Features
The Astonishing Rise of Antisemitism in Canada
By HENRY SREBRNIK Anyone reading jewishpostandnews.ca knows full well the extent of antisemitism raging across Canada now. Not a day goes by when some horrific event isn’t reported, be it at a school, a university, outside a Jewish centre or synagogue, or on a sidewalk in front of a Jewish-owned business. Protestors in many cases openly call for the elimination of the state of Israel.
This is now commonplace and shows no signs of abating, with federal, provincial and municipal governments, as well as civil society organizations, including school boards, seemingly unwilling or unable to stop it.
Statistics show an unprecedented spike in Jew-hatred in Canada. A March 18 report from the police in Toronto, for example, indicated that of the 84 registered hate crimes in 2024, a startling 56 per were animated by antisemitism. The Vancouver Police January 16 revealed that the Jewish community experienced a 62 per cent increase in police-reported antisemitic hate incidents in 2023 compared to 2022. Most occurred after the October 7 terrorist attacks perpetrated by Hamas.
The Jewish community in this country has been under siege, “confronting levels of antisemitism unseen since the Holocaust,” reported Richard Marceau, Vice President, External Affairs and General Counsel, Centre for Israel and Jewish Affairs. This has included, he noted, “fire bombings of synagogues, community centers and Jewish-owned businesses; shootings and bomb scares at Jewish schools; harassment of community members; intimidation of Jewish students and faculty on campus; cheerleading of Hamas by unions; and many other hateful iterations.”
And it’s not just outright criminality on the part of hooligans that should worry us. There are other, more subtle, ways of making Jews feel they’re not really welcome. Plays are cancelled, speakers disinvited, and artists fired.
Vancouver photographer Dina Goldstein’s “In the Dollhouse” photo series was due to be exhibited at a toy-centred exhibition at the Vancouver Centre of International Contemporary Art. But Goldstein was born in Tel Aviv – so she was told by the organizer that she had got a complaint “from a group of Vancouver artists who didn’t think I should be showing because of the war in Israel and Gaza.” She feared vandalism.
Hamilton’s Playhouse Cinema agreed to be the venue for the three-day Hamilton Jewish Film Festival. But with only weeks to go, it abruptly told the festival they were no longer welcome due to “safety and security concerns at this particularly sensitive time.” They also cited “numerous security and safety related emails, phone calls, and social media messages.”
Sadly and ironically, the only connection to the Gaza war that they were screening was “The Boy,” the last film by Israeli filmmaker Yahav Winner, who was murdered by Hamas on October 7.
Cyclist Leah Goldstein had been invited to address a March 8 International Women’s Day event in Peterborough, Ont. The first woman to win the solo category of the Race Across America, a gruelling endurance race, she was scheduled to speak about overcoming “bullies, sexism, terrorism.” But they “discovered” she was raised in Israel, so was dropped “in recognition of the current situation and the sensitivity of the conflict in the Middle East.”
An obstetrics professor at McMaster University in Hamilton was removed from the editorial board of an academic journal after publicly criticizing his professional association for failing to condemn the sexual violence perpetrated by Hamas on October 7. “I was waiting for the Society of Obstetricians and Gynaecologists as soon as the stories of rape and sexual violence came out,” Jon Barrett told National Post.
Barrett saw political bias in Society President Amanda Black’s December 2023 public letter applauding the reporting of sexual assault perpetrated by Russian soldiers in Ukraine, and highlighting the organization’s work advocating for women, alongside the association’s silence on Hamas’s atrocities against Israeli women.
I could provide all too many similar stories, but most of us already know this our new reality.
We know all about the university encampments, but worst of all is the effect this hatred is having in our primary and secondary educational institutions, where very young minds are being informed that Israel – and by implication Canadian Jews? — are evil.
In the official multifaith calendar for the York Region District School Board in Ontario, Jewish holidays this year were denoted with a small menorah, while the holidays of other religions had their usual representative symbols (a cross for Christians, the star and crescent for Muslims, and so forth). Why? A leaked e-mail revealed that administrators deliberately avoided using the Star of David, the traditional symbol of Judaism, lest it remind students of Israel.
On April 30, Shaked Tsurkan, a 14-year-old Israeli girl attending Leo Hayes High School, in Fredericton, New Brunswick, was followed and beaten up by an older student. It happened off school grounds during the lunch hour and other classmates gathered to watch. Someone even filmed the whole thing on their phone, later posted to social media. It was just one of many incidents, and her parents felt authorities were ignoring the antisemitic overtones to their daughter’s beating.
More recently, a Burlington, Ont. mother pulled her Jewish daughter out of high school, saying the school is allowing and encouraging pro-Palestinian activists to display and promote threatening antisemitic messages. “My child is not in school because she’s Jewish. That’s insane,” Anissa Hersh stated, after withdrawing her daughter from Burlington Central High School recently.
Her daughter had artwork included in a school exhibit but the event seemed like a Gaza protest. “They had a huge booth, and it was labeled Palestine. There was a map: the state of Israel was relabeled as Palestine with the Palestinian colours on it.” The school permitted students to wear T-shirts and jewelry depicting the eradication of Israel. The school’s solution to her complaint? “The only thing they did was, they sent me information on how my daughter could finish school at home.”
Just sitting down at the computer every day, reading all these articles can make your head spin. One year ago at this time, we would have been scoffed at, called fearmongers, and delusional, had we said we felt uneasy about antisemitism in this country. Yet clearly it was all “out there,” ready to go, so to speak. Does this not in some way demonstrate how tenuous civil peace is, that it can turn so incredibly ugly so fast? Was this what it felt like in Berlin in, say, 1931 or so?
In fact a colleague who teaches European history answered by pointing out that antisemitism lurks often unnoticed within larger social movements, obscured by other issues, until an event comes along to trigger it, like the Gaza war, and then those of us look back and ask where did that come from? Call it the “Greta Thunberg Syndrome?” Even climate change activism has become tinged by Jew-hatred.
I think that since October 7 Canadian Jews are suffering from political vertigo. It’s as if a rug was suddenly pulled out from under us on an apartment balcony we assumed was safe, and we were tipped over and fell 12 stories to the ground below.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island in Charlottetown.
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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
