Features
Remembering a forgotten book: “Winnipeg Stories”
By IRENA KARSHENBAUM We take for granted that books will always be available to buy, but in fact, many books go out of print. Personally, I prefer rare titles as they are the most interesting.
Over the years I have assembled a library of hard-to-find works, some of which I have found while traveling. In St. Julian’s, I bought Oliver Friggieri’s “Koranta and other Short Stories from Malta”. In Prague, I picked up “Franz Kafka and Prague”, “The Prague Golem: Jewish Stories of the Ghetto” and the beautifully illustrated “Jewish Fairytales and Legends”. (I love folk tales.) Years ago on the discount table at Chapters, I found Brazilian Moacyr Scliar’s “Max and the Cats”. (How can this great work be relegated to the discount table?) I was quite proud of finding “Chess” by Stefan Zweig, only to be questioned by my mother on how I did not know Stefan Zweig, one of the greatest writers of the 20th century. There is “The Postman” by Chilean, Antonio Skarmeta, that I fell in love with after watching the movie based on the book; also “Moses Ascending”, by Trinidadian Sam Selvon, who spent his last years in Calgary and who was a guest speaker in one of my English classes 30 years ago. A year later, I read in the Calgary Herald that this great writer, who could not get published in his last years, had died suddenly. There is the painfully honest “Yocandra in the Paradise of Nada” by Cuban writer, Zoé Valdés. I almost felt my stomach bloat from the protagonist’s constant hunger.
My latest (embarrassing) habit is looking for rare books in free little libraries I encounter on my walks. In one of these, I found a copy of Kinky Friedman’s “The Mile High Club”. I didn’t know Kinky Friedman — a former Texas governor hopeful and writer of such memorable songs as “They Ain’t Making Jews Like Jesus Anymore” — was also a fiction writer? In reading the book – wowza, a breeze of non-politically-correct fresh air.
This leads me to “Winnipeg Stories”, a collection of short stories I fished out of a garbage bin in Calgary, thrown there by a book sorter who told me the book would never sell on account of it being so old.
Published in 1974 by Queenston House, the paperback edition with a red cover and a black ink drawing of a tree-lined street sold for $2.25 when it was released. The back cover reads, “Winnipeg Stories is an entertaining collection of short stories… From lively comedy to poignant reminiscence, from the Great Depression to the present day, here is a collection of 16 stories by Winnipeggers and former Winnipeggers.” Out of the 16 stories, four are by Jewish authors and these, in my biased opinion, are my favourite.
The collection opens with, “Courting in 1957,” by David Williamson and reads like a Leave-it-to-Beaver-saccharine-sweet tale about, you guessed it, dating in 1957. With this first piece, I thought that maybe “Winnipeg Stories” should have been left in the garbage bin. I persevered, though. The next story, “My Uncle’s Black-Iron Arm” was by Mort Forer — a Jewish sounding name, I wondered?
“My Uncle Solomon was given only second-class respect in our family because he was without learning.” Quickly I knew I was reading a story with a Jewish subject. The story seemed to pound with a metaphorical fist, recounting the tragic events of Uncle Solomon’s life that took him from the struggles of Czarist Russia to Winnipeg, where his life never changed for the better.
I sat silently thinking about Uncle Solomon and the bitter fate he was dealt.
Who was Mort Forer who wrote so powerfully about the Jewish immigrant experience? The collection lists biographies of all the contributors. Forer, who was originally from Brooklyn, lived for a time in Winnipeg and was “presently residing in Toronto. He is also the author of the well-acclaimed novel, ‘The Humback’ ”, published in 1969. A Google search of the author’s name brought up no Wikipedia page, no obituary or any other information, other than what was written in “Winnipg Stories” about him.
My initial impression of the collection – that I was reading some naive fluff, was turned on its ear. I continued with renewed interest.
In Miriam Waddington’s “Summer at Lonely Beach” the narrator remembers his (I think the narrator is a he, although I can’t be certain) childhood summers spent at Gimli. The mother has a friendship with an “emancipated” Miss Menzies, who stays at the aptly named Lonely Beach and who is “married, but did not care to live with her husband, a Mr. Warren. He had no sympathy or feeling for intellectual things and expected Miss Menzies to live with him on a farm in Alberta.” The narrator learns about the complexities of life by observing his mother’s friendship with Fanya, as Miss Menzies is named, listening to them speak Russian, reading Pushkin and comforting each other as women do who have been abandoned by their men.
The story is a glimpse into another time, into another place, that feels remarkably familiar. Or is it that all Russian Jewish homes are sort of similar?
Waddington, who was born Miriam Dworkin in Winnipeg and was part of the Montreal literary circle that included Irving Layton, had her story published eventually in its own collection, “Summer at Lonely Beach and Other Stories”, by Mosaic Press in 1982. The collection is now out of print.
(Ed. note: Irena, not being from Manitoba, is obviously unaware that the name “Lonely Beach” is a play on “Loni Beach” in Gimli.)
Ed Kleiman contributed “Westward O Pioneers!” about a womanizing English professor of the Catholic faith,who eventually meets his amorous match before they head west to an unspecified location. A Winnipeg Free Press obituary published September 7, 2013, states that Kleiman was born in the North End to Jewish parents from Russia and is described as “one of Canada’s best short story writers.” He was the author of “The Immortals” (1980), “A New-Found Ecstasy” (1988) and “The World Beaters” (1998), all of which are now out of print.
Author of “Raisins and Almonds” and “The Tree of Life”, both of which are out of print, Fredelle Burser Maynard in “That Sensual Music” writes poignantly about her desperate attempts at dating, set in stark contrast to the dating successes of her older sister, Celia.
Burser Maynard’s writing sizzles with subtle hints of eroticism: “She was applying scarlet fingernail polish that day, painting each nail with long sure strokes, then holding out each hand, fingers spread, to study the effect. “No problem,” she said. “There’s a list of boys who’ve already asked somebody, right? So you take out your yearbook, cross out those names, pick who you want from the ones that are left. And you vamp that one.””
Who was Joan Parr, whose name appears as editor on the cover of “Winnipeg Stories”? Her obituary — she passed away on November 5, 2001 — states she grew up in the Icelandic community of Winnipeg’s West End, married, raised two daughters and, in 1974, started Queenston House Publishing, “which she put her heart and soul into and as a result was awarded the Woman of the Year in Arts in 1981. Joan helped to launch the careers of many Manitoba writers through her work in publishing.”
If we remember and write about great people who are no longer with us, why can’t we write about books that are no longer in print? It is the stories in these lost works that give voice to the forgotten, yet great writers, who wrote to be read, and probably never expected to disappear with time.
Irena Karshenbaum writes in Calgary .
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Discover Your Ultimate Smooth at Sets on Corydon: Nanoplasty vs. Keratin vs. Japanese Straightening
Are you ready to wake up with flawless, effortless hair every single day? While standard straightening methods try to fit everyone into the same box, your hair has its own unique structure, strength, and history.
We offer three distinct, state-of-the-art smoothing and straightening systems. Finding the perfect match depends entirely on your hair type, your lifestyle, and your ultimate hair goals.
Here is exactly how they compare so you can choose the path to your most beautiful, resilient hair.
The Treatment Breakdown
1. The Elite Standard: Nanoplasty (Our Premier Selection)
Nanoplasty is a revolutionary, high-technical smoothing treatment that works at a deep cellular level. Using nanotechnology, nutrients and amino acids are deeply integrated right into the hair cortex (the inner core of the hair strand). It heals, seals, and straightens from the inside out without harsh chemicals.
- How it works: It uses an acidic formula triggered by specialized infrared heat to realign the hair bonds. It does not just coat the cuticle; it restructures it while infusing massive hydration.
- The Finish: Ultra-glossy, high-shine, sleek, and straight, while retaining natural movement and zero frizz.
- The Big Benefit: Formulated without formaldehyde or harsh chemicals. There are no fumes, no burning eyes, and you can wash your hair or tie it up the very same day.
- Longevity: Lasts up to 4 to 6 months.
2. The Classic De-Frizzer: Keratin Treatment
The traditional choice for managing unruly texture. Keratin acts like a protective shield, filling in the cracks along a compromised or distressed hair cuticle (the protective outer layer).
- How it works: A liquid keratin formula is sealed into the outer layer of the hair with a flat iron.
- The Finish: Soft, smooth, and incredibly manageable. It reduces curl volume by roughly 50 to 70% and completely deletes frizz, but leaves some of your natural body and bounce.
- The Big Benefit: Ideal for hair that has undergone chemical stress or bleaching. It acts like a temporary protein bandage to restore softness and cut your blow-dry time in half.
- Longevity: Lasts 3 to 4 months, gradually washing out over time.
3. The Permanent Sleek: Japanese Straightening (Thermal Reconditioning)
For those who want absolute, pin-straight hair that defies high humidity and never reverts.
- How it works: This is a permanent chemical process that physically breaks down the internal bonds of the hair, which are then precision-ironed perfectly flat and neutralized to lock in the new shape forever.
- The Finish: Mirror-smooth, pin-straight, glassy hair with zero wave or curl.
- The Big Benefit: It is completely permanent on the hair that is treated. Rain, humidity, and workouts will not change it. Only your new root growth will need touching up.
- Longevity: Permanent (requires root touch-ups every 6 to 9 months).
Which One Is Right For You?
| Feature | Nanoplasty | Keratin Treatment | Japanese Straightening |
| Primary Goal | Deep cellular repair, sleek straightening, intense gloss. | Frizz elimination, volume reduction, softer texture. | Permanent, absolute pin-straight results. |
| Hair Condition | Healthy to moderately sensitized or colored hair. | Highly compromised, bleached, or heat-distressed hair. | Healthy, resistant, coarse, or virgin hair only. |
| Chemical Type | Amino acids & organic acids (No formaldehyde fumes). | Cuticle-coating formulas (May contain standard preservatives). | Traditional alkaline straightening solution. |
| Post-Care Window | Wash or style immediately. No waiting period. | Must wait 48 to 72 hours before washing or tying up. | Must keep completely dry and straight for 48 to 72 hours. |
An Important Note on Hair Integrity: Beautiful hair is healthy hair. Because Japanese Straightening permanently alters the internal architecture of the hair strand, it is completely unsuitable for heavily highlighted, bleached, or fragile hair. If your hair has a history of heavy chemical processing, a customized Nanoplasty or Keratin Treatment will give you the breathtaking, smooth results you want while respecting and preserving the strength of your hair structure.
Let’s curate your perfect look. Book a structural hair analysis with us today, and let’s design a smoothing protocol tailored exactly to your hair’s unique signature.
Features
Why Digital Innovation Keeps Elevating PH Bingo Online in the Philippines
Bingo culture in the Philippines draws from decades of shared moments—barangay get-togethers, family weekends, office fundraisers, and local assemblies where cards, markers, and number calls set the pace of the room. The pull often comes from anticipation: one more number, one more match, one step closer to a winning pattern. That familiar rhythm now appears in PH Bingo Online, where the classic experience stays recognizable while the delivery shifts to a faster, more flexible digital format.
Digital innovation around online bingo centers on convenience and player experience rather than changing the heart of the game. Technology supports easier entry, cleaner interfaces, stronger security, and tools for time and budget awareness. Within this space, platforms such as GameZone position online bingo as a modern option that still respects traditional gameplay structure.
From Bingo Halls to Phone Screens: Convenience as the Main Upgrade
Offline bingo often required planning. Venue distance, session schedules, traffic, seating capacity, and start times shaped participation. For many players, the issue never involved lack of interest; the issue involved logistics.
Online access changes the path to play. A mobile device turns idle minutes into potential game time, whether that means a short session after work, a quick round during downtime, or weekend play without commuting. The bingo card format remains intact, and the core mechanics stay familiar—numbers called, cards tracked, patterns completed—while the steps around participation become simpler.
With increased accessibility, PH Bingo Online reaches players outside the usual venue radius: those who live far from halls, those with rotating schedules, and those who prefer home-based entertainment. Digital convenience broadens the audience without demanding a new learning curve.
Digital Innovation That Improves the Online Bingo Experience
Online bingo involves more than transferring a paper card onto a screen. Modern platforms refine the full player journey, from sign-in to gameplay flow, with upgrades designed to reduce friction.
Key improvements commonly found in PH Bingo Online environments include:
Faster access and session entry
Less waiting and fewer steps before joining gameplay, especially compared with traveling to a venue and lining up for a seat.
Cleaner interface design
Card tracking becomes easier with readable layouts, clear number displays, responsive controls, and features that reduce mis-clicks or confusion.
Mobile-first accessibility
Support for play across compatible devices, allowing sessions at home or on the go.
Stability and performance upgrades
Optimized apps and server infrastructure help reduce lag, disconnections, or slow loading during active rounds.
Secure account management
Stronger login protection and account verification processes help reduce risk related to unauthorized access and imitation sites.
Responsible gaming tools
Built-in reminders and control features encourage healthier play habits, especially for players who want structure around spending and time.
Each feature targets the experience around bingo without altering the basic identity: number calls, card matches, and pattern wins.
Why Bingo Matches Digital Attention Habits
Bingo’s appeal often sits in its balance. The game requires attention, but not intense strategy. Each number call triggers a quick scan and a small decision—mark or move on—creating a cycle of anticipation that feels active without becoming mentally exhausting.
Digital platforms amplify that comfort by removing distractions tied to offline logistics. Travel time, venue noise, managing physical cards, and tracking multiple paper boards become less of a concern. The focus narrows to the core rhythm of the game, which fits players seeking light entertainment with consistent suspense.
This structure helps explain repeat engagement. When online platforms deliver smooth navigation and stable performance, bingo becomes an easy-to-enter pastime that works well for casual play, short breaks, or end-of-day downtime.
GameZone and the Modern Bingo Hub Experience
GameZone’s appeal often connects to its mixed offering: familiar entertainment presented through a modern interface. Alongside popular card selections, the platform includes Bingo games on GameZone, creating a single space for players who prefer switching between categories without opening multiple apps.
A platform-style hub typically supports:
- one account across several game types
- consistent interface and navigation design
- partnerships with recognized game providers
- in-house titles aimed at convenience-focused play
- responsible play tools integrated into the experience
Risk Assessment for PH Bingo Online Players
Online bingo convenience comes with practical risks that benefit from awareness and simple safeguards.
Unofficial or imitation platforms
Risk level: High
Copycat sites can mimic branding and create account safety issues.
Tip: access GameZone only through its official website and official app channels.
Playing while distracted
Risk level: Moderate
Multitasking affects enjoyment, focus, and time awareness.
Tip: choose a calmer setting and treat the session as dedicated playtime.
Long sessions without breaks
Risk level: Moderate
Extended play can weaken awareness of time and spending.
Tip: use session reminders or set limits before starting.
Ignoring updates
Risk level: Low
Outdated versions may miss important fixes for security and performance.
Tip: keep apps updated to maintain stability and protection.
Tips for a Better PH Bingo Online Experience
Get comfortable with the interface
Knowing where controls sit, how cards display, and how sessions move improves confidence and reduces mistakes.
Choose the right timing
Short sessions after a stressful workday may feel better with a quick break first. A refreshed mindset often improves the experience.
Explore other bingo formats
Starting with PH Bingo provides familiarity, while exploring other Bingo games on GameZone introduces variety in pacing and format.
Prioritize entertainment over outcomes
A recreation-first mindset supports healthier expectations and more sustainable enjoyment.
Downloading the GameZone App Safely
A typical setup process starts with the official GameZone website, followed by account registration or login. After that, the platform provides steps for downloading the official app. Supported app stores may also host the app depending on device and availability.
Official sources help ensure access to current versions, updated security protections, and performance improvements tied to the latest release.
Responsible Gaming on a Licensed Platform
GameZone operates as a PAGCOR-licensed gaming platform, available only to individuals 21 years old and above. Responsible gaming support often includes:
- session reminders for time awareness
- spending controls for budget structure
- self-exclusion options for stronger personal limits
Frequently Asked Questions
What is PH Bingo Online?
PH Bingo Online refers to digital versions of classic bingo, designed to preserve the familiar card-and-number format while enabling online access.
How does online bingo differ from offline bingo?
Core rules often remain the same, while convenience features, interface design, and platform tools vary by provider.
Can the GameZone app be downloaded?
Download access typically begins through the official GameZone website after registration or login, with installation guidance provided. Availability may also extend to supported app stores.
Is GameZone legitimate?
GameZone operates under PAGCOR licensing and limits access to players aged 21 and above.
Why do responsible gaming tools matter?
Session reminders, spending controls, and self-exclusion options support balanced play habits and long-term sustainability.
Features
New book highlights relationship between Kabbalah and science
By MYRON LOVE In his new book, “The Relativity of Death: Part One: Basic Principles of Kabbalah of Information. Complete Theory of Information Space, Miracles and Maxwell’s Demon,” Dr. Eduard Shyfrin demonstrates the complementary relationship between Kabbalah – the ancient practice of Jewish mysticism – and science.
“The Relativity of Death” is a follow up to “From Infinity to Man: the Fundamental Ideas of Kabbalah Within the Framework of Information Theory and Quantum Physics,” Shyfrin’s previous work on the subject, which he published in 2018.
In his introduction to “The Relativity of Death”, the author, himself a scientist by training – observes that while “science is absolutely necessary for humankind, it nevertheless does not constitute the whole truth. Science is morally neutral,” he continues. “Two plus two equals four is neither good nor bad. Science doesn’t provide an answer to the basic questions about our existence: Why are we here? What is our mission? How should we live? Do we have a freedom of choice? Why are we destined to die? And finally, the famous question posted by Gottfried Leibniz as to why is there something rather than nothing?
“I believe that it is impossible and wrong to try to describe Creation while at the same time excluding the Creator.
“When I started reading the works of kabbalists,” he notes, ‘I realised that Kabbalah is deeply ‘scientific,’ that it is a theory of Creation of which our Universe is just a part. Kabbalah is not a textbook – it doesn’t provide equations and laws. Instead, it’s a live body comprised of the teachings and opinions of kabbalists, which often diverged.
“The main notions of Kabbalah,” he writes, “for example the notion of light, are not well defined. As the great kabbalist Rabbi Moshe Hayyim Luzzatto explained in his book, “Philosopher and Kabbalist,” the notion of ‘Light has no definition and is used as some sort of synonym for G-dliness.
“The original works of kabbalists,” he points out, “are very difficult to read and comprehend, since the main ideas are usually expressed through allegories, parables and hints. This makes them largely inaccessible to contemporary readers. With this in mind, I attempted to create the Theory of Kabbalah of Information based on traditional Kabbalah, Theory of Information and the body of scientific knowledge accumulated by humankind, written in simple language accessible to the reader.”
Eduard Shyfrin is a remarkable individual – a man of many parts. In addition to his roles as scientist and author – he has also published a children’s book – the Ukrainian-born Shyfrin is a musician who writes his own words and music, a billionaire, and an important community leader who generously supports his fellow Ukrainian Jews and our Israeli homeland.
Growing up during the last years of the Soviet Union though, it comes as no surprise that he knew nothing about Judaism except that he was Jewish. In the Soviet Union, being Jewish was simply a label that kept you from being accepted into top universities and leadership roles.
“We tried to hide out Jewishness,” he recalls. “I wanted to be a physicist but wasn’t accepted into university.”
Instead, he followed in his father’s footsteps and became a metallurgist. In 1983, he started work at a Ukrainian steel plant. Over the next few years, he was promoted from assistant foreman to manager to head of marketing.
He was able to earn a PhD in physical chemistry in 1993.
In 1993, he changed jobs – becoming a representative in Ukraine of a Hong Kong-based company called Linkfull. He was responsible for buying steel for export. In 1994, he joined forces with Alex Schnaider and co-founded a company called the Midland Group, with partner Alexander Shnaider. The company deals in steel, shipping, real estate, agriculture and sport ventures.
Shyfrin’s interest in Judaism was sparked by the arrival of Chabad rabbis in the lands of the former Soviet Union in the mid 1990s and, in particular, Rabbi David Bleich, the Chief Rabbi of Ukraine. Shyfrin recalls that Rabbi Bleich got him involved in Jewish charities. He helped rebuild the oldest synagogue in Kiev, provided funds for the Jewish schools in the city, and and financed the construction of the Jewish Education Centre in Kiev, which was dedicated to his late father.
Still, Shyfrin remained largely secular.
It was in 2002, he recalls, that he experienced a midlife crisis when he began questioning the meaning of life – and death.
“My rabbi,” he says, “encouraged me to commit to a more Jewish lifestyle. I began keeping kosher, putting on tefillin and studying Torah. I found in my Torah study that there were a lot of contradictions and inconsistencies in what I was reading in the Torah and what I had learned as a scientist.”
Shyfrin began to find his answers in Kabbalah, which he approached through a scientific perspective. As a result , he came to understand kabbalah and reality as “fundamentally information based and that physics and Torah describe different layers of the same structure”.
That epiphany led to his first book, which has sold around 8,000 copies. He followed up the book’s success by writing numerous articles for the Jerusalem Post. Shyfrin also gives a yearly lecture in London, where he now makes his home.
He is also the founder of the Shyfrin Alliance, an initiative dedicated to advancing understanding of Jewish mysticism and spiritual thought.
Alongside his delving into Jewish mysticism, Shyfrin remains very much involved in the real world and the crises affecting Israel, the Jewish people, and his Ukrainian homeland. He currently serves as Vice President of the World Jewish Congress, representing Ukraine. He continues to fund Jewish schools, synagogues and community centres across Ukraine and Russia.
Since the invasion of Ukraine, Shyfrin has helped finance evacuations of Jewish elderly people and children to Hungary and Israel and continues to support communities on a monthly basis.
“For me, a Jew is a Jew,” he has been quoted as saying. “It does not matter where he lives. We are one family.”
As for the rising antisemitism in Europe, he points out that – unlike the 1930s – today, we have Israel.
“Israel is our country and we must be strong enough to protect it,” he is quoted as saying..
“The Relativity of Death” was released in February, and, Shyfrin reports, has already sold over 5,000 copies. The book is available on Amazon and Kindle.
