Features
“Incident at San Miguel” – new novel set in the Cuban Revolution in 1958 provides rich insight into Jewish life in Cuba
By BERNIE BELLAN The history of Cuba’s Jewish community is quite an interesting one. According to Wikipedia, “more than 24,000 Jews lived in Cuba in 1924, and still more immigrated to the country in the 1930s. Following the 1959 communist revolution, 94% of the country’s Jews emigrated, most of them to the United States. In 2007 an estimated 1,500 known Jewish Cubans remained in the country, overwhelmingly located in Havana.”
I’ll get into my review of a book set in Cuban in the 1950s later, but first I wanted to provide some background about the very important role that Canada has played in helping the Cuban Jewish community, especially since 1973.
Following are some excerpts from past issues of The Jewish Post that will provide the reader with a basic understanding of how helpful Canada has been to Cuba’s Jewish community:
From the Nov. 24, 1983 issue: “Canadian Jewish Congress (CJC) will send $30,000 worth of religious articles and supplies to the Jewish community of Cuba, the World Jewish Congress has announced here. Ever since the U.S. severed relations with Cuba in 1960, the CJC has looked after the needs of Cuban Jews” (emphasis mine).
From the November 17, 1999 issue, headlined: “Canada played key role, helping Cuban Jews emigrate to Israel”:
I, myself, wrote the following: “On October 11, the Globe & Mail broke a story in this country headlined ‘Canada aids Cuban exodus – Secret transit of Jews has gone on 25 years.’ “
That story went on to detail how Canada had facilitated the emigration of some 400 Cuban Jews to Israel, beginning in 1973. (Cuba broke off diplomatic relations with Israel at the time of the Yom Kippur War.)
Subsequent to that story I was able to interview Lloyd Axworthy, who was Canada’s Foreign Minister at that time. I asked Axworthy about Canada’s role in helping Cuban Jews emigrate to Israel. He explained that, “beginning in the early 70s, we undertook to set up what we call the Israeli interests unit in our embassy (in Havana), staffed by a locally-engaged person, not only to represent Israeli interests, but also to expedite the emigration from Cuba of members of the Jewish community.
“Since it’s been in operation, there have been about 400 visas that have been obtained. What we do is simply work it from Havana to the Israeli embassy in Ottawa.”
That interview went on to explore how Canada had kept its role relatively quiet, although apparently it was very well known within the Jewish community in Cuba that if you wanted to emigrate you should approach the Canadian embassy.
As Axworthy noted during that interview, “We’ve been quite careful to keep it low key. There was no point in broadcasting it, because there are sensitivities in Cuba to such things.”
I came across another interesting aspect to the role Canada has played in helping Cuba’s Jewish community in 2013 when I learned that Canada’s then-ambassador to Cuba was someone by the name of Matthew Levin, who was an old childhood friend. I emailed Matthew in January 2013, asking him whether he would consent to an interview and he responded warmly.
He also happened to mention something else that I found quite interesting. In response to my telling him about my interview with Lloyd Axworthy many years prior, Matthew wrote in an email to me that “the connection with Lloyd Axworthy and Cuban Jews is of great interest. Coincidentally my wife is now coordinating the Aliyah program in Cuba from the Embassy.”
Alas, much as Matthew was willing to be interviewed, an apparatchik from what was then called the Department of International Affairs and Foreign Trade stepped into the mix and informed me that I couldn’t actually speak to Matthew; instead, I was told, I could email whatever questions I wanted to ask in advance.
I explained to the apparatchik that I wanted to do a folksy interview with someone who was an old friend and that emailing questions would deprive what I was wanting to do of any spontaneity. You can guess how far that went.
In any event, all this serves as a prelude to a review of a book that I actually finished reading a couple of months ago – and had wanted to review at that time. The book is called “Incident at San Miguel,” by A. J. Sidransky. Mr. Sidransky (and I did ascertain that he was a man, although it’s always difficult when you only know an author’s initials) had sent me a review copy of the book back in November, but I didn’t get around to beginning reading it until February.
After I did finish the book and emailed Mr. Sidransky to tell him how good I thought the book was – and that I was now ready to publish a review, I was somewhat surprised when he asked me to hold off publishing the review, writing “Could you hold the review for May? The book release is May 19. Right now we only have preorders for kindle to be delivered May 19.”
However, I just took a look and saw that “Incident at San Miguel” is available for pre-ordering, either in paperback on Amazon or in Kobo format.
Review of “Incident at San Miguel”
With that out of the way, let’s talk about the book itself. The foreword to the book is written by someone by the name of Miriam Bradman Abrahams, who explains that she is the Cuban-born daughter of Cuban Jewish refugees. Her family had been separated from the family that remained in Cuba for over 40 years, although some of her Cuban family had been able to visit Ms. Abrahams’ family in New York in 2001. Ms. Abrahams had long wanted to visit Cuba, she explains, but wasn’t able to do so until 2008.
She told the story of her family to A. J. Sidransky, who is a Spanish-speaking writer of fiction. Mr. Sidransky took elements of Ms. Abrahams’ story and mixed in some fictitious parts to produce “Incident at San Miguel.”
Here is a synopsis of the book: “Havana, Cuba. December 1958. Two brothers find themselves on opposite sides of Castro’s revolution. One dark night, after rescuing a leader of the revolt under house arrest, one brother finds himself hunted. The other, an influential attorney, must make a choice. Help his brother, placing the whole family at risk, or let Batista’s forces capture him. His decision will haunt them both for the rest of their lives. How far will we go to protect those we love? Based on a true story, Incident at San Miguel takes us there.”
Although I was somewhat familiar with the Cuban Revolution and Fidel Castro’s ascent to power, I was fascinated to learn that it was quite some time after Castro and his followers had taken over Cuba before he began to introduce communism to that island.
“Incident at San Miguel” begins in 1958, which was shortly before the then-dictator of Cuba, Filgenico Batista, was overthrown by Castro.
Two brothers, Aaron and Moises Cohan, find themselves on opposite sides of what is transpiring at that moment in Cuba, although, as the novel opens, we see that the brothers do get along quite nicely. Aaron is a lawyer, working in the Batista administration, while Moses is an economist who is aligned with the revolutionaries seeking to overthrow the government.
As the story develops we learn quite a bit about the Jewish community in Cuba at that time. Although most Jews would have been considered middle class, a number of them had become very wealthy businesspeople. The majority of Cubans, however, were quite poor.
In his own introduction, Mr. Sidransky provides an analysis why Jews were continually subjected to persecution by totalitarian regimes in the 20th century, writing that “As in all totalitarian regimes, there is always a boogeyman. In the case of the Nazis and the Hungarian Fascists in the 1930s and 40s that boogeyman was the Jews. In the case of communist systems, including Hungary under Soviet communism, and Castro’s Cuba, the boogeyman is the entrepreneurial or capitalist class. In the absence of a religious, ethnic, or racial minority to blame for the nations’ problems, Communism points its finger at an economic class to which it ascribes the suffering of its people and the nation.”
And, as successful members of that economic class – at least to some extent, it was hardly a surprise that Jews suffered under the Castro regime once communism became solidly entrenched as the economic model for Cuba.
But, as “Incident at San Miguel” relates, it was not at all clear what was in store for Cuba in the late 1950s. Batista’s secret police were everywhere, revolutionaries who were found out were either imprisoned or worse, executed, and despite the continued inroads that Castro’s and other revolutionaries seemed to be making, life in Havana, at least, continued in what seemed to be a normal fashion.
Moises Cohan, though, finds himself caught up in a daring plot to free a former professor of his, who is a hero to revolutionaries, and who has been held under house arrest by the Batista regime. Hence the name “Incident at San Miguel” because the particular incident in question, in which an attempt to free the professor, leads to a whole mess of intrigue as a result.
Moises finds himself on the run and seeks Aaron’s help in being able to escape. Aaron is torn between two worlds. He has been promoted to a senior position within the regime and, helping his brother would not only be a betrayal of that regime, it would be exceedingly dangerous.
Time moves on and on New Year’s Eve, January 1, 1959, the Batista regime folds and Castro’s revolutionaries march into Havana.
Mixed in with the political intrigue are the relationships the two brothers have developed with two vastly different women. Aaron’s fiancée, Beatriz, herself comes from a prosperous Jewish family, and she is perfectly at home with Aaron’s parents, Esther and Rafael.
Moises’ lover, Ana Teresa, in contrast, is a dedicated revolutionary whose first order of business is not romance, but fighting. Moises keeps his relationship with Ana Teresa a secret from his parents, knowing that they would be devastated to learn that he has taken up with a non-Jewish woman.
In time, both Moises and Ana Teresa rise to senior levels within the new Castro regime, yet their romance begins to flounder. Moises is an idealist who believes strongly in the ostensible goal of the revolution to bring about greater equality among the classes. Ana Teresa, it turns out, is a ruthless – and cynical, revolutionary, who is quite prepared to compromise her ideals if it means entrenching the new regime. When it becomes clearer, however, that the new regime wants to bring about equality by leveling the upper and middle classes, Moises begins to become increasingly disillusioned with what is happening – and with his lover.
A fascinating subplot develops when Moises happens to stumble upon a scheme whereby someone in the regime is reaping huge financial rewards through extorting Cuban businessmen, many of whom happen to be Jewish. Reading how Moises undertakes to get at the heart of this corruption introduces an exciting element of suspense into the novel.
We also learn how difficult it quickly became once the new regime was in place for Cubans to obtain exit visas. By this time Aaron and Beatriz have a young baby. The horrible dilemma with which Aaron has to deal is that bureaucrats are willing to let Aaron and Beatriz leave, but their child is denied permission.
That sets in motion a whole new set of challenges for Aaron – who would also love to be able to get both his and Beatriz’s parents out of the country. The parents, however, have a strong attachment to Cuba and are not interested in leaving the country.
I was somewhat surprised to learn that 94% of Cuba’s Jewish population did leave Cuba following the revolution – given how difficult obtaining exit visas was, but when I tried to deduce just how many individuals that figure of 94% represented, I wasn’t able to figure that out. If Cuba’s Jewish population was 24,000 in 1924, as Wikipedia says, and there was an influx of Jews from Europe in the 1930s, then the number of Jews who left Cuba following the revolution had to have been well over 23,000. How did they all get out, I wonder – especially after reading this book and learning how difficult it was for anyone to leave the country after a certain point? I’d certainly like to learn more about when and how so many Jewish Cubans were able to leave following the revolution.
Yet, in reading about the wonderful texture of life in Cuba prior to 1959 – at least for those who were able to enjoy a reasonably prosperous standard of living, such as the Cohan family did, life certainly seemed idyllic in many respects. The descriptions of the kinds of foods that are native to Cuba that the Cohan family was able to incorporate into their daily fare are quite tantalizing, as are the descriptions of the wonderful climate and the beautiful countryside.
“Incident at San Miguel” also provides many insights into the dynamics that underlay the Cuban revolution, including how much democratic ideals inspired so many of the young revolutionaries. While Fidel Castro himself only makes a cameo appearance in the book, Che Guevara plays a prominent – and altogether despicable role. While the book is a work of fiction, with many elements based on the true story of Miriam Bradham Abrahams’ family, the author has certainly done extensive research into life in Cuba in the 1950s. There are some vivid descriptions of how business was conducted – and how much corruption played a part in both the old and new regimes.
A political thriller with many romantic aspects and a vivid portrayal of a country that had so much promise had it not been exploited by one dictatorial regime after another, “Incident at San Miguel” is a riveting read.
Features
The Dream of Zion: Judah Halevi’s Quest
By DAVID R. TOPPER Today the term Zionism is debased by otherwise liberal-thinking former-friends of Jews and Israel. This is a fact. Nonetheless, I don’t wish to pursue present-day politics and debates on the issues around this fact. Except to point out that the former-friends’ error stems from a lack of knowledge of the history of the region – by just focusing on recent events.
Accordingly, I wish to put Zionism into a deeper historical perspective by recalling that, ever since the Roman destruction of the Second Temple in 70 CE, the idea of returning to Zion was fundamental to the Jews of the Diaspora. Being indigenous to that region of the Middle East – hence going back thousands of years – Jews continued having a presence there – even after the Temple was razed.
Moreover, and in particular, my aim is to recall the story of one the major Zionists in Jewish history – Judah Halevi.
But perhaps it is best to start with this brief factoid. The Hebrew word צִיּוֹן (pronounced Tzee-yohn) has no unique meaning – ranging across fortress, desert, or monument – with its origin still being debated by scholars. One common use is for Mount Zion, a hill in Jerusalem. Close by is Mount Moriah, where King Solomon built the first Temple. In time, the term Zion came to be used for both hills together, and eventually for all of Jerusalem. Thus, the term Zionism refers to the idea of the exiled Jews (the Diaspora) returning to their indigenous homeland, centred at Jerusalem. Surely this was what Halevi believed, even though the word itself was not coined until 1890.
Judah Halevi (also Yahuda ha-Levi) was born in 1075 (alt 1080) probably in Toledo, Spain. This was during the so-called Golden Age of Jewish Culture there. The Jews in Islamic Spain were relatively free – unlike the Jews of central Europe, who suffered under the despotic rule of feudal lords. Highly educated, Judah became a physician, philosopher, mathematician, and poet. Today it is his poetry that has designated him as the greatest Hebrew poet. He died in 1141, probably at the age of 66.
He is often paired with Maimonides, considered the greatest Jewish thinker, who lived a generation later (born 1135). Both were physicians to the courts of the Caliphs in Spain.
Around the year 1120, probably about age 45, Halevi settled in Seville, married, and had one daughter. Another child also may have died. Much later, his wife died, probably after their daughter grew up and had children. With the loss of his wife, Judah grew restless. The Dream of Zion beckoned.
My heart is in the east, and I in the uttermost west—
How can I find savour in food? How shall it be sweet to me?
How shall I render my vows and my bonds, while yet
Zion lies beneath the fetter of Edom, and I in Arab chains?
A light thing would it seem to me to leave all the good things of Spain—
Seeing how precious in mine eyes to behold the dust of the desolate sanctuary.
This is one of a series of poems on this quest: called today The Songs of Zion, or the Zionides. His ultimate goal was to make aliyah to Jerusalem. To spend his final days there.
Zion! wilt thou not ask if peace be with thy captives
That seek thy peace—that are the remnants of thy flocks?
…
I would choose for my soul to pour itself out within that place
Where the spirit of God was outpoured upon your chosen.
…
I would fall, with my face upon the earth, and take delight
In thy stones and be tender to the dust.
…
Sweet would it be unto my soul to walk naked and barefoot
Upon the desolate ruins where the holiest dwellings were;
In the place of the Ark where it is hidden, and in the place
Of the cherubim which abode in the innermost recesses.
Sometime in 1140 he set out on his pilgrimage to Jerusalem. Taking a small ship through the Mediterranean, his mind was focused on the goal of being in Jerusalem.
Beautiful height! O joy! the whole world’s gladness!
O great King’s city, mountain blest!
My soul is yearning unto thee—is yearning
From the limits of the west.
…
And who shall grant me, on the wings of eagles,
To rise and seek thee through the years,
Until I mingle with the dust beloved,
The waters of my tears?
…
Shall I not to the very stones be tender?
Shall I not kiss them verily?
Shall not the earth upon my lips taste sweeter
Than honey unto me?
He, of course, also wrote poems about the sea voyage.
My God, break not the breakers of the sea,
Nor say Thou to the deep, ’Be dry’–
Until I thank Thy mercies, and I thank
The waves of the sea and the wind of the west;
Let them waft me to the place of the yoke of Thy love,
And bear far from me the Arab yoke.
There often were storms at sea.
Hath the flood come again and made the world a waste
So that one cannot see the face of the dry land,
And no man is there and no beast and no bird?
…
But only water and sky and ark,
And Leviathan making the abyss to boil,
So that one deems the deep to be hoary.
…
And the sea rages and my soul exults—
For the sanctuary of her God, she draws near.
It was a lonely trip. Thus, it’s not surprising to see him remember – and even dwell upon – the family that he left behind; especially, his daughter and her children.
Even so far that I can forsake her that went forth of my loins,
Sister of my soul—and she mine only one—
And I can forget her son, though it pierces my heart,
And I have nothing left but his memory for a symbol—
Fruit of my loins, child of my delight.
Yet, he remained focused on the goal – Zion.
But all this is a light thing when set against Thy love,
Since I may enter Thy gates with thanksgiving,
And sojourn there, and count my heart as
A burnt offering bound upon your altar;
And may make my grave in Thy land,
So that it be there a witness for me.
…
I cry to God with a melting heart and knees that smite together,
While anguish is in all loins,
On a day when the oarsmen are astonished at the deep,
When even the pilots find not their hands.
How shall I be otherwise, since I, on a ship’s deck,
Suspended between waters and heavens,
Am dancing and tossed about? —Yet this is but a light thing,
If I may but hold the festal dance in the midst of thee, O Jerusalem!
…
Truly the secret of my quest is in the hand of the Highest,
Who forms the mountain heights and created the wind.
The sea voyage ended in Alexandra, Egypt on Sept 8, 1140. He was welcomed by the large Jewish community there.
Praise, above all cities, be unto Egypt
Whither came first the word of God.
…
Fate has tossed me into the wilderness of Egypt:
Bid it carry me away and toss me yet again
Until I behold the wilderness of Judah.
Not surprisingly, while in Egypt he recalls Moses, whose name comes up in several poems. Here’s one.
My God, the wonder of Thee is astir from age to age:
And here is the Nile for witness, that Thou hast turned it into blood,
Not by magic …
But by Thy name, by the hand of Moses.
The Jews of Egypt begged him to stay. They must have been quite convincing – or, at least, they kept him occupied with things to do – because, despite his quest for Zion, he remained in Egypt until May 14, 1141, when he finally left – to resume his journey to Zion. (No matter how much I ponder this episode, I remain astonished that he stayed in Egypt over 8 months, especially since he was on the doorstep of Zion. It’s a fact that will ever bother me, and also remind me that no matter how much we may try – we can never really get into another’s mind.)
Can bodies of clay
Be prison-houses
For hearts bound fast
To eagles’ wings—
For a man life weary
Whose whole desire
Is to lay his face
In the chosen dust?
…
To cast Spain from him
And seek shores beyond;
…
To seek forgiveness
At the peaceful graves
Of the ark and the tablets
That are buried there.
It was an auspicious time to be in Palestine. From the fall of 1140 to the summer of 1141 was a period of relative peace and quiet. The land was governed as the Crusader Kingdom of Jerusalem, which encompassed much of what today is the state of Israel. But, of course, Judah was a Jew, and Christian Crusaders had a notorious record of the indiscriminate slaughter of Jews in their wake as they were crossing Europe in their journey to liberate the Holy Land from the Muslims.
As fate would have it: Judah Halevi never got to test the relative peace of the Crusader Kingdom. How close he came to Jerusalem is unknown. All we know for sure is that he died on the way in 1141– probably in July or August.
The historian in me, therefore, expects me to end this story – right here. Done.
However, recalling all Judah went through, leaving his family, the storms at sea – the many, many Zionist poems, only a fraction of which I have quoted here – the Romantic side of me pleads that I bring up the legend that arose sometime after his death.
The legend says that Judah got as far as approaching the gates of Jerusalem. Then, while reciting his poem Ode to Zion – an Arab ran him through with a sword. In another version he was trampled by an Arab horseman. Hence, in either case, he fulfilled his dream of reaching Zion. But just reaching it. That’s all.
Since I may enter Thy gates with thanksgiving,
And sojourn there, and count my heart as
A burnt offering bound upon Your altar;
And may make my grave in Thy land,
So that it be there a witness for me.
I wish it were so. I do. But, as with most legends – this one probably isn’t true. He may not even have come close to Jerusalem.
In the end – and interestingly enough – Judah’s plight seemed to be echoing what happened to Moses in his yearning to see the Promised Land. It was just a quest. Only an (unfulfilled) quest.
Truly the secret of my quest is in the hand of the Highest,
Who formed the mountain heights and created the wind.
* * *
For English translations of his poems, I used: Selected Poems of Jehudah Halevi, edited by Heinrich Brody, trans. from the Hebrew by Nina Salaman (Philadelphia: The Jewish Publications Society of America, 1974).
The biography that I have is: The Life and Time of Jehudah Halevi, by Rudolf Kayser, trans. from the German by Frank Gaynor (New York: Philosophical Library, 1949). Kayser, incidentally, is a son-in-law (by marriage) of Albert Einstein.
Features
Elizabeth Taylor’s Jewish connection
By HANNON BELL (Special to jewishpostandnews.ca. All photos from Hannon Bell’s personal collection) Elizabeth Taylor’s Jewish connection may not be well known by the general public, but it played a significant role in her personal life, as well as in her film career.
Mike Todd, Eddie Fisher and Liz’s conversion to Judaism
In 1957, Jewish producer and promotor Mike Todd (whose real name was Avrom Goldbogen) was captivated by a then-25-year-old actress, Elizabeth Taylor, who had already had a long film career, shooting to fame with her star role in “National Velvet” when she was only 12.
By the time Taylor met Todd she had already been married twice before – to hotel magnate Nicky Hilton and British actor Michael Wilding.
Todd though, swept Taylor, with his charm and they married in Mexico in February 1957.
The marriage was attended by Taylor’s parents, Francis and Sara, as well as Todd’s best friend, singer Eddie Fisher, along with Fisher’s wife, actress Debbie Reynolds.
Unfortunately, the union (of which Elizabeth Taylor has said that of all her eight marriages, the ones to Todd and Richard Burton were the most meaningful) didn’t last long as Mike Todd was killed in a plane crash only one month after they were married. He was en route to New York from Los Angeles to attend a Friars Club testimonial dinner in his honour when his plane crashed in New Mexico while it was trying to fly through a storm – killing all onboard.
Ironically, Elizabeth was spared as she had a bad cold and was advised against the trip and chose to stay home.
In her bereavement, she sought out Todd’s best friend, Eddie Fisher.
With both of them seeking understanding and love over the loss of his friend and her husband, feelings went from comfort to love for one another.
The tide had turned and the dutiful widow had now become known as a home wrecker, upsetting the boundaries of America’s perfect couple, Eddie Fisher and pert Debbie Reynolds.
Prior to this though, Elizabeth had begun exploring Judaism during her brief marriage to Mike Todd.
To navigate her through this journey of discovery, Elizabeth studied with Rabbi Max Nussbaum.
In 1959, Elizabeth Taylor and Eddie Fisher were married in a civil and a Jewish ceremony – thus cementing her conversion to Judaism. Here is a photo showing Elizabeth with the Katuba (Jewish marriage certificate).
Discussing her long standing dream of conversion and finally realizing it, Taylor said, “It has nothing to do with any marriage plans. This is something I’ve wanted to do for a long time,” she told reporters.
For her conversion Elizabeth adopted the Hebrew name Elisheba Rachel, thus beginning her long devotion to Jewish causes, education and charitable causes.
“Cleopatra”
In perhaps her most famous role, as Cleopatra – in the film of the same name, because of her strong support for Israel, Elizabeth Taylor was not allowed into Egypt in 1962, where the film was scheduled to be partially shot.
As well, Arab nations also banned the showing of any of her films as a result of her conversion to Judaism.
That didn’t matter to Taylor – she could’t have cared less.
Ironically, Egyptians themselves were not able to see the movie about perhaps the most famous Egyptian of all time!
Eventually though, all was forgiven when, in September 1979 – following the signing of a peace accord between Egypt and Israel earlier that year, actress Elizabeth Taylor and 11 Israelis were honoured guests at the Fourth Cairo international Film Festival, which also marked the ending of the cultural boycott of Israel by Egypt.
It was during the festival that Elizabeth Taylor had a sit down with Egyptian President Anwar Sadat – at the presidential rest house in the Suez Canal city of Ismailia.
Devotion to Israel and the Jewish people
In my Elizabeth Taylor collection of over 100 catalogued binders with over 20,000 photos I document many instances of her devotion to Israel and the Jewish people.
In August 1975 Elizabeth Taylor, along with her then husband Richard Burton visited Israel.
A very meaningful moment occurred when Taylor touched the Wailing Wall in silent meditation.
In June of 1976 Elizabeth Taylor was honoured by the American Jewish Congress as an artist and humanitarian for her work in founding The Israeli War Victims Fund after the 1973 Yom Kippur War.
She was presented with her citation by Israeli Ambassador Shimcha Dinitz. Also pictured in a photo at the event is the President of the Congress, Rabbi Arthur Hertzberg.
It was around the same time as that event when she attended a reception where she met with Israeli Prime Minister Menachem Begin at the Waldorf Astoria Hotel in New York.
Begin referred to Elizabeth Taylor as a “good friend.”
Was that on a personal level or as a strong supporter of Israel?
I tend to believe it was the latter.
In 1977 Elizabeth received the Women’s Division of B’nai Brith’s humanitarian award at a special luncheon held by the Antidefamation League at New York’s St. Regis Hotel.
In May of 1979 Elizabeth attended the Israeli Bonds Dinner in New York.
As of 1979, Elizabeth Taylor had visited the State of Israel five times.
Elizabeth Taylor in films that had Jewish connections
“Love is Better Than Ever”
During the making of 1952’s “Love is Better Than Ever,” Elizabeth Taylor had just annulled her first marriage to Hilton Hotel heir Nicky Hilton when she became involved with the Jewish director of the film, Stanley Donen.
Elizabeth’s mother Sara is reported to have been unhappy and objected to the alliance due to the fact that Donen was Jewish.
“Ivanhoe”
In the 1952 film “Ivanhoe,” Elizabeth played the Jewish character Rebecca. One of the themes the film documents is antisemitism among the Normans and Ivanhoe’s friendship with the wealthy Jew Isaac and his daughter Rebecca.
“Victory at Entebbe”
On December 13, 1976, the movie “Victory at Entebbe” was aired on television in the U.S. The movie was based on true events surrounding the hijacking of Air France Flight 139 by Palestinian terrorists. The flight had departed from Tel Aviv and was headed to Paris when hijackers forced it to divert to Entebbe Airport in Uganda.
The story was close to Elizabeth’s heart and she said she participated in her small role as Edra Vilnovsky in “Victory at Entebbe” for the sake of her fellow Jewish people.
In the film she and costar Kirk Douglas played the Jewish parents of a 16-year-old girl held hostage at Entebbe.
An interesting side note worth mentioning is that Kirk Douglas was supposed to be on the same plane as Mike Todd the night it crashed in 1958. Douglas’s wife Anne had a strange premonition Kirk shouldn’t go on that flight. Fortunately for Anne Douglas, she was right.
“Genocide”
“Genocide” was a 1981 film released by the Simon Wiesenthal Centre. Writing in the New York Times, reviewer Janet Maslin noted that “Miss Taylor, whose narration is particularly simple and affecting, reads letters from victims of the Nazis, farewell to friends and loved ones and horrifying accounts by first hand observers.”
A reviewer in Variety commented that “ Genocide gains its greatest force as a film via Elizabeth Taylor’s emotional voice over of personal testimony by witnesses to the Holocaust terrors.
“A moving performance by Taylor conveys in human terms about a sober rendering of mere facts and figures cannot”.
The Krupp Diamond
Here’s another irony to Elizabeth Taylor’s life: In 1968 Richard Burton bought the famous Krupp diamond as a gift for his then-wife, Elizabeth Taylor.
This 33.19 carat stone was owned by Vera Krupp, whose husband was a Nazi munitions magnate.
Taylor described the the acquisition thusly: “I think it fitting and charming that a nice little Jewish girl like me has ended up with the Baron’s rock.”
In closing
Elizabeth Taylor’s love and fierce dedication to Judaism is something to be admired as she put her heart and soul into the many Jewish causes she supported.
When Elizabeth Taylor passed away on March 23, 2011 she was buried as per Jewish ritual.
May her memory be a blessing
About the author:
Throughout his life Hannon Bell has had many interests and passions.
As an actor he has performed on stage, on film, and on radio.
As a singer and songwriter he has written over 26 songs and won two lyric awards from the American Song Festival.
As a model in his younger days he won a TV commercial award at the Modelling Association of America Convention and Competition in NYC. The award was given to him by Christie Brinkley.
But, more than anything Hannon Bell is probably best known as the owner of the world’s largest collection of Elizabeth Taylor memorabilia.
It all started when, as a teenager in 1963, Bell saw the film “Cleopatra.”
HIs passion turned into a lifelong dedication so much so that Bell is considered an expert on all things Elizabeth Taylor.
Having compiled and catalogued Taylor’s life and career in over 100 binders with over 20,000 photos and more, Bell has earned a reputation as not only a huge fan of Elizabeth Taylor, but also an expert on her life and career.
He has been consulted as a source by authors Kitty Kelly and C. David Heymann, both of whom have written biographies of Elizabeth Taylor.
Bell has been mentioned or featured in: People, Look, Scoop, the National Enquirer, Midnight Magazine, Toronto Star, Vancouver Sun, Winnipeg Tribune, Winnipeg Free Press and Winnipeg Sun.
He has written four songs about Elizabeth Taylor and, according to author C. David Heymann, was the inspiration for the naming of Passion Perfume in 1987. In a letter Taylor wrote to Bell in 1975, she asked him to send her two of his custom T Shirts that had on them the inscription: “HANNON’S PASSION – ELIZABETH TAYLOR.”
After working with Heymann on his biography of Taylor, titled “LIZ,” Hemanann sent Hannon a copy of the book with the signed inscription,”to Hannon, who has the finest Elizabeth Taylor collection in the world.”
Features
Previews of this year’s Fringe Festival shows that have some sort of Jewish connection (no matter how tenuous)
By BERNIE BELLAN (originally posted July 12, amended July 14 & 15) As has been our custom for many years now we try to find shows that have either Jewish performers, themes that would have particular appeal for Jewish audiences…or simply shows where someone contacted me and asked for a plug!
This year’s Fringe Festival runs from July 15-26. For show dates and venues go to winnipegfringe.com.
In no particular order here are blurbs about the shows we’ve found that fit our somewhat arbitrary criteria. (By they way, if we’ve omitted a show that should be included in our list there’s plenty of time to get added to this post. Just drop me a line at jewishp@mymts.net.)
One of the Fringe’s perennial favourites, Alli Perlov is back yet again making great fun of a very popular movie – in this case it’s “Toy Story.”
Here’s what the blurb in the progam says about her show:
Adam Schwartz first appeared at the Winnipeg Fringe Festival in 2013 – in a one-man show. Since then, Adam has gone on to appear in – and produce shows featuring other neurodiverse artists in succeeding years. Adam wrote us: “This summer I am shooting my comedy special. This is a project I’ve been working on for 16 years and I believe is the first Canadian autistic comedy special exploring life. It explores issues like early and late diagnosis, support workers as well as accommodation I have received.”
Another veteran performer on the Fringe circuit, Melanie Gall is returning for her 13th season at the Winnipeg Fringe Festival.
Randy Ross is also back this year. Here’s what Randy wrote us: “I’ll be back at the Winnipeg fringe in July with a new show, ‘How Much Can You Change for Someone You Love?’
Winnipegger Nicholas Rice is a veteran of the Winnipeg theatre scene. He has appeared in five Winnipeg Jewish Theatre productions over the years. This year will mark Nicholas’s second time appearing in a Winnipeg Fringe Festival show. His first appearance, two years ago, was in a show also called “A Side of Rice” but, in chatting with Nicholas he told me this new show,”Another Side of Rice,” will be completely different from that first show.
During the show, Nicholas said, he “will tell three different stories” from different parts of his life. The first story will relate an experience he had at Sir John Franklin School (which no longer exits). The second story will be about an experience Nicholas had while teaching in Toronto where, he says, one of his students, upon finding out Nicholas was Jewish, told him that he “would burn in hell.”
The third story will also be set in Toronto. The show will last 70 minutes, Nicholas added.
Rudi stands outside his father’s study in Paraguay, struggling to find the courage to go in. It’s been seven years since he left after uncovering the truth: that his father was a doctor at Auschwitz.
Haunted by a past he didn’t create but can’t escape, Rudi is forced to grapple with the legacy of his father’s crimes and search for a way to live with the weight of inherited guilt. Another tour-de-force script from acclaimed Canadian playwright Hannah Moscovitch, whose powerful and provocative work continues to captivate audiences worldwide.
On July 15 we received an email from someone by the name of Jillian Birdie Burke. Here’s part of what Burdie wrote: “My name is Birdie Burke, I am a Jewish artist and I’m one of the producers and performers of A Kid Napping, a new comedy is coming to the Winnipeg, Saskatoon, and Victoria Fringe Festivals this summer – from the same duo who brought you last year’s award-winning BRAIN.
“ Kid Napping follows two well-meaning but wildly incompetent ex-convicts whose kidnapping plan goes spectacularly wrong when they accidentally find themselves caring for a room full of kindergarteners.
“As part of the production, we’re also donating proceeds from our sales to local children’s organizations in each city we visit.
“For Winnipeg we’ll be focusing on Rossbrook Kids and the Rainbow Resources team.”
Okay – now here is where we start to get away from previewing Jewish performers, but I’ll explain in each case why I’ve included a particular show.
Safe Sex is a collection of three one-act plays written by Harvey Fierstein who is Jewish, but had said that “although he does not believe in God, he prays three or four times each day.”
“As one of the first openly gay celebrities in the United States, Fierstein helped turn gay and lesbian life into a viable subject for contemporary drama.”
Now, since Harvey Fierstein grew up in New York – a very Jewish city, when we were contacted by someone by the name of Charlie Hume who said he was an actor and producer with a company called Starr Street Productions – based in New York City, we had to ask him whether there was any Jewish connection?
Charlie replied: “Perhaps unfortunately, the show is written and performed by Catholics. I would say that our company’s greatest connection to Judaism is that we all studied together at The Lee Strasberg Theater and Film Institute. Lee Strasberg- if you’re not familiar- was a legendary Jewish acting coach who was instrumental in revolutionizing theater and the performing arts in New York City and beyond. We walk in the footsteps of Lee and many other Jewish cultural leaders, who have long been among the most steadfast supporters of the arts in America.”
Well, that’s good enough for me. Here’s a description of their play:
Finally – and this one really is a stretch – three days ago we were speaking to Reverend Don James, who is the National Development Director at Bridges for Peace (an organization that has close ties to our Jewish community) when Don happened to mention that his daughter, Hilary, is producing a Fringe show that has something to do with a Fleetwood Mac record album. (Apparently Don had never heard of “Rumors” because he didn’t know what the name of the album was. Oy!)
So I said to Don: “Have your daugher contact me and I’ll give her a blurb.” Well, she hasn’t contacted me yet, but I’m giving her a blurb – whether she wants one or not!
