Features
Susan Roadburg: The Road Less Travelled
By GERRY POSNER Robert Frost was not likely thinking of Susan Roadburg when he penned his famous line in the poem “The Road Less Travelled.” Yet, the line which says “Two roads diverged in the wood, and I took the road less travelled and that has made all the difference” certainly is a line which applies to the life and career of Sue Roadburg, once Susan Rumberg, daughter of the late Betty and Joe Rumberg. It was not a straight road for Sue, but it was a path with twists and turns.
A former resident of Montrose and later Oak Streets in the south end of Winnipeg, Sue finished her high school education at Grant Park High School. The plan was to get a BA and then enter either Nursing or Social Work. What stepped in her way was her first stop on the road – Eaton’s. Back then -the 1960s, Eaton’s had what was known as a junior council – one for males and one for females. Well, after a selection process, Sue was chosen by Eaton’s to be Grant Park’s junior councillor. She received a uniform and performed simple duties, including weekly meetings with senior Eaton’s executives, getting volunteers for the annual Eaton’s Santa Claus parades (Who could forget them?), ushering at Eaton’s sponsored rock concerts and sundry other tasks. From that time to many years forward, Sue and Eaton’s were a team. She even worked for them during her university years.
Clearly, the affection Sue had for her work at Eaton’s was reciprocated as, upon the resignation of the then youth fashion director, Sue was offered that job. Her plans for nursing or social work were derailed. Sue represented Eaton’s by making presentations at high schools; running “HI Set Clubs” for teens; coordinating shows for the University of Manitoba’s “ Freshie Week;” teaching the Seventeen Beauty Workshop; writing a monthly teen newsletter and monthly column for “Youth Beat” – which went to all Winnipeg high schools and selecting fashions for the weekly TV show, Teen Dance Party. You could say that Susan Rumberg was well into the teen world at that time. It was at this time when Susan became Sue as Eaton’s wanted her first and last names to have an unequal number of syllables. Maybe that is why Eaton’s closed up. But you can still call her Susan as many friends still do.
Then, an unusual turn of events led to Sue becoming what might be called the Miss Manners of Manitoba. Susan became connected by good fortune with a woman who ran courses on party manners throughout the US and indeed, for the president’s children. Through that relationship, Eaton’s in Winnipeg ran a course on the topic led by the then Susan Rumberg as she was the teacher of the course to hundreds of Winnipeg girls, ages 5-12. But soon Susan came to realize that she was ready to move on and settled in Montreal where she immediately learned French. The Bay became interested in her and she even upgraded her limited French speaking skills. Soon she had her doing staff training at the downtown store and she did it in both French and English. Not long after, she received an offer to become a buyer for the Bay – with crazy hours and lots of travel time. This was at a time when there were major issues in Quebec about separation, so the buying office moved to Toronto with the young Susan Rumberg – along with the whole department. Toronto brought marriage and three kids.
By this time, Sue was quite well known in the fashion world. She was approached by a student at Seneca College who was required to interview a buyer. At that time, Sue was the jeans buyer. This meeting led to another meeting and before Sue knew it, Seneca got wind of her very helpful role with their students and it was not long before Susan Roadburg was ensconced at Seneca teaching full time, eventually leading to teaching becoming the longest part of her career.
Sue’s teaching led to yet another twist in the road. As part of the course work a program was created for her to develop what was called a boutique “lab.” She taught and also was able to get her students involved in the translation of books into action. She would attend vendor appointments on Fridays with the merchandise managers and buyers. She also helped the advertising manager put on a huge fashion show at the big hall at Seneca Collage. The accounts payable manager paid all the invoices and presented financial statements, relating to what had been learned in Retail Math. (She also taught that subject.) A new class took over each semester. Sue developed an infrastructure for the class much like those of the large companies that her students aspired to work for upon graduation. In short, textbook theories were brought to life through this boutique experience, a kind of ‘hands-on” approach.
Sue just finished her teaching career a few years ago. She is still connected to the industry through FGI (Fashion Group International), an organization for executives in the fashion industry. She is even the nominating chair for the board of the only Canadian chapter located in Toronto. And Sue was recently recognized by FGI with what is known as The Visionary Award by FGI. This is what might be called reaching the top of the mountain in her field.
Sue’s road is less travelled to Winnipeg these days, but she still has some ties there. Her brother Ross Rumberg is buried there. There are still friends from her past. Her memories are strongly connected to her Winnipeg days. What Sue might also say is that Rumberg to Roadburg was the first of the many roads she travelled, but she is still charting out new paths.
Features
Hamilton Hebrew Academy refuses to let 2 Jewish students enrol – because their mother had a Conservative, not an Orthodox conversion
By BERNIE BELLAN (This story was originally posted July 14)

From time to time we receive a request to do an investigative piece about one matter or another. Before I even begin to entertain following up on that type of request I pose quite a few questions to the person or persons who sent me the request. I also send copies of whatever it is that I might consider publishing to subjects of the story for them to comment prior to its publication.
Recently I was contacted by a former member of our Winnipeg Jewish community by the name of Fabio Chusyd, who now lives in Hamilton with his wife, Soraya, and their two daughters (whose names will not be given here.)
Fabio Chusyd first contacted me on July 7. Here is what he wrote in an email:
“My name is Fabio Chusyd. We met years ago while I was living in Winnipeg, and I have always respected your work. My family and I are active members of the Jewish community in Hamilton.
“Hamilton Hebrew Academy is the only full-time Jewish day school in Hamilton. It shares its premises with Adas Israel Congregation, an Orthodox synagogue, and its Dean is Rabbi Daniel Green.
“At the same time, its mission states that it is “dedicated to fostering an inclusive learning environment that welcomes and embraces children and their families from diverse Jewish affiliations and backgrounds.”
“Our daughters, (names redacted) have experienced antisemitism in the public school system, which is why we sought a safe Jewish educational environment. They have received Jewish education at home and through Temple Anshe Sholom. …. also previously attended HHA’s daycare, where Saraya’s Conservative conversion was known and accepted. The girls were invited to visit the school, met the teachers, toured the classrooms, and naturally became excited about attending. They were then ultimately denied admission.
“After two meetings with Rabbi Green much of the discussion focused on Saraya’s Conservative conversion and our willingness to pursue an Orthodox conversion path. Shortly afterward, our daughters were denied admission.
“I lawfully recorded both meetings under Ontario’s one-party consent law. We later submitted six written questions seeking clarification of the decision, but the school declined to answer any of them, stating only that it had nothing further to add.
“The Hamilton Jewish News declined to publish our family’s response, which is why I am reaching out to you.”
I responded to Fabio and asked him whether he might consider trying to contact the Canadian Jewish News and ask them to do a story about his family’s situation – since the CJN website is by far the most important Jewish website in Canada, also Hamilton is only a short distance from Toronto, so it made more sense to try to get the CJN to cover the story.
Fabio wrote back: “Following your suggestion, I have also reached out to the Canadian Jewish News. I wanted to let you know out of courtesy.”
In a later email Fabio elaborated on the Hamilton Jewish News’ refusal to do a story about what had happened to his family. Further, the Hamilton Jewish Federation had also refused to intervene in the situation. By the way, the Hamilton Jewish News is run by the Hamilton Jewish Federation.
I found that all so surprising. And yet, while Hamilton is far removed from Winnipeg physically, a fair number of former members of Winnipeg’s Jewish community have moved to Hamilton in recent years. Hamilton now has a Jewish population over 5,000 and it has become a popular alternative destination for families looking for a cheaper place to live than Toronto. I was quite surprised that both the Hamilton Jewish Times and the Hamilton Jewish Federation had refused to delve into what had happened to the Chusyds. So, I told Fabio that I would be willing to write an article, but only after a thorough investigation of what had happened.
Hamilton actually has two Jewish day schools: the aforementioned Hamilton Hebrew Academy and a school called Kehila Heschel School. Hamilton Hebrew Academy offers classes from JK- Grade 8 (It also may be adding a Grade 9 this coming year.) and has approximately 200 students. On its website HHA describes itself as “dedicated to fostering an inclusive learning environment that welcomes and embraces children and families from diverse Jewish backgrounds.”
There is another important aspect to Hamilton Hebrew Academy. It is directly connected – both physically and spiritually, to Hamilton’s Orthodox synagogue, the Adas Israel. Here is what I was able to find about that connection: “The Hamilton Hebrew Academy (located at 60 Dow Ave) is located adjacent to and was founded by the Adas Israel Congregation (located at 125 Cline Ave S).
“The Orthodox synagogue established the school decades ago to serve the community, and they often share leadership; for instance, the spiritual leader of Adas Israel serves as the Dean of the academy.” (That last point is key to understanding what has happened to the family in this story.)
The other Jewish school in Hamilton, Kehila Heschel School, bills itself as an “independent, egalitarian, community school that welcomes families from the full spectrum of Jewish life” but, as was previously noted, it had only 35 students this past year, according to Fabio Chusyd.
One other point of interest from a Winnipeg perspective: The CEO of Hamilton’s Jewish Federation (until he retired in April) was Gustavo Rymberg. Like the Chusyds, Gustavo and his family first moved to Winnipeg after having emigrated from South America in the early 2000s. I wonder how Gustavo would have reacted to what has happened to the Chusyds? By the way, the new CEO of the Hamilton Jewish Federation, Marion Zeller, does not take over her role until August 10, 2026.
In a subsequent email, Fabio Chusyd elaborated on what happened after the family had been invited to visit Hamilton Hebrew Academy:
“What happened is that they invited the girls to visit the school, they were welcomed by students and the principal – who happens to be a rabbi as well.
“We explain (to)…- the rabbi of the synagogue (who is also) dean of the school that we are happy at the reform synagogue. But he made it mandatory to join the orthodox synagogue with openess to a future orthodox conversion.”
Fabio Chusyd recorded two conversations Rabbi Green had with Fabio and Soraya Chusyd. Fabio sent me transcripts of both conversations – one recorded on June 26 and one on July 2. In both conversations Rabbi Green hinted quite strongly – without ever spelling it out as a direct stipulation, that in order for the Chusyds’ daughters to be allowed to enrol in HHA, Soraya Chusyd would have to undergo an Orthodox conversion and the Chusyds would have to join Adas Israel Congregation.
On July 6 the father received a Whatsapp message from Rabbi Green:
“Hi Fabio,
“I just wanted to give you a headsup. Kym (Gazda, the director of admissions for HHA) will be sending an official email from the school. Based on our conversations, I don’t think the school is the right fit at this time. If you have a change of heart, pls let me know. Wishing you much success.”
That ‘change of heart” apparently referred to Soraya’s reluctance to undergo an Orthodox conversion. In a subsequent email Fabio Chusyd explained that his wife did not want to go through another conversion process after having been converted by a Conservative rabbi in South America. Further, the couple was reluctant to leave their Reform congregation and join the Orthodox Adas Israel congregation, which also seemed to be a prerequisite to their daughters’ being able to enrol in Hamilton Hebrew Academy
Just as Rabbi Green’s email was opaque, the email from the director of admissions was equally opaque in not offering a specific reason for the school’s refusal to admit the Chusyds’ two girls this coming school year. Here is what Kym Gazda wrote in an email on July 7:
“Dear Mr. and Mrs. Chusyd,
“Thank you for your interest in Hamilton Hebrew Academy and for taking the time to meet with us.
“Upon careful consideration, and based on the information provided, we are unfortunately unable to accept …. to the HHA for the 2026–2027 academic year.
“Should anything change, please feel free to let us know, and we would be happy to reconsider your application at that time.
“We wish you and your family all the best.”
I received a further email from Fabio Chusyd, in which he reprinted the Hamilton Jewish News’ editor, Wendy Schneider’s response, also dated July 7, to his request that the paper consider doing a story about what happened to him and his family:
“Dear Mr Chusyd Thank you for this note. I appreciate how deeply upsetting and frustrating this is for you. As I explained yesterday, at this time, I feel I cannot act without advice from the Federation CEO because of the nature of your complaint i.e. a local issue. I sincerely hope this issue is resolved to your satisfaction. Unfortunately, for now, there’s nothing I can do at this point to help ease your distress. “
In response, Fabio Chusyd wrote to Wendy Schneider:
“Thank you for your time on the phone yesterday and for your supportive words.
“However, several years ago, you published a letter titled “Censorship Has No Place in Our Community.” Yet by not allowing me to use the online letters section, you are effectively censoring my voice.
“The slogan of the Hamilton Jewish News is “The Voice of Jewish Hamilton.” By refusing to publish or even accept my letter, you are silencing a member of the very community the publication exists to serve.
“How does this decision align with the principles of free expression and with the mission of your newspaper?”
This was all so puzzling. Here we have a case of a couple with two young children whom they would like to attend a Hamilton Jewish school – and the school simply turns them down flat – without any explanation beyond saying the “school is not the right fit at this time.” It seems clear though that the mother’s refusal to undergo an Orthodox conversion and the parents’ unwillingness to join the Adas Israel Congregation were key to the school’s decision not to accept the couple’s children as students this coming school year.
Now, ordinarily, one might expect that after receiving a slap in the face like that, the parents of the girls would simply say they’ve had enough of that – and resign themselves to sending their daughters back to public school.
But, when I asked Fabio Chusyd why he and his wife were so eager to send their daughters to HHA – or whether they had perhaps considered sending their daughters to Kehila Heschel School , here is what Fabio wrote back:
“We did consider Kehila Heschel School. We visited a few years ago, but with only about 35 students in the entire school, we didn’t feel it was the right fit for our girls. For us, school also means exposure to a larger group of children and a broader social environment. HHA has over 200 students. Also HHA appears to be opening a Grade 9, so I am thinking long-term.
“… is going into Grade 4 and … into Grade 2. As a family of immigrants without an extended support network here, we felt it was important for both girls to attend the same school.
“And then we had moved them out of HHA daycare because our local public school is only five minutes from our home.
“Oct. 7 happened, antisemitism reappeared, and the girls were victims. Hence, HHA that call themselves open to all Jewish affiliations seemed to be the safe spot. Rabbi Green and Kim Gayza were told that the girls had been victims of antisemitism. Mainly …, who gave Hanukkah goodie bags last year and her classmates ripped it, spitted on it and throw them in the garbage, while saying offences.”
There is another factor that one might consider in this entire matter. According to its own annual report, the Hamilton Jewish Federation provided $289,000 in funding for the Hamilton Hebrew Academy for the fiscal year ending June 30, 2025, so the HHA is hardly operating independently of the Hamilton Jewish Federation.
It may not be the place of the publisher of a Winnipeg website that focuses to a large extent on the Winnipeg Jewish community to poke into the affairs of another Jewish community such as Hamilton’s, but where that community’s Jewish newspaper refuses to delve into what appears to be a clear case of wrongdoing by a Jewish institution and, as of writing this, the Hamilton Jewish Federation has also refused to intervene in this matter, then we thought it an important enough issue to broach on this website.
We contacted both Hamilton Hebrew Academy and the Hamilton Jewish Federation, offering them an opportunity to respond to this article prior to its being published.
On July 21, we received a response from Rabbi Green:
“Hamilton Hebrew Academy’s inclusive character and the diversity of its parent and student body are well known throughout the community. Our families include individuals from a wide range of Jewish backgrounds, including converts of all denominations, and many who are not Jewish whatsoever. The school is family-oriented, where we strive to be on a journey of growth togther. (emphasis mine)
“Through Project Lifeline, HHA has also taken a leading role in supporting children who experience antisemitism in public schools, particularly those who may be the only Jewish student in their school or community. For this purpose, we operate transportation routes serving students from Niagara, Kitchener-Waterloo, and other communities outside Hamilton, and provide free bus service and often tuition. This project, I believe, is unprecedented in North America and speaks to the proactive nature of our school in supporting Jewish students at risk. “
I responded to the rabbi:
“With all due respect Rabbi, your email here would seem to directly contradict how you behaved with respect to the Chusyd family. If there is some reason that you have turned down the two Chusyd girls for enrolment in your school – but you are not at liberty to discuss that reason, then I could include that in what I publish.
“But – as it stands, the only reason that I have seen in your correspondence with the Chusyds. is that you don’t think it would be “a good fit” for the Chusyd children to attend HHA.
“I am going to give you every opportunity to explain what you meant by writing that, but I would suggest your latest response is somewhat disingenuous.”
The rabbi responded:
“As I mentioned, I am not at liberty to discuss the admission decision of any specific child or family. “
Also in an email sent to Fabio Chusyd on July 21, Rabbi Green wrote:
“Our position remains unchanged. As previously indicated, Hamilton Hebrew Academy will not engage in public discussion regarding the admission of any individual applicant or family. We have nothing further to add on this matter.”
Features
The horrifying story of how thousands of Polish Jewish women were forced into prostitution in Argentina by a Jewish organization known as “Zwi Migdal”
By BERNIE BELLAN Often the most interesting story ideas come in the oddest of circumstances.
Such was the case recently when I was attending the unveiling of an old friend. The rabbi who was officiating at the unveiling was Rabbi Anibal Mass.

Following the unveiling I walked over to Rabbi Mass to say hi. We were engaging in an amiable conversation when out of the blue he asked me: “Have you ever heard of Zwi Migdal?”
“Zwi Migdal?” I answered. “What is a Zwi Migdal?”
Rabbi Mass proceeded to tell me a story that I found so utterly amazing I told him that I would definitely follow it up – and write about it.
Zwi Migdal, Rabbi Mass explained to me, was the name of a leader of Argentinean Jewish gangsters who had originally come from Poland – thus the name of the group came from his name.
But it was the principal activity in which those gangsters were engaged that I found so horrifying, and almost unbelievable: They lured young Jewish women from Poland into coming to Argentina with promises that they would find work there – perhaps as au pairs or as seamstresses, but once they arrived to Argentina they were forced into prostitution.
They were forcibly kept in brothels and warned that if they ever tried to escape they would be hunted down and forced back. The enforced confinement of thousands of Jewish women in brothels in Argentina occurred over a very long period – from the 1860s to 1939.
According to Wikipedia, “During the 1920s the organization grew to its largest-ever size. At its height, 430 individuals, acting as pimps and in other criminal roles, oversaw a network of 2,000 brothels and approximately 4,000 women in Argentina alone.”
There were also branches of Zwi Migdal in other countries, including Brazil, the United States , Poland, South Africa, India and China.
Actually, if you want to read a detailed description of how Zwi Migdal operated, the entire Wikipedia article lays it out in graphic detail, including the modus operandi that Jewish pimps in Poland used to lure young women – who almost always came from poor families where the opportunity to have a better life in Argentina was so alluring that thousands of women fell prey to those false promises
Now, there was a reason Rabbi Mass brought up the story of Zwi Migdal in a cemetery. As he told me more about what happened in Argentina – and I was quite stupefied by the story he was telling me, he explained that eventually – and it was as a result of one very brave woman by the name of Raquel Liberman, that the members of Zwi Migdal were finally brought to justice.
Over 100 of them were put on trial – but even though many of them were convicted and sentenced to prison, the judicial system in Argentina was so corrupt that all but three were released from prison in short order. However, the public outcry over the release of all those pimps was so huge that justice officials were forced to rescind their releases. Many of them ended up moving to Uruguay.

It was what happened to them when they ended up being buried in one particular cemetery in Buenos Aires, Rabbi Mass told me, that was so unusual – and was the reason he was telling me this particular story in a cemetery: They were all buried in one section of that cemetery and a huge wall was built around the area of their graves – so as to forever cordon them off from the rest of the cemetery.
Something else that Rabbi Mass mentioned to me during our conversation was that Orthodox conversions are not allowed in South America. I asked him why that was? He said it was because many Jewish men had been marrying non-Jewish women who had gone through a “conversion of convenience.”
Here’s what I found when I asked AI why Orthodox conversions are not allowed in South America:
“Mainstream Orthodox communities in Latin America are traditionally highly tight-knit and conservative. Local leadership often uses the restriction to filter out ‘conversions of convenience’ (converting solely to marry a Jewish partner). By requiring candidates to travel to Israel or North America for final conversion, authorities ensure the applicant has the financial means, intense dedication, and long-term commitment required to live an Orthodox life.”
Later that same day Rabbi Mass sent me even more information about Zwi Migdal, including a link to a movie about Raquel Liberman on Vimeo. The movie is called “Raquel: a marked woman.”

The movie is somewhat of a docudrama in that it intersperses actual footage from the early 20th century with dramatizations of Raquel Liberman’s life in Argentina. Her courage in defying the gangsters who were forcing her to work as a prostitute is something to behold.
Another fascinating aspect of Zwi Migdal is that, while its members were held in total contempt by mainstream Argentinean Jewish society, they were able to fashion their own separate society, including building their own Orthodox synagogue – for which they had rabbis who were willing to serve as rabbis despite knowing what complete degenerates the members of Zwi Migdal were.
The notion that there was a Mafia type organization made up entirely of Jews is not in itself so difficult to comprehend. After all, there is a long tradition of Jewish gangsters; Murder Incorporated, for instance, which was made up of murderers for hire, was a Jewish organization.
But to think that hundreds of Jewish men – for a period lasting almost 70 years, were engaged in forcing young Polish Jewish women into prostitution? I was so amazed by the story Rabbi Mass told me that when I told him I would just have to write about that story, he responded that “This is worth, at least, a Limmud session.”
I responded in kind, saying that while it was something I would certainly consider proposing to the organizers of Limmud, rather than me conducting a session about Zwi MIgdal, given his own South American background, he would be far more suited to telling the story of Zwi Migdal at Limmud. Wouldn’t that be fascinating?
Features
Book Review: A Yiddish Play about an American Miscarriage of Justice
By HENRY SREBRNIK Mississippi: A Yiddish Play about the Scottsboro Affair, by Leib Malach, edited by Alyssa Quint, translated by Ellen Perecman and Alyssa Quint (Bloomsbury Academic, New York, 2026; 128 pages, $89.50USD hardcover, $29.50USD paperback).
On March 22, 1935, enthusiasts of Warsaw’s avant-garde theatre scene slipped into a community hall at 19 Dluga Street to see an edgy, new play called “Mississippi” performed by the Yiddish experimental theater group, Yung Teatr (Young Theatre; in Polish, “Teatr Mlodych”).

A new book that includes a translation of the play retells the story of the notorious Scottsboro Affair. Alyssa Quint, the editor, is the author of The Rise of the Modern Yiddish Theaterand the editor of two forthcoming volumes on the Yiddish theatre, Women on the Yiddish Stage and Avrom Goldfaden’s Shulamis: a Critical Edition. Ellen Perecman holds a Ph.D. in Linguistics from the City University of New York. Her book, Ten Yiddish Plays in Translation, includes translations of plays by Sholem Aleichem, Sholem Asch, Peretz Hirshbein, H. Leivick and David Pinski.
Although devoid of any Jewish themes, “Mississippi” is, nonetheless, an original Yiddish play. In their English translation” Perecman and Quint have undertaken what the publishers call “a work of cultural salvage.” Penned in 1935 by Polish-Jewish playwright Leib Malach, “Mississippi” was performed on the Warsaw stage by the experimental Yiddish theatre company Yung Teater (Young Theatre) led by legendary director and drama theoretician Mikhl Weichert. Yung Teater dramatized favorite themes of the international left, including the trials of the anarchists Sacco and Vanzetti and the Scottsboro trial. Malach and Weichert were keen to depict a dramatic episode from contemporary life that reflected their humanistic and leftist political ideas as well as avant-garde theatrical practices. Weichert praised the cultural activities of the Soviet Union, especially its innovations in the theatre, but he and Malach were not members of the Communist Party, as Communism in interwar Poland was illegal, though they saw their production as contributing to this movement.
Writing in the weekly Literarishe Bleter on the eve of Mississippi’s premiere in March 1935, Malach explains how watching Weichert’s theater group inspired him to write about the Scottsboro Affair:
“I itched to write something with a social theme. I had just been in America. . . . I had attempted to represent in dramatic form the tragic event of the Scottsboro incident, the tragic lynch-sentence of nine Black boys. The event is well known to everyone. But the living drama is so big that my first attempts at capturing it struck me as lifeless . . . But seeing the youth of Yung Teatr in their performance [. . .] brought the Scottsboro tragedy back to my head.”
Malach, Quint tells us, researched and laboured over the play “in the context of a growing corpus of literature by Yiddish writers who trained their focus on racism in the Jim Crow South, and who identified with the socialist and Communist Party politics attached to the ordeal of the Scottsboro Boys. Moreover, they also found that the racism and lynchings depicted in the play bore a deep resemblance to the injustices perpetrated against Jews both historically and contemporaneously.”
Quint notes that historically, Malach’s most significant encounter with Black Americans and Black American culture was in Harlem, and the very specific details with which one of the Scottsboro Boys, Peter, dreams of Harlem are likely a product of this encounter.
The Yiddish composer Henekh Kon wrote all the songs that appear throughout the play. They are in Yiddish but based on Kon’s understanding of African-American genres including gospel, freedom songs and jazz. A self-taught musician who grew up immersed in Jewish music — tunes of the Hasidim, of the klezmorim and of the wedding jesters — and who later trained at the Music Academy of Berlin, Kon composed music for over forty works, including the film version of S. Y. Ansky’s The Dybbuk (1937).
“Today’s readers of Mississippi will note that it is not a play that might have been written or performed today,” Quint writes. “Its portrait of African-American life tilts toward stereotype, its Communist ideological aspirations are also too baldly expressed, and the play lends itself to charges of cultural appropriation.” Since the actors are all white, they also perform in blackface. Presumably, there were few, if any, Yiddish-speaking Black actors in Poland, so the problem of how to present the actors playing the Scottsboro Boys as Black Americans without the production’s resorting to make-up might have seemed insurmountable.
I’ve written books and articles on American Jews and Communism, so I’m familiar with the story of the “Scottsboro Boys.” But I knew almost nothing about Leib Malach and “Mississippi,” though it has been mentioned in some books by, among others, Amelia Glaser, in Songs in Dark Times: Yiddish Poetry of Struggle from Scottsboro to Palestine; Joshua Morris, in The Many Worlds of American Communism; and the very many others who have written shorter articles on the Jewish left and theatre, like Zack Rothbart and Jeffrey Veidlinger. In fact Alyssa Quint herself has written about the play in a volume, Oyfn Sheydveg: At the Crossroads: Jewish Intellectuals and the Crisis of 1939, edited by Joshua Karlip.
Leib Malach (the pen name of Leib Zalzman, 1894-1936) was born in Zwolen, Poland where he received a traditional Jewish education. He moved to Warsaw as a teenager, supporting himself by working in various trades. His literary talents were discovered by Hersh Dovid Nomberg, who helped him publish his first ballad in 1915. He later became a prose writer and noted dramatist. He emigrated to Argentina in 1922 and traveled widely in South America. After his return to Poland in 1929, he continued to travel and write popular travel sketches. He lived in Mandate Palestine from 1934-35 and was active with the Labour Zionists. Many of his plays reflect his leftist politics and concern with social injustices. He died after an illness in a Paris hospital, aged 41.
Born in Podhajce in eastern Galicia and raised in Stanislawow, Weichert received his education at kheders and in Polish schools. He attended law and humanities programs at universities in Lwów, Vienna, and in Berlin, where he studied avant-garde theatre with the preeminent German director Max Reinhardt.
“Mississippi” is a fictionalized retelling of the Scottsboro Affair, which began with the wrongful arrest of nine African American youths accused of rape in Alabama in 1931. It was staged in Warsaw in early 1935 and hundreds of times thereafter at various theatres in Poland, Israel, Canada, and Argentina. While the Scottsboro trial played out in the state of Alabama, the playwright thought it best to set the play in Mississippi, a name closely associated with the American South. The internationally acclaimed play highlighted the injustices of the American South, resonating with Eastern European Jewish audiences. It demonstrated how important it was to Yiddish writers of the 1920s and 1930s to grapple with the persecution of American Blacks.
In her introductory essay, Quint treats the political aspirations that animated Malach and Weichert, and the vulnerability felt by European Jewry that it saw reflected in the experience of Black Americans. It was the first play on the Yiddish stage — and possibly on a Polish stage — to depict the oppression of Black Americans. It traveled to multiple Polish cities and was met by the Jewish press with almost uniform enthusiasm and curiosity. That the Scottsboro trial unfolded against the backdrop of the rise of Nazism in Germany lent Jewish works more urgency in seeking solidarity across ethnic lines.
In the 1930s, the story of the Scottsboro Boys, nine black teenagers accused of raping two white women on a train in Alabama, was reported in newspapers around the world. From the American south to the Yiddish stages of Eastern Europe, news of the affair and the injustice that followed spread quickly. Many believe the high-profile series of events was an inspiration for the book and movie To Kill a Mockingbird.
The Scottsboro Boys case began on March 25, 1931, when nine young Black men and boys hopped aboard a Southern Railway train in search of work in Memphis, Tennessee. At some point a fight with whites on board erupted, and the Black riders forced some white travelers off the train. The ejected riders then claimed that they had been attacked, and two of the female white riders then asserted that they had been raped. An all-white jury convicted the nine, and all but the youngest, who was 12 years old, were sentenced to death. Numerous retrials followed, all resulting in guilty verdicts.
No crime in American history– let alone a crime that never occurred — produced as many trials, convictions, reversals, and retrials as this one did. Over the course of the next two decades, the struggle for justice of the Scottsboro Boys launched and ended careers, wasted lives and produced heroes, opened southern juries to African Americans, exacerbated sectional strife, and divided America.
The Scottsboro Boys, thanks to the efforts of, among others, a New York Jewish lawyer, Samuel Leibowitz, who later took over their defence and was himself under attack by antisemites, avoided execution. The fact that Leibowitz was Jewish and brought in by Communists certainly did not help his cause, nor that of his clients, once the retrial commenced. His style and bravado were not welcome in Alabama.
But he prevailed and they were all ultimately spared the death sentence. In the years and decades that followed, all of them had their convictions overturned or were pardoned. This included three posthumous pardons granted by the governor of Alabama in 2013, more than two decades after the last of them had passed away.
A cause celebre, Scottsboro has been the subject of countless articles and books, and this new one, about a Yiddish play that dramatized the affair, provides an interesting lens to how deeply it resonated with Jews in Canada, the United States and Europe.
Henry Srebrnik is a professor emeritus of political science at the University of Prince Edward Island.

