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Winnipeg’s own Jonas Chernick discusses how he made his latest movie, “JAMES VS. HIS FUTURE SELF”

Jonas Chernick

By BERNIE BELLAN
Elsewhere on this website we have an article about a new movie, titled “JAMES VS. HIS FUTURE SELF”, which was slated to receive its Winnipeg premiere April 3.
As events have overtaken the original plan, filmmaker Jonas Chernick, who wrote, produced, and starred in the movie explained that the Canadian distributors of the film have changed how the movie will now roll out.
Instead of being shown in theatres, the movie will now go straight to video on April 3, including digital release on iTunes and Video on Demand through such providers as Shaw, Bell MTS, and Rogers.

We had a chance to talk with Chernick while he was cooped up in his Toronto home – along with his wife, two kids, a dog and a cat.
For those of our readers who are not already familiar with Chernick’s background, here’s a brief summary: He’s a graduate of Grant Park High School and the University of Manitoba. He is also an alumnus of Camp Massad, where he was both a camper and a counselor. He served on the staff of the Rady Jewish Community Centre and has appeared in four different productions of the Winnipeg Jewish Theatre over the years.
“JAMES VS. HIS FUTURE SELF” marks the third film that Chernick has written and produced and in which he has starred. The previous two were “My Awkward Sexual Adventure” (released in 2012) and “Borealis” (released in 2016).
As someone who has always maintained a strong connection to the Winnipeg Jewish community, we have been chronicling Chernick’s career in these pages for years. Making films is not an easy route to follow, but Chernick has shown that it is possible to forge a successful career path despite the many challenges that await any aspiring filmmaker.
But now, with the latest hurdle to overcome in the form of a pandemic virus that has thrown all the previous plans for unveiling the film across Canada out the window, Chernick is still looking forward to seeing the film find success in a different way than he might have otherwise anticipated – by going straight to video, something that usually doesn’t occur until at least six months after a movie has been shown in theatres.

We began our interview by asking about how the COVID-19 pandemic has altered plans for not just “JAMES VS. HIS FUTURE SELF”, but so many other movies that were slated to be released soon?
Chernick said: “They actually have announced that several major releases are going to come straight to our living rooms. ‘Trolls’ – which was expected to be a huge blockbuster, is going to be released straight to digital.”
I wondered whether Chernick himself was going to take a financial hit over the change in plans for how the movie is going to be released.
Chernick explained that “the way it works with my film and the way I think most films – certainly Canadian films, is we’ve already sold the Canadian rights to the movie to a Canadian distribution company; in our case, they’re called Northern Banner Releasing. I’ve done a number of films with them; they’re wonderful partners – and they’ve had the Canadian rights to this movie for years.
“The way it works is they help us make the film by prebuying the Canadian rights, so the revenue from Canada goes through them and, if the movie does very well – sure, we’ll get something called ‘overages’, which means some of the profits will flow through to the producers, including me. But, that’s not really a concern for my team. We just want the movie to be seen by as many people as we can. Nobody gets into the independent film business to make millions of dollars.
“Luckily for me, as an actor, writer, producer, story editor, consultant – I do fine with multiple projects, but nobody is in this to become a millionaire. We’re artists, we made a movie – and we’re very proud of it. We made one that we think people will really like – it’s an audience friendly movie.”
I said to Chernick that I always enjoy helping to promote one of his new movies, saying to him “It’s like having a baby again: You go through the same steps. This time around though, the baby’s in the hospital and you’re not sure when it’s going to come out.”

It had been four years since I last spoke with Chernick – just after “Borealis” was released, and I noted that he had mentioned that back in 2016, while he ”had several irons in the fire”, there was one movie in particular that he thought had the best chance of being made.
Chernick agreed, saying: “This was the one that people were most excited about when I pitched it, so I felt like we had a good chance at getting this one made.”
I noted that this was now the third film that Chernick had written and produced, and in which he had starred – and about which I had now written, so some day I will be able to write about “the pantheon of Jonas Chernick movies” because I’ve never used the word “pantheon” in a sentence before.
It was following release of “My Awkward Sexual Adventure” in 2012 that Chernick met the guy who eventually became the director of “JAMES VS. HIS FUTURE SELF”, Jeremy LaLonde. They were both at a California film festival and someone introduced them to each other as the two Canadians who had just made “sex comedies”. In time, Chernick would end up starring in a LaLonde film called “How to Plan an Orgy in a Small Town” (which can be purchased on iTunes, Chernick said).
As people who are involved in the film industry are prone to do, Chernick and LaLonde traded ideas – and scripts, back and forth, bouncing ideas off one another, until the idea for “JAMES VS. HIS FUTURE SELF” began to take hold – in 2016.
According to Chernick though, before they began to focus on “JAMES VS. HIS FUTURE SELF”, LaLonde had asked him whether Chernick had “any ideas in the science fiction world” and Chernick said “I have one idea that’s not much of an idea and I kind of pitched it to him in probably two sentences – and he loved it and said ‘let’s develop that, let’s flesh that out’, and very quickly we turned that into what became “JAMES VS. HIS FUTURE SELF”.
We discussed how the drastic change in how the movie is going to be released might affect the kind of “buzz” that a movie needs to develop in order to be successful.
Chernick explained: “Normally a movie that gets released on digital or VOD (Video on Demand) doesn’t receive a lot of media attention because there are so many titles, but in this case we already have a lot of attention. We’ve won a bunch of awards and we’ve played at a bunch of prestigious festivals, and the media in Canada have been very supportive – so, thanks to people like you and other outlets, it’s going to make a splash and people are going to know about it.
“Everybody’s at home! What else are they going to do? You can have a laugh, feel charmed – and enjoy yourself for an hour and a half.”

I said to Chernick that I was amazed how many reviews of “JAMES VS. HIS FUTURE SELF” I had actually been able to find online. “It’s amazing,’ I said. “Your film has only been on the festival circuit, yet it already has so many reviews.”
“You’re right,” Chernick answered. “It’s only been on the festival circuit, but I will say that I am a tireless soldier when it comes to promoting my movies.”
“And almost all the reviews are favourable,” I noted – except for one, “from a guy who complained that the movie was a ‘rom com’ – early 2000s vintage. “
“But, when I read that,” I said to Chernick , “I thought to myself: ‘I love rom coms. I wish they would make more of them.”
“Absolutely,” Chernick said. “All of my movies are romantic comedies. I think most comedies are rom coms. We call this a ‘sci fi rom com’, but it’s less sci fi than it is rom com. It’s truly a romantic comedy hiding inside a time travel movie – with very little time travel…just enough to satisfy the science fiction geeks, as we learned when we were programmed by one of the top science fiction film festivals in the world – the Toronto After Dark Festival.
“We were worried that the audience was going to turn on us at that festival, but we ended up winning four awards at that festival.”
I noted that I wasn’t familiar with that particular festival. I said that I assumed it “was a festival for people who didn’t like to go out in the day time” (which got a laugh from Chernick).
Chernick went on to say that “the real surprise for us was getting nominated for Canadian Screen Awards because this is not the kind of film that typically gets acknowledged by the Academy (of Canadian Cinema and Television). This is a fun comedy with some raunchy humour.”

Daniel Stern in a scene from the movie

At that point in the interview I said to Chernick that I wanted to switch gears and, rather than talk more about how the film was made and how it’s going to be distributed, I wanted to talk about Daniel Stern, who really steals the movie when he appears in it.
I said that I purposely hadn’t read much about the movie before I watched it, but when I saw Daniel Stern appear for the first time, I said to myself: “I know that guy. He was in ‘Home Alone’. “ (Later, Chernick pointed out that Stern was also made famous for having been in the “City Slicker” movies.)
(Note: Stern plays an older version of Chernick, who comes back in time to try and persuade the character played by Chernick to abandon his dreams of time travel.)
“Where has Daniel Stern been all these years?” I asked Chernick.
“He kind of stepped away from the limelight after the ‘Home Alone’ and ‘City Slicker’ movies were such blockbuster,” Chernick explained. ”He wrote and directed some films and some TV and then, because he didn’t have to work, he kind of walked away a little bit and he became a reclusive artist.
“He lives on a property in California – away from all the action, and he makes gigantic bronze sculptures in his art studio – and sells them all over the world. He’s an amazing artist, but he hasn’t really done a lot of movies in the last several years because he doesn’t really like leaving home.
“But we went after him pretty aggressively because we just felt that he was the perfect guy for this part. We had a really short list that he was at the top of – for a bunch of reasons, but mostly because we have this nostalgic relationship with Daniel Stern based on his movies from the 80s and 90s – and our movie is about nostalgia; it’s about looking back.
“Also, he’s similar enough to me in his personality and his persona – his lovable loser, Jewish, nebbishy vibe – from his earlier years, but he’s become something else at the same time. He’s now a big guy (physically – as viewers might be surprised to see. Man, has Stern ever put on a lot of weight!) and somewhat intimidating, so we really liked the idea that he was once like me but that he’s evolved into something other than that – and we found that really interesting for his part.”

“And you provide a credible explanation as to why there’s no real physical similarity – except for one part of your anatomy (cue the penis jokes),” I suggested. “Now, that’s one that I found a bit of a stretch – no pun intended.”

Frances Conroy

I also asked Chernick about another actor who appears in the movie who, I admit, I had never heard of – until Chernick filled me in as to who she is and where I might have seen her. The character, Dr. Crowley, is head of a world class lab in which Chernick’s character is also a scientific researcher.
“Her name is Frances Conroy,” Chernick said. “She’s in many ways an acting icon. She was the matriarch on one of the most ground-breaking shows of all time: HBO’s ‘Six Feet Under’.”
“Oh,” I said, “but you know I never watched that.” (which shouldn’t excuse my ignorance because I usually am quite au courant with useless trivia).
“That show was nominated for five or six Emmys every year,” Chernick added. “She’s also a Broadway star. She’s also been one of the leads on a very popular show called “American Horror Story” (which I always assumed was a story about my own family) and most recently she played the mother of the Joker in the “Joker” movie.”
“Oh, that’s her,” I exclaimed, showing once again my ignorance of an all-important fact.
“Her character has this turn of phrase,” I noted, “when she reacts to someone swearing. What does she call it?” I asked.
“Swear scream…. She says it as if it’s a common phrase,” Chernick explained – as in, “If you’re going to ‘swear scream’ someone’s name, at least have something compelling to say when you finally have their attention.’ “
I said that she’s so ‘self contained’ when she appears in the movie – constantly showing incredible restraint when she’s subjected to a barrage of profanity from one or another of the characters in the movie, especially the character played by Daniel Stern. Also, I wondered, considering how she’s so terrific in her relatively small part, couldn’t Chernick have written a larger role for her?
“I think one of the appealing things for her,” Chernick explained, “is that this was an extended cameo for her. This is something that she would be able to come in and do relatively quickly. Now, it should be noted that, being the pro she is, she didn’t treat it that way at all. She had read so many books on particle physics (Conroy plays the part of a particle physicist, as does Chernick), she was so prepared – she was over prepared – she blew our minds how great she was.”

I said to Chernick that he must be so disappointed he won’t be able to premiere his movie in person in front of a Winnipeg audience.
“I was really excited to be there in front of my home town audience,” Chernick admitted, “with friends and family, but we’re going to try to do some sort of question and answer session online via Reddit or one of these online chat systems.”
I asked whether there’s anything else Chernick might like to add.
He said that “people are running out of things to watch right now. Why not watch a funny, entertaining movie by a Winnipeg Jew?”
Then, I thought to add the most important question that I had forgotten to ask:
“When is the movie going to open in Lithuania?” (in reference to the fact that the Lithuanian remake of “My Awkward Sexual Adventure”, titled “Nepatyres” (or “Unexperienced” in English) had the third best box office opening for any movie ever shown in that country).
Chernick laughed and said, “it’s opening (or slated to open) in the United States on May 1st and in the U.K. on April 27th, but I’m not sure about Lithuania.”
“The Baltic states will be key to your success,” I suggested.

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Features

Bitcoin Price Volatility: WOA Crypto – Why Cloud Mining Becomes a Safe Haven for Investors

(Posted Oct. 10, 2025) Bitcoin once again attracted market attention today, with the price around $122,259, with an intraday high of $124,138 and a low of $121,141. Driven by capital flows, ETF inflows, and macroeconomic factors, Bitcoin recently hit a new high, but encountered retracement pressure today and fluctuated widely between $121,000 and $124,000 during the initial decline.
There have been no major structural changes in capital flows. For most investors, the best way to deal with volatility is not to try to precisely time peaks and troughs, but to let assets generate returns both in the ups and downs.
Cloud Mining: A New Approach Beyond “Observing the Charts”
In a constantly volatile market, checking charts, chasing peaks (and then cutting losses) is routine—actions that often lead to emotional exhaustion and poor decision-making. Cloud mining offers a solid, rules-based revenue model.
What is cloud mining?
Cloud mining allows you to mine Bitcoin and other altcoins without having to purchase, manage, or maintain any mining hardware. Simply invest your digital assets (e.g., BTC, ETH, XRP, USDT), and the platform will provide you with the computing power and handle all technical issues. Yes, the system will mine for you and pay you daily.
To summarize: you invest cash, the platform provides computing power, and your time pays off.

During periods of high prices and volatility, cloud mining (due to its daily payouts and weak correlation with price fluctuations) attracts more rational investors.
WOA Crypto Mining: Making Cloud Mining Practical
Among the many cloud mining services, WOA Crypto positions itself as a simple, secure, and transparent service—allowing investors to focus on more than just price monitoring.

Key highlights of WOA Crypto

Zero technical barriers: No hardware setup or maintenance required.

Daily payouts: Profits are automatically settled every 24 hours, ensuring a stable cash flow.

Multi-asset support: Accepts BTC, ETH, XRP, and USDT.

Transparent and secure system: Clear rules, an open profit structure, and a proven withdrawal mechanism.

Green energy and global deployment: Using efficient computing centers powered by renewable energy to increase stability and reduce costs

How to start your WOA Crypto mining journey
Visit the official WOA Crypto website.

Register using your email address and create a password.

Simply deposit BTC, ETH, XRP, or USDT, and your funds will be converted into computing power.

Choose a mining contract plan and start earning your first profit within 24 hours.

No technical knowledge or hardware required, no need to follow market trends: this simple-to-use app will give you a comfortable home cloud mining experience. Click here to get started.

Conclusion: Finding stability amidst volatility
While the price of Bitcoin has fluctuated between $121,000 and $124,000, the winners haven’t been those who perfectly timed the tops and bottoms, but rather those who consistently let the asset perform.

Cloud mining eliminates most of the emotional fluctuations in trading and provides a strategy that is easy to accumulate over the long term, which can continue to accumulate capital even in uncertain times. In times of market volatility, letting assets grow in value is undoubtedly the most resilient investment strategy.

Official email: info@woacrypto.com

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Features

Beyond Pusoy and Tongits: A Look at GameZone’s Exclusive Gaming Portfolio

Explore GameZone Exclusive Games

For generations, Tongits and Pusoy have stood as cornerstones of Filipino gaming culture. These games transcend mere pastime; they are social rituals—played during birthdays, family reunions, and even the quiet nights of a lamay. 

Each hand dealt carries a blend of laughter, banter, and skill, weaving together community and camaraderie.

Yet as the Filipino way of life becomes increasingly digital, traditional card games are evolving. Platforms like GameZone Philippines have taken up the mantle of preserving this heritage while pushing it forward. 

Through its exclusive lineup of innovative titles, GameZone bridges the past and the future, offering a selection of games that celebrate the Filipino gaming spirit while embracing modernity.

Beyond the familiar cards of Tongits and Pusoy, GameZone exclusive games represent a new chapter in online entertainment—one defined by variety, quality, and distinctly Filipino ingenuity.

GameZone Exclusive Games: The New Standard of Digital Play

While Tongits and Pusoy remain at the heart of the GameZone experience, the platform’s exclusive gaming portfolio expands far beyond them. 

These titles embody both creativity and technical precision, providing fresh gameplay experiences that suit every mood—from strategic planning to fast-paced reflex challenges.

Below are six of the most notable GameZone exclusive games that exemplify this new wave of Filipino digital entertainment.

1. Tongits Joker: A Reinvention of a Classic

In the hierarchy of Filipino card games, Tongits reigns supreme. But GameZone’s Tongits Joker brings a compelling innovation to this beloved classic. 

The addition of the Joker card injects a new level of unpredictability into each round, allowing it to function as a wildcard that can transform the tide of play.

Players can now form unique combinations, such as the elusive five-of-a-kind, while testing their ability to think ahead and adapt in real time. 

This heightened complexity introduces a more dynamic experience—balancing luck, logic, and creativity.

Tongits Joker honors the original’s community-based spirit while challenging players to reimagine their strategies. 

It is both a tribute to Filipino tradition and a step toward a more competitive and intellectually engaging future for local gaming.

2. Mines+: The Pursuit of Precision

While many online games lean on chance, Mines+ rewards observation, calculation, and the courage to take measured risks. 

Drawing inspiration from the classic minesweeper concept, this GameZone exclusive enhances the experience through refined visuals, intuitive gameplay, and a structure that prioritizes precision over luck.

Each click becomes a strategic decision—an interplay between instinct and logic. One mistake can end a run, yet each victory feels earned through sheer focus. 

Mines+ encapsulates the essence of mental discipline, offering a simple yet sophisticated game that appeals to players who appreciate mastery over fortune.

3. Ultra Ace: Where Speed Meets Skill

Modern gaming thrives on immediacy, and Ultra Ace delivers precisely that. This fast-paced card-based competition challenges players to think and react under pressure, rewarding sharp timing and accuracy.

Every round becomes a test of reflex and reason as players chase the elusive “Ultra Ace” hand—the perfect combination that guarantees victory. 

The game’s minimalistic design ensures focus remains on the action, while its competitive environment captures the spirit of Filipino resilience and determination.

Ultra Ace exemplifies GameZone’s approach: offering entertainment that is not only thrilling but also deeply skill-oriented. It invites players to refine their instincts while enjoying the exhilaration of quick, decisive play.

4. Candy Rush: Simplicity Refined

At the lighter end of the spectrum lies Candy Rush, a game designed to soothe rather than stress. Despite its charming aesthetic and simple mechanics, it is far from ordinary.

Players engage in an endless rhythm of matching and scoring, each round inviting a satisfying sense of progression. Its accessible gameplay ensures it can be enjoyed by all ages, while its clever design keeps engagement high even during short breaks.

More than just a casual diversion, Candy Rush demonstrates GameZone’s understanding of player psychology. It balances challenge and comfort, ensuring that gaming remains a pleasurable escape rather than a test of endurance.

By stepping beyond card-based mechanics, GameZone showcases its versatility, proving it can craft experiences that entertain across genres while maintaining polish and playability.

5. Lucky Hilo: Strategy in Simplicity

At first glance, Lucky Hilo appears deceptively straightforward: predict whether the next card or number will be higher or lower. Yet beneath that simplicity lies a complex interplay of intuition and statistical reasoning.

GameZone’s refined interface and brisk pacing elevate Lucky Hilo into something more strategic and rewarding than chance alone. Each decision tests a player’s understanding of probability and pattern recognition, encouraging thoughtful play over reckless guessing.

It’s a game of instinct—but also of restraint. And that balance between gut feeling and smart calculation makes Lucky Hilo a standout among GameZone’s exclusive offerings.

6. Super Gems: The Pressure of Precision

In contrast to Candy Rush’s calm charm, Super Gems thrives on intensity. The game demands that players match colorful gems under strict time limits, transforming each session into a contest of focus and reflexes.

Every second counts. The ticking clock heightens tension, rewarding quick thinking and composure under pressure. Yet beneath that adrenaline rush lies an elegant design—proof that competitive play can be both thrilling and aesthetically pleasing.

Through Super Gems, GameZone delivers a polished arcade-style experience that merges strategy with spectacle, further diversifying its gaming catalog.

About GameZone Philippines

GameZone Philippines is a premier online entertainment platform that redefines digital gaming for Filipino audiences. 

With a deep respect for local culture and an eye toward technological innovation, GameZone curates a library of skill-based, interactive, and socially engaging titles that mirror the vibrancy and wit of Filipino gamers.

The platform’s commitment to quality and creativity has established it as a leader in the Philippine gaming landscape. 

Each of its exclusive titles—whether rooted in tradition or exploring new frontiers—underscores a dedication to community, fairness, and fun.

GameZone also prioritizes accessibility, ensuring that players of all backgrounds can participate and connect through shared experiences. 

Its games foster friendly competition, mental engagement, and social connection, embodying the true spirit of Filipino gaming: inclusive, inventive, and endlessly entertaining.

Beyond recreation, GameZone’s mission extends to community-building. It aims to strengthen the digital bonds among Filipino players worldwide by providing a safe, enjoyable, and skill-oriented gaming environment.

Redefining Filipino Gaming in the Digital Era

The GameZone exclusive games discussed here symbolize a broader cultural shift. Where once the nation’s gamers gathered around tables and decks of cards, they now connect across screens and servers—united by nostalgia, skill, and innovation.

These titles represent not just entertainment but evolution. They reaffirm that Filipino gaming is alive, adaptive, and forward-looking. 

From the strategic depth of Tongits Joker to the casual charm of Candy Rush, every game reflects GameZone’s vision of blending tradition with technology.

In essence, GameZone is more than a platform; it is a movement to reimagine Filipino play for the modern age. 

By offering diverse experiences that balance challenge, creativity, and cultural identity, it ensures that the joy of gaming remains a shared and enduring part of Filipino life.

So the next time you log in, look beyond Pusoy and Tongits. Explore GameZone’s exclusive portfolio—and discover how the future of Filipino gaming continues to evolve, one expertly crafted game at a time.

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With Gaza War Ending, Where Does Jordan Stand?

King Abdullah of Jordan

By HENRY SREBRNIK Today’s “two-state solution” for the pre-1948 Palestine Mandate governed by the United Kingdom is an offshoot of the older idea of partition: the division of the land into Jewish and Arab countries. Transjordan, as it was then called, had been cut from the original Mandate in 1921 and became, first, a separate British mandate under an emir, and in 1946, as Britain was on the verge of leaving Palestine, the Hashemite Kingdom of Jordan. It was always a fragile creation, yet it has lasted to this day, often defying predictions of its imminent demise by friends and foes alike.

Some analysts are currently floating another old idea. Given the basic instability and unsustainability of any Palestinian state in the West Bank (with or without Gaza), a Jordanian-Palestinian confederation comprising the Hashemite Kingdom and the West Bank might, in their eyes, be a better idea.

They view a Jordanian security presence in the West Bank as reliable, more so, certainly, than a Palestinian one. The late King Hussein proposed such a confederation in 1972: a united kingdom consisting of two districts, with full West Bank autonomy except for Jordan’s control of military and security matters and foreign affairs. In 1977, U.S. President Jimmy Carter raised it with Prime Minister Menachem Begin; at various times, President Anwar Sadat of Egypt and U.S. Secretary of State Henry Kissinger espoused the idea. 

Indeed, Hussein and PLO president Yasir Arafat agreed to such a confederation in 1985. The king defended this as a “a matter of shared history, experience, culture, economy, and social structure.” Jordan is Arab and Muslim, and already a majority of Jordanian citizens are themselves Palestinian in origin. He believed that the Palestinians would be better served by linking their destiny with Jordan, “a sovereign state which enjoys credible international standing.”

Yet only three years later Jordan renounced the plan, and following the 1993 Oslo Accords, which created a PLO entity in the West Bank, that idea has faded away. Yet it still has some currency, with Palestinian support at times fairly robust. Many Israelis maintain that it would be desirable if the Palestinians became citizens of existing Arab states, Jordan in particular. 

But why would Jordan acquiesce to this today? It is true that Jordan controlled the West Bank between 1948 and 1967. But Palestinian national identity back was not as pronounced as it is today. The current extreme forms of nationalism and Islamism don’t fit a traditional hereditary monarchy. Conservatives in Jordan fear that Jordan’s already large Palestinian population would come to dominate domestic affairs.

During the 1960s and 1970s, Palestinian armed factions seriously endangered the Jordanian regime, culminating in the Black September civil war between 1970–1971, and for that reason Palestinian political influence is still suppressed in today’s Jordan. 

Nor might this really benefit Israel. What if in such a confederation a resurgent Hamas, Islamic Jihad, or other terrorist group succeeded at overthrowing the Hashemites? The consequences would be far graver than if the same thing happened in a fully independent, PLO-led Palestinian state on the 1949 armistice lines. 

The kingdom is also one of the world’s largest recipients of U.S. economic and military assistance, with one of the best-trained armies in the Middle East and advanced American weaponry. If this arsenal were to fall into the hands of Islamists, Jordan would be far more dangerous than a would-be Palestinian state.

Shortly after the Gaza war started, the kingdom saw massive demonstrations against Israel, spurred by the resurgence of the Muslim Brotherhood, who support Hamas and leveraged the public outcry over Israel’s military operations, with aid from Iran, which has stepped up its efforts to destabilize the kingdom by reactivating Islamist groups within the country. Protests organized by the group have been dominated by Hamas flags and pro-Hamas slogans.

The group’s political arm, the Islamic Action Front, is the largest opposition group in Jordan’s parliament since its gains in last year’s parliamentary election, the first following a series of reforms introduced by King Abdullah II aimed at promoting greater democratization. 

Jordan’s security services on April 15 arrested 16 people suspected of plotting attacks inside the country involving rockets and drones. The hand of Iran was suspected. Jordan accused the Muslim Brotherhood of planning the attacks and introduced a blanket ban against the group April 23.

The relationship between Israel and Jordan has had its ups and downs, though since a 1994 treaty they are formally at peace. The second intifada, 2000-2005, and Israel’s 2008-2009 military operation in Gaza, were challenging periods. In 2017, an Israeli security guard at the Israeli embassy in Amman killed an assailant and an innocent Jordanian national, shuttering the embassy for six months. The Gaza war has, naturally, put increased strain between the two nations, and in the last several years, it’s been mainly a peace upheld by security coordination. 

King Abdullah has of late been particularly critical of Israel. The king joined 56 other countries at the September 15 joint meeting of the Arab League and Organization of Islamic States, following Israel’s September 9 attack on Hamas leaders in Doha, Qatar, in calling for tougher measures against the Jewish state. He also contended that the attack was “proof that the Israeli threat has no limits,” and advocated for a “clear, decisive, and deterrent” response. He urged a “review all our tools of joint action to confront the threat of this extremist Israeli government.”  

During his September 23 speech before the UN General Assembly, King Abdullah again centred his remarks on Israel. He criticized Israel for attacking Iran, Syria, and Lebanon, though all three have had Iranian proxies that posed direct threats to Jordan. He accused Israel of complicity in the desecration of Muslim and Christian holy sites in Jerusalem. He even stated that Israel was a threat to the Al Aqsa Mosque. (Jordan maintains administrative control of the Temple Mount because Israel granted that in 1967 following the Six Day War. But in return, no other religion other than Islam is permitted to pray anywhere on the of the Temple Mount.)

On November 1, 2023, Jordan pulled its ambassador from Tel Aviv. Amman also encouraged the European Union and the United Nations to sanction and embargo arms transfers to Israel. The Allenby Bridge, also known as the King Hussein Bridge, which crosses the Jordan River, was shut on September 19, after two Israelis were murdered at the crossing by a Jordanian truck driver. It was the second incident of its kind in a year, following the killing of three Israelis in September 2024. The bridge reopened four days later.

Israel and Jordan share a critical and lengthy border, secured by the peace agreement. The boundary is 482 kilometres long and stretches from the Golan Heights through the West Bank and the Dead Sea to its terminus at the Gulf of Aqaba. Jordan also provides Israel with strategic depth and early warning vis-à-vis Iran. In April and October 2024, as well as during the June 15-23 twelve-day war, bilateral defense cooperation was critical to helping to counter Iranian missile and drone attacks against Israel. A weakened Jordan would place Israel in a far more dire situation.

Henry Srebrnik is a professor of political science at the University of Prince Edward Island.

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