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A 19th-century painting of the Western Wall could fetch $3M at Sotheby’s

(New York Jewish Week) – A hyper-realistic 19th-century painting of worshippers at the Western Wall that spent many forgotten years in a synagogue’s storage room is headed to auction at Sotheby’s New York on Thursday. 

The painting, “The Western Wall,” created in the late 1880s by German artist and illustrator Gustav Bauernfeind, is expected to fetch an estimated $2 to $3 million.

In his day, 1848-1904, Bauernfeind, who had some Jewish ancestry, was a well-known “Orientalist” painter who stood out for his realism and focus on architecture. This particular piece was donated to a synagogue in Southern California in the mid-1980s by the family of Theodore Cummings, a former U.S. ambassador to Austria and confidante to President Ronald Reagan. However, many years ago, during renovations on the synagogue, the painting was placed into storage — where it remained until the executive director of the congregation discovered the piece last summer. 

The director of the synagogue, which wishes to be anonymous, reached out to Benjamin Doller, a Sotheby’s senior auctioneer and its chairman of the Americas, who has previously auctioned several of Bauernfeind’s paintings. Doller immediately hopped on a plane to California to see the painting in person.

“It just knocked my socks off, basically,” Doller, who specializes in 19th-century art, told the New York Jewish Week. “I was like, ‘Oh my God, this is just incredible.”

“Even though they sent me the dimensions, until you stand in front of something, you really don’t get the sense of the scale,” he said of the painting, which is nearly 4 feet by 3 feet. “The quality was fantastic and the condition was amazing — it’s in really spectacular condition.”

“The Western Wall” depicts, in remarkably realistic fashion, a diverse set of worshippers huddled together at the base of Judaism’s holy site, known in Hebrew as the Kotel. Some Jews wear the fur hats known as shtreimels, while others wear fezzes and still others wear black hats and kippot. Nearly all of the men are wrapped in prayer shawls, while women are shown in the rear of the scene, their hair and bodies wrapped in colorful scarves and shawls. 

Etchings of Hebrew names appear in the nearest corner of the wall, likely foreshadowing the modern practice of leaving notes and prayers inside the cracks of the wall, Doller said. Because Bauernfeind was a realist painter, the painting is considered an accurate depiction of what the Western Wall likely looked like at the time. 

It’s a very interesting historical document of how the area in front of the Kotel looked in the late 19th century before the whole area was cleared to create the big space that it is now,” Claude Piening, the senior international specialist for 19th-century European paintings at Sotheby’s, told the New York Jewish Week. “He was a master at painting perspective.”

Bauernfeind, who was born in Sulz am Neckar, Germany, began his career as an architect but turned to painting later in his life. Much of his work focused on the buildings and scenes of Palestine, where he traveled extensively in the 1880s before permanently moving to Jerusalem with his wife and son in 1896. He died there in 1904.

The painting is considered a highlight of this year’s “Masters Week,” a weeklong series of curated auctions that include “rare and exciting masterpieces from the 14th to 19th centuries,” according to Sotheby’s. “The Western Wall” will be on the block as part of the Master Paintings Part I auction that begins on Thursday at 10:00 a.m. at Sotheby’s headquarters on the Upper East Side. 

Doller and Piening aren’t ruling out the possibility that it could go for higher than the estimate.

The last time a comparable work came up was in 2007, and it made $6 million from a very low estimate,” Piening said. 

That painting, “The Wailing Wall,” also by Bauernfeind, was of a similar scale, but featured only a dozen or so worshippers — as opposed to the packed crowd of “The Western Wall.”

“It’s just a very rare thing to appear on the market,” he added.


The post A 19th-century painting of the Western Wall could fetch $3M at Sotheby’s appeared first on Jewish Telegraphic Agency.

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Peter Beinart Bends Truth in New York Times Essay Accusing American Jews of Idolatry

Peter Beinart, a prominent anti-Israel writer, being interviewed in January 2025. Photo: Screenshot

Israel has no right to exist, New York Times “contributing opinion writer” Peter Beinart writes in a new opinion article accusing “mainstream American Jewish life” of being idolatrous.

The article appears under a general-purpose headline: “States Don’t Have a Right to Exist. People Do.” Yet after a bit of throat-clearing and hypothetical speculation about Scotland, Britain, Iran, and China, Beinart gets down to making his case for eliminating Israel, or, as he delicately puts it, “rethinking the character of the state” by replacing Israel with something else.

The one country that Beinart is really determined to rethink just happens to be the only one with a Jewish majority.  The URL or web address that the Times team gives the article also exposes the game, “https://www.nytimes.com/2025/01/27/opinion/israel-state-jewish.html.”

This isn’t some sort of abstract political theory philosophy project — it’s an effort by Beinart, platformed by the New York Times, to wipe the Jewish state off the map. At this point, it’s predictable and tired. Beinart had already announced in the New York Times back in 2020, “I no longer believe in a Jewish state,” part of what earned him the status of the New York Times‘ most favorite Jew.

So what, if anything, is new in this latest Beinart screed? Beinart has a new book to publicize, Being Jewish After the Destruction of Gaza: A Reckoning. It is issued by publisher Knopf, whose parent company, Bertelsmann AG, collaborated with the Nazis during World War II and subsequently covered it up.

As is often the case with hatred of Israel, Beinart’s article is marred by factual errors. He claims that “roughly half the people under Israeli control are Palestinian.” That’s simply false; Israel’s population is about 9.8 million, of which about 7.2 million, or 73 percent, are Jewish, according to Israel’s central bureau of statistics. Beinart’s math depends on defining people in Palestinian Authority-controlled Ramallah and Jenin, or in Hamas-controlled Gaza, as being “under Israeli control,” which is not accurate.

Beinart also falsely claims, “Even the minority of Palestinians under Israeli control who hold Israeli citizenship — sometimes called ‘Israeli Arabs’ — lack legal equality.” Just because a group suffers from discrimination or has lower achievement doesn’t mean it lacks legal equality. Israel’s Declaration of Independence states, “It will ensure complete equality of social and political rights to all its inhabitants irrespective of religion, race, or sex; it will guarantee freedom of religion, conscience, language, education, and culture.” Israel’s Supreme Court has enforced that promise of equality. Israeli Arabs have the right to vote and serve in the Parliament. An Israeli Arab politician, Mansour Abbas, even recently served as a minister in an Israeli government.

Beinart also complains that “this form of idolatry — worship of the state — seems to suffuse mainstream American Jewish life.” That’s not true. Yes, most mainstream American Jews — unlike Beinart and, apparently, his New York Times editors — care deeply about Israel and oppose the enemies that hope to eradicate it. Yet the comparison to idolatry is inaccurate. It’s also inconsistent with Beinart’s previous claims. Already in his 2012 book The Crisis of Zionism, or even before that in his 2010 article “The Failure of the American Jewish Establishment” Beinart was predicting that American Jews would abandon Israel as it became, he claimed, more illiberal and right wing and undemocratic. Now, more than a decade later, he’s accusing American Jews not of abandoning Israel but of worshiping it. At least with his reference to “mainstream Jewish life” Beinart is defining himself clearly outside that. Given that, one wonders why the New York Times has chosen to rely so heavily for analysis of American Jewry and Israel on such an extremist, fringe figure.

I offered a couple of theories last year, including that “some portion of the Times online readership — alienated graduate students and other young, college educated liberals, along with increasing numbers of non-Americans — are looking for someone to give them a pass to hate Israel, basically to excuse their antisemitism. Beinart serves that function.”

In that regard, a Times colleague of Beinart’s offers some useful analysis. In a 2012 review for Tablet of a Beinart book, Bret Stephens, then still at the Wall Street Journal, paraphrased Leon Wieseltier’s observation “that characterizing antisemitic acts as a response to something Jews did doesn’t explain antisemitism. It reproduces it.”

From Beinart’s latest New York Times piece: “When you deny people basic rights, you subject them to tremendous violence. And, sooner or later, that violence endangers everyone. In 1956, a 3-year-old named Ziyad al-Nakhalah saw Israeli soldiers murder his father in the Gazan city of Khan Younis. Almost 70 years later, he heads Hamas’s smaller but equally militant rival, Islamic Jihad … The failure to protect the lives of Palestinians in Gaza ultimately endangers Jews. In this war, Israel has already killed more than one hundred times as many Palestinians in Gaza as it did in the massacre that took the life of Mr. al-Nakhalah’s father. How many 3-year-olds will still be seeking revenge seven decades from now?”

It’s amazing that Beinart blames “Israeli soldiers” for the “murder” of Ziyad al-Nakhalah’s father in 1956 in Khan Younis. In 1956, Egypt, led by Gamal Abdel Nasser, controlled Gaza. A Jerusalem Post article describes it more accurately: “Nakhalah’s father, Rushdi, was killed during the joint Israeli-British-French attack on Egypt in response to the nationalization of the Suez Canal by Egyptian President Gamal Abdel Nasser in 1956. The Gaza Strip back then was under Egyptian control.”

The New York Times itself provides useful historical context: A dispatch from Gaza on Nov. 2, 1956 reported that “at the roadside weary Israeli soldiers sat beside their weapons waiting for vehicles to remove them to points in the Gaza Strip where diehard commandos were offering resistance … Talking through interpreters to correspondents, residents of the Strip in the outskirts of Gaza said life as stateless displaced persons under the Egyptian government in the last eight years had not been happy. Although they had been allowed to vote in Egyptian elections this year, they said they had had none of the rights that had been given Egyptians on the other side of the Suez Canal zone.”

Another Times dispatch from Gaza, on Nov. 6, 1956, reported, “Israeli army units were cleaning out the last pockets of fedayeen (commando) squads … All along the road were wrecked and burned out Egyptian military vehicles and mobile weapons … Israeli troops expressed surprise at the joyous welcome they had received from Palestinian Arabs who had spent eight years under Egyptian control. There was no fear shown by the people, who seemed thankful that the Israelis had taken over the territory.”

Ira Stoll was managing editor of The Forward and North American editor of The Jerusalem Post. His media critique, a regular Algemeiner feature, can be found here.

The post Peter Beinart Bends Truth in New York Times Essay Accusing American Jews of Idolatry first appeared on Algemeiner.com.

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How the Auschwitz Commandant’s Infamous Home Has Been Turned Into a Center Against Antisemitism

British teens placed pictures of Israeli hostages seized by Hamas on the train tracks leading to Auschwitz-Birkenau, the notorious Nazi death camp. Photo: JRoots

It was the most jarring moment of last year’s Academy Awards: as Jonathan Glazer accepted the Oscar for “The Zone of Interest,” a harrowing film set in the shadow of Auschwitz, instead of using his speech to honor the victims of the Holocaust, he made a political statement that many saw as an astonishing trivialization of the very subject his film had purported to explore.

Rather than acknowledging the unfathomable suffering of the Jews murdered at Auschwitz in particular, and the dangers of pathological antisemitism in general, Glazer chose to equate the Holocaust with the ongoing war between Israel and Hamas, implicitly drawing a moral equivalence between Nazis and the Jewish state.

The setting made it all the more disturbing — delivered amidst the glitz and glamor of Hollywood, Glazer’s so-called virtue-signaling call for universal resistance to “dehumanization” felt less like a plea for moral clarity and more like a cynical weaponization of the Holocaust to delegitimize Jewish self-defense and undermine the fight against the malignant evil of antisemitism.

“The Zone of Interest” is a film about the chilling banality of evil, loosely based on the novel of the same name, centering on Auschwitz commandant Rudolf Höss and his family as they go about their daily lives in a picturesque home just beyond the camp’s walls.

The film’s unsettling premise lies in its depiction of the Höss family’s mundane existence — gardening, swimming, and dining — while the machinery of genocide operates just out of sight. It is a study in complicity, yet it deliberately omits the suffering of Jewish victims, leaving their fate largely unseen and unheard.

And yet, somehow, Glazer’s acceptance speech managed to be even more disturbing than this conscious erasure. Instead of honoring those who perished, he co-opted the memory of the Holocaust to push a political agenda against Israel, without once mentioning the horrific evil perpetrated against Jews — fellow Jews! — on Oct. 7, 2023. Not a word about the deliberate murder, torture, and rape of 1,200 Jews, whose only sin was being Jewish in the land of their heritage, Israel.

While Hollywood — even, sadly, some within Jewish Hollywood — may be lost in its own navel-gazing world of self-righteousness, many Jews and Gentiles across the United States and beyond have been utterly shocked by the alarming resurgence of antisemitism in the 16 months since the Oct. 7 massacre.

Enter Ambassador Mark D. Wallace, who founded the Counter Extremism Project (CEP) in 2014. Recognizing the urgent need to push back against the normalization of Jew-hatred, he enlisted my good friend Elliott Broidy and fellow philanthropist Dr. Thomas Kaplan. Together they purchased Rudolf Höss’s former home in Oświęcim, just outside the Auschwitz compound, the very setting of “The Zone of Interest” — and created the Auschwitz Research Center on Hate, Extremism, and Radicalization (ARCHER) at House 88, whose goal is not just to remember the victims of the Holocaust but also to find the best ways to combat the spread of antisemitism and advocate for them.

Instead of allowing the Auschwitz commandant’s house to remain a grotesque relic of history, they are turning it into a global center dedicated to combating antisemitism and extremism, ensuring that the lessons of the past are neither distorted nor forgotten — by Hollywood directors or by anyone else.

This week, Elliott was in Poland for the 80th anniversary commemoration of Auschwitz’s liberation. As part of the events, Höss’s house at 88 Legionów Street was opened to visiting dignitaries for the first time since the Holocaust.

Just steps from the site where 1.1 million Jews, along with 20,000 Roma and tens of thousands of Polish and Russian political prisoners, were murdered, this house was once home to the man who orchestrated that industrial-scale slaughter: Rudolf Höss. But for nearly eight decades, the Polish family that occupied it since 1945 refused to let anyone inside, despite its profound historical significance.

And the macabre site is just the tip of the spear. A major fundraising campaign has been launched to support ARCHER at House 88’s mission to transform the Höss home into a global center for research, education, and advocacy against extremism and antisemitism. With comprehensive programming designed for college students and educational tools set to be used worldwide, the initiative aims to confront hate where it festers most.

This week, Ambassador Wallace emphasized the center’s crucial role as a global hub for combating hate, while former US Senator Norm Coleman called the project a direct and urgent challenge to antisemitism and extremism.

I spoke to Elliott while he was in Poland. “Rudolf Höss’s house stood untouched for decades, a silent witness to history’s darkest crimes,” he told me. “We refused to let it remain a relic of evil. House 88 will be transformed into a center for fighting antisemitism, extremism, and hate. The lesson of House 88 is so disturbing: a neighbor can be fanatically antisemitic, and the result is the death of millions of Jews — or 1,200 innocent Israelis on the border of Gaza.”

His words carry the weight of history and urgency. This project isn’t only about preserving the past — it’s about ensuring the world understands where unchecked hate leads, and giving future generations the tools to resist it.

One of ARCHER at House 88’s board members is another good friend of mine, George Schaeffer. “I’m a child of Holocaust survivors,” he told me, “and I know how important it is for us to never forget what antisemitism can lead to. The more we know about the past — the horrors of the past — the more we can correct the future, and change the future.”

George’s commitment to this project is deeply personal. “What we are constructing next to Auschwitz is an important way of teaching what the real dangers are,” he added. “The commandant and his family lived next door to Auschwitz as if it was normal — we need to make sure that it’s never normal to allow antisemitism to flourish, especially if it is on our own doorstep.”

In synagogues across the Jewish world, we are currently reading the Torah portions that recall the slavery and persecution of the Jews in ancient Egypt. One of the primary directives of Jewish tradition is incorporating the Hebrew phrase Zecher Li’yetziat Mitzrayim — a remembrance of the Exodus from Egypt — into our prayers and blessings. But this is not just an exercise in historical memory — it is a directive for vigilance.

A just society can only thrive and survive if persecution and hatred are identified, combated, and rooted out. We must never be lulled into a false sense of security, thinking the danger has passed. Antisemitism may have begun more than three millennia ago in Egypt, but it has reared its ugly head in every era and every location since.

And now, as we face yet another alarming resurgence, ARCHER at House 88 stands as a powerful new initiative to ensure that this latest iteration of Jew-hatred is confronted and defeated — just as Pharaoh was in Egypt, just as Hitler and Höss were in their time, and just as every other vicious antisemite throughout history has ultimately been overcome.

The post How the Auschwitz Commandant’s Infamous Home Has Been Turned Into a Center Against Antisemitism first appeared on Algemeiner.com.

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Three Israeli Hostages, Including Dual US and French Citizens, Set for Release in Gaza on Saturday

A view of a banner depicting Keith Siegel, who is a dual US citizen seized during the Oct. 7 attack on Israel and taken hostage into Gaza, amid the ongoing conflict between Israel and Hamas, is seen with other images of hostages in Tel Aviv, Israel, April 28, 2024. Photo: REUTERS/Shannon Stapleton

Hamas said on Friday it would free the father of the youngest hostages seized in its Oct. 7, 2023 attack on Israel and two others including a dual US citizen and a dual French citizen in the next exchange of Gaza hostages for Palestinian prisoners.

Yarden Bibas, Keith Siegel, and Ofer Kalderon will be handed over on Saturday, said Abu Obeida, spokesperson for the armed wing of the Palestinian terrorist group, in a post on his Telegram channel.

The Israeli Prime Minister’s Office confirmed on Friday that Jerusalem has received the names of the three hostages who are set to be released from captivity in Gaza under the Israel-Hamas ceasefire.

“A detailed response will be provided after reviewing the list and updating families,” Netanyahu’s office said.

Yarden Bibas is the father of baby Kfir, only nine months old when he was kidnapped, and Ariel, who was four at the time of the cross-border attack.

There was no word on the fate of Kfir and Ariel, or on their mother Shiri, who was taken at the same time. Hamas said in late 2023 that they had been killed by Israeli bombardment, in the early months of the Gaza war.

Video of their capture began circulating soon after they were seized. It showed a terrified Shiri clutching her small children in a blanket as they were bundled into captivity surrounded by terrorist assailants.

The father, Yarden, 34 at the time of the attack, was also abducted and a clip circulated showing him bleeding from a head injury suffered from hammer blows.

Israeli-American Keith Siegel, who was taken hostage with his wife Aviva, was seen in a video released by Hamas last year. His wife was released in the first hostage-for-prisoner exchange in November 2023.

Ofer Kalderon’s two children Erez and Sahar, abducted alongside him, were also freed in the first exchange. The joint FrenchIsraeli national’s family said they were waiting with “immense joy mixed with paralyzing anguish” for his release.

On Thursday, Hamas freed three Israeli and five Thai hostages in Gaza while Israel freed 110 Palestinian prisoners after delaying the process in anger at the swarming crowds engulfing one of the hostage handover points.

Under the ceasefire deal that halted more than 15 months of fighting, 33 hostages held by Palestinian terrorists in Gaza are to be freed in the first six weeks of the truce in exchange for hundreds of Palestinian prisoners, many of whom have been serving life sentences in Israel for terrorist activities.

Fifteen hostages, including the five Thai workers, and 400 prisoners have so far been exchanged, and Hamas has told Israel that eight of the 33 are now dead. Ninety Palestinian prisoners, including nine serving life sentences and 81 serving long-term sentences, are to be swapped for the three Israelis on Saturday, Hamas’s prisoner information office said.

Netanyahu has drawn criticism in Israel for not having sealed a hostage deal earlier in the war after the security failure that enabled Hamas-led Palestinian terrorists to burst across the border and storm nearby Israeli communities.

But there has also been opposition to the current deal, which some critics in Israel have said leaves the fate of most of the hostages in the balance and Hamas still standing as Gaza‘s dominant entity, despite months of warfare and the death of its Gaza leader Yahya Sinwar.

The truce has enabled a surge in international humanitarian aid to Gaza civilians amid dire supply shortages.

Hamas-led terrorists started the war with their surprise invasion of and massacre across southern Israel on Oct. 7, 2023. Around 1,200 people were killed and more than 250 hostages were abducted in the attack in Israel, the deadliest single day for Jews since the Holocaust.

Israel responded with a military campaign aimed at freeing the hostages and dismantling Hamas’s military and governing capabilities in neighboring Gaza.

Around half the hostages were released in November 2023 during the only previous truce, and others have been recovered dead or alive during Israel’s military campaign in Gaza.

More talks on the implementation of the second stage of the deal, due to begin by Feb. 4, are meant to open the way to the release of over 60 other hostages, including men of military age, and a full Israeli military withdrawal from Gaza.

If that succeeds, a formal end to the war could follow along with talks on the mammoth challenge of reconstructing Gaza.

The post Three Israeli Hostages, Including Dual US and French Citizens, Set for Release in Gaza on Saturday first appeared on Algemeiner.com.

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