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A Brooklyn concert will celebrate the forgotten history of women cantors

(New York Jewish Week) — Jeremiah Lockwood, the singer, composer and frontman of The Sway Machinery, is preparing for an upcoming concert by “doing a lot of talking to ghosts.”

These “ghosts” are those of the Jewish women singers and cantors of the past century. As it happens, many women — not just men — have made deep contributions to Jewish spiritual life and music, but their stories were rarely told or preserved. 

Lockwood, 31, is hoping to rectify that. On Sunday, at the Brooklyn Conservatory of Music, Lockwood will unveil his newest composition of vocal music: “In di vayber shul” (“In the women’s synagogue”), which is inspired by the legacy of these nearly forgotten Jewish women.

“Chazzanus [cantorial music]is very important to me,” said Lockwood, who is currently a fellow at the Yale Institute of Sacred Music. “It’s the music that inspires my creative work and it’s part of my family heritage. It’s just the essential musical organizing point for my life.”

Lockwood’s father, Larry Lockwood, was a composer and his grandfather, Jacob Konigsberg, was a renowned cantor. “Growing up in a cantorial family, we were given the ideology that it was a male art form — that was a viewpoint that was held by both the male and female members of the family. But that’s not true,” he said. 

A lifelong New Yorker, Lockwood has been leading efforts to recognize and revive “the golden age of cantorial music,” sacred singing by Eastern European cantors on records and in live performances that became widely popular on record and live performances among Jewish audiences in the 1920s. Last year, he produced Golden Ages: Brooklyn Chassidic Cantorial Revival Today,” a 10-track album featuring six Brooklyn cantors singing in the style of this music, which is operatic with lots of technical flourish and improvisation.

Lockwood describes the past year studying women’s voices — voices both cantorial and in a broader sense — as a “shock of recognition.” “There were women who were prayer leaders in small towns in Europe,” he said. “There were women who were priests, professional healers and exorcists, parallel to the Baal Shem Tov [the 18th-century founder of Hasidic Judaism]. There were women who were doing healing work.”

Since beginning his study, Lockwood said he’s come to understand the historic power of women’s voices: in synagogues and spiritual spaces, on the Yiddish stage and radio, in community initiatives and in family life. They include women like Goldie Malavsky, who along with her father and six siblings formed the Malavsky Family Choir, which performed in concert halls and hotels. Malavsky went on to become an independent soloist who toured around the world in the second half of the 20th century. Another cantorial star was “Khazante” (female cantor) Perele Feig, who in the 1950s had a weekly radio program on WEVD, the Yiddish language radio station in New York, and toured the Eastern Seaboard. 

“It’s not shocking, it makes total sense. It fits well with what I understand about Jewish life,” he said of these women’s success. “The thing that’s surprising is just how thoroughly it’s been erased from contemporary Jewish life. I feel that is a problem.” Lockwood has mainly been using Jewish press archives to conduct his research and uncover these stories.

Lockwood’s piece, a tribute to these women’s voices and stories, is the culmination of his studies. The lyrics draw upon American and Yiddish language ethnographies — descriptions of Jewish society both in Europe and the immigrant communities of New York— as well as Eastern European folklore, Yiddish vaudeville and even contemporary music, like that of the late Jewish music composer Jewlia Eisenberg, a friend of Lockwood’s who died in March 2021. 

On Sunday, the one-hour concert will be performed by singers Judith Berkson, Yula Be’eri and Rachel Weston. (The program premieres the previous day in New Haven.)

“It’s important to me to get deeper into why their [women cantors’] story disappeared,”Lockwood said. “There’s a throughline of stories that have been eroded from public Jewish consciousness that has to do with the roles that women play in sustaining the spirit life of the community.” 

In di Vayber Shul” will be performed at Brooklyn Conservatory of Music (58 Seventh Ave.) on Sunday at 7:30 p.m. Tickets, from $11.44, are available here


The post A Brooklyn concert will celebrate the forgotten history of women cantors appeared first on Jewish Telegraphic Agency.

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Toronto Jewish Community Shaken After 3 Synagogue Shootings in Less Than a Week

People attend Canada’s Rally for the Jewish People at Parliament Hill in Ottawa, Ontario, in December 2023. Photo: Shawn Goldberg via Reuters Connect

Two synagogues in Toronto were targeted by gunfire overnight on Friday, marking the third shooting targeting Jewish institutions in less than a week and intensifying fears of a rapidly deteriorating security climate for Jews and Israelis across Canada.

Local police confirmed that the two synagogues — the Shaarei Shomayim synagogue in North York and the Beth Avraham Yoseph of Toronto (BAYT) synagogue in Thornhill, both in Ontario’s Greater Toronto Area — suffered gunfire attacks, with multiple bullet holes found in their front windows and exterior walls.

The incidents came just four days after another attack in Toronto, in which a Jewish-owned restaurant and a local synagogue were also hit by gunfire.

Canadian authorities assured the public that they are investigating the incidents and examining any potential links, but no suspects have been identified at this time.

On Sunday, the local Jewish community gathered to confront this relentless wave of antisemitic attacks, standing in solidarity, raising awareness of the growing threats, and calling for meaningful protections for their safety and places of worship.

During a news conference outside the Shaarei Shomayim Synagogue, Sara Lefton, chief development officer of the United Jewish Appeal Federation of Greater Toronto, described last week’s attacks as shocking yet not surprising, highlighting the escalating wave of antisemitic violence sweeping Canada.

“We are shaken to our core at this moment,” Lefton said. “It’s beyond anything that we could have imagined.”

She called on “every part of Canadian society” to take action against discrimination toward Jews and Israelis, stressing that government officials must coordinate with concrete commitments and funding to ensure the community feels safe and protected.

“It’s not enough to say our thoughts and prayers are with the Jewish community. This is not a Jewish issue; this is a Canadian issue,” Lefton said.

Toronto-born Israeli Deputy Foreign Minister Sharren Haskel also condemned the shootings, describing them as “antisemitic terrorism.”

“Anti-Jewish terror is a result of a global failure to confront antisemitism and the hatred directed at the Jewish people,” the Israeli diplomat wrote in a post on X. 

Israel’s ambassador to Canada, Iddo Moed, urged Ottawa to take strong action to hold those responsible accountable and to strengthen security measures for Jewish institutions nationwide.

“The safety of Canada’s Jewish community must remain a national priority and a collective responsibility,” Moed said in a statement.

Toronto Deputy Mayor Mike Colle pointed out that he has been pressing both provincial and federal governments over the past three years to establish a task force specifically aimed at fighting antisemitism.

“[Local law enforcement] cannot do this alone. This is not a local police matter,” Colle said. “It’s not good enough to make speeches or propose laws now.”

Yet his initiatives stand in sharp contrast to Mayor Olivia Chow’s history of openly anti-Israel statements and positions. In November, several Canadian Jewish groups called on her to apologize and even resign for publicly calling Israel’s war against Hamas terrorists in the Gaza Strip a “genocide” 

Like most countries across the Western world, Canada has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

Canadian Jews have been hit by a wave of antisemitic incidents, with at least 32 reported across five provinces in just the first week of January this year, according to data collected by the Jewish advocacy group B’nai Brith.

“Antisemitism in Canada is now accelerating at an increasing rate, spreading across provinces, platforms, and public spaces. That is a warning signal, and it demands more than piecemeal reactions,” the group wrote in a letter urging Prime Minister Mark Carney to create a Royal Commission that would explore the problem and draft policy proposals for solving it.

In one of the latest antisemitic incidents, a kosher restaurant and a neighboring business in Montreal, the largest city in the province of Quebec, were vandalized last week, with antisemitic graffiti and swastikas spray-painted across their walls.

In another troubling antisemitic incident, a 15-year-old Jewish student in Halifax, the capital of Nova Scotia, has been forced to continue his education online after his school failed to stop repeated antisemitic harassment and bullying.

According to B’nai Brith’s latest audit released last year, antisemitic incidents in 2024 rose 7.4 percent from 2023, with 6,219 adding up to the highest total recorded since it began tracking such data in 1982. 

Seventeen incidents occurred on average every day, while online antisemitism exploded a harrowing 161 percent since 2022. As standalone provinces, Quebec and Alberta saw the largest percentage increases, by 215 percent and 160 percent, respectively.

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For the ‘Jazz Rabbi’ of Connecticut, music and Judaism are both about tradition and improvisation

Greg Wall, who has juggled a career as a professional jazz musician while holding down a day job as a pulpit rabbi, has long been known as The Jazz Rabbi. Though he has retired from his job at the Beit Chaverim Synagogue in Westport, Conn., where he served as full-time rabbi for 10 years, he’s still at the synagogue seven days a week.

“Jazz is really a model of how to put your own spin on an inherited tradition,” Wall told me. “And that’s what the practice of Judaism has been for me. I’m part of the tradition, yet I’m trying to come to my own understanding and make certain connections myself, rather than just dial it in by rote.”

The Jazz Rabbi prays three times a day and studies Talmud study daily. But Wall is also devoted to another congregation: Every Thursday night the jazz faithful gathers at a VFW Post in Westport. The shows, known as Jazz at the Post, are organized by the Jazz Society of Fairfield County, a non-profit organization Wall co-founded. He’s the organization’s artistic director.

“This is a really nice chapter of my life,” Wall told me just he as he was getting ready to perform at a sold-out show in late February. “I have people calling me all the time to come play here. A lot of them are Grammy Award-winning jazz artists.”

The venue, which has a capacity of about 80, is usually sold out. Admission is $20 and there is no drink minimum, making it much more affordable than the typical night out at a commercial jazz venue, where admission is often $50 with a two-drink minimum. Because the Jazz at the Post shows take place at a VFW hall, veterans are admitted for $15, as are students.

Wall said that the fact that there’s no adversarial relationship with a restaurant trying to sell food and drink makes for a much better listening experience for jazz lovers.

“People come here to listen to the music,” he told me. “The people that I would go out and listen to in New York now come to Westport. I feel a little guilty that this place is two minutes from my house, but so be it.”

Merch for sale at Jazz at the Post. Photo by Jon Kalish

Back in 2009 when Wall got his first pulpit, a part-time gig at the Sixth Street Community Synagogue in Manhattan’s East Village, his group Later Prophets was touring regularly. During his time at the Sixth Street shul, Wall created the Center for Jewish Arts and Literacy, which brought klezmer, jazz and big-band music to the synagogue’s basement social hall, along with Yiddish language and Torah classes. The music series lives on at the Hudson Yards Synagogue in Manhattan, thanks to the efforts of the percussionist Aaron Alexander.

Later Prophets has been inactive in recent years but Wall still plays freelance gigs with various artists and occasionally performs with the guitarist Jon Madoff’s horn-heavy Afrobeat ensemble Zion 80, as well as The Elders, a jazz group led by Frank London, his friend and collaborator of nearly 50 years.

At the VFW hall in Westport, The Jazz Rabbi joins the visiting artists on the bandstand every week. Wall said the experience of playing with different acts, many of whom perform original compositions, has been good for his musical chops. One of the regulars at the Westport shows remarked that when Wall really gets into a groove, he rocks back and forth like he’s davening.

The Jazz at the Post shows have been happening since April 2022 but Wall has been performing locally since 2015. He started playing in the back room of a local eatery known as Restaurant 323. That gig came about after Wall’s impromptu performance at a fundraiser for the Bridgeport community radio station WPKN-FM.

“After he played a couple of bars of music at the WPKN benefit, I was just blown away by his talent,” recalled Richard Epstein, a Bridgeport dentist who serves as vice-president of the Jazz Society. Epstein’s wife Ina Chadwick, a former Forward editor, was running a spoken word performance series at Restaurant 323 and suggested Wall start a jazz night there.

A rehearsal at the VFW post. Photo by Jon Kalish

Eric Bilber, a co-founder of the Jazz Society and a board member, said he discovered the Restaurant 323 scene when his wife went to pick up their daughter one night at the Metro-North station in Westport and didn’t come home right away. Their daughter Zina noticed someone playing a stand-up bass and decided they should check it out. They had such a great time that they stayed until the last set.

“And that was it,” Bilber told me. “I went back with them the following week and we’ve been going ever since. We started bringing our friends and everybody that we could think of to try to support this.”

Bilber realized there was a need to start a non-profit after the Westport jazz lovers had collected thousands of dollars by passing around a cigar box at performances to purchase a piano.

“One day he asked Wall, “Who owns the piano?’” Bilber recalled. “And we decided maybe we should start a non-profit.”

The newly created Jazz Society paid $11,000 for a Steinway Model M that was built in 1937. It had served as one of the house pianos at the Village Gate, the iconic Greenwich Village nightclub that closed in 1988.

If a piano can be said to have yichus, the Gate’s Steinway would certainly fit the bill. Thelonius Monk and Nina Simone are among several jazz greats who played it on live albums recorded at the Gate. Mose Allison, Count Basie, Bill Evans, Eddie Palmieri, Sun Ra and McCoy Tyner have banged on its keys too.

Wall had been tipped off to the Model M’s availability by his piano tuner. But all that wear and wear had taken its toll on the instrument, so in 2018 the Jazz Society came up with $15,000 to refurbish it.

Paul Haller, a Stanford-based piano restorer, recalled with a chuckle that Wall brought down a few local pianists to his shop when the repairs were completed. They put the piano through its paces for a couple of hours before declaring they were pleased with the restoration.

Ted Rosenthal, a pianist who teaches at Juilliard and the Manhattan School of Music, performed at the Post with a quintet that included Wall in late February. During the intermission, he reminded me that being a jazz musician means that one night you could be playing at Carnegie Hall and the next night your gig might be at the Carnegie Deli.

“They’ve created a jazz club in a place that wasn’t designed to be a jazz club,” he said. “I think that’s what we need to do because obviously rents in New York are so high that some clubs don’t succeed because of the expenses involved. If you can find a place and build an audience, I think that’s a perfect way to go.”.

“This place is like being in Greenwich Village,” said Alan Phillips, a Westport resident who comes to the Jazz at the Post performances almost every week. “The world-class jazz that we get right here —  it’s the best kept secret.”

The post For the ‘Jazz Rabbi’ of Connecticut, music and Judaism are both about tradition and improvisation appeared first on The Forward.

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Trump Admin to Designate Muslim Brotherhood in Sudan as a Terrorist Group

US Secretary of State Marco Rubio speaks during a US-Paraguay Status of Forces agreement signing ceremony at the State Department in Washington, DC, US, Dec. 15, 2025. Photo: REUTERS/Kevin Mohatt

The Trump administration will soon designate the branch of the Muslim Brotherhood in Sudan as a terrorist group, the US State Department announced on Monday, following similar steps targeting the global Islamist network’s activity in Lebanon, Egypt, and Jordan.

“Today, the Department of State is designating the Sudanese Muslim Brotherhood as a Specially Designated Global Terrorist and intends to designate the group as a Foreign Terrorist Organization, effective March 16, 2026,” US Secretary of State Marco Rubion said in a statement.

“The Sudanese Muslim Brotherhood (SMB) uses unrestrained violence against civilians to undermine efforts to resolve the conflict in Sudan and advance its violent Islamist ideology,” Rubio continued, noting the organization receives backing from the Islamist regime in Iran.

“Its fighters, many receiving training and other support from Iran’s Islamic Revolutionary Guard Corps (IRGC), have conducted mass executions of civilians,” the top US diplomat added. “As the world’s leading state sponsor of terrorism, the Iranian regime has financed and directed malign activities globally through its IRGC. The United States will use all available tools to deprive the Iranian regime and Muslim Brotherhood chapters of the resources to engage in or support terrorism.”

The Sudanese Muslim Brotherhood’s armed wing, the al-Baraa Bin Malik Brigade (BBMB), was blacklisted by the US government in September 2025 for its role in Sudan’s ongoing war.

“SMB’s BBMB fighters have conducted mass executions of civilians in areas they captured, and repeatedly and summarily executed civilians based on race, ethnicity, or perceived affiliation with opposition groups,” according to the State Department.

The terrorist designations will deny the Brotherhood’s members access to the US financial system, restricting their access to resources they need to carry out attacks.

“All property and interests in property of the Sudanese Muslim Brotherhood that are in the United States or that are in possession or control of a US person are blocked. US persons are generally prohibited from conducting business with sanctioned persons,” the State Department warned. “Persons that engage in certain transactions or activities with the Sudanese Muslim Brotherhood may expose themselves to sanctions risk. Notably, engaging in certain transactions with them entails risk of secondary sanctions pursuant to counterterrorism authorities.”

The State Department’s announcement came less than two months after the Trump administration designated branches of the Muslim Brotherhood in Lebanon, Egypt, and Jordan as terrorist groups.

US President Donald Trump in November signed an executive order directing his administration to determine whether to designate certain chapters of the Muslim Brotherhood as foreign terrorist organizations and specially designated global terrorists.

The Palestinian terrorist group Hamas has long been affiliated with the Brotherhood, drawing both ideological inspiration and even personnel from its ranks.

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