Features
The late Rabbi Zalman Schachter’s time in Winnipeg recalled at lively evening hosted by Jewish Heritage Centre
(This article originally appeared in the Dec. 21, 2016 issue of The Jewish Post & News) By BERNIE BELLAN
It was billed as an evening that would be devoted to “Rabbi Zalman Schachter and the Winnipeg origins of the Jewish Renewal Movement”.
Like just about everything else associated with the late Rabbi Schachter (who died in 2014 at the age of 90), it was an evening not without controversy.
The Jewish Heritage Centre promoted the program, which was held Monday, Dec. 12, in the Multipurpose Room of the Asper Campus, as part of “its synagogue series connected with the Synagogues Exhibit at the Asper Campus.”
With the ever-clever Prof. Dan Stone serving as host, the audience of over 100 was treated to a series of reminiscences about Rabbi Schachter’s 19 years spent in Winnipeg (from 1956-75) – a time that paralleled the advent of the “New Age” movement, also a time during which the use of hallucinogenic drugs became highly popular among young people.
The evening featured three main speakers: Rabbi Alan Green, who was given his “smichah” by Rabbi Schachter; Prof. Justin Jaron Lewis, an expert on Hasidism and the organizer of an interview project centering around Rabbi Schachter’s time in Winnipeg; and Alexandra Granke, a graduate student at the University of Manitoba in the Department of Religion, whose Masters thesis dealt with the influence Winnipeg’s Jewish community had on Rabbi Schachter’s thinking.
There was also a contribution from Murray (Moish) Goldenberg, who was a protégé of Rabbi Schachter’s. Goldenberg read a poem devoted to the late rabbi’s memory.
Following the speakers’ presentations, Dan Stone invited anyone in the audience who wanted to tell of their own experience with Rabbi Schachter to speak up. One by one individuals told stories about how Rabbi Schachter touched their lives.
Lest anyone reading this think that the evening was nothing more than a love-in for Rabbi Schachter, however, there were some negative notes struck as well. Although he was undoubtedly a man of great charisma, Zalman Schachter had his detractors. Two themes mentioned several times, both by the featured speakers and audience members, coursed through recollections of his time spent in Winnipeg: his faithlessness when it came to his relationships with women, and his overt championing of drug use.
Following is an account of some of what was said:
Rabbi Green who, Dan Stone told the audience, will be leaving Winnipeg in 2018 to move to Fairfield, Iowa – the centre of transcendental meditation, described first meeting Rabbi Schachter in Los Angeles in the 1970s.
In time, Green became a devout follower of Rabbi Schachter’s, culminating in his receiving his smichah from Rabbi Schachter in Philadelphia, where he found the rabbi “surrounded by a bunch of old hippies” – some of whom “were leaders of the New Left in the 1960s.”
“My first class with him,” Rabbi Green said, “was kind of a Sinai movement for me. It literally took my breath away.”
Rabbi Schachter had a multitude of interests, including “Jewish mysticism, humanism, and modern psychology” among others, noted Rabbi Green. As well, “he was fluent in many languages.”
What impressed Rabbi Green quite deeply, he said, was how Rabbi Schachter “brought together Judaism and Indian mysticism”.
“How often we let fear get in the way of Jewish mysticism,” Rabbi Green said Rabbi Schachter once told him.
Turning to the subject of the Jewish Renewal Movement and Rabbi Schachter’s central role in that movement, Rabbi Green observed that “there are now hundreds of Jewish Renewal rabbis – most of them ordained by Rabbi Schachter.”
It was in Winnipeg, Rabbi Green noted, that Rabbi Schachter “created the first rainbow talit”. It was also here that “the interface between psychedelic drugs and spiritual practice” first took root among Rabbi Schachter and his many followers.
Rabbi Green commented, however, “that I always found this phase of Rabbi Schachter’s life to be somewhat embarrassing”.
Following Rabbi Green’s presentation, Justin Jaron Lewis took the podium to offer some observations about Rabbi Schachter’s time in Winnipeg. Lewis noted that Rabbi Schachter’s own autobiography has relatively little to say about the time he spent here, even though it was a fairly lengthy period. As well, the Wikipedia article about the rabbi barely mentions his time spent in Winnipeg, Lewis also observed.
It was partly because of that vacuum, Lewis explained that, at the behest of his colleague in the Judaic Studies program at the University of Manitoba, Ben Baader, Lewis embarked upon the creation of an oral history project devoted to gathering “memories of Rabbi Schachter during his Winnipeg years.”
With contributions from 28 different individuals, all of whom whose lives were touched by Rabbi Schachter at some point during his time spent in Winnipeg – as the director of Hillel, as the representative of the Lubavitcher Rebbe, as a Professor of Religion, and in the many other roles he played, interviews were gathered. Those interviews now reside in a collection put together at the University of Colorado in Boulder (where Rabbi Schachter spent the final years of his life).
(If you would like to listen to any of those interviews simply Google “Winnipeg Jewish renewal”. According to Lewis, however, some of those interviews are not entirely positive in the impressions some interviewees had of Rabbi Schachter.)
The fact that Winnipeg seems to have been almost deliberately obscured in any writing, either by Rabbi Schachter himself or others writing about him, is somewhat of a puzzle for Lewis. After all, he observed, it was here that Rabbi Schachter “began the chaotic and colourful phase of Judaism that became so important in his later years.”
Perhaps it was the shroud of controversy that surrounded him while he was here that led to Rabbi Schachter’s downplaying the time he spent here but, as Lewis suggested, “over time the world has forgiven him even though he left Winnipeg under a cloud”.
It was left to Alexandra Granke to fill in some of the blanks that others have found when it comes to knowing more about the time Rabbi Schacter spent here.
As Granke explained, she was “the first person to have listened to all 28 interviews about Rabbi Schachter” that Winnipeggers gave. (By the way, if you have something you’d like to tell about Rabbi Schachter, you can still get in touch with Justin Jaron Lewis, who said he would love to hear from anyone else who might have something to contribute to the oral history project. He can be reached at Justin_Lewis@umanitoba.ca .)
In analyzing Rabbi Schachter’s often controversial stay in Winnipeg, Granke observed that “there was an air of inevitability about Rabbi Schachter’s break with the Lubavitch movement.”
Granke referred to an interview given by Abe Anhang, who talked about Rabbi Schachter’s use of LSD as the reason for his departure from the Chabad movement.
“His use of LSD runs through many of the other interviews,” Granke noted. Yet, she was “surprised by the relative nonchalance of many of the interviewees” toward Rabbi Schachter’s prolific drug use.
In fact, one interviewee mentioned how she was first introduced to “weed, mescaline, and cocaine” by Rabbi Schachter.
Rather than simply dwell on this aspect of Rabbi Schachter’s life though, Granke observed that many interviewees spoke of how he “opened up his group of followers to a different understanding of Judaism.”
“Doing drugs for him was not something fun,’ Granke noted. Rather, “for him it was about a way to reach a higher level of spirituality.”
Turning to yet another oft-criticized component of his life, Granke did refer to Rabbi Schachter’s having “fathered ten children with a variety of women.”
Yet, despite his somewhat notorious reputation, Granke suggested that others “were willing to overlook his lapses in moral judgment because he was so accepting of others.”
Although Reb Zalman, as he came to be known affectionately by his devoted followers, may have “been the opposite of what was expected of rabbis in Winnipeg,” his “dedication to people” is what seems to have been the mark that he left most often upon others.
“Reb Zalman always had time for others,” was a common refrain through the interviews, Granke said.
As one interviewee suggested, Rabbi Schachter’s form of spirituality, which he formulated while he was in Winnipeg, was “Buddhist chakra meeting Jewish sphirot”.
“He was a Jewish practitioner in a universal soul,” said one interviewee.
Granke referred to the interview given by Len Udow, who suggested that the pain of Rabbi Schachter’s wartime experience (when he fled first from Vichy France, then to Belgium, where he was “one step ahead of the Gestapo”) dissipated during moments in which he was engaged in prayer. “It was as if all the pain of the war was dispelled by the sudden connection with his many ancestors.”
Murray Goldenberg mentioned Rabbi Schachter’s having taught him the blessing for marijuana: “shehakol neheyeh b’dvaro” (who brings about everything by his word).
Yet, as I noted earlier, not everyone was so rosy-hued in their memories of Rabbi Schachter. David Wilder suggested that “the reason he (Rabbi Schachter) doesn’t mention Winnipeg in his writings is because of his situation with his family. His kids didn’t speak to him,” Wilder said (because of their father’s having left their mother to take up with the daughter of a well-known Winnipeg radio announcer).
Justin Jaron Lewis did say though, that “the kids reconciled with him at the end.”
As audience members after audience member spoke up to recall their own experience of Rabbi Schachter, it was easy to understand the enormous impact that this man had on so many Winnipeggers. As Jerry Cohen said, “There was no greater influence on my life Jewishly than Reb Zalman. He was a great influence to many of us in those early years in Winnipeg.”
#1 Mr. — Ernest Seinfeld 2017-07-09 11:15
This is the first time I am reading about this rabbi. I also read an article about him today in the Jerusalem Post and made the following comment:
“I remember Rabbi Schaechter as a fellow student in Vienna at the Sperlgymnasium (high school, the same Sigmund Freud atttended) in 1937.
In Austria classes in one’s religion were mandatory.
He kept trying to upstage our religion teacher by frequent interrupting him with “Raschi said”.
The rest of the students who had no idea of the teaching of Raschi and hardly were even aware of this great Talmud scholar, after a while gave him the nickname ‘Raschi’. The teacher obviously did not enjoy these interruptions but remained quiet and polite.
Ernest Seinfeld
es893columbia.edu”
I attended three years with him in the same classes. He sat always in the first row and tried to ‘shine’. He craved for attention, a trait his fellow students did not exactly find appealing.
In our January 18, 2017 issue we also printed this letter from members of Rabbi Schachter’s family, in response to the original article:
Response to article on Reb Zalman Schachter
We are the widow and children of Reb Zalman Schachhter-Shalomi, z”l. We want to recognize the initiative of the Jewish Heritage Center in convening a public forum honoring our father and Winnipeg origins of the Jewish Renewal Movement. While none of us live in Winnipeg any longer, we treasure the time that the family had in Winnipeg and are sorry that we were unable to be present for this forum. Had we been present, we would have contributed to this retrospective in the following ways.
- The article “The late Rabbi Zalman Schachter’s Time in Winnipeg Recalled at Lively Evening Hosted by Jewish Heritage Centre” misstated the tone of his family situation. Our father was wholehearted in his relationship with his wives and children. His marriage breakdowns were certainly not caused by lapses in moral judgment. Divorce almost always is difficult for the marital partners and children. In the case of Reb Zalman and Feigle, the decision to end their marriage was understandable as, much earlier, they recognized that their relationship was unsustainable. They had drifted apart as a result of the differences in their spiritual visions and only intentionally stayed together until their youngest child reached her Bat Mitzvah so that she would have the capacity to deal with family breakdown. None of the children harbor any resentment to children from other mothers. It is a testament to Reb Zalman’s love for his children, and our love for him, the that we are all in touch with one another to share each other’s joy and provide support in times of need.
- There is an element of physical harshness in the name Schachter, which has its origins in Shochet (slaughterer). Reb Zalman was someone who was deeply concerned with the increase in violent conflict in the world. He adopted a typical Jewish response to his concerns by adding a name that would bring to our consciousness the need to pursue peace, Shalom. For many years now, he has been known and called Rabbi Zalman Schachter-Shalomi.
- The relatively limited material in the University of Colorado archives on Jewish Renewal on Reb Zalman’s time in Winnipeg is not based in any way on any deliberate action on his part or because of an alleged cloud causing him to leave the city. Reb Zalman moved to Philadelphia because it had a larger Jewish community and was closer to other large Jewish centers in North America. Reb Zalman had begun providing rabbinic training in Winnipeg, but few students were willing to come to Winnipeg to study. The move to the east coast enabled many more students to access his training and become rabbis. As for the gap in current literature concerning Reb Zalman’s time in Winnipeg, we applaud Professor Lewis’s initiative in collecting oral histories to be added to the archive at the University of Colorado. Regarding the claim that Reb Zalman ignored Winnipeg in his autobiography, it should be noted that 97 pages of the 186 page “My life in Jewish Renewal,” (aside from the Appendices), are devoted to years living in Winnipeg. It is crucial to note, however, that much that happened during this period took place during his numerous travels outside Winnipeg.
We are aware that some of his views and activities were challenged by some elements of the Winnipeg Jewish community. Reb Zalman, as we all are, was human. However, for those who focused their comments at the forum on his imperfections, we wonder what standard they were holding him to. On the first Shabbat of the secular year We read Parshat Va’yigash. The story of our ancestor Ya’acov is drawing to a close. Yes, Ya’acov had issues with his wives, with his children, and with neighbors in the broader community. Those flaws, however, are not the major part of his remembrance. We remember him as a Jewish ancestor whose legacy was that all Jews now are known under Ya’acov’s second name, Yisrae. We are all B’nai Yisrael.
We, his widow, his daughters and sons, his grandchildren and great-grandchildren, all feel that we have been blessed by being the spouse and offspring of one of the 21 century’s greatest rabbis. Each of us, in our own way, is seeking to continue the contribution to society that he has made. May our actions and the actions of Winnipeg Jewry give our father’s neshama an aliyah!
Blessings,The Widow and all the children of Rabbi Schachter-Shalomi
Eve, Miriam, Rabbi Shalom, Josef, Yale, Chana Tina, Jonathan, Lisa, Shalvi, Rabbi Shlomo Barya, Yotam & Rossi
Features
The Dream of Zion: Judah Halevi’s Quest
By DAVID R. TOPPER Today the term Zionism is debased by otherwise liberal-thinking former-friends of Jews and Israel. This is a fact. Nonetheless, I don’t wish to pursue present-day politics and debates on the issues around this fact. Except to point out that the former-friends’ error stems from a lack of knowledge of the history of the region – by just focusing on recent events.
Accordingly, I wish to put Zionism into a deeper historical perspective by recalling that, ever since the Roman destruction of the Second Temple in 70 CE, the idea of returning to Zion was fundamental to the Jews of the Diaspora. Being indigenous to that region of the Middle East – hence going back thousands of years – Jews continued having a presence there – even after the Temple was razed.
Moreover, and in particular, my aim is to recall the story of one the major Zionists in Jewish history – Judah Halevi.
But perhaps it is best to start with this brief factoid. The Hebrew word צִיּוֹן (pronounced Tzee-yohn) has no unique meaning – ranging across fortress, desert, or monument – with its origin still being debated by scholars. One common use is for Mount Zion, a hill in Jerusalem. Close by is Mount Moriah, where King Solomon built the first Temple. In time, the term Zion came to be used for both hills together, and eventually for all of Jerusalem. Thus, the term Zionism refers to the idea of the exiled Jews (the Diaspora) returning to their indigenous homeland, centred at Jerusalem. Surely this was what Halevi believed, even though the word itself was not coined until 1890.
Judah Halevi (also Yahuda ha-Levi) was born in 1075 (alt 1080) probably in Toledo, Spain. This was during the so-called Golden Age of Jewish Culture there. The Jews in Islamic Spain were relatively free – unlike the Jews of central Europe, who suffered under the despotic rule of feudal lords. Highly educated, Judah became a physician, philosopher, mathematician, and poet. Today it is his poetry that has designated him as the greatest Hebrew poet. He died in 1141, probably at the age of 66.
He is often paired with Maimonides, considered the greatest Jewish thinker, who lived a generation later (born 1135). Both were physicians to the courts of the Caliphs in Spain.
Around the year 1120, probably about age 45, Halevi settled in Seville, married, and had one daughter. Another child also may have died. Much later, his wife died, probably after their daughter grew up and had children. With the loss of his wife, Judah grew restless. The Dream of Zion beckoned.
My heart is in the east, and I in the uttermost west—
How can I find savour in food? How shall it be sweet to me?
How shall I render my vows and my bonds, while yet
Zion lies beneath the fetter of Edom, and I in Arab chains?
A light thing would it seem to me to leave all the good things of Spain—
Seeing how precious in mine eyes to behold the dust of the desolate sanctuary.
This is one of a series of poems on this quest: called today The Songs of Zion, or the Zionides. His ultimate goal was to make aliyah to Jerusalem. To spend his final days there.
Zion! wilt thou not ask if peace be with thy captives
That seek thy peace—that are the remnants of thy flocks?
…
I would choose for my soul to pour itself out within that place
Where the spirit of God was outpoured upon your chosen.
…
I would fall, with my face upon the earth, and take delight
In thy stones and be tender to the dust.
…
Sweet would it be unto my soul to walk naked and barefoot
Upon the desolate ruins where the holiest dwellings were;
In the place of the Ark where it is hidden, and in the place
Of the cherubim which abode in the innermost recesses.
Sometime in 1140 he set out on his pilgrimage to Jerusalem. Taking a small ship through the Mediterranean, his mind was focused on the goal of being in Jerusalem.
Beautiful height! O joy! the whole world’s gladness!
O great King’s city, mountain blest!
My soul is yearning unto thee—is yearning
From the limits of the west.
…
And who shall grant me, on the wings of eagles,
To rise and seek thee through the years,
Until I mingle with the dust beloved,
The waters of my tears?
…
Shall I not to the very stones be tender?
Shall I not kiss them verily?
Shall not the earth upon my lips taste sweeter
Than honey unto me?
He, of course, also wrote poems about the sea voyage.
My God, break not the breakers of the sea,
Nor say Thou to the deep, ’Be dry’–
Until I thank Thy mercies, and I thank
The waves of the sea and the wind of the west;
Let them waft me to the place of the yoke of Thy love,
And bear far from me the Arab yoke.
There often were storms at sea.
Hath the flood come again and made the world a waste
So that one cannot see the face of the dry land,
And no man is there and no beast and no bird?
…
But only water and sky and ark,
And Leviathan making the abyss to boil,
So that one deems the deep to be hoary.
…
And the sea rages and my soul exults—
For the sanctuary of her God, she draws near.
It was a lonely trip. Thus, it’s not surprising to see him remember – and even dwell upon – the family that he left behind; especially, his daughter and her children.
Even so far that I can forsake her that went forth of my loins,
Sister of my soul—and she mine only one—
And I can forget her son, though it pierces my heart,
And I have nothing left but his memory for a symbol—
Fruit of my loins, child of my delight.
Yet, he remained focused on the goal – Zion.
But all this is a light thing when set against Thy love,
Since I may enter Thy gates with thanksgiving,
And sojourn there, and count my heart as
A burnt offering bound upon your altar;
And may make my grave in Thy land,
So that it be there a witness for me.
…
I cry to God with a melting heart and knees that smite together,
While anguish is in all loins,
On a day when the oarsmen are astonished at the deep,
When even the pilots find not their hands.
How shall I be otherwise, since I, on a ship’s deck,
Suspended between waters and heavens,
Am dancing and tossed about? —Yet this is but a light thing,
If I may but hold the festal dance in the midst of thee, O Jerusalem!
…
Truly the secret of my quest is in the hand of the Highest,
Who forms the mountain heights and created the wind.
The sea voyage ended in Alexandra, Egypt on Sept 8, 1140. He was welcomed by the large Jewish community there.
Praise, above all cities, be unto Egypt
Whither came first the word of God.
…
Fate has tossed me into the wilderness of Egypt:
Bid it carry me away and toss me yet again
Until I behold the wilderness of Judah.
Not surprisingly, while in Egypt he recalls Moses, whose name comes up in several poems. Here’s one.
My God, the wonder of Thee is astir from age to age:
And here is the Nile for witness, that Thou hast turned it into blood,
Not by magic …
But by Thy name, by the hand of Moses.
The Jews of Egypt begged him to stay. They must have been quite convincing – or, at least, they kept him occupied with things to do – because, despite his quest for Zion, he remained in Egypt until May 14, 1141, when he finally left – to resume his journey to Zion. (No matter how much I ponder this episode, I remain astonished that he stayed in Egypt over 8 months, especially since he was on the doorstep of Zion. It’s a fact that will ever bother me, and also remind me that no matter how much we may try – we can never really get into another’s mind.)
Can bodies of clay
Be prison-houses
For hearts bound fast
To eagles’ wings—
For a man life weary
Whose whole desire
Is to lay his face
In the chosen dust?
…
To cast Spain from him
And seek shores beyond;
…
To seek forgiveness
At the peaceful graves
Of the ark and the tablets
That are buried there.
It was an auspicious time to be in Palestine. From the fall of 1140 to the summer of 1141 was a period of relative peace and quiet. The land was governed as the Crusader Kingdom of Jerusalem, which encompassed much of what today is the state of Israel. But, of course, Judah was a Jew, and Christian Crusaders had a notorious record of the indiscriminate slaughter of Jews in their wake as they were crossing Europe in their journey to liberate the Holy Land from the Muslims.
As fate would have it: Judah Halevi never got to test the relative peace of the Crusader Kingdom. How close he came to Jerusalem is unknown. All we know for sure is that he died on the way in 1141– probably in July or August.
The historian in me, therefore, expects me to end this story – right here. Done.
However, recalling all Judah went through, leaving his family, the storms at sea – the many, many Zionist poems, only a fraction of which I have quoted here – the Romantic side of me pleads that I bring up the legend that arose sometime after his death.
The legend says that Judah got as far as approaching the gates of Jerusalem. Then, while reciting his poem Ode to Zion – an Arab ran him through with a sword. In another version he was trampled by an Arab horseman. Hence, in either case, he fulfilled his dream of reaching Zion. But just reaching it. That’s all.
Since I may enter Thy gates with thanksgiving,
And sojourn there, and count my heart as
A burnt offering bound upon Your altar;
And may make my grave in Thy land,
So that it be there a witness for me.
I wish it were so. I do. But, as with most legends – this one probably isn’t true. He may not even have come close to Jerusalem.
In the end – and interestingly enough – Judah’s plight seemed to be echoing what happened to Moses in his yearning to see the Promised Land. It was just a quest. Only an (unfulfilled) quest.
Truly the secret of my quest is in the hand of the Highest,
Who formed the mountain heights and created the wind.
* * *
For English translations of his poems, I used: Selected Poems of Jehudah Halevi, edited by Heinrich Brody, trans. from the Hebrew by Nina Salaman (Philadelphia: The Jewish Publications Society of America, 1974).
The biography that I have is: The Life and Time of Jehudah Halevi, by Rudolf Kayser, trans. from the German by Frank Gaynor (New York: Philosophical Library, 1949). Kayser, incidentally, is a son-in-law (by marriage) of Albert Einstein.
Features
Elizabeth Taylor’s Jewish connection
By HANNON BELL (Special to jewishpostandnews.ca. All photos from Hannon Bell’s personal collection) Elizabeth Taylor’s Jewish connection may not be well known by the general public, but it played a significant role in her personal life, as well as in her film career.
Mike Todd, Eddie Fisher and Liz’s conversion to Judaism
In 1957, Jewish producer and promotor Mike Todd (whose real name was Avrom Goldbogen) was captivated by a then-25-year-old actress, Elizabeth Taylor, who had already had a long film career, shooting to fame with her star role in “National Velvet” when she was only 12.
By the time Taylor met Todd she had already been married twice before – to hotel magnate Nicky Hilton and British actor Michael Wilding.
Todd though, swept Taylor, with his charm and they married in Mexico in February 1957.
The marriage was attended by Taylor’s parents, Francis and Sara, as well as Todd’s best friend, singer Eddie Fisher, along with Fisher’s wife, actress Debbie Reynolds.
Unfortunately, the union (of which Elizabeth Taylor has said that of all her eight marriages, the ones to Todd and Richard Burton were the most meaningful) didn’t last long as Mike Todd was killed in a plane crash only one month after they were married. He was en route to New York from Los Angeles to attend a Friars Club testimonial dinner in his honour when his plane crashed in New Mexico while it was trying to fly through a storm – killing all onboard.
Ironically, Elizabeth was spared as she had a bad cold and was advised against the trip and chose to stay home.
In her bereavement, she sought out Todd’s best friend, Eddie Fisher.
With both of them seeking understanding and love over the loss of his friend and her husband, feelings went from comfort to love for one another.
The tide had turned and the dutiful widow had now become known as a home wrecker, upsetting the boundaries of America’s perfect couple, Eddie Fisher and pert Debbie Reynolds.
Prior to this though, Elizabeth had begun exploring Judaism during her brief marriage to Mike Todd.
To navigate her through this journey of discovery, Elizabeth studied with Rabbi Max Nussbaum.
In 1959, Elizabeth Taylor and Eddie Fisher were married in a civil and a Jewish ceremony – thus cementing her conversion to Judaism. Here is a photo showing Elizabeth with the Katuba (Jewish marriage certificate).
Discussing her long standing dream of conversion and finally realizing it, Taylor said, “It has nothing to do with any marriage plans. This is something I’ve wanted to do for a long time,” she told reporters.
For her conversion Elizabeth adopted the Hebrew name Elisheba Rachel, thus beginning her long devotion to Jewish causes, education and charitable causes.
“Cleopatra”
In perhaps her most famous role, as Cleopatra – in the film of the same name, because of her strong support for Israel, Elizabeth Taylor was not allowed into Egypt in 1962, where the film was scheduled to be partially shot.
As well, Arab nations also banned the showing of any of her films as a result of her conversion to Judaism.
That didn’t matter to Taylor – she could’t have cared less.
Ironically, Egyptians themselves were not able to see the movie about perhaps the most famous Egyptian of all time!
Eventually though, all was forgiven when, in September 1979 – following the signing of a peace accord between Egypt and Israel earlier that year, actress Elizabeth Taylor and 11 Israelis were honoured guests at the Fourth Cairo international Film Festival, which also marked the ending of the cultural boycott of Israel by Egypt.
It was during the festival that Elizabeth Taylor had a sit down with Egyptian President Anwar Sadat – at the presidential rest house in the Suez Canal city of Ismailia.
Devotion to Israel and the Jewish people
In my Elizabeth Taylor collection of over 100 catalogued binders with over 20,000 photos I document many instances of her devotion to Israel and the Jewish people.
In August 1975 Elizabeth Taylor, along with her then husband Richard Burton visited Israel.
A very meaningful moment occurred when Taylor touched the Wailing Wall in silent meditation.
In June of 1976 Elizabeth Taylor was honoured by the American Jewish Congress as an artist and humanitarian for her work in founding The Israeli War Victims Fund after the 1973 Yom Kippur War.
She was presented with her citation by Israeli Ambassador Shimcha Dinitz. Also pictured in a photo at the event is the President of the Congress, Rabbi Arthur Hertzberg.
It was around the same time as that event when she attended a reception where she met with Israeli Prime Minister Menachem Begin at the Waldorf Astoria Hotel in New York.
Begin referred to Elizabeth Taylor as a “good friend.”
Was that on a personal level or as a strong supporter of Israel?
I tend to believe it was the latter.
In 1977 Elizabeth received the Women’s Division of B’nai Brith’s humanitarian award at a special luncheon held by the Antidefamation League at New York’s St. Regis Hotel.
In May of 1979 Elizabeth attended the Israeli Bonds Dinner in New York.
As of 1979, Elizabeth Taylor had visited the State of Israel five times.
Elizabeth Taylor in films that had Jewish connections
“Love is Better Than Ever”
During the making of 1952’s “Love is Better Than Ever,” Elizabeth Taylor had just annulled her first marriage to Hilton Hotel heir Nicky Hilton when she became involved with the Jewish director of the film, Stanley Donen.
Elizabeth’s mother Sara is reported to have been unhappy and objected to the alliance due to the fact that Donen was Jewish.
“Ivanhoe”
In the 1952 film “Ivanhoe,” Elizabeth played the Jewish character Rebecca. One of the themes the film documents is antisemitism among the Normans and Ivanhoe’s friendship with the wealthy Jew Isaac and his daughter Rebecca.
“Victory at Entebbe”
On December 13, 1976, the movie “Victory at Entebbe” was aired on television in the U.S. The movie was based on true events surrounding the hijacking of Air France Flight 139 by Palestinian terrorists. The flight had departed from Tel Aviv and was headed to Paris when hijackers forced it to divert to Entebbe Airport in Uganda.
The story was close to Elizabeth’s heart and she said she participated in her small role as Edra Vilnovsky in “Victory at Entebbe” for the sake of her fellow Jewish people.
In the film she and costar Kirk Douglas played the Jewish parents of a 16-year-old girl held hostage at Entebbe.
An interesting side note worth mentioning is that Kirk Douglas was supposed to be on the same plane as Mike Todd the night it crashed in 1958. Douglas’s wife Anne had a strange premonition Kirk shouldn’t go on that flight. Fortunately for Anne Douglas, she was right.
“Genocide”
“Genocide” was a 1981 film released by the Simon Wiesenthal Centre. Writing in the New York Times, reviewer Janet Maslin noted that “Miss Taylor, whose narration is particularly simple and affecting, reads letters from victims of the Nazis, farewell to friends and loved ones and horrifying accounts by first hand observers.”
A reviewer in Variety commented that “ Genocide gains its greatest force as a film via Elizabeth Taylor’s emotional voice over of personal testimony by witnesses to the Holocaust terrors.
“A moving performance by Taylor conveys in human terms about a sober rendering of mere facts and figures cannot”.
The Krupp Diamond
Here’s another irony to Elizabeth Taylor’s life: In 1968 Richard Burton bought the famous Krupp diamond as a gift for his then-wife, Elizabeth Taylor.
This 33.19 carat stone was owned by Vera Krupp, whose husband was a Nazi munitions magnate.
Taylor described the the acquisition thusly: “I think it fitting and charming that a nice little Jewish girl like me has ended up with the Baron’s rock.”
In closing
Elizabeth Taylor’s love and fierce dedication to Judaism is something to be admired as she put her heart and soul into the many Jewish causes she supported.
When Elizabeth Taylor passed away on March 23, 2011 she was buried as per Jewish ritual.
May her memory be a blessing
About the author:
Throughout his life Hannon Bell has had many interests and passions.
As an actor he has performed on stage, on film, and on radio.
As a singer and songwriter he has written over 26 songs and won two lyric awards from the American Song Festival.
As a model in his younger days he won a TV commercial award at the Modelling Association of America Convention and Competition in NYC. The award was given to him by Christie Brinkley.
But, more than anything Hannon Bell is probably best known as the owner of the world’s largest collection of Elizabeth Taylor memorabilia.
It all started when, as a teenager in 1963, Bell saw the film “Cleopatra.”
HIs passion turned into a lifelong dedication so much so that Bell is considered an expert on all things Elizabeth Taylor.
Having compiled and catalogued Taylor’s life and career in over 100 binders with over 20,000 photos and more, Bell has earned a reputation as not only a huge fan of Elizabeth Taylor, but also an expert on her life and career.
He has been consulted as a source by authors Kitty Kelly and C. David Heymann, both of whom have written biographies of Elizabeth Taylor.
Bell has been mentioned or featured in: People, Look, Scoop, the National Enquirer, Midnight Magazine, Toronto Star, Vancouver Sun, Winnipeg Tribune, Winnipeg Free Press and Winnipeg Sun.
He has written four songs about Elizabeth Taylor and, according to author C. David Heymann, was the inspiration for the naming of Passion Perfume in 1987. In a letter Taylor wrote to Bell in 1975, she asked him to send her two of his custom T Shirts that had on them the inscription: “HANNON’S PASSION – ELIZABETH TAYLOR.”
After working with Heymann on his biography of Taylor, titled “LIZ,” Hemanann sent Hannon a copy of the book with the signed inscription,”to Hannon, who has the finest Elizabeth Taylor collection in the world.”
Features
Previews of this year’s Fringe Festival shows that have some sort of Jewish connection (no matter how tenuous)
By BERNIE BELLAN (originally posted July 12, amended July 14 & 15) As has been our custom for many years now we try to find shows that have either Jewish performers, themes that would have particular appeal for Jewish audiences…or simply shows where someone contacted me and asked for a plug!
This year’s Fringe Festival runs from July 15-26. For show dates and venues go to winnipegfringe.com.
In no particular order here are blurbs about the shows we’ve found that fit our somewhat arbitrary criteria. (By they way, if we’ve omitted a show that should be included in our list there’s plenty of time to get added to this post. Just drop me a line at jewishp@mymts.net.)
One of the Fringe’s perennial favourites, Alli Perlov is back yet again making great fun of a very popular movie – in this case it’s “Toy Story.”
Here’s what the blurb in the progam says about her show:
Adam Schwartz first appeared at the Winnipeg Fringe Festival in 2013 – in a one-man show. Since then, Adam has gone on to appear in – and produce shows featuring other neurodiverse artists in succeeding years. Adam wrote us: “This summer I am shooting my comedy special. This is a project I’ve been working on for 16 years and I believe is the first Canadian autistic comedy special exploring life. It explores issues like early and late diagnosis, support workers as well as accommodation I have received.”
Another veteran performer on the Fringe circuit, Melanie Gall is returning for her 13th season at the Winnipeg Fringe Festival.
Randy Ross is also back this year. Here’s what Randy wrote us: “I’ll be back at the Winnipeg fringe in July with a new show, ‘How Much Can You Change for Someone You Love?’
Winnipegger Nicholas Rice is a veteran of the Winnipeg theatre scene. He has appeared in five Winnipeg Jewish Theatre productions over the years. This year will mark Nicholas’s second time appearing in a Winnipeg Fringe Festival show. His first appearance, two years ago, was in a show also called “A Side of Rice” but, in chatting with Nicholas he told me this new show,”Another Side of Rice,” will be completely different from that first show.
During the show, Nicholas said, he “will tell three different stories” from different parts of his life. The first story will relate an experience he had at Sir John Franklin School (which no longer exits). The second story will be about an experience Nicholas had while teaching in Toronto where, he says, one of his students, upon finding out Nicholas was Jewish, told him that he “would burn in hell.”
The third story will also be set in Toronto. The show will last 70 minutes, Nicholas added.
Rudi stands outside his father’s study in Paraguay, struggling to find the courage to go in. It’s been seven years since he left after uncovering the truth: that his father was a doctor at Auschwitz.
Haunted by a past he didn’t create but can’t escape, Rudi is forced to grapple with the legacy of his father’s crimes and search for a way to live with the weight of inherited guilt. Another tour-de-force script from acclaimed Canadian playwright Hannah Moscovitch, whose powerful and provocative work continues to captivate audiences worldwide.
On July 15 we received an email from someone by the name of Jillian Birdie Burke. Here’s part of what Burdie wrote: “My name is Birdie Burke, I am a Jewish artist and I’m one of the producers and performers of A Kid Napping, a new comedy is coming to the Winnipeg, Saskatoon, and Victoria Fringe Festivals this summer – from the same duo who brought you last year’s award-winning BRAIN.
“ Kid Napping follows two well-meaning but wildly incompetent ex-convicts whose kidnapping plan goes spectacularly wrong when they accidentally find themselves caring for a room full of kindergarteners.
“As part of the production, we’re also donating proceeds from our sales to local children’s organizations in each city we visit.
“For Winnipeg we’ll be focusing on Rossbrook Kids and the Rainbow Resources team.”
Okay – now here is where we start to get away from previewing Jewish performers, but I’ll explain in each case why I’ve included a particular show.
Safe Sex is a collection of three one-act plays written by Harvey Fierstein who is Jewish, but had said that “although he does not believe in God, he prays three or four times each day.”
“As one of the first openly gay celebrities in the United States, Fierstein helped turn gay and lesbian life into a viable subject for contemporary drama.”
Now, since Harvey Fierstein grew up in New York – a very Jewish city, when we were contacted by someone by the name of Charlie Hume who said he was an actor and producer with a company called Starr Street Productions – based in New York City, we had to ask him whether there was any Jewish connection?
Charlie replied: “Perhaps unfortunately, the show is written and performed by Catholics. I would say that our company’s greatest connection to Judaism is that we all studied together at The Lee Strasberg Theater and Film Institute. Lee Strasberg- if you’re not familiar- was a legendary Jewish acting coach who was instrumental in revolutionizing theater and the performing arts in New York City and beyond. We walk in the footsteps of Lee and many other Jewish cultural leaders, who have long been among the most steadfast supporters of the arts in America.”
Well, that’s good enough for me. Here’s a description of their play:
Finally – and this one really is a stretch – three days ago we were speaking to Reverend Don James, who is the National Development Director at Bridges for Peace (an organization that has close ties to our Jewish community) when Don happened to mention that his daughter, Hilary, is producing a Fringe show that has something to do with a Fleetwood Mac record album. (Apparently Don had never heard of “Rumors” because he didn’t know what the name of the album was. Oy!)
So I said to Don: “Have your daugher contact me and I’ll give her a blurb.” Well, she hasn’t contacted me yet, but I’m giving her a blurb – whether she wants one or not!
