Features
The British Invasion: Douglas Murray and Colonel Richard Kemp, Tel Aviv International Salon, Dec.21, 2023
By GABRIEL EMMANUEL In 1964 the Beatles were banned from performing in Israel (to the Jewish state’s everlasting shame and embarrassment). Nearly 60 years later a British invasion of a different sort took place and the crowd reaction was almost like a mini Beatlemania.
Some 600 or more twenty and thirty somethings packed themselves into a meeting room at the Carlton Hotel in Tel Aviv that was meant to accommodate only about a third of that size. The featured speakers were former Commander of the British forces in Afghanistan, Richard Kemp, and author, political commentator, Douglas Murray, whose book “War on the West”(2018) quickly became a New York Times bestseller. Both Kemp and Murray have spent the past two and a half months in Israel covering the war. “I’ve almost made Aliya” quipped Kemp as the talk was about to begin. When the charismatic Murray entered the room a little late for reasons which he would come to share, the audience broke into spontaneous applause.
While Colonel Kemp has been known for years for endorsing the IDF as the “most moral army” in the world, Douglas Murray shot to fame at the opening of the present conflict with his acerbic response to an interviewer’s question as to whether Israel’s response to the atrocities of Oct. 7 could be considered “proportionate”. In a segment on British Talk TV https://talk.tv/top-stories/31465/douglas-murray-proportionality-in-conflict-is-a-joke that went instantly viral Murray responded “There is some deep perversion in Britain whenever Israel is involved in a conflict and it’s the word you just used – proportion, proportionate, proportionality. Only Britain is really obsessed with this…Proportionality in conflict rarely exists but if we were to decide that we should have this fetish about proportionality then that would mean that in retaliation for what Hamas did in Israel on Saturday (Oct. 7, G.E.) then Israel should try and locate a music festival in Gaza for instance (and good luck with that), and rape precisely the number of women that Hamas raped, kill precisely the number of young people that Hamas killed. They should find a town of exactly the same size of Sderot… and make sure they go door to door and kill precisely the correct number of babies that Hamas killed in Sderot and shoot in the head precisely the same number of old age pensioners that Hamas shot in the head on Saturday…Proportionality in conflict is a joke,” spurned Douglas adding, “that it is only the Israelis that when attacked are expected to have precisely a proportionate response.”
Given the British gentlemens’ philo-semitic reputations the audience broke out with mixed laughter and applause when the two were introduced as the “two most beloved “Goyim” in all of Israel. Non-plussed by the off-colour moniker, Kemp stated proudly that “I am also an extremely talented “Shabbat Goy” the result of having been residing in a hotel with many displaced persons from Kiryat Shmona “who have used my services quite extensively.”
Asked by another Brit, moderator Deborah Danon, what drew each of them to supporting Israel in a topsy turvy world that was largely hostile towards the Jewish State, each had similar reasons for doing so. “I was taught when I was very young to know right from wrong,” said Kemp, “and it’s my duty to support those who are right. There is no question who is in the right in this fight,” he added.
Moreover, underscoring his 30 years spent fighting terrorists in Afghanistan and Iraq Kemp felt duty bound “to do what little I can do to help fight this fight with you because it’s not just your fight it’s a fight for Western civilization; the same ideology that’s attacking you now has attacked us in the past and will intensify its attacks in the future.”
Apologizing for his late entrance for having been held up in an interview on the Piers Morgan show (“It’s quite hard to get Piers to stop talking”) Murray offered another reason responsible for drawing him over to Israel’s side. “Aside from my love for this country and its people,” he said, “I also see something which I think any writer or journalist should see and get very annoyed by, which is lies. When it’s lies about an entire nation and people, when I hear someone like this blowhard I heard earlier (on Piers Morgan, G.E.) accusing Israel of ‘genociding’ the Palestinians, I can’t sit here and not say something. I’m not going to allow these canards, smears and lies and defamation to just go on…I don’t like lies being told and Israel has been on the receiving end of some of the biggest, longest, deepest and most wounding lies of our era,” said Murray. Demonstrating his effortless ability to deftly cross over from political commentary to artful literary imagery he caps the thought with finesse: “So I believe in the simple cause of “moral hygiene” that it’s necessary to try and clean some of that up.”
The moderator then asked a pertinent question: “In a world of Tik Tok where Jesus is Palestinian, do you wonder if this is just a Myth of Sisyphus syndrome where you are just pushing that rock up the hill and do you ever ask yourself just what’s the point?”
“Never, actually,” Murray replied emphatically. “Even if it was the case what option have you got? Just to sit at the bottom of the hill and get crushed by the rock?” he asks rhetorically.
Despite the omnipresence of social media in the world, where lies are able to “rocket around the world” Murray holds fast to a different view. “if you live in a world where 99 lies are being told and one person tells the truth, the truth will win,” he asserts and gives the example of writers such as Aleksandr Solzhenitsyn whose work was effective in bringing down the entire Soviet Empire. “The validity of a truth in an era of lies cannot be underestimated,” he says.
From the topic of lies it was an easy segue to Hamas battle figures. “I don’t know what the latest exaggerated figure is from Hamas about the number of people that have been killed in Gaza” says Kemp, “I just know that it has to be defeated. If it means that a very large number of people whether military or civilian have to die in that process then unfortunately that’s the case because no sovereign, democratic state can exist under this threat so it must be eliminated, it’s as simple as that,” states Kemp in a no nonsense, tell it like it is, military analysis. Despite the unreliability of figures Kemp posits that based on the figures he’s received from Israeli sources of 8,000 or 9,000 or more have been killed from Hamas and Islamic Jihad, which would represent about 30% of the total number of terrorists. “That’s a very significant proportion,” he says, “that’s in excess of 30% of their fighting capability. The whole edifice then begins to crumble and I think we’re going to see that,” he says with conviction.
“I’ve been in Gaza on a number of occasions. I’m deeply impressed by the IDF combat effectiveness. This is going to come down at some point,” Kemp says quite bluntly.
Kamp makes regular visits to the soldiers in hospital and knows the tragedy of war from close up. “Tragically, many Israeli soldiers will die and have died already,” he concedes, “but they will undoubtedly prevail in the end.” He contrasts the irony with Hamas: “They want the I.D.F. to kill their civilians. They want as many civilians killed as possible because that then provokes the inevitable international demand for ceasefire, condemning Israel for War Crimes,” he concludes while shaking his head at the anticipated perversion of justice.
Asked about pressure from the United States, Douglas Murray elucidated his view that “You should be courteous to your allies but not subservient to them,” earning a strong round of applause. “The future of this State, of the Jewish people must be in the hands of the Jewish people,” he continued.” It cannot be in the hands of anyone else. It cannot be in the hands of people who, for instance say the day after the massacre of October 7th that this is why we need to double down on the two state solution. It just can’t be in the hands of people going at that kind of slow speed”, he says.
Had the events of Oct.7th happened in the U.S.A., Murray points out, proportionately over 120,000 Americans would have been massacred on one day. “Nobody can tell me that the Americans would have listened to anyone then, nor should they, “he adds. The one potential outcome of the war that Murray absolutely rejects is that the situation might return to the status quo ante of October 6th. “Israel must be allowed to win,” he asserts. “It cannot simply always be encouraged to fight for a stalemate.” Regarding the as of yet unresolved situation with Hezbollah, Murray poked fun at the thought that we will all have to relearn the map of the North and become experts again on the Litani River. “Since 2006 it’s just been a replay of the same thing,” he says. “It just feels like Groundhog Day,” he quips to the amused young people in the room. And then in a more somber tone: “Anything other than actual victory by the Israelis in this conflict is unacceptable because all of these efforts to make Israel fight into a stalemate will simply prepare the groundwork for the next war and this country deserves not to be forced into perpetual war,” he emphasizes.
According to Colonel Kemp’s analysis much of what has transpired in the world in terms of instability with the Ukraine and now Gaza has to do with a weak image projected by President Joe Biden. On the other hand, Kemp considers that Biden has been strongly in favour of Israel and the U.S. unlikely to pressure Israel to desist its military operations. For this dichotomous view Kemp actually earned applause from both Biden supporters and detractors.
The moderator brought up the tragic issue of the three hostages who had been mistakenly killed by Israeli troops. Douglas Murray reflected on the incident and said that he was genuinely shocked by “the lack of empathy for Israel internationally”. A glaring example of such a lack of empathy he suggested could be found with the posters of the hostages in various cities around the world. What followed was another of Murray’s innovative insights: “If you put up a poster of a missing cat or dog in your neighbourhood you would not expect anyone to rip it down,” he matter of factly suggests. “And if anyone did rip it down you would think that person was subhuman. You would think what kind of a sick person are we dealing with here?” he asks. “And this wasn’t dogs or cats. These were Jewish children. And in city after city sociopaths tore down these posters…This lack of empathy has been there since the day (Oct.7th G.E.) itself. And the media treats it as more evidence of the brutality of the Israeli soldiers – they even kill their own! Imagine the lives of those soldiers who shot those three hostages, how they must have felt. And yet instead of recognizing what a tragedy that is for everybody involved they use it as a weapon against Israel!” Murray’s damning condemnation resounds through the packed but quiet room. “That really has slightly startled me in this conflict,” he continued to reflect in an afterthought.
The door was left open for a little humour when the Moderator, in her last question, asked about the Day After. Colonel Kemp was first to pick up the gauntlet: “I think we need a two state solution with the United Nations supervising it,” he said without flinching and with a stiff British upper lip to boot which held tightly in place until the audience stopped laughing. And then more seriously his sober insight: “The I.D.F. has no option, whatsoever, apart from to stay in control of Gaza from now on. It doesn’t matter what anyone else thinks; it doesn’t matter what President Biden might wish to happen…What is absolutely certain is that the I.D.F. must maintain security control of Gaza. It means either a permanent IDF presence inside the whole of Gaza or it means the creation of a one or two mile buffer zone on the inside of the Gaza border which no one is allowed to go into and which the I.D.F can police.”
Kemp had nary a kind word to say about the folks on the other side:”The reality in Gaza is that the vast majority of the population of allegedly innocent civilians support Hamas, even when they see the horrors that Hamas has brought on them, they still support Hamas . And there will be efforts to have a Hamas 2,” the Colonel warned.
Murray concurs that it is a “very bleak necessity” but that Israel will need to stay in Gaza. For how long? “Call me a pessimist,” says Kemp, “but I would say forever.” Like his colleague, Murray also spends some of his days visiting the wounded in hospitals. On a recent visit he met one of the victims, a farmer, from a border Kibbutz who had lost his wife, son and both of his legs in the Hamas attack of Oct.7th . “He said something that has really stuck with me,” Murray recalled, “He said, ‘I have been a leftist all my life. I now want to look out on nothing but potato fields from here to the Mediterranean.’ Who can risk living beside these people? Nobody else in the world would be expected to have to put up with that. I don’t think the Israelis have to be an experiment test case either. I think you should have the right to live in peace and to know that the border you have does not contain genocidal maniacs on the other side who wish to kill you all.”
In the question period which followed, Murray was asked what changes he would like to see in present day Britain. “Obviously the first thing I’d do would be to make Richard Kemp Minister of Defence,” he suggests to uproarious laughter from the crowd. “I assume you’ll be Prime Minister, will you,” Kemp shot back. Feigning humility, Murray wistfully demurred saying only, “If the nations calls…” Presumably, they may one day.
Getting more serious Murray took aim at the “appalling” pro Hamas demonstrations which took place in London and included one on Remembrance Day. “I think it’s been shameful,” he said. “I want no Hamas supporters in my country. And that’s quite easy to arrange in my view,” he added making reference to a case in point of Muhammud Sawalha, a key Hamas terrorist from the West Bank who subsequently obtained British citizenship. “To get a British passport you must, among other things sign a form that says you are a person of good character. I submit that he is not a person of good character,” said Murray, “and that he lied on his form when he said that he was. I would like to see his citizenship stripped and I would like to see him deported and to try his luck in Gaza.” On a humorous roll, Murray recalled the case of a young lady whose British passport was recalled when she returned from having joined Isis and tried to pretend – once the Caliphate fell apart – that she didn’t know that they were actually a “murderous, head-hacking group” and besides, “we all make mistakes”. She shouldn’t get her passport back argued Murray maintaining vociferously that “If you’re with an Islamist death cult you should not be allowed to be in Britain.”
Colonel Kemp fielded a question about another hot potato issue, that of missiles being fired from Yemen which no one seems to be doing anything about. “Yemen has been firing missiles into Israel since the war began including the first ever in history engagement in space when a Houthi ballistic missile was intercepted by an Israeli Aero missile outside the earth’s atmosphere. They’ve been firing numerous missiles and drones towards Israel, all of which have been shot down.” Unless a message is sent soon to Yemen and Iran by the U.S. Kemp warns that war in Lebanon will be inevitable.
A visiting American Major with a pronounced Midwestern drawl asked Colonel Kemp if he could explain the concept known as “the fog of war”. “It’s an extraordinary thing that doesn’t apply anywhere else in life,” said Kemp, “you have very often young, inexperienced soldiers in the reserves with a limited amount of recent training and then suddenly they are thrown into Gaza which I would say is one of the most treacherous and demanding battlefields that anyone has fought on in the history of warfare. And they’re expected to always make the right decision. That simply cannot happen. We all make mistakes. And that’s when nobody is shooting at us. Nobody is trying to kill us. We haven’t suffered lack of sleep for days on end, we’re not cold, hungry, we’re not terrified and yet we still make mistakes. So how can these guys not make mistakes? And the enemy is trying to fool you all the time, trying to make you think that the reality in front of your eyes is not the reality in front of your eyes. And the difference is when a soldier makes a mistake very often people die as a consequence.” The reference that was embedded on most peoples’ minds was the recent tragic killing of the three Israeli hostages by friendly fire.
Murray was asked about the effect of “hasbara” (P.R. G.E) in the current war. “I believe they should be given some credit for they have done a better job that any time previously that I have been covering since 2006”, he said. Taking the Al-Shifa hospital as an example, Murray pointed out that Israel “got on top of it very fast” like releasing the closed circuit TV footage of the hostages being led in to the hospital and showing the weapons cache that was discovered there. But at the same time, he underscores why not even the best P.R. may succeed in certain circumstances. “The minute they show that the hospital has an arms dump inside it and has a load of kalashnikovs and grenades , Jeremy Bowen of the BBC goes on and is asked about it and says, ‘well, it is not inconceivable that the kalshnikovs belonged to the hospital’s security department’. On the television the next day I said, ‘yes, and it’s possible the grenades were for the cardiology department’.” Murray’s point is well taken. No matter how strong the evidence is, it is not necessarily strong enough to overcome bias.
Kemp concurs, “This extraordinary propaganda campaign against Israel – everything that Israel does is wrong. For the past 10 years the BBC has not allowed me to speak on any program about Israel. Any other security issue, any other country I’m on all the time on the BBC just not about Israel. I got a call a few weeks back asking if I would do an interview about Israel. I almost fell off my chair,” recalls Kemp. “Then I realized what was going on. They had been heavily criticized and were under a lot of pressure for their lies about Al-Alhi hospital attack (where Israel was wrongly blamed for the bombing, G.E.) They felt we need to show how broadminded we are, so we’ll even get this extremist Kemp on to speak. So that’s how I became a human shield for the BBC”, Kemp concluded with a wry smile.
In a final story, also about the BBC, Kemp relates that he was once invited to the BBC studio in Jerusalem to do a number of interviews. In the interview which was live from London he was asked why the IDF were so keen to send in ground forces to Gaza. I explained “they don’t want to go in on the ground, they know the problems with that. So I was asked then why do the politicians want to go in on the ground. I said they don’t. I’ve spoken to them, the Prime Minister, the Defence Minister they will only go in if they have to. The interviewer was completely stumped at this and all he could say was, ‘yes, but you’re a Jew’. Now how do you answer that,” Kemp asked incredulously. Do I say in a belligerent tone, “how dare you accuse me of being a Jew!?” But instead I said simply, “I don’t have that honour.”
“If I can just say something” interjected Murray, “about the youth of this country. So young! So brilliant! So vivacious. I met a young woman the other day of 21 who was an expert on Yemen! Why her contemporary in America is being educated to become stupid and wicked!” his observation met by peals of laughter. Then more seriously, “I have been so moved by these young people. They will be an example not just to Israel but to the people of the world. And if I may leave you with one last thought,” he continued. “I know this period is incredibly troubling, disturbing, upsetting and much more for the people of this country. I think the country is still going through a trauma, trying to work out what was done to you in October. You asked at the beginning why we do this. I would just say whether I can answer it or not, it is the honour of my life to be standing in alliance with you.”
The evening done, the young people rushed the small stage to take selfies with both fine gentlemen. Douglas Murray and Colonel Richard Kemp. Two of Israel’s most beloved friends, indeed.
Gabriel Emanuel is a former Winnipegger.
An edited version of this article first appeared in the Jerusalem Post, December 29, 2023 .
Features
A People and a Pulse: Jewish Voices in Jazz and Modern Music
By MARTIN ZEILIG Jazz history is usually told through its most iconic names — Armstrong, Ellington, Parker, Davis — yet running alongside that familiar story is another, often under‑acknowledged one: the deep and enduring contribution of Jewish musicians, bandleaders, composers, and cultural intermediaries.
From the moment jazz emerged at the turn of the 20th century, Jews were not simply observers but active shapers of the music and the industry around it. Their influence — artistic, entrepreneurial, and cultural — has been both significant and, in many respects, disproportionately large. Jews and Jazz (171 pg. $18.75 US) a self‑published work by Laurence Seeff, brings this parallel narrative into sharp, affectionate focus.
Seeff is an ideal guide.
Born in London in 1951, he built a career that moved from statistics to energy policy in Paris, from financial markets at Bloomberg to corporate training in the City of London, all while writing poetry, songs, and humorous verse. Today he lives in Israel, where he continues to write, perform, learn Ivrit, and enjoy life with his large family. Through all these chapters runs a constant passion for jazz — a passion sparked more than fifty‑five years ago when he first heard Terry Lightfoot’s Jazzmen in a Bournemouth pub.
His writing blends clarity, humour, and genuine love for the music and the people who made it.
The musicians he profiles often came from immigrant families who brought with them the musical DNA of Eastern Europe — the cadences of synagogue chant, the urgency of klezmer, the cultural instinct for learning and artistic expression. When these sensibilities met the African American genius of early jazz, the result was a remarkable creative fusion.
Some figures, like Chico Marx, are better known for comedy than musicianship, yet Seeff reminds us that Chico was a serious pianist whose jazz‑inflected playing appeared in every Marx Brothers film and whose orchestra launched young talents like Mel Tormé. Others — Abe Lyman, Lew Stone, and Oscar Rabin — shaped the dance‑band era on both sides of the Atlantic.
Canadian readers will be pleased to find Morris “Moe” Koffman included as well: the Toronto‑born flautist and saxophonist whose “Swinging Shepherd Blues” became an international hit and whose long career at the CBC helped define Canadian jazz.
Seeff also highlights artists whose connection to jazz is more tangential but culturally revealing. Barbra Streisand, for example — a classmate and choir‑mate of Neil Diamond at Erasmus Hall High School — was never a natural jazz singer, yet her versatility allowed her to step into the idiom when she chose.
She opened for Miles Davis at the Village Vanguard in 1961 and, nearly half a century later, returned to the same club to promote Love Is the Answer, her collaboration with jazz pianist Diana Krall. Her contribution to jazz may be limited, but her stature as one of the greatest singers of all time is unquestioned.
Neil Diamond, too, appears in these pages.
Though not a jazz artist, he starred — with gusto, if not great acting finesse — in the 1980 remake of The Jazz Singer, 53 years after Al Jolson’s original. The film was not a success, nor was it truly a jazz picture, but its title and its star’s Jewish identity make it part of the cultural tapestry Seeff explores.
Diamond and Streisand recorded together only once, in 1978, on “You Don’t Bring Me Flowers,” a reminder of the long‑standing artistic ties between them.
Mel Tormé, by contrast, was deeply rooted in jazz. Nicknamed “The Velvet Fog,” he was a prodigy who sang professionally at age four, wrote his first hit at sixteen, drummed for Chico Marx, and recorded with Benny Goodman and Artie Shaw. Ethel Waters once said he was “the only white man who sings with the soul of a black man.” His story exemplifies the porous, collaborative nature of jazz.
Seeff also includes non‑Jewish figures whose lives intersected meaningfully with Jewish culture. Frank Sinatra — perhaps the greatest crooner of them all — was a steadfast supporter of Jewish causes, from protesting during the Holocaust to raising funds for Israel Bonds and the Hebrew University. His multiple visits to Israel, including a major concert in Jerusalem in 1975, underscore the depth of his connection.
Danny Kaye earns his place through his close work with Louis Armstrong, his pitch‑perfect scat singing, and his starring role in The Five Pennies, the biopic of jazz cornetist Red Nichols. Though not a jazz musician per se, his performances radiated a genuine feel for the music.
A later generation is represented by Harry Connick Jr., whose Jewish mother and New Orleans upbringing placed him at the crossroads of cultures. A prodigy who played publicly at age five, he went on to become one of the most successful jazz‑influenced vocalists of his era, with ten number‑one jazz albums.
Even Bob Dylan appears in Seeff’s mosaic — another reminder that Jewish creativity has touched every corner of modern music, sometimes directly through jazz, sometimes through the broader cultural currents that surround it.
Taken together, the concise portraits in Jews and Jazz form a lively, engaging mosaic — a celebration of creativity, resilience, and cross‑cultural exchange. They show how Jewish musicians helped carry jazz from vaudeville and dance halls into swing, bebop, cool jazz, pop, rock, and film music.
They remind us that jazz, at its heart, is a meeting place: a space where people of different backgrounds listen to one another, learn from one another, and create something larger than themselves.
For further information, contact the author at the following email address: laurenceseeff@yahoo.co.uk
Features
Jews in Strange Places
By DAVID TOPPER The Jewish contribution to 20th century popular music is well known. From Jerome Kern through to Stephen Sondheim, Jews played major roles as both composers and lyricists in the so-called Great American Songbook. (An exception is Cole Porter.) It continued in Musical Theatre throughout the rest of the century.
One very small piece of this story involves what Time magazine in the December 1999 issue called “the tune of the century.” First recorded sixty years before that, it is the powerful and haunting tune called “Strange Fruit,” which is about the lynching of black people in the southern USA. First sung by Billie Holiday in 1939, it became her signature tune.
So, why do I bring this up? Because there is a multi-layered Jewish connection to this song that is worth recalling, which may not be known to many readers.
Let’s start with the lyrics to “Strange Fruit,” which are the essence of this powerful piece:
Southern trees bear strange fruit,Blood on the leaves and blood at the root,Black bodies swinging in the southern breeze,Strange fruit hanging from the poplar trees.Pastoral scene of the gallant south,The bulging eyes and the twisted mouth,Scent of magnolias, sweet and fresh,Then the sudden smell of burning flesh.Here is fruit for the crows to pluck,For the rain to gather, for the wind to suck,For the sun to rot, for the trees to drop,Here is a strange and bitter crop.
Before becoming lyrics in a song, this poem stood alone as a potent statement about the lynchings still taking place throughout the American South at the time. The strong metaphorical imagery never explicitly mentions the lynching, which adds to the poetic power of this poem. Standing alone, I believe it’s an important protest verse from the 20th century.
Searching it on the internet, you may find the author listed as Lewis Allan. But that’s not his real name. “Lewis Allen” is the often-used pen name of Abel Meeropol, a Jewish High School teacher from the Bronx in New York. He and his wife, Anne (nee Shaffer), had two stillborn children with those names – a fact that adds a poignant element to this story.
The origin of the poem for Abel was a photograph he had seen of a lynching of black men in the South. I have seen such images, possibly even the one Abel saw: for example, a sepia photograph of two black men hanging from a long tree limb, and a large crowd of white people below (men, women and even children!), most seeming dressed in their Sunday best (some men with straw hats) looking up and gawking at the sight, some with smiles on their faces – as if attending a festive spectacle. Like Abel, I felt repelled by the picture: it turned my stomach. This communal display of horrific cruelty gave me a glimpse into Abel’s mind, and I understood how it compelled him to write about it. He thus wrote the poem, and it was published in a teacher’s magazine in 1937.
Being a songwriter too, in 1938 Abel added a melody and played it in a New York club he often attended. But here’s where this story’s documentation gets contradictory, depending upon who is recalling the events. The club owner knew Billie Holiday, and he showed the song to her. What her initial response was, we cannot know for sure. But we do know that in a relatively short time, she added it to her repertoire. It eventually became her signature tune. She initially sang it in public, but because of its popularity among her fans, there was pressure to record it too.
There were initial rejections from recording companies because of the controversial content. But Commodore Records took a chance and pressed the first recording in April 1939. This was the same year the movie “Gone with the Wind” came out; it was steeped in racial stereotyping. It was also sixteen years before Rosa Parks refused to give up her seat on a bus in Montgomery, Alabama.
As a record, the song obviously reached a large audience. Since the content was about racism, the song was seen as politically radical; not surprisingly, many radio stations banned it from the airwaves.
Furthermore, it’s also not surprising that Abel, a schoolteacher, was called to appear before a committee of New York lawmakers who were looking for communists in the schools. Possibly they were surprised to find that the poem and the song were written by a white man – and a Jew to boot. In particular, they wanted to know if he was paid by the Communist Party to write this song. He was not. And, in the end, they let him go. But shortly thereafter he quit his teaching job.
This took place in 1941 and was a precursor to the continued American obsession with communism into the 1950s, under Senator Joe McCarthy.
Indeed, that episode had an impact on Abel and Anne too. In 1953 Julius and Ethel Rosenberg were convicted of giving information about nuclear science to the Soviet Union, and they were the first married couple to be executed in the electric chair. They left two sons, Michael (age 10) and Robert (age 6). Apparently, immediate family members were reticent to get involved with the boys, possibly afraid of being accused of sympathizing with communism.
Enter Abel and Anne. Without a moment’s hesitation they stepped in, taking and raising the boys. As Michael and Robert Meeropol they eventually went on to become college professors – and naturally were active in social issues. Anne died in 1973. Abel died in 1986 in a Jewish nursing home in Massachusetts, after a slow decline into dementia. Long before that, Billie Holiday died in 1959, ravaged by the drug addition that took her life at forty-four years of age.
See why I called this a multi-layered Jewish story that’s worth telling?
To hear Billie Holiday singing “Strange Fruit” click here: Strange Fruit
Features
Is This the End of Jewish Life in Western Countries?
By HENRY SREBRNIK “Globalize the Intifada” has been the chant echoing through streets since October 7th, 2023. It was never a metaphor, and we now see the gruesome results across the western world, from Australia to Canada: the rise of groups of large, active networks of Islamist and anti-Zionist organizations.
Jews in the West are discovering that the nations they defended, enriched, and profoundly shaped have become increasingly inhospitable. After the Holocaust, explicit Jew-hatred became unfashionable in polite society, but the impulse never disappeared. The workaround was simple: separate Zionism from Judaism in name, then recycle every old anti-Jewish trope and pin it on “the Zionists.”
We have seen the full legitimization of genocidal anti-Zionism and its enthusiastic adoption by large segments of the public. The protests themselves, as they began immediately on October 7th, were celebrations of the Hamas massacres. The encampments, the building occupations, the harassment campaigns against Jewish students, the open calls for intifada, the attacks on Jews and Jewish places have become our new norm. History shows us that antisemitism does not respond to reason, incentive or the honest appeals of the Jewish community.
Outside the United States, there is no Western political establishment with either the will or the capability to address this problem, let alone reverse its growth. I’m sorry to say this, but the future of Western Europe, Canada, Australia, and New Zealand is likely to be increasingly Jew-free.
Today, police stand and watch mobs chant for Israel’s destruction, call for the genocide of its people, harass visibly Jewish citizens, and drive antisemitic intimidation deep into urban life. They now believe their job is to enforce the law only if it does not risk upsetting violent constituencies. This makes Jews expendable, because defending them risks confrontation. This was very clear in the Bondi Beach massacre.
Jews are again donning caps instead of kippot, dressing generically with no cultural markers, and avoiding even a tote bag with Hebrew on it. A corrosive creep toward informal segregation in retail and service sectors is occurring, as Jewish customers report being refused service. A mezuzah hanging from a rideshare mirror leads to cancellations. When Jews express frustration, they are accused of exaggeration or attempting to suppress criticism of Israel. Jewish fear is not treated as a real problem.
“Jews Are Being Sent Back into Hiding,” the title of a Dec. 15 article in the New York Free Press by David Wolpe and Deborah Lipstadt, asserts that the attacks on Jews, including physical assaults, social media campaigns and, most tragically, the recent murders in Australia, are part of a purposive campaign designed to make Jews think twice about gathering with other Jews, entering a synagogue, going to kosher restaurants, putting a mezuzah on the doorpost of their apartments or dorm rooms, or wearing a Jewish star around their necks.
“We know of no one who would consider giving a niece, nephew, grandchild, or young friend a Jewish star without first asking permission of their parents,” they write. The unspoken, and sometimes spoken, question is: “Might wearing a star endanger your child’s well-being?”
Recently, a prominent American rabbi was entering a Target store in Chicago with her grandson, whom she had picked up from his Jewish day school. As they walked into the store the 10-year-old reached up and automatically took off his kippah and put it in his pocket. Seeing his grandmother’s quizzical look, he explained: “Mommy wants me to do that.”
Borrowing a phrase from another form of bigotry, they contend that Jews are going “back into the closet.” No public celebration of Hanukkah took place in 2025 without a significant police presence. Some people chose to stay home.
Lipstadt and Wolpe know whereof they speak. They are respectively a professor of history and Holocaust studies who served as the Biden administration’s ambassador tasked with combating antisemitism, the other a rabbi who travels to Jewish communities throughout the world, and who served on Harvard’s antisemitism task force in the aftermath of the October 7, 2023 pogrom.
What the world has seen over the past two years is a continual, often systematic attempt to terrorize Jews. When political leaders fail to condemn rather than merely “discourage” chants of “globalize the intifada,” we are seeding the ground for massacres like the Hannukah one in Sydney.
If each Jewish holiday will now be seen by antisemites as an opportunity for terror, then the prognosis for diaspora Jewry is bleak. There will be fewer public events, more alarms, more bag checks at doors; there will have to be more security and more police. Unless things change, Jewish life in the diaspora will become more sealed off from the larger society.
Why has this failure come about? Confronting antisemitism, stopping the mobs, challenging the activists, and disciplining antisemitic bureaucrats all carry electoral risk for politicians; Jews are demographically irrelevant, especially compared with Muslim voters, with the U.S. being the only partial exception.
There are those who suggest Jews stop donating funds to educational and other institutions that have turned against us. At this point, I doubt very much that withdrawing dollars will have an impact. For every dollar withdrawn, there will be 100 from Qatar and other sources in its place.
Throughout history, the way a society treats its Jews predicts its future with unerring accuracy. If Jews leave, it will be because a civilization that will not defend its Jews will also defend next to nothing and may itself not survive.
Henry Srebrnik is a professor of political science at the University of Prince Edward Island
