Features
This remote Jewish study buddy program is finding its moment in the COVID era
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By ERIC BERGER (JTA) When Sheri Heller’s husband nearly died in 2014 after doctors found that a quarter he had swallowed decades earlier had perforated his small bowel, Heller decided that the episode was a case of God “banging on our door.”
An attorney from Potomac, Maryland, Heller had attended Hebrew school as a child but had not really done much Jewish learning as an adult.
So she decided to go to Israel on a women’s program. She returned with a newfound interest in Judaism and an actionable recommendation for how to cultivate her curiosity: a one-on-one Jewish learning program that matches Jewish mentors with people like Heller interested in deepening their Jewish knowledge.
Heller was paired with Sima Kirscher, an Orthodox woman from Far Rockaway, New York, a mentor who signed up for the program, called Partners in Torah, as a way to honor the memory of her recently deceased mother. The learning happens online, which was perfect for Heller, a mother of four who was intimidated by the idea of meeting in person.
“My first goal was to learn to daven fluently and with understanding,” Heller recalled, using the Yiddish word for pray. “I was nervous at first. I didn’t think an Orthodox person would actually want to teach me and learn with me.”
But that quickly changed.
“I realized that I was judging myself and that Sima was only about unconditional love and support and really wanted to guide me and help me learn and reach my goals,” said Heller, now 56.
Today the study partners are close friends and Heller prays every day.
The goal of Partners in Torah is simple: To have Jews learn together using the time-tested model of one-on-one Jewish learning known as chavrutah. The organization, which has helped build more than 76,000 partnerships across 29 countries since its founding in 1993, uses a variety of criteria to match students with the right mentors. The learning is done remotely, with partners meeting by phone, Zoom, WhatsApp or other virtual communication tools.
Now, with so many Jews around the world mostly staying home due to the coronavirus pandemic, there is a great hunger for meaningful human connection, says Moe Mernick, chief operating officer of Partners in Torah.
“We are creating an Airbnb-like, two-sided marketplace whereby there are two people who are looking to study and we are a platform in between connecting people,” Mernick said, noting that the program is free.
The focus is on paired study rather than video classes or developing online educational curricula for solo study because the program’s leaders believe that chavrutah learning is the ideal way of engaging not just with Jewish texts but with people.
“The Torah and Talmud are intended to be analyzed and challenged in a very critical way, and you can’t do that alone,” Mernick said.
Computer scientist David Magerman remembers the moment when he decided he wanted to deepen his Jewish life. When visiting religious family in Jerusalem years ago, he noticed that people streamed in and out of the family’s home all day, every day.
“I didn’t feel like I had that kind of community back home,” said Magerman, who lives outside Philadelphia.
But intense work at a hedge fund didn’t leave him much time. A friend recommended the partners program, highlighting the flexibility of the setup and time commitment. Magerman agreed to try it and was interviewed by a staffer who asked about 30 questions to find Magerman the right study partner.
He was matched with an attorney from Teaneck, New Jersey, and the two began studying the Kitzur Shulchan Aruch, a book of Jewish laws.
“He was stunned that I wanted to go through the laws one at a time and learn them,” Magerman said. “He thought it was the most boring thing around, but I said that’s what I wanted to do, so we did it. He accepted my challenging tone. He wasn’t put off by my questions.”
Magerman eventually added two more weekly study partners.
“The Talmud states, ‘When two people learn Torah together, they begin as enemies, as foes, and they end up as beloved friends,’” said Rabbi Dovid Bashevkin, director of education for the National Council of Synagogue Youth, part of the Orthodox Union. “I think what makes Partners in Torah remarkable is it connects people from deliberately different experiential backgrounds in Jewish learning, and I think the more disparate the background, the more impactful the bond.”
Nikki Schreiber, the founder and editor of Humans of Judaism, a Jewish media company, has participated in the program as a mentor.
“Your arm is not being twisted in any sort of way,” Schreiber said. “It’s really an environment where people are coming together with the same effort and goals.”
About a year after Heller and Krischer began learning together, they met for the first time at a Partners in Torah Shabbaton retreat in Connecticut.
“I was a nervous wreck,” Krischer recalled with a laugh. “And then she came, and we were just screaming and hugging.”
Their families have become close in the years since. Heller traveled to Krischer’s sons’ weddings in New York and New Jersey, and their two daughters currently study Torah together.
Now the initiative is being taken up by another generation: Heller’s 82-year-old mother recently signed up to learn.
This story was sponsored by and produced in collaboration with Partners in Torah, which facilitates online, one-on-one Jewish learning partnerships. Learn more about how you can personalize your Jewish journey. This article was produced by JTA’s native content team.
Features
Brothers Arnie & Michael Usiskin’s Warkov-Safeer a throwback to days of long ago
By MYRON LOVE Step into Warkov-Safeer on Hargrave in the Exchange District and you’ll feel like you’ve walked back in time to an earlier era. The shelves are crammed full of shoe-related accessories – soles, heels, laces, polish, threads, needles, dyes – and other leather-related needs.
“There used to be a shoemaker on every corner,” says Michael Usiskin, whose family has operated the wholesaler for more than 50 years. “People used to keep their shoes for years. They might resole them ten times. Now you might have five pairs in your closet – different shoes for different occasions, and buy a new pair every year or two.”
Usiskin adds that “there is no place else like us between Toronto and Vancouver. When we moved here in the 1970s, this area was buzzing with garment workers and sewing machines. This was a hub of activity. It’s a lot quieter now.”
While the Usiskin Family has been connected with the company for 85 years, Michael Usiskin points out that the company – originally catering to the horse trade – was actually founded in 1930 in Winkler by the eponymous Warkov brothers – Jacob, Mendel and Morris – and their brother-in-law, Barney Safeer. Larry Usiskin, father of Michael and his brother and partner, Arnie, went to work for the company in 1939, four years after the partners moved the business to Winnipeg (to a location at Selkirk and Main).
The late Larry Usiskin and his late wife, Roz, were leaders in Winnipeg’s secular Yiddishist community. The Usiskin brothers received their elementary schooling at the secular Sholem Aleichem School at the corner of Pritchard and Salter in the old North End.
“Our dad was maybe 16 or 17 when he went to work for Warkov-Safeer in 1939,” Michael Usiskin notes. “He would do deliveries on his bike to shoe repair shops.”
He never left.
Michael Usiskin relates that, during the war years, the company relocated to larger premises at King and Bannatyne to accommodate a growing demand for its expanding product lines.
Larry Usiskin bought the business in 1969 – with a partner – in 1969. It was not a given that either Michael or Arnie would join the family endeavour. Michael was the first of the brothers to come on board. That was in 1984.
Michael had been working for Videon Public Access TV for the previous seven years. “I was a producer, editor and camera man,” he recalls.
Among the programs he worked on were Noach Witman’s Jewish television hour and such classics as “Math with Marty” and Natalie and Ronne Pollock’s show.
“Dad began talking about retirement,” Michael recounts. “With budget cuts and lay-offs coming to Videon, it was a good time for me to get out and join Dad in business.”
Michael became Warkov-Safeer’s managing partner in 1995 on the senior Usiskin’s retirement. Arnie joined his brother in partnership in 1998.
“I had been working for CBC for 17 years as a technician,” Arnie relates. “A confluence of events presented me with the opportunity to go into the family business.”
Although Arnie bought out Michael’s previous partner, he continued on at CBC for another four years before accepting a buyout.
“I went from show business into shoe business,” he jokes.
Today, Warkov-Safeer has customers from Ontario to the West Coast. “Things have changed considerably over the years for our business,” Michael notes. “Our shoe market is now solely more expensive brands. And we also supply a lot of leather and leather-related products for hobbyists.”
He reports that a lot of their marketing has long been done by word of mouth. “We used to go to a fair number of trade shows, but not so much anymore,” he adds. “We now have a number of sales representatives throughout Western Canada and Ontario.”
“We’re not high tech,” Arnie points out. “We have a niche market. What we sell is a form of recycling – allowing people to look after and fix their shoes. We see a trend developing in this area.”
While Arnie and Michael Usiskin have no plans to retire quite yet, they do acknowledge though they are not getting any younger and would welcome someone younger to come into the business who might be willing one day to lead Warkov-Safeer into the future.
Features
Winnipeg-based singer/songwriter Orit Shimoni spreading her wings again after being grounded by Covid lockdown
By MYRON LOVE In the spring of 2020, Canadian-Israeli singer/songwriter Orit Shimoni was in the midst of a cross Canada tour. She had started in Vancouver, had a show in Edmonton and stepped off the train in Winnipeg just as the Covid lockdowns were underway. Shimoni was essentially stuck In our city, knowing virtually on one.
Four years later, she is still here, having found a supportive community and, while she has resumed touring, she has decided for now to make Winnipeg her home base.
“I really appreciate the artistic scene here,” she says. “I plan on being away on tour a lot, but I have understanding and rent is affordable.”
Our community also benefits from having such a multi-talented individual such as Shimoni living among us. Over the past 15 years, the former teacher – with a Masters degree in Theology, has toured worldwide as well as producing 12 albums of original works to date – the most recent being “Winnipeg”, a series of commentaries on her life experiences, wishes and dreams over the past couple of years – which was released last fall.
She has also produced an album of songs for Chanukah.
According to her website, Shimoni expounds on her “truths, her feelings and tells her stories” in venues that include bars, clubs and cafes, coffee houses and folkfests, theatres, back yards, living rooms, and trains. Her music is described as a potpourri of “bold and raw, soft and tender, witty and humourous,” incorporating empathy and condemnation, spirituality and whimsy,” and crosses different genres such as blues, folk and country and “speaks to the human condition, the human heart and the times that we find ourselves in”.
She observes that the inspiration for her songs can come from anywhere, including conversations with others, nature, history, news and her own lived experiences.
In response to the ongoing situation in Israel today, she reports that she is trying to use her music to create positive energy in trying to foster a commonality between people.
In addition to adding to her musical corpus while in Winnipeg these past four years, Shimoni notes that she has used her enforced lockdown downtime to explore other ventures. One of those new areas that she has been focusing on is art.
“I have always had an interest in painting,” she says. While she hasn’t had an exhibition of her painting yet, she has prints for sale and is available for commissions.
“My last two albums have my paintings as the cover art,” she points out.
Another area that the singer/songwriter has been developing over the past four years is writing and performing personalized songs for special occasions. “I can bring to birthdays, weddings and memorials personalized songs to mark the occasion,” she notes. “It is another way that I have diversified what I can offer.”
One project she completed last year – with support from the Jewish Foundation of Manitoba – was “singing the songs of our elders” in which she interviewed several Jewish seniors – with the help of Gray Academy students – and told their stories in song.
Among other performances she has given locally over the past year was a special appearance before a group of Holocaust survivors at the Gwen Secter Creative Living Centre, a self-written, one woman show – called “The Wandering Jew” at Tarbut in November and, most recently, a concert last month at Gordie’s Coffee House on Sterling Lyon Parkway.
Another new area of exploration for Shimoni is animation. In an interview with Roots Music Canada last fall, she embarked on an ambitious animation project based on her song “One Voice,” which she wrote a few years ago, and which perfectly reflects the anxiety that many people are feeling in these troubled times.
Last October, she was back on tour – with renowned American songwriter Dan Bern – after three years away from the road. She did two weeks’ worth of concerts in American West Coast states and Colorado – and. in late January, she began a month-long journey that started with shows in Toronto, Ottawa and Montreal and stops throughout the Midwest as far as Texas.
She recently returned to Montreal for a show and is currently doing a series of concerts in Germany – with further stops in Belgium, Holland and England.
“It will be good to be back in Europe,” she says. “I have developed a loyal following in Germany and elsewhere.”
A writer for one publication in Berlin described Shimoni as ‘one of the most interesting singer/songwriters I have met in a long time.”
Here at home, Winnipeg concert promoter Ian Mattey observes that “with each concert, her audience has grown – a testament to the wonderful balance of her lyrical genius, haunting voice and musical talent.”
The singer/songwriter feels grounded – in a good way – in our fair city – and we hope that she will be with us for some time to come.
Features
A Backwards Family Tree
By ILANA KURSHAN
The following review first appeared in the February 15, 2024 issue of Lilith Magazine Reprinted with permission.
What does Jennifer Greenberg-Wu, an American-Jewish museum curator working on a reality show in rural Belarus, have to do with Raizel Shulman, a Russian mother desperate to save her triplet sons from being drafted into the czar’s army? The answer spans three continents and nearly two centuries, and it is the spellbinding tale that Janice Weizman weaves in Our Little Histories (Toby Press, $17.95), a novel that unfolds back-wards to tell the story of a family’s history one generation at a time.
Each of the book’s seven chapters focuses on another branch of the family tree that connects Jennifer back to Raizel. We witness the encounter between Jennifer’s mother Nancy Wexler, a young feminist hippie from Chicago, and her distant cousin Yardena, 25 years old and happily pregnant in Tel Aviv in 1968. In the next chapter we meet Yardena’s mother, Tamar, who, while smuggling guns for the Haga- nah, engages in a fateful act of betrayal with a visitor to her home on Kibbutz Hadar, where she has made her home ever since her parents sent her off on a train from Minsk in 1927. In the next chapter we meet Tamar’s distant cousin, Gabriel Schulman, a literature teacher in Vilna, who is attacked in a dark alley in Tamar’s impassioned letters pleading with him to come to Palestine before the situation in Europe gets worse for the Jews. “To be a Jew in Vilna, or Poland, or perhaps anywhere, is to find courage where you thought you had none, to feel it flowing through your veins like blood,” Gabriel thinks in the seconds before he is attacked.
Set one year earlier but thousands of miles across the Atlantic Ocean, the following chapter focuses on a third branch of the family—not those who stayed in Europe or settled in Palestine, but those like Nat Wexler, a first-generation American journalist in Chicago who is also Tamar and Gabriel’s cousin. Nat understands Yiddish but cannot speak it, and prides himself in his assimilation into American culture; he dreads bringing his fashionable, light-hearted Jewish-American girlfriend to the Yiddish theater with his mother, who is eager to meet her. The penultimate chapter takes us back forty years earlier to turn-of-the-century Belarus, where Gabriel’s father Yoyna is sent on a mission by his own father to reunite with his father’s two brothers; all three brothers were separated at a young age. In the book’s compelling, heart-wrenching final chapter, we meet three triplet boys, one of whom is Yoyna’s father, and we learn the reasons for their tragic separation by their mother Raizel in the shtetl in 1850, where “every year, right around the short dark days leading up to Hanukkah, the boys of Propoisk become scarce…gone for weeks or even months at a time.”
Like A .B. Yehoshua’s Mr. Mani, which follows a Sephardi family back in time, Our Little Histories is a book that demands re-rereading, backwards, from the last chapter back to the first. Connecting threads link one generation to another, and serve as leitmotifs through out the book, like the poem in three stanzas that Raizel Schulman pens just before she parts from two of her triplets so as to spare them from the czar’s army; each son receives one stanza, and the poem is published in a 1914 Yiddish anthology which Yoyna gives to Gabriel, who mails it to Tamar, who donates the slim booklet to the Yiddish library in Tel Aviv, where Yardena and Nancy find it; Nancy will give that booklet to Jennifer to take with her to Belarus for her reality show. When Jennifer’s mother hands her that booklet, she is convinced she has seen it before, and her deja-vu mirrors that of the reader, who will encounter and re-encounter the anthology, and Raizel’s poem, in each of the book’s seven chapters.
Our Little Histories is masterfully constructed, such that the book’s final chapter is both inevitable—it couldn’t possibly have been any other way—and yet impossible to predict. The three branches of Raizel’s family, who make their homes in Europe, Israel, and America, offer us an intimate window into aspects of Ashke- nazi Jewish history—pogroms and Zionism, yeshiva culture and the assimilation, the kibbutz and the shtetl. We have all tragically witnessed how the legacy of persecution has reverberated even in the Jew- ish homeland, a reminder of the unbear- able sacrifices and the acts of raw courage that continue to forge us as a people.
Our Little Histories is available in paperback and kindle on Amazon.
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