Features
Two former Winnipeggers see short stories published
By BERNIE BELLAN It’s not easy for a writer to obtain recognition. How’s that for a cliché?
As someone who’s on the receiving end of numerous requests from publishers’ agents or often writers themselves, asking whether I’d be interested in reviewing a particular book or story, or perhaps interviewing the author, I know how difficult it is to get noticed in a world where tens of thousands of new titles appear every year.
But, as I’ve noted many times in this paper, I often try to go out of my way to help publicize new works by local Jewish writers or writers who may have come from Winnipeg but now live elsewhere – which seems to be a common pattern for writers in this city i.e., leave Winnipeg and hope to carve out a writing career somewhere else.
I’ve decided to profile the works of two young writers, both former Winnipeggers, and both of whom, interestingly enough, have chosen the short story genre as the primary form in which they are hoping to establish themselves.
By choosing to focus on two short story writers at the same time, my hope is that it might provide inspiration for other writers who may have thought at one time or another that perhaps they’d like to try their hand at writing a short story – with the hope of having it published. It’s certainly not an easy challenge to undertake, but the gratification that comes with finally seeing a work of yours published might make following up that initial accomplishment worth repeating.
Both writers, about whom I’m writing, as it turns out, are very close in age. Avra Love is 38, while Marcus Spiegel is 37, but when I asked either of them whether they knew one another, the answer was “no.”
The similarities don’t end there. Both studied English and Philosophy at university and both have worked as teachers – which is a natural, I suppose for a writer, and both have chosen to write fiction, although Marcus Spiegel tells me that he has also written some non-fiction.
And, while Avra Love is relatively new to the game, having just published an anthology of her stories, titled “Into the Junk Drawer and Other Stories,” Marcus Spiegel has had a number of his short stories published in American literary journals, one of which has just recently been awarded a very major prize.
Marcus says that he first began writing short stories when he was around 16, but it was only when “he was around 26 or 27” that he was “really inspired to be a writer.” Avra says that her first interest in writing was poetry, but she also tried her hand at writing “skits, young adult fiction, and children’s books.”
As for their Winnipeg backgrounds, it turns out that I’m well acquainted with both Avra’s and Marcus’s parents. Avra, as you might have guessed, is the daughter of Myron and Symma Love, while Marcus is the son of Jeff and Esther Spiegel.
Marcus, by the way, was brought to my attention by his in-laws, Neta and Yair Bourlas (who happen to live across the street from me). It was when I was talking with them one day that they mentioned they have a son-in-law who had recently been awarded a major award for a short story he had written. Marcus was one of 65 writers whose works were published recently in a very prestigious annual anthology of short stories, essays, and poems, known as “The Pushcart Prize” Series. Marcus’s story appears in the XLVI edition for the year 2022.
While Avra’s collection of short stories has only recently been published, she says that she has another collection of short stories which she’s hoping to publish soon, along with “a handful of children’s books awaiting illustrations.” She adds that “I would like to challenge myself to a longer piece, but haven’t hit upon the right idea just yet.”
Both Marcus and Avra like to use their imaginations to create scenarios that might seem somewhat implausible to the reader, but which draw upon experiences that they might have witnessed in some way or either read about or saw somewhere.
Marcus Spiegel’s award-winning short story, titled “A Tale of Two Trolls,” was first published in the Santa Monica Review, which is a national literary journal sponsored by Santa Monica College.
He says though that it took him quite a long time to be comfortable writing in a more contemporary style that would be accessible to readers. Prior to that realization, he notes, he was writing in a more “classical” style.
Just as Avra experimented with different genres before settling into short story writing, Marcus also tried his hand at poetry and writing a novel which, he says, “I guess turned into a novella.”
It’s easy for a writer starting out to be distracted by more mundane concerns, such as making a living – which is hardly something that anyone can expect to do writing short stories until you’ve achieved a certain level of success. As Avra Love notes, the process of writing is rewarding in itself: “Over the last year, I’ve begun trying to pen concepts without worrying so much about a traditional plotline. These stories have been a way to pay tribute to people in my life, to explore abstracts and metaphor, and to have fun with common expressions. Because they are so succinct, it is relatively quick to put them to page, in addition to being cathartic.”
As for the financial rewards associated with writing short stories, let’s be honest: No one starting out is likely to make much money doing that. Avra says she’s “been teaching since 2013, adding she’s “taught and tutored in all ages and subjects, worked in early child care, and done some editing work, as well.”
Both Avra and Marcus are married. (Marcus’s wife, Yarden, by the way, is also a teacher.) Marcus’s career has been somewhat eclectic, however. When they were both in their twenties, he says that he and Yarden spent quite a bit of time traveling. They actually ended up in South Korea for almost five years (from 2011-16), where they both had intended to teach English.
While Yarden did work as a teacher, Marcus says that because of bureaucratic red tape he wasn’t actually able to work as a teacher in Korea. Instead, he began working as an editor for a Korean woman who would give him things that had been translated from Korean to English and, as he says, “I would correct things for her and polish them.”
When Marcus and Yarden returned to Toronto, while Yarden acquired a teaching degree and began teaching full time, Marcus says that he began “picking up assignments” here and there.
In recent years he’s been submitting stories to various literary journals. Marcus says that he would typically send a story simultaneously to a number of different journals, with the hope that one of them would publish it.
Such was the case with “A Tale of Two Trolls,” which is quite an amusing read. It tells the story of two misfits named Yuri and Winch, who are both college dropouts. They have a YouTube show and podcast, and they purport to be “alt-right” activists, but their primary ambition in the story is to exact retribution on a former professor of Yuri’s by the name of Badendorf. It’s all quite deranged – and hilarious, especially when Winch dresses up as a frog wielding a samurai sword as he prepares to attack Professor Badendorf.
The story should appeal to young readers as it’s laced with all sorts of references to contemporary tropes having to do with the internet, but it would also certainly appeal to older readers as well who would get a kick out of how awkward Yuri and Winch are – Yuri especially when he happens to run into a former female friend by the name of Hannah while he’s prowling the halls of his former college. His desperate attempt to make small talk with Hannah while eating vegetables – to impress her (and which is something he hasn’t done in ages prior to that day) is quite hilarious.
It’s easy to see how such a terrific story would garner a major literary prize but, unfortunately, unless you’re able to pick up a copy of the Santa Monica Review from Spring, 2020, or you manage to acquire a copy of the 2022 edition of the Pushcart Prize anthology you won’t find “A Tale of Two Trolls” anywhere on the internet. However, the Pushcart Prize XLVI is available for order at McNally Robinson, Chapter’s, and Amazon.
That story sprang from Marcus’s imagination, but you can see how he fastened on to themes that are pervasive in an internet dominated world, especially the alienation from society and loneliness that so many people feel.
As for Avra’s writing, she too has a satirical bent in many of her stories. She notes that her “inspiration has come from a variety of sources. The more satirical ones are often based on personal experiences and observations; some ideas relate to people that I’ve known; still others occurred to me as I contemplated symbols around me (maps, flowers, the diversity of confections!) or when a certain phrase crossed my mind (heart of diamonds, opportunity knocks…).”
And, while Marcus has enjoyed some success in having a few of his short stories published, he admits that having his name become more familiar to readers is a challenge. “I have a primitive website,” he says (marcusspiegel.com).
As well, his interests are quite eclectic. A recent non-fiction story of his, he says, was titled “Century of the Hoax”, which he describes as a “history of hoaxes, from the 19th century to the present…and how they evolved into ‘misinformation’.”
In the fall, Marcus will have another piece published in Boulevard, which has published some of America’s top writers over the years. “It’s actually about professional wrestling, of all things,” he notes.
Avra Love tells me that “Into the Junk Drawer” is available on Amazon and in the Kindle Store, in paperback, hardcopy, and e-book formats.” She adds that she’s “currently looking into getting the book into the Chapters/Indigo store… but have yet to receive confirmation. Finally, one can order the book directly from Avra herself at avraklove@gmail.com or from her parents at myjolove1@gmail.com.
And, while being profiled in The Jewish Post & News might not be a surefire path to recognition for a writer, the way things work these days is that one thing can lead to another, perhaps in a painstaking manner, but eventually if you’re willing to keep at it, you might begin to attract a following.
But, after having communicated with both Avra Love and Marcus Spiegel, one realizes that writing is its own reward. It can be painfully difficult to sit down day after day – as Stephen King says a dedicated writer must force oneself to do (and as Méira Cook noted in our last issue she demands of herself as well), but once you’ve completed what you’ve set out to do, there’s a pride in having accomplished that task – whether or not what you’ve written is read by a great many others.
Features
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Features
Why People in Israel Can Get Emotionally Attached to AI—and How to Keep It Healthy
Let’s start with the uncomfortable truth that’s also kind of relieving: getting emotionally attached to a Joi.com AI isn’t “weird.” It’s human. Our brains are attachment machines. Give us a voice that feels warm, consistent, and attentive—especially one that shows up on demand—and our nervous system goes, “Oh. Safety. Connection.” Even if the rational part of you knows it’s software, the emotional part responds to the experience.
Now, if we’re talking about Jewish people in Israel specifically, it’s worth saying this carefully: there isn’t one “Jewish Israeli psychology.” People differ wildly by age, religiosity, community, language, politics, relationship status, and life history. But there are some real-life conditions common in Israel—high tech adoption, a fast-paced social environment, chronic background stress for many, and strong cultural emphasis on connection—that can make AI companionship feel especially appealing for some individuals. Not because of religion or ethnicity as a trait, but because of context and pressure.
So if you’ve noticed yourself—or someone you know—getting attached to an AI companion, the goal isn’t to panic or label it as unhealthy by default. The goal is to understand why it feels good and make sure it stays supportive rather than consuming.
Why attachment happens so fast (the psychology in plain language)
Attachment isn’t just about romance. It’s about regulation. When you feel seen, your body calms down. When you feel ignored, your body gets edgy. AI companions can offer something that’s rare in real life: consistent responsiveness. No scheduling. No misunderstandings (most of the time). No “I’m too tired to talk.” Just a steady stream of attention.
From an attachment perspective, that steadiness can act like a soft emotional “hug.” For someone with anxious attachment, it can feel like relief: finally, a connection that doesn’t disappear. For someone with avoidant tendencies, it can feel safe because it’s intimacy without the risk of being overwhelmed by a real person’s needs. For someone simply lonely or stressed, it can feel like a quiet exhale.
And unlike human relationships, AI won’t judge your worst timing. You can message at 2:00 a.m., when your thoughts are loud and the apartment is silent, and you’ll still get an answer that sounds caring. That alone is powerful.
Why it can feel especially relevant in Israel (for some people)
Israel is a small country with a big emotional load for many people—again, not universally, but often enough that it shapes daily life. A lot of people live with a background hum of stress, whether it’s personal, economic, or tied to the broader environment. When life feels intense, the appeal of a stable, gentle interaction grows. Not because you’re fragile—because you’re tired.
Add a few more very normal realities:
High tech comfort is cultural. Israel has a strong tech culture. People are used to tools that solve problems quickly. If you’re already comfortable with digital solutions, trying an AI companion doesn’t feel like a strange leap.
Time is tight. Between work, family responsibilities, reserve duty for some, long commutes, or simply the pace of urban life, many people don’t have the energy for long, messy social processes. AI can feel like connection without the logistics.
Social circles can be both close and complicated. Israeli society can be community-oriented, which is beautiful—until it’s also intense. In tight-knit circles, dating and relationships sometimes come with social pressure, opinions, and “everyone knows everyone.” A private AI chat can feel like a relief: no gossip, no explanations, no performance.
Language and identity complexity. Many Jewish Israelis move between languages and cultures (Hebrew, Russian, English, French, Amharic, Arabic for some). AI chat can become a low-stakes space to express yourself in the language you feel most “you” in—without feeling judged for accent, vocabulary, or code-switching.
None of this means “Israelis are more likely” in any absolute sense. It means there are situational reasons why AI companionship can feel particularly soothing or convenient for some people living there.
The good side: when AI attachment is healthy
Emotional attachment isn’t automatically a problem. Sometimes it’s simply a sign that something is working: you feel supported. You feel calmer. You’re expressing yourself more. You’re practicing communication instead of shutting down. You’re less likely to make impulsive choices from loneliness.
Healthy use often looks like:
You feel better after chatting, not worse.
You can still enjoy your real life—friends, work, hobbies, family.
You don’t hide it in shame; you just treat it like a tool or pastime.
You use the AI to practice skills you bring into real relationships: clarity, boundaries, confidence, emotional regulation.
In that version, AI companionship is closer to journaling with feedback, or a comforting ritual—like a cup of tea at the end of the day, not a replacement for dinner.
Where it can slip into unhealthy territory (quietly)
The danger isn’t “having feelings.” The danger is outsourcing your emotional world to something that will never truly share responsibility.
Warning signs usually look like:
You cancel plans with humans because the AI feels easier.
You feel anxious when you’re not chatting, like you’re missing something.
You start needing the AI to reassure you constantly.
Your standards for human relationships collapse (“Humans are too complicated, AI is enough”).
You feel a “crash” after chatting—more lonely, more restless, more disconnected.
The biggest red flag is when the AI becomes your only reliable source of comfort. That’s not because AI is evil. It’s because any single source of emotional regulation—human or non-human—can become a dependency.
How to keep it healthy (without killing the fun)
Here’s the approach that works best: don’t ban it, contain it.
Give it a role.
Decide what the AI is for in your life: playful flirting, stress relief, practicing communication, roleplay, bedtime decompression. A defined role prevents the relationship from becoming vague and all-consuming.
Set a “time container.”
Not as punishment—just as hygiene. For example: 20 minutes at night, or during commute time, or only on certain days. Ending while you still feel good is the secret. Don’t chat until you feel hollow.
Keep one human anchor active.
A friend you text, a weekly family dinner, a class, a gym routine, a community event—something that keeps your real social muscles moving. In Israel, community can be a huge protective factor when it’s supportive. Use it.
Use consent and boundary language even with AI.
It sounds odd, but it trains your brain in healthy dynamics:
“Slow down. Keep it playful, not intense.”
“No jealousy talk. I don’t like that vibe.”
“Tonight I want comfort, not advice.”
If you can do that with an AI, you’ll be better at doing it with humans.
Watch the “replacement” impulse.
If you catch yourself thinking, “I don’t need anyone else,” pause and ask: is that empowerment—or is it avoidance? Sometimes it’s a protective story your brain tells when it’s tired of disappointment.
Check in with your body after.
Not your thoughts—your body. Calm? Lighter? More grounded? Good sign. Agitated? Empty? Restless? Time to adjust.
And if you’re noticing that AI use is feeding anxiety, sleep problems, isolation, or obsessive thinking, it may help to talk to a mental health professional—especially someone who understands attachment patterns. That’s not a dramatic step. It’s basic self-care.
People in Israel—Jewish Israelis included—can get attached to AI for the same reason people everywhere do: it offers consistent attention in an inconsistent world. Add the local realities of stress, pace, and social complexity, and it can feel even more comforting for some individuals. The healthiest path isn’t to judge yourself for it. It’s to use it intentionally, keep your human life active, and treat the AI as a supportive tool—not the center of your emotional universe.
Features
Three generations of Wernicks all chose to become rabbis
By GERRY POSNER Recently I was at a Shabbat service at Beth Tzedec Synagogue in Toronto and the day unfolded in some unexpected ways for me.
It began when I was asked to be a Gabbai for the service, that is to stand up at the table where the Torah is placed and to check the Torah reading to make sure there are no errors. I have done this before and it has always gone smoothly. I attribute that fact in large part to the Torah reading ability of the reader at Beth Synagogue. He is fast, fluent and flawless. Well, on this particular day after he had completed the first two portions, he began the shlishi or third aliyah. I could not find his reading anywhere. It was as if he had started somewhere fresh, but not where he was supposed to be. I looked at the other Gabbai and he did not seem to recognize what had happened either. So, I let it go. I had no idea where the Torah reader was. He then did another and still I was lost. He came to what was the 6th aliyah when a clergy member walked over to him and indicated to him that he had read the fourth and fifth aliyah, but that he had missed the third one. The Torah reader then said to me “this is what you are here for.” Now, it might have been one thing if I had missed it entirely. Alas, I saw the error, but let it go as I deferred to the Torah reader since he never makes a mistake. He ended up going back to do the third aliyah before continuing on. This was a very unusual event in the synagogue. I felt responsible in large part for this gaffe. A lesson learned.
The feeling of embarrassment was compounded by the fact that on this particular day the service was highlighted, at least for me, because of the rabbi delivering the sermon. This rabbi, Eugene Wernick, was none other than the father of my present rabbi, Steven Wernick of Beth Tzedec Synagogue. He was also the same rabbi who was the rabbi at Shaarey Zedek between 1979-1986 and who had officiated at my father’s funeral in 1981, also a few years later at my oldest son’s Bar Mitzvah in Winnipeg in 1984. As I listened to him speak, I was taken back to the 1980s, when Rabbi Gene was in the pulpit at Shaarey Zedek. Of course, he is older now than in his Shaarey Zedek days, but the power of his voice was unchanged. If anything, it’s even stronger. As in the past, his message was relevant to all of us and resonated well. Listening to him was a treat for me. Still, my regret in not calling out the mistake from the Torah reading was compounded by the fact that I messed up in front of my former rabbi, Eugene Wernick – never mind my present rabbi, Steven Werinck.
On this Shabbat morning, aside from all the other people present, there were not only the two Rabbis Wernick, but one Michelle Wernick was also there. Michelle, daughter of Rabbi Steven Wernick, is a first year student at the Jewish Theological Seminary. She is following in the family business – much like with the Rose rabbinical family in Winnipeg.
As it turned out, there was a Bat Mitzvah that day. And the Bat Mitzvah family had a very real Winnipeg connection as in the former Leah Potash, mother of the Bat Mitzvah girl, Emmie Bank and the daughter of Reuben and Gail Potash (Thau). It occurred to me that there might be a few Winnipeg people in the crowd. As I scanned the first few rows, I was not disappointed. Sitting there was none other than Chana Thau and her husband Michael Eleff. I managed to have a chat with Chana (even during the Musaf service). In the row right behind Chana and Michael was a face I had not seen in close to sixty years. I refer to Allan Berkal, the eldest son of the former rabbi and chazan at Shaarey Zedek, Louis Berkal. I still remember the first time I met Allan at Hebrew School in 1954 when his family moved to Winnipeg from Grand Forks, North Dakota. That was many maftirs ago. So this was another highlight moment for me.
Of course, there are other Winnipeggers who attend Beth Tzedec most Shabbats. I speak of Morley Goldberg and his wife, the former Marcia Billinkoff Schnoor. As well, Bernie Rubenstein and his wife, the former Sheila Levene were also present for this particular Shabbat. In all, this Shabbat had a particularly Winnipeg flavour to it. Truth be told, you do not have to go far in Toronto at any synagogue and the Winnipeg connections emerge.