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The Judith Weisz Woodsworth way with words
By GERRY POSNER Winnipeg has turned out some remarkable people, particularly in the arts, and nowhere is that statement more accurate than in the case of Judith Weisz Woodsworth. This woman, a product of Winnipeg’s famous north end, just recently was the recipient of the 2022 Governor General’s Literary Award for French to English translation for her work on the book “History of The Jews in Quebec.” This was a major achievement and in so many ways, reaching this status boggles the mind.
Judith’s mother’s family is from Budapest while her father’s family comes from eastern Hungary, close to the area where prominent Hasidim reigned. The Weisz side of the family produced 11 children and a couple of them, including Judith’s uncle, Eugene Weis, later sponsored Judith’s family’s immigration to Canada.
Baby Judith arrived in Canada with her family in 1949. She grew up at first on Manitoba Avenue near Salter. Does it get more north end than that? She initially attended the Sholem Aleichem kindergarten and then a public school nearby. Her memories are rich with her time spent at the then Tiferes Israel Synagogue.
The Weisz family eventually made their way to Garden City where Judith graduated from Garden City Collegiate. At that school, Judith was inspired by the principal, Robert ( Bobby) Bend, to broaden her horizon and apply to McGill University. And with that push, off she went at age 17. Although her parents were devastated to see her leave, they were very supportive, as were her close friends, former Winnipeggers, Carol Novak (now Sevitt) and Nelson Wiseman, who were on hand to say goodbye at the CNR train station.
Judith attributes her growing up in the multilingual and multicultural north end of Winnipeg as being a significant influence in her life and the direction she ended up taking. Born in Paris, she explains she also had a romanticized view of France, where her parents had spent a few years prior to coming to Canada.
Thus, moving to Montreal seemed both exciting and natural. At McGill, she enrolled in literature and philosophy, soon specializing in French literature. She graduated with a BA and then spent a year studying in France – which led to further studies in foreign languages and cultures. She became a translator by chance, taking on contracts when she was a graduate student. It was not long before she was hired by the Canadian government to work as a translator for National Defence headquarters in Ottawa.
With a PhD in hand, combined with her track record with the government, Judith was hired to teach translation at Montreal’s Concordia University. It was there that JWW had a long and extensive career teaching, writing and then serving in a variety of administrative positions. Her administrative duties landed her a job as a Vice -President at Mount St. Vincent University in Halifax. While in Halifax, Judith was asked to be on the board of Pier 21 and, during her tenure on that board, she was part of the official opening of the immigration museum in June, 1999, precisely 50 years after her very own family first set foot in Canada in Halifax. My best guess is that there are few people who can make that claim.
After her stint in Nova Scotia, Judith worked for six years as president of Laurentian University in Sudbury, in Northern Ontario. Following that gig came an even bigger assignment, as she was invited to become the president of Concordia University in Montreal. That was quite a journey from her modest beginnings and departure from the Winnipeg train station. And then, to round out her life work, she returned to her position as a professor in the French department at Concordia where she spent her final 10 years until retirement in May,2022. Now, that’s a career!
In the course of her work, JWW travelled to nearly 50 countries and she developed friendships around the world in diverse circles. She was married to the late Patrick Woodsworth and for those who wonder, yes, Patrick was the grand-nephew of the famous J.S. Woodsworth. Judith is now married to another former Winnipegger, Lindsay Crysler, originally from Saskatchewan, who came to Winnipeg to work as a journalist for the Winnipeg Tribune.
But surely the crowning moment for Judith Weisz Woodsworth might well have been her monumental effort to translate a book so closely connected to her heritage, the 400-year-old story of the Jews in Quebec. This was a 500-page book and she worked at it feverishly for several hours each day for around a year. The joy in the completion of that work was huge, but the cherry on the sundae was being a recipient of the very prestigious Governor General Literary Award.
These awards celebrate literature and inspire the public to read books by Canadian creators. I quote the comment made by the peer assessment committee. “ Her flawless translation […] replicates the engaging style of the original with enthusiasm and rigor. Weisz Woodsworth fully captures the scholarly but compelling prose of the essential overview. Her translation of the extensive documentation is equally masterful.” All this, from a girl whose family arrived here with very little and who came from the depths of Winnipeg’s north end, speaks volumes about Judith Weisz Woodsworth and that sentence needs no translation.
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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
