Features
Remembering a forgotten book: “Winnipeg Stories”

By IRENA KARSHENBAUM We take for granted that books will always be available to buy, but in fact, many books go out of print. Personally, I prefer rare titles as they are the most interesting.
Over the years I have assembled a library of hard-to-find works, some of which I have found while traveling. In St. Julian’s, I bought Oliver Friggieri’s “Koranta and other Short Stories from Malta”. In Prague, I picked up “Franz Kafka and Prague”, “The Prague Golem: Jewish Stories of the Ghetto” and the beautifully illustrated “Jewish Fairytales and Legends”. (I love folk tales.) Years ago on the discount table at Chapters, I found Brazilian Moacyr Scliar’s “Max and the Cats”. (How can this great work be relegated to the discount table?) I was quite proud of finding “Chess” by Stefan Zweig, only to be questioned by my mother on how I did not know Stefan Zweig, one of the greatest writers of the 20th century. There is “The Postman” by Chilean, Antonio Skarmeta, that I fell in love with after watching the movie based on the book; also “Moses Ascending”, by Trinidadian Sam Selvon, who spent his last years in Calgary and who was a guest speaker in one of my English classes 30 years ago. A year later, I read in the Calgary Herald that this great writer, who could not get published in his last years, had died suddenly. There is the painfully honest “Yocandra in the Paradise of Nada” by Cuban writer, Zoé Valdés. I almost felt my stomach bloat from the protagonist’s constant hunger.
My latest (embarrassing) habit is looking for rare books in free little libraries I encounter on my walks. In one of these, I found a copy of Kinky Friedman’s “The Mile High Club”. I didn’t know Kinky Friedman — a former Texas governor hopeful and writer of such memorable songs as “They Ain’t Making Jews Like Jesus Anymore” — was also a fiction writer? In reading the book – wowza, a breeze of non-politically-correct fresh air.
This leads me to “Winnipeg Stories”, a collection of short stories I fished out of a garbage bin in Calgary, thrown there by a book sorter who told me the book would never sell on account of it being so old.
Published in 1974 by Queenston House, the paperback edition with a red cover and a black ink drawing of a tree-lined street sold for $2.25 when it was released. The back cover reads, “Winnipeg Stories is an entertaining collection of short stories… From lively comedy to poignant reminiscence, from the Great Depression to the present day, here is a collection of 16 stories by Winnipeggers and former Winnipeggers.” Out of the 16 stories, four are by Jewish authors and these, in my biased opinion, are my favourite.
The collection opens with, “Courting in 1957,” by David Williamson and reads like a Leave-it-to-Beaver-saccharine-sweet tale about, you guessed it, dating in 1957. With this first piece, I thought that maybe “Winnipeg Stories” should have been left in the garbage bin. I persevered, though. The next story, “My Uncle’s Black-Iron Arm” was by Mort Forer — a Jewish sounding name, I wondered?
“My Uncle Solomon was given only second-class respect in our family because he was without learning.” Quickly I knew I was reading a story with a Jewish subject. The story seemed to pound with a metaphorical fist, recounting the tragic events of Uncle Solomon’s life that took him from the struggles of Czarist Russia to Winnipeg, where his life never changed for the better.
I sat silently thinking about Uncle Solomon and the bitter fate he was dealt.
Who was Mort Forer who wrote so powerfully about the Jewish immigrant experience? The collection lists biographies of all the contributors. Forer, who was originally from Brooklyn, lived for a time in Winnipeg and was “presently residing in Toronto. He is also the author of the well-acclaimed novel, ‘The Humback’ ”, published in 1969. A Google search of the author’s name brought up no Wikipedia page, no obituary or any other information, other than what was written in “Winnipg Stories” about him.
My initial impression of the collection – that I was reading some naive fluff, was turned on its ear. I continued with renewed interest.
In Miriam Waddington’s “Summer at Lonely Beach” the narrator remembers his (I think the narrator is a he, although I can’t be certain) childhood summers spent at Gimli. The mother has a friendship with an “emancipated” Miss Menzies, who stays at the aptly named Lonely Beach and who is “married, but did not care to live with her husband, a Mr. Warren. He had no sympathy or feeling for intellectual things and expected Miss Menzies to live with him on a farm in Alberta.” The narrator learns about the complexities of life by observing his mother’s friendship with Fanya, as Miss Menzies is named, listening to them speak Russian, reading Pushkin and comforting each other as women do who have been abandoned by their men.
The story is a glimpse into another time, into another place, that feels remarkably familiar. Or is it that all Russian Jewish homes are sort of similar?
Waddington, who was born Miriam Dworkin in Winnipeg and was part of the Montreal literary circle that included Irving Layton, had her story published eventually in its own collection, “Summer at Lonely Beach and Other Stories”, by Mosaic Press in 1982. The collection is now out of print.
(Ed. note: Irena, not being from Manitoba, is obviously unaware that the name “Lonely Beach” is a play on “Loni Beach” in Gimli.)
Ed Kleiman contributed “Westward O Pioneers!” about a womanizing English professor of the Catholic faith,who eventually meets his amorous match before they head west to an unspecified location. A Winnipeg Free Press obituary published September 7, 2013, states that Kleiman was born in the North End to Jewish parents from Russia and is described as “one of Canada’s best short story writers.” He was the author of “The Immortals” (1980), “A New-Found Ecstasy” (1988) and “The World Beaters” (1998), all of which are now out of print.
Author of “Raisins and Almonds” and “The Tree of Life”, both of which are out of print, Fredelle Burser Maynard in “That Sensual Music” writes poignantly about her desperate attempts at dating, set in stark contrast to the dating successes of her older sister, Celia.
Burser Maynard’s writing sizzles with subtle hints of eroticism: “She was applying scarlet fingernail polish that day, painting each nail with long sure strokes, then holding out each hand, fingers spread, to study the effect. “No problem,” she said. “There’s a list of boys who’ve already asked somebody, right? So you take out your yearbook, cross out those names, pick who you want from the ones that are left. And you vamp that one.””
Who was Joan Parr, whose name appears as editor on the cover of “Winnipeg Stories”? Her obituary — she passed away on November 5, 2001 — states she grew up in the Icelandic community of Winnipeg’s West End, married, raised two daughters and, in 1974, started Queenston House Publishing, “which she put her heart and soul into and as a result was awarded the Woman of the Year in Arts in 1981. Joan helped to launch the careers of many Manitoba writers through her work in publishing.”
If we remember and write about great people who are no longer with us, why can’t we write about books that are no longer in print? It is the stories in these lost works that give voice to the forgotten, yet great writers, who wrote to be read, and probably never expected to disappear with time.
Irena Karshenbaum writes in Calgary .
Features
Japanese Straightening/Hair Rebonding at SETS on Corydon

Japanese Straightening is a hair straightening process invented in Japan that has swept America.

Features
History of the Winnipeg Beach Synagogue: 1950-2025

By BERNIE BELLAN The history of the Winnipeg Beach Synagogue is a fascinating one. We have had several articles over the years about the synagogue in The Jewish Post & News.


In June 2010 I wrote an article for The Jewish Post & News upon the 60th anniversary of the synagogue’s opening. Here are the opening paragraphs from that article:
“Sixty years ago a group of Winnipeg Beach vacationers decided that what their vacation area lacked was a synagogue. As it happened, a log cabin one-room schoolhouse in the Beausejour area happened to be available.
“In due course, the log cabin was relocated to the corner of Hazel and Grove in Winnipeg Beach, where it stayed for 48 years.”

In December 1994 my late brother, Matt, wrote a story about the spraying of antisemitic grafitti on the synagogue which, at that time, was still situated at its original location on the corner of Hazel and Grove in the town of Winnipeg Beach:
“Two 16-year-olds spraypainted slogans like ‘Die Jews,’ ‘I’ll kill you Jews,’ and other grafitti in big letters on the beach synagogue.
“Jim Mosher, a news reporter for the Interlake Spectator in Gimli, said last Halloween’s vandalism against the synagogue wasn’t the first. In the late 1980s, he claimed, it was spraypainted with swastikas.
“Jack Markson, a longtime member of the Winnipeg Beach Synagogue, last week also said he could remember finding anti-Semitic grafitti spraypainted on the synagogue ‘a few years ago,’ and at least twice in the 1970s, when the cottage season was over.”

My 2010 article continued: “In 1998 the Town of Winnipeg Beach informed the members of the synagogue that the building would have to be hooked up to the town’s sewer and water system. Rather than incur the cost of $3-4,000, which was thought to be ‘prohibitive,’ according to longtime beach synagogue attendee Laurie Mainster, synagogue goers looked elsewhere for a solution.
“As a result, the board of Camp Massad was approached and asked whether the synagogue might be relocated there, with the understanding that the synagogue would be made available to the camp at any time other than what were then Friday evening and Saturday morning services.
“Over the years the ‘beach synagogue’ had come to be a very popular meeting place for summertime residents of Winnipeg Beach and Gimli. In fact, for years minyans were held twice daily, in addition to regular Saturday morning services. Of course, in those years Winnipeg Beach was also home to a kosher butcher shop.
“While the little synagogue, which measured only 18 x 24 feet, has gone through several transformations, including the move to Camp Massad, and the opening up to egalitarian services in 2007 (The move to egalitarian services was as much a practical necessity as it was a nod to the equality of women – the only Kohen present at the time was a woman!), it has always remained cramped at the best of times.

“In recent years the synagogue has seen the addition of a window airconditioner (although to benefit from it, you really have to be sitting just a few feet away), as well as a fridge that allows synagogue attendees to enjoy a regular Saturday morning Kiddush meal following the service.
“According to Laurie Mainster, the Saturday morning service has continued to be popular, even though many of the attendees now drive in from Winnipeg, as they have sold the cottages they once maintained.
“On the other hand, one of the side benefits to being located on Camp Massad’s grounds has been an infusion of young blood from among the camp counsellors.
“Since there is no longer a rabbi available to conduct services (Rabbi Weizman did lead services for years while he had a cottage at the beach), those in attendance now take turns leading the services themselves.
“Anyone may attend services and, while there are no dues collected, donations are welcome. (Donations should be made to the Jewish Foundation of Manitoba, with donors asked to specify that their donations are to be directed to the beach synagogue.)
“Mainster also says that the beach synagogue is now undergoing an expansion, which will be its first in 60 years. An entirely new space measuring 16 x 18 feet is being added – one that will allow for a real Kiddush area. (Until now, a table has been set up in the back of the synagogue and synagogue goers would help themselves to the buffet that is set up each Saturday during the summer. While pleasant enough, it will certainly be more comfortable to have an actual area set aside for the Saturday afternoon after service lunch.)
“As for dress, longtime attendee Abe Borzykowski (in an article written by Sharon Chisvin for the Free Press in 2007) remarked that ‘I don’t think there are many synagogues where people can attend in shorts, T-shirts and sandals and not feel out of place.’ “

As mentioned in that 2010 article, the beach synagogue at that time was about to undergo an extensive remodelling. Here is an article from a January 2011 issue that describes that remodelling process. The article was written by Bernie Sucharov, who has been a longtime member of the beach synagogue:
“The Hebrew Congregation of Winnipeg Beach made a major change to the synagogue this past summer. With the help of many volunteers, Joel Margolese being the project manager, the synagogue was expanded and an addition was built to handle the overflow crowds, as well as to add more space for the kiddush following services.
“The volunteers spent many Sundays during the summer months building the addition. Bad weather caused many delays, but finally the addition was completed one week before the official summer opening.
“The volunteers were: Joel Margolese, Gordon Steindel, Sheldon Koslovsky, Viktor Lewin, Harvey Zabenskie, Nestor Wowryk, Kevin Wowryk, Victor Spigelman, Jerry Pritchard, and David Bloomfield.
“On Sunday, June 25, 2010 a special ceremony was held to affix a mezzuzah to the front entrance door. Gordon Steindel had the honour of affixing the mezzuzah, which was donated by Sid Bercovich and Clarice Silver.
“Refreshments and food for the day were prepared by Phyllis Spigelman, also known as our catering manager. Throughout the summer, Phyllis, Lenore Kagan and other friends prepared the food for our kiddush.
“A sound system was donated by Arch and Brenda Honigman in memory of their father, Sam Honigman z”l. “The system was installed by Joel Margolese and Stevan Sucharov. This will allow the overflow crowd to hear the service in the new addition.
“There were also generous donations of 50 chumashim and an air conditioner. The chumashim were donated by Gwen, Sheldon and Mark Koslovsky. The air conditioner in the new addition was donated by Joel and Linda Margolese.
“The official opening of the synagogue for the summer took place on July 3, 2010. We had an overflow crowd of 70+ people.”

Since that 2010 major addition to the synagogue, it has also added a wheelchair ramp (although I’ve been unable to ascertain exactly when the ramp was built). Also, the synagogue also has its own outdoor privy now. (Attendees used to have to use facilities in Camp Massad.)
And, as already noted in article previously posted to this site (and which you can read at Beach Synagogue about to celebrate 75th anniversary), in recognition of that occasion, on August 2nd members of the synagogue will be holding a 75th anniversary celebration.
As part of the celebration anyone who is a descendant or relative of any of the original members of the first executive committee is invited to attend the synagogue that morning.
If you are a relative please contact Abe Borzykowski at wpgbeachshule@shaw.ca or aborzykowski@shaw.ca to let Abe know you might be attending.
Features
Kinzey Posen: CBC Winnipeg’s former “go-to guy”

By GERRY POSNER If former Winnipegger Lawrence Wall was the CBC go-to guy in Ottawa, CBC Winnipeg had its own version of a go-to guy for many years with none other than the very well known Kinzey Posen. Of course, many readers will recognize that name from his career with Finjan, the Klezmer group so famous across Canada and beyond. It has been written about Posen and his wife Shayla Fink that they have been involved in music since they got out of diapers. And, as an aside, their love and ability in music has now been transmitted to the next generation as in their son, Ariel Posen (but that’s another story).
Kinzey Posen (not to be confused with Posner, or maybe we are to be confused, but who knows for sure?), was a graduate of Peretz School, having attended there from nursery right until Grade 7, graduating in1966. That was followed by Edmund Partridge and West Kildonan Collegiate. Musically, he was in large part self taught. However, he did have some teachers along the way. After moving to Vancouver – from 1974-78, he had the chance to study acoustic classical bass with a member of the Vancouver Symphony Orchestra. When Kinzey lived in Vancouver, he also worked as a jazz musician.
Upon returning to Winnipeg, Kinzey enrolled as a mature student at the University of Winnipeg, where he obtained a Bachelor of Urban Studies degree. Although the degree was in no way connected to the career that followed, his attending the University of Winnipeg was critical to his connecting with the CBC. Why? you ask. Kinzey had a position after graduation working for the Institute of Urban Studies. While there, he met someone who invited him to work for the Department of Continuing Education as one of their program directors. At the time the Department of Continuing Education was located at 491 Portage Avenue, which was also known as the TJ Rice Building. The CBC also leased some space in the same building. According to Kinzey, the CBC part of the building “included HR, different shows and other support offices. Continuing Education was located in the basement and main floor and that’s where I worked.”
KInzey had long had an interest in the CBC, which made the fact that the CBC had some offices in the same building where he was working serendipitous. That Kinzey might be interested in visiting the CBC was not an accident. As a young boy he had a nightly connection to CBC, as it was his ritual to listen to CBC Radio (as well as all sorts of other radio stations across the USA) on his transistor radio every night in bed. He became enamoured of one particular CBC host, Bill Guest, so that when going to sleep, he imagined that he was Guest doing interviews with imaginary guests. That dream of working for CBC became a reality when he had a chance to do a one week gig with Jack Farr’s network program.
Kinzey took a week off from his Continuing Education job and spent five days at the CBC. That week was a training session for Posen, as he had to create ideas, research, pre-interview, write the script, and set up the studio for Farr’s interview. He was almost in his dream job – although not quite – since it was only for one week. His opportunity, however, came in 1988, when he was offered a one-year term as a production assistant – the lowest guy on the ladder, for a show called “ Simply Folk,” with the late Mitch Podolak as the host. Although he was indeed at the bottom as far as those working on the show were concerned, he took a chance and gave his notice to the U of W. The rest is history. In his new job, Kinzey learned how to become a producer. Lucky for him, at the end of the year, when the person he replaced was supposed to come back, she never returned (just like the song, “MTA,” by the Kingston Trio). At that point, Kinzey was hired full time at the CBC.
Kinzey was a fixture at the CBC for 27 years. During those years, Kinzey had the chance to work with Ross Porter, a respected former CBC host and producer, also with Karen Sanders – on the “Afternoon Edition.” One aspect of Kinzey’s job on the Afternoon Edition was to come up with ideas, mix sound effects, arrange interviews and music, to create a two-hour radio experience. In addition, he covered jazz and folk festivals and, as a result, was exposed to some of the best musicians in the world. With Ross Porter in the 1990s, he worked on a network jazz show called “ After Hours,” which was on from 8-10 PM five nights a week. Kinzey was involved with writing the scripts, picking the music, and recording the shows, as well as editing them and then presenting them to the network for playback.
Of course, over his career, Kinzey had many memorable moments. He told me about one of them. The story revolved around the National Jazz Awards one year in particular. The awards were to be broadcasted after the National News which, in those days, began much earlier in the evening, and were over by 8:00 pm. The legendary Oscar Peterson was lined up to play a half hour set at the awards, starting at 7:30. But, as Kinzey told me, Oscar Peterson had a “hate on” for the CBC ecause one of his recorded performances was wrongly edited and he refused to appear on CBC under any circumstances. As the time neared 8:05 PM, which was when the CBC was to begin its broadcast of the jazz awards, it became apparent that Oscar was not going to finish on time. As the producer of the awards show, Kinzey was tasked with telling Oscar Peterson to wrap it up and get off the stage. There was Kinzey Posen, a huge fan of Oscar Peterson, now faced with the prospect of telling Oscar – while he was still playing – with 500 people in the audience, to stop and get off the stage. Not often was or is Kinzey Posen frozen, but that was one such moment. There was one loud “Baruch Hashem” from Kinzey when Oscar completed his set literally just in time.
Clearly, Kinzey was part of a very successful run with After Hours as it was on the air for 14 years. It was easily one of the most popular shows on CBC Radio 2, and a winner of several broadcasting awards. Kinzey also played a major role in producing a two part documentary about legendary guitarist Lenny Breau.
When After Hours ended, Posen became one of the contributing producers to Canada Live and specialized in producing live radio specials for the network, such as the Junos, for CBC Radio One and Two. Needless to say, his career planted Posen in the world of some top notch musicians, including his time spent working with Robert Plant (Led Zeppelin), Dave Brubeck, Randy Bachman, Chantal Kreviazuk and a list of prominent names in the Canadian, American and European music spheres. Locally, the CBC came to refer to Kinzey as the Jewish expert. I would add music expert to that title.
After his 27 year run at the CBC – and before he fully retired, Kinzey went on to work for the Rady JCC as a program director for a year and a half. Of course, to say that Kinzey Posen is retired is a major contradiction in terms. You really can’t keep him down and he has his hand in a variety of programs and projects – most of which he remains silent about, as is his style.
When I realized the full depth and talent of Kinzey Posen, I quickly concluded that he must certainly be related to me. Even if he isn’t, I now tell people he is.