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Mel Brooks gets serious in HBO special – but there’s plenty of shtick, too
By CURT SCHLEIER
(JTA) – Mel Brooks’ new HBO special is a departure from the comedian’s typical belly-laugh fare. In place of the slapstick gallows humor – though there’s plenty of that, too, in “Mel Brooks Unwrapped” – is a more introspective, documentary-style reminiscence of his nearly 60-year career.
“You got it right on the nose,” Brooks says in a phone interview from Hollywood. “It is kind of a walk through my life, a memoir. Some of it is funny, and some of it is moving and touching. It’s a very different kind of behind-the-camera look at me.”
Now 93, could it be that his advancing age accounts for the change of tone?
“It probably does,” he says, adding quickly, “But I’m not as old as Carl Reiner.”
Originally a BBC production, “Mel Brooks Unwrapped” is the work of Alan Yentob, the British network’s former creative director. The pair have developed a warm rapport through several previous interviews over the decades, clips of which are interwoven into the new production.
Brooks is more wizened than in the earlier clips, but still physically active and mentally as sharp as ever. He even drives. Yentob’s camera shows him driving to the supermarket, picking up some fixings and heading to Reiner’s house to cook dinner.
Reiner, 97, is Brooks’ longtime collaborator and comedic partner, and Brooks says they visit once or twice a week. But cooking dinner isn’t a regular thing. Normally it’s Reiner’s housekeeper who makes the food. Brooks claims to be there only for the free meal.
Brooks himself needs no introduction. He is one of only 15 people to earn an EGOT – an Emmy, Grammy, Oscar and Tony. Over the course of his decades in showbiz, his work – including the 1974 classic “Blazing Saddles,” the various incarnations of “The Producers,” and dozens of other films, television shows and comedy albums – has won him countless honors. In 2016, he won a National Medal of the Arts from President Barack Obama.
But Brooks isn’t just a veteran of show business, he’s also an old hand at the interviews that go along with the trade. He insists he never gets bored answering the same questions again and again.
“I couldn’t be who I am if I didn’t love the questions and making up answers and lying about my life,” Brooks says. “When you’re a comic in the Mountains, you have to be prepared for anything.”
The mountains, of course, are the Catskills, where thousands of New York City Jews used to escape the summer heat. Brooks, a Brooklyn native, got a job as a dishwasher at a Catskills resort as a teenager.
Later he was allowed to perform some routines he had written.
“When I was there, there were so many wonderful hotels, and what training you got,” Brooks recalls. “You realized to make your act work, you needed good stories. You couldn’t steal material like Milton Berle. You had to have original material because that audience knew its stuff. Once I told a really funny joke and someone in the audience got up and said you stole that from Myron Cohen. And it was true.”
Brooks and Reiner achieved early acclaim in the 1950s writing and performing on Sid Caesar’s “Your Show of Shows” and its follow-up, “Caesar’s Hour.” Success after success followed, including the spy spoof “Get Smart” that Brooks co-created with Buck Henry. Along the way, Brooks and Reiner turned a routine they performed for friends at parties, “The 2,000 Year Old Man,” into a recording that sold over 1 million copies.
In 1964, Brooks married Anne Bancroft, whose newly released DVD collection is “selling like hotcakes,” Brooks said. “I wish it would sell like a boxed set.”
You can take the boy out of Brooklyn, you can’t take Brooklyn out of the boy. When the subject of his early years in the borough comes up, you can almost hear Brooks break out in a smile as he recounts his childhood memories.
“I remember my mother washed the floors,” he says. “Then she’d spread the newspaper down, the [Yiddish daily papers] Freiheit or the Forverts, to help the floor dry. Once my brother Irving came in and walked on the papers. I was about 5 and I yelled at Irving, ‘You’re cursed. God is going to kill you.’ I thought because the papers were written in Hebrew Yiddish, I thought the words were sacred.”
Brooks’ trademark Borscht Belt style owes everything to his childhood growing up in the heavily Jewish tenements of Brooklyn. He still remembers the pride his family felt when they were able to raise the $2 a month that allowed them to upgrade from an apartment at the back of their building, where the only view was of other buildings and garbage cans.
“I didn’t know any other life,” Brooks says. “When you grew up in Williamsburg and somebody goes by you who’s not Jewish, you feel sorry for them. You want to give them some food. I thought the whole world was Jewish – until I got into the Army.”
But Hollywood wasn’t the Army. As Brooks says in the documentary, after “The Producers” became a hit, “an army of Jews wanted to invest in my next musical comedy.” His success was assured – something he wishes he could have told his younger self.
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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.

Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.

