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A 19th-century painting of the Western Wall could fetch $3M at Sotheby’s
(New York Jewish Week) – A hyper-realistic 19th-century painting of worshippers at the Western Wall that spent many forgotten years in a synagogue’s storage room is headed to auction at Sotheby’s New York on Thursday.
The painting, “The Western Wall,” created in the late 1880s by German artist and illustrator Gustav Bauernfeind, is expected to fetch an estimated $2 to $3 million.
In his day, 1848-1904, Bauernfeind, who had some Jewish ancestry, was a well-known “Orientalist” painter who stood out for his realism and focus on architecture. This particular piece was donated to a synagogue in Southern California in the mid-1980s by the family of Theodore Cummings, a former U.S. ambassador to Austria and confidante to President Ronald Reagan. However, many years ago, during renovations on the synagogue, the painting was placed into storage — where it remained until the executive director of the congregation discovered the piece last summer.
The director of the synagogue, which wishes to be anonymous, reached out to Benjamin Doller, a Sotheby’s senior auctioneer and its chairman of the Americas, who has previously auctioned several of Bauernfeind’s paintings. Doller immediately hopped on a plane to California to see the painting in person.
“It just knocked my socks off, basically,” Doller, who specializes in 19th-century art, told the New York Jewish Week. “I was like, ‘Oh my God, this is just incredible.”
“Even though they sent me the dimensions, until you stand in front of something, you really don’t get the sense of the scale,” he said of the painting, which is nearly 4 feet by 3 feet. “The quality was fantastic and the condition was amazing — it’s in really spectacular condition.”
“The Western Wall” depicts, in remarkably realistic fashion, a diverse set of worshippers huddled together at the base of Judaism’s holy site, known in Hebrew as the Kotel. Some Jews wear the fur hats known as shtreimels, while others wear fezzes and still others wear black hats and kippot. Nearly all of the men are wrapped in prayer shawls, while women are shown in the rear of the scene, their hair and bodies wrapped in colorful scarves and shawls.
Etchings of Hebrew names appear in the nearest corner of the wall, likely foreshadowing the modern practice of leaving notes and prayers inside the cracks of the wall, Doller said. Because Bauernfeind was a realist painter, the painting is considered an accurate depiction of what the Western Wall likely looked like at the time.
“It’s a very interesting historical document of how the area in front of the Kotel looked in the late 19th century before the whole area was cleared to create the big space that it is now,” Claude Piening, the senior international specialist for 19th-century European paintings at Sotheby’s, told the New York Jewish Week. “He was a master at painting perspective.”
Bauernfeind, who was born in Sulz am Neckar, Germany, began his career as an architect but turned to painting later in his life. Much of his work focused on the buildings and scenes of Palestine, where he traveled extensively in the 1880s before permanently moving to Jerusalem with his wife and son in 1896. He died there in 1904.
The painting is considered a highlight of this year’s “Masters Week,” a weeklong series of curated auctions that include “rare and exciting masterpieces from the 14th to 19th centuries,” according to Sotheby’s. “The Western Wall” will be on the block as part of the Master Paintings Part I auction that begins on Thursday at 10:00 a.m. at Sotheby’s headquarters on the Upper East Side.
Doller and Piening aren’t ruling out the possibility that it could go for higher than the estimate.
“The last time a comparable work came up was in 2007, and it made $6 million from a very low estimate,” Piening said.
That painting, “The Wailing Wall,” also by Bauernfeind, was of a similar scale, but featured only a dozen or so worshippers — as opposed to the packed crowd of “The Western Wall.”
“It’s just a very rare thing to appear on the market,” he added.
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The post A 19th-century painting of the Western Wall could fetch $3M at Sotheby’s appeared first on Jewish Telegraphic Agency.
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Rising Antisemitism on European Campuses: Italian Professor Assaulted, French Students Excluded From Online Groups
Youths take part in the occupation of a street in front of the building of the Sciences Po University in support of Palestinians in Gaza, during the ongoing conflict between Israel and Hamas, in Paris, France, April 26, 2024. Photo: REUTERS/Gonzalo Fuentes
Violence and intimidation against Jewish and Israeli students as well as faculty are on the rise across European campuses, as an Italian professor was assaulted at the University of Pisa and students in France were excluded from online groups over their Jewish identities.
On Tuesday, pro-Palestinian protesters stormed a classroom at the University of Pisa in Tuscany, Italy, and assaulted an Italian professor who has opposed cutting ties with Israeli universities.
According to local reports, protesters burst into the classroom waving Palestinian flags and shouting antisemitic slurs, targeting the professor over his opposition to the university’s recent decision to sever ties with two Israeli universities.
A student who tried to intervene was attacked by protesters. When the professor stepped in to protect him, he too was assaulted and later hospitalized with injuries to his head and arms.
A questi soggetti, non frega nulla dei bambini di Gaza: è soltanto una scusa per diffondere la solita violenza rossa.
Università di Pisa, un professore è stato aggredito e preso a calci da un gruppo di studenti dei collettivi universitari di sinistra. pic.twitter.com/jvqh2uWB9C
— Francesca Totolo (@fratotolo2) September 16, 2025
On the same day, anti-Israel protesters disrupted a lecture by a visiting Israeli speaker at the Polytechnic University of Turin in northern Italy, shouting antisemitic slogans as they stormed the classroom.
Shortly after the incident, the university announced it was cutting ties with the speaker because he had defended the Israel Defense Forces (IDF) during the confrontation with the protesters.
Un gruppo di studenti di Cambiare Rotta ha interrotto una lezione al Politecnico di Torino tenuta da Pini Zorea, docente dell’università israeliana di Braude, per protestare contro l’uso delle tecnologie di riconoscimento facciale a fini di sorveglianza. “Non metteremo le nostre… pic.twitter.com/AhXmBsguzY
— Repubblica (@repubblica) September 16, 2025
Since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, anti-Israel activity on campuses has intensified, with Jewish and Israeli students facing frequent targeting and isolation in an increasingly hostile environment.
On Monday, a group of first-year economics students at Panthéon-Sorbonne University in Paris created a group chat on Instagram that excluded several students, accusing them of being Zionists based on their Jewish-sounding names or surnames, French media reported.
“If there are any other Zionists in this group besides those I’ve already kicked out, leave now — we don’t want you here,” wrote one of the students who created the group, placing a Palestinian flag in the middle.
This latest antisemitic incident follows a similar episode last month, when a student created a poll in a WhatsApp group chat titled, “For or Against Jews?”
Yossef Murciano, president of the Union of Jewish Students of France (UEJF), denounced the rising wave of anti-Jewish incidents, noting that the group had posted notices across multiple campuses to highlight the latest antisemitic episodes.
“We reported the incident to the university, but so far nothing has been done. We were told that measures would be taken, but we don’t know when or how,” Murciano said.
In a press release, the university strongly condemned such “unacceptable behavior,” expressing its full support for those students affected by the recent antisemitic incidents.
The university also announced that it had submitted “all available evidence to the public prosecutor” regarding these two incidents and plans to initiate “disciplinary proceedings” against each of the perpetrators.
“These two acts, whose antisemitic nature seems clear, deserve a punishment commensurate with their severity,” the statement read.
French Minister of Higher Education and Research Philippe Baptiste strongly condemned the latest incidents, demanding a zero-tolerance approach.
“I stand with these young people, victims of antisemitism that must be opposed everywhere, including, sadly, in our universities. There is only one possible response: zero tolerance!” Baptiste wrote in a post on X.
A l’université Paris 1, des étudiants juifs exclus d’un groupe Whatsapp d’élèves sur la base de leurs noms ! J’apporte tout mon soutien à ces jeunes, victimes de l’antisémitisme que nous devons combattre partout, y compris, malheureusement, dans nos universités. Une seule ligne…
— Philippe Baptiste (@PhBaptiste) September 15, 2025
Yonathan Arfi, president of the Representative Council of Jewish Institutions in France (CRIF), also spoke out against the incident, calling it a disturbing example of rising antisemitism on campuses.
“This is not a pro-Palestinian campaign, it is a campaign of antisemitic intimidation,” Arfi said in a post on X.
“Si d’autres sionistes comme ceux que j’ai déjà retirés sont présents, vous pouvez quitter. On ne veut pas de vous ici
”
A Paris 1 les noms juifs ont été exclus de groupes WhatsApp d’étudiants…
Ce n’est pas être propalestinien, c’est une campagne d’intimidation antisémite. https://t.co/dZz5LqPz2n
— Yonathan Arfi (@Yonathan_Arfi) September 15, 2025
The incidents occurred weeks after two international Jewish groups and a German watchdog published a report showing that antisemitism on European university campuses following Hamas’s Oct. 7 invasion of Israel has fostered a “climate of fear” for Jewish students.
Then earlier this week, the Anti-Defamation League (ADL) and the World Union of Jewish Students (WUJS) released their own report which found that the vast majority of Jewish students around the world resort to hiding their Jewishness and support for Israel on campuses to avoid becoming victims of antisemitism.
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Radio-Canada Suspends Journalist After Antisemitic Comments Spark Outrage
Radio-Canada reporter Élisa Serret. Photo: Screenshot
A journalist at Canada’s national public broadcaster, Radio-Canada, has been suspended after using antisemitic language during a Monday television broadcast, prompting an official apology from the network.
On the news program “Sur le terrain,” correspondent Élisa Serret, reporting from Washington on US Secretary of State Marco Rubio’s visit to Israel, was asked why the US continues to support Jerusalem despite its recent military offensive in Gaza.
Serret responded, saying in French, “The Israelis, in fact the Jews, finance a lot of American politics” and control a “big machine.”
The journalist then went on to claim that the largest US cities and Hollywood are “run by Jews,” echoing long-standing antisemitic stereotypes and hateful rhetoric about supposedly outsized and nefarious Jewish power.
After Serret’s comments went viral, sparking outrage from political leaders and the local Jewish community, Radio-Canada issued an apology, describing her remarks as “”stereotypical, antisemitic, erroneous, and prejudicial allegations against Jewish communities.”
“These unacceptable comments violate Radio-Canada’s Journalistic Standards and Practices and do not reflect the views of the public broadcaster,” the statement read.
“As a result, the news department has decided to relieve the journalist of her duties until further notice,” it continued. “We are aware that these comments have offended many viewers. We sincerely apologize and regret this.”
The Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, strongly condemned Serret’s comments, accusing Radio-Canada of spreading “antisemitic lies.”
Eta Yudin, CIJA’s vice-president for Quebec, called on the public broadcaster to take concrete measures to keep antisemitic content out of Canadian homes.
“This incident cannot be allowed to pass without serious internal reflection on the damage such hateful rhetoric inflicts on our democratic values,” Yudin said in a statement. “Antisemitism is corroding the fabric of our society.”
Canadian Identity and Culture Minister Steven Guilbeault, who is responsible for overseeing the public broadcaster, also condemned the incident, saying that “antisemitism has no place in Canada” and describing Serret’s remarks as “pernicious antisemitic tropes.”
“When antisemitic language is used by journalists, or anyone in a position of trust, it risks normalizing hatred in deeply dangerous ways,” Guilbeault said.
Anthony Housefather, the government’s special adviser on Jewish community relations and antisemitism, denounced the incident, saying Serret’s remarks echoed “textbook tropes that are antisemitic under the IHRA definition,” referring to the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which was adopted by the government in 2020.
Melissa Lantsman, a member of the opposition Conservative Party, criticized the public broadcaster for failing to “uphold the values of this country” by airing what she described as an “antisemitic rant.”
“Overt antisemitism on TV is part of the deep systemic rot corroding our society, and it flourishes when tax-funded institutions provide it with a platform,” Lantsman said in a statement.
“Canadians deserve better than excuses and carefully worded apologies,” she continued.
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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission
A scene from “The Sea.” Photo: The Israeli Academy of Film and Television
Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.
At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.
The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.
“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.
In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.
“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”
Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.
“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”
Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.
Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.