioning)
For those who want absolute, pin-straight hair that defies high humidity and never reverts.
- How it works: This is a permanent chemical process that physically breaks down the internal bonds of the hair, which are then precision-ironed perfectly flat and neutralized to lock in the new shape forever.
- The Finish: Mirror-smooth, pin-straight, glassy hair with zero wave or curl.
- The Big Benefit: It is completely permanent on the hair that is treated. Rain, humidity, and workouts will not change it. Only your new root growth will need touching up.
- Longevity: Permanent (requires root touch-ups every 6 to 9 months).
Which One Is Right For You?
| Feature | Nanoplasty | Keratin Treatment | Japanese Straightening |
| Primary Goal | Deep cellular repair, sleek straightening, intense gloss. | Frizz elimination, volume reduction, softer texture. | Permanent, absolute pin-straight results. |
| Hair Condition | Healthy to moderately sensitized or colored hair. | Highly compromised, bleached, or heat-distressed hair. | Healthy, resistant, coarse, or virgin hair only. |
| Chemical Type | Amino acids & organic acids (No formaldehyde fumes). | Cuticle-coating formulas (May contain standard preservatives). | Traditional alkaline straightening solution. |
| Post-Care Window | Wash or style immediately. No waiting period. | Must wait 48 to 72 hours before washing or tying up. | Must keep completely dry and straight for 48 to 72 hours. |
An Important Note on Hair Integrity: Beautiful hair is healthy hair. Because Japanese Straightening permanently alters the internal architecture of the hair strand, it is completely unsuitable for heavily highlighted, bleached, or fragile hair. If your hair has a history of heavy chemical processing, a customized Nanoplasty or Keratin Treatment will give you the breathtaking, smooth results you want while respecting and preserving the strength of your hair structure.
Let’s curate your perfect look. Book a structural hair analysis with us today, and let’s design a smoothing protocol tailored exactly to your hair’s unique signature.

