Features
The 1970 girls: the terrific ten
By GERRY POSNER I have always thought I was privileged to have grown up when and where I did, but I have learned that my children’s generation has also been imbued with this same feeling. In particular, I refer to 10 girls, now women, all born in 1970, who are all now just past 50, and who share this same sentiment. Their story almost makes one cry for a time gone by.
The ladies are: Jill (Margolis) Atnikov, Allison (Hyman) Axelrod, Davina ( Muchnik) Golden, Michelle Golfman, Jodi Hyman, Lisa (Golfman) Kroft, Marni (Fingold) Miller, Jackie (Rosen) Nash, Lisa (Hamburg) Weidman, and Samantha ( Zimberg) Adelman.
These are names known to many readers of the Jewish Post & News and beyond. They are women who have made a conscious effort to be connected ever since their earliest days together. There is what seems to be an unshakeable bond between all of them and their feelings of “ closeness” shine through and in all of them.
The reality of this deep friendship is best summed up in something Jill Margolis Atnikov wrote. Even though the girls were never at the same school together, “We have been friends for at least forty-nine years.” Organizations like Kadima, BB Camp, BBYO cemented the ten girls together in ways they could not have imagined. Whatever it was that tied these women together, it worked. Jackie Rosen Nash says, “We were all in close proximity to where we lived so we were able to be together. I could walk to everyone’s house. I can picture everyone’s house as they were.” That is a remarkable statement and I bet each of the group could describe all of their respective homes to one another.
Not all the women live in Winnipeg now. Out of the 10, there are five remaining in Winnipeg, with Michelle Golfman in Toronto, Marni Fingold Miller in San Diego, Jackie Rosen Nash and Lisa Hamburg Weidman in Vancouver, and Davina Muchnik Golden in Chicago. Included in this group are two sets of first cousins, as in Lisa Golfman Kroft and Michelle Golfman; and Jodi Hyman and Allison Hyman Axelrod. Between the 10 of them, they have added 14 more Winnipeg descendants (of a kind – since some of them are first Winnipeg removed). And, although they have gone on separate paths, what links them still is their desire to stay connected.
Davina Muchnik Golden works today as an educational assistant with two teenage daughters. Jodi Hyman is a Nurse Educator at Cancer Care Manitoba. Jackie Rosen Nash is a personal shopper (I sure could use someone like that). Marni Fingold Miller, mother of two children – both over 20, is an interior designer. Lisa Golfman, with two sons both over 20, is a small business owner in Winnipeg. Jill Margolis Atnikov is a Pharmaceutical Representative, a small business owner in Winnipeg and is mother to a 21- year-old daughter. Allison Hyman Axelrod, mother of two sons – both close to 20, also works in Winnipeg as a Senior Customer Success Manager in the Human Resource and Wellbeing Industry (you have to love that title). Michelle Golfman has another title I love, as she is a Director of Philanthropy. Lisa Hamburg Weidman works as an Education Intervention Specialist (I bet you never heard that term when you were growing up) and she has three kids – two over 20 and one just under 20. Samantha Zim-berg Adelman lives in Winnipeg and works as an Educational Assistant with two kids, also in the 20-year-old range.
Based on the ages of the children of these women, I suggest there is a further opportunity to tie some of them even more tightly together. Maybe it has already happened.
One theme that seemed to emerge after reading emails from several women was a really strong feeling for the Winnipeg Jets. As Lisa Golfman Kroft put it, “We used to stalk the hockey players from the Winnipeg Jets.”That thought was echoed by her cousin Michelle, who wrote that “ no matter where we are in the world the “ Winnipeg Jets” were and always will be our “ home team.” I think the group better plan a session together soon to help the Jets, who seem to be floundering right at this moment and need all the help they can get.
Lisa Hamburg Weidman reflected on the way the ten of them came together. She says “There were so many facets of community that connected us and brought us together. We were never all in the same school at the same time, but we were always connected. There were so many different circumstances that always brought us together.” Golfman Kroft adds, “We don’t see each other as often or speak to each other often but when we do, it’s like no time has passed.” Samantha Zimberg Adelman commented that “Sharing our love of music and concerts from when we were kids until now” was a common thread. Hyman Axelrod put a different slant on it when she wrote, “ I love how we have instilled in our kids the importance of these friendships. My kids always report back to me when they bump into one of the girls or their families. They know saying hello is important.” What was crucial to Muchnik Golden was “the time spent at the beach at Gimli for us to be together.” You would have thought that over the years, ten women (men too) would have had many disputes and arguments which might have affected their relationships, but Marni Fingold Miller’s take on it is “We recognize how unique this friendship is. We know each other’s shtick, but we continue to love each other.” I identified well with the comments of Jodi Hyman who suggested “There is something to be said for true friendship. We were bound together through growing up and participating in Jewish community youth programmes, to sharing many laughs as well as tears as we move through life’s joy and losses. Although we may be geographically spread out, we will always be united through our Winnipeg routes and true friendship.”
Now these lovely ladies have made the point of meeting together at reunions in different locations over the passing years. The accompanying photos give a glimpse of the genuine joy of the women as they met together on several occasions. Sadly, the plans in 2020 for the big 50th birthday reunion were shelved due to Covid. What they did instead was to initiate birthday Zoom calls as each woman hit the magic 50 and they did a catch up.
It is not an easy thing to do, that is, to retain life-long friendships. Life sends one off in different reactions and yet these women remain attached to this date. Was it the Winnipeg weather, the close knit community, the lack of cell phones and internet access, the fact that the parents knew each other? Who knows for sure? What is known is this: These women savour the memories. Not that long ago, at a reunion in Scottsdale, Arizona, they played a game called the “Voting Game”. This game tries to uncover the truth about your friendships. The players in the game vote anonymously for the particular player who is described by a particular question. As Jill Margolis Atnikov wrote, “ No doubt there were screams of laughter as we were taken back to our childhoods. One question in particular brought out the laughter as in ‘Who had the worst high school photo?’ On this question, there was unanimity though they never told me who that was, nor did they send me the photo.”
I think most of us would agree there is great merit in sharing memories of what each did for their childhood birthday parties, what they wore to Sweet 16 parties, who their first crush wa,s and on and on. What one forgets, another remembers.
I get it. While you do not have to be from Winnipeg to feel this way, it is likely that most of us who were privileged to have grown up at the time when we did and where we did, have experienced in some small or larger way, these same feelings. I am doubtful whether my grandchildren and the children of the group of ten will have these same kinds of relationships and memories. But that is another story.
Features
So, what’s the deal with the honey scene in ‘Marty Supreme?’
By Olivia Haynie December 29, 2025 This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
There are a lot of jarring scenes in Marty Supreme, Josh Safdie’s movie about a young Jew in the 1950s willing to do anything to secure his spot in table tennis history. There’s the one where Marty (Timothée Chalamet) gets spanked with a ping-pong paddle; there’s the one where a gas station explodes. And the one where Marty, naked in a bathtub, falls through the floor of a cheap motel. But the one that everybody online seems to be talking about is a flashback of an Auschwitz story told by Marty’s friend and fellow ping-ponger Béla Kletzki (Géza Röhrig, best known for his role as a Sonderkommando in Son of Saul).
Kletzki tells the unsympathetic ink tycoon Milton Rockwell (Kevin O’Leary) about how the Nazis, impressed by his table tennis skills, spared his life and recruited him to disarm bombs. One day, while grappling with a bomb in the woods, Kletzki stumbled across a honeycomb. He smeared the honey across his body and returned to the camp, where he let his fellow prisoners lick it off his body. The scene is a sensory nightmare, primarily shot in close-ups of wet tongues licking sticky honey off Kletzki’s hairy body. For some, it was also … funny?
Many have reported that the scene has been triggering a lot of laughter in their theaters. My audience in Wilmington, North Carolina, certainly had a good chuckle — with the exception of my mother, who instantly started sobbing. I sat in stunned silence, unsure at first what to make of the sharp turn the film had suddenly taken. One post on X that got nearly 6,000 likes admonished Safdie for his “insane Holocaust joke.” Many users replied that the scene was in no way meant to be funny, with one even calling it “the most sincere scene in the whole movie.”
For me, the scene shows the sheer desperation of those in the concentration camps, as well as the self-sacrifice that was essential to survival. And yet many have interpreted it as merely shock humor.
Laughter could be understood as an inevitable reaction to discomfort and shock at a scene that feels so out of place in what has, up to that point, been a pretty comedic film. The story is sandwiched between Marty’s humorous attempts to embarrass Rockwell and seduce his wife. Viewers may have mistaken the scene as a joke since the film’s opening credits sequence of sperm swimming through fallopian tubes gives the impression you will be watching a comedy interspersed with some tense ping-pong playing.
The reaction could also be part of what some in the movie theater industry are calling the “laugh epidemic.” In The New York Times, Marie Solis explored the inappropriate laughter in movie theaters that seems to be increasingly common. The rise of meme culture and the dissolution of clear genres (Marty Supreme could be categorized as somewhere between drama and comedy), she writes, have primed audiences to laugh at moments that may not have been meant to be funny.
The audience’s inability to process the honey scene as sincere may also be a sign of a society that has become more disconnected from the traumas of the past. It would not be the first time that people, unable to comprehend the horrors of the Holocaust, have instead derided the tales of abuse as pure fiction. But Kletzki’s story is based on the real experiences of Alojzy Ehrlich, a ping-pong player imprisoned at Auschwitz. The scene is not supposed to be humorous trauma porn — Safdie has called it a “beautiful story” about the “camaraderie” found within the camps. It also serves as an important reminder of all that Marty is fighting for.
The events of the film take place only seven years after the Holocaust, and the macabre honey imagery encapsulates the dehumanization the Jews experienced. Marty is motivated not just by a desire to prove himself as an athlete and rise above what his uncle and mother expect of him, but above what the world expects of him as a Jew. His drive to reclaim Jewish pride is further underscored when he brings back a piece of an Egyptian pyramid to his mother, telling her, “We built this.”
Without understanding this background, the honey scene will come off as out of place and ridiculous. And the lengths Marty is willing to go to to make something of himself cannot be fully appreciated. The film’s description on the review-app Letterboxd says Marty Supreme is about one man who “goes to hell and back in pursuit of greatness.” But behind Marty is the story of a whole people who have gone through hell; they too are trying to find their way back.
Olivia Haynie is an editorial fellow at the Forward.
This story was originally published on the Forward.
Features
Paghahambing ng One-on-One Matches at Multiplayer Challenges sa Pusoy in English
Ang Pusoy, na kilala din bilang Chinese Poker, ay patuloy na sumisikat sa buong mundo, kumukuha ng interes ng mga manlalaro mula sa iba’t ibang bansa. Ang mga online platforms ay nagpapadali sa pag-access nito. Ang online version nito ay lubos na nagpasigla ng interes sa mga baguhan at casual players, na nagdulot ng diskusyon kung alin ang mas madali: ang paglalaro ng Pusoy one-on-one o sa multiplayer settings.
Habang nailipat sa digital platforms ang Pusoy, napakahalaga na maunawaan ang mga format nito upang mapahusay ang karanasan sa laro. Malaking epekto ang bilang ng mga kalaban pagdating sa istilo ng laro, antas ng kahirapan, at ang ganap na gameplay dynamics. Ang mga platforms tulad ng GameZone ay nagbibigay ng angkop na espasyo para sa mga manlalaro na masubukan ang parehong one-on-one at multiplayer Pusoy, na akma para sa iba’t ibang klase ng players depende sa kanilang kasanayan at kagustuhan.
Mga Bentahe ng One-on-One Pusoy
Simpleng Gameplay
Sa one-on-one Pusoy in English, dalawa lang ang naglalaban—isang manlalaro at isang kalaban. Dahil dito, mas madali ang bawat laban. Ang pokus ng mga manlalaro ay nakatuon lamang sa kanilang sariling 13 cards at sa mga galaw ng kalaban, kaya’t nababawasan ang pagiging komplikado.
Para sa mga baguhan, ideal ang one-on-one matches upang:
- Sanayin ang tamang pagsasaayos ng cards.
- Matutunan ang tamang ranggo ng bawat kamay.
- Magsanay na maiwasan ang mag-foul sa laro.
Ang simpleng gameplay ay nagbibigay ng matibay na pundasyon para sa mas kumplikadong karanasan sa multiplayer matches.
Mga Estratehiya mula sa Pagmamasid
Sa one-on-one matches, mas madaling maunawaan ang istilo ng kalaban dahil limitado lamang ang galaw na kailangan sundan. Maaari mong obserbahan ang mga sumusunod na patterns:
- Konserbatibong pagkakaayos o agresibong strategy.
- Madalas na pagkakamali o overconfidence.
- Labis na pagtuon sa isang grupo ng cards.
Dahil dito, nagkakaroon ng pagkakataon ang mga manlalaro na isaayos ang kanilang estratehiya upang mas epektibong maka-responde sa galaw ng kalaban, partikular kung maglalaro sa competitive platforms tulad ng GameZone.
Mas Mababang Pressure
Dahil one-on-one lamang ang laban, mababawasan ang mental at emotional stress. Walang ibang kalaban na makaka-distract, na nagbibigay ng pagkakataon para sa mga baguhan na matuto nang walang matinding parusa sa kanilang mga pagkakamali. Nagiging stepping stone ito patungo sa mas dynamic na multiplayer matches.
Ang Hamon ng Multiplayer Pusoy
Mas Komplikado at Mas Malalim na Gameplay
Sa Multiplayer Pusoy, madaragdagan ang bilang ng kalaban, kaya mas nagiging komplikado ang laro. Kailangan kalkulahin ng bawat manlalaro ang galaw ng maraming tao at ang pagkakaayos nila ng cards.
Ang ilang hamon ng multiplayer ay:
- Pagbabalanse ng lakas ng cards sa tatlong grupo.
- Pag-iwas sa labis na peligro habang nagiging kompetitibo.
- Pagtatagumpayan ang lahat ng kalaban nang sabay-sabay.
Ang ganitong klase ng gameplay ay nangangailangan ng maingat na pagpaplano, prediksyon, at strategic na pasensiya.
Mas Malakas na Mental Pressure
Mas mataas ang psychological demand sa multiplayer, dahil mabilis ang galawan at mas mahirap manatiling kalmado sa gitna ng mas maraming kalaban. Kabilang dito ang:
- Bilisan ang pagdedesisyon kahit under pressure.
- Paano mananatiling focused sa gitna ng mga distractions.
- Pagkakaroon ng emosyonal na kontrol matapos ang sunod-sunod na talo.
Mas exciting ito para sa mga manlalarong gusto ng matinding hamon at pagmamalasakit sa estratehiya.
GameZone: Ang Bagong Tahanan ng Modern Pusoy
Ang GameZone online ay isang kahanga-hangang platform para sa mga naglalaro ng Pusoy in English. Nagbibigay ito ng opsyon para sa parehong one-on-one at multiplayer matches, akma para sa kahit anong antas ng kasanayan.
Mga feature ng GameZone:
- Madaling English interface para sa user-friendly na gameplay.
- Real-player matches imbes na kalaban ay bots.
- Mga tool para sa responsible play, tulad ng time reminder at spending limits.
Pagtatagal ng Pamanang Pusoy
Ang Pusoy card game in English ay nagpalawak ng abot nito sa mas maraming players mula sa iba’t ibang bahagi ng mundo habang pinapanatili ang tradisyunal nitong charm. Sa pamamagitan ng mga modernong platform tulad ng GameZone, mananatiling buhay at progresibo ang Pusoy, nakakabighani pa rin sa lahat ng antas ng manlalaro—mula sa casual enjoyment hanggang sa competitive challenges.
Mula sa maingat na pag-aayos ng mga cards hanggang sa pag-master ng estratehiya, ang Pusoy ay isang laro na nananatiling relevant habang ipinapakita ang masalimuot nitong gameplay dynamics na puno ng kultura at inobasyon.
Features
Rob Reiner asked the big questions. His death leaves us searching for answers.
Can men and women just be friends? Can you be in the revenge business too long? Why don’t you just make 10 louder and have that be the top number on your amp?
All are questions Rob Reiner sought to answer. In the wake of his and his wife’s unexpected deaths, which are being investigated as homicides, it’s hard not to reel with questions of our own: How could someone so beloved come to such a senseless end? How can we account for such a staggering loss to the culture when it came so prematurely? How can we juggle that grief and our horror over the violent murder of Jews at an Australian beach, gathered to celebrate the first night of Hanukkah, and still light candles of our own?
The act of asking may be a way forward, just as Rob Reiner first emerged from sitcom stardom by making inquiries.
In This is Spinal Tap, his first feature, he played the role of Marty DiBergi, the in-universe director of the documentary about the misbegotten 1982 U.S. concert tour of the eponymous metal band. He was, in a sense, culminating the work of his father, Carl Reiner, who launched a classic comedy record as the interviewer of Mel Brooks’ 2,000 Year Old Man. DiBergi as played by Reiner was a reverential interlocutor — one might say a fanboy — but he did take time to query Nigel Tufnell as to why his amp went to 11. And, quoting a bad review, he asked “What day did the Lord create Spinal Tap, and couldn’t he have rested on that day too?”
But Reiner had larger questions to mull over. And in this capacity — not just his iconic scene at Katz’s Deli in When Harry Met Sally or the goblin Yiddishkeit of Miracle Max in The Princess Bride — he was a fundamentally Jewish director.
Stand By Me is a poignant meditation on death through the eyes of childhood — it asks what we remember and how those early experiences shape us. The Princess Bride is a storybook consideration of love — it wonders at the price of seeking or avenging it at all costs. A Few Good Men is a trenchant, cynical-for-Aaron Sorkin, inquest of abuse in the military — how can it happen in an atmosphere of discipline.
In his public life, Reiner was an activist. He asked how he could end cigarette smoking. He asked why gay couples couldn’t marry like straight ones. He asked what Russia may have had on President Trump. This fall, with the FCC’s crackdown on Jimmy Kimmel, he asked if he would soon be censored. He led with the Jewish question of how the world might be repaired.
Guttingly, in perhaps his most personal project, 2015’s Being Charlie, co-written by his son Nick he wondered how a parent can help a child struggling with addiction. (Nick was questioned by the LAPD concerning his parents’ deaths and was placed under arrest.)
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None of the questions had pat answers. Taken together, there’s scarcely a part of life that Reiner’s filmography overlooked, including the best way to end it, in 2007’s The Bucket List.
Judging by the longevity of his parents, both of whom lived into their 90s, it’s entirely possible Reiner had much more to ask of the world. That we won’t get to see another film by him, or spot him on the news weighing in on the latest democratic aberration, is hard to swallow.
Yet there is some small comfort in the note Reiner went out on. In October, he unveiled Spinal Tap II: The Beginning of the End, a valedictory moment in a long and celebrated career.
Reiner once again returned to the role of DiBergi. I saw a special prescreening with a live Q&A after the film. It was the day Charlie Kirk was assassinated. I half-expected Reiner to break character and address political violence — his previous film, God & Country, was a documentary on Christian Nationalism.
But Reiner never showed up — only Marty DiBergi, sitting with Nigel Tuffnell (Christopher Guest), David St. Hubbins (Michael McKean) and Derek Smalls (Harry Shearer) at Grauman’s Chinese Theater in Los Angeles. The interview was broadcast to theaters across the country, with viewer-submitted questions like “What, in fact, did the glove from Smell the Glove smell like?” (Minty.) And “Who was the inspiration for ‘Big Bottom?’” (Della Reese.)
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- Actor-Director Rob Reiner dies at 78
- Carl Reiner On Judaism, Atheism And The ‘Monster’ In The White House
- Mandy Patinkin On His Favorite ‘Princess Bride’ Quote
DiBergi had one question for the audience: “How did you feel about the film?”
The applause was rapturous, but DiBergi still couldn’t get over Nigel Tuffnell’s Marshall amp, which now stretched beyond 11 and into infinity.
“How can that be?” he asked. “How can you go to infinity? How loud is that?”
There’s no limit, Tuffnell assured him. “Why should there be a limit?”
Reiner, an artist of boundless curiosity and humanity, was limitless. His remit was to reason why. He’ll be impossible to replace, but in asking difficult questions, we can honor him.
The post Rob Reiner asked the big questions. His death leaves us searching for answers. appeared first on The Forward.