Features
Not without honour…..except here
By SIMONE COHEN SCOTT Several Wednesday nights ago, June 22nd to be exact, I attended a launching here in Winnipeg, at the Whodunit Bookstore to be exact, of Celia Rabinovitch’s book, “Duchamp’s Pipe; a Chess Romance.” Actually, the book has been launched in a few places, mostly via zoom. Readers of this paper may even remember that I reviewed her book a while back.
(Ed. note: It was actually December 2020, Simone – and your review is on our website at http://jewishpostandnews.ca/8-features/640-new-book-by-noted-art-expert-celia-rabinovitch-explores-many-themes.)
Anyway, the event back in June was delightful. The evening was basically a conversation between Dr. Michael Bumsted, proprietor of the store, and Celia Rabinovitch, internationally celebrated, locally barely known, artist, writer, and cultural historian. They were well-matched, the extremely erudite Dr. Bumsted, educated in Scotland, and Celia, Director of University of Manitoba’s Fine Arts Department, 2002-2008; scholar-in-residence at universities in North America, Europe, and Israel; her paintings appearing in art centres throughout Canada and the United States albeit seldom here. His questions about the book were incisive and penetrating, her answers thoughtful, informative, interesting, and amusing. She is a wonderful raconteur and his method encouraged her to tell of the many adventures that went into the researching and writing the book. It was apparent he had read the book carefully and had had fun doing so.
Of course they talked about pipes, but also about bohemian life in various cities throughout two continents during the war-dominated decades of the early 20th century, travelling via tramp steamer, partying with the privileged, barely eking out a living. Histories at several levels are revealed through the medium of chess tournaments, against the backdrop of a not so unlikely friendship, that of George Koltanowski, a passionate chess playing phenomenon who practically breathed the game, (Good heavens, he could play several opponents at once, blindfolded, and win!), and Marcel Duchamps, the sophisticated chess aficionado, who had already made his name initiating a startling genre into the world of art with his ‘Nude Descending a Staircase’. The central character is the pipe; it provides the theme connecting the two men who, in fact, spend just scraps of time with each other over the decades-long era their stories cover. Both Bumsted and Rabinovitch are well versed in many aspects of early 20th century histories in several locales. The audience, seated on metal folding chairs in the centre of the store, half-emptied platters of goodies behind them, had their horizons broadened. There was a flurry to buy the book after this presentation.
My own friendship with Celia began through a mutual friend, actress Terri Cherniak. Celia was to spend a couple of weeks as scholar-in-residence at the Israel Museum, lecturing on Dada art, and Terri knew I had an apartment nearby. She put us in touch. We were roommates for two weeks, we hit it off, and a friendship grew. Celia is, to me, a citizen of the world. She has an aura about her that makes one feel something special is going on. She is aware, always, of the spiritual connection between people, their settings, the objects they love, and she perpetuates the idea that the love passes along with the object. This informs her paintings, and this is the story of the pipe. The thread of love connection permeated every aspect of its journey as the gift from Marcel to George and beyond, (George re-gifted it), until finally, because it was Duchamp’s pipe, it was auctioned off for tens of thousands of dollars. Perhaps the pipe is laughing now.
A second perspective of the thread of love, binding the souls of the two men, is the game of chess, which accounts for the rest of the book’s title, ‘a Chess Romance’. One feels as one reads the book that little wisps of je ne sais quoi are whirling about in the atmosphere, twirling themselves around your mind, giving it ideas. Of course, anyone familiar with Celia’s previous book, entitled “Surrealism and the Sacred: Power, Eros, and the Occult in Modern Art”.wouldn’t be surprised by this mystic quality. One senses it in her art as well. An unidentified quote sums it up thus: “Her luminous paintings evoke mood, atmosphere, and ambiguity, leading to a sense of the uncanny.”
The Whodunit Bookstore has a story too. It was founded as an activity for Michael. Bumsted’s father when he retired. As a mystery buff’s oasis, it thrived. My own introduction to “Whodunit” happened when I began to winter in Israel; I asked the elder Mr. Bumsted to find me mysteries set there. The several he found for me added greatly to my grasp of the neighbourhoodsof the country. Mr. Bumsted was an historian and customers flocked to his evenings of readings and discussions, to hear his stories and to buy his recommendations. Soon Mrs. Bumsted, also an historian, was needed to help in the business.
That is when the merchandise begins to reach beyond thrillers. As Mrs. Bumsted would include books for her grandchildren in some of her orders, one day when a few were inadvertently left out on the counter, they were noticed and ultimately sold. It made sense; since people who like books have children and grandchildren – make it convenient for them. So children’s books were stocked, and then one thing led to another. When the space next door became vacant, Whodunit expanded to twice the size.
By this time, son (and recent PhD) Dr. Michael Bumsted had returned from Scotland. A career in a book store was not, I suppose, his intention, but hey! It turned out to be a good fit. As the range of books filled the shelves, his eclectic interests were being met. As I’ve already mentioned, I was impressed with erudite remarks and penetrating questions with which he drew out Celia’s fascinating anecdotes, and the ensuing discussion. If the evening sessions discussing books that he facilitates at Whodunit are as engrossing as the one I attended, you’ll see me at more.
A week and a half prior to this event, Celia spoke at the Manitoba Museum about the exhibit she curated there, of photographs taken by Nick Yudell, a first cousin of Celia’s once removed. Left in the possession of a family member, they were really a gift to Canada prepared for us by this young photographer – fated to die in WWII as an RAF pilot. Whereas a less sensitive person might have left them in their carefully labelled boxes, seeing how much love went into the taking of these photos, as one artist to another, Celia undertook to prepare them for display, to be shared with the world. At a point when we were together in one of the rooms of the display, Celia confided to me that she had wanted to convey the fact that although Nick’s photos feature his own community, which was Jewish, the story he is telling is about the every-man in Canada during the wartime period, that is, a story of patriotic men of courage and of strength. We who were children then, remember them. She surely succeeded; staff and patrons got it. The exhibit, originally meant to end August 1st, has been held over to December 18th.
Features
Understanding the Differences Between the Three Roulette Classes
Roulette is one of those games that denotes the world of casinos most iconically with its spinning wheel and suspenseful moment when people wait for the ball to land on a number. Not all roulette, however, is the same. There are three classes of roulette: European, American, and French. They have rules and variations that somehow make them stand out and give extremely different gaming experiences. Let’s take a look at some of these differences and understand what makes each roulette class special.
The Classic Choice of the European Roulette
The typical character of European Roulette is the presence of a single zero, thus making it highly favorable among players due to a very low house advantage of 2.7% and, therefore, higher odds of winning. It offers a number of inside and outside bets that can suit different players’ appetites for risk. The reason the players like European Roulette is that it is easy to play, and the odds are quite even.
This game of roulette easily finds its place on most online websites in several variants, from differently themed games to different betting limits to accommodate any type of player. Be it a new starter or a seasoned gamer, European Roulette offers them all a slick and smooth experience with good graphics and interaction that they would want more of.
The Elegance and the Strategy of the French Roulette
French Roulette is often touted as the most sophisticated style of the game. It shares this with European Roulette, which also has a single zero wheel; however, the features are different, with the inclusion of various rules termed “La Partage” and “En Prison.” These rules create such a drastic reduction in the house edge down to as low as 1.35% on even-money bets that it affords the player a number of options for a gaming experience. French Roulette also boasts an assortment of table layouts and special bets that give the game a strategic edge, intriguing experienced players.
Spin Casino roulette games offer a sophisticated, classic European casino atmosphere in the version of French Roulette. The detailed tutorials and user-friendly interface mean that new players will take no time to learn the nuances of this great game, allowing everyone to enjoy the strategic depth of this variation.
The American Roulette, With High Stakes
Another successful variant is American Roulette, most especially in North American casinos. The key difference between American and European roulette lies in the addition of a double zero slot on the wheel. This adds to a 5.26% house edge, thereby giving it a moderate advantage over its European cousin. This also contains an extra layer of unpredictability and fun with the double zero and lures players who like higher stakes and a faster-moving pace of the game.
The realness of the experience means that American Roulette fans will get a true taste of Las Vegas-style casino action. From this brand, high-quality American Roulette games are available for players to try their luck with the double zero in immersive graphics and sound effects that bring the excitement of the casino right to your screen.
Try these roulette variations and enter a whole new world of casino gaming, where each spin holds a new chance at excitement and rewards. Be it for the first-timer or a seasoned player, roulette is a game in which the thrill keeps one sitting on the edge.
Features
Auschwitz Tours from Warsaw: Preserving Memory, Honoring History
Auschwitz is one of the most powerful symbols of the Holocaust and its lessons are as current as ever. As the world prepares for International Holocaust Day the need to remember and educate becomes even more urgent.
At Auschwitz Tours from Warsaw, our mission is to help you connect with this dark chapter in history. We offer guided tours to Auschwitz-Birkenau from Warsaw and Krakow so you can visit the largest Nazi concentration and extermination camp where over a million innocent lives were taken.
Why Auschwitz Tours from Warsaw?
A visit to Auschwitz is an emotional experience and we want you to get the most out of it. Our guides will walk you through the historical context, tell you stories of those who suffered, resisted, and in some cases survived. With respect and sensitivity, we will share the history that can’t be forgotten.
We offer full day tours from both Warsaw and Krakow so you can visit Auschwitz whether you’re coming from Poland’s capital or its cultural hub. Our tours include comfortable round trip transportation so you can focus on the experience without worrying about the logistics.
Extra Educational Content
Apart from the day trips, Auschwitz Tours from Warsaw also provides a lot of educational content about Auschwitz and the Holocaust. Our website is a resource for learning with articles and materials about Auschwitz’s history, World War II, and the long-term impact of the Holocaust.
For those who can’t visit in person, these materials are a window into this dark period of human history so the lessons of the Holocaust are available to everyone.
Honoring the Past on International Holocaust Remembrance Day
International Holocaust Remembrance Day on January 27th is a global moment of remembrance. It’s a day to remember the 6 million Jews and millions of others murdered by the Nazis during World War II.
It’s not just about the victims of the Nazi regime but about learning from history so we never repeat the mistakes.
January 27th is the anniversary of the liberation of Auschwitz-Birkenau in 1945, a day of unimaginable suffering but also of survival. The site itself is closed on this day for commemoration, but it’s a place of great importance for those who want to reflect on what happened here.
Although the gates are closed to visitors on January 26 and 27, it’s a day of personal reflection and remembrance for those who have passed away.
But on January 27th, a special area will be open for those who want to mark this solemn day on the grounds of the Memorial. This is a unique opportunity to reflect and remember in silence, on the very ground where so many lives were lost.
If you can’t visit Auschwitz today, International Holocaust Remembrance Day is still a chance to connect with the stories of survivors and victims. It’s a day to educate ourselves and others, not just about the past but about the present need to face hatred, intolerance, and anti-Semitism in all its forms.
If you’d like to learn more about our tours or explore our educational content, visit us at auschwitztoursfromwarsaw.com. Join us in remembering the past and keeping the message of “Never Again” alive.
Features
The Hurdles Facing Egyptian Intellectuals
By HENRY SREBRNIK In the twentieth century, many middle-class Egyptians adopted a cosmopolitan cultural style. They wanted to move the country toward a more liberal and secular state.
But they always came up against, and were unable to surmount, the strength of a very strong Islamic religious culture. In despair, some, despite their own preferences, ended up preferring autocracy to what they considered a backward and dangerous ideology.
In 1952, a revolution brought the Free Officers movement, led by Gamal Abdel Nasser, to power. It seemed to have brought a secular quasi-socialist regime to power.
But the undercurrents of politicized religion, though banned by Nasser, did not disappear. The Muslim Brotherhood, which had been founded in 1928 by Hassan al-Banna and preached a fundamentalist Islamism guarded exclusively by the sharia, was outlawed. Its most prominent theoretician, Sayyid Ibrahim Qutb, was executed in 1966.
But secular movements fell from favour following Egypt’s defeat by Israel in 1967, and the country was transformed into an autocracy following Nasser’s death three years later. From 1981 until 2011, Egypt was ruled with an iron hand by Hosni Mubarak, until popular unrest forced him to step down during the Arab Spring.
Would this herald a new, democratic chapter in Egypt? Would free elections bring about a rebirth of secular politics? The answer was no.
Mubarak’s ouster cleared the way for the Muslim Brotherhood to participate openly in Egyptian politics, and to that end the group formed the Freedom and Justice Party. In April 2012 the party selected Mohamed Morsi to be its candidate in Egypt’s presidential election. Morsi defeated Ahmed Shafiq, a former prime minister under Mubarak, that June.
Morsi soon issued an edict declaring that his authority as president would not be subject to judicial oversight until a permanent constitution came into effect. Although he defended the edict as a necessary measure to protect Egypt’s transition to democracy, mass demonstrations were held against what many saw as a seizure of dictatorial powers.
Worsening economic conditions, deteriorating public services, and a string of sectarian incidents, including attacks on the country’s Coptic Christian minority, strengthened opposition to Morsi’s rule. Clashes between Morsi’s supporters and critics in late June 2013 culminated in massive anti-Morsi protests around the country.
On July 3 the military under the head of the Egyptian Armed Forces, General Abdel Fattah al-Sisi, removed Morsi from power. A figurehead president, Adly Mansour, was installed, but it was clear that Sisi, who retained the title of defence minister, wielded power.
Sisi claimed that the military had carried out the will of the Egyptian people, as expressed in the anti-Morsi protests, and that the Islamist-dominated administration led by Morsi had put the Muslim Brotherhood’s interests before those of the country.
A month later the Egyptian police and armed forces committed what Human Rights Watch deemed “one of the world’s largest killings of demonstrators in a single day in recent history.”
Eleven years on, the murder of over 1,000 supporters of the deposed president, known as the Rabaa Massacre, has gone largely unpunished. The Muslim Brotherhood was formally outlawed that September and Morsi was jailed. Prison conditions were harsh, and he was denied adequate medical attention. He died in 2019.
Sisi officially left the military to run for president and was elected in a clearly fraudulent manner in May 2014. He has been re-elected twice since, in March 2018 and again in December 2023, when he was reported to have won with 89.6 per cent of the vote after several opposition figures were prevented from participating. Under his reign, Egypt has degenerated into a police state even more repressive than the 30-year dictatorship of Hosni Mubarak.
Caught between the proverbial rock and a hard place, Egypt’s pro-democracy and civil society movements jettisoned their long-standing commitments to human rights and the rule of law and enthusiastically supported the return of military rule.
One of those civil society leaders, Saad Eddin Ibrahim, was among Egypt’s most influential intellectual figures. He had spent his career insisting that democracy is the solution both to political authoritarianism and to the allures of religious fundamentalism in the Arab world.
Pushing back against the prevailing view that Islamist groups must be marginalized, he argued that they should be included in the democratic process. He even went so far as to advocate, in an article titled “Toward Muslim Democracies,” that “it will be better for us as democrats, for the Islamists, and for Egypt to enlist Islamists under the flag of democracy.”
He encouraged Egyptians to support this vision and put aside common fears about Islamist movements and had been arrested for his views under Mubarak. Yet even he abruptly became an apologist for authoritarian rule.
The “problem” was that the bulk of the Egyptian masses were unwilling to part with their religious traditions or wholly consign them to the realm of the private. Put another way, if most Egyptians were given the choice between being liberal or being Muslim, they would overwhelmingly select the latter.
Faced with that reality, these intellectuals forged authoritarian alliances to forcibly impose their worldview on an otherwise unwilling populace. When Morsi and the Muslim Brotherhood were in actual control of the state rather than at its fringes, the liberal secularists chose authoritarian rule. This is the same tragedy found in most of the Arab world.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island.
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