Features
“Incident at San Miguel” – new novel set in the Cuban Revolution in 1958 provides rich insight into Jewish life in Cuba
By BERNIE BELLAN The history of Cuba’s Jewish community is quite an interesting one. According to Wikipedia, “more than 24,000 Jews lived in Cuba in 1924, and still more immigrated to the country in the 1930s. Following the 1959 communist revolution, 94% of the country’s Jews emigrated, most of them to the United States. In 2007 an estimated 1,500 known Jewish Cubans remained in the country, overwhelmingly located in Havana.”
I’ll get into my review of a book set in Cuban in the 1950s later, but first I wanted to provide some background about the very important role that Canada has played in helping the Cuban Jewish community, especially since 1973.
Following are some excerpts from past issues of The Jewish Post that will provide the reader with a basic understanding of how helpful Canada has been to Cuba’s Jewish community:
From the Nov. 24, 1983 issue: “Canadian Jewish Congress (CJC) will send $30,000 worth of religious articles and supplies to the Jewish community of Cuba, the World Jewish Congress has announced here. Ever since the U.S. severed relations with Cuba in 1960, the CJC has looked after the needs of Cuban Jews” (emphasis mine).
From the November 17, 1999 issue, headlined: “Canada played key role, helping Cuban Jews emigrate to Israel”:
I, myself, wrote the following: “On October 11, the Globe & Mail broke a story in this country headlined ‘Canada aids Cuban exodus – Secret transit of Jews has gone on 25 years.’ “
That story went on to detail how Canada had facilitated the emigration of some 400 Cuban Jews to Israel, beginning in 1973. (Cuba broke off diplomatic relations with Israel at the time of the Yom Kippur War.)
Subsequent to that story I was able to interview Lloyd Axworthy, who was Canada’s Foreign Minister at that time. I asked Axworthy about Canada’s role in helping Cuban Jews emigrate to Israel. He explained that, “beginning in the early 70s, we undertook to set up what we call the Israeli interests unit in our embassy (in Havana), staffed by a locally-engaged person, not only to represent Israeli interests, but also to expedite the emigration from Cuba of members of the Jewish community.
“Since it’s been in operation, there have been about 400 visas that have been obtained. What we do is simply work it from Havana to the Israeli embassy in Ottawa.”
That interview went on to explore how Canada had kept its role relatively quiet, although apparently it was very well known within the Jewish community in Cuba that if you wanted to emigrate you should approach the Canadian embassy.
As Axworthy noted during that interview, “We’ve been quite careful to keep it low key. There was no point in broadcasting it, because there are sensitivities in Cuba to such things.”
I came across another interesting aspect to the role Canada has played in helping Cuba’s Jewish community in 2013 when I learned that Canada’s then-ambassador to Cuba was someone by the name of Matthew Levin, who was an old childhood friend. I emailed Matthew in January 2013, asking him whether he would consent to an interview and he responded warmly.
He also happened to mention something else that I found quite interesting. In response to my telling him about my interview with Lloyd Axworthy many years prior, Matthew wrote in an email to me that “the connection with Lloyd Axworthy and Cuban Jews is of great interest. Coincidentally my wife is now coordinating the Aliyah program in Cuba from the Embassy.”
Alas, much as Matthew was willing to be interviewed, an apparatchik from what was then called the Department of International Affairs and Foreign Trade stepped into the mix and informed me that I couldn’t actually speak to Matthew; instead, I was told, I could email whatever questions I wanted to ask in advance.
I explained to the apparatchik that I wanted to do a folksy interview with someone who was an old friend and that emailing questions would deprive what I was wanting to do of any spontaneity. You can guess how far that went.
In any event, all this serves as a prelude to a review of a book that I actually finished reading a couple of months ago – and had wanted to review at that time. The book is called “Incident at San Miguel,” by A. J. Sidransky. Mr. Sidransky (and I did ascertain that he was a man, although it’s always difficult when you only know an author’s initials) had sent me a review copy of the book back in November, but I didn’t get around to beginning reading it until February.
After I did finish the book and emailed Mr. Sidransky to tell him how good I thought the book was – and that I was now ready to publish a review, I was somewhat surprised when he asked me to hold off publishing the review, writing “Could you hold the review for May? The book release is May 19. Right now we only have preorders for kindle to be delivered May 19.”
However, I just took a look and saw that “Incident at San Miguel” is available for pre-ordering, either in paperback on Amazon or in Kobo format.
Review of “Incident at San Miguel”
With that out of the way, let’s talk about the book itself. The foreword to the book is written by someone by the name of Miriam Bradman Abrahams, who explains that she is the Cuban-born daughter of Cuban Jewish refugees. Her family had been separated from the family that remained in Cuba for over 40 years, although some of her Cuban family had been able to visit Ms. Abrahams’ family in New York in 2001. Ms. Abrahams had long wanted to visit Cuba, she explains, but wasn’t able to do so until 2008.
She told the story of her family to A. J. Sidransky, who is a Spanish-speaking writer of fiction. Mr. Sidransky took elements of Ms. Abrahams’ story and mixed in some fictitious parts to produce “Incident at San Miguel.”
Here is a synopsis of the book: “Havana, Cuba. December 1958. Two brothers find themselves on opposite sides of Castro’s revolution. One dark night, after rescuing a leader of the revolt under house arrest, one brother finds himself hunted. The other, an influential attorney, must make a choice. Help his brother, placing the whole family at risk, or let Batista’s forces capture him. His decision will haunt them both for the rest of their lives. How far will we go to protect those we love? Based on a true story, Incident at San Miguel takes us there.”
Although I was somewhat familiar with the Cuban Revolution and Fidel Castro’s ascent to power, I was fascinated to learn that it was quite some time after Castro and his followers had taken over Cuba before he began to introduce communism to that island.
“Incident at San Miguel” begins in 1958, which was shortly before the then-dictator of Cuba, Filgenico Batista, was overthrown by Castro.
Two brothers, Aaron and Moises Cohan, find themselves on opposite sides of what is transpiring at that moment in Cuba, although, as the novel opens, we see that the brothers do get along quite nicely. Aaron is a lawyer, working in the Batista administration, while Moses is an economist who is aligned with the revolutionaries seeking to overthrow the government.
As the story develops we learn quite a bit about the Jewish community in Cuba at that time. Although most Jews would have been considered middle class, a number of them had become very wealthy businesspeople. The majority of Cubans, however, were quite poor.
In his own introduction, Mr. Sidransky provides an analysis why Jews were continually subjected to persecution by totalitarian regimes in the 20th century, writing that “As in all totalitarian regimes, there is always a boogeyman. In the case of the Nazis and the Hungarian Fascists in the 1930s and 40s that boogeyman was the Jews. In the case of communist systems, including Hungary under Soviet communism, and Castro’s Cuba, the boogeyman is the entrepreneurial or capitalist class. In the absence of a religious, ethnic, or racial minority to blame for the nations’ problems, Communism points its finger at an economic class to which it ascribes the suffering of its people and the nation.”
And, as successful members of that economic class – at least to some extent, it was hardly a surprise that Jews suffered under the Castro regime once communism became solidly entrenched as the economic model for Cuba.
But, as “Incident at San Miguel” relates, it was not at all clear what was in store for Cuba in the late 1950s. Batista’s secret police were everywhere, revolutionaries who were found out were either imprisoned or worse, executed, and despite the continued inroads that Castro’s and other revolutionaries seemed to be making, life in Havana, at least, continued in what seemed to be a normal fashion.
Moises Cohan, though, finds himself caught up in a daring plot to free a former professor of his, who is a hero to revolutionaries, and who has been held under house arrest by the Batista regime. Hence the name “Incident at San Miguel” because the particular incident in question, in which an attempt to free the professor, leads to a whole mess of intrigue as a result.
Moises finds himself on the run and seeks Aaron’s help in being able to escape. Aaron is torn between two worlds. He has been promoted to a senior position within the regime and, helping his brother would not only be a betrayal of that regime, it would be exceedingly dangerous.
Time moves on and on New Year’s Eve, January 1, 1959, the Batista regime folds and Castro’s revolutionaries march into Havana.
Mixed in with the political intrigue are the relationships the two brothers have developed with two vastly different women. Aaron’s fiancée, Beatriz, herself comes from a prosperous Jewish family, and she is perfectly at home with Aaron’s parents, Esther and Rafael.
Moises’ lover, Ana Teresa, in contrast, is a dedicated revolutionary whose first order of business is not romance, but fighting. Moises keeps his relationship with Ana Teresa a secret from his parents, knowing that they would be devastated to learn that he has taken up with a non-Jewish woman.
In time, both Moises and Ana Teresa rise to senior levels within the new Castro regime, yet their romance begins to flounder. Moises is an idealist who believes strongly in the ostensible goal of the revolution to bring about greater equality among the classes. Ana Teresa, it turns out, is a ruthless – and cynical, revolutionary, who is quite prepared to compromise her ideals if it means entrenching the new regime. When it becomes clearer, however, that the new regime wants to bring about equality by leveling the upper and middle classes, Moises begins to become increasingly disillusioned with what is happening – and with his lover.
A fascinating subplot develops when Moises happens to stumble upon a scheme whereby someone in the regime is reaping huge financial rewards through extorting Cuban businessmen, many of whom happen to be Jewish. Reading how Moises undertakes to get at the heart of this corruption introduces an exciting element of suspense into the novel.
We also learn how difficult it quickly became once the new regime was in place for Cubans to obtain exit visas. By this time Aaron and Beatriz have a young baby. The horrible dilemma with which Aaron has to deal is that bureaucrats are willing to let Aaron and Beatriz leave, but their child is denied permission.
That sets in motion a whole new set of challenges for Aaron – who would also love to be able to get both his and Beatriz’s parents out of the country. The parents, however, have a strong attachment to Cuba and are not interested in leaving the country.
I was somewhat surprised to learn that 94% of Cuba’s Jewish population did leave Cuba following the revolution – given how difficult obtaining exit visas was, but when I tried to deduce just how many individuals that figure of 94% represented, I wasn’t able to figure that out. If Cuba’s Jewish population was 24,000 in 1924, as Wikipedia says, and there was an influx of Jews from Europe in the 1930s, then the number of Jews who left Cuba following the revolution had to have been well over 23,000. How did they all get out, I wonder – especially after reading this book and learning how difficult it was for anyone to leave the country after a certain point? I’d certainly like to learn more about when and how so many Jewish Cubans were able to leave following the revolution.
Yet, in reading about the wonderful texture of life in Cuba prior to 1959 – at least for those who were able to enjoy a reasonably prosperous standard of living, such as the Cohan family did, life certainly seemed idyllic in many respects. The descriptions of the kinds of foods that are native to Cuba that the Cohan family was able to incorporate into their daily fare are quite tantalizing, as are the descriptions of the wonderful climate and the beautiful countryside.
“Incident at San Miguel” also provides many insights into the dynamics that underlay the Cuban revolution, including how much democratic ideals inspired so many of the young revolutionaries. While Fidel Castro himself only makes a cameo appearance in the book, Che Guevara plays a prominent – and altogether despicable role. While the book is a work of fiction, with many elements based on the true story of Miriam Bradham Abrahams’ family, the author has certainly done extensive research into life in Cuba in the 1950s. There are some vivid descriptions of how business was conducted – and how much corruption played a part in both the old and new regimes.
A political thriller with many romantic aspects and a vivid portrayal of a country that had so much promise had it not been exploited by one dictatorial regime after another, “Incident at San Miguel” is a riveting read.
Features
MEDIA BRAT/ The Artsy Sportswriter’s Daughter Deconstructs Life With John Robertson in New Memoir
We received an interesting email from a brand new book publishing company called Meat Draw Books. Ordinarily, we wouldn’t include a blurb for a book that wasn’t about a Jewish subject but the press release was so intriguing – and humourous, that we’ve decided to print it here ver batim:
Hello at The Jewish Post & News.
I’m D. Grant Black, publisher of Meat Draw Books. I thought you might be interested in a new book, Media Brat: a Gen-X memoir, by sportswriter-broadcaster John Robertson’s daughter, Patricia, about her time following her father’s crazy career and antics around North America. It just released on April 8.
John, who founded the Manitoba Marathon, was a B’nai B’rith Man of the Year in the mid-1970s during his time as host for an English open-line radio show at CFCF Montréal, owned by Charles Bronfman. I would appreciate if you could spread the word in the Winnipeg Jewish community about Patricia Dawn Robertson’s very funny new book, Media Brat. Robertson has written freelance dispatches for the Winnipeg Free Press’ Op/Ed pages for over 20 years (View from the West & Perspectives).
SOME BACKGROUND:
Patricia Dawn Robertson, Canada’s cheekiest satirist, just released her much-anticipated memoir, Media Brat, about growing up on the sidelines of old school media with her father. Sportswriter John Robertson worked at the Winnipeg Free Press from 1956 to the early 1960s, as a broadcaster/host of 24Hours at CBC TV Winnipeg (1977–1982) and he founded the Manitoba Marathon in 1979.
John Robertson also worked at the Toronto Sun (1982-1985) covering the Blue Jays during the Golden Era of the Toronto Sun where he boosted the Toronto weekend circulation to 300,000 in the 1980s with his controversial sport column. Sun readers flipped to the Sunshine Girl then to Robertson’s column.
Media Brat: a Gen-X memoir (April 8) is a hilarious outlier’s account of an artsy girl’s reluctant pilgrimage in the turbulent wake of John Robertson, her manic sportswriter-broadcaster father. The author, as a child and young woman, hated spectator sports but loved her sportswriter father. John Robertson rubbed shoulders with baseball great Rusty Staub (Robertson’s book “Rusty Staub of the Expos”), Blue Jays player Kelly Gruber, CFL QB Ron Lancaster, NHLers Bobby Hull & Willie Lindstrom, politicians Robert Bourassa & René Lévesque and Canadian comedy legend, John Candy.
Robertson’s epic book-length tantrum is set in the stands and parking lots of major league North American sport plus the author’s experiences in Winnipeg, Montréal and Toronto from the early 1960s to the early 1990s. Media Brat explores living in the fish bowl of a media family and coming-of-age in the educational institutions, workplaces and dating ghettos of major North American cities, from the 1970s to the early 1990s. Robertson’s smart reader can always count on her funny no-bullshit truth. Media Brat is Robertson’s first instalment of no-bullshit memoir in book form — in a mere 254 pages. (Robertson is busy at work on Media Brat Goes West, the second instalment of three memoirs, for a spring 2026 release.)
Media Brat’s WINNIPEG chapters (1963, 1977–1982) include:
It Was Snowing on the Day You Were Born (born in the Gateway to the West); The Velvet Hammer (mother-daughter power struggle); The Dutch Uncle (visiting auditor fails to put the brakes on John Robertson’s spending); Frozen Turkeys, Corduroy Knickers & Tia Maria in the Snow Tires (Family Christmas 1977); Klinic With a ‘K’ (autonomy and the pill); The Curse of Lono (Father-Daughter Hawaiian Marathon); Great With Beer (camping trip at Riding Mountain gone awry); Meet Me at The Monty (summer job at Winnipeg Parks & Rec); The Cook, the Marxist, the Candidate & his Daughter (Robbie runs in the provincial election); John Takes a Mulligan (stroking out); and Binge Ate Her Way to a Size 16 (Patricia tips the scales before moving to Toronto and her dad’s new sports columnist gig at the Toronto Sun).
I’ve attached a book release pdf with links to the Meat Draw Books website. (Purchase at MeatDrawBooks.com) This is the first book for my new Canadian imprint, which will publish non-fiction books in small batches, direct-to-reader and without any Canada Council or provincial arts funding.
And, if you want to read an excerpt from the book, you can download it here:
Features
Experience Nonstop Tongits Action on GameZone
In the ever-evolving world of online gaming, one classic Filipino card game has found a new lease on life. Tongits, a beloved pastime in the Philippines, has made a spectacular transition to the digital realm, and GameZone is leading the charge. This comprehensive guide will explore why Tongits on GameZone is the go-to destination for card game enthusiasts in 2025, offering an unparalleled blend of tradition, innovation, and nonstop action.
The Timeless Appeal of Tongits
Before we dive into the GameZone experience, let’s revisit what makes Tongits so special. This rummy-style card game, typically played by three players, has been a staple of Filipino social gatherings for generations. Its appeal lies in its perfect balance of luck, skill, and strategy, making it accessible to beginners while offering depth for seasoned players.
In Tongits, players aim to be the first to discard all their cards by forming valid sets and runs, or to have the lowest points when the game ends. This simple premise belies a game of intense concentration, clever tactics, and social interaction. It’s this combination that has allowed Tongits to stand the test of time and now thrive in the digital age.
GameZone: Revolutionizing Tongits for the Digital Era
GameZone has taken the essence of Tongits and enhanced it for today’s online gaming landscape. Here’s why it’s become the premier platform for Tongits enthusiasts:
1. Diverse Game Modes
GameZone understands that players have different preferences and time constraints. That’s why they offer multiple Tongits variants:
- Tongits Classic: The traditional game that purists love, featuring all the rules and strategies that have made Tongits a favorite for decades.
- Tongits Plus: An enhanced version with slight rule modifications to add extra excitement.
- Tongits Joker: Introduces joker cards to the mix, adding an element of unpredictability and new strategic possibilities.
- Tongits Quick: A fast-paced version with fewer cards, perfect for quick games on the go.
This variety ensures that whether you’re a traditionalist or looking for a new challenge, GameZone has a Tongits experience for you.
2. 24/7 Accessibility and Global Player Base
One of the biggest advantages of playing Tongits on GameZone is the ability to find a game at any time of day or night. With a global player base, you’re never more than a few clicks away from jumping into a match. The platform’s robust servers ensure smooth gameplay, whether you’re on a desktop computer or mobile device.
3. Fair Play and Security Measures
In the world of online gaming, trust is paramount. GameZone has gone to great lengths to ensure a fair and secure gaming environment:
- Licensed by PAGCOR (Philippine Amusement and Gaming Corporation)
- Advanced encryption to protect user data and transactions
- Sophisticated algorithms to prevent cheating and ensure random card distribution
These measures mean you can focus on enjoying the game, knowing that every match is fair and your personal information is safe.
4. Competitive Tournaments and Rewards
For those with a competitive streak, GameZone offers a thrilling tournament scene:
- Regular tournaments with cash prizes and trophies
- The annual GTCC (GameZone Tongits Championship Cup), a prestigious event drawing top players from around the world
- Daily and weekly challenges with in-game rewards
- Leaderboards to track your progress and compare skills with other players
These competitive elements add an extra layer of excitement to the Tongits experience, giving players goals to strive for beyond individual matches.
5. Vibrant Community Features
GameZone isn’t just a platform for playing cards; it’s a social hub for Tongits enthusiasts. The platform includes:
- In-game chat features for friendly banter during matches
- Forums for discussing strategies, sharing tips, and organizing games
- Regular community events and challenges
- A friend system to connect with fellow players
These social features recreate the camaraderie of playing Tongits in person, fostering a sense of community among players from diverse backgrounds.
Mastering Tongits on GameZone: Strategy Tips
Whether you’re new to Tongits or looking to refine your skills, these tips will help you excel on GameZone:
1. Perfect Your Timing for Knocking
Knowing when to “knock” (end the game early) is crucial. It’s a delicate balance between minimizing your points and not giving opponents the chance to go out. Pay attention to the flow of the game and the cards being discarded to make informed decisions.
2. Master Card Counting
Keep track of discarded cards to deduce what your opponents might be holding. This information is invaluable for making strategic decisions about which cards to keep or discard.
3. Build Flexible Sets
Aim for sets and runs that can be easily modified. For example, if you have 5-6-7, look for 4 or 8 to extend your options. This flexibility increases your chances of going out quickly.
4. Manage Your High Cards
High-value cards (K, Q, J) can be a liability if an opponent knocks. If these cards don’t fit into your strategy, consider discarding them early to minimize potential point loss.
5. Adapt to Different Game Modes
Each GameZone variant requires slightly different strategies. In Tongits Joker, for instance, save your jokers for critical moments rather than using them early. In Tongits Quick, be more aggressive in forming sets due to the reduced card count.
6. Practice Regularly
Like any skill, proficiency in Tongits comes with practice. Take advantage of GameZone’s 24/7 availability to play regularly and experiment with different strategies.
Conclusion: Join the Tongits Revolution
Tongits on GameZone represents the perfect fusion of traditional card gaming and modern technology. With its diverse game modes, fair play guarantees, exciting tournaments, and vibrant community, it offers an unparalleled gaming experience for Tongits lovers of all levels.
Whether you’re looking to relive childhood memories, challenge yourself against top players, or simply enjoy a fun card game with friends, GameZone’s Tongits platform has something for everyone. The nonstop action, combined with the strategic depth of Tongits, creates an addictive and rewarding experience that keeps players coming back for more.
So why wait? Join the millions of players already enjoying Tongits on GameZone. Download the app or visit the website today, and immerse yourself in the world of nonstop Tongits action. Who knows? You might just become the next Tongits champion!
Remember, in the world of online Tongits, every hand is an opportunity, every match a new adventure. See you at the virtual card table!
Features
Ottawa police detective Akiva Geller and the case of the famed purloined Yousef Karsh photograph
By MYRON LOVE It had all the elements of a novel, heist movie or televison episode – a brazen art thief and forger, an iconic work of art, secret storage lockers, DNA and an international trail of crumbs to follow ..and Ottawa police service detective (also a former Winnipegger) Akiva Geller was right in the middle of the action.
The case revolved around the theft from the Fairmont Chateau Laurier Hotel of an iconic photograph of Winston Churchill, taken in 1941, \by the world famous photographer Yousef Karsh. Karsh and his wife, Estrellita, lived at the classy hotel for 18 years. Toward the end of his life, the photographer donated that print – “The Roaring Lion” – along with several others to the hotel. The print, valued at $20,000, was hung in the hotel’s reading room. It was reported stolen – and replaced with a forgery – in the summer of 2022.
Geller joined the Ottawa police force in 2012 following a 14-year career in the Canadian military.
He recalls that he initially considered becoming a pharmacist. He was inspired to change his plans by the yeoman work of the Canadian soldiers who helped stem the tide during the great flood here in 1997.
“That kind of community service resonated with me,’ he says. “I appreciated the hands-on aspect of it all.”
He enlisted the next year.
While serving in the military largely in a series of administrative and teaching capacities, Geller began taking classes at Algonquin College in security management that led to his taking a criminology program – and degree – at Carleton University.
He left the military in 2012 to join the Ottawa police force. He began his policing career as a patrol officer. He was promoted to the investigative branch in 2020.
Now, unlike what we may see on television, being a police detective is not a case of investigating the murder of the week. Geller notes that much of his time is spent looking into suspicious deaths – including overdoses. A high profile case such as the Karsh photo heist comes along once in a lifetime for most police detectives.
This articular story begins, according to Geller, somewhere between late December 2021, and mid-January 2023, when an individual who has since been identified as Jeffrey Wood,walked into the hotel, removed the framed portrait print from the wall, and replaced it with a copy on which Wood had forged Karsh’s signature. At the time, the hotel was largely shut down due to the Covid lockdowns; thus few people were around.
The switch wasn’t discovered, Geller reports, until the following August, when hotel engineer Bruno Lair noticed that the framed print was a little off kilter. When he went to straighten it, he saw that the portrait was hung by a wire – with holes in the wall where screws had held the portrait in place.
“Wood was identified as the seller after we obtained the response to a ‘Mutual Legal Assistance Request’ sent o the United Kingdom,” Geller recalls. “In the response, Sotheby’s London gave us his information, including scanned copies of his passport and IDs.”
The Hotel GM and staff contacted the Yousuf Karsh estate and spoke to the director, Jerry Fielder, who, it was assumed, could verify whether the fraudulent portrait signature was forged, Geller continues. He was sent a picture of the signature and fake portrait, confirmed it was forged and that the portrait was a fake. The hotel reported the theft of the authentic Roaring Lion to Ottawa Police, at which time
Geller began his investigation. Geller goes on to say: “In searching for the authentic portrait I sourced two photos of the authentic portrait on the wall before it was stolen, one from Trip Advisor and the other from Twitter. Both had the portrait signature clearly visible so I could compare them to other signatures I found.
“I came across the Sotheby’s London Auction from May 2022 in which a portrait with a very similar size and signature was sold,” Geller says. “I compared the signature to the ones I sourced from online and determined they were the same. I asked Library and Archives Canada to assist in examining the fake print and also in comparing the signatures. While signature analysis is not in their expertise, they were able to advise that it was highly probable that they were the same. With this I was able to complete a Mutual Legal Assistance Request to the United Kingdom for assistance in obtaining the details of the Sotheby’s Auction. London Metropolitan Police assisted in obtaining the information on the auction and sent it back to me here in Canada. This took almost a year to obtain because of the levels of approvals, editing and paperwork involved.”
Sotheby’s London’s documents identified the seller of the Roaring Lion portrait as well as details about him, communications they had with him and photographs of the portrait before it was obtained by Sotheby’s. Wood was identified as the seller.
“I wrote numerous production orders to all of Wood’s known bank accounts, phone numbers, and credit cards,” Geller recalls. “Once I received the return from his phone company I had to go line by line through his phone bills. There I found a phone call to a storage unit here in Ottawa.”
I wrote a search warrant for the storage locker and a production order for the information on the locker and owner. I executed the search warrant and, in the locker, we found a second fake Churchill print,” he reports. “We also found a toothbrush which we believed would have Wood’s DNA on it. We sent the toothbrush directly to the Centre for Forensic Sciences in Ontario. They compared the DNA from the toothbrush to DNA obtained from inside the fake portrait which was put up in the real one’s place.”
The next piece of the puzzle was to reclaim the portrait to return it to the Chateau Laurier. The drawback here that the buyer of the portrait was an Italian lawyer – one Nicola Castinelli. In Italy, Geller notes, if you buy stolen items in good faith – in other words, if you didn’t know the item was stolen – you have a legal claim to the property, which would mean that you would have to be taken to court to have you relinquish it.
Geller reports that the Italian carabinieri in Rome sent officers to visit the buyer in Genoa and persuaded him to return the portrait in return for what he paid.
Wood was arrested last April. At his hearing on March 14, he pleaded guilty.
Geller reports that, although the maximum sentence is 14 years in prison, the prosecution is requesting of the court a two year sentence while his lawyer is asking for a suspended sentence.
As for the portrait, it was reframed and remounted at the chateau Laurier in the former reading room, which has been converted into a lounge. He adds that the hotel now has a lot more security in place.
“It was a nice reinstallation ceremony,” Geller says.
Mrs. Karsh (who is in her 90s) even wrote a letter to the hotel expressing her appreciation about the portrait being “back home”, he adds.