Features
Filmmaker Shira Newman brings wealth of experiences to role of Rady JCC Coordinator of Arts & Older Adult Programming
By MYRON LOVE As with many people I have interviewed over the years, Shira Newman’s life journey towards her present stage as Rady JCC Coordinator of Arts & Older Adult Programming has encompassed a range of different areas, including: fine arts, filmmaking and teaching stints, working at the Society of Manitobans with Disabilities, and the Women’s Health Clinic and, most recently before coming to the Rady JCC, the Prairie Fusion Arts and Entertainment Centre (as program co-ordinator) in Portage La Prairie.
The daughter of Joan and the late Paul Newman began her life in River Heights. After graduation from Grant Park, she enrolled in Fine Arts at the University of Manitoba. In addition to painting and drawing, she took a course in film – and found that she really enjoyed it.
“I learned a lot about the art that goes into filmmaking,” she recalls. “We watched foreign films and independent films. I fell in love with the ideas of creating this three-dimensiomal world on the screen.”
After earning her first degree at the University of Manitoba, Newman worked for a few years at the aforementioned Women’s Health Clinic and the Society for Manitobans with Disabilities before returning – in her mid-20s – to university, this time Concordia in Montreal – to study filmmaking full time.
After completing the two year program Newman returned to Winnipeg and became involved with the Winnipeg Film Group and the Winnipeg film community.
Over the next few years, she taught filmmaking in Winnipeg School Division No. 1, and also began to get work in our city’s booming film production industry, working in set design and costuming..
Her big break came when she was asked by local filmmaker Sean Garrity to serve as script supervisor on one of his movies.
(According to Wikipedia, a script supervisor oversees the continuity of the motion picture, including dialogue and action during a scene. The script supervisor may also be called upon to ensure wardrobe, props, set dressing, hair, and makeup are consistent from scene to scene. The script supervisor keeps detailed notes on each take of the scene being filmed. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scenes together in the order specified in the shooting script. They are also responsible for keeping track of the film production unit’s daily progress.)
“I knew Sean’s films and was excited that he asked to me to work with him,” Newman recalls.
That job led to many other assignments as a script supervisor over the next ten years. “I worked on a lot of Hallmark Movies being shot here as well as some Lifetime features,” she says.
The last movie shot in Winnipeg that Newman worked on was in 2018. It was called “Escaping the Madhouse: the Nellie Bly Story”.
It was about that time that Newman felt that she needed a change in direction. “Making a movie is a world in itself,” she observes, “but the work isn’t steady. I decided that I needed something more stable.”
Thus, she responded to an ad for a coordinator at the Prairie Fusion Centre in Portage. The Centre, she notes, has a gallery, a store and classes. She was responsible for educational programming.
Newman stayed at the Prairie Fusion Centre for a year – commuting every day from Winnipeg. Then she saw the Rady JCC ad calling for a Coordinator for Arts and Older Adult Programming.
“It was a perfect fit for me,” she says.
Newman is now in her fourth year at the Rady JCC. One of the first programs she introduced was a new social club for seniors – replacing the former Stay Young Club which had been disbanded some years before due to flagging attendance.
Club programs are Mondays at 11:00. “We have guest speakers and musical programs and we celebrate all the holidays,” Newman notes.
Last year, Newman introduced a new Yiddish Festival – picking up where the former Mamaloshen left off. “While studying filmmaking, I developed an appreciation for the 1930s Yiddish cinema,” she reports. “In recent years, there has been a revival of interest in Yiddish culture, music and literature.”
For the first “Put a Yid in it Festival of new Yiddish Culture,” Newman brought in younger performers in the persons of ”Beyond the Pale”, a Toronto-based klezmer band that also performs Romanian and Balkan music – and, from Montreal, Josh Dolgin, aka Socalled – a rap artist and record producer who combines hip hop, klezmer and folk music.
“We had the concert at the West End Cultural Centre.” Newman reports. “We had a great crowd with people of all ages, including kids.”
For this second upcoming Yidfdish festival at the beginning of February, Newman is organizing three concerts featuring klezmer group “Schmaltz and Pepper” from Toronto; “Forshpil”, a Yiddish and klezmer band from Latvia; and live music to accompany a 1991 movie called “The Man Without a World” – a recreation of a 1920s silent movie set in a Polish shtetl.
This year’s festival will also include three movies and two speakers. Among the movies is “The Jester”. Co-directed by Joseph Green and Jan Nowina-Przybylski – who also made “Yiddle with His Fiddle” in 1936, “The Jester” is a musical drama involving a love triangle featuring a wandering jester, a charismatic vaudeville performer, and Esther, the shoemaker’s daughter, torn between her family’s desire for a prominent match and her own dreams.
“Yiddishland”, by Australian Director Ros Horin, focuses on the art and practices of a diverse group of innovative international artists who create new works about the important issues of our time in the Yiddish language, why they create in Yiddish, what it means to them personally and professionally, and what obstacles they must overcome to revive what was once considered a dying language..
“Mamele” is described as “a timeless masterpiece, brought to life by Molly Picon, the legendary Pixie Queen of the Yiddish Musical. Picon shines as a devoted daughter who keeps her family together after the loss of their mother. Caught between endless responsibilities and her own dreams, her world changes when she discovers a charming violinist across the courtyard. Set in the vibrant backdrop of Lodz, this enchanting musical comedy-drama immerses audiences in the rich diversity of interwar Jewish life in Poland – featuring everything from pious communities to nightclubs, gangsters and spirited ‘nogoodnicks’’.”
The speaking presentation will nclude a talk by the University of Manitoba Yiddish teacher Professor Itay Zutra “exploring the resilience and survival of Yiddish art, from S. Ansky’s The Dybbuk to the demons of I.B. Singer, through the trauma of the Holocaust and beyond.”
There will also be a panel discussion highlighting the pivotal experience of the Jewish community in the 1919 Winnipeg General Strike, with a focus on Yiddish-speaking organizations and newspapers.
Back in late October, Newman organized our community’s first JFest – a celebration of Jewish Culture and the Arts – which highlighted the works of seven local Jewish artists. She reports that the art exhibit was well attended.
She also mentions ongoing Rady JCC programs such as the long-running “Music and Mavens” and the annual Jewish Film Festival.
Returning to the subject of filmmaking, Newman has been a film programmer for the Gimli International Film Festival for the last four years. (The first years, she says, she served as the shorts programmer and the last three as the documentary film programmer.)
She adds that her first short film, “The Blessing,” which she made when she returned to Winnipeg from Montreal, was shown at various festivals, including the Toronto International Jewish Film Festival.It was also shown here in Winnipeg at the Winnipeg Jewish International Film Festival where it won the award here for “best short film by an emerging or established local filmmaker.”
In her spare time, Newman reports, she has embarked on a new project. “I am working on a documentary about Monarch butterflies and the community of people who are dedicated to preserving them. These are regular people who have become citizen scientists. I am working with a friend whose zaida was a biology teacher and instilled in his family a love of nature and conservation. I have met people who have gone to Mexico to see for themselves where the butterflies spend their winters.”
Newman is anticipating that the new documentary will be completed within a year.
Features
100-year-old Lil Duboff still taking life one day at a time
By MYRON LOVE Last march, Lil Duboff celebrated her 100th birthday in a low key manner.
“I have always been a laid back kind of person,” says the Shaftesbury retirement home resident. “I just celebrated with my family.”
Lil Duboff’s life journey began in Russia in 1925. “I was six months old when we came to Winnipeg,” she says. “Most of my extended family had come before. We were supposed to leave Russia at the same time, but my mother was pregnant with me and my parents waited until after I was born.”
The former Lil Portnoy, the daughter of Hy and Pessie, grew up the youngest of five siblings in a large and loving family in the old north end Jewish community. Upon his arrival in Winnipeg, her father, Hy, joined his father, Jack, and his brothers, Nathan and Percy, in the family business, Perth’s Cleaners, which was established in 1914.
Following the education path of most Jewish Winnipeggers in the period between the wars and into the 1950s, Duboff started her schooling at Peretz School – although she attended William Whyte School for most of her elementary schooling, supplemented by evening classes at Peretz School – followed by Aberdeen School and St. John’s Tech for high school.
The family, she recalls, belonged to the Beth Jacob Synagogue on Selkirk Avenue.
After completing high school, Duboff took a business course and joined the workforce. She first worked at Perth’s, then Stall’s, and lastly, Silpit Industries – which was owned by Harry Silverberg. (Harry Silverberg was one of the wealthier individuals in our community and a community leader who contributed generously to our communal institutions.)
It was while working at Silpit Industries that Lil Portnoy met Nathan Duboff. “Nathan worked in the shipping department,” she recalls. “We dated for three or four years before getting married.”
They wed in 1953 at the Hebrew Sick Hall on Selkirk Avenue. The bride was pregnant soon after and quit work to look after her family. The couple had three children: Chuck, Neil and Cynthia.
The family lived in the Garden City area. While Nathan continued to work for Harry Silverberg for a time – at his Brown and Rutherford lumber business, he later moved to Portage Lumber as sales manager, and then Dominion Lumber, finally retiring as sales manager for McDermot Lumber in 1995.
During those years Lil did what many married Jewish women did and put her time in as a volunteer with different Jewish organizations. She served as president of the Chevra Mishnayes Congregation sisterhood and the ORT chapter to which she belonged. She also volunteered with B’nai B’rith Women and Jewish Child and Family Service.
Her leisure activities included playing mahjong with friends and enjoying – with Nathan – the ballet and the symphony. There were also all the holiday gatherings with the extended family and summers spent at the family cottage in Gimli.
In the mid-1980s, Lil and Nathan sold their Garden City home and moved to a condo on Cambridge in the south end. After Nathan’s sudden passing in 2003, Lil continued living at Cambridge Towers until three years ago when her declining physical health required her to move into assisted living at the Shaftesbury.
While Lil Duboff suffers from many of the complaints of old age, such as limited eyesight and hearing, and other health issues, she retains a clear and positive frame of mind. She appreciates that her children all still live in Winnipeg and visit frequently. She happily reports that she also has five grandchildren and three great-grandchildren.
“It’s different living here (at the Shaftesbury),” she observes. “I don’t see as many people as I used to. But I am accepting my limitations and take life one day at a time. You never know what tomorrow might bring.”
Features
The First Time: A Memoir
By DAVID R. TOPPER Nearly every life has a series of “first times,” no matter how long or short one lives. The first day of school, or the first bicycle – these quickly come to mind. Probably because of the deep and wide reading I’ve been doing for a story I wrote, I recalled another “first” in my life. It came to me with the same chill up my spine as on the day it happened. And that was long ago.
I’m now into my early 80s and this event is from the late 1960s when I was finishing my PhD, which required that I pass a second language test. It was the last essential test, since I was finishing up my dissertation. In the early 1960s, as an undergraduate, I had taken German for the language requirement and naturally I opted for German for the graduate requirement too. Relevant here is the fact that of all the undergraduate courses I took, the only subject for which I had poor grades was – you guessed it? – German, where I got less than As and Bs.
On the day appointed, I walked across campus to the German department and took the test. The task was to translate a page of text. I can’t recall the content or anything about it. But the result was sent to me and – I suppose not surprisingly – I didn’t pass. I was informed that I could make an appointment with a member of the department to go over the test and to get some tutoring to help me prepare for another try.
But where is the “first in my life” that this memoir is all about? As said above, I only recently recalled this “first.” The trigger was a newscast that Yale University professor Timothy Snyder was moving to the University of Toronto because of the recent presidential elections in the USA. This caught my attention because his monumental book, Black Earth, on the Holocaust in the shtetls of Eastern Europe during World War II, was so crucial to that story I wrote. Thus, my subconscious kicked in and that newscast led me back to when I met the tutor.
Frankly, I don’t remember much about that day. Not the time of year, or the weather. Except that I again walked across campus, this time to meet my German tutor. Even so, I only remember three things about the tutor – beyond the fact that it was woman. She was much older than me and she spoke with a thick accent.
We sat at a table, she to my left, and in front of us on the table was my translation sheet covered with corrections in red; the original German text was beside it, to the right. Slowly she went over my translation, pointing out my mistakes. I sat, focusing on what I did wrong and listening to her suggestions for what I should have done – when, for a brief moment, she reached across my sheet to point to a German word in the original text. With her left hand and her bare arm right in front of me – I saw something on the underside of that arm.
At the time, I knew about this. I had read about it. But back in the late 1960s I had never seen it for real – in the flesh. Really. Yes, “in the flesh” isn’t a metaphor. Indeed, I’m getting the same chill now just thinking about it, as I did when I saw it – for the first time.
On the inside of that arm, she had a tattoo – a very simple tattoo – just a five-digit number. Nothing else.
I was so rattled by this that I couldn’t focus on what she was saying anymore. The tattoo blurred out much of everything else for the rest of the day.
Fortunately, this happened near the end of our meeting, and I apparently absorbed enough of her help so that when I did take the test the second time – I passed. And here I am: a retired professor after many years of teaching.
Even today, that first tattoo is still seared in my mind. Oh, and that’s the third thing I’ll always remember about the tutor who helped me pass that key test on the road to my PhD.
Features
Japanese Straightening/Hair Rebonding at SETS on Corydon
Japanese Straightening is a hair straightening process invented in Japan that has swept America.
