Features
Remembering a forgotten book: “Winnipeg Stories”
By IRENA KARSHENBAUM We take for granted that books will always be available to buy, but in fact, many books go out of print. Personally, I prefer rare titles as they are the most interesting.
Over the years I have assembled a library of hard-to-find works, some of which I have found while traveling. In St. Julian’s, I bought Oliver Friggieri’s “Koranta and other Short Stories from Malta”. In Prague, I picked up “Franz Kafka and Prague”, “The Prague Golem: Jewish Stories of the Ghetto” and the beautifully illustrated “Jewish Fairytales and Legends”. (I love folk tales.) Years ago on the discount table at Chapters, I found Brazilian Moacyr Scliar’s “Max and the Cats”. (How can this great work be relegated to the discount table?) I was quite proud of finding “Chess” by Stefan Zweig, only to be questioned by my mother on how I did not know Stefan Zweig, one of the greatest writers of the 20th century. There is “The Postman” by Chilean, Antonio Skarmeta, that I fell in love with after watching the movie based on the book; also “Moses Ascending”, by Trinidadian Sam Selvon, who spent his last years in Calgary and who was a guest speaker in one of my English classes 30 years ago. A year later, I read in the Calgary Herald that this great writer, who could not get published in his last years, had died suddenly. There is the painfully honest “Yocandra in the Paradise of Nada” by Cuban writer, Zoé Valdés. I almost felt my stomach bloat from the protagonist’s constant hunger.
My latest (embarrassing) habit is looking for rare books in free little libraries I encounter on my walks. In one of these, I found a copy of Kinky Friedman’s “The Mile High Club”. I didn’t know Kinky Friedman — a former Texas governor hopeful and writer of such memorable songs as “They Ain’t Making Jews Like Jesus Anymore” — was also a fiction writer? In reading the book – wowza, a breeze of non-politically-correct fresh air.
This leads me to “Winnipeg Stories”, a collection of short stories I fished out of a garbage bin in Calgary, thrown there by a book sorter who told me the book would never sell on account of it being so old.
Published in 1974 by Queenston House, the paperback edition with a red cover and a black ink drawing of a tree-lined street sold for $2.25 when it was released. The back cover reads, “Winnipeg Stories is an entertaining collection of short stories… From lively comedy to poignant reminiscence, from the Great Depression to the present day, here is a collection of 16 stories by Winnipeggers and former Winnipeggers.” Out of the 16 stories, four are by Jewish authors and these, in my biased opinion, are my favourite.
The collection opens with, “Courting in 1957,” by David Williamson and reads like a Leave-it-to-Beaver-saccharine-sweet tale about, you guessed it, dating in 1957. With this first piece, I thought that maybe “Winnipeg Stories” should have been left in the garbage bin. I persevered, though. The next story, “My Uncle’s Black-Iron Arm” was by Mort Forer — a Jewish sounding name, I wondered?
“My Uncle Solomon was given only second-class respect in our family because he was without learning.” Quickly I knew I was reading a story with a Jewish subject. The story seemed to pound with a metaphorical fist, recounting the tragic events of Uncle Solomon’s life that took him from the struggles of Czarist Russia to Winnipeg, where his life never changed for the better.
I sat silently thinking about Uncle Solomon and the bitter fate he was dealt.
Who was Mort Forer who wrote so powerfully about the Jewish immigrant experience? The collection lists biographies of all the contributors. Forer, who was originally from Brooklyn, lived for a time in Winnipeg and was “presently residing in Toronto. He is also the author of the well-acclaimed novel, ‘The Humback’ ”, published in 1969. A Google search of the author’s name brought up no Wikipedia page, no obituary or any other information, other than what was written in “Winnipg Stories” about him.
My initial impression of the collection – that I was reading some naive fluff, was turned on its ear. I continued with renewed interest.
In Miriam Waddington’s “Summer at Lonely Beach” the narrator remembers his (I think the narrator is a he, although I can’t be certain) childhood summers spent at Gimli. The mother has a friendship with an “emancipated” Miss Menzies, who stays at the aptly named Lonely Beach and who is “married, but did not care to live with her husband, a Mr. Warren. He had no sympathy or feeling for intellectual things and expected Miss Menzies to live with him on a farm in Alberta.” The narrator learns about the complexities of life by observing his mother’s friendship with Fanya, as Miss Menzies is named, listening to them speak Russian, reading Pushkin and comforting each other as women do who have been abandoned by their men.
The story is a glimpse into another time, into another place, that feels remarkably familiar. Or is it that all Russian Jewish homes are sort of similar?
Waddington, who was born Miriam Dworkin in Winnipeg and was part of the Montreal literary circle that included Irving Layton, had her story published eventually in its own collection, “Summer at Lonely Beach and Other Stories”, by Mosaic Press in 1982. The collection is now out of print.
(Ed. note: Irena, not being from Manitoba, is obviously unaware that the name “Lonely Beach” is a play on “Loni Beach” in Gimli.)
Ed Kleiman contributed “Westward O Pioneers!” about a womanizing English professor of the Catholic faith,who eventually meets his amorous match before they head west to an unspecified location. A Winnipeg Free Press obituary published September 7, 2013, states that Kleiman was born in the North End to Jewish parents from Russia and is described as “one of Canada’s best short story writers.” He was the author of “The Immortals” (1980), “A New-Found Ecstasy” (1988) and “The World Beaters” (1998), all of which are now out of print.
Author of “Raisins and Almonds” and “The Tree of Life”, both of which are out of print, Fredelle Burser Maynard in “That Sensual Music” writes poignantly about her desperate attempts at dating, set in stark contrast to the dating successes of her older sister, Celia.
Burser Maynard’s writing sizzles with subtle hints of eroticism: “She was applying scarlet fingernail polish that day, painting each nail with long sure strokes, then holding out each hand, fingers spread, to study the effect. “No problem,” she said. “There’s a list of boys who’ve already asked somebody, right? So you take out your yearbook, cross out those names, pick who you want from the ones that are left. And you vamp that one.””
Who was Joan Parr, whose name appears as editor on the cover of “Winnipeg Stories”? Her obituary — she passed away on November 5, 2001 — states she grew up in the Icelandic community of Winnipeg’s West End, married, raised two daughters and, in 1974, started Queenston House Publishing, “which she put her heart and soul into and as a result was awarded the Woman of the Year in Arts in 1981. Joan helped to launch the careers of many Manitoba writers through her work in publishing.”
If we remember and write about great people who are no longer with us, why can’t we write about books that are no longer in print? It is the stories in these lost works that give voice to the forgotten, yet great writers, who wrote to be read, and probably never expected to disappear with time.
Irena Karshenbaum writes in Calgary .
Features
“The Goddess of Warsaw” – recently published novel weaves story of Warsaw Ghetto resistance with modern-day Hollywood intrigue
Reviewed by BERNIE BELLAN Here’s a recipe for a great novel: Take one part story of an aging Hollywood former screen star, add in a second part World War II backstory revolving around the Warsaw Ghetto, and finish it with a third part Jewish revenge on Nazis story (remember Quentin Tarantino’s “Inglorious Basterds”) – and you have all the makings of a fabulously good read.
Such is the case with a recently released novel titled “The Goddess of Warsaw,” by American Lisa Barr.
According to the bio on her website, Lisa Barr is the “New York Times and USA TODAY bestselling author of, in addition to THE GODDESS OF WARSAW , WOMAN ON FIRE, THE UNBREAKABLES, and FUGITIVE COLORS. Lisa served as an editor for The Jerusalem Post, managing editor of Today’s Chicago Woman, managing editor of Moment magazine, and as an editor/reporter for the Chicago Sun-Times. Among the highlights of her career, Lisa covered the famous “handshake” between the late Israeli Prime Minister Yitzhak Rabin, the late PLO leader Yasser Arafat, and President Bill Clinton at the White House. Lisa has been featured on Good Morning America and Today for her work as an author and journalist. Actress Sharon Stone has optioned rights to adapt WOMAN ON FIRE for film.”
I was looking for a recently published book by a Jewish author that had an interesting storyline, but since I had never read anything by Lisa Barr prior to reading “The Goddess of Warsaw,” I wasn’t quite sure what to expect.
After all, here is how Amazon describes the book: “the harrowing and ultimately triumphant tale of a Jewish WWII assassin turned Hollywood star …
“The Goddess Of Warsaw is an enthralling story of a legendary Hollywood screen goddess with a dark secret. When the famous actress Lena Browning is threatened by someone from her war-time past, she must put her skills into play to protect herself, her illustrious career, and those she loves, then and now.”
The story seemed kind of formulaic – as I noted in my introductory paragraph – a gorgeous femme fatale sort of story, I thought.
But what I thought at first might be a piece of fluff actually turned into an engrossing – and very harrowing read. Sure, the very first chapter sets the scene by describing an aging Lena Browning (the former Hollywood sex goddess) meeting with a young female star by the name of Sienna Hays, who is anxious to play the part of Lena Browning in a biopic that will not only star Sienna, it will be written and directed by her. Sounds like any number of other similar stories of an aging Hollywood star whose true story is not what had been created for her – right?
But quickly thereafter the story takes us to Warsaw in 1943, at a time when the Nazis had already begun the mass deportation of Warsaw’s Jews to Treblinka, ultimately leading to the deaths of almost all of Warsaw’s prewar Jewish population of 400,000.
We learn that Lena Browning’s real name was Bina Blonski, and she was the daughter of a wealthy Jewish businessman who had been murdered by Nazis right in front of her eyes when she was a young teen. Bina, it turns out, is a very talented actress. Not only that, she has all the trademarks of the prototypical Aryan superwoman: tall, blonde, gorgeous figure who, in this case, while not speaking German, speaks perfect Polish.
To Lisa Barr’s credit, however, she has clearly done quite a bit of research about what life was like in the Warsaw ghetto – and her writing does not spare the reader from any of the horrors that became commonplace aspects of life there.
I was somewhat afraid that the story would go back and forth between wartime and the present – which is 2005 in this case, when Sienna first meets Lena. I’m no great fan of trying to keep events in mind that happened several chapters back. But Barr, it turns out, is a masterful storyteller who, while she does engage in leaps back in time to help explain how certain things turned out the way they did, concentrates for the most part on Bina’s time spent in the Warsaw Ghetto.
There is a love story as part of the novel, and it revolves around Bina’s being in love with one man, Alexander, while she is married instead to his brother, Jakub. What happens to both Alexander and Jakub provides many surprises through the course of the book.
It is Bina’s story throughout, however, that continues to pull in the reader. As others around her come to realize, her talent as an actress lends itself fully to the mission that the leader of one group of Jewish Resistance fighters in the ghetto has planned for her, which is to send her out of the ghetto and find guns and bomb making material that can be smuggled back into the ghetto.
Bina is able to come into contact with a faction of the Polish Resistance whose leader, as fate would have it, is a longtime actor friend of Bina’s. The dangerous missions upon which Bina embarks are as good as any I’ve read in any spy novel, with the difference being that, according to Lisa Barr’s website, many of which are based on true events.
One particularly gut-wrenching episode though – and one which also stems from something that actually occurred during the latter stages of the Warsaw Ghetto’s existence, involves 93 young Jewish women – most of whom are in their teens, who are taken by the Nazis to be their sex slaves. Bina is instructed by Zelda, the leader of the Jewish resistance, what she has to do as a result. It’s hard not to read the description of what happens without your stomach ending up in knots.
Since we know from the start that Lena, a.k.a. Bina (also Irina, when she has to impersonate a Polish woman while she is living outside the ghetto) will survive the war, the question becomes: How did she go from being a Jewish refugee to a Hollywood actress of great fame – and talent?
Barr fashions a believable scenario that is not beyond the realm of possibility for explaining how Bina Blonski is able to transform herself into Lena Browning, but what I found a little hard to believe is how someone whose face would have become familiar to millions of movie fans around the world – and who had not undergone any plastic surgery to change her appearance, would have gone unrecognized throughout her film career?
Still, that’s a minor quibble – and hardly enough to get in the way of what is ultimately a riveting story.
With a combination of excellent research and an admirable talent for storytelling, Lisa Barr has fashioned a compelling book that should appeal to readers of all ages and genders.
Since so much of the action takes place at a time when Bina Blonski is a very young woman and many of the characters with whom she has connections in the Warsaw Ghetto are only teens themselves, I would think that The Goddess of Warsaw is a novel that might also appeal to teen readers. Some parts might be awfully difficult for younger readers to read , such as what happens on a day-to-day basis to children in the ghetto, but in the end, this book is so compelling that I would recommend it to anyone.
The Goddess of Warsaw
By Lisa Barr
368 pages
Published by HarperCollins
May, 2024
Available on Amazon
Features
Understanding the Differences Between the Three Roulette Classes
Roulette is one of those games that denotes the world of casinos most iconically with its spinning wheel and suspenseful moment when people wait for the ball to land on a number. Not all roulette, however, is the same. There are three classes of roulette: European, American, and French. They have rules and variations that somehow make them stand out and give extremely different gaming experiences. Let’s take a look at some of these differences and understand what makes each roulette class special.
The Classic Choice of the European Roulette
The typical character of European Roulette is the presence of a single zero, thus making it highly favorable among players due to a very low house advantage of 2.7% and, therefore, higher odds of winning. It offers a number of inside and outside bets that can suit different players’ appetites for risk. The reason the players like European Roulette is that it is easy to play, and the odds are quite even.
This game of roulette easily finds its place on most online websites in several variants, from differently themed games to different betting limits to accommodate any type of player. Be it a new starter or a seasoned gamer, European Roulette offers them all a slick and smooth experience with good graphics and interaction that they would want more of.
The Elegance and the Strategy of the French Roulette
French Roulette is often touted as the most sophisticated style of the game. It shares this with European Roulette, which also has a single zero wheel; however, the features are different, with the inclusion of various rules termed “La Partage” and “En Prison.” These rules create such a drastic reduction in the house edge down to as low as 1.35% on even-money bets that it affords the player a number of options for a gaming experience. French Roulette also boasts an assortment of table layouts and special bets that give the game a strategic edge, intriguing experienced players.
Spin Casino roulette games offer a sophisticated, classic European casino atmosphere in the version of French Roulette. The detailed tutorials and user-friendly interface mean that new players will take no time to learn the nuances of this great game, allowing everyone to enjoy the strategic depth of this variation.
The American Roulette, With High Stakes
Another successful variant is American Roulette, most especially in North American casinos. The key difference between American and European roulette lies in the addition of a double zero slot on the wheel. This adds to a 5.26% house edge, thereby giving it a moderate advantage over its European cousin. This also contains an extra layer of unpredictability and fun with the double zero and lures players who like higher stakes and a faster-moving pace of the game.
The realness of the experience means that American Roulette fans will get a true taste of Las Vegas-style casino action. From this brand, high-quality American Roulette games are available for players to try their luck with the double zero in immersive graphics and sound effects that bring the excitement of the casino right to your screen.
Try these roulette variations and enter a whole new world of casino gaming, where each spin holds a new chance at excitement and rewards. Be it for the first-timer or a seasoned player, roulette is a game in which the thrill keeps one sitting on the edge.
Features
Auschwitz Tours from Warsaw: Preserving Memory, Honoring History
Auschwitz is one of the most powerful symbols of the Holocaust and its lessons are as current as ever. As the world prepares for International Holocaust Day the need to remember and educate becomes even more urgent.
At Auschwitz Tours from Warsaw, our mission is to help you connect with this dark chapter in history. We offer guided tours to Auschwitz-Birkenau from Warsaw and Krakow so you can visit the largest Nazi concentration and extermination camp where over a million innocent lives were taken.
Why Auschwitz Tours from Warsaw?
A visit to Auschwitz is an emotional experience and we want you to get the most out of it. Our guides will walk you through the historical context, tell you stories of those who suffered, resisted, and in some cases survived. With respect and sensitivity, we will share the history that can’t be forgotten.
We offer full day tours from both Warsaw and Krakow so you can visit Auschwitz whether you’re coming from Poland’s capital or its cultural hub. Our tours include comfortable round trip transportation so you can focus on the experience without worrying about the logistics.
Extra Educational Content
Apart from the day trips, Auschwitz Tours from Warsaw also provides a lot of educational content about Auschwitz and the Holocaust. Our website is a resource for learning with articles and materials about Auschwitz’s history, World War II, and the long-term impact of the Holocaust.
For those who can’t visit in person, these materials are a window into this dark period of human history so the lessons of the Holocaust are available to everyone.
Honoring the Past on International Holocaust Remembrance Day
International Holocaust Remembrance Day on January 27th is a global moment of remembrance. It’s a day to remember the 6 million Jews and millions of others murdered by the Nazis during World War II.
It’s not just about the victims of the Nazi regime but about learning from history so we never repeat the mistakes.
January 27th is the anniversary of the liberation of Auschwitz-Birkenau in 1945, a day of unimaginable suffering but also of survival. The site itself is closed on this day for commemoration, but it’s a place of great importance for those who want to reflect on what happened here.
Although the gates are closed to visitors on January 26 and 27, it’s a day of personal reflection and remembrance for those who have passed away.
But on January 27th, a special area will be open for those who want to mark this solemn day on the grounds of the Memorial. This is a unique opportunity to reflect and remember in silence, on the very ground where so many lives were lost.
If you can’t visit Auschwitz today, International Holocaust Remembrance Day is still a chance to connect with the stories of survivors and victims. It’s a day to educate ourselves and others, not just about the past but about the present need to face hatred, intolerance, and anti-Semitism in all its forms.
If you’d like to learn more about our tours or explore our educational content, visit us at auschwitztoursfromwarsaw.com. Join us in remembering the past and keeping the message of “Never Again” alive.
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