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A Brooklyn concert will celebrate the forgotten history of women cantors
(New York Jewish Week) — Jeremiah Lockwood, the singer, composer and frontman of The Sway Machinery, is preparing for an upcoming concert by “doing a lot of talking to ghosts.”
These “ghosts” are those of the Jewish women singers and cantors of the past century. As it happens, many women — not just men — have made deep contributions to Jewish spiritual life and music, but their stories were rarely told or preserved.
Lockwood, 31, is hoping to rectify that. On Sunday, at the Brooklyn Conservatory of Music, Lockwood will unveil his newest composition of vocal music: “In di vayber shul” (“In the women’s synagogue”), which is inspired by the legacy of these nearly forgotten Jewish women.
“Chazzanus [cantorial music]is very important to me,” said Lockwood, who is currently a fellow at the Yale Institute of Sacred Music. “It’s the music that inspires my creative work and it’s part of my family heritage. It’s just the essential musical organizing point for my life.”
Lockwood’s father, Larry Lockwood, was a composer and his grandfather, Jacob Konigsberg, was a renowned cantor. “Growing up in a cantorial family, we were given the ideology that it was a male art form — that was a viewpoint that was held by both the male and female members of the family. But that’s not true,” he said.
A lifelong New Yorker, Lockwood has been leading efforts to recognize and revive “the golden age of cantorial music,” sacred singing by Eastern European cantors on records and in live performances that became widely popular on record and live performances among Jewish audiences in the 1920s. Last year, he produced “Golden Ages: Brooklyn Chassidic Cantorial Revival Today,” a 10-track album featuring six Brooklyn cantors singing in the style of this music, which is operatic with lots of technical flourish and improvisation.
Lockwood describes the past year studying women’s voices — voices both cantorial and in a broader sense — as a “shock of recognition.” “There were women who were prayer leaders in small towns in Europe,” he said. “There were women who were priests, professional healers and exorcists, parallel to the Baal Shem Tov [the 18th-century founder of Hasidic Judaism]. There were women who were doing healing work.”
Since beginning his study, Lockwood said he’s come to understand the historic power of women’s voices: in synagogues and spiritual spaces, on the Yiddish stage and radio, in community initiatives and in family life. They include women like Goldie Malavsky, who along with her father and six siblings formed the Malavsky Family Choir, which performed in concert halls and hotels. Malavsky went on to become an independent soloist who toured around the world in the second half of the 20th century. Another cantorial star was “Khazante” (female cantor) Perele Feig, who in the 1950s had a weekly radio program on WEVD, the Yiddish language radio station in New York, and toured the Eastern Seaboard.
“It’s not shocking, it makes total sense. It fits well with what I understand about Jewish life,” he said of these women’s success. “The thing that’s surprising is just how thoroughly it’s been erased from contemporary Jewish life. I feel that is a problem.” Lockwood has mainly been using Jewish press archives to conduct his research and uncover these stories.
Lockwood’s piece, a tribute to these women’s voices and stories, is the culmination of his studies. The lyrics draw upon American and Yiddish language ethnographies — descriptions of Jewish society both in Europe and the immigrant communities of New York— as well as Eastern European folklore, Yiddish vaudeville and even contemporary music, like that of the late Jewish music composer Jewlia Eisenberg, a friend of Lockwood’s who died in March 2021.
On Sunday, the one-hour concert will be performed by singers Judith Berkson, Yula Be’eri and Rachel Weston. (The program premieres the previous day in New Haven.)
“It’s important to me to get deeper into why their [women cantors’] story disappeared,”Lockwood said. “There’s a throughline of stories that have been eroded from public Jewish consciousness that has to do with the roles that women play in sustaining the spirit life of the community.”
“In di Vayber Shul” will be performed at Brooklyn Conservatory of Music (58 Seventh Ave.) on Sunday at 7:30 p.m. Tickets, from $11.44, are available here.
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The post A Brooklyn concert will celebrate the forgotten history of women cantors appeared first on Jewish Telegraphic Agency.
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Lebanon Plans UN Complaint Against Israel Over Border Wall
A UN vehicle drives near a concrete wall along Lebanon’s southern border which, according to the Lebanese presidency, extends beyond the “Blue Line”, a U.N.-mapped line separating Lebanon from Israel and the Israeli-occupied Golan Heights, as seen from northern Israel, November 16, 2025. REUTERS/Shir Torem
Lebanon will file a complaint to the U.N. Security Council against Israel for constructing a concrete wall along Lebanon’s southern border that extends beyond the “Blue Line,” the Lebanese presidency said on Saturday.
The Blue Line is a U.N.-mapped line separating Lebanon from Israel and the Israeli-occupied Golan Heights. Israeli forces withdrew to the Blue Line when they left south Lebanon in 2000.
A spokesperson for the U.N. secretary-general, Stephane Dujarric, said on Friday the wall has made more than 4,000 square meters (nearly an acre) of Lebanese territory inaccessible to the local population.
The Lebanese presidency echoed his remarks, saying in a statement that Israel’s ongoing construction constituted “a violation of U.N. Security Council Resolution 1701 and an infringement on Lebanon’s sovereignty and territorial integrity.”
Dujarric said the United Nations Interim Force in Lebanon (UNIFIL) had requested that the wall be removed.
An Israeli military spokesperson denied on Friday that the wall crossed the Blue Line.
“The wall is part of a broader IDF plan whose construction began in 2022,” the spokesperson said, referring to the Israel Defense Forces.
“Since the start of the war, and as part of lessons learned from it, the IDF has been advancing a series of measures, including reinforcing the physical barrier along the northern border.”
UNIFIL, established in 1978, operates between the Litani River in the north and the Blue Line in the south. The mission has more than 10,000 troops from 50 countries and about 800 civilian staff, according to its website.
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Iran Says US Is Not Ready for ‘Equal and Fair’ Nuclear Talks
Iranian Foreign Minister Abbas Araqchi speaks during a meeting with foreign ambassadors in Tehran, Iran, July 12, 2025. Photo: Hamid Forootan/Iranian Foreign Ministry/WANA (West Asia News Agency)/Handout via REUTERS
Washington’s current approach toward Tehran does not indicate any readiness for “equal and fair negotiations,” Iran’s foreign minister said on Sunday, after US President Donald Trump hinted last week at potential discussions.
Following Israel’s attack on Iran in June, which was joined by U.S. strikes on Iranian nuclear facilities, attempts at renewing dialogue on Tehran’s nuclear program have failed.
The United States, its European allies and Israel accuse Tehran of using its nuclear program as a veil for efforts to develop the capability to produce weapons. Iran says its nuclear program is for peaceful purposes only.
Tehran and Washington underwent five rounds of indirect nuclear talks prior to the 12-days-war, but faced obstacles such as the issue of domestic uranium enrichment, which the U.S. wants Iran to forego.
“The U.S. cannot expect to gain what it couldn’t in war through negotiations,” Abbas Araqchi said during a Tehran conference named “international law under assault.”
“Iran will always be prepared to engage in diplomacy, but not negotiations meant for dictation,” he added.
During the same conference, deputy foreign minister Saeed Khatibzadeh accused Washington of pursuing its wartime goals with “negotiations as a show.”
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Israeli Government Decides ‘Independent’ Commission to Investigate Oct. 7 Failures
The Israeli Supreme Court in Jerusalem. Photo: Wikimedia Commons.
i24 News – The Israeli government has approved the creation of an “independent” commission of inquiry to examine the failures that enabled the Hamas assault of October 7, 2023.
However, in a move sharply criticized by the opposition and contrary to the recommendation of the Supreme Court, the panel will not be a formal state commission of inquiry. Instead, its mandate, authorities, and scope will be determined directly by government ministers.
According to the decision, the commission will receive full investigative powers and must be composed in a way that ensures “the broadest possible public trust.”
Prime Minister Benjamin Netanyahu will form a special ministerial committee tasked with defining what the inquiry may investigate, the time periods to be reviewed, and the authority it will receive. The committee has 45 days to deliver its recommendations.
For the past year, the government has repeatedly resisted calls to establish a state commission, arguing at first that such a body could not operate during wartime. Later, some ministers accused Supreme Court President Isaac Amit of being incapable of appointing an impartial chairperson.
But on October 15, the High Court of Justice ruled that there was “no substantive argument” against forming a state commission, giving the government 30 days to respond.
Netanyahu maintains that responsibility for the October 7 failures lies primarily with Israel’s security agencies rather than with political leaders.
His critics accuse him of creating a weaker, government-controlled inquiry designed to limit scrutiny of his decisions, undermining the prospect of full accountability for the deadliest attack in Israel’s history.