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Winnipeg-born writer Sidura Ludwig turns newfound passion for baking challah into new picture book

By MYRON LOVE With her latest book, “Rising” (published by Candlewick Press in the United States), acclaimed Winnipeg-born author Sidura Ludwig has taken her career in a slightly different direction. 


According to publicist Evan Munday (who works for Penguin Random House Canada, the Canadian distributor of the book), “Rising” is  “a quiet, joyful story celebrating a Jewish mother’s tradition of making challah with her child. A child and a mother measure, mix, knead, shape, and tuck their dough under a towel like a sleeping baby, then wait while their dough rises, soon to be baked and gratefully shared at a Shabbat gathering with loved ones.”
In “Rising,” he continues, “Sidura turns a Jewish family’s gathering into a lesson in patience, slowing down, faith, and love.”
He adds that there is an easy-to-follow recipe for challah at the end of the book –  along with a glossary and an author’s note describing the personal meaning of her family’s weekly ritual.
He describes “Rising” as “a much needed picture book that acts as both an exultation and balm in this time of exploding antisemitism in North America.” 
 As was reported in earlier stories about Sidura Ludwig in the pages of The Jewish Post & News,  the daughter of Israel and Maylene Ludwig has been writing seriously since she was a teenager.  She left Winnipeg originally in 1994 to study at York University.  After graduation, she was back here for a year working as a teacher’s assistant, then went back east to study journalism at Carleton.  In between, she married and she and her husband eventually settled in Thornhill in 2004. 

Sidura noted in an earlier story that she worked for a time as a journalist and in communications – largely on a freelance basis before starting a family.  Her first book, a novel, “Holding My Breath,” was published in 2007. 
She pointed out that, as a young mother, she didn’t have a lot of time to read novels and, as a result, gravitated to short stories – which was always her first love.
 “I had started on a second novel,” she notes, “but it just wasn’t working for me.  I began to focus on the individual characters and develop each as a short story.”
She noted that she set herself a goal of trying to send out five submissions a week and, after a year, had nine short stories published in different media.  That gave her the confidence that there was enough interest in the stories to approach a publisher.  The result was her second book , “You Are Not What We Expected” (published in 2020), which recounts the lives of the multi-generational Levine family and their neighbours over a period of 15 years, capturing the celebration, transitions and drama in their lives.
 
In November 2021,Sidura was presented with the Vine Award for fiction for “You Are Not What We Expected.”  You could rightly say that Sidura Ludwig was “over the moon” about being named the winner of that award for her first collection of short stories. (The Vine Awards for Canadian Jewish Literature “honour both the best Canadian Jewish writers and non-Jewish Canadian authors who deal with Jewish subjects in Fiction, History, Non-Fiction, Young Adult/Children’s literature, and Poetry”. Each winning author receives a prize of $10,000. The 2021 three-person jury reviewed 42 entries to the Fiction, History, Non-Fiction and Young Adult/Children’s categories.) 
 Earlier that year,  Ludwig graduated from  a Masters Degree program in Fine Arts, specializing in writing books for children and young adults at the Vermont College of Fine Arts.   “Rising” is in that genre.
Ludwig’s first children’s book was inspired by her own new-found love of baking challah four years ago when Covid lockdowns were in place.
“With everything turned upside down, I was looking for a way to reintroduce some consistency, something familiar into our lives,” the mother of three teenagers recalls.  “As I was stuck at home, I began waking up early on Friday mornings, mixing the dough and baking challah following a recipe.  It became my anchor. It was something quiet and peaceful I could do on a regular basis.  As well as showing my love for my family, I felt a spiritual connection.”
 
“Rising” was illustrated by Tel Aviv-based expatriate Canadian illustrator Sophie Vincent Guy.who now lives in Tel Aviv. “Rising” is scheduled to be arriving in book stores in a couple of weeks with a launch in Winnipeg set for Thursday, June 6, at McNally Robinson.  
Sidura is currently working on some picture books for younger children and a novel intended for middle grade students.   The latter is entitled “Swan” and is based on the life of 19th century Nova Scotian Anna Swan, who grew to be 8’ tall.  The book, published by Nimbus Publishing is due out in September.
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Omri Casspi’s Career: from Israel to the NBA

Whenever people discuss modern basketball, as it relates to Israel, Omri Casspi is one name that is generally mentioned, not because he amassed the highest NBA numbers, nor because he was one individual that dominated the game for a long period. It is because Omri was one individual that illustrated how a basketball player from a small town in Israel could make it to the most competitive basketball league in the world.

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Casspi’s story starts well outside the hallowed courts of the NBA. Casspi was born in Yavne, Israel, on June 22, 1988. Like so many tall kids, he gravitated towards basketball when he was young. Coaches first noticed size, then coordination and confidence. He did not play for fun. He competed. He trained. He listened.

As an adolescent, he enrolled in organized youth programs that required discipline. Practices concentrated on fundamentals: footwork, shooting form, defensive position. He learned to play in a team concept, instead of seeking attention. That mind-set stayed with him throughout his career.

His next team was signed when he was still young, and this team, Maccabi Tel Aviv, played at the highest level. The team played hard in Europe as well. Not only did this team compete hard, but they played in an environment where making a mistake had serious repercussions.

He concentrated on particular parts of his game:

  • Improving Three-Point Accuracy
  • Building strength to handle contact
  • Understanding spacing in half court sets.
  • Moving Without the Ball to Create Options

However, he did not explode onto the scene right away. His minutes were accumulated over time. Come the 2008-2009 season, he was averaging double figures in Israel and proving he could extend the floor. Scouts from the United States were taking note. With his height and shooting ability to spread the floor, the NBA was slowly going to take a different turn.

Draft Night and Adjustment to the NBA

Casspi decided to enter the NBA Draft in 2009. He was picked by the Sacramento Kings on the 23rd overall spot. With this selection, Casspi became the first Israeli-born player to be selected for the league. This was a historic selection, but Casspi knew symbolic value would not get him playing minutes.

The NBA is an unforgiving environment in that players must quickly adjust. The schedule is grueling. Travel involves crossing time zones. Teams take advantage of those who wait to react. Casspi began the training camp with the goal to prove himself through performance.

He earned rotation minutes as a rookie. Coaches were impressed by his willingness to shoot when he was open and his efforts on transition. For the 2009-2010 season, he averaged 10.3 points and 4.5 rebounds per game. He scored 30 points against the Golden State Warriors, and he won the Western Conference Rookie of the Month award in December 2009.

Those numbers are important but not in any way which defines him totally. He was a player the team could count on because he moved without the ball and therefore would not demand the ball. He defends within the structure. He also played hard even though the touches were limited.

A Career Marked by Movement

Professional basketball is a sport that rarely guarantees long-term stability for role players. Sacramento traded Casspi to the Cleveland Cavaliers in 2011. Casspi adjusted well in the new system and took on a reduced role. This is a test of the player’s mindset.

He eventually signed with the Houston Rockets, with whom he played primarily as a perimeter shooter. He was expected to make quick decisions. He played with a number of teams over the years wearing different uniforms:

  • Sacramento Kings
  • Cleveland Cavaliers
  • Houston Rockets
  • New Orleans Pelicans
  • Minnesota Timberwolves
  • Golden State Warriors
  • Memphis Grizzlies




Each transition needed a dose of humility. He’d walk into new locker rooms where he’d need to rebuild trust. Some seasons, the playing time was consistent; others, his role was limited. Trades were out of his hands, but preparation wasn’t.

His career averages reflect that steady presence:
Casspi was primarily used as a small forward. In some formations, he was used as a power forward. His game was not based on isolation basketball; rather, he relied on his awareness.

He was good at scoring those types of shots, or catch-and-shoots. His opponents had to respect his shooting. When they did close out on him, he attacked the rim with long strides. He never lied to himself about his commitment to a scoring attempt.

His strengths stood out clearly:

  • Shot selection outside
  • Smart off-ball movement
  • Team-oriented defense
  • Strong Effort in Transition

He approached defense with discipline. He played the position and avoided taking unnecessary risks. Coaches appreciated that.
Experience with a Contender

In 2017, Casspi signed with the Golden State Warriors. The team competed with championship expectations and executed at high speed. Casspi took a limited but defined role. He focused on the need for efficiency.

He averaged 5.7 points per game in restricted minutes. An ankle injury interrupted his rhythm, and the Warriors waived him late in the regular season. Even then, he experienced preparation day-to-day at the very highest level of competition. Practices called for concentration and precise execution.

National Team Engagement

Through all NBA years, Casspi never abandoned Israel’s national team. International competition often placed more responsibility on his shoulders. He carried larger scoring loads and acted as a leader for younger teammates.

His presence in the NBA shifted perception inside Israel: Young players saw tangible proof that advancement to the league did not remain a distant idea. Scouts evaluated Israeli talent with greater interest.

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A Thousand Miracles: From Surviving the Holocaust to Judging Genocide

By MARTIN ZEILIG Theodor Meron’s A Thousand Miracles (Hurst & Company, London, 221 pg., $34.00 USD) is an uncommon memoir—one that links the terror of the Holocaust with the painstaking creation of the legal institutions meant to prevent future atrocities.
It is both intimate and historically expansive, tracing Meron’s path from a child in hiding to one of the most influential jurists in modern international law.
The early chapters recount Meron’s survival in Nazi occupied Poland through a series of improbable escapes and acts of kindness—the “miracles” of the title. Rendered with restraint rather than dramatization, these memories form the ethical foundation of his later work.
That moral clarity is evident decades later when, on the seventy-fifth anniversary of the liberation of Auschwitz, he addressed the UN General Assembly and reminded the world that “the German killing machine did not target Jews only but also the Roma, Poles, Russians and others,” while honoring “the Just—who risked their lives to save Jews.” It is a moment that encapsulates his lifelong insistence on historical accuracy and universal human dignity.
What sets this memoir apart is its second half, which follows Meron’s transformation into a central architect of international humanitarian law. Before entering academia full time, he served in Israel’s diplomatic corps, including a formative posting as ambassador to Canada in the early 1970s. Ottawa under Pierre Trudeau was, as he recalls, “an exciting, vibrant place,” and Meron’s responsibilities extended far beyond traditional diplomacy: representing Israel to the Canadian Jewish community, travelling frequently to Toronto, Montreal, and Vancouver, and even helping to promote sales of Israeli government bonds. His affection for Canada’s cultural life—Montreal’s theatre, Vancouver’s “stunning vistas”—is matched by his candor about the political pressures of the job.
One episode proved decisive.
He was instructed to urge Canadian Jewish leaders to pressure their government to move the embassy from Tel Aviv to Jerusalem—a request he found ethically questionable. His refusal provoked an attempt to recall him, a move that reached the Israeli cabinet. Only the intervention of Finance Minister Pinhas Sapir, who valued Meron’s work, prevented his dismissal. The incident, he writes, left “a fairly bitter taste” and intensified his desire for an academic life—an early sign of the independence that would define his legal career.
That independence is nowhere more evident than in one of the most contentious issues he faced as legal adviser to the Israeli Foreign Ministry: the legal status of Israeli settlements in the occupied West Bank. Meron recounts being asked to provide an opinion on the legality of establishing civilian settlements in territory captured in 1967.
His conclusion was unequivocal: such settlements violated the Fourth Geneva Convention as well as the private property rights of the Arab inhabitants. The government chose a different path, and a wave of settlements followed, complicating prospects for a political solution. Years later, traveling through the West Bank, he was deeply troubled by the sight of Jewish settlers obstructing Palestinian farmers, making it difficult—and at times dangerous—for them to reach their olive groves, even uprooting trees that take decades to grow.
“How could they impose on Arab inhabitants a myriad of restrictions that did not apply to the Jewish settlers?” he asks. “How could Jews, who had suffered extreme persecution through the centuries, show so little compassion for the Arab inhabitants?”
Although he knew his opinion was not the one the government wanted, he believed firmly that legal advisers must “call the law as they see it.” To the government’s credit, he notes, there were no repercussions for his unpopular stance. The opinion, grounded in human rights and humanitarian law, has since become one of his most cited and influential.
Meron’s academic trajectory, detailed in the memoir, is remarkable in its breadth.
His year at the Max Planck Institute in Heidelberg (1984–85) produced Human Rights Law–Making in the United Nations, which won the American Society of International Law’s annual best book prize. He held visiting positions at Harvard Law School, Berkeley, and twice at All Souls College, Oxford.
He was elected to the Council on Foreign Relations in 1992 and, in 1997, to the prestigious Institute of International Law in Strasbourg. In 2003 he delivered the general course at the Hague Academy of International Law, and the following year received the International Bar Association’s Rule of Law Award. These milestones are presented not as selfpromotion but as steps in a lifelong effort to strengthen the legal protections he once lacked as a child.
His reflections on building the International Criminal Tribunal for the former Yugoslavia (ICTY)—balancing legal rigor with political constraints, and confronting crimes that echoed his own childhood trauma—are among the book’s most compelling passages. He writes with unusual candor about the emotional weight of judging atrocities that, in many ways, mirrored the violence he narrowly escaped as a boy.
Meron’s influence, however, extends far beyond the Balkans.
The memoir revisits his confidential 1967 legal opinion for the U.S. State Department, in which he concluded that Israeli settlements in the territories occupied after the Six Day War violated international humanitarian law—a view consistent with the opinion he delivered to the Israeli government itself. His distress at witnessing settlers obstruct Palestinian farmers and uproot olive trees underscores a recurring theme: the obligation of legal advisers to uphold the law even when politically inconvenient.
The book also highlights his role in shaping the International Criminal Court (ICC). Meron recalls being “happy and excited to be able to help in the construction of the first ever permanent international criminal court” at the 1998 Rome Conference.
His discussion of the ICC’s current work is characteristically balanced: while “most crimes appear to have been committed by the Russians” in Ukraine, he notes that “some crimes may have been committed by the Ukrainians as well,” underscoring the prosecutor’s obligation to investigate all sides.
He also points to the ICC’s arrest warrants for President Putin, for Hamas leaders for crimes committed on October 7, 2023, and for two Israeli cabinet members for crimes in Gaza—examples of the Court’s mandate to pursue accountability impartially, even when doing so is politically fraught.
Throughout, Meron acknowledges the limitations of international justice—the slow pace, the uneven enforcement, the geopolitical pressures—but insists on its necessity. For him, law is not a cureall but a fragile bulwark against the collapse of humanity he witnessed as a child. His reflections remind the reader that international law, however imperfect, remains one of the few tools available to restrain the powerful and protect the vulnerable.
The memoir is also a quiet love story.
Meron’s devotion to his late wife, Monique Jonquet Meron, adds warmth and grounding to a life spent confronting humanity’s darkest chapters. Their partnership provides a counterpoint to the grim subject matter of his professional work and reveals the personal resilience that sustained him.
Written with precision and modesty, A Thousand Miracles avoids selfaggrandizement even as it recounts a career that helped shape the modern architecture of international justice.
The result is a powerful testament to resilience and moral purpose—a reminder that survivors of atrocity can become builders of a more just world.

Martin Zeilig’s Interview with Judge Theodore Meron: Memory, Justice, and the Life He Never Expected

In an email interview with jewishpostandnews.ca , the 95 year-old jurist reflects on survival, legacy, and the moral demands of international law.
Few figures in modern international law have lived a life as improbable—or as influential—as Judge Theodore Meron. Holocaust survivor, scholar, adviser to governments, president of multiple UN war crimes tribunals, Oxford professor, and now a published poet at 95, Meron has spent decades shaping the global pursuit of justice. His new memoir, A Thousand Miracles, captures that extraordinary journey.
He discussed the emotional challenges of writing the book, the principles that guided his career, and the woman whose influence shaped his life.
Meron says the memoir began as an act of love and remembrance, a way to honor the person who anchored his life.
“The critical drive to write A Thousand Miracles was my desire to create a legacy for my wife, Monique, who played such a great role in my life.”
Her presence, he explains, was not only personal but moral—“a compass for living an honorable life… having law and justice as my lodestar, and never cutting corners.”
Reflecting on the past meant confronting memories he had long held at a distance. Writing forced him back into the emotional terrain of childhood loss and wartime survival.
“I found it difficult to write and to think of the loss of my Mother and Brother… my loss of childhood and school… my narrow escapes.”
He describes the “healing power of daydreaming in existential situations,” a coping mechanism that helped him endure the unimaginable. Even so, he approached the writing with restraint, striving “to be cool and unemotional,” despite the weight of the memories.
As he recounts his life, Meron’s story becomes one of continual reinvention—each chapter more improbable than the last.
“A person who did not go to school between the age of 9 and 15… who started an academic career at 48… became a UN war crimes judge at 71… and became a published poet at the age of 95. Are these not miracles?”
The title of his memoir feels almost understated.
His professional life has been driven by a single, urgent mission: preventing future atrocities and protecting the vulnerable.
“I tried to choose to work so that Holocausts and Genocides will not be repeated… that children would not lose their childhoods and education and autonomy.”
Yet he is cleareyed about the limits of the institutions he served. Courts, he says, can only do so much.
“The promise of never again is mainly a duty of States and the international community, not just courts.”
Much of Meron’s legacy lies in shaping the legal frameworks that define modern international criminal law. He helped transform the skeletal principles left by Nuremberg into robust doctrines capable of prosecuting genocide, crimes against humanity, and wartime sexual violence.
“Fleshing out principles… especially on genocide, crimes against humanity and especially rape.”
His work helped ensure that atrocities once dismissed as collateral damage are now recognized as prosecutable crimes.
Even with these advances, Meron remains realistic about the limits of legal institutions.
“Courts tried to do their best, but this is largely the duty of States and their leaders.”
Justice, he suggests, is not only a legal project but a political and moral one—requiring courage from governments, not just judges.
Despite witnessing humanity at its worst, Meron refuses to surrender to despair. His outlook is grounded in history, tempered by experience, and sustained by a stubborn belief in progress.
“Reforms in the law and in human rights have often followed atrocities.”
He acknowledges that progress is uneven—“not linear,” as he puts it—but insists that hope is essential.
“We have ups and downs and a better day will come. We should work for it. Despair will not help.”
Judge Theodore Meron’s life is a testament to resilience, intellect, and moral clarity.
A Thousand Miracles is not simply a memoir of survival—it is a record of a life spent shaping the world’s understanding of justice, guided always by memory, principle, and the belief that even in humanity’s darkest hours, a better future remains possible.

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Gamification in Online Casinos: What Do Casino Online DudeSpin Experts Say

Gamification is one of the trends in modern game development. The technology allows players to interact with in-game elements and complete various tasks to earn additional rewards. Sites like casino online DudeSpin are eager to explore new technologies. Canadian players are particularly drawn to gamification for the opportunity to test their skills and have fun. Various development approaches allow for the implementation of much of this functionality already at this stage of development.
Core Elements of Gamification
Gamification is a technology that implements various elements to increase player attention. This mechanic not only attracts new users but also increases the time spent playing. This method rewards the most active players and also uses interactive elements that evoke certain associations and habitual actions.
Gamification elements include:
Achievement systems. Players earn special points and rewards for achieving certain goals. For example, unlocking a new level awards points and free spins on slot machines.
Leaderboards. Competitive rankings increase player attention and encourage active betting. Furthermore, healthy competition between participants improves their overall performance.
Progressive mechanics. Players consistently achieve higher results, which unlock additional privileges. Constant progression creates the effect of maximum engagement and attention to the user’s personality.
Challenges. Special quests and daily missions help players feel needed, and a structured goal system encourages active betting.
Sites like casino online DudeSpin utilize all these components to make players feel part of a unified, evolving system.
Psychological Appeal of Gamification
The key to gamification’s success is that every player wants to feel special and appreciated. A reward system stimulates dopamine, which creates additional rewarding gameplay experiences. This is how sites like casino online DudeSpin retain a loyal audience and build a strong community.

Stable player progress serves as a motivation to continue betting and unlocking new achievements. Furthermore, a certain level on the leaderboard provides an opportunity to showcase your skills and connect with others at your level. Personalized offers enhance the effect of this uniqueness, encouraging more active betting in games. Structured goals and achievements help players manage their time spent active, focusing only on activities that truly benefit them.
Canadian Perspective on Gamified Casino Experiences
Canadian casinos are using gamification techniques for a reason. They’re developing a legal and modern market that appeals to local audiences. Furthermore, operators like casino online DudeSpin operate in compliance with local laws, which fosters trust.

Another reason for gamification’s popularity is the localization of content. All games, prizes, and tournaments are tailored to the local market. A loyal community communicates in a clear language and interacts according to audience preferences.

Many casinos also integrate responsible options to help players manage their deposits and avoid overspending. This structure makes gamification attractive.
Finally, gamification is already a traditional element of gameplay in Canadian casinos, attracting new audiences and increasing loyalty among existing ones.

Technology evolves alongside new opportunities, and operators strive to offer the best benefits to their most active players. This interaction makes gamification a viable solution for gamblers. Leaderboards, achievements, and adaptive features are particularly popular with Canadian users due to their personalization.

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