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A Bad Taste in the Mouth
The New York Times newspaper. Photo: Wikimedia Commons.
JNS.org – For several years now, my media consumption habits have been guided in part by what I call my “escape routes.”
As someone who spends his days immersed in reports and analysis of news events that are extraordinarily depressing—war and conflict in Europe and the Middle East, the inexorable rise of antisemitism and other forms of prejudice, the historical precedents for the difficult political questions we confront today and much else on similar lines—I need these escape routes for the good of my mental health. They also remind me that while I’m paid for the privilege of writing and thinking about politics and international affairs, millions of people pursue careers and projects that have nothing to do with my concerns, which is precisely why I use the term “escape routes” when I read about their endeavors. They are a window onto the calmer and more leisurely world that exists out there, and my visits fortify me when I go back to the issues that matter to me both professionally and personally.
It’s why I read the sports pages, to monitor the teams I follow and read what the coaches and players are saying. It’s why I read music reviews, to check up on whether my favorite bands are in the studio or if they are touring, and hopefully, discover some new gems. It’s why I adore restaurant reviews, not just of establishments in the cities where I live or work but of eateries further afield. This—all of this—is a harmless escape, a chance to read some decent writing that isn’t about politics, allowing me to return to my own writing feeling refreshed.
But I have to tell you, this method isn’t really working anymore.
In the last six months, since the Oct. 7 Hamas pogrom in southern Israel unleashed a war that has dominated the media, I’ve seen my escape routes pulled into my professional concerns. The sports pages have been littered with reports of discrimination against Jewish athletes, such as the firing of South Africa’s U-19 cricket team captain because he is Jewish, or the refusal of the Irish women’s basketball team to stand respectfully for the “Hatikvah,” Israel’s national anthem, immediately prior to a contest in which, happily, they were trounced by their Israeli opponents. Music has become a cesspool of artists, including some whose songs I love, with them signing up to various boycott initiatives targeting Israel alone, leaving cutting-edge Israeli acts—like the electronic duo Red Axes, whom I interviewed recently—feeling isolated and rejected. And now, I’ve discovered that even restaurant reviews, of all things, are no longer immune from any mention, let alone criticism of, Israel’s military actions in Gaza. The disapproval and the resentment are pervasive, seeping into the corners of websites and news outlets that would normally have no business discussing Israel and the Palestinians, or any other conflict (and, of course, they don’t tend to discuss those other conflicts.)
Over the last week, I’ve encountered two items on the food pages like this. The first was the eagerly awaited New York Times list of the top 100 restaurants in the city. I clicked on that in order to see whether I’d visited any that made this year’s selection, as well as choose some of the establishments where I’d like to go. I didn’t think (because there was no reason to think) that the Gaza war would show up here, but it did.
The food critic at the Times, Pete Wells, classified one restaurant—Falafel Tanami, in the Midwood section of Brooklyn, at number 65—as “Israeli.” In the accompanying paragraph describing the food, Wells didn’t mention the word “Israel” or talk about the conflict once. Instead, he waxed lyrically about the quality of the falafel balls served there. But that wasn’t the case with the restaurant that came in at number 74—Ayat, an eatery that is also in Brooklyn that Wells classified as “Palestinian.” In this case, Wells used half of his allotted paragraph to tell us that its main location features a mural of “Palestinian children behind bars under the Aqsa Mosque, between the phrases ‘down with the occupation’ and ‘live in peace,’” adding that as “Ayat has multiplied locations, it has kept up its paired messages of peace and support for the people of Palestine.” I came away from reading that wondering whether the recommendation was for the food or for the politics. Needless to say, none of the other cuisines emanating from countries that are also global trouble spots—Nigeria, Mexico and Korea, among them—warranted similar treatment.
After the Times, it was The Guardian. That paper, which is known for its harsh coverage of Israel, published a review last weekend of a non-kosher, Ashkenazi-style deli in North London by its food critic, Jay Rayner. I knew that Rayner was Jewish, in part because I’d seen some good-natured joshing from some of his Jewish readers about his fondness for pork and seafood dishes. But that didn’t prepare me for what I read.
Rayner did spend most of the review talking about the food, which he said he enjoyed, while noting that the chicken-soup broth needed more salt. But then came the clincher: “Could I really write about a Jewish restaurant given the current political turmoil? Would I get abuse for doing so?” Rayner wrote. “Surely better to keep shtum. At which point I knew I had no choice: I had to write about it. The horrendous campaign of the government and armed forces of Israel in Gaza cannot be allowed to make being Jewish a source of shame.” He proceeded to berate Israel for allegedly making “life for Jews who live outside Israel and have no responsibility for the decisions its government takes, so very much harder,” before concluding: “And so I sit here with my terrific salt beef sandwich and my chocolate mousse, indulging that bit of my Jewish identity which makes sense to me. It’s not much, but it’s all I have.”
It’s nearly impossible to imagine Rayner, or any other food critic, mentioning the persecution of the Uyghur minority by the Beijing regime in a review of a Chinese restaurant or asserting that a reviewer of Chinese origin is obliged to invoke this crisis of conscience in a discussion of Peking duck. Not so with Jewish cuisine, especially when some Jewish writers are all too willing to join in the chorus of opprobrium. One has to ask, if a Jewish restaurant was serving Sephardic staples like kubbeh or chicken with couscous, instead of Ashkenazi ones like chopped liver or latkes, would a review of that establishment contain a barb about how these dishes have been appropriated by the Jewish colonizers from the Arabs, without mentioning the long, largely unhappy sojourn of Jewish communities in Arab countries? If so, it’s safe to say that none of the editors would bat an eyelid upon receiving such copy.
I am not, of course, asking for sympathy now that my media escape routes have been closed down; there are far more pressing matters of life and death to worry about. My point is that if we have really reached a juncture where a discussion of eating out necessitates critical mention of Israel but no other country—a trend likely to worsen following the tragic deaths of seven World Central Kitchen (WCK) aid workers in Gaza last week—it’s further proof that the Palestinian issue dominates the Western conscience more than any other. And because of its naked one-sidedness, it leaves a bad taste in the mouth.
The post A Bad Taste in the Mouth first appeared on Algemeiner.com.
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Anti-Israel Rioters Attack Israeli Cruise Ship, Prevent Tourists From Disembarking in Greece
Greek riot police clash with pro-Palestinian protesters near the port of Rhodes during a demonstration targeting an Israeli cruise ship. Photo: Screenshot
Anti-Israel rioters on the Greek island of Crete have attacked an Israeli cruise ship, preventing tourists from disembarking in the latest incident targeting Israeli visitors in Greece.
The MS Crown Iris — operated by Israeli cruise line Mano Maritime — was targeted once again by pro-Palestinian activists this week.
On Thursday, Israeli tourists were physically assaulted and temporarily blocked from disembarking in Crete by about 25 protesters gathered at the island’s main port to demonstrate against the war in Gaza.
The rioters, waving Palestinian flags and holding banners falsely accusing Israel of genocide, clashed violently with police who were trying to secure a safe passage for the Israeli tourists.
As Israeli tourists tried to disembark, they were attacked by the demonstrators, who threw rocks and metal bars, forcing many to retreat back onto the ship.
After those who first tried to leave the ship were physically assaulted, police advised everyone to return onboard, as protesters appeared to be blocking all exits from the port.
The port then closed its gates, and all passengers returned to the ship while authorities worked to regain control of the situation.
Greek riot police intervened, using pepper spray to disperse the crowd and detaining four protesters, but some passengers were still injured during the incident.
This latest attack marks the third incident in a month in which anti-Israel protesters have targeted Israeli tourists and attempted to boycott the Mano Maritime cruise line.
Greece’s Minister of Citizen Protection, Michalis Chrysochoidis, condemned these targeted attacks, vowing that anyone who tries to prevent a foreign national from legally entering the country will “face prosecution, arrest, and then criminal proceedings under the anti-racism law.”
Las month, approximately 1,600 Israeli passengers expecting a peaceful stop on their cruise were unable to disembark from a ship docked on the island of Syros after a pro-Palestinian protest erupted at the port, raising safety concerns.
Around 300 demonstrators had gathered at the dock to protest against the war in Gaza, while Syros Port Authority police guarded the area and intervened to prevent violence until the ship departed.
Amid the large anti-Israel protest, the cruise company chose to divert the ship to Limassol, Cyprus.
In videos circulating on social media, protesters were seen waving Palestinian flags and holding banners with slogans such as “Stop the Genocide” and “No AC [Air Conditioning] in Hell,” while chanting antisemitic slogans.
In a similar incident, pro-Palestinian protesters clashed with Greek riot police on the island of Rhodes as they attempted to block a Mano Maritime cruise ship from docking at the island’s main port.
More than 600 passengers were set to disembark when tensions escalated and brief clashes broke out as authorities worked to control the protest.
According to videos circulating on social media, riot police can be seen confronting a group of pro-Palestinian protesters gathered near the dock, who shouted slogans such as “Freedom for Palestine.”
Since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, antisemitic incidents have surged to alarming levels across Europe.
These incidents appear to be the latest in an increasing wave of anti-Jewish hate crimes that Greece and other countries have experienced in recent months.
On Friday, a group of Israeli tourists from London were thrown out of a Greek taverna and called “baby killers” after a dispute with the pro-Palestinian restaurant owner.
Last month in Athens, a group of pro-Palestinian activists vandalized an Israeli restaurant, shouting antisemitic slurs and spray-painting graffiti with slogans such as “No Zionist is safe here.”
The attackers also posted a sign on one of the restaurant’s windows that read, “All IDF soldiers are war criminals — we don’t want you here,” referring to the Israel Defense Forces.
In June, an Israeli tourist was attacked by a group of anti-Israel activists after they overheard him using Google Maps in Hebrew while navigating through Athens.
When the attackers realized the victim was speaking Hebrew, they began physically assaulting him while shouting antisemitic slurs.
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‘Nothing Less’: Trump Presses for $500 Million Settlement With Harvard University
US President Donald Trump gestures during a cabinet meeting at the White House in Washington, DC, US, Aug. 26, 2025. Photo: Jonathan Ernst via Reuters Connect
US President Donald Trump has said that Harvard University must pay a minimum $500 million penalty as part of a settlement to restore $3 billion in federal contracts and research grants his administration impounded from the school’s coffers earlier this year.
Trump insisted on “nothing less” in remarks to Education Secretary Linda McMahon during a cabinet meeting held on Tuesday. “They’ve been very bad. Don’t negotiate,” he added.
The comments came just two and a half months after McMahon, representing the Trump administration, hinted at the possibility of reaching a deal with Harvard and unfreezing the federal funds. Speaking to Bloomberg, the education secretary said that Harvard was “making progress” and “already put in place some of the things that we have talked about in our negotiations with Columbia” University, which included some wish-list reforms for which conservatives have spent decades advocating.
At the time, Harvard had filed suit against the administration, seeking a summary judgement which ruled that the funds confiscation was arbitrary and skipped key steps the government must take before taking such an action. The New York Times reported that Harvard expressed interest in paying $500 million to settle the matter, and university officials had begun dismantling initiatives and making other changes to reverse an impression that the institution is doctrinally far left and anti-Zionist.
In July, it announced new partnerships with Israeli academic institutions and shuttered its diversity, equity, and inclusion (DEI) offices, transferring their staff to other sections of the university. These moves came after it “paused” a partnership in March with a higher education institution located in the West Bank. Some reports, according to the Harvard Crimson, even suggested that Harvard is willing to found a “new conservative research institute.”
However, Harvard university’s president, Alan Garber, deluged by inquiries from Harvard faculty outraged at the prospect of settling with the Trump administration, later proclaimed that the Times had reported fake news and that he intended to continue on fighting the government in court.
“In a conversation with one faculty member, [he] said that the suggestion that Harvard was open to paying $500 million is ‘false’ and claimed that the figure was apparently leaked to the press by White House officials,” the Harvard Crimson reported, noting that the Times had defended the veracity of its report. “In any discussions, Garber reportedly said, the university is treating academic freedom as nonnegotiable.”
The conflicting headlines highlighted the competing objectives Garber is being forced to choose between — rescuing Harvard from a perilous fiscal situation or placating its left-leaning faculty, 94 percent of whom donated to Democratic candidates in 2024, as reported by the Crimson.
In July, a Crimson poll of over 1,400 Harvard faculty revealed that 71 percent of arts and sciences faculty oppose negotiating a settlement with the administration and 64 percent “strongly disagree” with shuttering DEI programs. Additionally, 73 percent oppose rejecting foreign applicants who hold anti-American beliefs which are “hostile to the American values and institutions inscribed in the US Constitution and Declaration of Independence,” and 70 percent strongly disagree with revoking institutional recognition from pro-Hamas groups such as the Palestine Solidarity Committee (PSC).
“More than 98 percent of faculty who responded to the survey supported the university’s decision to sue the White House,” The Crimson reported. “The same percentage backed Harvard’s public rejection of the sweeping conditions that the administration set for maintaining the funds — terms that included external audits of Harvard’s hiring practices and the disciplining of student protesters.”
At the same time, Harvard will see annual budget shortfalls of $1 billion if the if the Trump confiscations remain in effect, according to the Wall Street Journal, a loss the university is offsetting by enacting “contingency preparations” predicated on amassing $1 billion in debt with help from Goldman Sachs and Morgan Stanley. Analysts have told The Algemeiner that Harvard’s immense wealth, powered by a $53 billion endowment valued higher than the gross domestic product of countries such the Kingdom of Bahrain and Bolivia, can sustain its borrowing in the short term but not in perpetuity.
“If Harvard is willing to mortgage its real estate or use it as collateral, it can borrow money for a very long time,” National Association of Scholars president Peter Wood told The Algemeiner in April. “But it could destroy itself that way.”
On Friday, Asaf Romirowsky, a Middle East expert and president of Scholars for Peace in the Middle East (SPME), said Harvard should make a deal, arguing that would be in the interest of both the school and the country.
“Universities have begun to rapidly adapt to the new realities. One change being made by universities is increased hiring of Title VI coordinators to handle civil rights complaints,” he said. “Beyond the cosmetic, the US desperately needs to reevaluate what a university is and what it is for. Five decades of universities striving for relevance has had the effect of politicizing the humanities and social sciences.”
He continued, “As faculties have become politically monolithic, students interested in exploring traditions and themselves have been alienated, causing a feedback loop of shrinking disciplines and intensifying politics.”
Follow Dion J. Pierre @DionJPierre.
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Brad Pitt, Joaquin Phoenix, Rooney Mara, and Others Join Gaza Film as Executive Producers Before Venice Premiere
Brad Pitt attends the “F1: The Movie” European premiere in London, Britain, June 23, 2025. Photo: REUTERS/Maja Smiejkowska
Brad Pitt, Joaquin Phoenix, Rooney Mara, and other high-profile figures in the Hollywood film industry have joined the Gaza-based drama “The Voice of Hind Rajab” as executive producers ahead of its world premiere at the 82nd Venice International Film Festival, Deadline reported.
“The Zone of Interest” director Jonathan Glazer is also joining the film as an executive producer as well as “Roma” director Alfonso Cuaron. Meanwhile, Dede Garner and Jeremy Kleiner from Pitt’s production company Plan B. Britain’s Film4 and the Saudi Arabian state-owned MBC Studio are also supporting the film, according to Deadline.
Written and directed by Tunisian filmmaker Kaouther Ben Hania, “The Voice of Hind Rajab” focuses on the real-life death of six-year-old Palestinian girl Hind Rajab, who was trapped in a car that had allegedly come under fire by Israeli military forces in the Gaza Strip in January 2024 and later found dead. Israel claimed its military troops were not in the area at the time. The movie is based on real audio recordings of Rajab’s calls to Red Cresent volunteers, who tried to keep her on the line and get an ambulance to help her. Her death sparked global outrage including at Columbia University, where anti-Israel students broke into the academic building Hamilton Hall and symbolically renamed it as Hind’s Hall in April 2024.
“The Voice of Hind Rajab” will premiere at the Venice Film Festival on Sept. 3 before making its North American premiere at the Toronto International Film Festival.
“I cannot accept a world where a child calls for help and no one comes,” Ben Hania said in a released statement. “That pain, that failure, belongs to all of us. This story is not just about Gaza. It speaks to a universal grief. And I believe that fiction (especially when it draws from verified, painful, real events) is cinema’s most powerful tool. More powerful than the noise of breaking news or the forgetfulness of scrolling. Cinema can preserve a memory … May Hind Rajab’s voice be heard.”
Ben Hania’s film “Four Daughters” was nominated for an Oscar last year and her previous project, “The Man Who Sold His Skin,” was selected as the Tunisian entry for best international feature film at the Academy Awards in 2021.
The 82nd Venice Film Festival opened on Wednesday, almost six weeks to the second anniversary of the Hamas-led terrorist attacks in southern Israel on Oct. 7 2023, that resulted in the murder of 1,200 people while 251 were taken as hostages back to Gaza. The festival ends Sept. 6.
Hundreds of Italian and international artists signed an open letter calling on the Venice Film Festival to condemn what they claim is Israel’s genocide and ethnic cleansing in Gaza. Israel has adamantly denied the charge, noting it’s targeting a terrorist group in Gaza that tries to embed itself among the civilian population to create more casualties.